WEBVTT

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And now, transcribe tonight's presentation of radio's outstanding theater of thrill,

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Suspense.

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Tonight, we bring you a story of a man who returned home to find his people in the grip

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of a strange disease.

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We call it the Frightened City.

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So now, starring Mr. Harry Bartel, here is tonight's Suspense play, The Frightened City.

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Train pulled out of Easton at 1.20 in the afternoon.

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It pulled in three minutes earlier.

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It was a simple thing I had to do then.

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Watch it cross the bridge over the Wabash.

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Watch it grow smaller.

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And when it was out of sight, I was finally home.

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And home was pick up the barracks bag and walk up the small hill from the depot down

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into Main Street on an autumn afternoon.

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Turn left on Sycamore down three blocks where the houses are painted white and there's rockers

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on the porches and white elm trees of November color and the far off sound of a dog barking

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and smell of smoldering leaves and 595 Sycamore Street.

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Up the path, up the steps.

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Jane, Janey.

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Who is it?

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Janey, sis.

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Nick, Nick, Nick.

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Oh, Nicky, Nicky.

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How's the baby, sis?

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Oh, fine.

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He was teething, but he's all right now.

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Haven't seen him yet.

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Oh, he's beautiful.

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How's Janey?

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Well, how's Janey, sis?

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What?

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Janey, how is he?

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Your husband, my brother-in-law, Janey, how...

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What's the matter with you?

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Didn't you get my letter?

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I was aboard ship the last two weeks, so I...

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Johnny's dead.

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Johnny went walking one night and he's dead.

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One night Johnny said he was going to walk down to Main Street.

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Told me he wanted to stop in the police station.

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He had somebody tell it to the police.

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Janey, Janey, listen.

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He went out and he was walking along.

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Janey!

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Walking along.

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Oh, baby, baby.

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A car drove by and someone shot a gun at Johnny.

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And Johnny's dead.

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Who?

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Who shot Johnny, sis?

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Janey, I'm talking to you. Who shot Johnny?

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Janey!

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Nick, you've got a nephew.

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He's sleeping and he's my son.

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He's a good baby and I love him as much as a mother can love a child.

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Now I want to show you something.

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I've had it here in my apron and I've been wondering what to do about it.

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I found it under my door about a week ago the day after Johnny was shot.

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I'll read it to you.

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Don't talk to strangers.

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What happened to Daddy can happen to Sonny.

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Give it to me.

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My little boy is going to grow up.

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He's going to play with other boys and laugh and cry when he scrapes his knee on the sidewalk and goes home...

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Give me the note, Janey.

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...and live a life.

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No, no, no, Nicky.

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These pieces get burned, get forgotten.

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It gets forgotten like everything else that's happened.

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Who did it, Janey?

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You're back home.

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Let everything be peaceful now.

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Let's keep it that way.

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Outside it was November.

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The long, quiet avenue.

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And the glimpse of the coat-sweated woman in her backyard.

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Gathering in her wash.

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Feeling it at the starch of cold autumn wind.

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Walk to a cross street.

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Then three blocks east.

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Police headquarters.

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Give a murdered man's name and yours.

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Ask for the chief of police.

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And in less than an hour be shown in to him.

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Hello, Mr. Crawford. Have a seat.

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You know I am here.

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Yes, yeah, I do.

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I just came from my sister.

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She's scared.

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She gets threatening notes and burns them up.

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Why?

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I don't know.

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Who killed her husband?

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I don't know.

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Look, you. This happened to my sister.

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Now it's happening to me.

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A week ago a man walked down the street.

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He was on his way to see you and he got murdered.

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Easy, kid, easy.

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I got some things to tell you.

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Tell me.

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Four people saw it happen to your brother-in-law.

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That night one of them, a woman, was brutally beaten.

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Tossed into a vacant lot.

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A kid playing in the trash found her there.

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Two days later another witness got a bomb thrown through his nice new house.

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It almost killed his wife.

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That's two.

