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And now, tonight's presentation of radio's outstanding theater of thrills, Suspense.

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Tonight, the story of a mountain road and the pursuit of a runaway car.

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We call it Speed Track.

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So now, starring Eddie Firestone, here is tonight's suspense play, Speed Track.

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Sometimes it takes you years to get to know a guy.

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Sometimes on the highway patrol you learn all about a man in ten minutes.

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Like the night Craig Hollister checked me out on my new beat.

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Soft shoulder here.

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I didn't answer.

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I was too busy sweating the grade.

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The wheel was easy in my hands.

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Too easy like it always is on a slick highway.

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My headlights caught the rain and sleet slanting down from the pass.

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It was steamy inside the patrol car.

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Hollister wiped the mist off the windshield.

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I thought of loosening my collar, but I didn't want to make a bad impression on Hollister.

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He didn't look like a police academy officer, but he didn't talk much so I couldn't tell.

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I knew he was a good patrolman.

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They told me at headquarters, good patrolmen go by the book.

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I decided I'd leave my collar buttoned.

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I wiped my hands one at a time and changed my grip on the wheel.

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Curve coming up.

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I don't see why they need us on this road.

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Driver would be nuts to go over 30.

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People speed anywhere.

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This turn is called Milley's hairpin. It's slick in the rain.

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Found four kids here in a station wagon after the last storm.

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Over the left of them.

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Who is Milley?

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She went over the cliff in a model T five years ago.

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She was 60 years old.

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Killer?

33
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Not a scratch. Devil's Curve coming up.

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We've had three fatalities here this winter.

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I don't know if I'm going to like this beat.

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Oh, it isn't bad.

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Once you get used to the blood.

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You actually catch speeders on this highway?

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So I met my wife. She was speeding here.

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Pardon me.

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Spatcher, this is 3-1-2-2.

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Go ahead, Craig.

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Joe, will you call Debbie and tell her to pick me up at headquarters?

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Okay. You better get down here before she does.

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A guy like her is the safest around me.

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You old relic, she could break your arm.

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Joe.

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Yeah?

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It's awful slick up here.

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Tell her to take it easy on the gray.

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Roger. Out.

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Well, this was pretty good.

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You wanted your wife to meet you.

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You gave the dispatcher a call on the radio.

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That was something they hadn't taught me at the academy.

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I had a hunch it wasn't exactly standard either.

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Maybe working out here in the sticks would have its points.

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If you didn't end up at the bottom of a canyon some night chewing on a piston ring.

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Or if your wife didn't go nuts feeding the chipmunks.

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Well, I sure hope she doesn't try to break the record getting to headquarters.

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Not tonight.

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Did you say you caught her speeding here?

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That's how I met her.

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See that stretch at the bottom of the grade?

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I remember it.

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If you park off the road on the ridge, you can spot the speeders coming down.

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I try to get them before they hit the real grade and clobber themselves.

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That's where you met your wife, huh?

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Yeah.

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She was rowing down the hill with a car full of phonies.

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Coming back from a party Schweitzer was giving on his estate.

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All of them.

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Tried to the eyeballs.

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Including your wife?

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I thought so. I wrote it up that way.

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Well, then what happened?

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Well, the county judge thought otherwise.

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Debbie cried and her old man said he wanted to treat her just like anybody else.

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Even if he had just given the county a new library.

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So the judge decided she'd never had a drink in her life.

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Wasn't a dry eye in the courthouse.

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You married her, huh?

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Best thing I ever did.

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I think.

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You think?

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You're married, aren't you?

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Your wife doesn't like the mountains?

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Whoever I am, she likes it. Why?

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It's kind of lonely for a woman, Debbie says.

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Well, here's the place I was telling you about.

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Pull over.

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Pull over?

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Yeah.

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Well, wait here and follow her down.

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Why?

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Well, she still drives this grade too fast.

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With me back of her, she'll take it easy.

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So I pulled over, of course.

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Even if it was quitting time.

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He was the boss and if he wanted to baby his wife down the grade, it was okay with me.

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I was tired and I could have used a cup of coffee back at headquarters.

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And I was trying to get my wife moved into her cabin, but the man said pull over and wait.

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So I pulled over and waited.

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I even offered him a cigarette to show there were no hard feelings.

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He shook his head.

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And the flare of my match I could see was squinting up the road.

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His face was tired.

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Some of the roughness was gone.

