WEBVTT

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And now, tonight's presentation of radio's outstanding theater of thrills, Suspense.

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Tonight the story of a little girl and the terror in a vacant lot.

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We call it The Screaming Woman.

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So now, starring Sherry Jackson, here is tonight's Suspense play, The Screaming Woman.

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I'm Margaret Leary and I've got to tell you how it happened.

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It was Thanksgiving Day and it was nice and sunshiny, almost like summer except cooler.

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Mama was cooking the turkey and I was watching and Mama said to me,

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Oh good heavens, I forgot.

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Your Aunt Betty's made some cranberry relish for us.

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Run over and get it Margaret so our feelings aren't hurt.

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And hurry dear, this turkey's done to a turn.

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So I ran to Aunt Betty's and on the way back I took a shortcut through Mr. Kelly's Lough.

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It's a swell place to play Indians and cowboys or explore or hunting for treasure

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because trucks dump all kinds of stuff there.

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Loads of dirt and junk and even big things like old cars and big pipes and chunks of

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concrete.

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Well this day, coming back from Aunt Betty's, I saw that a lot of new junk and dirt had

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been dumped there since Saturday.

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They even covered up a swell big concrete pipe that us kids called our fort.

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Covered it clear up.

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Well I was looking around to see where it used to be when all of a sudden,

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The sound was coming up out of the ground.

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A woman was buried under the junk and dirt and glass and she was screaming all wild and

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horrible for someone to dig her out.

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I started to run.

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I fell down and got up and ran some more.

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It was an awful, awful long way to our house that day.

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Mama, Mama!

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Margaret!

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Mama, Mama!

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Margaret, haven't I told you not to slam the door?

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Oh, is that the relish?

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Listen, Mama, there's a screaming woman in the lot.

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Wash your hands, Margaret.

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She was screaming and screaming and screaming.

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Mama, Mama, listen to me.

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We've got to dig her out.

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She's buried under tons and tons of dirt.

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Well I'm sure she can wait till after dinner.

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Oh, honestly, next year I swear I'm going to buy a bigger platter.

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Mama, don't you believe me?

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You've got to believe me.

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Oh look, honey, I've got a million things to do.

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Oh, good gosh, look at you.

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How'd you get your knees so dirty?

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Well, running back from the lot I...

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Oh, never mind.

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Scoot and tell your dad we're about to eat.

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He's in the front room reading his paper.

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Dad!

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Oh, Dad, I've got to tell you something.

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Getting hungry, baby?

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Dad, there's a screaming woman in the lot.

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I never knew a woman who didn't.

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We've got to get picks and shovels and dig her up.

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Dad!

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Oh, I don't feel much like an archaeologist today, Margaret.

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Can't think of anything but food.

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Let's have an expedition next Sunday and dig her up.

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We can't wait that long.

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Dad, you'll die if we don't do it now.

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Calm down now.

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Dad, please!

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Listen, dear, after our Thanksgiving dinner, I'll come out and listen to your screaming

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woman.

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How's that?

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No, now, Dad.

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Maybe she'll die if you don't come out now.

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You've got to come now.

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Margaret.

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If you believe me, you wouldn't wait.

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Margaret, listen...

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You never believe me.

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Mama doesn't believe me.

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Nobody believes me.

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Margaret, quiet down right this minute or I not only won't go with you, but you'll go

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to your room and stay.

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And without your Thanksgiving dinner, now, is that clear?

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Yes, sir.

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It's clear.

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Margaret, you heard Mother.

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Don't gobble.

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But Dad, we've got to hurry.

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My dear young lady, this is Thanksgiving dinner, an occasion when we do not hurry.

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Oh, please, please, Dad.

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Listen, if you pester me any more, if you mention her again, this screaming wutzus,

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I won't go out with you to hear her recital at all.

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Now, is that understood?

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Yes, sir.

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It's understood.

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Well, now that I can be thankful for a full stomach, I guess we should consider what other

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things we have to be thankful for.

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Well, we're all healthy.

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And I'm thankful for my big daughter, right, baby?

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Yes, Dad.

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And for my loving wife, who is still the most romantic woman I know.