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The other two won't talk either.

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Like your own sister won't talk.

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I'm tired, Mr. Crawford.

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I got lots of things to clear away.

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I want their names and addresses.

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They'll talk to you, huh?

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They'll talk to me.

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I want those names.

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Tell the sergeant in the next office I said you could have them.

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Mr. Crawford.

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What?

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Things have changed in this town.

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It's different.

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Hang around, you'll see.

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Hello.

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Evening.

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Mr. Osborne.

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I'm Mr. Osborne.

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Something I can do for you.

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They tell me down at your place of business that you'd be home.

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It's about Johnny Stewart.

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Do you mind if I sit down?

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Not at all.

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Johnny Stewart, huh?

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Friend of yours?

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He was married to my sister.

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Your sister?

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Oh, then you must be Nick.

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Heard a lot about you from Johnny.

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How you were soldiering in Korea.

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Welcome home, Nick.

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Johnny worked for you, didn't he?

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Good accountant, nice guy, Johnny.

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One of the best.

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You were with him the night he was killed.

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That's right.

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I was with him.

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You want to tell me about him?

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Johnny was walking by my store just as I was closing up.

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I told him to wait a minute.

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I'd walk with him.

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We walked.

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We talked.

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We got to a corner.

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I told Johnny to wait for me while I went into the drug store to buy some cigarettes.

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Just as I came out, a car turned the corner,

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shot him down, drove away.

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That's how it was.

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What kind of a car?

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I wouldn't know.

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A sedan, convertible, old, new?

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A week ago they put me through this.

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I didn't know then.

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I don't know now.

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He worked for you.

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He was your friend.

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You knew all about him and me and his wife.

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Nick, I like it here on my porch swing.

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It reminds me I'm alive.

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Don't spoil it for me, Nick.

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Mrs. Mason, you were sitting right here at your window and you saw it happen.

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You saw Johnny killed.

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I didn't see it.

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What kind of a car?

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Just tell me that.

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Nothing.

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The men who beat you up, could you identify them?

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They were weeds and dirty old thin cans.

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Please.

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And they threw me down, kicked me, my throat.

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Go away.

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What are you doing in my house?

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You listen to me, Nick.

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I can remember when Johnny Stewart was a kid

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and he stole a penny candy from me right here in the same drug store.

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And he grew up to be shot down right on this corner, right outside this store.

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What happened that night, Mr. Nolan?

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Nick, I built up a nice business here.

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20 years.

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What did you see?

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Nicky, Nicky, it was me had to scrub his blood off the sidewalk.

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What did you see?

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Nothing.

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That's what I saw Nick, nothing.

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Hi.

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Hello there.

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You're Tom Rockston, aren't you?

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That's right.

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I'm Nick Crawford.

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Glad to know you.

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Johnny Stewart was my brother-in-law.

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Oh, really?

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I understand your wife was almost killed when they tossed a bomb into your house.

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That's right, here's what was out back.

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Lucky.

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That bomb was because you were a witness to a murder, wasn't it?

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House looks okay now.

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I got nice neighbors.

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Help me.

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We fixed it up ourselves.

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We'll kill Johnny.

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You're scared to death, aren't you?

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I got a pretty good house here, mister.

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A tract house, GI loan.

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Once I had a nice uniform just like you.

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Now what I've got is a wonderful wife.

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Anybody asks me, I'll say Hazel's a wonderful wife and I love her.

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Like I said, scared.

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Right now, mostly are you.

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Whatever you're carrying around with you, I don't want to rub off on me or Hazel.

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So I'll tell you something.

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Leave me alone.

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When I went outside, it was evening in Easton.

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The air was chill and the dew was turning to light frost on the lawns.

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I walked for a while and I noticed a thing.

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The people on the streets, they all had the same disease.

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Their stares, their looks over the shoulder at me.

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The whispers, the turning aside to let me pass.

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The word had gotten around that Johnny Stewart's brother-in-law was back in town and was asking questions.

