WEBVTT 00:00.000 --> 00:19.440 And now, tonight's presentation of radio's outstanding theater of thrills, Suspense. 00:19.440 --> 00:24.040 Tonight the story of man who makes his escape from the most dreaded prison in the world. 00:24.040 --> 00:27.080 We call it, the man with the steel teeth. 00:27.080 --> 00:32.920 So now, starring John Dana, here is tonight's Suspense play, the man with the steel teeth. 00:57.080 --> 01:00.760 It began on the evening of April 29th. 01:00.760 --> 01:04.960 I was seated in my box at the Bolshoi Opera in Moscow, listening to a particularly fine 01:04.960 --> 01:09.160 performance of Boris Gudanov, when I felt a slap on my shoulder. 01:09.160 --> 01:12.920 What do you want? 01:12.920 --> 01:13.920 What? 01:13.920 --> 01:23.280 Now look here, what's this all about? 01:23.280 --> 01:25.800 You are under arrest. 01:25.800 --> 01:28.480 What are you talking about? 01:28.480 --> 01:29.480 Um. 01:29.480 --> 01:35.000 There were two other men with him, big men. 01:35.000 --> 01:40.700 In a moment I found myself escorted down the corridor, down the grand staircase, and out 01:40.700 --> 01:45.080 into the dark street to a black limousine waiting in front. 01:45.080 --> 01:49.800 No one said a word as we sped through the streets, the men on either side of me staring 01:49.800 --> 01:52.420 straight ahead. 01:52.420 --> 01:58.000 Then we rounded a corner, and in a second I knew our destination, Lubyanka Prison, home 01:58.000 --> 02:02.280 of a thousand ugly secrets and the dread MVD. 02:02.280 --> 02:08.640 We swung down a long ramp and came to a stop at a huge, unguarded bronze door. 02:08.640 --> 02:13.200 Inside I was taken through another door and steered down a long corridor. 02:13.200 --> 02:28.560 It was the cell block. 02:28.560 --> 02:50.520 And I was a prisoner of the Soviet secret police. 02:50.520 --> 02:51.520 Arthur Luttrell. 02:51.520 --> 02:52.520 Ah, ha ha ha. 02:52.520 --> 02:53.520 Hey, Mr. Luttrell, or Knives. 02:53.520 --> 02:54.520 Please come in. 02:54.520 --> 02:58.680 Sit down. 02:58.680 --> 03:02.560 They're reviewing the moment. 03:02.560 --> 03:03.560 My breakfast, huh? 03:03.560 --> 03:04.560 All right. 03:04.560 --> 03:05.560 Ready to order. 03:05.560 --> 03:06.560 Comrade Revisor. 03:06.560 --> 03:07.560 Could you just reload to some more? 03:07.560 --> 03:08.560 Oh, thank you, thank you, Comrade Revisor. 03:08.560 --> 03:09.560 I'm having breakfast now. 03:09.560 --> 03:10.560 I ate a lot. 03:10.560 --> 03:11.560 Now just a minute. 03:11.560 --> 03:12.560 Look, I've been here two days without a word of statement. 03:12.560 --> 03:13.560 I'm sorry, I'm sorry. 03:13.560 --> 03:14.560 I'm sorry. 03:14.560 --> 03:15.560 I'm sorry. 03:15.560 --> 03:16.560 I'm sorry. 03:16.560 --> 03:17.560 I'm sorry. 03:17.560 --> 03:18.560 I'm sorry. 03:18.560 --> 03:19.560 I'm sorry. 03:19.560 --> 03:20.560 I'm sorry. 03:20.560 --> 03:21.560 I'm sorry. 03:21.560 --> 03:22.560 I'm sorry. 03:22.560 --> 03:23.560 I'm sorry. 03:23.560 --> 03:24.560 I'm sorry. 03:24.560 --> 03:25.560 I'm sorry. 03:25.560 --> 03:26.560 I'm sorry. 03:26.560 --> 03:27.560 I fried 3 more bites without a word as to why I've been arrested. 03:27.560 --> 03:28.560 I want an explanation. 03:28.560 --> 03:32.360 I'm an accredited correspondent. 03:32.360 --> 03:33.760 My papers are in order. 