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Oh, silly.

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I'm thankful I didn't marry somebody else.

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You nearly married Dora Lampelle.

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You even gave her a ring.

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Oh, that never meant a thing.

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No, you've only had one serious competitor since we were all kids.

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Oh, who?

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Helen Nesbitt.

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Oh.

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Yeah, Helen was my first love.

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When she was about as old as Margaret, I gave her a present one Christmas and she gave me

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one.

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I still have it.

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That paperweight on your desk.

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Yeah.

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It's funny how we hang on to things that were important when we were kids.

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Dad.

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Now, just a little longer, Margaret.

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Oh, Dad, please.

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Oh, go on, dear.

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You'd better take her out to the lot before she collapses.

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Okay.

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Come on, Margaret.

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Let's hear this wailing banshee of yours.

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Now just where is this screaming woman of yours?

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Lead me to her.

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Over here, where our fort used to be.

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Fort?

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The big concrete pipe.

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It's all covered up now.

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Kelly is really getting the slot filled in.

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All right.

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Where's the lady?

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Right about here, Dad.

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Listen.

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Don't hear a thing except the wind.

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You better button your sweater, Margaret.

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Listen.

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No, it's the trolley over on Aspen Street.

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Hey there.

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Screaming woman.

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Hey.

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I'm afraid your screaming woman's let you down.

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But she was here, Dad.

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Right under where they've dumped all this dirt.

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I heard her screaming and screaming and screaming like she was underneath in the fort.

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She's dumped tons and tons right on top of our fort.

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Well, that's too bad they buried your fort, dear.

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I saw two of Kelly's big trucks here last evening and there was a dump truck in here

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this morning, too.

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It isn't because they covered the fort.

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It must be your screaming woman doesn't like grownups.

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Only delivers her solo for kids.

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Maybe she can't scream anymore.

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Well, I'm going to take a nap now.

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Let my dinner settle.

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Aren't you going to help me, dear?

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Don't you think this is a sort of silly game?

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It's not a game.

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All right.

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Dear, but don't stay too long.

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Mama probably would like some help with those dishes.

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Dad, Dad.

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I know I heard her scream.

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I know it.

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Darn, darn, darn.

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You are there.

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You are there.

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Hey, screaming woman.

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Why didn't you scream before?

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Why didn't you scream so Daddy could hear you?

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Oh, just don't scream for me.

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I can't help you all by myself.

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Dad, Dad.

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Dad, she's screaming again.

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Right after you left, she started to scream.

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You've got to come back.

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Oh, there now, Margaret.

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Come here.

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Come here.

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Let me feel your head.

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Please, Daddy.

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Please.

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Please.

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Oh, you've got a fever.

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Please, Daddy.

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You're going to lie down, young lady.

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We can't leave her down there, Dad.

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We can't.

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Come along in your room.

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It's awful, Dad.

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It's awful for her to be screaming and screaming and nobody listening or caring.

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Margaret.

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She'll choke when there isn't any more air and then she'll die.

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You're going to lie down the rest of the afternoon before you make yourself sick.

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No, I've got to dig her up.

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I've got to go back.

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There's all those comic books you've read, darling.

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Now, I forbid you to leave the house.

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Close your eyes and take a nap like a good little girl.

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What am I going to do?

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What am I going to do?

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You are listening to The Screaming Woman, tonight's presentation in radio's outstanding

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theater of thrills, Suspense.

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Today begins Red Cross Month, a reminder to all Americans whether or not you have ever

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benefited personally from the far-flung effective relief and rehabilitation programs of your

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Red Cross.

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Your month of March donation to the Red Cross, which you are urged to make, will keep Red

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Cross activities in progress, but you are urged to take a still more important step

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in addition.

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You are urged to be an active member of your local Red Cross chapter.

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Remember, the Red Cross is people helping people.

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Join and serve more effectively to benefit should the need arise.

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And now, we bring back to our Hollywood soundstage, Sherry Jackson, starring in tonight's production

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of The Screaming Woman, a tale well calculated to keep you in suspense.

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After a while I stopped crying.

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I had to get back to the lot where that woman was screaming, but I was locked in.

