WEBVTT

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And now, tonight's presentation of radio's outstanding theater of thrills, Suspense.

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Tonight, we bring you one of the great mysteries of the sea.

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A ship found drifting in perfect condition, but with no human aboard.

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We call it, the mystery of the Mary Celeste.

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So now, starring John Danaer, here is tonight's Suspense play, The Mystery of the Mary Celeste.

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On December 9th, 1872, the American brigantine Mary Celeste was discovered adrift and derelict, close off the coast of North Africa.

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She had sustained some storm damage, but she was still an able ship.

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Her sails were set, her cargo was intact, conditions in her cabins and folkshows seemed normal.

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There was no evidence of violence.

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Yet not a sign was found of the crew that had manned her.

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Officers, men and the captain's wife had vanished, and no acceptable explanation of their disappearance has ever been advanced.

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Perhaps this is that story.

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It would start in New York City's harbor district on the night of November 7th, 1872, the eve of the Mary Celeste's departure from that same harbor.

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Stop! Stop or I'll shoot! Stop or I'll shoot!

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What is it, officer? What's the matter?

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Did you see a man running past this way?

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No, I didn't see anybody. I heard the shots.

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Who is this, your honor?

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He just killed some people.

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What?

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I thought I heard something.

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But I don't now.

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Who did the man kill?

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A young girl and the man she was with.

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And then he killed the girl's mother.

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He's a maniac that we've got to get.

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I'll look down this way.

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I'll help if I can.

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All right. More men from the force will be here shortly.

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Oh.

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I didn't remember killing her mother.

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Grace I killed because I couldn't help it.

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The man because he came after me when Grace was down.

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But I never meant to kill her mother.

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And when I heard that I had, I wondered if the officer was right.

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And then I was insane.

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It was not time to think of it then.

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Only time to think of getting away.

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And through that night I searched for a ship that was leaving soon.

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And one that was badly guarded so I could slip aboard.

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When I found her, she was the Mary Celeste.

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And the drunken deck watch stayed in his sleep until I was hidden in number two hold.

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There I passed two days in a dream.

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Neither fully awake nor asleep but always thinking of the horror I had done.

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And I knew that escape was wrong.

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And that I could never be sane until I cleared my soul of it.

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On the third morning I proceeded to make my presence aboard known.

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So that I can go to the captain and tell him of my crime.

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And take the consequences I so richly deserve.

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I climbed to the deck and am immediately seen by a crewman.

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Lindley look, who's that?

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Who are you mister? What are you doing aboard?

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My name is Sam Newcomb and I want to talk to your captain.

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You'll talk to him right enough whether you want to or not.

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Why'd you get on board?

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You'll be lucky if you didn't stay in the 12-4 watch your last night in port because that's when it was.

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You're uppity for us to away aren't you? You're no better than a thief.

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I admit that. I want no trouble with you. Please.

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Take me to the captain. I'll talk to him and no one else.

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You take him Boal. I'd better stay forward.

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Come on Newcomb.

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You're going to make the rest of the trip with us. You better drop your airs or there'll be trouble.

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I don't have any airs and I don't think you'll be troubled with my company.

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Oh you mean you don't think you'll quarter with a crew?

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No.

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You expect to be with the officers like an honored guest?

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No.

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Where then?

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I don't know.

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You act like you're deaf.

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Don't you say that.

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I don't.

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You what?

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Nothing.

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I'm sorry I want to talk to you captain.

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Watch what you do or say. You'll be over the side.

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Here.

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Yes come.

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Watch your language. The skipper's wife is in the next cabin there.

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Well, who's this?

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He just came out of number two hole sir. His name's Sam Newcomb.

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Got aboard on the 12 to 4 watch hour last night in.

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Hubbard's watch. He'll answer for it.

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Well Newcomb, will you have to save yourself?

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I'd like it if I could talk to you alone sir.

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That's all Boal. Tell Hubbard I want to see him as soon as he's off watch.

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Yes sir.

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You realize Newcomb that you've committed a crime by boarding this ship without permission.

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And probably without passport or any other papers I suppose.

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I know sir but when I tell you why.

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I'm not a bad man sir. Nothing like this ever happened before but something drove me.