03:33.760 --> 03:34.760 You know that. 03:34.760 --> 03:37.120 Now what about him? 03:37.120 --> 03:38.600 Mommy, come on. 03:38.600 --> 03:39.600 Maybe? 03:39.600 --> 03:40.740 I give up. 03:40.740 --> 03:43.580 They had no intention of dealing with me until they were good and ready. 03:43.580 --> 03:45.840 I could see that. 03:45.840 --> 03:49.980 I watched the man behind the desk, Inspector Gou Barrvin of the MVD. 03:49.980 --> 03:53.980 a small round little man in a badly fitted gray suit. 03:53.980 --> 03:57.980 Gold-rimmed spectacles magnified his brown eyes. 03:57.980 --> 04:03.980 And when he smiled, his full lips uncovered the most fantastic set of stainless steel teeth I ever laid eyes on, 04:03.980 --> 04:06.980 full uppers and full lowers. 04:06.980 --> 04:09.980 Then the morning feast was over. 04:12.980 --> 04:17.980 My dear Luttrell, how pleasant to see you again. 04:17.980 --> 04:20.980 Again? We've never met. You know it. 04:20.980 --> 04:23.980 I see we shall get on very well. 04:24.980 --> 04:26.980 Why am I here? 04:26.980 --> 04:31.980 A legitimate question. You are here to confess. 04:31.980 --> 04:33.980 Confess to what? 04:33.980 --> 04:35.980 Shall I read it to you? 04:35.980 --> 04:38.980 You... you have written my confession? 04:38.980 --> 04:42.980 No, no, no, my friend. These are the charges, only the charges. 04:42.980 --> 04:46.980 The confession is up to you. With my help, of course. 04:46.980 --> 04:48.980 You are interested? 04:48.980 --> 04:50.980 Go on. 04:53.980 --> 04:57.980 From the Office of Mexico, let me inspect the history of Moscow. 04:57.980 --> 04:59.980 No, this does not concern you. 04:59.980 --> 05:04.980 Attested to by the following officers of the People's States, it does not concern you. 05:04.980 --> 05:06.980 Ah, subject! 05:06.980 --> 05:10.980 Concerning the activities of Juan Arthur Henderson Luttrell, 05:10.980 --> 05:16.980 correspondent of the WNA, citizen of the United States of America, resident of Moscow, 05:16.980 --> 05:19.980 three years here after being accused. 05:19.980 --> 05:26.980 One. That, on the morning of August 21, 1952, the accused was observed by witnesses 05:26.980 --> 05:30.980 in an exchange of objects with Eiza Regine Engineer, 05:30.980 --> 05:33.980 former member of the Ukrainian People's Agriculture Cooperative, 05:33.980 --> 05:36.980 while standing near the North Entrance to the Workers' Palace. 05:36.980 --> 05:42.980 A little man droned on, an unrealing paragraph after paragraph of nonsense. 05:42.980 --> 05:47.980 Names of people I'd met as a reporter at official functions, on the street, or anywhere. 05:47.980 --> 05:51.980 Names of people now dead or awaiting execution. 05:51.980 --> 05:56.980 It wasn't until this thought came that it dawned on me what my crime might be. 05:56.980 --> 06:00.980 And in the last paragraph, Golovian confirmed it. 06:00.980 --> 06:07.980 The execution of that sentence. That Arthur Henderson Luttrell is accused of the crime of espionage 06:07.980 --> 06:09.980 and the encouragement of sabotage. 06:09.980 --> 06:15.980 That, by the use of personal influence, he contributed to the deviation of 12 individuals 06:15.980 --> 06:19.980 since convicted, sentenced, and in four separate instances executed 06:19.980 --> 06:22.980 for crimes of treason against the state. 06:24.980 --> 06:26.980 Well? 06:26.980 --> 06:28.980 Very clever. 06:28.980 --> 06:32.980 Very clever, my dear friend. Merely a recitation of facts. 