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This joker was worried.

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He caught me looking and seemed kind of ashamed.

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Should we be along in a minute?

112
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Sure, sure, no hurry.

113
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You can't follow her everywhere, you know.

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In a hurry or something?

115
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No, no, it just seems...

116
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Look, I'm getting a transfer.

117
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Debbie and I will be out of these mountains next week.

118
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She's a good driver, but it's slick tonight.

119
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So if it's okay with you, we'll just...

120
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Sure, sure, I'm sorry.

121
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What's the matter?

122
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Look at those headlights up there.

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I twisted around in my seat.

124
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Half a mile up the grade, a pair of headlights stabbed over the cliff

125
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seemed to hang there.

126
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Then they whipped back to the road, jerky.

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Like when somebody's really floorboarding the accelerator.

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Then there was a straight stretch where the light swayed like the guy was skidding.

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Hollister gripped my shoulder, then the light straightened out

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and got brighter and brighter and further apart.

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The guy was practically flying.

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Holy smoke!

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That's not your wife, is it?

134
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No, no, she's still a little wild, but she's not crazy.

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Hollister was big and a little older than me.

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He didn't look like he could move very fast,

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but he was nothing but a blur jumping out of that car.

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He was around the hood and swinging a flashlight in circles

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before I could even turn on my red light.

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The crazy headlights seemed to reach out at him.

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Hey!

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You okay, Hollister?

143
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Yeah.

144
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Let's take him.

145
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Holy cow, I thought you'd had him.

146
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Close, but no cigar. He must be plaster of the years.

147
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Get his tag, the light's blinking.

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I just seen it was a convertible, that's all.

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A convertible?

150
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Yeah.

151
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Aren't you going to call a dispatcher?

152
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No.

153
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Cappy ought to be parked near halfway house.

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2429.

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This is 3122.

156
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It was a convertible, all right,

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and I'd caught a flash of the driver and my heart had flipped.

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It was a woman driver, young, blonde,

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with a crazy grin on her face.

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I felt sick.

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I'd picked up the pieces after a few wrecks down in the valley.

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It's bad enough when it's a man, but a young girl...

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2429, this is 3122, Cappy.

164
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We're in pursuit of a possible 502

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three miles north of halfway house.

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Just about ran me down.

167
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He's weaving all over the road. Be careful.

168
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Roger, I'll try to take him.

169
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Curve, not here.

170
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Take this curve tight, buddy.

171
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What did you say?

172
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That driver, it's a woman.

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A woman?

174
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I think so.

175
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Okay, after this curve, you can cut loose for about 800 yards.

176
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Try to get me close enough to spot light her license.

177
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Hang on, partner.

178
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You get the number?

179
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No.

180
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Maybe on the next stretch.

181
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We don't need the number.

182
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What do you mean?

183
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I know the number.

184
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You know it? How come?

185
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It's Debbie's car.

186
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You're a wife. You must be nuts.

187
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It's Debbie.

188
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Why would she try to run you down?

189
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She doesn't know what she's doing.

190
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What do you mean?

191
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She's fried, plastered, crushed.

192
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What do you mean?

193
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She's a woman.

194
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She doesn't know what she's doing.

195
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She's going to roll that thing and that'll be all.

196
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That'll be all.

197
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This guy was shook.

198
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Sliding through a turn, I caught a glimpse of his face in the light from the dash.

199
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He was staring ahead.

200
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And he had that thousand yard stare I'd seen in Korea before an attack.

201
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I shivered.

202
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Well, where do we go from here?

203
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I could see it coming.

204
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I could see it.

205
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Alone in that house all day.

206
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It's why we were going to move to the city.

207
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But now it'll be too late.

208
00:08:51,000 --> 00:08:53,000
Step it up, Art. Step it up.

209
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If we had time to change...

210
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I can't do any better than you.

211
00:08:56,000 --> 00:08:57,000
Stick with it and try.

212
00:08:57,000 --> 00:08:59,000
Try to get her before killer curve.

213
00:09:01,000 --> 00:09:03,000
That's a heavy car she's got, Craig.

214
00:09:03,000 --> 00:09:04,000
It's like it was glued to the road.

215
00:09:04,000 --> 00:09:05,000
It isn't glued to the road.

216
00:09:05,000 --> 00:09:06,000
It'll roll just like the rest of them.

217
00:09:06,000 --> 00:09:07,000
It'll roll.

