WEBVTT

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And now, tonight's presentation of radio's outstanding theater of thrills, Suspense.

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Tonight the terrifying story of a young couple and a mad woman and what happened to them.

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So now, starring Harry Bartel and Virginia Gregg, here is tonight's suspense play, On

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a Country Road.

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Relax, David, there's no hurry to get home.

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Who can relax in this mess of traffic?

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Must be a wreck or something up ahead.

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If this keeps up, we'll get caught in the rain.

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Yeah, looks like a big storm building up too.

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Hey, you remember that shortcut?

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Which one?

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The little tarred road that goes across through Santa Mariches and comes out on the other highway.

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The one we took last summer?

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Yeah.

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I'll turn out there and duck this pile up.

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I'd like to get as far as possible before that storm.

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Why don't you put out your hand?

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Oh, don't get angry, Dave.

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Well, he cut right in front of me to turn into that gas station.

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Maybe he needed gas.

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Stupid thing to do.

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Do we have plenty?

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No.

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I'll have to stop and get some.

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Turn on the radio, will you?

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See if you can get the news.

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Police this afternoon issued two warnings to all residents of Long Island to be on the

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lookout for Nellie Gohler, a middle-aged woman described as dangerous and insane.

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What?

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She escaped this morning from Restview Mental Hospital after fatally butchering a doctor,

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a nurse, and a ward attendant with a meat cleaver.

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Oh.

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This is the same Nellie Gohler who a year ago murdered three persons on a Brooklyn street,

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also using a meat cleaver as a weapon at that time.

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This station will broadcast a full description of our regular newscast, which follows in just

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a few moments.

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My mother-in-law?

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Dave, what are you doing?

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No, I'm good.

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At least we aren't the only crazy people on Long Island.

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Why'd you change it?

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I didn't want to listen to it anymore.

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Why don't they put her to sleep instead of just locking her up where she can escape and

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kill more people?

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Who?

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The woman they were talking about on the radio.

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She can't help what she does.

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She's sick.

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What good is that to the people who get chopped up with a meat cleaver?

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I don't know.

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The laws were made before the doctors knew very much about the human mind.

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Still don't know much.

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I see what it is.

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There's a roadblock up ahead.

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What's happened?

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I don't know.

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There are cops all over the road.

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I bet they're looking for that crazy woman.

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I guess so.

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Hold it a minute.

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Hey, what's up, officer?

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Just a checkup.

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Anything in the backseat?

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Just a blanket and some fishing tackle.

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We went surf fishing.

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Yes, ma'am.

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Seen any hitchhikers?

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No, just traffic.

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Okay.

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Move right along, please.

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Are you looking for the crazy woman?

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Move it along.

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Let's go.

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He's busy.

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All residents of Motor Sun Long Island are warned to be on the alert for the escaped

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insane woman who is somewhere on the island.

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What are you doing?

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She is described as tall, broad-shouldered, gray-haired, and rather heavy.

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She may still be armed with a meat cleaver.

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One hundred men are searching the area, and they are prepared to shoot on sight.

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Here's another bulletin on the case which just came in.

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Just a few minutes ago, the decapitated bodies of an elderly man and woman were found by police

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near center morages on Long Island.

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Where is that shortcut?

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We haven't found her yet.

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This will get us out of the traffic.

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Motorists are cautioned to stay off the lonely roads and not to pick up any heavy equipment

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All residents are asked to be on the lookout for this woman.

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Here's her description again.

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She is tall, gray-haired, with broad shoulders and long arms.

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We haven't found her yet.

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No.

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Turn that off, will you, Dorothy?

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I thought you wanted to hear it.

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Once and not for all.

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Shortcut will save us a lot of time.

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We turned off the highway.

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Well, sure.

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I told you when I did it.

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We've come over a mile already.

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We'll save a lot of time.

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Didn't you hear what the radio said about staying off lonely roads?

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We just have to go across to the other highway.

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It won't take long.

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Are you sure?

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Of course.

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We go past Santa Moriches and then take the left road and come out right by the highway bridge.

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Santa Moriches?

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It's where she just killed those two people.

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Oh, you're acting like a child.

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What can happen to us while we're driving?

