WEBVTT

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And now, tonight's presentation of radio's outstanding theater of thrills, Suspense.

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Tonight, the story of a woman who can't escape from her dreams.

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We call it, I Saw Myself Running.

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So now, starring Miss Charlotte Lawrence, here is tonight's Suspense play, I Saw Myself

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Running.

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I'll serve you the magazine section, sweetie.

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Thanks.

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You want the woman's page?

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No thanks.

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Ready?

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Hmm?

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I had the strangest dream last night.

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It scared me.

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Why didn't you wake me up?

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Why?

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I wouldn't have done any good.

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The funniest thing, it was a nightmare I guess.

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You know, the kind where you see yourself running away from something or somebody.

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Too much brandy.

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I want to ask you, it's very important.

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What darling?

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You notice how sometimes in a dream, everything is happening to you, then suddenly you find

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yourself standing there watching it, watching yourself.

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And you say, it's a dream and I don't have to be frightened because in a minute I'll

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wake up.

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Yeah, I guess so.

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Well last night, a lot of other nights it's been different.

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Starts the same way.

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I'm running away.

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Somebody I don't know is following me and then there are two of us, both me, running.

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Coffee still hot?

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Freddie.

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Sue.

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Honey, I don't know anything about dreams.

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If you want to know what I think it means, I don't know.

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Offhand I'd say that last brandy.

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More coffee?

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How do you explain a dream?

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You don't.

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You can't.

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At first it frightens you, then as the morning passes it fades.

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My lunchtime is forgotten.

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Freddie and I went to bed early that night.

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I think I was a little surprised when it began again.

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I didn't realize I was asleep yet but it was there, the same as the last time.

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A face far away.

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Around it was a piece of cardboard with circles drawn on it, the face in the center and it

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went round and round.

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First only a dot and then it came closer.

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The noise came with it and everything was spinning so much it made me dizzy.

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But I could always see it right side up.

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It was very close to me and the face was somebody's I'd never seen before.

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It was a man I think and I knew that he didn't care and I wanted to cry.

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Then it was gone.

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I was alone in a big hall and I thought I'd seen the place before but I couldn't have

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because I knew it was only a dream.

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Even then I knew I was dreaming because I could see myself.

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There was a wide staircase going up into a dark place that was higher than any place

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I'd ever seen.

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I was at the foot of the stairs looking up.

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My face was frightened.

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I saw myself open my mouth to say something, to call upstairs into the dark.

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Don't come down please, don't.

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I don't want to see you.

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I'm afraid.

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Don't come down.

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But I'd never heard myself before.

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Not really.

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I always thought I'd said things in dreams but not this way.

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Not so that I really heard and the voice wasn't my own.

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I found myself looking up the staircase with her and there were two of us standing next

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to each other touching.

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I could feel her hand.

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It was warm.

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Don't.

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You mustn't come down.

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Who is it?

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I don't know Susan.

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I never know but it's up there in the shadows.

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What does it look like?

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Listen.

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I'm afraid.

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It'll come down soon and I'll try to run but I won't be able to get away.

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It's always the same.

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This is a dream.

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It's a dream.

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I'm having a dream.

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I can wake up now if I want to.

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I'll be here alone then.

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You always leave me here alone.

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That's silly.

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How can I leave you alone when you're me?

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It's only a dream.

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I can wake up now.

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No.

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You've got to stay this time.

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Look up there.

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It'll be coming down in a minute.

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We'll have to run.

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I won't run.

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I always do.

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I have to.

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No.

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I want to see it.

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It'll kill you if you stay.

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How do you know you haven't even seen it?

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It'll kill me too.

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I'm afraid.

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This is a dream.

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There's nothing to be afraid of.

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It's coming down.

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Run.

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Run.

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We ran.

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The both of us.

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And all this time and all my dreams that girl I'd seen hadn't been me at all.

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And then the great hall and staircase wasn't there.

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We were in a lovely garden.

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It was very quiet except for a single bird.

