WEBVTT

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And now, tonight's presentation of radio's outstanding theater of thrills, Suspense.

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Tonight we bring you a story from your newspaper.

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It is based upon absolute fact.

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Only certain portions have been dramatized.

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We call it, The Greatest Thief in the World.

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So now, starring Mr. Ben Wright, here is tonight's Suspense play, The Greatest Thief in the World.

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The files of criminal record office in Scotland Yard contain two bulky folders.

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One relating to the evidence against Peter Marion.

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The other against a criminal known only as the Squire.

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Between Peter Marion, we're in possession of a number of facts.

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Some we gain through our own investigation, others through interested parties.

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Concerning the Squire, we know a good deal less.

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That for some five years he committed dual thefts amounting to half a million pounds

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is common knowledge.

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That at no time until the end did we find one scrap of evidence is further stated in

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the file.

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The question that the Yard has not been able to satisfactorily answer is whether Peter

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Marriott and the Squire were one in the same.

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The case is a mathematical fantasy.

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For example, we know that Peter Marriott attended a shooting party in the West Riding as the

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guest of Sir Leslie and Lady Bandrick.

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We know the gist of what transpired, but was the Squire present at that time?

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Good shooting, Marriott.

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Oh, thank you, sir.

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Best if I know how you do it.

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Every time I get a shot of them, those blinking parties seem to know it's me.

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Oh, it's just bad luck, sir.

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It'll get better.

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But they do, you know.

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They fly off screaming with laughter.

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It's old band bridge.

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Come on, you chaps.

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Nothing to worry about.

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Oh, really, sir.

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Oh, well.

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Perhaps tomorrow.

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I'm for a drink.

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Why don't you?

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Why don't you?

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By the way, be meaning to ask you ever since you got here.

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It keeps slipping my mind.

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Anything new in London about that the Squire chap?

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I don't think so, sir.

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Not since his last haul.

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You've heard about him out here, too.

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Well, who doesn't hear about him?

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It's a disgrace.

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I can tell you I've read in the letter for times.

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Parliament should do something.

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No, I understand Scotland Yards up a tree.

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Bunglers.

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Not like the old days.

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Catch the man and give him a horse, whip him in, send you to Dartmoor.

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That's what we'd have done.

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Well, they say he's quite clever.

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Clever?

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Nonsense.

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Papers are making a hero of the blighter.

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The Squire.

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Impudence.

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Man's not a gentleman.

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He's just a blasted little jewel thief.

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Well, I don't imagine the Honourable Percy Pindell considers him little.

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Oh, yes.

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That was the last one, wasn't it?

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According to the paper, 20,000 pounds, an emerald necklace and two diamond rings.

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Percy's a fool.

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Always told himself, too.

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A child could have opened that safe of his.

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I'd like to see the Squire try his game with me.

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A different story, I can tell you.

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Well, I might want to do it, sir.

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By the way, did you tell me that you used to dabble in the diamond market?

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Oh, that was a few years ago, sir.

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Nothing much.

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This evening I must show you one or two nice little things I bought Lady Pavlain in Italy.

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I'd love to see them, sir.

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Two days after the shooting party, Sir Leslie Banbridge reported that jewels amounting to the sum of 8,000 pounds had been stolen from his safe.

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It was the Squire's work.

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No prints, just the unmistakable methods that had tantalised us for five years.

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At that time, there was no more reason to suspect Peter Marriott than the other 18 guests,

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all of whom had seen the jewels in question.

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We know now that there was a girl in Peter Marriott's life,

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a girl whom we felt to be a rather odd acquaintance for a man in his position.

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Hello, Ginny.

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Well, where you been?

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Thought you was coming by last week.

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Oh, I'm sorry I was away.

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You brass knobs on.

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No, honestly.

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I brought you a present.

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You have?

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Oh, you are a duck.

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Well, I've missed you.

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Give me a kiss.

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Oh, you have missed me, haven't you?

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Where's the present?

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Here.

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Oh, Peter.

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Oh, it's lovely.

