WEBVTT

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And now, tonight's presentation of radio's outstanding theater of thrills, Suspense.

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Tonight, the story of a mountain road and the pursuit of a runaway car.

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We call it Speed Track.

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So now, starring Eddie Firestone, here is tonight's suspense play, Speed Track.

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Sometimes it takes you years to get to know a guy.

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Sometimes on the highway patrol you learn all about a man in ten minutes.

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Like the night Craig Hollister checked me out on my new beat.

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Soft shoulder here.

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I didn't answer.

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I was too busy sweating the grade.

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The wheel was easy in my hands.

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Too easy like it always is on a slick highway.

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My headlights caught the rain and sleet slanting down from the pass.

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It was steamy inside the patrol car.

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Hollister wiped the mist off the windshield.

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I thought of loosening my collar, but I didn't want to make a bad impression on Hollister.

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He didn't look like a police academy officer, but he didn't talk much so I couldn't tell.

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I knew he was a good patrolman.

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They told me at headquarters, good patrolmen go by the book.

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I decided I'd leave my collar buttoned.

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I wiped my hands one at a time and changed my grip on the wheel.

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Curve coming up.

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I don't see why they need us on this road.

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Driver would be nuts to go over 30.

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People speed anywhere.

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This turn is called Milley's hairpin. It's slick in the rain.

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Found four kids here in a station wagon after the last storm.

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Over the left of them.

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Who is Milley?

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She went over the cliff in a model T five years ago.

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She was 60 years old.

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Killer?

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Not a scratch. Devil's Curve coming up.

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We've had three fatalities here this winter.

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I don't know if I'm going to like this beat.

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Oh, it isn't bad.

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Once you get used to the blood.

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You actually catch speeders on this highway?

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So I met my wife. She was speeding here.

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Pardon me.

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Spatcher, this is 3-1-2-2.

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Go ahead, Craig.

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Joe, will you call Debbie and tell her to pick me up at headquarters?

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Okay. You better get down here before she does.

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A guy like her is the safest around me.

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You old relic, she could break your arm.

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Joe.

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Yeah?

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It's awful slick up here.

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Tell her to take it easy on the gray.

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Roger. Out.

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Well, this was pretty good.

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You wanted your wife to meet you.

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You gave the dispatcher a call on the radio.

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That was something they hadn't taught me at the academy.

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I had a hunch it wasn't exactly standard either.

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Maybe working out here in the sticks would have its points.

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If you didn't end up at the bottom of a canyon some night chewing on a piston ring.

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Or if your wife didn't go nuts feeding the chipmunks.

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Well, I sure hope she doesn't try to break the record getting to headquarters.

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Not tonight.

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Did you say you caught her speeding here?

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That's how I met her.

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See that stretch at the bottom of the grade?

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I remember it.

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If you park off the road on the ridge, you can spot the speeders coming down.

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I try to get them before they hit the real grade and clobber themselves.

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That's where you met your wife, huh?

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Yeah.

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She was rowing down the hill with a car full of phonies.

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Coming back from a party Schweitzer was giving on his estate.

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All of them.

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Tried to the eyeballs.

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Including your wife?

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I thought so. I wrote it up that way.

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Well, then what happened?

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Well, the county judge thought otherwise.

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Debbie cried and her old man said he wanted to treat her just like anybody else.

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Even if he had just given the county a new library.

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So the judge decided she'd never had a drink in her life.

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Wasn't a dry eye in the courthouse.

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You married her, huh?

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Best thing I ever did.

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I think.

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You think?

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You're married, aren't you?

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Your wife doesn't like the mountains?

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Whoever I am, she likes it. Why?

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It's kind of lonely for a woman, Debbie says.

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Well, here's the place I was telling you about.

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Pull over.

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Pull over?

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Yeah.

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Well, wait here and follow her down.

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Why?

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Well, she still drives this grade too fast.

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With me back of her, she'll take it easy.

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So I pulled over, of course.

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Even if it was quitting time.

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He was the boss and if he wanted to baby his wife down the grade, it was okay with me.

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I was tired and I could have used a cup of coffee back at headquarters.

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And I was trying to get my wife moved into her cabin, but the man said pull over and wait.

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So I pulled over and waited.

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I even offered him a cigarette to show there were no hard feelings.

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He shook his head.

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And the flare of my match I could see was squinting up the road.

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His face was tired.

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Some of the roughness was gone.

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This joker was worried.

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He caught me looking and seemed kind of ashamed.

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Should we be along in a minute?

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Sure, sure, no hurry.

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You can't follow her everywhere, you know.