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Besides, the whole island's full of men looking for this lunatic.

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They'll catch her.

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Oh.

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It's just the storm, honey.

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You're jumping.

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Oh, I guess I'm silly.

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David.

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What?

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The gas gauge says empty.

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There's still a couple of gallons left when it points to empty.

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How long is it set empty?

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I don't know.

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I'll get gas when we get across to the other highway.

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David, I'm scared.

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Relax, honey.

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I wish we'd stayed on the highway.

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If I'd known you'd act like this, I would have.

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It's not my fault.

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Well, it's not mine either.

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I'm having trouble enough just trying to see through the storm.

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David, what are we fighting about?

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I don't know.

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Driving through these burned out woods in this kind of weather

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is enough to give anyone the willings.

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God, they are so fast.

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Now, if you see ahead, even in the headlights.

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There's something up there.

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Don't stop, David.

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It's only a sign.

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A crazy woman could be around here.

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Look, I'm not picking up anyone.

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I just want to know where I am.

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Well, don't get out of the car.

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I'm not getting out of the car.

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Now, calm down, will you?

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I see the mortgages that way.

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We'll take this road.

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The mortgages.

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This must be the road that she killed those people.

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Dorothy, please.

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I'm sorry, I'm jumping.

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Turn on the radio.

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We haven't passed the house yet.

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Miles of woods on both sides.

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Look, it's so dark, we wouldn't have been able to see anything

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if it was there.

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This rain season is getting worse.

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Those strangers and motorists in the area

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are warned not to open their car doors.

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David.

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Now, stop that, Dorothy.

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That's why the police had a roadblock by this road.

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The crazy woman might be anywhere in these woods.

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But not necessarily where we are.

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But not necessarily where we are.

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David, what's the matter?

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Oh, fine.

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What a place to run out of gas.

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No.

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You mean we're stuck here?

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I don't know.

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Well, we're here for the time being anyway.

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The crazy woman is in the woods.

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She'll kill us.

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She's nowhere near us.

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Now, will you calm down?

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David.

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Quick.

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What?

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Turn off your headlights.

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Why? Did you see something?

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David, I don't know.

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I don't know.

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I'm scared.

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I should have got scared.

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Don't put the headlights on, please.

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Why?

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She'll see us if you do.

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Oh, for Pete's sake.

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I'm putting them on.

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David, please.

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Please turn them off.

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Listen, Dorothy.

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I don't want this silly thing to get to you now.

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Just look at the headlights.

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Poking into darkness at nothing but wet bushes and trees.

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And rain falling, please, David.

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All right.

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There.

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They're off.

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Do you feel any better sitting in the dark?

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If only this pandering lightning would stop.

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The rain.

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Look, Dorothy.

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There's no sense in sitting here all night.

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It's only a few minutes past 10.

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I'll walk up the road a bit.

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There might be a house or something.

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You're not going to leave me here.

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I won't let you go.

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But Dorothy, we can't sit here in the middle of nowhere

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for the rest of the night.

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We're safer here than out there.

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David, she's probably hiding in the woods

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just waiting for a chance to kill us.

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Oh, come on.

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Why should she be right where we've run out of gas?

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Why can't she be here?

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Oh, please stay in the car.

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Well, it's silly, but all right.

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Quick.

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What?

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Lock the doors from the inside.

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Why? What is it?

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She can't get in here.

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She's nowhere near us.

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Don't be mad at me, David.

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I'm so scared.

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I know I'm acting very silly, but I can't help it.

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I'm sorry.

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Come here.

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Let me put my arms around you.

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There.

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Oh, David.

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Come on, sweetie.

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Put your head on my shoulder.

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Please, don't.

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Please forgive me, David.

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Go ahead and cry.

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It'll make you feel better.

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Isn't there some popular music?

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I don't know. I'll see.

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...who are pressing their search for the escaped insane woman

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who has killed five persons since fleeing from a Long Island mental hospital.

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Rain and darkness are hampering their search.

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In making her escape this morning,

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the mad woman killed a doctor, a nurse, and an attendant.

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You'll leave it off for a while.

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It's so quiet and lonely here.

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I wish it were morning.