218
00:09:07,000 --> 00:09:08,000
Tappy will flag her down.

219
00:09:08,000 --> 00:09:09,000
How's he going to do it?

220
00:09:09,000 --> 00:09:10,000
She didn't stop for us.

221
00:09:10,000 --> 00:09:11,000
Maybe she didn't even see us.

222
00:09:13,000 --> 00:09:14,000
You want me to try to take her again?

223
00:09:14,000 --> 00:09:15,000
Not here, Art. Not here.

224
00:09:15,000 --> 00:09:17,000
If she speeds up anymore, she hasn't got a prayer on killer curve.

225
00:09:18,000 --> 00:09:20,000
Hang back. Don't press her.

226
00:09:22,000 --> 00:09:24,000
Benny did something that wasn't in the books.

227
00:09:24,000 --> 00:09:26,000
He reached over and cut our growler.

228
00:09:26,000 --> 00:09:28,000
And he flicked off the red light.

229
00:09:28,000 --> 00:09:30,000
I started to turn it back on and fell his hand on my wrist.

230
00:09:30,000 --> 00:09:31,000
Leave it off.

231
00:09:31,000 --> 00:09:32,000
Maybe we're panicking her.

232
00:09:33,000 --> 00:09:36,000
Art, if she doesn't slow down now, she'll never make it.

233
00:09:37,000 --> 00:09:39,000
Then she started her turn on killer's curve.

234
00:09:39,000 --> 00:09:41,000
It was easy to see she wouldn't make it.

235
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It's the roughest turn on the grade.

236
00:09:43,000 --> 00:09:45,000
Washboard, no bank to it at all.

237
00:09:45,000 --> 00:09:47,000
100 foot drop to the river bed below.

238
00:09:48,000 --> 00:09:50,000
Hard enough to make on a dry day, but on a wet night.

239
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Murder.

240
00:09:52,000 --> 00:09:55,000
The tail lights hesitated for a second like they were making up their minds

241
00:09:55,000 --> 00:09:57,000
whether to run into the hill or over the side.

242
00:09:58,000 --> 00:10:00,000
The car slid sideways, rear toward the river.

243
00:10:00,000 --> 00:10:01,000
She was going over backwards.

244
00:10:01,000 --> 00:10:02,000
No, no.

245
00:10:02,000 --> 00:10:04,000
No, baby. No, no.

246
00:10:04,000 --> 00:10:06,000
I took my foot off the gas.

247
00:10:07,000 --> 00:10:09,000
Out of the tail of my eye, I saw Hollister cover his face.

248
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And then I was fighting to stay on the road myself.

249
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Suddenly the miracle happened.

250
00:10:15,000 --> 00:10:16,000
She'd made it.

251
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Now we had to do it.

252
00:10:23,000 --> 00:10:24,000
2429.

253
00:10:24,000 --> 00:10:25,000
This is 3122.

254
00:10:26,000 --> 00:10:27,000
We're a mile north.

255
00:10:27,000 --> 00:10:28,000
Still unable to catch the 502.

256
00:10:28,000 --> 00:10:29,000
She's doing 75.

257
00:10:29,000 --> 00:10:32,000
Suggest your startup will try to box her, but be careful of it.

258
00:10:33,000 --> 00:10:34,000
This is 2429.

259
00:10:34,000 --> 00:10:35,000
Did you say her?

260
00:10:35,000 --> 00:10:36,000
Yes.

261
00:10:36,000 --> 00:10:38,000
Roger.

262
00:10:40,000 --> 00:10:41,000
Okay.

263
00:10:41,000 --> 00:10:42,000
I see her lights.

264
00:10:42,000 --> 00:10:44,000
Starting up now.

265
00:10:44,000 --> 00:10:45,000
Stay on her tail.

266
00:10:46,000 --> 00:10:47,000
We can just stay.

267
00:10:47,000 --> 00:10:48,000
Just ease her between us.

268
00:10:48,000 --> 00:10:49,000
Just ease her between us.

269
00:10:49,000 --> 00:10:50,000
Watch it!

270
00:10:50,000 --> 00:10:51,000
It's like glass out there.

271
00:10:52,000 --> 00:10:53,000
I'll try to take her again.

272
00:10:54,000 --> 00:10:56,000
What's your speed now, Gray?

273
00:10:57,000 --> 00:10:58,000
73.