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In a hurry or something?

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No, no, it just seems...

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Look, I'm getting a transfer.

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Debbie and I will be out of these mountains next week.

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She's a good driver, but it's slick tonight.

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So if it's okay with you, we'll just...

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Sure, sure, I'm sorry.

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What's the matter?

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Look at those headlights up there.

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I twisted around in my seat.

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Half a mile up the grade, a pair of headlights stabbed over the cliff

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seemed to hang there.

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Then they whipped back to the road, jerky.

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Like when somebody's really floorboarding the accelerator.

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Then there was a straight stretch where the light swayed like the guy was skidding.

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Hollister gripped my shoulder, then the light straightened out

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and got brighter and brighter and further apart.

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The guy was practically flying.

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Holy smoke!

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That's not your wife, is it?

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No, no, she's still a little wild, but she's not crazy.

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Hollister was big and a little older than me.

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He didn't look like he could move very fast,

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but he was nothing but a blur jumping out of that car.

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He was around the hood and swinging a flashlight in circles

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before I could even turn on my red light.

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The crazy headlights seemed to reach out at him.

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Hey!

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You okay, Hollister?

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Yeah.

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Let's take him.

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Holy cow, I thought you'd had him.

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Close, but no cigar. He must be plaster of the years.

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Get his tag, the light's blinking.

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I just seen it was a convertible, that's all.

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A convertible?

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Yeah.

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Aren't you going to call a dispatcher?

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No.

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Cappy ought to be parked near halfway house.

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2429.

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This is 3122.

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It was a convertible, all right,

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and I'd caught a flash of the driver and my heart had flipped.

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It was a woman driver, young, blonde,

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with a crazy grin on her face.

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I felt sick.

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I'd picked up the pieces after a few wrecks down in the valley.

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It's bad enough when it's a man, but a young girl...

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2429, this is 3122, Cappy.

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We're in pursuit of a possible 502

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three miles north of halfway house.

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Just about ran me down.

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He's weaving all over the road. Be careful.

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Roger, I'll try to take him.

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Curve, not here.

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Take this curve tight, buddy.

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What did you say?

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That driver, it's a woman.

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A woman?

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I think so.

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Okay, after this curve, you can cut loose for about 800 yards.

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Try to get me close enough to spot light her license.

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Hang on, partner.

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You get the number?

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No.

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Maybe on the next stretch.

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We don't need the number.

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What do you mean?

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I know the number.

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You know it? How come?

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It's Debbie's car.

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You're a wife. You must be nuts.

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It's Debbie.

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Why would she try to run you down?

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She doesn't know what she's doing.

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What do you mean?

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She's fried, plastered, crushed.

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What do you mean?

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She's a woman.

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She doesn't know what she's doing.

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She's going to roll that thing and that'll be all.

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That'll be all.

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This guy was shook.

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Sliding through a turn, I caught a glimpse of his face in the light from the dash.

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He was staring ahead.

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And he had that thousand yard stare I'd seen in Korea before an attack.

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I shivered.

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Well, where do we go from here?

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I could see it coming.

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I could see it.

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Alone in that house all day.

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It's why we were going to move to the city.

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But now it'll be too late.

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Step it up, Art. Step it up.

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If we had time to change...

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I can't do any better than you.

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Stick with it and try.

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Try to get her before killer curve.

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That's a heavy car she's got, Craig.

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It's like it was glued to the road.

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It isn't glued to the road.

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It'll roll just like the rest of them.

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It'll roll.

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Tappy will flag her down.

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How's he going to do it?

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She didn't stop for us.

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Maybe she didn't even see us.

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You want me to try to take her again?

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Not here, Art. Not here.

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If she speeds up anymore, she hasn't got a prayer on killer curve.

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Hang back. Don't press her.

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Benny did something that wasn't in the books.

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He reached over and cut our growler.

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And he flicked off the red light.

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I started to turn it back on and fell his hand on my wrist.

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Leave it off.

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Maybe we're panicking her.

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Art, if she doesn't slow down now, she'll never make it.

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Then she started her turn on killer's curve.

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It was easy to see she wouldn't make it.

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It's the roughest turn on the grade.

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Washboard, no bank to it at all.

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100 foot drop to the river bed below.

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Hard enough to make on a dry day, but on a wet night.

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Murder.

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The tail lights hesitated for a second like they were making up their minds

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whether to run into the hill or over the side.

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The car slid sideways, rear toward the river.

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She was going over backwards.

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No, no.

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No, baby. No, no.

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I took my foot off the gas.