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And it sang strangely and sadly.

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Why do you dream?

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What a silly question.

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Everybody dreams.

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If you didn't dream I wouldn't have to be here.

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I wouldn't be afraid all the time.

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There's nothing to be afraid of.

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It's warm.

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So peaceful.

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Look at the roses.

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The caterpillars.

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I'm afraid of caterpillars.

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I used to be.

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I'm not anymore.

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I'm still afraid of them.

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I remember the first time you dreamed of them.

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You've been frightened when one crawled on your hand.

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You were very small then.

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That's the first time I had to be afraid of them.

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That was a long time ago.

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I don't mind them now.

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I do.

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I mind everything you think you've forgotten.

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Look.

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There's one crawling on my hand.

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It's a cat.

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It's a cat.

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It's a cat.

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It's a cat.

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It's a cat.

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It's a cat.

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It's a cat.

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It's a cat.

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It's a cat.

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It's a cat.

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It's a cat.

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You've been frightened when one crawled on your hand.

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With a cat.

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With a cat.

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It's a cat.

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I'm afraid of them.

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That is my dream.

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My dream.

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With passengers, I'm a cat.

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Not anymore.

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No, go away.

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I need to go away through this code.

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It's only a dream.

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You think it's only a道m.

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We live with this all the time.

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Where are we going?

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I don't know.

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Look.

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We're going to fall.

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We're going to fall now.

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It'll be all right.

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We've got our parachutes on.

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I know.

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You have to count to three or ten and then pull the ring.

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I've seen them do it in the movies.

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We'll be all right.

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We'll jump.

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No, I can't.

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I can't.

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We've got to.

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I can't.

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I can't.

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It's such a nice floating sensation.

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I know ideally we were so high.

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I've got to count to ten and then we'll be all right.

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I can't.

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I can't.

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I can't.

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I can't.

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I can't.

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I can't.

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We will.

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We will.

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Count to ten and then pull the ring.

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One.

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Two.

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Three.

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Four.

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Five.

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Zero.

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Six.

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Seven.

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Eight.

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Nine.

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Ten.

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I can't find it.

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I can't find it!

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It won't work.

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I'm going to die.

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I'm falling!

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I'm going to die!

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I'll tell you how to find it.

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It's got nothing to do with us.

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No!

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Honey, wake up.

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Susan, wake up. You're dreaming.

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Susan.

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Oh, Freddy.

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It's all right. You're okay now.

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It was a nightmare.

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I was falling.

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I fell out of an airplane.

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I was going to die.

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It's all right.

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You're right here.

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Everything's fine and it's nearly four o'clock.

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Come on.

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You climb in with me.

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Freddy.

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I don't want to dream anymore.

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I'm afraid.

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It was like last night, the other nights.

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But worse.

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Now listen, Soze.

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Look at me.

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Do I sound the same?

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Do I sound the same?

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Honey, you're the same.

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But there's two of us.

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When I go to sleep, when I dream, there's another woman there.

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That's who I've been seeing all these years.

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It's someone else. She's there all the time.

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Freddy, I don't want to dream anymore.

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Something's going to happen.

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I'm afraid.

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You are listening to I Saw Myself Running.

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Tonight's presentation in radio's outstanding theater of thrills, Suspense.

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There are more people in hospitals with mental illness than with polio, cancer, heart disease, TB, and all other diseases put together.

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Let's stop the spread of mental illness right now.

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Help your mental health association in its fight for better hospitals, more clinics, and more research.

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Give today to your mental health fund.

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And now we bring back to our Hollywood soundstage, Miss Charlotte Lawrence, starring in tonight's production of I Saw Myself Running,

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a tale well calculated to keep you in suspense.

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Freddy took me to the doctor. I tried to tell him about the dreams.

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When I finished, he examined me, tested my heart and blood pressure. Then he said,

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Susan, you're tired. That's what's the matter with you.

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But I haven't been doing anything to be tired. Really, I haven't.

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You're overwrought. Well, it's not serious. You're in good shape. But what you need is to get away for a few days.

