1 00:00:00,000 --> 00:00:18,480 And now, tonight's presentation of radio's outstanding theater of thrills, Suspense. 2 00:00:18,480 --> 00:00:22,780 Tonight we bring you a story of a manhunt that ends in a church. 3 00:00:22,780 --> 00:00:25,760 We call it The Lady in the Red Hat. 4 00:00:25,760 --> 00:00:44,320 So now, starring Mr. Vic Perrin, here is tonight's Suspense play, The Lady in the Red Hat. 5 00:00:44,320 --> 00:00:46,640 Hello Mitch, come in, sit down. 6 00:00:46,640 --> 00:00:47,640 Thanks. 7 00:00:47,640 --> 00:00:48,640 What's the trouble? 8 00:00:48,640 --> 00:00:51,520 The order is to stop those articles you're writing. 9 00:00:51,520 --> 00:00:52,520 Why? 10 00:00:52,520 --> 00:00:56,080 Well, it's not so much the 13th apostle as the way you keep harping on those theories 11 00:00:56,080 --> 00:00:57,080 you've got about him. 12 00:00:57,080 --> 00:00:58,080 Well, I think I'm right. 13 00:00:58,080 --> 00:00:59,080 I know, so does the chief. 14 00:00:59,080 --> 00:01:03,240 But you've got every woman in the city scared to death, that's why I want you to lay off. 15 00:01:03,240 --> 00:01:07,200 Look, five women have been murdered by the 13th apostle in three months, and they were 16 00:01:07,200 --> 00:01:08,680 all wearing red in their clothes. 17 00:01:08,680 --> 00:01:11,720 I say that means something, and they want me to lay off. 18 00:01:11,720 --> 00:01:13,480 This isn't me. 19 00:01:13,480 --> 00:01:17,120 We hired you to do the feature column in the Sunday supplement because you've got a big 20 00:01:17,120 --> 00:01:18,120 following. 21 00:01:18,120 --> 00:01:20,040 Psychology of murder, it's a great idea to... 22 00:01:20,040 --> 00:01:21,040 Excuse me. 23 00:01:21,040 --> 00:01:22,040 Yeah? 24 00:01:22,040 --> 00:01:25,040 Mr. Banning, is Mr. Mitchell in there? 25 00:01:25,040 --> 00:01:26,040 Yeah. 26 00:01:26,040 --> 00:01:29,040 Will you tell him his housekeeper's on the phone? 27 00:01:29,040 --> 00:01:30,040 He says it's urgent. 28 00:01:30,040 --> 00:01:32,040 All right, switch the call in here. 29 00:01:32,040 --> 00:01:33,040 Yes, sir. 30 00:01:33,040 --> 00:01:34,040 Use this phone, Mitch. 31 00:01:34,040 --> 00:01:35,040 Oh, thanks. 32 00:01:35,040 --> 00:01:36,040 Hello? 33 00:01:36,040 --> 00:01:39,040 Oh yes, Mrs. White. 34 00:01:39,040 --> 00:01:40,040 Hello? 35 00:01:40,040 --> 00:01:45,720 Will you repeat the message, please? 36 00:01:45,720 --> 00:01:46,720 Thank you. 37 00:01:46,720 --> 00:01:48,520 No, don't worry, it's all right. 38 00:01:48,520 --> 00:01:51,040 Yes, I won't be home until after midnight then. 39 00:01:51,040 --> 00:01:52,040 Yes, goodbye. 40 00:01:52,040 --> 00:01:53,040 Anything wrong? 41 00:01:53,040 --> 00:01:54,040 I don't know. 42 00:01:54,040 --> 00:01:56,040 I'll find out though. 43 00:01:56,040 --> 00:01:58,280 An anonymous note slipped under my door. 44 00:01:58,280 --> 00:02:09,400 Somebody wants me to meet the Avenger at midnight. 45 00:02:09,400 --> 00:02:17,040 Good evening. 46 00:02:17,040 --> 00:02:22,040 Oh, hi, Mitch. 