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Out of the tail of my eye, I saw Hollister cover his face.

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And then I was fighting to stay on the road myself.

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Suddenly the miracle happened.

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She'd made it.

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Now we had to do it.

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2429.

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This is 3122.

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We're a mile north.

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Still unable to catch the 502.

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She's doing 75.

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Suggest your startup will try to box her, but be careful of it.

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This is 2429.

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Did you say her?

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Yes.

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Roger.

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Okay.

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I see her lights.

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Starting up now.

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Stay on her tail.

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We can just stay.

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Just ease her between us.

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Just ease her between us.

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Watch it!

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It's like glass out there.

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I'll try to take her again.

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What's your speed now, Gray?

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73.

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We're a half a mile behind you.

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She's weaving.

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I'm up to 65.

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Is she slowing down?

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Is she slowing down?

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No.

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No, she's swinging left.

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It's a heavy car, Pappy.

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Be careful.

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Roger.

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She's swinging right.

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Pappy, let her by.

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Let her by!

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Let her by.

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How are you going to make an old-time patrolman let a drunk pass him on the road?

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No, Pappy tried to fight it.

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He tried to ease her onto the shoulder.

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The block long convertible against the patrol car.

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It was like a good pro featherweight against an amateur heavy.

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All skill and no punch.

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For a second I thought he had her run off the road.

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The convertible lurched back.

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The two sets of tail lights got closer.

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And then Pappy was off the road, over the shoulder, bouncing and rolling down the embankment.

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I eased my foot off the accelerator praying that it wasn't as bad as it looked.

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I wanted to use the brake, but on that highway it would have been suicide.

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What are you doing?

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Going back for Pappy.

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What about her?

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Call a dispatcher. They'll stop her.

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If she doesn't go off the road first, we gotta get back.

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Stay on her tail.

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You off your rocker, they'll stop her.

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She's my wife and I don't want her killed.

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Stay on her tail.

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What about Pappy?

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I said stay with her. I'm still running this beach.

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But Pappy sneaks?

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Joe, this is 3-1-2-2, a mile south of Halfway House.

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That 502 just ran Pappy off the road.

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Send an ambulance. We're staying on her tail.

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This isn't Joe, it's Sergeant Capehart.

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Setting up a roadblock outside headquarters. She won't get through it.

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Go back and help Pappy.

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But what kind of roadblock?

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The works.

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You aren't shooting at a woman.

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If she tries to run this block, we'll shoot at her.

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Now get back to Pappy.

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Sarge, Sarge, that girl...

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Don't worry about the girl. I'll take care of her.

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You get back to Pappy.

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It's Debbie!

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Yeah?

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I'm sorry, Hollister. She's just run my best man off the road.

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Said she almost hit you.

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Trucks and cars coming up the lower grade.

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She'll have one of those.

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If we don't stop her. So we'll stop her.

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If we have to blast her off the road.

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You are listening to Speed Trap.

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Tonight's presentation in radio's outstanding theater of thrills, Suspense.

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Hardly a driver is now alive who passed on a curve at 65.

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Slow down driver, if you're pushing even a little bit too hard for the road conditions ahead tonight.

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Play it safe behind the wheel. Your life depends on it.

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The lives of others on or near the highways depend on it too.

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Safety first behind the wheel.

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Don't make a death trap of your automobile.

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And now we bring back to our Hollywood soundstage, Eddie Firestone with Larry Thor.

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Starring in tonight's production, Speed Trap.

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A tale well calculated to keep you in...

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Suspense.

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I felt sorry for the man beside me.

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I knew what was happening outside headquarters.

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A couple of patrol cars rolling into position.

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Spotlights pointed up the grade.

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The guys drawing automatic rifles, maybe shotguns.

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Flares set out further down the hill.

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A reception committee for Craig Hollister's wife.

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Not what he'd planned when he'd asked her to meet him at headquarters.

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But there was nothing I could do.

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I slowed carefully.

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Keep going.

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Now look, Guy. Keep going.

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You heard the Sergeant, Pappy might be bleeding to death.

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He's only a quarter mile from halfway house.

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They can do as much for him as we can.

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You stay on her tail.

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I can't. The sergeant said...

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I'm running this and I said stay with her, you understand?

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Craig, I can't. They'll suspend me.

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Don't make me pull my gun on you.

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Watch this next curve.

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What can we do? We can't stop them.

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If she tries to run the barricade, they'll blow her apart.

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If she... Hang on.

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If she doesn't slow down, she won't even get to the barricade.

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Turn off your lights.

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Turn off my lights?