274
00:10:58,000 --> 00:10:59,000
We're a half a mile behind you.

275
00:10:59,000 --> 00:11:00,000
She's weaving.

276
00:11:01,000 --> 00:11:03,000
I'm up to 65.

277
00:11:03,000 --> 00:11:04,000
Is she slowing down?

278
00:11:04,000 --> 00:11:05,000
Is she slowing down?

279
00:11:06,000 --> 00:11:07,000
No.

280
00:11:07,000 --> 00:11:09,000
No, she's swinging left.

281
00:11:10,000 --> 00:11:11,000
It's a heavy car, Pappy.

282
00:11:12,000 --> 00:11:13,000
Be careful.

283
00:11:14,000 --> 00:11:15,000
Roger.

284
00:11:17,000 --> 00:11:18,000
She's swinging right.

285
00:11:18,000 --> 00:11:19,000
Pappy, let her by.

286
00:11:19,000 --> 00:11:20,000
Let her by!

287
00:11:28,000 --> 00:11:29,000
Let her by.

288
00:11:29,000 --> 00:11:33,000
How are you going to make an old-time patrolman let a drunk pass him on the road?

289
00:11:33,000 --> 00:11:35,000
No, Pappy tried to fight it.

290
00:11:35,000 --> 00:11:37,000
He tried to ease her onto the shoulder.

291
00:11:37,000 --> 00:11:40,000
The block long convertible against the patrol car.

292
00:11:40,000 --> 00:11:43,000
It was like a good pro featherweight against an amateur heavy.

293
00:11:43,000 --> 00:11:45,000
All skill and no punch.

294
00:11:46,000 --> 00:11:48,000
For a second I thought he had her run off the road.

295
00:11:48,000 --> 00:11:49,000
The convertible lurched back.

296
00:11:49,000 --> 00:11:52,000
The two sets of tail lights got closer.

297
00:11:53,000 --> 00:11:57,000
And then Pappy was off the road, over the shoulder, bouncing and rolling down the embankment.

298
00:11:57,000 --> 00:12:01,000
I eased my foot off the accelerator praying that it wasn't as bad as it looked.

299
00:12:01,000 --> 00:12:04,000
I wanted to use the brake, but on that highway it would have been suicide.

300
00:12:04,000 --> 00:12:05,000
What are you doing?

301
00:12:06,000 --> 00:12:07,000
Going back for Pappy.

302
00:12:07,000 --> 00:12:08,000
What about her?

303
00:12:08,000 --> 00:12:10,000
Call a dispatcher. They'll stop her.

304
00:12:10,000 --> 00:12:12,000
If she doesn't go off the road first, we gotta get back.

305
00:12:12,000 --> 00:12:13,000
Stay on her tail.

306
00:12:13,000 --> 00:12:15,000
You off your rocker, they'll stop her.

307
00:12:15,000 --> 00:12:17,000
She's my wife and I don't want her killed.

308
00:12:17,000 --> 00:12:19,000
Stay on her tail.

309
00:12:19,000 --> 00:12:20,000
What about Pappy?

310
00:12:20,000 --> 00:12:23,000
I said stay with her. I'm still running this beach.

311
00:12:23,000 --> 00:12:24,000
But Pappy sneaks?

312
00:12:24,000 --> 00:12:29,000
Joe, this is 3-1-2-2, a mile south of Halfway House.

313
00:12:29,000 --> 00:12:32,000
That 502 just ran Pappy off the road.

314
00:12:32,000 --> 00:12:35,000
Send an ambulance. We're staying on her tail.

315
00:12:38,000 --> 00:12:40,000
This isn't Joe, it's Sergeant Capehart.

316
00:12:41,000 --> 00:12:44,000
Setting up a roadblock outside headquarters. She won't get through it.

317
00:12:44,000 --> 00:12:45,000
Go back and help Pappy.

318
00:12:46,000 --> 00:12:48,000
But what kind of roadblock?

319
00:12:48,000 --> 00:12:49,000
The works.

320
00:12:49,000 --> 00:12:51,000
You aren't shooting at a woman.

321
00:12:51,000 --> 00:12:54,000
If she tries to run this block, we'll shoot at her.

322
00:12:54,000 --> 00:12:55,000
Now get back to Pappy.

323
00:12:55,000 --> 00:12:57,000
Sarge, Sarge, that girl...

324
00:12:58,000 --> 00:13:00,000
Don't worry about the girl. I'll take care of her.

