WEBVTT

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And now, tonight's presentation of radio's outstanding theater of thrills, Suspense.

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Tonight, the story of a perfect fraud that succeeded only too well. It's called Final Payment.

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So now, starring Harry Bartell with Peter Leeds, here is tonight's Suspense play, Final Payment.

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Silence! Silence in the courtroom!

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There's another outbreak such as this, our Lord of the Courtroom, clear. Your Honor.

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Yes, Mr. Sheridan. I'd like to request a 30-minute recess. I assure you, Your Honor, we were certainly not prepared for anything like this.

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I understand, Mr. Sheridan. And in view of the unusual circumstances, I grant your request.

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This court is recessed and will reconvene in 30 minutes.

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All right, all right. What's everybody staring at me for? What's wrong?

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You can't possibly suspect a thing, not a thing.

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But maybe, was there something we missed? Something we didn't think about?

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The day it started, Chicago. The day I ran into Sam at the lunch counter. Maybe there was something then. Maybe that's when we made a mistake.

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Gee, Joe, it sure has been a long time, hasn't it?

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Ten years. You know, it doesn't seem that long.

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Hey, what happened to you after the Italian campaign? One day you were there, the next day gone.

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Well, I was shipped back to the States and then out to the Philippines.

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Do you see any action?

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Oh, some. A little.

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You know, Sam, you haven't changed a bit. Put on a little weight, maybe.

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Haven't we all? And some gray hair.

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Oh, I'm a lot grayer than you.

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Well, maybe I haven't got as many worries as you have.

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I guess you live right.

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I guess I do. Oh, you're married, Joe?

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Oh, yeah. I got a couple of kids.

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Oh, that's wonderful.

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I'm working with a construction gang right now. It isn't what I want, but it'll do.

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Temporarily, you mean?

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Yeah.

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Got to keep the family eating, huh?

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Sure do.

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Bet it gets rough sometimes.

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Yeah, sometimes.

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It takes a lot of sweat to keep a family these days.

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You got a family, Sam?

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Oh, no, no. But I know the problems.

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Hey, what are you doing in Chicago? You live here?

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No. I'm just passing through.

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What kind of work you're doing?

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Well, Joe, right now let's just say I'm in between jobs.

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Actually, Joe, I'm looking for a partner.

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A partner?

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Mm-hmm. A partner to split a profit of $100,000 with me.

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A hundred? Say, Joe, I'll tell you what.

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I'm going to be in town for another couple of days.

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Look, here's the phone number of the hotel where I'm staying.

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You know, it never occurred to me, but you might be interested in hearing about this deal.

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Sam, I don't have an old spare tennis shoe. I couldn't invest in a business.

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Joe, I said I'm looking for a partner to split $100,000 with.

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I didn't say anything about investing money.

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If you're interested, give me a call.

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Maybe it was the night I called Sam at his hotel.

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I remember I called him right after work.

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And then I called Mary, told her I'd met a friend and wouldn't be home for dinner.

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And there was that bar over on Halsted where we met.

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Maybe somebody in there remembered.

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It's a new twist on an old racket, Joe, a guy who pretends he's hurt, only he isn't.

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The insurance company's a wise, Sam. You never get away with it.

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Wait, wait. Now, first I got to know if you're interested, Joe.

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First I got to know that. Then I'll tell you the twist.

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Well?

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Yeah. Yeah, all right. I'm interested.

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Good. Now, this is the way it works.

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You and the family move to a small town.

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You buy yourself a moderately cheap car. Get a job.

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You live there a couple of months and you call on the insurance agent of a big company.

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You take out a small policy.

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A couple of months later, you increase this policy to $100,000 liability.

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In the meantime, I arrive in the same town, take up residence.

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Now we both live there, maybe on the opposite sides of the town.

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You still with me?

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Yeah, go ahead.

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Then one day, a year later, I step off the curb at a certain intersection.

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You're driving home from work. You hit me.

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Hit you?

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Yeah.

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I dodged a lot of tanks in Italy, but somehow I can't dodge the right fender of your car.

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I tell you to forget about it. You do.

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You don't even bother to tell the insurance company about it because I seem like such a nice guy.

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Only I'm not a nice guy because a couple of weeks later, I got you in court and I'm suing you for a couple of hundred thousand dollars.