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So I tied a sheet to the bed and let it out the window and shinnied down to the ground.

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Then I ran to the garage and got shovels and ran to the empty lot.

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The sun was almost down and it was getting cold.

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I started to dig fast.

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Hi, Maggie.

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It was Dippy Smith.

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He goes to my school.

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What are you digging for?

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For Screaming Woman.

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She's down on the ground and I'm going to dig her up.

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You can help me dig, Dippy.

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There's an extra shovel.

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I don't hear nothing.

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Well, listen.

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Just listen.

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No, I don't hear nothing.

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Well, just listen.

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You will.

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Hey, there.

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There.

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Did you hear it?

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That's okay.

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Do it again.

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Do what again?

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The scream.

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Do it again.

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Go on.

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I'll give you this Aggie if you teach me to do it.

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Hot dog!

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Did you get that friend Krog was booked for a dime from the magic company?

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You got one of those tin things in your mouth?

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I won't tell you unless you help me dig.

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Okay, give me the shovel.

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Hot dog.

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And you've got to dig fast, like this.

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Boy, you think she was right under our feet.

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You're wonderful, Maggie.

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What's the Screaming Woman's name?

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You made up a name for her yet?

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Oh, sure.

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Her name is Shirley Miller and she's a rich old lady, 160 years old.

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And she was buried by her crook names.

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Oh, I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I don't fire

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She really did.

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And she was buried by her crook name Sp damaging her foot.

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People over there.

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Come on, Dippy.

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Dig.

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Dippy.

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Dippy.

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There's a woman buried there.

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Oh, sure.

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Don't you believe me?

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I wasn't throwing my voice.

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Honest, I wasn't, Dippy.

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Hey, you couldn't talk and scream together.

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There really is a woman here.

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That's what I told you.

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Come on, let's dig.

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How she breathing, you think?

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I think she's in the fort.

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Remember?

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Sure, that's where she is.

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Five or six of us kids could get in it,

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so it's big enough.

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Hey, what do you kids think you're doing?

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Hello, Mr. Kelly.

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I'm tired of chasing you out of this lot.

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If only they get hurt, maybe your folks would sue me.

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But Mr. Kelly, there's a woman screaming.

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You kids beat it, you hear?

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Yes, sir.

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But listen, Mr. Kelly, don't you hear?

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There.

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I don't hear anything, and neither do you, and I'll beat it.

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Come on, Maggie.

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Mr. Kelly, somebody's got to dig her up.

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Don't argue with me or I'll phone your folks.

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This is my property.

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Do I have to put up a fence?

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Why should I spend money to keep people off my property?

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I'm putting up a fence.

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Dippy.

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Dippy, it's him.

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He's the one.

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He murdered Mrs. Kelly.

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He hit her on the head and stuck her in the fort

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and dumped loads of dirt on top.

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But she wasn't dead.

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She came, too.

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Why, you saw him.

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He stood right there when she screamed

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and wouldn't pay any attention.

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Hey, that's right.

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He stood right there and lied to us.

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What do we do, Maggie?

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There's only one thing to do.

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We'll phone the police and tell them to come and arrest

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Mr. Kelly.

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Hey, they sure got here fast, Maggie.

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Shh.

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Don't make a sound.

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Stay down.

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Mr. Kelly might get desperate and shoot or something.

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Oh, oh.

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Oh, yes.

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Officer?

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You Mr. Kelly?

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Yes, sir.

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Well, what can I do for you?

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Is Mrs. Kelly at home this evening?

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Why, sure.

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May I see her, sir?

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Why, sure.

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Sure.

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Hey, Anna.

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What's up?

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Well, we got a call.

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Oh, good evening, ma'am.

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What is it, officer?

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Well, I'm sorry, folks.

14:09.160 --> 14:12.860
We got a call that Mrs. Kelly was buried alive

14:12.860 --> 14:14.460
in some empty lot.

14:14.460 --> 14:16.260
It sounded like some kid calling,

14:16.260 --> 14:17.060
but we had to make sure.

14:17.060 --> 14:17.860
We always check.

14:17.860 --> 14:18.960
Well, I can't understand.