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Was being pointed out, walked away from.

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I'd come home.

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And I'd come home to a frightened city.

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You are listening to The Frightened City.

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Tonight's presentation in radio's outstanding theater of thrills, Suspense.

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And now we bring back to our Hollywood soundstage, Mr. Harry Bartel, starring in tonight's production,

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The Frightened City, a tale well calculated to keep you in suspense.

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The next morning in Easton, clear, bright.

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Look out the window of an upstairs room where you've slept in an almost forgotten bed.

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In the glint of sunlight is autumn leaves wet with melting frost.

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Nikki, you up?

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Yeah, come on in.

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Hi.

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Hi.

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You sleep good?

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Yeah.

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I heard the kid bawling a little while ago.

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Woke me up.

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Sit down, honey.

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He was hungry.

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It's all right now.

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Nikki.

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What?

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You got home real late last night.

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I waited up a long time, and I got tired and went to sleep.

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My brother's first night home in three years.

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You think you could have managed to get home early enough for us to talk?

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What do we talk about, Jane?

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Oh, you.

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What's happened to you in three years?

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But Johnny, dead Johnny, murdered Johnny, your husband, the man you had the kid with, that we don't talk about.

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Shut up, Nikki.

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Janey.

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Shut up.

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You're going to yell me into keeping quiet?

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I told you I don't want my baby killed.

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Johnny was enough.

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You hate me for wanting to know why Johnny's dead.

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You hate me for that, Janey?

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My baby gets hurt.

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I'll hate you to your grave.

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You got lots of new things in the house, Jane.

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New furniture, new carpets.

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Looks nice, looks expensive.

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You coming down for breakfast?

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How much did Johnny make working as accountant for Osmond?

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50, 60 a week?

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How much?

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Nick, leave me alone.

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New sofa, big green leather chair, new carpet.

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That costs a lot of money.

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How'd you get them, Jane?

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Is Thornman playing?

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Somebody give you a birthday present?

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How'd you do it, Jane?

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You got a home hobby?

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You take telephone subscriptions for ladies' magazines?

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Or did Johnny do it?

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Is that it?

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How?

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Did he steal?

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Did he rob?

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Did he kill?

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Tell me.

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Ask Osmond.

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Osmond.

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Ask him what?

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How we suddenly became rich.

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How Johnny left a bank account with $30,000 in it.

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What are you talking about?

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Well, you said you walked the town last night.

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Didn't you see what's happened to it?

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See what?

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People walking into back rooms, shops with no customers, open late.

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People walking into back rooms, card rooms, dice tables, numbers.

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And Johnny was part of it?

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Johnny worked for Osmond.

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And he got sick of it and was on his way to tell the cop.

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Doesn't matter.

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If you tell anybody what I said, I'll swear you're lying.

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That's what I'll do, Nick.

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Hi, Nick.

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What are you doing?

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Hey.

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Hey, what's the matter with you, Nick?

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I want you to look at me, Osmond.

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And I want you to say to yourself, here's a man who's angry.

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Say to yourself, here's a man who might reach across the desk and kill me.

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He hasn't made up his mind yet.

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On your feet, Osmond.

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On your feet!

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Why'd you kill Johnny?

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You crazy?

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Talk to me.

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Talk. Tell me why you killed Johnny.

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I was walking with him, son. Walking with him. How could I?

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How could you set him up as a pigeon? It's real simple.

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You walk with him and go into a drug store and wait until he's killed.

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Now you know how. Now tell me why.

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Been talking to your sister, son?

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Osmond, you send your boys down to see my sister.

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They might live through what'll happen to them, but I doubt it.

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Tough boy, soldier boy.

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Now here's what else, Osmond.

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This town suddenly stinks.

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Dice rooms, card rooms, numbers and everything that goes with it.

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My brother-in-law gets a shiny garbage disposal and a new grand piano.

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Real fine rugs and a large bank account.

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On how much a week?

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Seventy-five? Accountants make about that, don't they?