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Thanks ever so.

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Is it real?

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Oh, absolutely.

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You couldn't find a better ruby anywhere.

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Doesn't look real.

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Well, you take my word for it.

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It is.

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Oh, how lovely.

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Oh, you shouldn't have.

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Must have cost a packet.

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Well, you're my girl, aren't you?

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Oh, Ginny, look, you see this parcel?

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I want you to keep it for me just for a little while.

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Oh, what is it?

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Oh, it's nothing important.

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You don't have to open it up.

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I wouldn't.

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Well, as a matter of fact, it's like the other parcel I gave you a few months ago.

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Oh, gone.

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Pictures.

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Right.

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Oh, you'll get in trouble one of these days, you will.

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Anyway, I don't believe you.

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I bet those aren't pictures in there.

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Oh.

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What do you really do?

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I mean for a living.

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Well, I've told you nothing very much.

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Dark exchange.

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I have some money.

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Why?

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I wondered.

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What made you wonder?

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Well, I think maybe you're a bit shady.

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Oh, what an odd thought.

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Is it?

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Well, what's so odd about it?

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Why don't you ever take me nowhere?

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Why do we always have to meet here, never go dancing or nothing?

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Well, Jenny, isn't it nice here?

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No, it ain't.

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You're ashamed of me because I'm not a swell like you.

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Jenny, it isn't that.

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It's only that I want to be with you alone.

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Yes, I don't think.

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Well, what do you want me to say then?

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I don't know, but there's something funny about you.

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Oh?

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A man was here the other day.

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A man?

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Who?

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What do you mean?

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Oh, so there is something.

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Jenny, tell me about it.

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He was just asking about the gent who visited me last night.

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That was you, Peter.

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What did you say?

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I told him I wasn't the avid, a gas, and was strange, isn't it, Oppet?

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Well, what did he look like?

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Look here, I don't like the way you're talking like a ruddy copper.

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I don't think I'm going to tell you anything.

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Well, I'm sorry, Jenny, but please, go on.

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No, I don't feel like it.

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Now, look, I've got to know.

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It's important.

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Well, 999, ask the police.

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I think you'd better tell me.

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You eat me.

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What did he look like?

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Jenny?

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Was he all right?

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Maybe a little thinner, black hair.

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He looked something like you.

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Well, how was he dressed?

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I don't know.

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All right, I suppose.

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Gray overcoat, bowler.

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He wasn't a copper, I don't think, if that's what's worrying you.

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He was too polite.

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Any name?

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No.

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Said he was a friend of yours from abroad.

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Said when I saw you to say something about Canada.

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You know what he meant.

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That can't be.

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He's dead.

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It can't be.

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Immediately following the bandage robbery, the squire was inactive.

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We kept an eye out for the stolen jewels, but as in the past, there was no sign of them.

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However, we learned one interesting fact, that Peter Marriott had attended several parties given by victims of the squire.

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Although it was a very slight chance and quite possibly coincidental, we felt it advisable to assign a plainclothesman to watch him.

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On September 7th, 1949, the detective made his routine report.

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Follett's suspect, a lion's teeshot, knotting hill gate.

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He sat at a corner table alone.

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Five minutes later, he was joined by another man, was unable to hear the conversation.

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Hello, Peter Marriott.

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Hello.

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Sir Don.

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I don't think I would have recognized you.

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You've had quite a job done on your face, haven't you?

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Yes.

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Well, rather like old times, eh?

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What happened? I thought you were...

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Not now, my dear fellow. It's a long story.

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Don't worry, you'll hear about it.

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How long have you been in London?

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Ages.

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Nearly six years.

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Funny, you took so long getting in touch.

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Yes, isn't it?

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You look prosperous, I must say.

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So do you.

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I suppose that girl told you I'd been inquiring.

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Yes.

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Well, I thought it best to make sure. One doesn't want to make mistakes, does one?

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Look here, will you get to the point? What do you want?

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Same dear fellow, aren't you?

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All right. First, what about my name?

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I thought you were dead, there's no harm there.