47 00:02:22,040 --> 00:02:23,360 I thought you were going to wait downstairs. 48 00:02:23,360 --> 00:02:25,360 I was, but Banning wanted to see me. 49 00:02:25,360 --> 00:02:26,360 Naylor called him. 50 00:02:26,360 --> 00:02:28,720 The police department wants me to stop my article. 51 00:02:28,720 --> 00:02:29,720 Why? 52 00:02:29,720 --> 00:02:31,720 No, I'll tell you while we're eating. 53 00:02:31,720 --> 00:02:33,440 Did they say anything about my stuff? 54 00:02:33,440 --> 00:02:35,520 No, no, yours is straight reporting. 55 00:02:35,520 --> 00:02:37,960 It's theorizing they object to. 56 00:02:37,960 --> 00:02:38,960 Maybe I'm getting too close. 57 00:02:38,960 --> 00:02:40,720 Have you written anything on last night's murder? 58 00:02:40,720 --> 00:02:41,720 I'd like to read it. 59 00:02:41,720 --> 00:02:45,800 I won't be writing it now, but if I did, I know what I'd say. 60 00:02:45,800 --> 00:02:48,000 You got something new, Mitch? 61 00:02:48,000 --> 00:02:49,000 Something new? 62 00:02:49,000 --> 00:02:50,000 Maybe. 63 00:02:50,000 --> 00:02:57,400 I don't know yet. 64 00:02:57,400 --> 00:03:02,880 Meet the Avenger at 12 o'clock, and the Avenger could be anyone. 65 00:03:02,880 --> 00:03:04,400 We waited for the elevator. 66 00:03:04,400 --> 00:03:10,360 I watched, tired faces drifting into boxes, lowering them to the street, and then outside 67 00:03:10,360 --> 00:03:13,920 into darkness, growing cold with snow and night's wind. 68 00:03:13,920 --> 00:03:17,760 And she was there with me, a smile on her lips. 69 00:03:17,760 --> 00:03:20,760 We went to a place for dinner. 70 00:03:20,760 --> 00:03:23,440 You know, Mitch, I love this place. 71 00:03:23,440 --> 00:03:25,520 My favorite hangout after work. 72 00:03:25,520 --> 00:03:27,000 That's why I brought you here. 73 00:03:27,000 --> 00:03:30,920 I was beginning to wonder why you've been so quiet. 74 00:03:30,920 --> 00:03:32,600 Subdued lights and warmth. 75 00:03:32,600 --> 00:03:34,080 Is that it? 76 00:03:34,080 --> 00:03:35,080 In a way. 77 00:03:35,080 --> 00:03:36,080 Oh? 78 00:03:36,080 --> 00:03:38,080 Something else, too. 79 00:03:38,080 --> 00:03:40,480 Mitch, tell me now. 80 00:03:40,480 --> 00:03:41,480 What do you think about it? 81 00:03:41,480 --> 00:03:42,480 It? 82 00:03:42,480 --> 00:03:43,480 The Avenger. 83 00:03:43,480 --> 00:03:45,320 You've read my articles. 84 00:03:45,320 --> 00:03:46,320 That's what I think. 85 00:03:46,320 --> 00:03:47,320 No, I don't mean what you write. 86 00:03:47,320 --> 00:03:48,320 I do that, too. 87 00:03:48,320 --> 00:03:49,320 I mean you. 88 00:03:49,320 --> 00:03:50,320 What do you think? 89 00:03:50,320 --> 00:03:51,320 Well, I have to write about him. 90 00:03:51,320 --> 00:03:53,840 Must I talk about him, too? 91 00:03:53,840 --> 00:03:56,440 All right. 92 00:03:56,440 --> 00:03:58,640 I think he's fantastic. 93 00:03:58,640 --> 00:04:03,480 Consider the name he or she has chosen for himself. 94 00:04:03,480 --> 00:04:05,760 The 13th apostle. 