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And now, tonight's presentation of radio's outstanding theater of thrills, Suspense.

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Tonight, the story of a man who thought the only way to escape death was to search for

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it.

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We call it Diagnosis of Death.

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So now, starring Gene Bates with Lawrence Dobkin, here is tonight's Suspense play, Diagnosis

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of Death.

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Come in Martha, come in.

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I hope you don't mind my dropping in without an appointment.

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No, of course not.

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Sit down.

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Oh, thank you.

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Your nurse said Simon had already left.

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I suppose he'd call this snooping, but I think I have a right to know.

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Oh, Martha, I'm glad you dropped in.

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I tried to call you at home just a few minutes ago.

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Well then, it is serious?

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Well, right now I'm not speaking about Simon's health.

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A rather unfortunate thing has happened.

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Well, not an accident.

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In a sense.

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Now, I'm not even sure that Simon's health is going to be any worse.

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I'm sure he's going to be fine.

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I'm sure he's going to be fine.

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I'm sure he's going to be fine.

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I'm sure he's going to be fine.

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I'm sure he's going to be fine.

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I'm sure he's going to be fine.

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I'm sure he's going to be fine.

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I'm sure he's going to be fine.

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need your help. Of course, but what are you talking about? Let me start at the beginning.

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Simon had a one o'clock appointment here with me. I was to give him a final report

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on all the tests we've run on his condition. Yes, I know that. He wouldn't

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tell me much about it. I knew he was worried, of course, but he's such a

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hypochondriac. He was very worried. So was I. Oh, I didn't realize. Well, just over an

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hour ago, you arrived for that one o'clock appointment. Now, I happened to be

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upstairs in consultation with another doctor, and Simon was in the waiting

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room. Miss Herman says he was very nervous, naturally. Oh, yes, but... Well, he was there

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in the waiting room when I phoned down to ask Miss Herman to read me a lab

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report that had just come in. This was a report on another patient, not on Simon.

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Yes. And Miss Herman should have checked the door to the waiting room, but she

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thought it was closed. Evidently, it had swung open again. Simon must have heard

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everything she said over the telephone. But what... He heard her tell me that he was

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here for his appointment, and then immediately after he heard her read the

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report, and he would have no way of knowing that it wasn't his. He must have

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thought it was. Well, I'll read you the last sentence of the diagnosis that he

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overheard. Oh, here. The patient's condition is definitely malignant. In a stage too

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far advanced for successful surgery, fatal results are indicated in from one

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to three months. Oh, gee. Then when Miss Herman finished and looked out, Simon was

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just leaving the waiting room. She called to him, but he wouldn't answer. He hasn't

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been back. Now, I've tried calling his office, your home, but no luck. Oh, poor Simon.

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He must be miserable. Poor dear, he's such a pessimist anyway, always ready to

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believe the worst. If what I believe is true, he's in an extremely emotional

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state right now. Oh, yes, it's just like him jumping to conclusions, getting all upset,

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when all he had to do was wait to see you. Well, his report wasn't like that,

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was it? Oh, no, no, he's not seriously ill, nothing like that. Nothing can't be set

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right with a few weeks of treatment. Martha, Simon left here believing that he

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was going to die, a slow and pretty painful death. Well, we've got to tell him

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it was a mistake. Martha, I don't think you understand yet just, just how serious

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this might be. Oh, what do you mean? You don't think, you don't think Simon would do

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anything like that. I think anybody faced with that situation might. I think we've

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got to find him, Martha, as quickly as possible.

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Oh, hello, Mrs. Davis. Anne, is Mr. Davis in? Oh, no, I'm sorry, left early today. Did he

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say where he was going or when he'd be back? Well, no, he said he wouldn't be

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back, he was leaving for the afternoon. Jim. How long ago did he leave? Oh, less

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than an hour, I think. He came back here after he left my office. Well, I was out for

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lunch, he was here when I came back. This is Dr. Kirk, Anne. Oh, yes, Doctor. How

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long did he stay? Maybe 15 or 20 minutes. Is something wrong, Mrs. Davis? We don't

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know yet, Anne, I hope not. You don't know where Mr. Davis might have gone. Did he

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have any business appointments? Well, one with Mr. Gaffney, but he told me to cancel

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that. Didn't say anything else? No. Did he seem upset? I don't think so. A little

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preoccupied, perhaps, a little quieter than usual, but. Just what did he do while

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he was here? I don't know, he was alone in his office. Oh, may I look in there? It's

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just possible. Of course, Doctor, this way. Thank you. Everything looks all right. What's this?