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Look, Dorothy, suppose I run up the road.

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There might be a house.

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No, David, no. Please.

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David.

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What?

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Listen, do you hear that?

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I don't hear anything.

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Listen, there it is.

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I don't...

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Oh, it's a dog.

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A little dog bark.

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David.

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I guess it's only a lost dog.

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Maybe there's a house nearby.

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Or the crazy woman.

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David!

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There's something at the back of the car.

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The door! She'll kill us!

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Is the door locked on your side?

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Yes. Yes.

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What if she breaks the window?

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She's got a cleaver.

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That flash of lightning, I saw somebody.

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Isn't the crazy woman? Can you see her?

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Is she still there?

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Too dark to see.

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She'll kill us!

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Now calm down. Calm down, please.

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What's she doing?

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I don't know.

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She's at the window. Right next to me.

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Get away from that window!

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David!

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She's trying to get in the car.

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That face in her hair.

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Go away!

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Let me in!

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I'm not crazy!

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The crazy woman is after me!

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David, don't let her in.

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Go away!

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We've got a gun. We'll shoot.

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It worked.

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It worked. She's staring at me.

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I'm warning you.

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I'll shoot.

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Please don't leave me out here. Please!

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That woman will kill me!

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Please!

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David, take your pipe.

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Hold it like a gun. It'll look like a gun to you.

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Now look.

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I've got a gun.

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I'm going to shoot.

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She's backing away.

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Keep going before I start shooting.

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Oh, David.

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Oh, she's gone.

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Oh, she disappeared.

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We can't get out now.

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All we can do is sit here all night and wait for help.

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Did you see her?

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Where'd she go?

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I don't know.

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She's out there though.

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Probably planning on how to get in this car.

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David.

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David, what are we going to do? She's the one. I know it.

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She didn't have a cleaver.

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She must have dropped it when she ran into the car.

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Her face was all twisted. Her hair was hanging down.

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She must be back there looking for that cleaver now.

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She'll kill us.

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Oh, she'll kill us.

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Dorothy, stop it.

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She'll kill us.

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Oh, David.

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David.

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You are listening to On a Country Road.

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Tonight's presentation in radio's outstanding theater of thrills,

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Suspense.

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During World War II, the skies of Europe were broad highways of terror for bombardment.

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Your opportunity to guard our skies against surprises comes in parcels of time,

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amounting to no more than two hours a week, volunteer hours spent as ground observers.

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Two hours a week. If enough of us give the time, means security.

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Ask at your local Civil Defense office. Earn your silver wings with the ground observers.

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And now we bring back to our Hollywood soundstage, Virginia Gregg and Harry Bartel,

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starring in tonight's production of On a Country Road,

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a tale well calculated to keep you in suspense.

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The window, David. She broke the window.

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Get away from here. Stay out of the car.

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I'm coming in. I can't stand it out here.

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Stay out of the car. I warn you, I've got a gun.

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You wouldn't shoot me.

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Go away. You're crazy. We know all about you.

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No, I'm not the crazy woman. Believe me. Let me in.

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You do it, David. She's trying to trick us.

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Listen to me, please. I've been running in this awful storm.

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My car is stuck in the ditch back there.

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How far back?

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I don't know. It seems like miles.

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I heard about the crazy woman on the radio. I was afraid to stay in the car alone.

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Let me in.

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No, David.

12:58.720 --> 12:59.720
Go back to your own car.

12:59.720 --> 13:04.720
No. It's so dark and so lonely in this storm.

13:04.720 --> 13:07.720
I locked the doors, but I was afraid.

13:07.720 --> 13:10.720
I could see things and hear things in the darkness.

13:10.720 --> 13:15.720
I couldn't stand it anymore. I got up and ran.

13:15.720 --> 13:17.720
It's the rain. That's why I look like this.

13:17.720 --> 13:22.720
I'm not the crazy woman. Let me in, please. Let me in.

13:22.720 --> 13:25.720
Maybe she isn't the crazy woman. Maybe she's just scared and exhausted.

13:25.720 --> 13:28.720
No, David. She's the one.

13:28.720 --> 13:32.720
The crazy woman had a cleaver. I'm not armed.