95 00:04:05,760 --> 00:04:08,360 Probably wants to purge the world because of its sins. 96 00:04:08,360 --> 00:04:09,360 That's what you said in your article. 97 00:04:09,360 --> 00:04:10,960 Well, that's what I think. 98 00:04:10,960 --> 00:04:12,800 And all that stuff about the color red? 99 00:04:12,800 --> 00:04:13,800 It means something. 100 00:04:13,800 --> 00:04:16,360 Perhaps a sinful color. 101 00:04:16,360 --> 00:04:18,800 The obsession of red is a symbol. 102 00:04:18,800 --> 00:04:19,800 There's a tie-up. 103 00:04:19,800 --> 00:04:24,160 Listen, I want to tell you something. 104 00:04:24,160 --> 00:04:25,160 Something big. 105 00:04:25,160 --> 00:04:26,160 A story? 106 00:04:26,160 --> 00:04:27,800 Can I have another drink? 107 00:04:27,800 --> 00:04:28,800 Oh, I'm sorry. 108 00:04:28,800 --> 00:04:29,800 Mario? 109 00:04:29,800 --> 00:04:31,240 Coming, sir. 110 00:04:31,240 --> 00:04:33,240 I got an anonymous note this morning. 111 00:04:33,240 --> 00:04:34,240 A note? 112 00:04:34,240 --> 00:04:35,240 Well, that's odd. 113 00:04:35,240 --> 00:04:36,240 What do you mean? 114 00:04:36,240 --> 00:04:37,240 Because... 115 00:04:37,240 --> 00:04:38,240 Yes, Mr. Mitchell? 116 00:04:38,240 --> 00:04:39,240 Oh, the same? 117 00:04:39,240 --> 00:04:40,240 Yes, please. 118 00:04:40,240 --> 00:04:41,240 I'm sorry. 119 00:04:41,240 --> 00:04:43,240 I'm sorry. 120 00:04:43,240 --> 00:04:45,200 Nothing, thanks. 121 00:04:45,200 --> 00:04:49,520 By the way, when a Lieutenant Dowell comes in, will you show him to this table, please? 122 00:04:49,520 --> 00:04:51,560 Bill Dowell? 123 00:04:51,560 --> 00:04:52,560 He's on the Avenger case. 124 00:04:52,560 --> 00:04:54,400 Are you holding out on me, Mitch? 125 00:04:54,400 --> 00:04:59,000 You were speaking of a note, anonymous. 126 00:04:59,000 --> 00:05:01,200 Did it say anything about the Avenger? 127 00:05:01,200 --> 00:05:02,200 Yes. 128 00:05:02,200 --> 00:05:03,880 Yes, it did. 129 00:05:03,880 --> 00:05:08,720 If I wanted important information about the Avenger, I was to go at midnight to the community 130 00:05:08,720 --> 00:05:09,720 chapel on seventh. 131 00:05:09,720 --> 00:05:11,320 Have you got the note with you? 132 00:05:11,320 --> 00:05:13,320 No, I left it at home. 133 00:05:13,320 --> 00:05:14,320 Oh. 134 00:05:14,320 --> 00:05:16,880 Did it tell you to sit in the first pew and wait? 135 00:05:16,880 --> 00:05:18,160 You got one, too? 136 00:05:18,160 --> 00:05:21,080 This afternoon, under my door at home, the housekeeper called... 137 00:05:21,080 --> 00:05:22,080 The same thing. 138 00:05:22,080 --> 00:05:23,080 Where is it? 139 00:05:23,080 --> 00:05:24,080 I wondered. 140 00:05:24,080 --> 00:05:25,080 What? 141 00:05:25,080 --> 00:05:29,280 This isn't an ordinary tip, don't you see? 142 00:05:29,280 --> 00:05:31,240 I've been working on the story for the standard. 143 00:05:31,240 --> 00:05:32,240 You've been doing your series. 144 00:05:32,240 --> 00:05:33,240 Supposing... 145 00:05:33,240 --> 00:05:36,040 The 13th apostle sent the notes? 146 00:05:36,040 --> 00:05:37,800 Well... 147 00:05:37,800 --> 00:05:39,180 Bill Dowell called me earlier. 