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You know I couldn't use my own name after I left Canada.

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Yes, but my dear fellow, Peter Marriott, there can't be two of us, you know.

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Why not?

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Because when I found out five years ago that you were calling yourself that,

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I had to change my name to something else.

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Well, now I think I want my own back.

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You can have it.

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There must be more than a few Peter Marriott's in the world.

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Definitely, but we're special, you and I.

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Very special.

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Oh, go on.

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You see, I've been reading a lot about you. You're quite a toff.

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Races, hunt balls and all that. I've followed you very closely.

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You can be a great help to me, old man. Great help indeed.

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What's the game?

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We can do business together, just like old times.

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I don't think so.

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But I do. You and I and the Squire.

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For the next month, well into October, Peter Marriott, as a suspect, became a dad.

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He led an exemplary life and we began to feel that once again we'd made a mistake.

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He attended several parties and no robbery attempts followed.

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However, it was two days after a ball given by a wealthy sportsman that our detective assigned to Marriott made his report.

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October 28th. Suspect left his flat at 5.30 p.m. and walked toward Tube Station, followed but lost him.

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Cannot be certain whether he made this move on purpose or not.

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Is that the house?

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Yes.

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Well, you're not going to drive up to it, are you?

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Oh, look, I didn't ask you to come along, you know.

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Well, I suppose you know what you're doing.

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Now, you can stay here.

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But there are lights on in there.

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Servants' quarters.

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But what if I say if a bobby comes along?

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You see that switch under the dash?

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Where? Oh, here?

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Flick it. Then step on the starter.

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The motor won't catch. You can say you're having motor trouble.

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All right.

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Come on. Did you get it?

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I think I went in for a cup of tea, do you? Of course I got it.

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You are listening to The Greatest Thief in the World, the night's presentation in radio's outstanding theater of thrills, Suspense.

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Mr. Smith, no relation to the one you know, planned for a nest egg to start saving with United States savings bonds someday.

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He put off starting month after month, year after year.

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And you know what happened?

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All the money he didn't save wasn't there when he needed it.

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Don't you be like our Mr. Smith.

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Be like many smart Americans who purchase United States savings bonds regularly for a nest egg that is there.

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Now we bring back to our Hollywood soundstage Mr. Ben Wright, starring in tonight's production, The Greatest Thief in the World, a tale well calculated to keep you in suspense.

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Once again the squire had struck, this time to the tune of 14,000 pounds in Oriental jewels.

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Once again the resources of Scotland Yard were unable to discover one shred of evidence.

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It was useless to bring Peter Marriott in for questioning because we had no proof of his complicity.

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There was nothing to do but intensify our surveillance and hope that a piece of the stolen jewelry would turn up or that one of our informers would uncover something.

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On November 26, 1949, Marriott drove down to Kent and the estate of Lord Simon Lettington.

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John.

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Hello.

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Just running over to Patty Puth.

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Want to come?

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Yeah, love to.

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Hop in.

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Oh.

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Hey, Dave.

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Murderous.

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Too much for me last night.

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Take an aspirin.

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You'll need it for tonight.

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If I have one more hot buttered rum, I'll die.

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Oh, not you, Peter.

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I say, Daddy was furious with me this morning.

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Why?

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For behaving the way I did with you.

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Oh?

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He saw us kissing in the playroom.

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Said I had no right to lead you on, that you were a very nice young man and deserved a better fate.

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His lordship is a discerning man.

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Peter.

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Hmm?

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What were you doing in the library this morning?

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Nothing.

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Why?

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I saw you looking at the safe, just like a burglar.

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Very suspicious.

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Oh, a rot.

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There's probably nothing in it, anyway.

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Ha.

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Besides, no self-respecting cracksman would touch a thing like that.

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It's too easy to open.

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I bet the squire would.

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Ah, rank amateur.

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He learned everything from me.

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Do you want anything in the village?

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Oh, you might drop me at the pillar box.

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I have a couple of cards to post.

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Right.

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I'll meet you in half an hour outside the cinema.