06:32.980 --> 06:35.980 Do you or do you not confess? 06:35.980 --> 06:39.980 To a trumped-up deal like this? No. Not on your life. 06:39.980 --> 06:43.980 On your life, Mr. Luttrell. 06:43.980 --> 06:46.980 Tovari, prega živo. 06:50.980 --> 06:53.980 You have been asked the question, my dear boy. 06:53.980 --> 06:57.980 Do you or do you not confess? 06:57.980 --> 06:59.980 Go to the devil. 06:59.980 --> 07:01.980 Istioraz. 07:04.980 --> 07:06.980 Confess. 07:06.980 --> 07:08.980 No. 07:09.980 --> 07:11.980 Confess. 07:12.980 --> 07:14.980 Confess. 07:14.980 --> 07:16.980 Confess. 07:26.980 --> 07:30.980 Then they tried psychological persuasion. 07:30.980 --> 07:35.980 The method to wear me down to the point of exhaustion when I... 07:35.980 --> 07:39.980 when I would gladly sign anything in exchange for a night's sleep. 07:39.980 --> 07:43.980 You will confess. You will read from this paper. 07:43.980 --> 07:45.980 Then you will sleep. 07:45.980 --> 07:47.980 No. 07:47.980 --> 07:50.980 You will read the following. The charges brought against me are true. 07:50.980 --> 07:53.980 I am guilty of sabotage. 07:53.980 --> 07:56.980 Read it, Mr. Luttrell. Read it. 07:59.980 --> 08:01.980 I... 08:01.980 --> 08:06.980 I am guilty of sabotage 08:06.980 --> 08:10.980 and the use of personal influence. 08:10.980 --> 08:13.980 Go on, go on. Then you will sleep. 08:13.980 --> 08:16.980 And the use of... No. 08:16.980 --> 08:19.980 No, it's not true. 08:19.980 --> 08:21.980 It's not true. I... 08:30.980 --> 08:34.980 And I awoke to find myself back in my cell. 08:34.980 --> 08:36.980 Then I... 08:36.980 --> 08:38.980 I noticed something was strange. 08:38.980 --> 08:43.980 Something different about my cell, a natural stillness. 08:43.980 --> 08:46.980 It took an effort to focus on the moment, 08:46.980 --> 08:48.980 and I saw what it was. 08:50.980 --> 08:52.980 My cell door was open. 08:52.980 --> 08:54.980 Just a crack. 08:54.980 --> 08:56.980 But it was open. 08:56.980 --> 09:01.980 It had always been closed and double locked each time I was returned from questioning, but... 09:01.980 --> 09:04.980 Now it was open. 09:04.980 --> 09:09.980 Reason told me it was another way of torturing me. It was a trap. 09:09.980 --> 09:11.980 But I had to try. 09:11.980 --> 09:16.980 Cautiously I stepped out into the broad corridor and I moved past the line of cells. 09:16.980 --> 09:20.980 If I could reach the bronze doors. 09:20.980 --> 09:24.980 The bronze doors. Outside. Escape. 09:24.980 --> 09:30.980 And then I was standing before the open door of the office. 09:30.980 --> 09:32.980 It was empty. 09:32.980 --> 09:34.980 No gullivine. 09:34.980 --> 09:36.980 Nobody. 09:36.980 --> 09:39.980 In the corner behind the desk stood a coat rack. 09:39.980 --> 09:41.980 On it hung an overcoat and a black hat. 09:41.980 --> 09:44.980 I took them and I put them on. 09:44.980 --> 09:47.980 Walked out to the bronze doors. 09:49.980 --> 09:51.980 I was outside. 09:51.980 --> 09:55.980 Except for a black limousine that stood across the parking area. 09:55.980 --> 09:58.980 The place was deserted. Nobody. 09:58.980 --> 10:00.980 My first thought was the embassy. 10:00.980 --> 10:02.980 If I could get to the embassy, I'm safe. 10:02.980 --> 10:04.980 I looked again at the limousine. 10:04.980 --> 10:06.980 An official car of the NVD. 10:06.980 --> 10:10.980 Trying to be as casual as possible, I went over and looked in. 10:10.980 --> 10:13.980 The ignition keys were there. 