148 00:05:39,180 --> 00:05:40,180 He wanted to see me. 149 00:05:40,180 --> 00:05:41,180 Oh? 150 00:05:41,180 --> 00:05:42,520 I said I was taking you out for dinner. 151 00:05:42,520 --> 00:05:43,960 I told him to meet us here. 152 00:05:43,960 --> 00:05:44,960 Why? 153 00:05:44,960 --> 00:05:52,200 The lieutenant claims he received a note like ours, too. 154 00:05:52,200 --> 00:05:55,720 Could she be the one? 155 00:05:55,720 --> 00:05:57,600 Or Dowell? 156 00:05:57,600 --> 00:06:01,800 Millions of people in a city and the person next to you, a killer? 157 00:06:01,800 --> 00:06:04,240 You just couldn't believe it was someone you knew. 158 00:06:04,240 --> 00:06:07,800 Was that then the ultimate stimulation? 159 00:06:07,800 --> 00:06:10,560 To kill a stranger was not enough. 160 00:06:10,560 --> 00:06:13,520 Now seek out the danger, the extreme risk. 161 00:06:13,520 --> 00:06:16,840 Because there was emotion here. 162 00:06:16,840 --> 00:06:17,840 Emotion of friendship. 163 00:06:17,840 --> 00:06:18,840 That was different. 164 00:06:18,840 --> 00:06:19,840 And who might it be? 165 00:06:19,840 --> 00:06:21,840 The girl on the newspaper? 166 00:06:21,840 --> 00:06:24,400 Or the policeman? 167 00:06:24,400 --> 00:06:26,400 Are you being stubborn because you're a policeman? 168 00:06:26,400 --> 00:06:28,640 Or because you're just pigheaded, lieutenant? 169 00:06:28,640 --> 00:06:30,360 Jeannie, you're a reporter. 170 00:06:30,360 --> 00:06:31,480 Too much imagination. 171 00:06:31,480 --> 00:06:33,760 I still think it's a crackpot gag. 172 00:06:33,760 --> 00:06:35,200 Then why did you come? 173 00:06:35,200 --> 00:06:36,360 Well... 174 00:06:36,360 --> 00:06:39,600 Because Mitch and I have been working together on this because we're all friends. 175 00:06:39,600 --> 00:06:41,440 I'm not taking any chances. 176 00:06:41,440 --> 00:06:43,480 There have been five murders already. 177 00:06:43,480 --> 00:06:45,400 She makes sense, though, Bill. 178 00:06:45,400 --> 00:06:47,880 Three of us all vitally interested in the case. 179 00:06:47,880 --> 00:06:51,320 It'd be very flattering to him if we turned up at the chapel at midnight. 180 00:06:51,320 --> 00:06:52,320 I'll be there. 181 00:06:52,320 --> 00:06:53,320 I can tell you that. 182 00:06:53,320 --> 00:06:54,320 I don't like it. 183 00:06:54,320 --> 00:06:55,320 He might be after one of us. 184 00:06:55,320 --> 00:06:56,320 Maybe you, Jeannie. 185 00:06:56,320 --> 00:07:00,040 Maybe he doesn't like some of the stuff you've been writing about him. 186 00:07:00,040 --> 00:07:01,040 Maybe me. 187 00:07:01,040 --> 00:07:02,040 Maybe. 188 00:07:02,040 --> 00:07:03,040 Or me. 189 00:07:03,040 --> 00:07:04,360 I'm the cop who's chasing him. 190 00:07:04,360 --> 00:07:07,400 Yes, I don't imagine he's particularly fond of you, Bill. 191 00:07:07,400 --> 00:07:09,600 Well, why not surround the chapel? 192 00:07:09,600 --> 00:07:10,600 No. 193 00:07:10,600 --> 00:07:14,920 Mind you, I still think it's a crank note, but if it isn't, this baby's too smart. 