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You know, Joe, I figure by the time we settle, it'll be an even hundred thousand.

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But when the insurance company finds out...

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It'll be too late.

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I don't get it, Sam. They'll fight it. They'll...

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Oh, sure, sure. They'll have some notice before and they'll come to you and give you a big thing on how they're going to fight this case.

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That's what I mean.

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And you, Joe, you're going to cooperate with them 100%.

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And now the twist. It takes place the day you go under cross...

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I don't understand anything about it. I don't understand. But my gosh, you just stood there like this.

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Oh, no, I don't...

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You go under cross examination. You're going to break down and confess it was your fault.

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Confess? But, Sam...

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Joe, the worst you can get is maybe a charge of criminal negligence, maybe a fine, your driver's license suspended for a year.

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But it's... it's worth 50 G's, isn't it? It's crazy. So crazy it could come off.

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Well, Joe, $50,000.

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You know, if I thought for one minute...

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What can go wrong?

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I don't know. I don't know.

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I got to talk this over with Mary.

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Oh, no. No, you don't talk this over with anyone. You understand me? No one.

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You're the only one besides myself that knows. We can't afford to take a chance, Joe. Not even on your wife.

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But if I just pick up stakes and take off of some small jerk water town, Mary's going to want to know...

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Take up some excuse. It doesn't matter anything. Better climate for the kids. You want to get ahead?

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Well, what do you say?

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All right. Count me in.

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When I told Mary what I decided to do about the move and all, she raised some questions, but that was the end of it.

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I took the few dollars we had in the savings account and bought a cheap car.

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And a week later, we piled our belongings into it and headed for a small town in Indiana.

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Sam picked this town in Indiana because a big insurance company had a local office there.

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I got a job with a machine shop. The pay wasn't high, but it kept us in food and clothes.

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And there was enough left over to make payments on the insurance policy I'd taken out.

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Three months later, I called the insurance agent and told him I wanted to increase my liability policy to $100,000.

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Was it then? Was there some slip up that night Mr. Hirsch came to the house? Did something happen then?

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Well, Mr. Thurston, I think we've got everything. All you do now is just sign right here.

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Here you are, Mr. Hirsch.

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Well, that does it, Joe. You're all set.

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Sure makes me feel a lot better.

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I'm sure it does. Well, I guess I'll be on my way.

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I want to thank you very much, Mr. Hirsch.

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Oh, my pleasure.

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It wouldn't have been then, there wasn't anything.

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Then one day on a coffee break at a little cafeteria, I noticed someone out of the corner of my eye.

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He sat down on a stool next to me.

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Hiya, kid.

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Sam.

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I got in town about a week ago. How's everything going, Joe?

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Fine.

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You're keeping up the payments on the policy?

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Yeah.

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Good. I'll contact you again right before we're ready to pull it off.

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Six months passed, six months of waiting.

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I got a promotion at the machine shop.

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Mary seemed real happy.

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But every day I waited for some word from Sam.

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Maybe something had gone wrong.

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And then one night I went to a union meeting.

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I sat and listened to the guys discuss plans for the company's annual picnic.

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Then we took five for a smoke.

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Pardon me, mister, you got a light?

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Yeah, sure.

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Thanks.

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The time's ripe, Joe.

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Are you sure?

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I'm sure.

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Now listen carefully and get this in your head.

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Yeah, I'm listening.

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Day after tomorrow, 515 at the corner of 3rd Avenue and Wabash Boulevard.

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Yeah.

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I'll be on the southeast corner.

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I've clot you the last week. You hit the corner at 515 exactly.

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Remember that?

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515, corner of 3rd Avenue and Wabash Boulevard.

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You'll be on the southeast corner. I got it.

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Good.

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Now go on home, buddy.

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The next time I see you, we're gonna have an accident.

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An accident worth 50,000 bucks.

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You are listening to Final Payment,

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tonight's presentation in radio's outstanding theater of thrills, Suspense.

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This Sunday night on CBS Radio, Cornell Wild stars as Charlemagne

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in a radio hall of fame dramatization spotlighting great moments in French history.

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Edward Arnold is your host, as the radio hall of fame brings to light

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stirring events of bygone days with pomp and splendor and high drama.

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That's Sunday night on most of these same stations.

