WEBVTT

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And now, tonight's presentation of radio's outstanding theater of thrills, Suspense.

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Tonight, the story of a man's search for the murderer of his brother.

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We call it, A Killing in Abilene.

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So now, starring Parley Bear, here is tonight's Suspense play, A Killing in Abilene.

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I'd come down out of the Snake Range that morning, had followed the river trail through the canyon,

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and that afternoon had found Pleasant Valley.

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A handful of buildings, desolate, huddled in the cold shadows of the mountains around, all in the dark.

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A quarter of a mile this side of town, on an easy rise, I saw a handful of people standing in a circle.

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As I got closer, I saw they were gathered around two men who were digging.

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Hold up a minute.

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What's the matter?

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I hit something.

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Wait.

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Better go slow.

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Dig around this side.

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Here, I can't do it anymore.

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What do you boys take over?

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I'll do it, Jim.

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Somebody's got to.

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It's him, all right.

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I've seen his shirt.

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You was right then, Ben.

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Let the sheriff take a look.

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Yeah.

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Jake, Jake Garvey.

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Yeah.

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That's him.

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That's Fred Carsten, all right.

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Fred.

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Fred.

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Oh, Fred.

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What are you doing here, stranger?

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Where are you from?

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You the sheriff?

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That's right.

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Jake Garvey.

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Mander's my name from Abilene.

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So?

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I'm looking for a man in these parts calls himself Lee Burridge.

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Who'd he say, sheriff?

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He said Lee Burridge, Ben.

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You come along with us, mister, we'll find him for you.

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What do you want him for?

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What's it matter what he wants him for?

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We know what we want him for.

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Come on.

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There ain't going to be no trouble.

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And the law in Pleasant Valley, I'll do what we say.

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With Fred Carsten laying cold and his widow weeping, that's trouble enough.

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We elected you, sheriff.

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Jake, we can unelect you.

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Like Ben said, it was Burridge killed him and you know it.

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I've got to talk to you about Burridge, sheriff.

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It's important.

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All right.

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My office, back of the meeting house.

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We don't need no talk about Burridge.

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We need to do something about the ugly son.

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Come on, boys.

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Let's get on back to town.

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We'll take her as she comes.

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Smoke?

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No thanks.

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The boys want to know why you're here, so do I.

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I'll tell you, we don't like strangers.

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What do you want with Lee Burridge?

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I had a brother who was killed out in Abilene Burridge, did he?

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No.

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Him and another one drove a herd into the railroad.

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Burridge got drunk and killed my brother.

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There he did.

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Same as here.

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We found this pouch near the grave.

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His name burned into it.

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It's taken me two years to find him now I want to talk to him about it.

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The boys are pretty sure he killed Fred Carsten too.

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So am I now.

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Maybe so. Fred Carsten isn't my business, my brother is.

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And I want to see his killer back in Abilene's standing trial.

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I made a promise I'd bring him back.

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How?

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You don't look like the kind of a man who could use a gun.

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Now look, we didn't know your brother, but we knew Fred and we liked him.

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You can help take care of Burridge here if you've the mind to.

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Try him here, you mean, on both charges?

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No need for that.

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Then what do you mean, take care of him?

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How'd he kill your brother?

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His head was beaten. He was beat to death.

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Yeah. Same as he did to Fred.

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A man who'd do a thing like that don't need no trial.

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Not for you, maybe. But there'll be no more killing in my family.

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We'll give him a fair trial in Abilene.

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If Burridge's done these killings, he's going to pay for it here.

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I don't go for lynching.

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That's strong talk.

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We don't call it lynching when we hang a man for murder.

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If you don't like it, go on back to Abilene.

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Maybe I'll do that.

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When I take Lee Burridge out for trial.

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I don't know what you're trying to do.

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I suspect it's to get Burridge out of town.

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If I'm right, you're heading into a lot of trouble.

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One of you boys direct me to where Lee Burridge lives?

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Of course, if we felt inclined.

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What you want with him?