14:18.960 --> 14:21.260
It's those blasted kids.

14:21.260 --> 14:23.660
If I ever catch them, I'll break their necks.

14:23.660 --> 14:37.460
Maggie, cheese it.

14:37.460 --> 14:41.260
Boy, if Kelly telephones my dad, I'll get a lickin'.

14:41.260 --> 14:43.260
What'll we do about the screaming woman?

14:43.260 --> 14:45.060
Oh, to heck with her.

14:45.060 --> 14:47.260
I'm not going near that lot again.

14:47.260 --> 14:49.660
Wait a minute, Dippy.

14:49.660 --> 14:52.260
I know why you didn't hear the screams.

14:52.260 --> 14:53.860
Kelly's sort of deaf.

14:53.860 --> 14:55.560
Mama says he's hard of hearing.

14:55.560 --> 14:57.860
Well, he heard us, didn't he?

14:57.860 --> 14:59.060
He heard the cop.

14:59.060 --> 15:01.460
He reads people's lips, but he couldn't hear

15:01.460 --> 15:04.260
the screaming woman because he couldn't see her.

15:04.260 --> 15:04.960
Dippy, come on.

15:04.960 --> 15:06.460
We gotta go dig some more.

15:06.460 --> 15:07.460
No, sir.

15:07.460 --> 15:08.560
We got to.

15:08.560 --> 15:11.060
We're in a pack of trouble because of your old darn old

15:11.060 --> 15:12.360
screaming woman.

15:12.360 --> 15:14.960
I'm not going to get in any more trouble, no, sir.

15:14.960 --> 15:15.960
So long, Maggie.

15:15.960 --> 15:18.560
And he went off and left me all alone.

15:18.560 --> 15:21.560
It was dark now, and Dad would be hunting for me.

15:21.560 --> 15:24.760
If he found me, I'd get a lickin' and be put to bed,

15:24.760 --> 15:27.360
and then nobody would help the screaming woman at all.

15:27.360 --> 15:30.560
There was only one last thing to do, to go all over the

15:30.560 --> 15:32.760
neighborhood from house to house and find out who was

15:32.760 --> 15:33.760
missing.

15:33.760 --> 15:37.560
So I rang bells and knocked, but everybody was home.

15:37.560 --> 15:39.760
And I was about to give up when I came to the Nesbitts'

15:39.760 --> 15:40.760
house.

15:40.760 --> 15:42.360
I was so scared.

15:42.360 --> 15:43.960
I was so scared.

15:43.960 --> 15:46.160
I gave up when I came to the Nesbitts' house.

15:46.160 --> 15:49.160
The house was quiet, like nobody was home.

15:49.160 --> 15:52.160
I saw a dim, spooky light inside somewhere.

15:52.160 --> 15:55.160
So I just kept knocking and knocking and knocking.

15:58.160 --> 15:59.160
What do you want?

15:59.160 --> 16:01.360
Uh, nothing, Mr. Nesbitt.

16:01.360 --> 16:03.160
I want to see Mrs. Nesbitt.

16:03.160 --> 16:04.560
She's not here.

16:04.560 --> 16:06.560
She's going to the store.

16:06.560 --> 16:07.560
Oh.

16:07.560 --> 16:09.360
Then she ought to be back pretty quick.

16:09.360 --> 16:10.360
I'll come in and wait.

16:10.360 --> 16:11.760
Hey, hey, hey, hey, wait a minute.

16:11.760 --> 16:13.560
I'll just sit down here and wait.

16:13.560 --> 16:16.560
I sure like a rocking chair.

16:16.560 --> 16:18.560
Uh, don't mind me.

16:18.560 --> 16:20.760
Go right ahead doing whatever you were doing, Mr. Nesbitt.

16:20.760 --> 16:24.160
I wasn't doing anything.

16:24.160 --> 16:25.560
Oh.

16:25.560 --> 16:27.560
It looks like you were packing or something with all

16:27.560 --> 16:29.360
those boxes and trunks around.

16:29.360 --> 16:30.160
Going away?

16:30.160 --> 16:31.360
No.