194 00:07:14,920 --> 00:07:17,360 If he sees anything wrong, you'll get away. 195 00:07:17,360 --> 00:07:20,600 Well, you've used police cordons before to get a killer. 196 00:07:20,600 --> 00:07:22,160 There must be enough buildings around to hide him. 197 00:07:22,160 --> 00:07:23,160 I'm still not taking any chances. 198 00:07:23,160 --> 00:07:24,960 I think Billy wants all the credit for a dramatic capture. 199 00:07:24,960 --> 00:07:26,760 I'd have to serve with Mitch anyway. 200 00:07:26,760 --> 00:07:27,760 And me. 201 00:07:27,760 --> 00:07:29,480 Uh-uh, you're going home. 202 00:07:29,480 --> 00:07:31,080 Oh, that's what you think. 203 00:07:31,080 --> 00:07:32,720 I'm on that list. 204 00:07:32,720 --> 00:07:35,960 I want to be there when something happens. 205 00:07:35,960 --> 00:07:47,960 Do you know where the chapel is, Bill? 206 00:07:47,960 --> 00:07:51,120 Yeah, it's the one on seven, just around the corner there. 207 00:07:51,120 --> 00:07:52,120 It's funny. 208 00:07:52,120 --> 00:07:54,480 I must have passed it a hundred times. 209 00:07:54,480 --> 00:07:56,000 I never noticed it. 210 00:07:56,000 --> 00:07:57,000 Most people think it's vacant. 211 00:07:57,000 --> 00:07:58,000 It's not. 212 00:07:58,000 --> 00:08:00,840 In fact, it's open all night. 213 00:08:00,840 --> 00:08:01,840 How do you know, Jeannie? 214 00:08:01,840 --> 00:08:02,840 I don't know. 215 00:08:02,840 --> 00:08:07,240 I guess I heard about it. 216 00:08:07,240 --> 00:08:09,040 You know, I always used to like the snow. 217 00:08:09,040 --> 00:08:11,200 I look forward to it. 218 00:08:11,200 --> 00:08:12,200 I don't like it tonight. 219 00:08:12,200 --> 00:08:14,080 I never liked it. 220 00:08:14,080 --> 00:08:16,840 Something smothering about the stuff I was in the blizzard once. 221 00:08:16,840 --> 00:08:17,840 What happened? 222 00:08:17,840 --> 00:08:19,160 I was lost in the woods up north. 223 00:08:19,160 --> 00:08:21,800 I nearly froze to death. 224 00:08:21,800 --> 00:08:26,280 Snow kept coming down, got in my mouth and my nose and eyes. 225 00:08:26,280 --> 00:08:27,980 After a while, things didn't look white anymore. 226 00:08:27,980 --> 00:08:30,940 They were blurred and red. 227 00:08:30,940 --> 00:08:34,680 What frightened you more, fear of being lost or fear of dying? 228 00:08:34,680 --> 00:08:35,680 I don't know. 229 00:08:35,680 --> 00:08:36,680 Why? 230 00:08:36,680 --> 00:08:38,160 I just wondered. 231 00:08:38,160 --> 00:08:39,160 Anybody got the time? 232 00:08:39,160 --> 00:08:42,120 No, it's eleven o'clock. 233 00:08:42,120 --> 00:08:43,120 Let's go in. 234 00:08:43,120 --> 00:08:44,120 Funny. 235 00:08:44,120 --> 00:09:01,720 What is? 236 00:09:01,720 --> 00:09:09,160 If one of us were killed here. 237 00:09:09,160 --> 00:09:12,280 I'm going to have a look around, check any side doors. 238 00:09:12,280 --> 00:09:13,560 All right. 