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Just want to talk? Anybody got any objections?

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Yeah.

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Who are you? Ben Chaffee.

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There ain't going to be no talking.

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He's done what he's done, he's going to pay for it.

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And nobody's going to stand in the way.

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It's time he was riding out of here.

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And if I don't?

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Then I'll help you.

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Climb off, Ben. We don't need no private wars here.

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Where does he live?

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Come on, boys.

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He turned away from me and moved into the sheriff's office,

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leaving me alone to walk down the dusty street.

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I asked the blacksmith where Lee Burridge lived,

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and he just looked at me and shook his head.

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Towards the hills, the thunderhead was beginning to gather,

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moving in slowly.

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Near the end of the street, two men were building a coffin

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in front of a small house.

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Is this where I'll find Mrs. Costin?

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Why do you have to come meddling around here

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at a time like this?

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Can't you leave a widow to her sorrow?

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Those are the stranger, Bob, boys.

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Strangers don't have no time for other people's sorrow.

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Maybe you're right, old timer.

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Maybe they got too many themselves.

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Yes?

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I'd like to talk to you, ma'am. Could I come in?

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No.

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Can't you see this house is in mourning?

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My father's dead.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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I'm sorry.

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Can't you see this house is in mourning?

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My friends are making a coffin for Fred's decent burial.

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I got nothing to say to you.

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Ma'am, I know how you feel.

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How can you know how I feel?

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I had a brother once killed by this man buried.

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Oh.

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I'd like you to help me.

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It was two years ago my brother was killed.

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His wife would like the killer brought back to Abilene for trial.

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I'd like you to speak to your friend.

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Let me take him away.

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He didn't give my Fred a chance before he killed him.

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He's a cruel and ugly man.

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I want him killed.

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Here.

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Where I can watch.

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Will you tell me where he lives?

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Don't tell him nothing, Mrs. Custon.

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He'll go warn him off.

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Let him go if he wants.

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I say a man's got one life to live and he's got a right to lose it any dang way he pleases.

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I'll tell you where you can find Lee Burrage.

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On the way I passed the open pit that had been a grave and turned up a side canyon.

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A few miles farther on where the canyon spread I saw his hut set against a fire-blackened hill.

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There was no growing thing in the rocky ground except one sick twisted tree.

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Its stunted limbs reaching out, empty, waiting.

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Easy, easy.

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Throw your gun down, you, or I won't miss for the next one.

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Lee Burrage.

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Throw it down.

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I'm Jeff Mander.

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It was my brother Seth you killed in Abilene.

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If that's who you are you've caused me enough trouble. Now get out of here.

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They'll give you a fair trial there.

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Stay here and you're going to be lynched for Fred Custon's killing.

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Nobody's going to lynch me while I got this.

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Don't come no closer.

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You listen to me.

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I don't hold no love for you. I shouldn't care what happens to you.

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But it took me two years to find you.

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Now I'm taking you out.

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Don't come no closer.

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Put up your gun.

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I'm warning you.

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Put up your gun.

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I'm out of here.

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And tell those folks in the village it didn't work.

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I'm too smart for it.

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Old timer.

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I see you had your talk with Burrage.

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You see?

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You ain't wearing your gun.

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Did he get the drop on you?

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Yeah.

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Why, he didn't kid you.

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So was I.

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Did you tell them I'd gone there?

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Yep.

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What'd they say?

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They said if you get Burrage first they'd get you.

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They said you should go back where you come from while you still can.

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I will.

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After I settle with Burrage.

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Where's the sheriff?

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Went off with the boys.

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After Burrage?

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Yeah.

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They're going to wait till dark.

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Then they're going to bring them up.

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Where are they going to wait till dark?

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I want to be with them.

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I thought you didn't like lynching.

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I don't, but I want to be there.

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I was told if you came back to town you have to be with them.

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Now don't make me use this gun, son.

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Now just turn around and we'll join the rest of them.

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All right.

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And I'd suggest you stop your talking about Lee Burrage.