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That's right. Turn off your lights.

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When she doesn't see us, she slows down a little.

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How am I gonna see?

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Use her lights.

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Her lights.

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Fine. Great.

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But what if there was something coming up the grade?

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I wondered if Hollister had gone nuts.

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I shot a look at him.

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He was peering ahead and he seemed to have got a hold of himself.

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I didn't really think he'd pull a gun on me, but...

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Suddenly I knew I'd go along with whatever he was trying to do.

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Even if it cost me my badge.

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I flicked off the lights.

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It seemed to help.

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The car ahead lost some of its crazy fear.

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You're gaining.

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Slow.

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Slow and easy.

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Watch it.

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Okay, use this stretch here.

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Gaining all right, but what good is it?

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She makes this turn, she's still only got a mile to the barricade.

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Is that a car coming?

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Looks like a truck.

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Get over. Get over!

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Shoot.

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Watch it, get your lights on.

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Now, catch her.

16:57.000 --> 17:00.000
Every time I put on another mile an hour, we start to slide.

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If I have to get closer, I'll never do it from here.

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Closer, the man said.

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I was already pushing 80.

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My arms and eyes ached from the strain.

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The range was still too far unless he was aiming for a lucky hit.

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Or an unlucky.

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You've got to catch her by that stretch in front of headquarters.

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Well, that made sense.

17:21.000 --> 17:23.000
It was the only level shoulder in the grade.

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If he was going to shoot out a tire, it would have to be there.

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But that was where the barricade was.

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Now we just have to get her this side of it.

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Hollister rolled down the window and I felt a spray of rain on my face.

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Suddenly I spotted the barricade's spotlights.

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She's slowing, Annie?

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Putting on speed.

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I can't wait any longer.

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The range was just too great.

17:44.000 --> 17:46.000
It had to be her left rear tire.

17:46.000 --> 17:48.000
If she went off the other way, she'd be killed.

17:48.000 --> 17:50.000
And if the ricochet got her, she'd be killed anyway.

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But she was just too far away.

17:52.000 --> 17:56.000
Suddenly, not really wanting to, I jammed down the accelerator.

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At least I could give him a last chance.

17:58.000 --> 18:01.000
The rear end swayed and lurched.

18:01.000 --> 18:04.000
My hands were sweaty with fear.

18:06.000 --> 18:07.000
And that did it.

18:07.000 --> 18:09.000
The heavy car began to turn.

18:09.000 --> 18:12.000
Hesitated and headed for the shoulder.

18:12.000 --> 18:16.000
It leaped when it hit the dirt, half turned and went over.

18:24.000 --> 18:27.000
I skidded all the way through the roadblock.

18:27.000 --> 18:30.000
It took me so long to get stopped and turn around

18:30.000 --> 18:34.000
that the guys from the barricade beat us back to the crash.

18:34.000 --> 18:37.000
But it was just as well because without them,

18:37.000 --> 18:40.000
I'd never been able to keep Hollister from the ruin convertible.

18:40.000 --> 18:42.000
Let me go! Let me go!

18:42.000 --> 18:44.000
Hollister, wait till we get her out.

18:44.000 --> 18:45.000
Doc will be here in a minute.

18:45.000 --> 18:46.000
I killed her. I killed her.

18:46.000 --> 18:48.000
We don't know yet.

18:48.000 --> 18:50.000
There's the ambulance.

18:52.000 --> 18:54.000
She's down there, Doc.

18:54.000 --> 18:56.000
Hey, how's Pappy?

18:56.000 --> 18:58.000
He broke a leg.

18:58.000 --> 18:59.000
Not the car that ran him off the road?

18:59.000 --> 19:07.000
Yeah, that's it.

19:07.000 --> 19:10.000
It seemed like an hour, but it was only a couple of minutes

19:10.000 --> 19:13.000
before the Docs scrambled out of the ditch.

19:13.000 --> 19:16.000
A patrolman and an ambulance driver set a litter by the ambulance.

19:16.000 --> 19:19.000
Two other guys had Craig in their patrol car trying to calm him down.

19:19.000 --> 19:21.000
I walked over to the ambulance.

19:21.000 --> 19:22.000
The girl was hurt.

19:22.000 --> 19:25.000
Hurt bad, but she was alive.

19:25.000 --> 19:26.000
Sergeant walked up.

19:26.000 --> 19:28.000
Is she alive?

19:28.000 --> 19:29.000
Yeah.

19:29.000 --> 19:31.000
Tell Hollister.

19:31.000 --> 19:33.000
Okay to let him see her, Sarge?