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And now we bring back to our Hollywood soundstage, Harry Bartel and Peter Leeds,

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starring in tonight's production of Final Payment,

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a tale well calculated to keep you in suspense.

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I've got to think.

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I've got to go back over everything to remember if there was a slip.

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I've got to remember.

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The instructions.

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Sam gave me the instructions that night at the union meeting.

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I memorized them. I memorized them. I know I did.

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Thursday was like a nightmare.

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I could hardly concentrate on what I was doing at work.

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All day long I was nervous.

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Then it was five to five.

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Time to wash up and get moving.

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Punched my time card, put it back in the rack,

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walked out to my car in a parking lot and started.

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I drove east on Wabash Boulevard.

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My watch said 513.

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Traffic was light.

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Third Avenue was six long blocks away.

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My hands were so wet from perspiration,

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I could hardly grip the steering wheel of the car.

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I kept in the right-hand lane.

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Four blocks away.

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Kept the car going slow.

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Then I had to stop for the light at the corner of Fourth Avenue.

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Looked at my watch again.

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It was 514.

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The light changed.

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I moved ahead.

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I was just supposed to keep driving.

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And then I saw him.

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Standing alone on the curb at the corner of Third.

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He stepped off.

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I didn't see him.

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Is he hurt bad? Is he going to be all right?

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Somebody please call an ambulance, quick!

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Gee, mister, I'm sorry. I'm awful sorry.

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No, no.

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Oh, there, there.

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Hey, hey, I can stand up.

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There's no broken bones.

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I guess I'm okay, fella. Just shook up a bit.

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Don't worry about it.

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Yeah, sure, but you ought to see it.

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Now, look, look. I'm okay.

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See?

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The cop came. He took our names.

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No one had actually seen the accident,

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so there were no witnesses.

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We both told the cop that we didn't know who was wrong.

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Then the ambulance arrived,

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and they took Sam down to the emergency hospital

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for a general checkup.

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He said he had a headache.

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He made it look good and sound good.

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My car hadn't even touched his head.

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When I got home, I told Mary about the accident.

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Accident? Where, Joe?

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Down the corner of Third Avenue and Wabash Boulevard.

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What happened?

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Some guy stepped off the curb

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and didn't bother to look where he was going.

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He stepped right in front of the car.

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Oh, Joe.

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Now, don't worry, honey.

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I guess I'm lucky.

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Guy wouldn't even hurt.

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Shook up a bit. That's about all.

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But, Joe, you never can tell.

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Did you get his name and address?

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Look, look, honey.

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I said never mind about it.

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It's all taken care of.

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The police were there. There's nothing to worry about.

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But I do worry about it, Joe.

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Did you get in touch with the insurance company?

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Insurance company?

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What for? I didn't even scratch a paint on the car.

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Oh, that isn't what I meant.

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I mean about if he should suddenly find something wrong,

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and then he'd sue yours.

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Oh, don't be silly, honey.

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I told you he was a real nice guy. He told me to forget it.

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Well, you never can tell about these things.

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What are you doing?

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I'm gonna call the man from the insurance company.

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I said to forget it. Do you hear me?

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Why, Joe, I don't understand.

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I'm sorry, honey. It's just...

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Look, the guy was a nice guy.

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He knows it was his fault.

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He's not gonna cause me any trouble.

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What about dinner?

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Let's have dinner, huh? I'm hungry.

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All right, Joe.

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We'll forget it if you say so.

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A week later, the insurance company got served with the papers.

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Sam filed a suit against me for $200,000.

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Naturally, as soon as the insurance company received the papers,

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they called me on the telephone.

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They were upset. Real upset.

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I just wish you'd called us when it happened, Mr. Thurston.

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You made a big mistake by not calling us.

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Yeah, I know, Mr. Hirsch. I guess I ought to have my head examined.

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My wife told me to call. I guess I should have.

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But you see, when it happened, he seemed like such a nice guy.

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He told me not to worry about it.

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Even when the ambulance carried him away, he told me to forget it.

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Well, sure. That's an old trick. A lot of them pull it.

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What do you mean, an old trick?

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Well, a lot of people try to beat the insurance companies that way.

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You'd be surprised.

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Well, what's going to happen?

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Well, I think we got a good case.

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We've got no witnesses, but then neither has he.

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The police report gives a pretty comprehensive picture of the thing,

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the way it was reported.