10:13.980 --> 10:15.980 I got in quickly. 10:15.980 --> 10:21.980 And stepped on the starter. 10:23.980 --> 10:26.980 I drove carefully. 10:26.980 --> 10:29.980 Alive to the fact that the city had a thousand eyes. 10:29.980 --> 10:33.980 It was early morning. Few cars were on the streets. 10:33.980 --> 10:36.980 And suddenly the welcome site of the embassy came into view. 10:36.980 --> 10:39.980 It loomed large and took shape as I approached. 10:39.980 --> 10:42.980 There was a car parked in front of the main embassy entrance. 10:42.980 --> 10:45.980 I pulled up behind it. 10:47.980 --> 10:50.980 I was about to set the handbrake. 10:50.980 --> 10:55.980 When I saw something that turned my blood to water. 10:55.980 --> 10:57.980 Not 40 feet from me. 10:57.980 --> 11:00.980 Leaning against the stone post of the entrance gate. 11:00.980 --> 11:03.980 There was a man in an overcoat. 11:03.980 --> 11:05.980 He was absorbed with a small hand mirror. 11:05.980 --> 11:07.980 In which he was examining his teeth. 11:07.980 --> 11:10.980 Probing here and there with his forefinger. 11:10.980 --> 11:13.980 It was Inspector Gullivin. 11:24.980 --> 11:27.980 You are listening to The Man with the Steel Teeth. 11:27.980 --> 11:41.980 Tonight's presentation in radio's outstanding theater of thrills, Suspense. 11:43.980 --> 11:47.980 Tonight's performance of Suspense is the final broadcast at this time. 11:47.980 --> 11:51.980 Beginning next Tuesday night, be sure to listen for Suspense at a new hour. 11:51.980 --> 11:55.980 With new mysteries well calculated to keep you in suspense. 11:55.980 --> 11:59.980 Remember, beginning next week on most of these same stations, 11:59.980 --> 12:03.980 radio's outstanding theater of thrills comes to you Tuesday evenings. 12:03.980 --> 12:08.980 Suspense, Tuesday nights at the Star's Address from now on. 12:08.980 --> 12:12.980 And now we bring back to our Hollywood sound stage, John Danaer. 12:12.980 --> 12:17.980 Starring in tonight's production of The Man with the Steel Teeth. 12:17.980 --> 12:22.980 A tale well calculated to keep you in suspense. 12:22.980 --> 12:26.980 Back out into the street. 12:26.980 --> 12:30.980 In the rear view mirror I saw Gullivin go to his car and start after me. 12:30.980 --> 12:32.980 I was in a panic. 12:32.980 --> 12:36.980 At the corner I turned left and headed toward Red Square. 12:36.980 --> 12:39.980 Then began a dodging game that took us through the west section of Moscow 12:39.980 --> 12:41.980 and into the industrial suburbs. 12:41.980 --> 12:44.980 Time after time I was sure I had lost Gullivin, 12:44.980 --> 12:48.980 but he would seemingly materialize out of nowhere and fasten himself to me. 12:48.980 --> 12:52.980 And it went on and on and on until we neared a bridge. 12:52.980 --> 12:54.980 The right! 12:56.980 --> 12:58.980 And picked up speed. 12:58.980 --> 13:03.980 And in a while found myself in open country with Gullivin nowhere in sight. 13:03.980 --> 13:05.980 I had lost him. 13:05.980 --> 13:08.980 Or he had lost me. What difference does it make? 13:08.980 --> 13:10.980 I had no chance of ever getting back to the embassy now. 13:10.980 --> 13:15.980 The MVD would be there waiting for me with a color guard, so I just drove on. 13:15.980 --> 13:20.980 On the strength of an MVD identity card I found in the pocket of my overcoat. 