13:32.720 --> 13:35.720
The three of us will be safer together.

13:35.720 --> 13:37.720
I don't know. She makes sense to me, Dorothy.

13:37.720 --> 13:40.720
We would be safer with one more person.

13:40.720 --> 13:41.720
David, I don't know.

13:41.720 --> 13:46.720
Let me in, please. I'm wet to the skin.

13:46.720 --> 13:48.720
I'm going to unlock the door, Dorothy.

13:48.720 --> 13:49.720
David, I...

13:49.720 --> 13:50.720
All right. Come on. Get in.

13:50.720 --> 13:55.720
But you make one move and I'll shoot you.

13:55.720 --> 13:59.720
Oh, it's good to sit down.

13:59.720 --> 14:03.720
There's a blanket on the floor back there.

14:03.720 --> 14:05.720
Try to dry yourself off with it.

14:05.720 --> 14:08.720
The darkness and the rain.

14:08.720 --> 14:11.720
It was enough to drive me out of my mind.

14:11.720 --> 14:13.720
I ran and ran.

14:13.720 --> 14:19.720
All I could hear was feet chasing after me, hunting me.

14:19.720 --> 14:21.720
You, um...

14:21.720 --> 14:22.720
You live near here?

14:22.720 --> 14:25.720
Farther out, near Restview.

14:25.720 --> 14:27.720
I used to live in Brooklyn.

14:27.720 --> 14:28.720
We had to use the mental hospital.

14:28.720 --> 14:32.720
I know. I'm used to the crazy people.

14:32.720 --> 14:37.720
But not at night in a lonely place like this.

14:37.720 --> 14:40.720
Not the kind of kill people.

14:40.720 --> 14:43.720
You live at Restview?

14:43.720 --> 14:45.720
No. Just near there.

14:45.720 --> 14:48.720
David, we can't sit here not knowing.

14:48.720 --> 14:49.720
If we can get to a phone.

14:49.720 --> 14:51.720
A phone? Why?

14:51.720 --> 14:53.720
Call the police. Get some help.

14:53.720 --> 14:55.720
No. No, don't do that.

14:55.720 --> 14:58.720
Why not? Why don't you want the police?

14:58.720 --> 15:01.720
I do. But you'll be killed.

15:01.720 --> 15:02.720
What do you mean?

15:02.720 --> 15:06.720
The woman. She'll kill him if he goes away from this car.

15:06.720 --> 15:08.720
David, it's that dog again. Do you hear it?

15:08.720 --> 15:09.720
Somebody's out there.

15:09.720 --> 15:13.720
There might be a house nearby. Maybe it's barking to be let in.

15:13.720 --> 15:16.720
It senses somebody. There's somebody out there.

15:16.720 --> 15:18.720
The crazy woman's creeping around out there.

15:18.720 --> 15:21.720
Quick. Let's get away before we're caught.

15:21.720 --> 15:22.720
Look out, David.

15:22.720 --> 15:24.720
Go away. What are you trying to do?

15:24.720 --> 15:26.720
Start the car. Quick. We'll get away.

15:26.720 --> 15:27.720
We're out of gas.

15:27.720 --> 15:28.720
Out of gas?

15:28.720 --> 15:31.720
You don't think we parked here for the fun of it, do you?

15:31.720 --> 15:35.720
David. It stopped barking.

15:35.720 --> 15:36.720
What does it mean?

15:36.720 --> 15:40.720
David, David, we're so helpless.

15:40.720 --> 15:42.720
She can kill us easily.

15:42.720 --> 15:45.720
You can't just sit there. We've got to get away.

15:45.720 --> 15:48.720
I'm not a magician, lady. I can't make gasoline out of rain.

15:48.720 --> 15:51.720
We can't stay here the whole night. You'll hear me.

15:51.720 --> 15:53.720
Let go of me. There's nothing I can do.

15:53.720 --> 15:56.720
Try something, anything. Don't just sit there.

15:56.720 --> 15:58.720
You're scaring me, David. Stop her.

15:58.720 --> 16:00.720
Now, you cut it out. You'll have us all in hysterics.

16:00.720 --> 16:04.720
All right. All right. I'm sorry.