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I feel all right. Just that dream, the girl, the one who looks like me.

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I want you to forget about that dream. It's only because you're tired that you have the dream in the first place.

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Now, I'm going to give you a sedative to take just before going to bed.

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A few nights good sleep and you'll be fit as a fiddle.

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I don't want to dream anymore. That's all.

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Patted me on the arm, smiling. Freddy smiled.

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I took the little box of sedative pills home with me.

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I couldn't tell them. I couldn't make them understand.

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That night I decided that I wouldn't sleep. I'd stay awake.

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And if I was awake, I couldn't dream.

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At seven o'clock when Freddy got up, I pretended to still be asleep.

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I heard him making coffee. Then he came back in, kissed me, left for the office.

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Somehow I stayed awake the whole day.

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I tried to buy something at the drugstore to stop me from sleeping.

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They wouldn't give it to me without a prescription.

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And then at five o'clock Freddy called to say he had to entertain some out of town people that night.

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After that I had to lie down on the living room couch because I felt sick.

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I won't. I won't.

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I'm not going to go to sleep.

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Oh, I've got to lie down for a while.

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In a minute I'll feel all right.

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And I can get up.

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In a minute.

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In a minute.

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There's that big hall again. On the staircase.

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I can see her looking up into the dark.

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You didn't come last night.

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I know.

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I was waiting here.

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It didn't come down though. The thing up there.

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You couldn't have been here.

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I was waiting for you.

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I was waiting for you.

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I was waiting for you.

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I was waiting for you.

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I was waiting for you.

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There's the thing up there.

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You couldn't have been here. You're only me in a dream.

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When I don't dream you're not here.

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I'm always here. I have to see the things happen.

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Things don't really happen in dreams. It's imagination.

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Oh, no. It isn't.

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Look up there in the dark. It's up there.

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Waiting.

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Soon it'll start to come down.

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How do you know?

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It does. And we'll have to run.

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But if we run we can't see it.

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Perhaps if we didn't run and we saw it, we wouldn't be afraid anymore.

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It's going to come down. I know it is.

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We won't run. We'll wait for it.

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I can't. I'm afraid.

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You're me. I'm not afraid now. You can't be.

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Look.

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The darkness at the top of the stairs seemed to move, take shape.

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And I saw, heard her screaming.

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Ah! Ah!

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Slowly, painfully, she turned away from the stairs and tried to run.

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Her legs moved, but she stayed in the same place.

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Then the darkness started to come toward us.

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It swirled down the stairs and there was a figure in it and a face.

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But the mouth and the face wasn't a mouth at all.

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It had no form.

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And the face changed and grew bigger, came closer.

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Around it an awful blackness.

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And I saw myself running.

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We were standing in a narrow stone passageway.

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It was cold and damp.

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And the other girl who wasn't me was holding a gun.

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We both were.

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And we looked behind us because around the corner, out of sight,

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it was following.

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I heard the telephone ringing.

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And I couldn't understand how there could be a telephone in that place.

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I'm tired. I can't run anymore.

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We'll rest for a minute.

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It sounds like my telephone.

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How can it be?

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Because this is only a dream.

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If I wake up, I'll answer it.

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It's on the table at the end of the couch.

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I can wake up and answer it.

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No, you can't. I won't let you.

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I'm not going to stay here alone.

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I've got to wake up.

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You can't now.

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We've got to run again. It'll catch us.

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No.

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Hurry.

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I felt the cold horror behind us.

15:50.340 --> 15:54.340
And I ran, following the twisting passageway.

15:54.340 --> 15:57.980
And I knew that the telephone had been my last chance,

15:57.980 --> 16:00.880
my last chance to wake up.

16:00.880 --> 16:02.780
And I hadn't.

16:02.780 --> 16:04.540
I couldn't.

16:04.540 --> 16:06.540
There's a light ahead.

16:06.540 --> 16:10.200
It won't dare to follow us into the light.