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Well, that's strange. It's addressed to me. Open it, please. It's a check for $250. Oh, I don't

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understand. There's a note, too. Would you read it, please? This summer's thank you for your excellent

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services. I regret I will no longer need them. And closed is a check for one month's pay.

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You may finish out the week and then you're free. Refer all of my clients to Benjamin Brown, if you

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will, please, sincerely, Simon Davis. Jim. Now, this may not mean what you think at all, Martha.

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He believed it was very ill-naturally he'd expect to give up his business. Let's us not jump to

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conclusions, too. Mrs. Davis, I don't understand. What's wrong? And Simon thought he was going to

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die. He may have decided... Oh, no. Oh, Mrs. Davis, I'm sorry. Now, there may be no danger,

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but even if there isn't, we've got to find the man, relieve his mind. You can help,

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Miss Summers. Oh, yes, of course. You get on the telephone, call any place you can think of,

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he might have gone. If you find him, tell him he must talk to me, that what he thinks isn't true.

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He's not going to die. Jim, maybe we should call the police. Maybe. Actually, we don't know that

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he's planning anything. No, but maybe they can help us find him. I suppose you're right. Yes?

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There is something I forgot to tell you. You asked if he did anything strange. Yes. Well,

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while he was in his office, he wrote a letter. What was strange about that? Well, it was in

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longhand. He didn't dictate it to me. Oh. And then he brought it out all addressed and stamped and

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asked me to mail it. Told me to take it right out and drop it down the chute by the elevator. Oh,

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was that unusual? No, but just before I dropped it down the chute, I, well, I looked at the address.

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Well? It was addressed to you, Mrs. Davis. You are listening to Diagnosis of Death,

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tonight's presentation in radio's outstanding theater of thrills, Suspense. The case of the

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jealous wife is a perfect example of how criminal gangs rise and fall. A series of supermarket

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holdups in Chicago went on unchecked until a woman scorned helped local police turn the tables and

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nail the mob. Full details this Saturday night on CBS radio's Gangbusters. Don't miss it over most

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of these same stations. The true case of the jealous wife on Gangbusters. And now we bring

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back to our Hollywood soundstage, Gene Bates with Lawrence Dobkin, starring in tonight's

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production of Diagnosis of Death, a tale well calculated to keep you in suspense.

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Don't you see, Sergeant, why would he write me a letter unless, unless he weren't coming home?

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You don't know what was in the letter, of course. No, no, it's already in the mail,

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but I know my husband. Of course, Mrs. Davis. He didn't tell his secretary anything? No,

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sir, nothing. Doctor, shall I go on calling? Oh, yes, yes, please, miss, I'm sorry.

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Sergeant, what else can we do? You're sure he's not at home? If he knew you were going to be out for

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the afternoon? Oh, he called there three times, there's no answer. Of course he wouldn't answer.

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If we'll know about that soon enough, I sent a squad car to investigate at that address. Sergeant,

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do you think... You know your husband better than I do, ma'am. Under the circumstances,

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you couldn't blame him too much. He hasn't had much time, it's only about three, he's had less than

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two hours. Usually people with ideas like this only take a little while to think it over,

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maybe he has a few drinks. Time he doesn't drink. Well, but maybe under the circumstances...

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We'll try anything. Miss Summers, call any bars close around, will you? Oh, yes, doctor, sure.

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Officer, can't we do something? Mrs. Davis, we're doing all we can. We check the emergency

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hospital, every squad car in the area has been alerted, they're searching for a man of his

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description. We're checking bridges, railroad yards, tall buildings, we're checking the house.

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I know, but we just can't sit here. Maybe if we'd go out looking. Sergeant, maybe he's just walking

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down some street or sitting in the park. Just sitting... I know how you feel, ma'am, but it's

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not very likely we'd find him unless we have some idea of where he might have gone. That's it exactly,

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Martha, where would we go? Where would he go? I don't know, I don't know. If he were really

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decided on suicide, he'd have to go somewhere or get something to accomplish the purpose.