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I didn't know what I was doing.

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Another one who's always wanted to go to sea I suppose.

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Oh no sir. I've been sailing for ten years. I'm an able hand.

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I came aboard because I had to get away.

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You're in trouble?

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Yes sir. I don't think it was my fault but I am wrong.

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What kind of trouble?

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It was a girl sir who I was in love with. I don't know what came over me but...

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Yes? What'd you do to her?

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I found her with another man and I just had to get away sir.

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Ah lovesick. Well that doesn't condone...

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Oh yes my dear.

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Oh I'm sorry I thought I heard you talking.

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Yes yes this is Mr. Newcomb. He came aboard illegally the night before we left.

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Well where has he been?

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It's three days.

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In number two hold ma'am.

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Have you had food and water?

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No ma'am.

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Why haven't you come to us before this?

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I don't know ma'am.

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He was going to tell me why he came aboard.

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I don't suppose it's important to anyone but me. I felt that I had to get away and...

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It was a girl.

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I almost guessed that. A broken heart?

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I thought it was. I know it sounds silly but to me it seemed awfully serious and...

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I couldn't think of another way to leave as quickly as I wanted to.

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Yes yes. Well there's no way I can allow an affair of the heart to influence what I must do in this case.

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By reputation I'm a fair and lenient man.

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Well I'm a seaman sir. I could work my way.

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I'm not so sure you deserve the chance.

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Whatever you say sir.

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Ben.

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Oh please Grace.

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Grace?

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What's the matter with you?

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Nothing sir.

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My name. Grace is the name of the girl.

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Yes ma'am.

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It was learning that the captain's wife was aboard that made me change my mind about telling him the truth.

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When I talked to him, especially after his wife came, everything was turned about.

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It was as though I was the captain and the stowaway was someone else.

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It was as though my wife, my Grace had come in from the next cabin and together we talked to this stowaway.

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And we felt sorry for him and wanted to be kind to him.

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The wife can't be more than three or four years older than I.

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And I feel close to her right away.

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I think that even if she doesn't know what I've done, she understands me.

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It is a good feeling to have one friend on the ship.

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Through her please I am sure I am not restrained and instead sent to take my place with the crew and their folks.

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Well, what are you doing here? Couldn't you find a better place to quarter?

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I was told where to come.

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Ah, Hubbard.

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Huh?

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Wake up.

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Here's the one came aboard during your watch.

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Huh?

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What did you figure you'd be fined, Hubbard?

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A week's pay?

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Yeah, that's right.

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Newcombe, huh?

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Yes.

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Why'd you come aboard?

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I wanted to get away from New York.

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Man's gotta have a better reason than that.

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You running away from the police?

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No.

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What then?

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That I wouldn't interest you. It's not important.

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It's important to me.

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And I want you to know how I feel about it.

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Are you gonna get up?

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No. I want no trouble with any of you.

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You don't want any trouble. You caused me trouble, haven't you? I'll be called up in front of the captain because of you.

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That's done. There's no way I can change it.

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We've got three weeks before we make Naples. You'll pay for it. I'll see to that.

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Through the following days I knew no peace.

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There were four deckhands and a first officer, and although I had reason to fight because of the way they beat me and used me, I did not.

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I was afraid of my own violence now that I had killed.

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The one named Hubbard was the worst. His eyes were always on me, and I wondered why.

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There was a night when I woke to find him bending over my bunk. He was smiling.

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And from that moment on, even in sleep, I felt him watching me.

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On another night, I am on deck. I'm crossing from port to starboard, and when I pass under the main yard, a marlin spike falls from a loft and sticks in the planks beside me, narrowly missing my head.

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I look up to see Hubbard smiling down at me from the rigging. I try to avoid him, but he drops to the deck to face me.

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I dropped my spike.

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I know you did.

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What are you gonna do about it?

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What do you think?

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You take more than any man I've ever known, Nookum.

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I'm not proud of that. But why do you keep after me? Why don't you leave me alone?

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Because I'm a curious man. I want to know truly why you're on this ship. Your story to the captain about trouble with some woman just doesn't set right.

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It's the truth.

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Not all of it.

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Why do you say that?

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Anybody ever tell you you talk in your sleep?