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When I overheard you're close to sharing a rope with them.

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You are listening to A Killing in Abilene.

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Tonight's presentation in radio's outstanding theater of thrills, Suspense.

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Fires are easier to prevent than to extinguish.

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If you want to make sure you don't have a fire in your own home, now's the time to get fire sighted.

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If you can't make your own electrical repairs, get an electrician in to check the house.

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Especially if it's been a while since your wiring's had any attention.

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And throw out piled up rubbish.

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Be fire sighted.

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And now we bring back to our Hollywood soundstage, Parley Bear, starring in tonight's production of A Killing in Abilene.

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A tale well calculated to keep you in suspense.

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We rode out of Pleasant Valley, the old man and up the increw, scattered herds of cattle on the lower range land.

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Rolling in from the east, the black clouds smothered the mountain tops.

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Your old man still held a gun on me.

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Oh, no use swinging the horses.

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Won't be dark for a couple hours yet.

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Lynchin' parties get their guts after dark.

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How come you weren't with him?

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Waiting for you. I thought you'd be around.

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I had just seen a lynchin once. So much trouble.

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Yeah.

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You still figuring to take Burridge with you to Abilene?

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I can try.

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Ain't that gonna be a might darin' without a shootin' iron?

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Might be.

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I'm surprised after two years looking for him, you didn't shoot him when you found him.

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That's not what I come for.

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Why not? You killed your brother.

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I made a promise to somebody.

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His wife?

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Yes. And mine too.

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What was it between Costin and Burridge?

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I don't know. Nobody's seen much of Burridge in the past couple years.

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Ever since Ben told us about how he was a killer.

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Ugly man.

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Guess it was your brother he killed, too.

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I guess so.

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Now, because of him, you might get killed.

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Why?

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They know you're trying to take Burridge away.

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Whoa, whoa. We poured the stream here.

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Watch your foot.

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Johnny.

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Yeah?

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They haven't seen you yet. You still got time to get out.

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You'd let me go?

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Seen a lynchin once. Started a lot of trouble.

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I've come this far. I'll finish it.

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Hello, Sheriff.

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Thought you'd left Pleasant Valley.

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I told the old man to bring him.

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We decided he ought to be with us where we can watch him.

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We're not letting him take Burridge out.

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You decided, Ben?

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What do you say, mister? Are you still going to try and take him?

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I'll tell you what he says, Sheriff.

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He says he wants Burridge one way or the other.

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He asked to join. That's what he says.

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Shut up, old man.

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Get off the horse, mister.

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All right.

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I want Burridge as bad as the rest of you.

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I'd prefer him to stand trial. That's the difference.

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I don't want this lynching.

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Take your hand off your gun, Ben.

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He ain't armed.

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Take it easy, Ben.

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We decided what to do.

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You're here because I want you here.

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Burridge killed Fred Custin in a fight.

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Now we're going to settle it.

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Burridge kills easy.

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I've seen him do it once before.

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He's not going to do it again.

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You saw him kill my brother?

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I saw it.

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Is there more of a trial than that?

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I thought of the ugly man up the canyon in the broken-down shack.

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I wondered if he knew what was waiting for him a mile or so away.

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It was quiet then.

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Storm clouds were quickening the end of day, and the party became shadow.

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Sitting nervously or smoking.

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The men had some whiskey and were building up their courage for the night's work.

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It's nearly dark.

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Why? I didn't think you'd come.

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I had to. My friend's dead.

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So is my brother.

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My friend was a good man. Never hit me.

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But he was a dark man with a drink.

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What was it between Burridge and him?

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Well, we lost some chickens.

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Fred said that Burridge stole them.

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When he came to town for supplies, Fred and him got to fighting.

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Burridge hated him and he beat him.

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Fred was horrible hurt.

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Afterwards, everybody laughed and made jokes.

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They laughed at their friend?

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Oh, it was man laughing. No harm.

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But a dark man like Fred, it was bad.

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He swore to get even.

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That was last Saturday. He went in to drink.