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We could start you at about three hundred.

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A peaceful life, Mr. Osmond, to a guy who's talking.

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Five hundred.

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For what, Mr. Osmond?

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That's the word for just now.

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I could kill you, Mr. Osmond. Just think about it.

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With me.

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Now here we are in this room.

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You, the man who's got the whole town of Easton so scared that nobody has a friend anymore.

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Takes a powerful man to frighten almost twenty thousand people, but you did it.

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Anything happens to me, Nicky boy, you'd get one block from here.

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Let's think about that too, huh?

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That's what I was coming to.

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Then there's me in this room and you're afraid of me.

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That makes me pretty big too, but I'm not going to kill you.

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Because this is my town and it used to be a pretty good town.

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The uniform and the flag and the fist, that's all you need.

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And there's law.

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And there's people who need to know what's happening here and I'm going to tell you what I'm going to do.

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Got proof, Nicky? How?

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About eight o'clock this evening I'm going to take a walk.

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I'm going to take the same walk that Johnny did.

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And I'm going into that drug store and make a phone call.

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A long distance call to St. Louis.

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To a newspaper guy I know.

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And then it's going to be in the papers about a frightened city.

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And reporters will come here and they'll find out.

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You getting real scared, Osborne?

17:12.000 --> 17:16.000
You mean it? About taking that walk tonight, Nick?

17:16.000 --> 17:17.000
I mean it.

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Maybe we'll bump into each other.

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We will.

17:29.000 --> 17:33.000
And on the way home stop at Lane's Sporting Goods Store.

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Buy a gun.

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Buy cartridges.

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And Mr. Lane is all business.

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No good evenings.

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No, how have you been, Nicky?

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Just ring it up on the cash register not looking at you.

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Walk quickly away from you when it was done.

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And the walk home.

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A small town held in November twilight.

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Inside the house, the room where the baby is.

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Play with him.

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And Jane comes in, takes him away from you.

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Tells you there's supper in the kitchen if you want it.

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And eat alone.

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Paper propped against water pitcher.

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Alone.

18:13.000 --> 18:17.000
From now on, everything alone.

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Glance at the kitchen clock.

18:20.000 --> 18:22.000
And it's time.

18:26.000 --> 18:27.000
You going out, Nick?

18:27.000 --> 18:28.000
Yeah.

18:28.000 --> 18:29.000
Where?

18:29.000 --> 18:30.000
Just for a walk.

18:30.000 --> 18:31.000
Will you be late?

18:31.000 --> 18:32.000
Maybe.

18:32.000 --> 18:34.000
Don't wait up for me.

18:50.000 --> 18:51.000
Something for you, Nick?

18:51.000 --> 18:52.000
Some change.

18:52.000 --> 18:53.000
I want to use your phone.

18:53.000 --> 19:01.000
Sure, Nick.

19:01.000 --> 19:03.000
Here, Nick.

19:03.000 --> 19:07.000
Thanks.

19:21.000 --> 19:22.000
Long distance.

19:22.000 --> 19:26.000
Long distance, what's the station to station charge to St. Louis?

19:26.000 --> 19:31.000
One moment, please.

19:31.000 --> 19:35.000
The charge is one dollar, twenty cents, including tax.

19:35.000 --> 19:37.000
What number do you wish, please?

19:37.000 --> 19:40.000
What number are you calling in St. Louis, please?

19:40.000 --> 19:41.000
Pick a number.

19:41.000 --> 19:42.000
I'm sorry, sir.

19:42.000 --> 19:43.000
Don't be sorry.

19:43.000 --> 19:45.000
Get anybody you want to talk to in St. Louis.

19:45.000 --> 19:47.000
Have a talk on me.

19:47.000 --> 19:51.000
There's somebody I want to call in St. Louis, but I can't think of who it is.

19:51.000 --> 19:53.000
I will give you information.

19:53.000 --> 19:54.000
No, no.

19:54.000 --> 19:55.000
Just talk to me.