13:20.980 --> 13:25.980 I obtained gasoline at a small town and I continued on westward. 13:29.980 --> 13:34.980 I drove steadily the rest of that night and all the next day. 13:34.980 --> 13:38.980 And late the following night I reached the outskirts of Warsaw 13:38.980 --> 13:42.980 and the time had come to abandon the MVD car. 13:42.980 --> 13:47.980 It had served its purpose, but by now the entire secret police undoubtedly was alerted to watch for me, 13:47.980 --> 13:52.980 so I left it at the side of the road and started walking. 13:52.980 --> 13:59.980 In half an hour I was at my destination, at the apartment of an old friend. 13:59.980 --> 14:13.980 I was on the ragged edge. I needed rest. 14:16.980 --> 14:17.980 What is it? 14:17.980 --> 14:20.980 Hello, Maria. 14:20.980 --> 14:22.980 Chicago! 14:22.980 --> 14:23.980 May I come in? 14:23.980 --> 14:26.980 Oh, Chicago, you're a ghost. Yes, yes, come in, come in. 14:26.980 --> 14:29.980 I'm very tired. 14:29.980 --> 14:31.980 Sit down here, my darling. 14:31.980 --> 14:33.980 Right here. 14:33.980 --> 14:35.980 Oh, it feels good. 14:35.980 --> 14:37.980 I will make some tea for you. 14:37.980 --> 14:41.980 Oh, such a surprise to see you, my Chicago. What has happened? 14:41.980 --> 14:43.980 You're really not in Moscow? 14:43.980 --> 14:46.980 Of course you're not in Moscow. You're here. 14:46.980 --> 14:51.980 Why, why are you here, Chicago? 14:51.980 --> 14:55.980 Chicago. 14:55.980 --> 14:58.980 Chicago. 14:58.980 --> 15:02.980 Already you're sleeping. That is good. 15:02.980 --> 15:13.980 You sleep, my darling. 15:13.980 --> 15:15.980 Good morning. 15:15.980 --> 15:19.980 Oh, Chicago, finally you wake up. 15:19.980 --> 15:24.980 But it is not morning. It is two o'clock in the afternoon. 15:24.980 --> 15:29.980 How do you feel now? You sleep good? 15:29.980 --> 15:31.980 It's heaven. 15:31.980 --> 15:35.980 You're going to stay awake now? I'll give you a cup of coffee. 15:35.980 --> 15:36.980 You're an angel. 15:36.980 --> 15:39.980 Oh, never mind, Gaines, we're talking here. 15:39.980 --> 15:42.980 Thanks. 15:42.980 --> 15:46.980 Oh, first cup of coffee I've had in two months. 15:46.980 --> 15:50.980 Now you must tell me, Chicago, what has happened. 15:50.980 --> 15:53.980 Where do you come from? Where do you go? 15:53.980 --> 15:54.980 It's old cotton-eyed Joe. 15:54.980 --> 15:55.980 Old which? 15:55.980 --> 15:57.980 Your question is where do you come from, where do you go? 15:57.980 --> 16:01.980 Like old cotton-eyed Joe. It's an American folk song. Never mind. 16:01.980 --> 16:04.980 Sit down, Maria, and I'll tell you. 16:04.980 --> 16:06.980 I have missed you, Chicago. 16:06.980 --> 16:11.980 And when you came in last night, I was very happy. 16:11.980 --> 16:14.980 You're still as beautiful as ever, Maria. 16:14.980 --> 16:17.980 Oh, but I am wrong to talk this way to you. 16:17.980 --> 16:23.980 Everything was finished two years ago and so it must remain. 16:23.980 --> 16:25.980 I still think we were fools. 16:25.980 --> 16:29.980 Forget, forget. Now, you're in a lot of trouble, huh? 16:29.980 --> 16:32.980 Yeah, a lot. 16:32.980 --> 16:34.980 You talk in your sleep. 16:34.980 --> 16:36.980 Oh, what did I say? 16:36.980 --> 16:41.980 Oh, I could not understand everything, but you keep on killing a man. 16:41.980 --> 16:42.980 Golovin. 