325
00:13:00,000 --> 00:13:01,000
You get back to Pappy.

326
00:13:02,000 --> 00:13:03,000
It's Debbie!

327
00:13:06,000 --> 00:13:07,000
Yeah?

328
00:13:09,000 --> 00:13:12,000
I'm sorry, Hollister. She's just run my best man off the road.

329
00:13:12,000 --> 00:13:14,000
Said she almost hit you.

330
00:13:14,000 --> 00:13:16,000
Trucks and cars coming up the lower grade.

331
00:13:16,000 --> 00:13:17,000
She'll have one of those.

332
00:13:17,000 --> 00:13:21,000
If we don't stop her. So we'll stop her.

333
00:13:21,000 --> 00:13:23,000
If we have to blast her off the road.

334
00:13:34,000 --> 00:13:37,000
You are listening to Speed Trap.

335
00:13:37,000 --> 00:13:47,000
Tonight's presentation in radio's outstanding theater of thrills, Suspense.

336
00:13:55,000 --> 00:13:59,000
Hardly a driver is now alive who passed on a curve at 65.

337
00:13:59,000 --> 00:14:04,000
Slow down driver, if you're pushing even a little bit too hard for the road conditions ahead tonight.

338
00:14:04,000 --> 00:14:08,000
Play it safe behind the wheel. Your life depends on it.

339
00:14:08,000 --> 00:14:12,000
The lives of others on or near the highways depend on it too.

340
00:14:12,000 --> 00:14:14,000
Safety first behind the wheel.

341
00:14:14,000 --> 00:14:17,000
Don't make a death trap of your automobile.

342
00:14:19,000 --> 00:14:23,000
And now we bring back to our Hollywood soundstage, Eddie Firestone with Larry Thor.

343
00:14:23,000 --> 00:14:26,000
Starring in tonight's production, Speed Trap.

344
00:14:26,000 --> 00:14:29,000
A tale well calculated to keep you in...

345
00:14:29,000 --> 00:14:33,000
Suspense.

346
00:14:41,000 --> 00:14:44,000
I felt sorry for the man beside me.

347
00:14:44,000 --> 00:14:46,000
I knew what was happening outside headquarters.

348
00:14:46,000 --> 00:14:49,000
A couple of patrol cars rolling into position.

349
00:14:49,000 --> 00:14:52,000
Spotlights pointed up the grade.

350
00:14:52,000 --> 00:14:55,000
The guys drawing automatic rifles, maybe shotguns.

351
00:14:55,000 --> 00:14:58,000
Flares set out further down the hill.

352
00:14:58,000 --> 00:15:01,000
A reception committee for Craig Hollister's wife.

353
00:15:01,000 --> 00:15:04,000
Not what he'd planned when he'd asked her to meet him at headquarters.

354
00:15:04,000 --> 00:15:06,000
But there was nothing I could do.

355
00:15:06,000 --> 00:15:08,000
I slowed carefully.

356
00:15:08,000 --> 00:15:09,000
Keep going.

357
00:15:09,000 --> 00:15:10,000
Now look, Guy. Keep going.

358
00:15:10,000 --> 00:15:12,000
You heard the Sergeant, Pappy might be bleeding to death.

359
00:15:12,000 --> 00:15:14,000
He's only a quarter mile from halfway house.

360
00:15:14,000 --> 00:15:15,000
They can do as much for him as we can.

361
00:15:15,000 --> 00:15:16,000
You stay on her tail.

362
00:15:16,000 --> 00:15:17,000
I can't. The sergeant said...

363
00:15:17,000 --> 00:15:20,000
I'm running this and I said stay with her, you understand?

364
00:15:20,000 --> 00:15:22,000
Craig, I can't. They'll suspend me.

365
00:15:22,000 --> 00:15:24,000
Don't make me pull my gun on you.

366
00:15:24,000 --> 00:15:25,000
Watch this next curve.

367
00:15:25,000 --> 00:15:27,000
What can we do? We can't stop them.

368
00:15:27,000 --> 00:15:29,000
If she tries to run the barricade, they'll blow her apart.

369
00:15:29,000 --> 00:15:31,000
If she... Hang on.

370
00:15:35,000 --> 00:15:38,000
If she doesn't slow down, she won't even get to the barricade.

371
00:15:38,000 --> 00:15:39,000
Turn off your lights.