19:33.000 --> 19:39.000
Yeah, yeah, I guess so.

19:39.000 --> 19:43.000
I started back to the patrol car and stepped back to let a convertible

19:43.000 --> 19:45.000
onto the shoulder.

19:45.000 --> 19:48.000
A girl got out, a pretty girl.

19:48.000 --> 19:52.000
And I thought of the kid by the ambulance who would never be pretty again.

19:52.000 --> 19:54.000
Then I felt the sergeant's hand in my arm.

19:54.000 --> 19:56.000
He was staring at her.

19:56.000 --> 19:58.000
This is Hollister.

19:58.000 --> 20:00.000
Yes, Sergeant, what happened?

20:00.000 --> 20:01.000
Where's Craig?

20:01.000 --> 20:03.000
What's the matter with you?

20:03.000 --> 20:07.000
We thought, he thought...

20:07.000 --> 20:09.000
Oh, look.

20:09.000 --> 20:11.000
That poor thing.

20:11.000 --> 20:12.000
She's just a kid.

20:12.000 --> 20:16.000
Hey, Pete, bring Hollister over here.

20:16.000 --> 20:19.000
I guess you figured she was old enough to get fried at the gills

20:19.000 --> 20:21.000
and try to make that grade on a rainy night.

20:21.000 --> 20:23.000
Your husband saved her life.

20:23.000 --> 20:24.000
How?

20:24.000 --> 20:27.000
He and Art here almost broke their necks catching her.

20:27.000 --> 20:29.000
I had a blast hitting her pieces.

20:29.000 --> 20:30.000
Where is Craig? Is he all right?

20:30.000 --> 20:31.000
Debbie.

20:31.000 --> 20:32.000
Craig, darling, what is it?

20:32.000 --> 20:34.000
It wasn't you.

20:34.000 --> 20:35.000
Better skip it, Craig.

20:35.000 --> 20:37.000
No, no.

20:37.000 --> 20:39.000
Now, you ought to know, Debbie.

20:39.000 --> 20:42.000
I want you to know I thought the girl was you.

20:42.000 --> 20:44.000
Me?

20:44.000 --> 20:46.000
Well, why me?

20:46.000 --> 20:49.000
Oh.

20:49.000 --> 20:51.000
Oh, I see.

20:51.000 --> 20:55.000
And it could have been, couldn't it?

20:55.000 --> 20:57.000
Long time ago, maybe.

20:57.000 --> 21:00.000
Long time ago.

21:06.000 --> 21:10.000
Well, his arm was around her when they walked away,

21:10.000 --> 21:15.000
but Debbie Hollister had a kind of thoughtful look in her eye.

21:15.000 --> 21:19.000
You kind of wonder at a time like that what two people are thinking.

21:19.000 --> 21:22.000
I turn back to the sergeant.

21:22.000 --> 21:23.000
You okay?

21:23.000 --> 21:25.000
Oh, sure. Yeah, I...

21:25.000 --> 21:28.000
Well, say, sergeant.

21:28.000 --> 21:30.000
Hmm?

21:30.000 --> 21:34.000
About us not going back for Pappy, I was driving, you know.

21:34.000 --> 21:35.000
Yeah, I know.

21:35.000 --> 21:36.000
Well...

21:36.000 --> 21:37.000
Forget it.

21:37.000 --> 21:39.000
Learn anything tonight?

21:39.000 --> 21:41.000
Yeah.

21:41.000 --> 22:03.000
I learned something.

22:03.000 --> 22:06.000
Suspense.

22:06.000 --> 22:12.000
In which Eddie Firestone with Larry Thorst starred in tonight's presentation of Speed Trap.

22:12.000 --> 22:18.000
Next week, Suspense will bring you the story of a man who knows that he will be caught for a crime that he has not yet committed.

22:18.000 --> 22:21.000
We call it Sight Unseen.

22:21.000 --> 22:42.000
That's next week on Suspense.

22:42.000 --> 22:45.000
Suspense is produced and directed by Anthony Ellis.

22:45.000 --> 22:48.000
Tonight's script was written by Mr. Hank Searles.

22:48.000 --> 22:52.000
The music was composed by Lucian Morrowick and conducted by Wilbur Hatch.

22:52.000 --> 23:01.000
Featured in the cast were Lillian Byeth, Tom McKee, Ted Bliss, and Jack Prussian.

23:01.000 --> 23:02.000
Listen while you work.

23:02.000 --> 23:28.000
Enjoy Perry Mason every Monday through Friday in the daytime on the CBS Radio Network.