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Our man followed Marriott when he left Lady Joan Lettington's card in Paddock Wood.

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Marriott posted two cards, then strolled down the road to the Hotel Rackham.

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He entered there, went into the tavern.

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Our man remained outside.

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And what are you, sir?

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Oh, er, double scotch.

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Double scotch?

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Yes, sir.

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Make a Johnny Walker, will you?

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All right.

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Right you are, sir.

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A bit of pre-Christmas cheer, eh?

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Listen, I don't like this.

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Outside.

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See in the mirror?

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I think it's a man from the yard.

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I've noticed him hanging about.

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Yeah, that won't do at all.

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What does it look like in the house?

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How the devil should I know?

15:44.480 --> 15:45.480
Give me time, can't you?

15:45.480 --> 15:47.480
You're a bit touchy, aren't you?

15:47.480 --> 15:50.480
My dear old boy, in this business one can't get nervous.

15:50.480 --> 15:52.480
You ought to know that.

15:52.480 --> 15:53.480
You should have stayed in London.

15:53.480 --> 15:54.480
No, it's better this way.

15:54.480 --> 15:56.480
We can keep an eye on one another, eh?

15:56.480 --> 15:58.480
Oh, this will buck you up.

15:58.480 --> 15:59.480
Double scotch, sir.

16:08.480 --> 16:11.480
On November 30th, Marriott returned to London.

16:11.480 --> 16:16.480
We had an idea that he'd contacted someone in Rackham Hotel Tavern.

16:16.480 --> 16:20.480
Possibly the elusive stranger we knew to be meeting Marriott from time to time.

16:20.480 --> 16:23.480
In any event, we kept a man at Paddock Wood.

16:23.480 --> 16:28.480
No attempt was made during the next three weeks upon Lord Leadington's house,

16:28.480 --> 16:30.480
and we could do nothing but wait.

16:30.480 --> 16:37.480
On December 21st, it was noted that Peter Marriott visited Virginia Hibbert in Hammersmith at a late hour.

16:37.480 --> 16:38.480
How are you?

16:38.480 --> 16:42.480
You really have no consideration for me at all, really, you haven't.

16:42.480 --> 16:44.480
What fine time of night to come calling.

16:44.480 --> 16:47.480
Oh, I'm sorry, Ginny, but I had to talk to you.

16:47.480 --> 16:48.480
Oh, what's up?

16:48.480 --> 16:50.480
Please listen.

16:50.480 --> 16:54.480
Now, I may have to go away, and I may not be able to see you again.

16:54.480 --> 16:55.480
Ever?

16:55.480 --> 16:56.480
Ever.

16:56.480 --> 16:58.480
You're a good girl.

16:58.480 --> 17:02.480
Sometimes I haven't been kind, but I've always known that I could trust you.

17:02.480 --> 17:05.480
It hasn't just been making use of you.

17:05.480 --> 17:07.480
I hope not.

17:07.480 --> 17:10.480
Ginny, that man who came to ask you about me...

17:10.480 --> 17:12.480
Has he got something to do with it?

17:12.480 --> 17:13.480
Yes.

17:13.480 --> 17:18.480
I knew him a long time ago in Canada.

17:18.480 --> 17:19.480
Cool.

17:19.480 --> 17:20.480
We worked together.

17:20.480 --> 17:22.480
It was in a mining town.

17:22.480 --> 17:26.480
One night there was a game, a poker game.

17:26.480 --> 17:28.480
It ended in a fight.

17:28.480 --> 17:32.480
My face was badly slashed, and I shot a man.

17:32.480 --> 17:33.480
Lummy.

17:33.480 --> 17:34.480
I ran away.

17:34.480 --> 17:36.480
The doctor did plastic surgery on my face.

17:36.480 --> 17:38.480
I changed my name, too.

17:38.480 --> 17:40.480
The bloke who came back, is he the man you...

17:40.480 --> 17:42.480
No, no, no, no.

17:42.480 --> 17:44.480
The man I shot was a miner.