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So, in the final analysis, it's your word against his.

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Yeah, I see. Well, that's good, isn't it?

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Well, it means we've got at least a 50-50 chance. Maybe better.

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You see, when they got him to the hospital,

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he put up a big fuss about being examined.

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Why?

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Unless he'd already figured cashing in on this thing.

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Things like that make me suspicious, Mr. Thurston.

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Very suspicious.

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The lawyers got together and agreed on an early date for the trial.

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The attorney for the insurance company, a Mr. Sheridan,

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met with me a number of times and made me go over and over the details of the accident.

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And then the day the case arrived,

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according to Sam, I was supposed to break down and confess it was my fault

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while I was being cross-examined.

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And Sam didn't show up in court.

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His attorney said he'd been indisposed,

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but he would deliver the brief without his client's presence.

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That kind of upset me. I depended on Sam to be there to give me reassurance.

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All right, Mr. Thurston, now in your own words,

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tell the court what happened on that day.

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Well, I...

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Go ahead, take your time.

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Well, I was driving home from work.

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I was going maybe 30 miles an hour,

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maybe a couple of miles one way or the other.

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I...

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You were driving home?

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Yes, sir, and I was in the right-hand lane,

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and this fella, Mr. Monroe,

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he stepped off the curb and right into the path of my car.

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He stepped into the path of your car?

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Yes, sir, that's right. I guess he wasn't looking.

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Is that all?

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Yes, sir, that's all.

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Your witness?

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Any cross-examination, Mr. Green?

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Yes, sir.

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Proceed.

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Now, Mr. Thurston, I have a few questions I'd like to ask you.

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Yes, sir.

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Try to answer these questions as honestly as you can.

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I object, Your Honor. That is not...

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Objection sustained.

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Now, according to your earlier testimony, Mr. Thurston,

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you were going east on Wabash, is that right?

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Yes, sir.

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Mr. Thurston, do you know if there is a stop signal

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at the corner of 3rd Avenue and Wabash Boulevard,

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the intersection where the accident occurred?

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Yes, sir, I think there is.

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There is?

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Mr. Thurston, do you remember if the light was green or red

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as you approached the corner?

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I think it was green.

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I see.

19:22.000 --> 19:24.000
Now, according to your testimony,

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you said you saw Mr. Monroe step off the...

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No, no, no, excuse me.

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I didn't see him. I mean, I kind of saw him and yet...

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Mr. Thurston, you either saw him or you didn't.

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Now, which is it?

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Or perhaps you can explain to the court

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how you can kind of see a person step off.

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Well, what I meant to say...

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Either you saw him or you didn't.

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Which is it, Mr. Thurston?

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Well, I...

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May I remind you that you are under solemn oath

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to tell the truth?

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Is it possible you didn't see him and the light had turned red,

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is that the way it was, yes or no?

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No.

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No, I didn't see him.

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What did you say, Mr. Thurston?

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I didn't say him. I said I didn't say him.

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Why didn't you see him, Mr. Thurston?

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Where were your eyes when they should have been watching the street

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in front of you while you were driving?

20:12.000 --> 20:14.000
Where were your eyes, Mr. Thurston?

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I don't know.

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Yes, you do. You know very well where they were.

20:17.000 --> 20:19.000
Now, tell us.

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On the light? On the traffic in front of you?

20:21.000 --> 20:23.000
They couldn't have been on the light.

20:23.000 --> 20:26.000
You told us yourself you didn't know whether the light was green or red.

20:26.000 --> 20:28.000
You said you didn't see the plaintiff.

20:28.000 --> 20:30.000
Well, then, where were your eyes?

20:30.000 --> 20:31.000
Somewhere else, I guess.

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Where, Mr. Thurston? You tell us where.

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I buy a paper every night.

20:38.000 --> 20:40.000
It was on the seat next to me.

20:40.000 --> 20:43.000
Maybe for just a second I took my eyes off the road

20:43.000 --> 20:44.000
and looked down at the paper.

20:44.000 --> 20:46.000
You took your eyes off the road to look down at the newspaper

20:46.000 --> 20:47.000
on the seat beside you.

20:47.000 --> 20:50.000
And it was during that time that the light changed to red.

20:50.000 --> 20:52.000
The plaintiff stepped off the curb and you hit him.