16:10.200 --> 16:11.480
Are you tired?

16:11.480 --> 16:12.600
Are you?

16:12.600 --> 16:14.480
No.

16:14.480 --> 16:18.280
It's funny how we seem to almost float.

16:18.280 --> 16:21.000
I'm not tired at all.

16:21.000 --> 16:23.880
I don't think we need the guns now.

16:23.880 --> 16:26.140
I'm going to throw mine away.

16:26.140 --> 16:27.740
I'm not.

16:27.740 --> 16:29.640
I'm afraid of guns.

16:29.640 --> 16:30.980
I used to be.

16:30.980 --> 16:32.340
I'm not anymore.

16:32.340 --> 16:34.340
Wait a minute.

16:34.340 --> 16:35.980
Those two men.

16:35.980 --> 16:38.300
You see, in the entrance?

16:38.300 --> 16:39.480
Yes.

16:39.480 --> 16:41.580
I wonder why they're there.

16:41.580 --> 16:43.600
Maybe they'll try to stop us getting out.

16:43.600 --> 16:44.840
It'll be all right.

16:44.840 --> 16:46.540
Come on.

16:46.540 --> 16:48.300
It's Freddy.

16:48.300 --> 16:49.780
Freddy and Dr. Peters.

16:49.780 --> 16:51.200
I know.

16:51.200 --> 16:52.780
Freddy?

16:52.780 --> 16:54.240
Freddy?

16:54.240 --> 16:56.200
It's me, Susan.

16:56.200 --> 16:57.500
Stay where you are, Susan.

16:57.500 --> 17:00.100
Don't come any closer.

17:00.100 --> 17:02.140
But it's following us.

17:02.140 --> 17:03.240
We've got to get out.

17:03.240 --> 17:04.640
We'll have to go back.

17:04.640 --> 17:05.380
No.

17:05.380 --> 17:07.000
Go back, Susan.

17:07.000 --> 17:08.540
Go back into the passage.

17:08.540 --> 17:09.780
Oh, no.

17:09.780 --> 17:10.380
No.

17:10.380 --> 17:12.340
You can't come out anymore, Susan.

17:12.340 --> 17:13.600
Oh, but I must.

17:13.600 --> 17:15.180
Let me talk to them, Susan.

17:15.180 --> 17:16.640
You let me talk to them.

17:16.640 --> 17:17.800
I'll take care of it.

17:17.800 --> 17:23.340
You'll see.

17:23.340 --> 17:26.140
I saw her walk slowly to the entrance,

17:26.140 --> 17:29.240
to where it was light and there was sunshine.

17:29.240 --> 17:32.740
And the three of them talked very quietly.

17:32.740 --> 17:35.140
I couldn't hear what they were saying,

17:35.140 --> 17:37.740
but I knew it was about me.

17:37.740 --> 17:41.640
And ever so faintly, I heard the sound of the thing

17:41.640 --> 17:46.840
that was waiting somewhere in the blackness of the passage.

17:46.840 --> 17:50.940
She was pointing at me, and Freddy was laughing.

17:50.940 --> 17:55.440
And it made me angry, so angry that I forgot to be afraid.

17:55.440 --> 17:57.040
I ran over to them, and as I did so,

17:57.040 --> 17:58.780
they blocked the entrance, linking

17:58.780 --> 18:00.100
their arms to keep me back.

18:00.100 --> 18:01.840
She's told us all about you, Susan.

18:01.840 --> 18:04.040
It's taken us a long time to find you out.

18:04.040 --> 18:05.600
Oh, stop it.

18:05.600 --> 18:07.400
There's no such person.

18:07.400 --> 18:09.140
She's me.

18:09.140 --> 18:10.780
She's Susan.

18:10.780 --> 18:14.640
This is only a dream, and I can wake up whenever I want.

18:14.640 --> 18:15.440
Stop it.

18:15.440 --> 18:17.340
Stop it.

18:17.340 --> 18:18.540
It's true.

18:18.540 --> 18:19.540
Ask her.