17:44.480 --> 17:47.480
The fellow who came back was the one I worked with.

17:47.480 --> 17:50.480
I thought he'd been killed in the fight.

17:50.480 --> 17:53.480
You see why I was afraid when you told me about him.

17:53.480 --> 17:55.480
He knows about that man that I killed.

17:55.480 --> 17:56.480
Dirty water.

17:56.480 --> 17:57.480
Black Malaigne?

17:57.480 --> 17:59.480
Yes, Ginny.

17:59.480 --> 18:01.480
And I'm going to have to do something about it.

18:01.480 --> 18:02.480
The police are following me.

18:02.480 --> 18:06.480
You see, I can't let this go on.

18:06.480 --> 18:09.480
Now, look, there's some money in here, and I want you to take it.

18:09.480 --> 18:11.480
You don't have to do that.

18:11.480 --> 18:12.480
You've treated me all right.

18:12.480 --> 18:15.480
I don't want your money, and I don't want you to go away.

18:15.480 --> 18:17.480
No, no, please, it's for you.

18:17.480 --> 18:18.480
There's a thousand pounds here.

18:18.480 --> 18:20.480
No.

18:20.480 --> 18:22.480
Take it and get out of London, Ginny.

18:22.480 --> 18:25.480
Go to a nice little town and get married.

18:25.480 --> 18:27.480
No, I want to be with you.

18:27.480 --> 18:28.480
Take me with you.

18:28.480 --> 18:30.480
I could learn to be a lady, honest.

18:30.480 --> 18:32.480
I'd try.

18:32.480 --> 18:36.480
You are, dear Ginny.

18:36.480 --> 18:39.480
Oh, don't go, Peter.

18:39.480 --> 18:41.480
Don't go, please.

18:41.480 --> 18:43.480
Maybe I'll come back, and if I do, I'll look for you.

18:43.480 --> 18:44.480
Truly?

18:44.480 --> 18:45.480
Truly.

18:45.480 --> 18:47.480
Give us a kiss.

18:54.480 --> 19:00.480
On the morning of December 22, 1949, our file on Peter Marriott was still inconclusive.

19:00.480 --> 19:07.480
He was a strong suspect, but there was the other man whom we knew he had seen from time to time.

19:07.480 --> 19:11.480
There was now the possibility that he was the squire.

19:11.480 --> 19:17.480
We expected an attempt on Lord Leadington's house and kept our detective in Paddock Wood.

19:17.480 --> 19:20.480
That same night on the 22nd, Lord Leadington's safe was opened,

19:20.480 --> 19:23.480
and a large amount of currency as well as jewelry was stolen.

19:23.480 --> 19:29.480
The plain clothesman we'd left to guard the estate was later found unconscious in some bushes.

19:29.480 --> 19:32.480
You were an idiot to come back to the hotel.

19:32.480 --> 19:33.480
They'll be looking for you.

19:33.480 --> 19:34.480
Or for you.

19:34.480 --> 19:38.480
Ah, quite a haul. I like the paper best.

19:38.480 --> 19:41.480
Diamonds are pretty, but they're a bloody nuisance to get rid of.

19:41.480 --> 19:43.480
You won't have to worry about that anymore.

19:43.480 --> 19:44.480
Huh?

19:44.480 --> 19:47.480
I'm fed up. Things were all right with me before you turned up.

19:47.480 --> 19:51.480
Think how much nicer it is for me. You've been such a help.

19:51.480 --> 19:53.480
I can do so much better business with you.

19:53.480 --> 19:54.480
It's finished.

19:54.480 --> 19:58.480
Oh, come on now. You'll feel better after a drink.

19:58.480 --> 20:01.480
We'll have to get away from here. At least you'll have to.

20:01.480 --> 20:04.480
I imagine half of Scott and Yard will be here soon.

20:04.480 --> 20:05.480
What about that detective?

20:05.480 --> 20:07.480
Oh, I put him out. He'll live.

20:07.480 --> 20:10.480
Not a very nice Christmas present, I'm afraid.