372
00:15:39,000 --> 00:15:41,000
Turn off my lights?

373
00:15:41,000 --> 00:15:42,000
That's right. Turn off your lights.

374
00:15:42,000 --> 00:15:44,000
When she doesn't see us, she slows down a little.

375
00:15:44,000 --> 00:15:45,000
How am I gonna see?

376
00:15:45,000 --> 00:15:47,000
Use her lights.

377
00:15:47,000 --> 00:15:49,000
Her lights.

378
00:15:49,000 --> 00:15:52,000
Fine. Great.

379
00:15:52,000 --> 00:15:55,000
But what if there was something coming up the grade?

380
00:15:55,000 --> 00:15:58,000
I wondered if Hollister had gone nuts.

381
00:15:58,000 --> 00:15:59,000
I shot a look at him.

382
00:15:59,000 --> 00:16:02,000
He was peering ahead and he seemed to have got a hold of himself.

383
00:16:02,000 --> 00:16:05,000
I didn't really think he'd pull a gun on me, but...

384
00:16:05,000 --> 00:16:08,000
Suddenly I knew I'd go along with whatever he was trying to do.

385
00:16:08,000 --> 00:16:11,000
Even if it cost me my badge.

386
00:16:11,000 --> 00:16:14,000
I flicked off the lights.

387
00:16:14,000 --> 00:16:15,000
It seemed to help.

388
00:16:15,000 --> 00:16:18,000
The car ahead lost some of its crazy fear.

389
00:16:18,000 --> 00:16:21,000
You're gaining.

390
00:16:21,000 --> 00:16:22,000
Slow.

391
00:16:22,000 --> 00:16:24,000
Slow and easy.

392
00:16:24,000 --> 00:16:26,000
Watch it.

393
00:16:26,000 --> 00:16:29,000
Okay, use this stretch here.

394
00:16:32,000 --> 00:16:34,000
Gaining all right, but what good is it?

395
00:16:34,000 --> 00:16:38,000
She makes this turn, she's still only got a mile to the barricade.

396
00:16:38,000 --> 00:16:40,000
Is that a car coming?

397
00:16:40,000 --> 00:16:42,000
Looks like a truck.

398
00:16:44,000 --> 00:16:46,000
Get over. Get over!

399
00:16:46,000 --> 00:16:48,000
Shoot.

400
00:16:48,000 --> 00:16:53,000
Watch it, get your lights on.

401
00:16:55,000 --> 00:16:57,000
Now, catch her.

402
00:16:57,000 --> 00:17:00,000
Every time I put on another mile an hour, we start to slide.

403
00:17:00,000 --> 00:17:04,000
If I have to get closer, I'll never do it from here.

404
00:17:04,000 --> 00:17:06,000
Closer, the man said.

405
00:17:06,000 --> 00:17:08,000
I was already pushing 80.

406
00:17:08,000 --> 00:17:10,000
My arms and eyes ached from the strain.

407
00:17:10,000 --> 00:17:14,000
The range was still too far unless he was aiming for a lucky hit.

408
00:17:14,000 --> 00:17:15,000
Or an unlucky.

409
00:17:15,000 --> 00:17:19,000
You've got to catch her by that stretch in front of headquarters.

410
00:17:20,000 --> 00:17:21,000
Well, that made sense.

411
00:17:21,000 --> 00:17:23,000
It was the only level shoulder in the grade.

412
00:17:23,000 --> 00:17:26,000
If he was going to shoot out a tire, it would have to be there.

413
00:17:26,000 --> 00:17:28,000
But that was where the barricade was.

414
00:17:28,000 --> 00:17:31,000
Now we just have to get her this side of it.

415
00:17:31,000 --> 00:17:35,000
Hollister rolled down the window and I felt a spray of rain on my face.

416
00:17:35,000 --> 00:17:37,000
Suddenly I spotted the barricade's spotlights.

417
00:17:37,000 --> 00:17:38,000
She's slowing, Annie?

418
00:17:38,000 --> 00:17:40,000
Putting on speed.

419
00:17:40,000 --> 00:17:42,000
I can't wait any longer.

420
00:17:42,000 --> 00:17:44,000
The range was just too great.

421
00:17:44,000 --> 00:17:46,000
It had to be her left rear tire.

422
00:17:46,000 --> 00:17:48,000
If she went off the other way, she'd be killed.