16:31.360 --> 16:34.760
Mrs. Nesbitt's been sorting things out, getting rid of a

16:34.760 --> 16:35.760
lot of stuff.

16:35.760 --> 16:38.160
Oh.

16:38.160 --> 16:39.360
Burning it up in the fireplace.

16:39.360 --> 16:40.360
Oh, yeah.

16:40.360 --> 16:41.360
That's right.

16:41.360 --> 16:43.760
Dad always burns our junk out in the alley.

16:43.760 --> 16:45.960
Cloth smells awful when it burns.

16:45.960 --> 16:46.960
I think that...

16:46.960 --> 16:48.160
Uh, look, kid.

16:48.160 --> 16:51.760
Helen may have gone on from the store to visit a friend.

16:51.760 --> 16:54.560
Well, if she doesn't come soon, I'll leave.

16:54.560 --> 16:56.960
Yeah, and I'll tell her you were here.

16:56.960 --> 16:58.560
What did you want to see her about?

16:58.560 --> 17:00.360
Oh, nothing much.

17:00.360 --> 17:02.360
Hey, that's too bad.

17:02.360 --> 17:03.160
What?

17:03.160 --> 17:04.960
I guess you lost the key to that box.

17:04.960 --> 17:05.760
You had to break the lock.

17:05.760 --> 17:10.560
It, uh, was, uh, broken already.

17:10.560 --> 17:14.960
I bet your folks don't know where you are, kid.

17:14.960 --> 17:15.960
No, sir.

17:15.960 --> 17:17.760
They think I'm in bed.

17:17.760 --> 17:19.560
What friend did Mrs. Nesbitt go visit?

17:19.560 --> 17:20.160
I don't know.

17:20.160 --> 17:24.960
Uh, I mean, uh, look, kid, I ought to tell you,

17:24.960 --> 17:27.360
she won't be back tonight.

17:27.360 --> 17:28.160
Oh?

17:28.160 --> 17:29.160
No.

17:29.160 --> 17:32.560
She went to the store, like I said, but she was going from

17:32.560 --> 17:38.160
there over the beachward to visit her mother on the bus.

17:38.160 --> 17:40.160
She'll be gone two or three days.

17:40.160 --> 17:41.960
Oh, that's a shame.

17:41.960 --> 17:42.960
Why?

17:42.960 --> 17:45.560
Mama was expecting Mrs. Nesbitt to come over tomorrow,

17:45.560 --> 17:46.360
maybe just so.

17:46.360 --> 17:48.160
You better not tell your mother.

17:48.160 --> 17:53.160
You see, it's a kind of a secret about Helen going away.

17:53.160 --> 17:56.760
She doesn't want people to know for a while.

17:56.760 --> 17:57.760
Oh.

17:57.760 --> 18:01.360
You know how to keep a secret, kid.

18:01.360 --> 18:03.360
I guess so.

18:03.360 --> 18:05.760
I'll give you something for not telling.

18:05.760 --> 18:07.560
I'll give you a reward.

18:07.560 --> 18:10.960
Now, let's see here.

18:10.960 --> 18:11.960
All right.

18:11.960 --> 18:14.360
Here's something for a kid.

18:14.360 --> 18:15.360
A doll.

18:15.360 --> 18:15.960
A doll?

18:15.960 --> 18:16.760
Yeah.

18:16.760 --> 18:18.360
Helen was going to give it to you.

18:18.360 --> 18:21.960
I heard her say when she was sorting this stuff.

18:21.960 --> 18:25.360
I'll give this to the little leery girl.

18:25.360 --> 18:26.360
That's funny.

18:26.360 --> 18:29.360
Mrs. Nesbitt always calls me Margaret.

18:29.360 --> 18:31.360
Well, sure.

18:31.360 --> 18:32.960
That's what she said.

18:32.960 --> 18:34.360
Margaret.

18:34.360 --> 18:36.960
You see, it's quite a doll.

18:36.960 --> 18:38.560
Old fashioned.

18:38.560 --> 18:39.760
It's made of leather.

18:39.760 --> 18:43.360
And the face is china or something.

18:43.360 --> 18:44.360
You see?

18:44.360 --> 18:45.760
Uh-huh.