18:19.540 --> 18:20.640
She'll tell you.

18:20.640 --> 18:23.400
My dear Susan, how can we ask her

18:23.400 --> 18:26.040
if you say she doesn't exist?

18:26.040 --> 18:28.140
You're tired over rocks.

18:28.140 --> 18:29.400
Oh, I'm not.

18:29.400 --> 18:31.100
You mustn't say that.

18:31.100 --> 18:32.940
It isn't true.

18:32.940 --> 18:35.840
Please let me out.

18:35.840 --> 18:37.500
I'm cold.

18:37.500 --> 18:38.740
I'm afraid.

18:38.740 --> 18:41.200
You kept her down here all your life.

18:41.200 --> 18:42.900
Now because you're afraid and cold,

18:42.900 --> 18:44.500
you expect us to let you out and make

18:44.500 --> 18:45.940
her go back inside.

18:45.940 --> 18:47.900
Freddie, it's me.

18:47.900 --> 18:49.900
I'm your wife, Freddie.

18:49.900 --> 18:51.740
I've always been fair.

18:51.740 --> 18:53.200
I want to be fair this time.

18:53.200 --> 18:54.300
We have to be fair.

18:54.300 --> 18:56.100
Sue, what do you think?

18:56.100 --> 18:57.040
Should we let her out?

18:57.040 --> 18:57.840
No.

18:57.840 --> 18:59.900
She'll only wake up and leave me there.

18:59.900 --> 19:01.400
I want to wake up this time.

19:01.400 --> 19:02.300
Let her stay.

19:02.300 --> 19:03.700
Oh, you.

19:03.700 --> 19:05.440
You're all crazy.

19:05.440 --> 19:07.040
She's not Susan.

19:07.040 --> 19:08.300
I am.

19:08.300 --> 19:09.640
She's nobody.

19:09.640 --> 19:11.140
She's in a dream.

19:11.140 --> 19:13.500
Stop it, please.

19:13.500 --> 19:14.440
We have to be fair.

19:14.440 --> 19:16.000
We really do.

19:16.000 --> 19:19.200
If you only weren't so tired, so overwrought.

19:19.200 --> 19:20.540
I suggest we take a vote.

19:20.540 --> 19:22.700
Yes, that's eminently fair, a vote.

19:22.700 --> 19:23.900
I think so, too.

19:23.900 --> 19:25.240
Yay or nay?

19:25.240 --> 19:26.640
We let her out, yay.

19:26.640 --> 19:28.900
We don't let her out, nay.

19:28.900 --> 19:29.540
Sue?

19:29.540 --> 19:30.240
Nay.

19:30.240 --> 19:31.000
Doctor?

19:31.000 --> 19:31.900
Nay.

19:31.900 --> 19:35.140
And I cast my vote, nay.

19:35.140 --> 19:37.440
The vote has been taken and duly recorded.

19:37.440 --> 19:40.300
You can't make me stay here.

19:40.300 --> 19:41.540
I won't.

19:41.540 --> 19:42.840
I won't.

19:42.840 --> 19:44.340
I think that you'd better talk to her.

19:44.340 --> 19:45.060
You're a woman.

19:45.060 --> 19:46.300
It's better that way.

19:46.300 --> 19:48.440
Doctor and I will wait for you outside.

19:48.440 --> 19:49.040
All right.

19:51.760 --> 19:53.440
Don't be afraid.

19:53.440 --> 19:55.740
You don't have to be afraid now.

19:55.740 --> 19:58.940
That comes later when you have to go back into the passage,

19:58.940 --> 20:00.700
when I wake up.

20:00.700 --> 20:03.400
You can't wake up.

20:03.400 --> 20:05.700
Never.

20:05.700 --> 20:07.800
You're not alive.

20:07.800 --> 20:10.040
I want to tell you something.

20:10.040 --> 20:12.100
I'm not going to be like you.

20:12.100 --> 20:14.900
I'll never dream ever again.