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Still there are lots of ways, just stepping out in front of a truck. Oh, no. I'm sorry,

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Mrs. Davis. Martha, maybe you'd go into the inner office, huh? Lie down, rest a little while. No,

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I'm all right. I want to help. All right. Sergeant, Mr. Davis isn't the kind of man for violent ways,

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something more... Like poison, sleeping pills? Yes, yes, that would be more likely. You have

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anything like that at home, Mrs. Davis? No, he never took sleeping pills. He never even

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wanted them in the house, even when he was in pain. Well, if he regarded them as too

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lethally keeping the house, he might have thought of them, but he couldn't get them

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without a prescription. Well, maybe he could, where he was known. He might have tried,

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and if we could just pick up his trail someplace. Yeah, but where would he try? There's a drug store

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right downstairs in this building. They must know him. All right, it's worth a chance.

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Yes, I know Mr. Davis. He was in just a little while ago. What did he want? Well,

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as a matter of fact, he wanted some sleeping tablets, but he didn't have a prescription,

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so of course I couldn't supply him. As you know... You didn't sell him any? Well, I'm telling you,

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you know I couldn't. I was sorry to disappoint him. I told him to phone the doctor. That would be

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enough, and they could send the prescription over later, but he wouldn't stop to phone. He was in a

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hurry, and he said he'd be back, and that was anything wrong? No, but if you should come back,

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stall him and notify the police. Why, of course, officer. That's my car at the curb. I'm gonna

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check in on the radio. All right, sergeant. I'm afraid, Jim. I'm afraid. Martha, we don't know anything for

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sure. But we do know. How we do know? He doesn't tend... Maybe not. Maybe not. He might have wanted

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the pills because of pain. He was having some pain. But he... Anyway, he didn't get them, Martha,

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and he's not likely to. But there are other things... Well, yes, but we're not sure yet.

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There's no use imagining things. We've got to keep calm, Martha, and just try to find him. Yes,

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I know. Thanks, Jim, for being here. I don't know what I've done... It was my fault, my office's fault.

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Mrs. Davis, was your car at home in the garage? Yes, sergeant. Mr. Davis wasn't driving it then,

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huh? No, he always took the bus to work because of the parking problem. I do, too. We only use the

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car at night or on weekends. I'm finding it there. It doesn't mean anything. He's not at home,

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Mrs. Davis. They checked the house, talked to the neighbors. But inside? No, they're sure he hasn't

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been home this afternoon. Well, that leaves us right back where we started. Yeah. Does he own a gun?

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No, oh no. He's always been afraid of guns. Well, it's still a possibility. There are three pawn

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shops in this neighborhood. We might as well check them. I don't sell no guns to no guys

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without they got a permit. Now, you know that, sergeant. I don't draw no beef from you guys.

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Do I stay in business otherwise? Tell me that. Let me see the book. Sure, sure. Yeah, you take a look.

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Take a good look. I'm clean. You'll see. A good, clean book. Yeah, you wouldn't have put it in here

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anyway. I told you, I never sold no gun to no guy like you say. Look, Nicko, this is no beef. This

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is different. This man wanted the gun to use on himself. We're trying to prevent that. We want

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your help. How can I help when I don't know nothing? I know you've done it before and you'll do it again

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and someday we'll catch at it. But this time I don't care. Nothing happened. You understand? Yeah,

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yeah, you cops. I told you. This is Mrs. Davis. We're trying to save her husband's life. Please,

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Mr. Nicko, please. Just tell us the truth. Nothing happens, I promise you. Look, lady, I...

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How do you know I'm not telling the truth? Call it a hunch. Now, come on, level. Nothing happens?

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Nothing. Well, look, now understand, sergeant, I don't never sell no guns to no guys without

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they got a permit, huh? But this wasn't really no gun, see? You did sell him something. Yeah,

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a guy looks like you said only it was kind of a special gun. You sold him a gun? Well, now wait a

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minute, lady. That's what I'm trying to tell you. You got nothing to worry about. Go on. Because he

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ain't gonna shoot nobody with that gun. Why not? Well, now look, sergeant, you said nothing happened.

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Yeah, yeah. I don't usually do this kind of business, you understand, but I kind of had a

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hunch what this bird was up to. That's why I done it. Honest. That's why I done it. What was wrong with

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the gun? It didn't have no fire in pen. This bird didn't know the difference. Of course, I didn't

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charge no real gun price, but that gun won't shoot nobody. Honest. Okay, Nicko.

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What do we do now, sergeant? Might as well cruise around a little. One thing, we're only a few minutes

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behind him now. Nicko said he was in a little after three about half hour ago, kind of gone

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far. All right. Mrs. Davis. Martha, get in. Don't you see, Jim? It means he really had decided. Yes,

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but he won't succeed, Martha, not with that gun. No, but if he really wanted to... Simon. Martha,

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come on. We'll find him somehow. Yeah. Get in, Mrs. Davis. All right. 5L7. 5L7. 1423 Vista. What time is it? 586E. 20 minutes to four.