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And didn't come back?

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We all thought he rode out someplace for shame.

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Why do you think Burridge killed him?

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Oh, they was all talking about it.

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Who was?

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All the men, Saturday night.

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They said Fred and that man was arguing.

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Who heard them?

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Ben did. And when Fred didn't come back, we all knew that man had killed him.

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Well, he did. And he's gonna pay for it.

18:34.080 --> 18:37.080
Who found the grave, ma'am?

18:37.080 --> 18:39.080
Ben did.

18:39.080 --> 18:45.080
I...I'm sorry for your brother's wife, but it must be this way.

18:45.080 --> 18:49.080
It's like the holy book says, an eye for an eye.

18:49.080 --> 18:52.080
Let's go, boys. It's time.

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He's there right enough.

19:04.080 --> 19:06.080
There's a light inside.

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Hold up, boys.

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Bob, you, Jim, and Neil, come with me.

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We'll bring them up. The rest of you stay here.

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What's the idea?

19:15.080 --> 19:19.080
You're too quick tonight. Ben ain't giving too many orders. You stay.

19:21.080 --> 19:23.080
You still gonna try and get him away, son?

19:23.080 --> 19:25.080
I might.

19:25.080 --> 19:27.080
He's like an engine I knew once.

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Had to shoot him five times before he knew he was dead.

19:34.080 --> 19:35.080
What do you want here?

19:35.080 --> 19:38.080
You know what we want for each of you.

19:38.080 --> 19:40.080
Get out of here. Get off my land.

19:40.080 --> 19:43.080
You come outside quiet like this. We don't want no trouble.

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I ain't asking for trouble.

19:45.080 --> 19:47.080
You asked for it when you killed Fred Gustin.

19:47.080 --> 19:49.080
Killed him? I didn't kill Constance.

19:49.080 --> 19:51.080
Save your breath while you got it.

19:51.080 --> 19:53.080
Let go. Let go of me.

19:53.080 --> 19:57.080
I'll kill you. I'll kill you all, please.

19:57.080 --> 19:59.080
You've done your last killing.

19:59.080 --> 20:01.080
Get the rope over that limb.

20:01.080 --> 20:03.080
Is this your doing, Ben?

20:03.080 --> 20:06.080
Shut up. Fire his hands, Bob. I'll hold him.

20:06.080 --> 20:08.080
You're gonna blame this one on me too, Ben?

20:08.080 --> 20:10.080
Shut up, I said.

20:10.080 --> 20:12.080
The bridge didn't do it. He didn't do it.

20:12.080 --> 20:14.080
Let it go, son. You can't stop him now.

20:14.080 --> 20:17.080
I gotta talk to him before they do it. He didn't kill. I know it.

20:17.080 --> 20:19.080
Wait a minute. Take my gun.

20:19.080 --> 20:20.080
Thanks.

20:27.080 --> 20:30.080
The rope was around his neck and he knew he was gonna die.

20:30.080 --> 20:34.080
But as I came near him and could see him in the light, there was no fear in his eyes.

20:34.080 --> 20:39.080
He was lifted under the horse, the rope was tightened, and he was ready to be lynched.

20:43.080 --> 20:45.080
Then he saw me.

20:45.080 --> 20:47.080
One request, Sheriff.

20:47.080 --> 20:49.080
What, Burrage?

20:49.080 --> 20:51.080
Let me talk to him a minute.

20:51.080 --> 20:53.080
A stranger here? For a minute.

20:53.080 --> 20:54.080
No more talking.

20:54.080 --> 20:57.080
Take that horse out from under him. Not yet.

20:57.080 --> 20:59.080
Let him talk. Take it out.

20:59.080 --> 21:03.080
We don't want to kill the wrong man, Ben. You or Burrage. Let him talk.

21:03.080 --> 21:05.080
Why do you think I killed your brother?

21:05.080 --> 21:07.080
They're trying to get away with something, Jake.

21:07.080 --> 21:09.080
Let's string him up. Come on.