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You are listening to The Mystery of the Merry Celeste, tonight's presentation in radio's outstanding theater of thrills, Suspense.

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We all have treasured possessions, keepsakes, and mementos which are irreplaceable regardless of cost.

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You'd be heartsick if you lost yours, yet probably you are risking their loss by fire every day through carelessness.

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So CBS radio reminds you, don't give fire a place to start. Be sure all cigarettes are out before discarding them.

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Clear your house of old newspapers, damaged furniture, and inflammable debris.

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Repair electrical wiring as soon as it shows signs of wear. These simple rules will keep your valuables safe.

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And even save your life.

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And now we bring back to our Hollywood soundstage, John Danaer starring in tonight's production, The Mystery of the Merry Celeste.

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A tale well calculated to keep you in...

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Suspense.

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I had never been told that I talked in my sleep until the one named Hubbard said I did.

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He may have been lying, but I could not trance that.

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Therefore I carefully abstained from regular sleeping habits, allowing myself short naps only when I knew that Hubbard was at the helm or some other ship's business that he could not leave.

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The horror that I had done became a secret that pressed against my head, wanting escape.

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But I held it in and I took the abuse of the men aboard.

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The only kindness and relaxation I find are during the moments when I chance to meet the captain's wife.

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Off watch one night, when it is not safe to sleep, I am alone, taking a cup of tea in the galley when she comes in.

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Oh, Mrs. Briggs.

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Mr. Newcomb, I've been thinking of you. I haven't seen...

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Well, you look ill. Is there something wrong?

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Nothing, ma'am. Oh, my sleep has not been so good.

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And your cheek is bruised. What happened?

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Nothing serious. Some trouble with the other hands.

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Have you told the captain?

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No, no, ma'am.

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Why not? I shall.

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No, please, don't. I've caused enough trouble. I wouldn't want there to be any more.

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May I have some tea, Mr. Newcomb?

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Oh, yes, ma'am.

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Thank you.

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I think you're a very kind man, Mr. Newcomb.

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Oh, you do?

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Yes. To protect the other hands, for one thing. They're a rough lot, I know.

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No, no, worse than most men, ma'am.

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You're very unhappy, aren't you?

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This girl, Grace...

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I know this is hard for you to understand, but really, no one girl is worth ruining your life for.

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Not even losing sleep for.

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Yes, ma'am.

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I wish you'd stop calling me ma'am.

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Perhaps if you did, you could talk to me about this girl.

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I think it would do you good, don't you?

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I don't know.

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Tell me about her. I'm sure she's quite beautiful.

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I thought so.

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And you plan to be married?

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Yes.

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But she changed her mind.

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Well, she was never sure. She was ambitious for me.

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That's natural.

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And I disappointed her like I did my family, my mother, everybody.

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I'm always thinking that I'm doing my best, but I always disappoint people.

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What did she want you to be, this girl?

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Oh, a ship's master like your husband. We dreamed of the day she could sail with me like you do on this ship.

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You mustn't lose faith in yourself. It took my husband years to get his papers.

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There are no years for me anymore.

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She wouldn't wait.

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No, she wouldn't wait. You must have waited, but she wouldn't.

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She promised to wait, but she didn't. She never understood that it took time.

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She was ambitious, and she pushed me for my officer's papers, and I failed.

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My family pushed me, too, when I wasn't ready, and they made me fail.

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And I went away, six months trip to South America. I tried to jump overboard, and they stopped me.

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And I got back and found her married to a ship's captain.

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And her mother was there laughing at me. I tried to tell her that I was happy about it.

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Then Grace smiled at me, and something happened.

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Mr. Newfield. I was only going to kill her. I didn't even know the others were there.

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I hit her, and when she went down, the man came after me, and I hit him, too.

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When you get in a mix-up like that, you just don't know what you're doing.

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Time means nothing. It's like everything else.

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Mr. Newfield. And then her mother. I don't remember that.

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But she's dead, too, and then they blame me. Maybe I did.

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Miss Briggs, where are you going?

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Stay away from me. Oh, no, you've been nice to me.

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Why did it have to be you that I told everything?

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No, please, please. And I like you. Why did it have to be you?

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No, no, no. No, I don't want to kill you. I never wanted to kill anybody.