20:52.000 --> 20:55.000
Isn't that right, Mr. Thurston? Isn't that the way it was?

20:55.000 --> 20:57.000
Yes, that's what happened.

20:57.000 --> 20:58.000
I didn't see him. I didn't mean it.

20:58.000 --> 21:01.000
I can't hear you, Mr. Thurston. Speak up.

21:01.000 --> 21:03.000
I didn't see him. I didn't mean it.

21:03.000 --> 21:05.000
That's what happened. It was my fault, but I couldn't help it.

21:05.000 --> 21:07.000
I swear I couldn't.

21:17.000 --> 21:19.000
Nothing.

21:19.000 --> 21:21.000
There wasn't a slip in the whole setup.

21:21.000 --> 21:23.000
It was perfect. I know it was.

21:25.000 --> 21:27.000
Now the recess is over.

21:27.000 --> 21:30.000
Everybody is against me. I can feel it.

21:30.000 --> 21:32.000
Even Mary.

21:32.000 --> 21:35.000
But she'll understand. I know she'll understand.

21:37.000 --> 21:41.000
Your Honor, I am sure you realize that under the circumstances

21:41.000 --> 21:44.000
of what has just happened, the defense would like to request

21:44.000 --> 21:46.000
to stay on the verdict at this time.

21:46.000 --> 21:49.000
We would like to probe a little more thoroughly

21:49.000 --> 21:53.000
into what to us appears to be a definite reversal of opinion

21:53.000 --> 21:55.000
on the part of the defendant. Something...

21:55.000 --> 21:57.000
Your Honor, if I may interrupt.

21:57.000 --> 21:59.000
Mr. Green?

21:59.000 --> 22:01.000
Your Honor, his request may not be necessary

22:01.000 --> 22:03.000
in view of some news I've just received.

22:03.000 --> 22:06.000
Whoa, this is highly irregular.

22:06.000 --> 22:10.000
My client's absence in this courtroom has been most conspicuous.

22:10.000 --> 22:12.000
I can now tell you the reason.

22:12.000 --> 22:15.000
This morning he was rushed to the Veterans Hospital.

22:15.000 --> 22:18.000
I have received some news from the hospital.

22:18.000 --> 22:21.000
He suffered a severe brain concussion when he fell.

22:21.000 --> 22:24.000
His head struck the pavement.

22:24.000 --> 22:28.000
Your Honor, my client died an hour ago.

22:28.000 --> 22:32.000
No. No, Sam didn't die. It's a trick.

22:32.000 --> 22:34.000
You're lying. He couldn't have died.

22:34.000 --> 22:36.000
I didn't hit him that hard.

22:36.000 --> 22:37.000
You're lying to try to trick me.

22:37.000 --> 22:39.000
Now that isn't the way you had it planned.

22:39.000 --> 22:41.000
He wasn't hurt. He said he wasn't.

22:41.000 --> 22:58.000
This isn't the way it was going to be!

22:58.000 --> 23:01.000
I'm waiting for another trial.

23:01.000 --> 23:03.000
My trial.

23:03.000 --> 23:07.000
A manslaughter.

23:07.000 --> 23:10.000
I shouldn't be here.

23:10.000 --> 23:14.000
This isn't the way it was going to be.

23:14.000 --> 23:39.000
Sam didn't tell me he had a steel plate in his head.

23:39.000 --> 23:41.000
Suspense.

23:41.000 --> 23:48.000
In which Harry Bartel and Peter Leeds starred in Dick Pedicini and Phil Cole's Final Payment.

23:48.000 --> 23:54.000
Next week, the story of a man who insisted upon finishing the murder he had never committed.

23:54.000 --> 23:58.000
We call it the case history of a murderer.

23:58.000 --> 24:11.000
Next week on Suspense.

24:11.000 --> 24:14.000
Suspense is produced and directed by Anthony Ellis.

24:14.000 --> 24:18.000
The music was composed by Lucian Morrowick and conducted by Wilbur Hatch.

24:18.000 --> 24:28.000
Featured in the cast were Vivi Janis, Barney Phillips, Victor Rodman, John Lark, and Byron Cain.

24:28.000 --> 24:57.000
America listens most to the CBS radio network.

24:58.000 --> 24:59.000
Next week on Suspense.