239 00:09:13,560 --> 00:09:14,560 You stay here. 240 00:09:14,560 --> 00:09:15,560 Yeah. 241 00:09:15,560 --> 00:09:16,560 The music's nice. 242 00:09:16,560 --> 00:09:21,560 There's the organist up there, you see him? 243 00:09:21,560 --> 00:09:31,280 Have you ever noticed how even in an empty place like this, one speaks softly? 244 00:09:31,280 --> 00:09:32,280 Yes. 245 00:09:32,280 --> 00:09:35,280 I wonder why it's always so quiet. 246 00:09:35,280 --> 00:09:36,280 I wonder. 247 00:09:36,280 --> 00:09:40,360 Why are you looking at me like that? 248 00:09:40,360 --> 00:09:41,360 Was I? 249 00:09:41,360 --> 00:09:42,360 Yes. 250 00:09:42,360 --> 00:09:43,360 Why? 251 00:09:43,360 --> 00:10:01,680 Perhaps I was thinking how strange it would be if one of us were the thirteenth apostle. 252 00:10:01,680 --> 00:10:07,960 You are listening to The Lady in the Red Hat, tonight's presentation in radio's outstanding 253 00:10:07,960 --> 00:10:19,760 theater of thrills, Suspense. 254 00:10:19,760 --> 00:10:23,920 Every Saturday night over most of these same stations, CBS radio picks up the threads of 255 00:10:23,920 --> 00:10:29,400 a startling story of people who call the police, and often of people who call on police and 256 00:10:29,400 --> 00:10:32,600 the other way around, working out of 21st precinct. 257 00:10:32,600 --> 00:10:36,840 There's fast moving drama and an intimate glimpse into the human side of police work. 258 00:10:36,840 --> 00:10:43,160 Saturday nights on CBS radio, when you're invited to hear the 21st precinct. 259 00:10:43,160 --> 00:10:49,480 And now we bring back to our Hollywood soundstage, Mr. Vic Perrin, starring in tonight's production, 260 00:10:49,480 --> 00:10:55,240 The Lady in the Red Hat, a tale well calculated to keep you in suspense. 261 00:10:55,240 --> 00:11:16,000 One of us, the Avenger, or Mitch? 262 00:11:16,000 --> 00:11:17,600 It has to be someone. 263 00:11:17,600 --> 00:11:19,360 I believe you're serious. 264 00:11:19,360 --> 00:11:20,360 I am. 265 00:11:20,360 --> 00:11:23,440 We've all been on the case since the first death. 266 00:11:23,440 --> 00:11:26,680 Of course, one of us enjoys the publicity, the thrill of killing. 267 00:11:26,680 --> 00:11:28,120 Are you trying to frighten me? 268 00:11:28,120 --> 00:11:29,120 No. 269 00:11:29,120 --> 00:11:31,120 I don't like this place. 270 00:11:31,120 --> 00:11:35,080 Better go home and... what, jitters, Jeannie? 271 00:11:35,080 --> 00:11:36,400 What did you find, Bill? 272 00:11:36,400 --> 00:11:37,560 One side exit, that's all. 273 00:11:37,560 --> 00:11:39,560 We can see it in front of you. 274 00:11:39,560 --> 00:11:40,560 What's the time? 275 00:11:40,560 --> 00:11:42,560 About a quarter past 11. 276 00:11:42,560 --> 00:11:43,560 Oh, I'm cold. 277 00:11:43,560 --> 00:11:47,960 What if we could get some coffee? 278 00:11:47,960 --> 00:11:50,240 There's a place in the corner, I'll get it. 279 00:11:50,240 --> 00:11:51,240 You two stay here. 280 00:11:51,240 --> 00:11:52,240 How do you like yours? 281 00:11:52,240 --> 00:11:53,240 Just like yours. 282 00:11:53,240 --> 00:11:54,240 What's it like? 283 00:11:54,240 --> 00:11:55,240 The same, Bill. 284 00:11:55,240 --> 00:11:56,240 Right. 