20:14.900 --> 20:17.400
You're going to stay here alone, just the way you

20:17.400 --> 20:19.260
made me do it all your life.

20:19.260 --> 20:20.400
You can run.

20:20.400 --> 20:22.540
You can run and never be able to escape.

20:22.540 --> 20:26.340
But I shan't come here to be with you.

20:26.340 --> 20:28.240
It's waiting for you.

20:28.240 --> 20:28.940
Can you hear it?

20:31.940 --> 20:33.840
No.

20:33.840 --> 20:35.940
Please.

20:35.940 --> 20:38.240
Don't make me.

20:38.240 --> 20:40.100
Please.

20:40.100 --> 20:42.260
It'll get me.

20:42.260 --> 20:43.000
Please.

20:43.000 --> 20:44.640
It won't get you if you keep running,

20:44.640 --> 20:45.840
but you mustn't ever stop.

20:45.840 --> 20:47.840
I'm afraid.

20:47.840 --> 20:49.840
It's dark.

20:49.840 --> 20:51.340
I'm afraid.

20:51.340 --> 20:53.340
Please.

20:53.340 --> 20:54.840
Don't make me go back.

20:54.840 --> 20:56.340
I'm Susan.

20:56.340 --> 20:58.340
I'm back to wake up.

20:58.340 --> 20:59.340
Please.

20:59.340 --> 21:00.840
I'm afraid.

21:00.840 --> 21:02.340
It's so dark.

21:02.340 --> 21:03.840
So dark.

21:03.840 --> 21:05.840
I've got to run.

21:05.840 --> 21:07.340
Run.

21:07.340 --> 21:08.840
Run.

21:08.840 --> 21:10.340
Run.

21:10.340 --> 21:11.340
Run.

21:11.340 --> 21:34.840
I think I'll wake up now.

21:41.340 --> 21:42.840
Susan.

21:42.840 --> 21:44.340
Susan.

21:44.340 --> 21:45.340
Oh, darling.

21:45.340 --> 21:46.840
Are you all right?

21:46.840 --> 21:47.840
Susan.

21:47.840 --> 21:49.340
Oh.

21:49.340 --> 21:51.840
I called you, but there was no answer.

21:51.840 --> 21:53.840
I was worried.

21:53.840 --> 21:54.840
You all right?

21:54.840 --> 21:55.840
Feeling better?

21:55.840 --> 21:57.840
Oh.

21:57.840 --> 21:59.840
You look better.

21:59.840 --> 22:00.840
Say, you know what?

22:00.840 --> 22:03.340
I've arranged to take five days off from the office.

22:03.340 --> 22:04.840
We'll go to the mountains.

22:04.840 --> 22:06.340
That's what the doctor ordered.

22:06.340 --> 22:06.840
How about it?

22:06.840 --> 22:08.340
Oh, it sounds wonderful, Freddie.

22:08.340 --> 22:11.840
I figure if we...

22:11.840 --> 22:12.840
Suze.

22:12.840 --> 22:15.840
Yes, darling?

22:15.840 --> 22:17.840
Your...

22:17.840 --> 22:20.340
Your voice...

22:20.340 --> 22:21.840
Sounds funny.

22:21.840 --> 22:23.340
My voice?

22:23.340 --> 22:24.840
Well, it's me.

22:24.840 --> 22:26.840
It's the only voice I've got.

22:26.840 --> 22:29.840
It doesn't sound like you.

22:29.840 --> 22:30.840
Are you sure you're...

22:30.840 --> 22:32.340
Silly.

22:32.340 --> 22:35.840
How can it be me and not sound like me?

22:35.840 --> 22:37.840
Silly.

22:37.840 --> 22:40.340
Will you give me a kiss?

22:40.340 --> 22:43.340
Suze.

22:43.340 --> 22:45.340
What's the matter with your voice?

23:03.840 --> 23:05.340
Suspense.

23:05.340 --> 23:09.340
In which Mitch Charlotte Lawrence starred in tonight's presentation of...

