#
#
#
-%title Soul Music (11)
+%title Soul Music (13)
+# p. 121 (Harper Torch edition; passage starts mid-paragraph)
%passage 1
-But this didn't feel like magic. It felt a lot older than that. It felt
+But this didn't /feel/ like magic. It felt a lot older than that. It felt
like music.
[Soul Music, by Terry Pratchett]
%e passage
+# p. 49 (the skull is a traditional decoration for a wizard's abode; this one
+# is the usual perch for, and is conversing with, a talking raven that
+# has been translating the Death of Rats' SQUEAKs for Susan Sto Helit)
%passage 2
"Yes," said the skull. "Quit while you're a head, that's what I say."
[Soul Music, by Terry Pratchett]
%e passage
-# p.2 (Harper Torch edition)
+# p. 2
%passage 3
But if it is true that the act of observing changes the thing which is
observed,(1) it's even more true that it changes the observer.
[Soul Music, by Terry Pratchett]
%e passage
-# p.8
+# p. 8
%passage 4
It is said that whomsoever the gods wish to destroy, they first make mad.
In fact, whomsoever the gods wish to destroy, they first hand the
a dance, a piece of music. The Listening Monks of the Ramtops have
trained their hearing until they can tell the value of a playing card by
listening to it, and have made it their task to listen intently to the
-subtle sounds of the universe to piece together, from the fossile echoes,
+subtle sounds of the universe to piece together, from the fossil echoes,
the very first noises.
There was certainly, they say, a very strange noise at the beginning of
[Soul Music, by Terry Pratchett]
%e passage
+#
+# 2 more passages added for 3.7
+#
+# p. 242 (passage starts and ends mid-paragraph; "the Old" rather than "the
+# Old <some language>" is accurate)
+%passage 12
+Wizards were rumored to be wise--in fact, that's where the word came
+from.(1)
+
+(1) From the Old /wys-ars/, lit: one who, at bottom, is very smart.
+
+ [Soul Music, by Terry Pratchett]
+%e passage
+# p. 351 (passage starts mid-paragraph; Death normally isn't bound by time
+# and space so can be everywhere at once, more or less, but in this
+# case he is speeding out of Ankh-Morpork and across the countryside
+# on a motorcycle invented by UU's Librarian; despite racing along
+# at such high speed that the vehicle has steadily disintegrated out
+# from under him, progress is slow by his usual standard)
+%passage 13
+The fastest way to travel is to be there already.
+
+ [Soul Music, by Terry Pratchett]
+%e passage
%e title
#
#
#
%title Interesting Times (10)
-# p.1 (footnote)
+# p. 1 (Harper Torch edition; passage is a footnote)
%passage 1
Whatever happens, they say afterwards, it must have been fate. People are
always a little confused about this, as they are in the case of miracles.
[The Last Continent, by Terry Pratchett]
%e passage
-# p.3 (Harper Torch edition)
+# p. 3 (Harper Torch edition)
%passage 3
All tribal myths are true, for a given value of "true."
Lords and Ladies passage #5, near end add missing opening double
quote, passage #7 last paragraph, "to" -> "be"
Men at Arms passage #1, italicize /for/, passage #2, insert omitted
- word "had": 'it was /fate/ that _had_ let Edward'
+ word "had": 'it was /fate/ that _had_ let Edward'
Hogfather passage #7 missing initial double quote for "Oh, just ...",
also #7 insert missing "you" into "Why are you feeling [...]"
+ Soul Music passage #1, italicize /feel/, #8, "fossile" -> "fossil"
Jingo passage #2 "Vines" -> "Vimes", "profferred" -> "proffered",
missing opening single quote on second sentence of Lord Downey's
line, passage #11 both in footnote: "genious" -> "genius",
thrown-and-return weapon will throw that weapon instead of filling
the quiver (inspired by xNetHack)
3.6's tribute: add one new passage to Sourcery, three to Small Gods, one to
- Lords and Ladies
+ Lords and Ladies, two to Soul Music
Platform- and/or Interface-Specific New Features