16:06.720 --> 16:09.720
I've got an idea. Give me your gun.

16:10.720 --> 16:11.720
Why?

16:11.720 --> 16:14.720
Why? I'll tell you I want it. Give it to me.

16:14.720 --> 16:15.720
David, what's the matter with her?

16:15.720 --> 16:17.720
Listen to me. I'm all right.

16:17.720 --> 16:21.720
But I can't sit here all night. I go crazy.

16:21.720 --> 16:23.720
Give me the gun and I'll go.

16:23.720 --> 16:27.720
I won't be afraid of the dark and the noises and the feet following me.

16:27.720 --> 16:29.720
I'll go, I promise you. But give me the gun.

16:29.720 --> 16:30.720
No, sit down.

16:30.720 --> 16:33.720
Please, I'll go. I promise. I can't stand sitting in the dark like this.

16:33.720 --> 16:34.720
Can't you stop her, David?

16:34.720 --> 16:36.720
I told you to shut up.

16:36.720 --> 16:39.720
If you don't, I'll make you get out of the car.

16:39.720 --> 16:41.720
You wouldn't.

16:41.720 --> 16:45.720
You're not unarmed, not into the woods again.

16:45.720 --> 16:48.720
You're nice people, aren't you?

16:48.720 --> 16:50.720
Or do you want me to leave so you can shoot me, assassin?

16:50.720 --> 16:51.720
Stop it.

16:51.720 --> 16:53.720
We're not going to shoot you. We don't have a gun. It's only a pipe.

16:53.720 --> 16:55.720
Dorothy!

16:55.720 --> 16:57.720
A pipe?

16:57.720 --> 16:58.720
David.

16:58.720 --> 16:59.720
A smoking pipe?

16:59.720 --> 17:01.720
Oh, David, I'm sorry.

17:01.720 --> 17:03.720
Then you're not armed.

17:03.720 --> 17:04.720
I'm sorry, David.

17:04.720 --> 17:05.720
It's all right.

17:05.720 --> 17:08.720
Why did you tell me you had a gun?

17:08.720 --> 17:11.720
Why does it make a difference to you whether I'm armed or not?

17:11.720 --> 17:13.720
I don't know you.

17:13.720 --> 17:15.720
Maybe you two are more dangerous than the crazy woman.

17:15.720 --> 17:17.720
I'll tell you what I think.

17:17.720 --> 17:20.720
I think you're the crazy woman, the way you grabbed David when you wanted him to start your car.

17:20.720 --> 17:22.720
Now, Dorothy, stop it. Don't excite her.

17:22.720 --> 17:24.720
Don't excite me? Why?

17:24.720 --> 17:28.720
Maybe you think I'm dangerous, an old woman you took into your car.

17:28.720 --> 17:29.720
Two of you and you're afraid of me.

17:29.720 --> 17:32.720
We're not afraid of you. Now, sit back in the seat and don't try anything.

17:32.720 --> 17:33.720
I'm watching you all the time.

17:33.720 --> 17:37.720
David, the storm is stopping.

17:37.720 --> 17:38.720
Maybe now's the time.

17:38.720 --> 17:40.720
The time for what?

17:40.720 --> 17:43.720
What are you going to do? You two are up to something.

17:43.720 --> 17:44.720
Oh, shut up.

17:44.720 --> 17:47.720
My wife meant now is the time to go for help.

17:47.720 --> 17:51.720
I did not. I meant now is the time for us to escape.

17:51.720 --> 17:53.720
David, can't you see it?

17:53.720 --> 17:55.720
She's the one. She'll kill us.

17:55.720 --> 17:56.720
You little...

17:56.720 --> 17:57.720
Stop it. Sit back in that seat.

17:57.720 --> 17:58.720
You haven't got a gun.

17:58.720 --> 17:59.720
No, but I have got a knife.

17:59.720 --> 18:00.720
David.

18:00.720 --> 18:03.720
It's my jackknife, but it's sharp and it's strong. Now, don't try any tricks.

18:03.720 --> 18:06.720
All right. Threaten me. Watch me.

18:06.720 --> 18:10.720
While that woman is out there, all you can do is sit and wait for her to make the next move.