19:55.000 --> 19:56.000
I'm sorry, sir.

19:56.000 --> 19:57.000
I can't do that.

19:57.000 --> 20:01.000
Operator, I've got to talk into this phone for just a little while longer.

20:01.000 --> 20:05.000
Just to let somebody think I'm not kidding, in case somebody's watching.

20:05.000 --> 20:07.000
I don't understand, sir.

20:07.000 --> 20:08.000
Would you like information, sir?

20:08.000 --> 20:09.000
About what?

20:09.000 --> 20:12.000
Do you wish to talk to St. Louis, sir?

20:12.000 --> 20:14.000
You think I should?

20:14.000 --> 20:16.000
I'll connect you with my superior.

20:16.000 --> 20:17.000
No.

20:17.000 --> 20:18.000
No, I got a number.

20:18.000 --> 20:23.000
Get me Benton 64373 in St. Louis.

20:23.000 --> 20:25.000
One moment, please.

20:25.000 --> 20:27.000
Never mind, operator.

20:27.000 --> 20:29.000
Somebody's just driven up.

20:29.000 --> 20:31.000
He's waiting for me outside.

20:31.000 --> 20:32.000
Cancel call.

20:32.000 --> 20:42.000
Nick.

20:42.000 --> 20:57.000
Nick.

20:57.000 --> 21:02.000
Nick.

21:02.000 --> 21:04.000
Sorry, soldier.

21:04.000 --> 21:09.000
And just think, you could have died on a battlefield, not in your hometown.

21:09.000 --> 21:12.000
Yes.

21:12.000 --> 21:24.000
Oh.

21:24.000 --> 21:27.000
We both went to the same hospital.

21:27.000 --> 21:29.000
Osborne didn't die.

21:29.000 --> 21:30.000
He lived.

21:30.000 --> 21:32.000
Quite a long time.

21:32.000 --> 21:41.000
Hospital, trial, confession, sentence.

21:41.000 --> 21:44.000
Then it was spring in Eastern.

21:44.000 --> 21:45.000
It was a good spring.

21:45.000 --> 21:47.000
And you know how people are.

21:47.000 --> 21:48.000
They react to the weather.

21:48.000 --> 21:49.000
Hi, Nick.

21:49.000 --> 21:52.000
Trees starting to bud already, you noticed?

21:52.000 --> 21:57.000
They get friendly and they smile a lot like winter was a long time.

21:57.000 --> 21:59.000
A dark time.

21:59.000 --> 22:00.000
It was over.

22:00.000 --> 22:02.000
Come on over to the house when you have a chance, Nick.

22:02.000 --> 22:04.000
You do that, you hear?

22:04.000 --> 22:08.000
Grass grows in springtime, but babies grow all the time.

22:08.000 --> 22:09.000
Did you see him?

22:09.000 --> 22:11.000
Did you see him, Nick?

22:11.000 --> 22:12.000
He walked.

22:12.000 --> 22:14.000
My son walked.

22:14.000 --> 22:16.000
Sure, I saw him, sirs.

22:16.000 --> 22:17.000
He's growing up.

22:17.000 --> 22:18.000
That happens.

22:18.000 --> 22:19.000
And you know what?

22:19.000 --> 22:20.000
He's lucky.

22:20.000 --> 22:23.000
He's got a good town to grow up in.

22:23.000 --> 22:52.000
Suspense, in which Mr. Harry Bartel starred in tonight's

22:52.000 --> 22:55.000
in tonight's presentation of The Frightened City.

22:55.000 --> 23:01.000
The suspense is produced and transcribed by Anthony Ellis.

23:01.000 --> 23:04.000
Tonight's script was written by Morton Fine and David Friedkin.

23:04.000 --> 23:09.000
The music was composed by Renny Garagin and conducted by Wilbur Hatch.

23:09.000 --> 23:23.000
Featured in the cast were Charlotte Lawrence, Lou Merrill, Herb Butterfield, Viviannis and Tom McKee.