18:45.760 --> 18:47.360
Thank you, Mr. Nesbitt.

18:47.360 --> 18:51.360
It's a reward for not saying anything about Helen being

18:51.360 --> 18:53.560
gone, you understand?

18:53.560 --> 18:55.160
Now, now, now, come on.

18:55.160 --> 18:58.160
I'll step on the porch light.

18:58.160 --> 19:01.360
Mr. Nesbitt, I saw your dump truck in the lot this morning.

19:01.360 --> 19:02.560
What do you mean?

19:02.560 --> 19:04.160
Were you in the lot this morning?

19:04.160 --> 19:04.960
No.

19:04.960 --> 19:06.160
No, I was home.

19:06.160 --> 19:07.960
I looked out the window.

19:07.960 --> 19:10.160
Please, Mr. Nesbitt, let go of my arm.

19:10.160 --> 19:11.360
You been playing out there today?

19:11.360 --> 19:12.360
Answer me.

19:12.360 --> 19:13.160
Don't.

19:13.160 --> 19:13.960
That hurts.

19:13.960 --> 19:15.360
I wasn't playing.

19:15.360 --> 19:17.360
It's no fun now with the fort covered up and.

19:17.360 --> 19:18.460
The fort?

19:18.460 --> 19:19.560
What's that?

19:19.560 --> 19:21.160
Nothing.

19:21.160 --> 19:22.360
Nothing, Mr. Nesbitt.

19:22.360 --> 19:24.160
Tell me what you're talking about.

19:24.160 --> 19:26.560
Nothing, nothing but that old concrete pipe.

19:26.560 --> 19:28.360
You know something.

19:28.360 --> 19:29.960
That's why you came here.

19:29.960 --> 19:31.760
You've been snooping around that lot

19:31.760 --> 19:32.960
and you found out something.

19:32.960 --> 19:34.360
What do you know?

19:34.360 --> 19:35.960
I don't know anything.

19:35.960 --> 19:37.160
Let me go.

19:37.160 --> 19:39.160
Mr. Nesbitt, if you don't let me go.

19:39.160 --> 19:40.060
What?

19:40.060 --> 19:42.360
Oh!

19:42.360 --> 19:43.360
Hey, come back.

19:43.360 --> 19:44.360
Come back here.

19:44.360 --> 19:45.560
I'll give you something else.

19:45.560 --> 19:46.360
I'll give you something else.

19:46.360 --> 19:46.960
Come back here.

19:46.960 --> 19:47.560
Come back.

19:50.360 --> 19:53.660
Mr. Nesbitt yelled because I kicked him and bit his hand.

19:53.660 --> 19:56.060
Then I ran, but I heard him run after me.

19:56.060 --> 19:59.560
It was dark and quiet and scary on the street

19:59.560 --> 20:01.760
and more scary out there in the lot.

20:01.760 --> 20:03.160
I ran straight across the place where

20:03.160 --> 20:05.860
I'd heard the screaming and it was so quiet.

20:05.860 --> 20:09.360
And all of a sudden there was a man in the lot right in front of me.

20:09.360 --> 20:11.560
Margaret, Margaret, stop.

20:11.560 --> 20:12.760
Oh, Dad.

20:12.760 --> 20:14.160
Margaret, where have you been?

20:14.160 --> 20:16.060
Do you have any idea how your mama's worried?

20:16.060 --> 20:17.260
Do you know how late it is?

20:17.260 --> 20:18.360
Dad, Dad, he's after me.

20:18.360 --> 20:21.160
We've been up and down alleys and clear down to Clark Street.

20:21.160 --> 20:22.460
I was about to call the police.

20:22.460 --> 20:23.460
The screaming woman.

20:23.460 --> 20:24.960
It's Mrs. Nesbitt who's down there.

20:24.960 --> 20:26.360
I'm going to give you a good licking.

20:26.360 --> 20:28.260
Mr. Nesbitt killed her and now he wants to kill me.

20:28.260 --> 20:29.760
I've had all of this idiotic talk.

20:29.760 --> 20:30.360
I can stand.

20:30.360 --> 20:31.160
It's true.