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Let me go. No, please. I won't hurt you. You've been nice to me.

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Stay away from me. I won't touch you. I won't touch you.

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But you've got to promise. You won't tell.

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I don't know why I said those things. They aren't true.

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I get mixed up. I dream things, and then they seem real after I wake up.

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That's why I'm such a liar. I always lie.

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Nothing I told you was the truth. Nothing. You believe that?

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Yes. Yes.

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And you won't tell anybody what I said?

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I won't tell anyone.

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I'm glad. Now, come, Mrs. Briggs. Finish your tea.

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We'll talk about something else.

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No. No, I've got to go to my cabin.

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Mrs. Briggs!

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Don't tell.

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I knew she would tell, and so I hid.

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I went back to Number 2 Hole, where I had felt safe before.

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I don't know how much time passed.

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There they find me. I see their lantern as they come closer.

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The truth is out, and there's no place for me to go.

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So I stand up and wait.

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Captain, I hear him, I think.

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Yes, Hopper. Keep your pistol ready. We'll have to be careful.

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Yes, sir.

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There he is, sir. Come out of there, Nogum.

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Keep your lantern down, Hopper. Keep us out of the light. He's dangerous.

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I won't cause any trouble, sir.

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Get him out of there!

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I won't cause any trouble, sir!

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It's all right, sir. He's down.

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Dirty scum, lock him up!

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I am not sure how many days passed, but I found comfort in being locked up,

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because I could sleep without the fear of Hubbard leaning over me,

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listening for what I might say.

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Then there was one night when shouting on deck woke me up.

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I couldn't hear the words being in the middle of the ship, but soon the shouting stopped,

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and it was silence.

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It was a new silence that I studied for a long time.

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I heard no footsteps on the deck.

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I heard no voices.

22:02.000 --> 22:05.000
I heard no creaking timbers.

22:05.000 --> 22:09.000
It was a dead ship.

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I wait for the one daily meal that they allow me.

22:17.000 --> 22:19.000
No one comes.

22:19.000 --> 22:22.000
Then I shout.

22:23.000 --> 22:25.000
Let me out!

22:25.000 --> 22:26.000
Get me out of here!

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Somebody come! Let me out!

22:33.000 --> 22:37.000
If one were insane, he would surely break at a moment like that.

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I was locked up and alone on a ship that was held motionless,

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as if gripped by some great hand.

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But I did not break.

22:46.000 --> 22:52.000
I dismantled my bunk and from the wood and fashioned a ram with which I attacked the door.

22:52.000 --> 22:55.000
The task of freeing myself consumed most of the day.

22:55.000 --> 23:01.000
And such was my concentration that I didn't realize the exact moment that the ship began moving,

23:01.000 --> 23:06.000
as if the great hand had released its grip and set her free.

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And I was free.

23:16.000 --> 23:23.000
I come out on deck to find a cloudless sky and empty sea horizons all around,

23:23.000 --> 23:29.000
as if I am alone in the world, the wheels spinning idly with no one to attend it.

23:29.000 --> 23:34.000
I lash it after fitting a new course to the sail she is wearing.

23:34.000 --> 23:37.000
The whole ship is mine.

23:37.000 --> 23:40.000
I am master and crew.

23:40.000 --> 23:45.000
And I have found peace and well-being,

23:45.000 --> 23:50.000
as if I've been absolved of any wrongs I had to do.

23:50.000 --> 23:57.000
Because what, if not Providence, held the ship that night and sent the others to certain death in the endless sea?

23:57.000 --> 24:06.000
What, if not kind Providence, decided that I, I alone would survive?

24:06.000 --> 24:10.000
The meek and humble shall inherit the earth.

24:10.000 --> 24:13.000
This narrative I swear to be true.

24:13.000 --> 24:17.000
And on this second day of December, the year of our Lord 1872,

24:17.000 --> 24:22.000
I hereby sign it and seal it in a bottle to be delivered to the ocean currents,

24:22.000 --> 24:31.000
in the hope that someday it will drift back to the hated world from which I am forever parted.

24:31.000 --> 24:34.000
According to scientific theory,

24:34.000 --> 24:38.000
a strange phenomenon takes place now and again off the coast of Africa,

24:38.000 --> 24:41.000
near where the Mary Celeste was found.