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6L10. 6L10. 916 West 21st. 484 report. I have a feeling we've got to find him quickly. I don't

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know why. Martha, just keep calm. There's no use torturing yourself by imagining things.

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1A14. Jefferson Park. West side. Georgia Street entrance. Man with the gun. Wait a minute. This is 1LY10.

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I'll take that call to Jefferson Park. 1LY10. Roger. 1A14. Cancel your call to Jefferson Park. 1LY10. Jefferson Park?

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You think... I don't know. We'll see. I tell you, you've got to find that man and punish him,

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officer. It's a crying shame when men like that are allowed to run loose, giving guns to children.

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Everett, drop that thing. I told you not to touch it again. Here, let me have it, Simon. Yes, sir.

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Is it? Yeah. Son, where's the man who gave it to you? Well, he didn't exactly give it to me,

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mister. He dropped it in the trash can over there, but he didn't want it anymore, honest. It wasn't

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stealing. I know, son, but where is the man now? Well, he got on the bus over there at the corner.

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Going which way? That way. How long ago? Well, about 10 minutes. 10 minutes. Oh, Simon. All right,

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come on. We'll get him. Mister? What, son? I know why he didn't want the gun. It don't work. Everett,

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you tried it. You tried to shoot it. You wait for your father. It's our bus. He's taking the bus home.

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It also ends up out at the lake. The lake? We should be able to beat the bus there if we hurry.

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Martha, Martha, it's going to be all right. We're going to get there in time. Maybe it's my fault.

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Maybe if I'd been more interested, understood more. Maybe I've been selfish. You must not blame yourself,

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Martha. Why at a time like this? Why wouldn't he come to me and share it with me? Maybe he wanted to

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spare you. Spare me? Jim, what time is it? Just four o'clock. No, it's two minutes after.

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Sergeant, will you turn right at Warby Street, please? But, Mrs. Davis. I want to stop at home

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first. We can't waste time. The bus will be at the lake any minute. It's only around the corner,

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half a block. I want to, Sergeant. But five minutes may make the difference, Mrs. Davis. Please,

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Sergeant. I have a feeling I want to go home. All right, Mrs. Davis. Is this it? Yeah.

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The fourth house, the white one with the picket fence.

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Everything looks peaceful enough. Go inside and look, just to make sure.

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Hurry, hurry. There's Cody's here. Simon! Mr. Davis? Simon! The bedroom this way. Simon! Simon! Simon! Simon, where are you?

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How about the kitchen? Are there any other rooms? No. This coat. He was wearing that coat,

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and he wouldn't go out again without it. Not in this cold. Hey, wait. Where's the back door?

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That way. Oh, yes. Hurry. The garage. The motor is running. Come on. That's exhaust smoke. Come on.

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Grab the plate. Now, we've got to get him out fast. Simon! Simon! All right, Sergeant. Put him here on the grass.

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All right. That's it. Jim. Jim is here. Take it easy, ma'am. Let the doc work on him. There wasn't too much gas.

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He couldn't have been there long. But Mr. Simon. Maybe I better get on the car radio, doc. Get the rescue squad.

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No. Don't think that'll be necessary, Sergeant. You don't mean he... Come here, Martha. Down here.

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Simon. Martha, I'm sorry. You're going to be all right. Oh, Simon.

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Suspense, in which Gene Bates with Lawrence Dubkin starred in Diagnosis of Death by John Dunkel.

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Next week, the story of a man who makes his escape from the most dreaded prison in the world. We call

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it The Man with the Steel Teeth. That's next week on Suspense.

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Suspense is produced and directed by Anthony Ellis. The music was composed by Lucian Morawick and conducted by

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Lutte Gluskin. Featured in the cast were Jerry Hausner, Barney Phillips, Charlie Lung, Trudeau Marsden, Richard Beals, and Helen Cleve.

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Charles Boyer stars as Alphonse Bertillon, famous French detective who proved crime could be solved in the laboratory Sunday night on the Radio Hall of Fame.

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Bertillon proves the unidentifiable can be identified by revolutionary new means, or at least means revolutionary at the time.

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CBS Radio presents the Radio Hall of Fame starring Charles Boyer Sunday night on most of these stations.

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You enjoy City Hospital every Saturday in the daytime on the CBS Radio Network.