20:31.160 --> 20:33.860
He said she's gone away and he was burning her things.

20:33.860 --> 20:34.660
You've got to believe me.

20:34.660 --> 20:35.260
Margaret, that's enough.

20:35.260 --> 20:36.460
Now stop it right now.

20:38.860 --> 20:39.760
What have you got there?

20:40.860 --> 20:41.960
Where did you get that doll?

20:41.960 --> 20:42.960
Mr. Nesbitt.

20:42.960 --> 20:45.060
I gave it to her, Larry.

20:46.460 --> 20:50.960
Kid stopped by the house and I remembered Helen said she wanted to throw it away.

20:50.960 --> 20:53.260
Helen said to throw it away.

20:53.260 --> 20:54.360
He's lying, Dad.

20:54.360 --> 20:56.660
He gave it to me so I wouldn't tell about her.

20:56.660 --> 20:58.060
It was locked up in a box.

20:58.060 --> 20:58.860
He didn't have a key.

20:58.860 --> 20:59.760
He broke it open.

21:00.460 --> 21:02.460
She's a high-strung kid, Larry.

21:02.460 --> 21:03.760
All the stuff she was telling me.

21:03.760 --> 21:04.860
He's lying, Dad.

21:04.860 --> 21:06.460
Why are you lying, Charlie?

21:06.460 --> 21:07.460
Lying?

21:07.460 --> 21:08.660
How do you get that to work?

21:08.660 --> 21:10.660
Helen was going to give it to Margaret on her birthday.

21:10.660 --> 21:11.560
She told me so.

21:12.260 --> 21:14.160
It was a present I gave her a long time ago.

21:14.760 --> 21:18.460
She wouldn't have thrown it away anymore that I threw away the paperweight she gave me.

21:19.460 --> 21:20.560
Why are you lying, Charlie?

21:20.560 --> 21:21.160
I'm not.

21:22.160 --> 21:23.660
Don't look at me like that, Larry.

21:24.560 --> 21:25.860
As God as my riddlers.

21:25.860 --> 21:27.060
It's her, Dad.

21:27.060 --> 21:28.260
It's the screaming woman.

21:28.260 --> 21:29.860
As God as your witness.

21:29.860 --> 21:30.860
No.

21:34.860 --> 21:36.660
Margaret, run to the house.

21:36.660 --> 21:38.060
Phone the police and tell them to hurry.

21:38.060 --> 22:03.060
Hello?

22:03.060 --> 22:04.060
Hi, Dippy.

22:04.060 --> 22:05.260
Everything's fine.

22:05.260 --> 22:06.860
Everything's worked out, King.

22:06.860 --> 22:08.860
The screaming woman isn't screaming anymore.

22:08.860 --> 22:11.060
They got a lot of people down there digging her up.

22:11.060 --> 22:12.060
Hey, Swell.

22:12.060 --> 22:13.560
Hot dog.

22:13.560 --> 22:15.060
And you know what else, Dippy?

22:15.060 --> 22:16.660
They uncovered our fort again.

22:16.660 --> 22:19.560
And now we'll be able to get the kids and play in it tomorrow.

22:19.560 --> 22:43.360
Suspense, in which Sherry Jackson starred in The Screaming Woman by Ray Bradbury.

22:43.360 --> 22:48.860
Next week, the story of a man who tries to escape his past and is faced with no future.

22:48.860 --> 22:51.960
We call it, Nobody Ever Quits.

22:51.960 --> 22:54.960
That's next week on Suspense.

23:11.960 --> 23:14.760
Suspense is produced and transcribed by Anthony Ellis.

23:14.760 --> 23:17.560
Adaptation was by Sylvia Richardson.

23:17.560 --> 23:21.760
The music was composed by Lucian Marwick and conducted by Wilbur Hatch.

23:21.760 --> 23:26.560
Featured in the cast were Paula Winslow, John Danaer, Richard Beals, Howard McNeer, Joe

23:26.560 --> 23:37.360
Cranston, Herb Butterfield and Eve McVeigh.

23:37.360 --> 23:56.960
Join the FBI in peace and war Wednesday nights on the CBS Radio Network.