16:42.980 --> 16:45.980 Golovin, yeah, that is the name. 16:45.980 --> 16:48.980 You must hate him to kill him so much. 16:48.980 --> 16:50.980 Well, he gave me a lot of trouble. 16:50.980 --> 16:54.980 Oh? What does he look like? 16:54.980 --> 16:59.980 Oh, he's a small man, he's quite small. 16:59.980 --> 17:03.980 Maybe a little fat? 17:03.980 --> 17:07.980 Oh, yeah. 17:07.980 --> 17:11.980 Does he wear glasses? 17:11.980 --> 17:14.980 I really talked in my sleep, didn't I? 17:14.980 --> 17:22.980 No, no, but there is such a man outside in the street who looks like that. 17:22.980 --> 17:27.980 Wait, wait, I go look. 17:27.980 --> 17:29.980 He's still there. 17:29.980 --> 17:34.980 Come look, but be careful. Don't let him see you. 17:34.980 --> 17:37.980 Across the street, you see? 17:37.980 --> 17:42.980 Oh, he has been there all day. He was there this morning. 17:42.980 --> 17:44.980 He's an inspector for the MVD. 17:44.980 --> 17:47.980 MVD? 17:47.980 --> 17:48.980 I've got to get to Berlin. 17:48.980 --> 17:50.980 Yes, you must leave Warsaw. 17:50.980 --> 17:51.980 Maria, can you help me? 17:51.980 --> 17:53.980 I think so. I know someone. 17:53.980 --> 17:54.980 Can he be trusted? 17:54.980 --> 17:56.980 Yes, you know my brother, Bronislav. 17:56.980 --> 17:57.980 But he's with the communists. 17:57.980 --> 18:11.980 Oh, I shall let you decide that when you meet him. 18:11.980 --> 18:15.980 And remember to use the pistol only as a last resort. 18:15.980 --> 18:20.980 So, go over your cards again and we shall see if you know them. 18:20.980 --> 18:22.980 A personal identification card. 18:22.980 --> 18:24.980 Duck. 18:24.980 --> 18:25.980 Gasoline ration card. 18:25.980 --> 18:27.980 Duck. 18:27.980 --> 18:28.980 ID badge where I work. 18:28.980 --> 18:30.980 Inspector for State Fisheries. 18:30.980 --> 18:31.980 State Fisheries. 18:31.980 --> 18:35.980 Travel permit and a work record. 18:35.980 --> 18:38.980 Good, good. Now we go. 18:38.980 --> 18:42.980 Maria, I don't know how to... 18:42.980 --> 18:45.980 Not a word from you. 18:45.980 --> 18:48.980 You saved my life, Maria. I'll never forget. 18:48.980 --> 18:52.980 So, give me a kiss now. 18:52.980 --> 18:55.980 Come, come, come now. Let us go. 18:55.980 --> 19:00.980 Goodbye, my beautiful Chicago. 19:00.980 --> 19:12.980 Goodbye. 19:12.980 --> 19:17.980 Bronislav led me down the stairs and out the back door to the alley where his car was parked. 19:17.980 --> 19:25.980 There was no sign of Golovin. A relief to be sure, but still a surprise since both of us have expected to see him. 19:25.980 --> 19:32.980 My brother had done a first-class job arranging my escape from Warsaw to Berlin. It was a cruise, clear sailing all the way. 19:32.980 --> 19:36.980 It was a lovely summer night when we arrived in Berlin. 19:36.980 --> 19:39.980 We drove as near to the line dividing the sectors as we could. 19:39.980 --> 19:49.980 I got out. There was a handshake between us and Bronislav was gone. 19:49.980 --> 19:58.980 We started walking to the end of the street, the end of Soviet influence. Ten yards away I rounded a corner and... 19:58.980 --> 20:01.980 Good evening, Luttrell. 