423
00:17:48,000 --> 00:17:50,000
And if the ricochet got her, she'd be killed anyway.

424
00:17:50,000 --> 00:17:52,000
But she was just too far away.

425
00:17:52,000 --> 00:17:56,000
Suddenly, not really wanting to, I jammed down the accelerator.

426
00:17:56,000 --> 00:17:58,000
At least I could give him a last chance.

427
00:17:58,000 --> 00:18:01,000
The rear end swayed and lurched.

428
00:18:01,000 --> 00:18:04,000
My hands were sweaty with fear.

429
00:18:06,000 --> 00:18:07,000
And that did it.

430
00:18:07,000 --> 00:18:09,000
The heavy car began to turn.

431
00:18:09,000 --> 00:18:12,000
Hesitated and headed for the shoulder.

432
00:18:12,000 --> 00:18:16,000
It leaped when it hit the dirt, half turned and went over.

433
00:18:24,000 --> 00:18:27,000
I skidded all the way through the roadblock.

434
00:18:27,000 --> 00:18:30,000
It took me so long to get stopped and turn around

435
00:18:30,000 --> 00:18:34,000
that the guys from the barricade beat us back to the crash.

436
00:18:34,000 --> 00:18:37,000
But it was just as well because without them,

437
00:18:37,000 --> 00:18:40,000
I'd never been able to keep Hollister from the ruin convertible.

438
00:18:40,000 --> 00:18:42,000
Let me go! Let me go!

439
00:18:42,000 --> 00:18:44,000
Hollister, wait till we get her out.

440
00:18:44,000 --> 00:18:45,000
Doc will be here in a minute.

441
00:18:45,000 --> 00:18:46,000
I killed her. I killed her.

442
00:18:46,000 --> 00:18:48,000
We don't know yet.

443
00:18:48,000 --> 00:18:50,000
There's the ambulance.

444
00:18:52,000 --> 00:18:54,000
She's down there, Doc.

445
00:18:54,000 --> 00:18:56,000
Hey, how's Pappy?

446
00:18:56,000 --> 00:18:58,000
He broke a leg.

447
00:18:58,000 --> 00:18:59,000
Not the car that ran him off the road?

448
00:18:59,000 --> 00:19:07,000
Yeah, that's it.

449
00:19:07,000 --> 00:19:10,000
It seemed like an hour, but it was only a couple of minutes

450
00:19:10,000 --> 00:19:13,000
before the Docs scrambled out of the ditch.

451
00:19:13,000 --> 00:19:16,000
A patrolman and an ambulance driver set a litter by the ambulance.

452
00:19:16,000 --> 00:19:19,000
Two other guys had Craig in their patrol car trying to calm him down.

453
00:19:19,000 --> 00:19:21,000
I walked over to the ambulance.

454
00:19:21,000 --> 00:19:22,000
The girl was hurt.

455
00:19:22,000 --> 00:19:25,000
Hurt bad, but she was alive.

456
00:19:25,000 --> 00:19:26,000
Sergeant walked up.

457
00:19:26,000 --> 00:19:28,000
Is she alive?

458
00:19:28,000 --> 00:19:29,000
Yeah.

459
00:19:29,000 --> 00:19:31,000
Tell Hollister.

460
00:19:31,000 --> 00:19:33,000
Okay to let him see her, Sarge?

461
00:19:33,000 --> 00:19:39,000
Yeah, yeah, I guess so.

462
00:19:39,000 --> 00:19:43,000
I started back to the patrol car and stepped back to let a convertible

463
00:19:43,000 --> 00:19:45,000
onto the shoulder.

464
00:19:45,000 --> 00:19:48,000
A girl got out, a pretty girl.

465
00:19:48,000 --> 00:19:52,000
And I thought of the kid by the ambulance who would never be pretty again.

466
00:19:52,000 --> 00:19:54,000
Then I felt the sergeant's hand in my arm.

467
00:19:54,000 --> 00:19:56,000
He was staring at her.

468
00:19:56,000 --> 00:19:58,000
This is Hollister.

469
00:19:58,000 --> 00:20:00,000
Yes, Sergeant, what happened?

470
00:20:00,000 --> 00:20:01,000
Where's Craig?

471
00:20:01,000 --> 00:20:03,000
What's the matter with you?

472
00:20:03,000 --> 00:20:07,000
We thought, he thought...

473
00:20:07,000 --> 00:20:09,000
Oh, look.