285 00:11:56,240 --> 00:11:57,240 I'll be back in five minutes. 286 00:11:57,240 --> 00:11:58,240 Take it easy, Jeannie. 287 00:11:58,240 --> 00:11:59,240 It's not twelve yet. 288 00:11:59,240 --> 00:12:00,240 You want to sit down? 289 00:12:00,240 --> 00:12:01,240 Up in the front? 290 00:12:01,240 --> 00:12:02,240 No, not yet. 291 00:12:02,240 --> 00:12:03,240 All right, here then. 292 00:12:03,240 --> 00:12:04,240 Mitch, you weren't serious, were you? 293 00:12:04,240 --> 00:12:05,240 Yes. 294 00:12:05,240 --> 00:12:06,240 Mitch. 295 00:12:06,240 --> 00:12:07,240 Well, you've read my articles. 296 00:12:07,240 --> 00:12:08,240 I've theorized about the Apostle. 297 00:12:08,240 --> 00:12:09,240 The analysis could fit any one of us. 298 00:12:09,240 --> 00:12:10,240 I'm not sure I'm going to be able to do it. 299 00:12:10,240 --> 00:12:11,240 I'm not sure I'm going to be able to do it. 300 00:12:11,240 --> 00:12:12,240 I'm not sure I'm going to be able to do it. 301 00:12:12,240 --> 00:12:13,240 I'm not sure I'm going to be able to do it. 302 00:12:13,240 --> 00:12:14,240 I'm not sure I'm going to be able to do it. 303 00:12:14,240 --> 00:12:23,240 I'm not sure I'm going to be able to do it. 304 00:12:23,240 --> 00:12:34,240 I'm not sure I'm going to be able to do it. 305 00:12:34,240 --> 00:12:44,240 I'm not sure I'm going to be able to do it. 306 00:12:44,240 --> 00:12:53,240 I'm not sure I'm going to be able to do it. 307 00:12:53,240 --> 00:13:08,240 I'm not sure I'm going to be able to do it. 308 00:13:08,240 --> 00:13:27,240 I'm not sure I'm going to be able to do it. 309 00:13:27,240 --> 00:13:42,240 I'm not sure I'm going to be able to do it. 310 00:13:42,240 --> 00:14:01,240 I'm not sure I'm going to be able to do it. 311 00:14:01,240 --> 00:14:16,240 I'm not sure I'm going to be able to do it. 312 00:14:16,240 --> 00:14:31,240 I'm not sure I'm going to be able to do it. 313 00:14:31,240 --> 00:14:46,240 I'm not sure I'm going to be able to do it. 314 00:14:46,240 --> 00:15:01,240 I'm not sure I'm going to be able to do it. 315 00:15:01,240 --> 00:15:16,240 I'm not sure I'm going to be able to do it. 316 00:15:16,240 --> 00:15:31,240 I'm not sure I'm going to be able to do it. 317 00:15:31,240 --> 00:15:46,240 I'm not sure I'm going to be able to do it. 318 00:15:46,240 --> 00:16:01,240 I'm not sure I'm going to be able to do it. 319 00:16:01,240 --> 00:16:16,240 I'm not sure I'm going to be able to do it. 320 00:16:16,240 --> 00:16:31,240 I'm not sure I'm going to be able to do it. 321 00:16:31,240 --> 00:16:46,240 I'm not sure I'm going to be able to do it. 322 00:16:46,240 --> 00:17:01,240 I'm not sure I'm going to be able to do it. 323 00:17:01,240 --> 00:17:16,240 I'm not sure I'm going to be able to do it. 324 00:17:16,240 --> 00:17:31,240 I'm not sure I'm going to be able to do it. 325 00:17:31,240 --> 00:17:46,240 I'm not sure I'm going to be able to do it. 326 00:17:46,240 --> 00:18:01,240 I'm not sure I'm going to be able to do it. 327 00:18:01,240 --> 