20:01.980 --> 20:10.980 Golovin. The little man blocked my path so I couldn't get by. His hands were thrust deep in his pockets, a frightening smile on his face. 20:10.980 --> 20:17.980 So now it is the end of the road for us, no, Luttrell? For a while I thought this moment would never come to pass. 20:17.980 --> 20:19.980 But now it is all over. 20:19.980 --> 20:27.980 As he spoke he withdrew a small pistol from his pocket, balanced it casually in his hand and continued talking. This was the end for me. 20:27.980 --> 20:30.980 Do think, Luttrell, I allowed you to escape, so... 20:30.980 --> 20:34.980 So that you could shoot me at the end of the road. Quite the saddest, aren't you? 20:34.980 --> 20:36.980 I allowed it so that I could make my own way here. 20:36.980 --> 20:38.980 Look, don't play games, Golovin. 20:38.980 --> 20:43.980 Games? No games. This entire thing was planned for my escape. 20:43.980 --> 20:44.980 Your escape? 20:44.980 --> 20:50.980 Mine. By following you I could give the impression that I was only doing my duty by pursuing an escaped prisoner. 20:50.980 --> 20:56.980 A prisoner who, by chance, you understand, led me to here. You still do not believe me, do you? 20:56.980 --> 20:58.980 I just don't get it, Nutsol. 20:58.980 --> 21:06.980 Luttrell, in my country it is bad life. Soon my colleagues would have seen the things I could no longer hide and then would come the purge. 21:06.980 --> 21:12.980 The purge of me. I had to leave before that could happen. So, now... 21:12.980 --> 21:15.980 I find it kind of hard to swallow, I'll tell you that. 21:15.980 --> 21:23.980 Here. Take my gun. Take it. Now you believe? 21:23.980 --> 21:27.980 So come, my dear boy. We cannot stand here. Let us go across the road. 21:27.980 --> 21:33.980 You see, I need you to vouch for my story when I am questioned. 21:33.980 --> 21:35.980 One thing, Golovin. 21:35.980 --> 21:37.980 Yes? 21:37.980 --> 21:41.980 What would you have done if you had found that your colleagues were closing in on you? 21:41.980 --> 21:51.980 I would have seized you immediately and taken you back to Lubyanka. You were never exactly what you would call safe, Mr. Luttrell. You were my insurance. 21:51.980 --> 21:58.980 Yeah. 21:58.980 --> 22:00.980 This is the American sector? 22:00.980 --> 22:03.980 It is. My territory now. 22:03.980 --> 22:06.980 Then we must seek the military police and I give myself up. 22:06.980 --> 22:10.980 Yeah. Yeah, I guess they would like to have a talk with you. 22:10.980 --> 22:12.980 So now, my dear boy. 22:12.980 --> 22:15.980 Wait, wait. Wait a minute, Golovin. 22:15.980 --> 22:24.980 Wait? 22:24.980 --> 22:28.980 Why did you do that? 22:28.980 --> 22:38.980 Lot of reasons. You figure them out. 22:38.980 --> 22:45.980 My knuckles hurt. They were bleeding. Golovin sat on the pavement looking stupid. 22:45.980 --> 22:58.980 I turned to go and, as I did, he took his hand from his mouth. His full lips hung slack, revealing his steel teeth bent grotesquely out of shape. 22:58.980 --> 23:13.980 I shuddered and went to find the military police. 23:13.980 --> 23:21.980 Suspense, in which Mr. John Dana starred in his own story, The Man with the Steel Teeth. 23:21.980 --> 23:45.980 Next Tuesday, the story of three women and their vigil of death. We call it Waiting. That's next week on Suspense. 23:45.980 --> 23:53.980 Suspense is produced and directed by Anthony Ellis. The music was composed by Leith Stevens and Lucian Morawick and conducted by Ludd Glaskin. 23:53.980 --> 24:03.980 Featured in the cast were Maria Palmer, Edgar Barrier, Jack Crouchon, and Robert Boone. 24:03.980 --> 24:29.980 Crime Photographer clicks against criminals Fridays on the CBS Radio Network.