21:09.080 --> 21:12.080
A minute don't matter. Get up, Ben. Let them have their say.

21:12.080 --> 21:15.080
We found your pouch near my brother's grave, Burrage. Your name on it.

21:15.080 --> 21:18.080
And tonight Ben told me he saw you kill him.

21:18.080 --> 21:20.080
I didn't.

21:20.080 --> 21:24.080
I wasn't with Ben that night in Abilene. Ben wanted to drink. I didn't.

21:24.080 --> 21:26.080
He left me and took my pouch with him.

21:26.080 --> 21:28.080
What does it matter about his brother?

21:28.080 --> 21:30.080
It's Fred Costin we're hanging him for.

21:30.080 --> 21:32.080
I didn't kill Fred Costin either.

21:32.080 --> 21:36.080
Listen, mister, I didn't kill your brother. Ben told everybody I didn't.

21:36.080 --> 21:38.080
Ever since I've had no friends here.

21:38.080 --> 21:40.080
He's talked enough. He killed Fred Costin. I told you that.

21:40.080 --> 21:41.080
What about Burrage?

21:41.080 --> 21:43.080
I didn't kill Fred Costin.

21:43.080 --> 21:45.080
He's lying. Let's get it over with.

21:45.080 --> 21:47.080
I say let him talk.

21:47.080 --> 21:49.080
Where'd you get that gun, mister?

21:49.080 --> 21:52.080
How'd you know where Fred was buried, Ben?

21:52.080 --> 21:54.080
How'd you know where Fred was buried?

21:54.080 --> 21:58.080
Since Costin says you found the grave, how'd you know where it was?

21:58.080 --> 22:00.080
Answer him, Ben.

22:00.080 --> 22:02.080
You told me where it was, Ben.

22:02.080 --> 22:06.080
I saw him buryin', poor Fred. That's how I know.

22:06.080 --> 22:09.080
If you saw the burial, why didn't you stop Burrage then?

22:09.080 --> 22:11.080
It wasn't none of my business.

22:11.080 --> 22:14.080
But it is now. What made you change your mind so fast?

22:14.080 --> 22:16.080
Stay away from that horse, Ben!

22:16.080 --> 22:19.080
Get up! Cut him down! You, Bob, cut him down!

22:19.080 --> 22:21.080
I think you'll be coming back to Abilene with me, Ben.

22:21.080 --> 22:24.080
You think so?

22:30.080 --> 22:32.080
You all right, son?

22:32.080 --> 22:34.080
My shoulder.

22:34.080 --> 22:37.080
How about Burrage?

22:37.080 --> 22:39.080
He'll live.

22:39.080 --> 22:43.080
Rest easy, son. You've done a good job.

22:43.080 --> 22:47.080
But you ain't gonna keep your promise about your brother's killer.

22:47.080 --> 22:51.080
There's no sense taking Ben Chaffee back to Abilene.

22:51.080 --> 22:54.080
We'll bury him here.

23:11.080 --> 23:13.080
Suspense.

23:13.080 --> 23:18.080
In which Parley Bear starred in A Killing in Abilene by Anthony Ellis and Gil Dowd.

23:18.080 --> 23:23.080
Next week, the story of a man who thought the only way to escape death was to search for it.

23:23.080 --> 23:26.080
It's called Diagnosis of Death.

23:26.080 --> 23:28.080
That's next week on...

23:28.080 --> 23:30.080
Suspense.

23:37.080 --> 23:40.080
Suspense is produced and directed by Anthony Ellis.

23:40.080 --> 23:44.080
The music was composed by Lucian Morawick and conducted by Lud Gluskin.

23:44.080 --> 23:52.080
Featured in the cast were Paula Winslow, Jack Crouchon, Frank Gershel, Jim Nusser, Vic Perrin, Joe DeVall and Will Wright.

23:52.080 --> 24:05.080
Listen for the Radio Hall of Fame every Sunday night on the CBS Radio Network.

24:22.080 --> 24:24.080
Thank you.