474
00:20:09,000 --> 00:20:11,000
That poor thing.

475
00:20:11,000 --> 00:20:12,000
She's just a kid.

476
00:20:12,000 --> 00:20:16,000
Hey, Pete, bring Hollister over here.

477
00:20:16,000 --> 00:20:19,000
I guess you figured she was old enough to get fried at the gills

478
00:20:19,000 --> 00:20:21,000
and try to make that grade on a rainy night.

479
00:20:21,000 --> 00:20:23,000
Your husband saved her life.

480
00:20:23,000 --> 00:20:24,000
How?

481
00:20:24,000 --> 00:20:27,000
He and Art here almost broke their necks catching her.

482
00:20:27,000 --> 00:20:29,000
I had a blast hitting her pieces.

483
00:20:29,000 --> 00:20:30,000
Where is Craig? Is he all right?

484
00:20:30,000 --> 00:20:31,000
Debbie.

485
00:20:31,000 --> 00:20:32,000
Craig, darling, what is it?

486
00:20:32,000 --> 00:20:34,000
It wasn't you.

487
00:20:34,000 --> 00:20:35,000
Better skip it, Craig.

488
00:20:35,000 --> 00:20:37,000
No, no.

489
00:20:37,000 --> 00:20:39,000
Now, you ought to know, Debbie.

490
00:20:39,000 --> 00:20:42,000
I want you to know I thought the girl was you.

491
00:20:42,000 --> 00:20:44,000
Me?

492
00:20:44,000 --> 00:20:46,000
Well, why me?

493
00:20:46,000 --> 00:20:49,000
Oh.

494
00:20:49,000 --> 00:20:51,000
Oh, I see.

495
00:20:51,000 --> 00:20:55,000
And it could have been, couldn't it?

496
00:20:55,000 --> 00:20:57,000
Long time ago, maybe.

497
00:20:57,000 --> 00:21:00,000
Long time ago.

498
00:21:06,000 --> 00:21:10,000
Well, his arm was around her when they walked away,

499
00:21:10,000 --> 00:21:15,000
but Debbie Hollister had a kind of thoughtful look in her eye.

500
00:21:15,000 --> 00:21:19,000
You kind of wonder at a time like that what two people are thinking.

501
00:21:19,000 --> 00:21:22,000
I turn back to the sergeant.

502
00:21:22,000 --> 00:21:23,000
You okay?

503
00:21:23,000 --> 00:21:25,000
Oh, sure. Yeah, I...

504
00:21:25,000 --> 00:21:28,000
Well, say, sergeant.

505
00:21:28,000 --> 00:21:30,000
Hmm?

506
00:21:30,000 --> 00:21:34,000
About us not going back for Pappy, I was driving, you know.

507
00:21:34,000 --> 00:21:35,000
Yeah, I know.

508
00:21:35,000 --> 00:21:36,000
Well...

509
00:21:36,000 --> 00:21:37,000
Forget it.

510
00:21:37,000 --> 00:21:39,000
Learn anything tonight?

511
00:21:39,000 --> 00:21:41,000
Yeah.

512
00:21:41,000 --> 00:22:03,000
I learned something.

513
00:22:03,000 --> 00:22:06,000
Suspense.

514
00:22:06,000 --> 00:22:12,000
In which Eddie Firestone with Larry Thorst starred in tonight's presentation of Speed Trap.

515
00:22:12,000 --> 00:22:18,000
Next week, Suspense will bring you the story of a man who knows that he will be caught for a crime that he has not yet committed.

516
00:22:18,000 --> 00:22:21,000
We call it Sight Unseen.

517
00:22:21,000 --> 00:22:42,000
That's next week on Suspense.

518
00:22:42,000 --> 00:22:45,000
Suspense is produced and directed by Anthony Ellis.

519
00:22:45,000 --> 00:22:48,000
Tonight's script was written by Mr. Hank Searles.

520
00:22:48,000 --> 00:22:52,000
The music was composed by Lucian Morrowick and conducted by Wilbur Hatch.

521
00:22:52,000 --> 00:23:01,000
Featured in the cast were Lillian Byeth, Tom McKee, Ted Bliss, and Jack Prussian.

522
00:23:01,000 --> 00:23:02,000
Listen while you work.

523
00:23:02,000 --> 00:23:28,000
Enjoy Perry Mason every Monday through Friday in the daytime on the CBS Radio Network.