00:18:16,240 I'm not sure I'm going to be able to do it. 328 00:18:16,240 --> 00:18:31,240 I'm not sure I'm going to be able to do it. 329 00:18:31,240 --> 00:18:44,240 I'm not sure I'm going to be able to do it. 330 00:18:44,240 --> 00:18:51,240 I'm not sure I'm going to be able to do it. 331 00:18:51,240 --> 00:19:11,240 I'm not sure I'm going to be able to do it. 332 00:19:11,240 --> 00:19:20,240 I'm not sure I'm going to be able to do it. 333 00:19:20,240 --> 00:19:29,240 I'm not sure I'm going to be able to do it. 334 00:19:29,240 --> 00:19:42,240 I'm not sure I'm going to be able to do it. 335 00:19:42,240 --> 00:19:54,240 I'm not sure I'm going to be able to do it. 336 00:19:54,240 --> 00:20:06,240 I'm not sure I'm going to be able to do it. 337 00:20:06,240 --> 00:20:19,240 I'm not sure I'm going to be able to do it. 338 00:20:19,240 --> 00:20:29,240 I'm not sure I'm going to be able to do it. 339 00:20:29,240 --> 00:20:39,240 I'm not sure I'm going to be able to do it. 340 00:20:39,240 --> 00:20:49,240 I'm not sure I'm going to be able to do it. 341 00:20:49,240 --> 00:20:59,240 I'm not sure I'm going to be able to do it. 342 00:20:59,240 --> 00:21:09,240 I'm not sure I'm going to be able to do it. 343 00:21:09,240 --> 00:21:19,240 I'm not sure I'm going to be able to do it. 344 00:21:19,240 --> 00:21:29,240 I'm not sure I'm going to be able to do it. 345 00:21:29,240 --> 00:21:39,240 I'm not sure I'm going to be able to do it. 346 00:21:39,240 --> 00:21:49,240 I'm not sure I'm going to be able to do it. 347 00:21:49,240 --> 00:21:52,240 I'm not sure I'm going to be able to do it. 348 00:21:52,240 --> 00:22:00,240 Suspense, in which Mr. Vic Perrin starred in tonight's presentation of A Lady in the Red Hat. 349 00:22:00,240 --> 00:22:06,240 Next week, the story of a killer and the family which he held in a night of fear. 350 00:22:06,240 --> 00:22:10,240 We call it, Strange for a Killer. 351 00:22:10,240 --> 00:22:30,240 That's next week on Suspense. 352 00:22:30,240 --> 00:22:34,240 Suspense is produced and directed by Anthony Ellis. 353 00:22:34,240 --> 00:22:37,240 Tonight's script was written by Clark Daly. 354 00:22:37,240 --> 00:22:42,240 The music was composed by René Garagin and conducted by Wilbur Hatch. 355 00:22:42,240 --> 00:22:50,240 Featured in the cast were Virginia Gregg, Larry Thor, Barney Phillips, Jack Carroll, and Jenny Stevens. 356 00:22:50,240 --> 00:22:54,240 In this second half of the 20th century, war could happen in a hurry. 357 00:22:54,240 --> 00:22:57,240 To help guard America, enlist in the Ground Observer Corps. 358 00:22:57,240 --> 00:23:03,240 Sign up for the silver wings that mean you're doing your share to man our vital aircraft spotter observation posts. 359 00:23:03,240 --> 00:23:18,240 Write or telephone your nearest Civil Defense Center and volunteer. 360 00:23:18,240 --> 00:23:34,240 Stay tuned now for Douglas Edwards with the news, followed by Disc Theory over the CBS Radio Network. 361 00:23:34,240 --> 00:23:49,240 Music 362 00:23:49,240 --> 00:24:17,240 Music