24:41.000 --> 24:45.000
Great rivers of sand are swept out from the coastal deserts.

24:45.000 --> 24:49.000
When certain conditions prevail, this sand is constantly being swept out.

24:49.000 --> 24:52.000
The sand is being swept out of the coast of Africa,

24:52.000 --> 24:55.000
and the sand is being swept out of the coast of Africa,

24:55.000 --> 24:58.000
and the sand is being swept out of the coast of Africa,

24:58.000 --> 25:01.000
and the sand is being swept out of the coast of Africa.

25:01.000 --> 25:05.000
When certain conditions prevail, this sand is concentrated by the ocean currents.

25:05.000 --> 25:11.000
Millions of tons are massed until an island is born, lives briefly,

25:11.000 --> 25:15.000
and then is swept away by a shift in the currents that created it.

25:15.000 --> 25:19.000
One such island formed under a small ship during World War II,

25:19.000 --> 25:23.000
held it for a number of hours, then released it,

25:23.000 --> 25:27.000
much in the same manner that Sam Newcomb's Providence acted.

25:27.000 --> 25:31.480
of the Mary Celeste, but no one knows.

25:31.480 --> 25:38.060
According to some reports, Sam Newcomb's signed confession did drift ashore many years later.

25:38.060 --> 25:42.480
If that is true, perhaps another of the many mysteries surrounding the Mary Celeste has

25:42.480 --> 25:44.560
been solved.

25:44.560 --> 25:49.720
That mystery was a short length of line that reportedly was found secured to the stern

25:49.720 --> 25:55.280
of the ship, close up under the transom where someone would hide.

25:55.280 --> 26:01.040
Attached to this line was a man's leather belt that had parted in the middle.

26:01.040 --> 26:05.320
Could Sam Newcomb have hidden there when the salvage crew was put aboard to sail the ship

26:05.320 --> 26:07.840
to Gibraltar?

26:07.840 --> 26:13.400
Could he have hung suspended there against the weakening belt until it parted and let

26:13.400 --> 26:29.280
him sink silently into the sea?

26:29.280 --> 26:45.720
Suspense, in which John Danner starred in tonight's presentation of the mystery of

26:45.720 --> 26:47.800
the Mary Celeste.

26:47.800 --> 26:54.140
Next week, the story of a murder plan that was discovered and which led to a double execution.

26:54.140 --> 26:57.440
We call it the eavesdropper.

26:57.440 --> 27:14.560
That's next week on Suspense.

27:14.560 --> 27:17.360
Suspense is produced and directed by Anthony Ellis.

27:17.360 --> 27:19.320
Tonight's script was written by Gil Dowd.

27:19.320 --> 27:24.280
The music was composed by Lucian Morrowek and Rene Gerrigang and conducted by Wilbur

27:24.280 --> 27:29.760
Hatch, featured in the cast were Victor Perrin, Joseph Kearns, Paul Fries, Ben Wright, Joe

27:29.760 --> 27:33.120
Duvall and Helen Kweeb.

27:33.120 --> 27:35.640
Have you heard any good Geiger counters lately?

27:35.640 --> 27:37.320
Better stick to the ones you own.

27:37.320 --> 27:41.040
The latest dodge of the lads in the lookout for easy money is to hold up a Geiger counter

27:41.040 --> 27:45.080
until any old used bricks make like solid uranium.

27:45.080 --> 27:49.960
Tomorrow night our FBI in peace and war tackles a slick confidence man with a rigged Geiger

27:49.960 --> 27:53.780
counter and a fistful of beautifully engraved uranium stock certificates.

27:53.780 --> 27:59.200
Be sure to meet the FBI in peace and war on most of these same CBS radio stations tomorrow

27:59.200 --> 28:00.620
night.

28:00.620 --> 28:04.560
Stay tuned for five minutes of CBS news to be followed on most of these same stations

28:04.560 --> 28:14.840
by the Jack Carson Show.

28:14.840 --> 28:32.320
You hear America's favorite shows on the CBS radio network.

28:32.320 --> 28:52.560
Uhh, millions of rednecks!