20:10.480 --> 20:12.480
I meant it, you know, about us.

20:12.480 --> 20:14.480
Oh, no, you didn't.

20:14.480 --> 20:16.480
Because you wouldn't like people to know, would you?

20:16.480 --> 20:17.480
It doesn't matter.

20:17.480 --> 20:19.480
Oh, but it does.

20:19.480 --> 20:22.480
What do they do to murderers in Canada? Hang them?

20:22.480 --> 20:25.480
Or that delightful American system, electricity?

20:25.480 --> 20:26.480
You're a fool.

20:26.480 --> 20:30.480
You think I've spent these years getting where I have to allow you to come along and muck it up?

20:30.480 --> 20:34.480
You've had it too soft, Peter. You're spoiled.

20:34.480 --> 20:39.480
You're the one who's had it soft. I could talk, too.

20:39.480 --> 20:43.480
You know, I have an idea that you're threatening me.

20:43.480 --> 20:45.480
That's not very healthy, is it?

20:45.480 --> 20:46.480
No.

20:46.480 --> 20:50.480
I shouldn't try it, Peter. Whatever you're thinking.

20:50.480 --> 20:52.480
Turn around.

20:52.480 --> 20:53.480
Why?

20:53.480 --> 20:56.480
I don't want to shoot you in the back.

20:56.480 --> 20:59.480
Is that what you're going to do? Kill me?

20:59.480 --> 21:01.480
Turn around.

21:01.480 --> 21:04.480
We're in a hotel, you know. There's bound to be noise.

21:04.480 --> 21:07.480
I'll count to three.

21:07.480 --> 21:10.480
Don't do it, old boy. I have a gun, too.

21:10.480 --> 21:11.480
One.

21:11.480 --> 21:14.480
I was always a better shot than you. Remember?

21:14.480 --> 21:15.480
Two.

21:15.480 --> 21:18.480
Last chance. Put down your gun.

21:18.480 --> 21:32.480
Three.

21:32.480 --> 21:37.480
We found the body in the bedroom of the hotel raccom, Panicwood Kent.

21:37.480 --> 21:40.480
A single shot had been fired through the head.

21:40.480 --> 21:42.480
The pistol lay on the floor.

21:42.480 --> 21:46.480
The jewels stolen from Lord Lettington's safe were on the dressing table.

21:46.480 --> 21:48.480
The currency was missing.

21:48.480 --> 21:52.480
However, there were one or two points still left unanswered.

21:52.480 --> 21:55.480
The gun was devoid of fingerprints.

21:55.480 --> 21:59.480
The deceased was not wearing gloves at the time his body was discovered.

21:59.480 --> 22:06.480
There was further the question of an open window and scuff marks on the sill.

22:06.480 --> 22:12.480
Scotland Yard still is not certain who went through that window.

22:12.480 --> 22:15.480
The real Peter Marriott?

22:15.480 --> 22:17.480
The imposter?

22:17.480 --> 22:21.480
Or the one known as the Squire?

22:21.480 --> 22:41.480
Suspense.

22:41.480 --> 22:47.480
In which Mr. Ben Wright starred in tonight's true story of the greatest thief in the world.

22:47.480 --> 22:51.480
Next week, the story of a pet cat and the fear it carried with it.

22:51.480 --> 22:54.480
We call it The Black Death.

22:54.480 --> 23:06.480
That's next week on Suspense.

23:06.480 --> 23:10.480
Suspense is produced and directed by Anthony Ellis, who wrote tonight's script.

23:10.480 --> 23:14.480
The music was composed by René Garagin and conducted by Wilbur Hatch.

23:14.480 --> 23:25.480
Featured in the cast were John Dodsworth, Joseph Kearns, Betty Harford, Ella Morgan, Edgar Barrier, and Raymond Lawrence.

23:25.480 --> 23:40.480
You'll enjoy romance every Saturday in the daytime on the CBS Radio Network.

23:55.480 --> 24:20.480
You'll enjoy romance every Saturday in the daytime on the CBS Radio Network.