18:10.720 --> 18:13.720
She can kill us like that old man and woman.

18:13.720 --> 18:15.720
Must have been on the same road.

18:15.720 --> 18:18.720
They were in their car too. They must have let her in.

18:18.720 --> 18:21.720
We'll leave then. The three of us. We'll walk.

18:21.720 --> 18:23.720
We'll stay close together and we'll be quiet.

18:23.720 --> 18:24.720
Anyone hiding in the woods won't hear us.

18:24.720 --> 18:26.720
Don't let her out of the car, David. We'll be killed.

18:26.720 --> 18:29.720
How would we find our way? It's too dark.

18:29.720 --> 18:30.720
We'll find our way.

18:30.720 --> 18:33.720
Look out there. The road's full of shadows.

18:33.720 --> 18:35.720
Get her out of the car, David. She wants to kill us.

18:35.720 --> 18:36.720
Kill?

18:36.720 --> 18:39.720
Look, if you want to go, why don't you leave? You don't need us.

18:39.720 --> 18:41.720
We're willing to stay here until help comes.

18:41.720 --> 18:45.720
I'd be helpless alone. If I had a gun or something.

18:45.720 --> 18:46.720
What?

18:46.720 --> 18:47.720
Your knife.

18:47.720 --> 18:50.720
Nobody'll come. Where are the police? I can't stand this.

18:50.720 --> 18:54.720
Nobody'll come. There's no one in these woods. They're burned out and deserted.

18:54.720 --> 18:55.720
Honey, please.

18:55.720 --> 19:00.720
It was your idea to use this road. You wouldn't listen to me and stop again.

19:00.720 --> 19:02.720
I couldn't help it. I got lost.

19:02.720 --> 19:05.720
You should do something, not just sit there waiting and waiting.

19:05.720 --> 19:08.720
Do something before we're murdered. Are you so helpless?

19:08.720 --> 19:12.720
All right. All right, I'm going to do something. I'll go for help.

19:12.720 --> 19:14.720
That's it. Get help.

19:14.720 --> 19:15.720
David, in her hand.

19:15.720 --> 19:16.720
What?

19:16.720 --> 19:17.720
I saw it in the moonlight. It's glittering.

19:17.720 --> 19:18.720
What is it?

19:18.720 --> 19:19.720
Your wife is hysterical.

19:19.720 --> 19:23.720
She's holding a long piece of broken glass. Long and pointed.

19:23.720 --> 19:28.720
See? She doesn't answer. She's just watching us.

19:28.720 --> 19:30.720
What's she waiting for?

19:30.720 --> 19:33.720
From the broken window. That's where she got it.

19:33.720 --> 19:36.720
So what if I have it? I'm not going to sit here defenseless.

19:36.720 --> 19:37.720
She's going to attack us.

19:37.720 --> 19:40.720
Don't be silly. It was all right for you to have a knife.

19:40.720 --> 19:42.720
Why can't I be armed for whatever may come?

19:42.720 --> 19:43.720
Give me that broken glass.

19:43.720 --> 19:46.720
Give it to you? Do you think I'm crazy?

19:46.720 --> 19:47.720
Give it to me.

19:47.720 --> 19:49.720
You couldn't protect us from anything.

19:49.720 --> 19:52.720
David, what are you doing? Why are you climbing over the seat?

19:52.720 --> 19:56.720
Now, I warn you, I'm through letting my wife be terrified. Give me that glass.

19:56.720 --> 19:57.720
Stay away from me.

19:57.720 --> 20:00.720
Once I left the car, you were going to butcher my wife with that broken glass.

20:00.720 --> 20:01.720
No, no.

20:01.720 --> 20:02.720
David.

20:02.720 --> 20:04.720
Give me that glass.

20:04.720 --> 20:06.720
You're crazy.

20:06.720 --> 20:10.720
Leave me alone. Hold her. Hold her. Don't let her free.

20:10.720 --> 20:11.720
She got my arm.

20:11.720 --> 20:13.720
You'll kill me.

20:13.720 --> 20:14.720
Drop that glass.

20:14.720 --> 20:16.720
She dropped it. She dropped it, David.

20:16.720 --> 20:20.720
Have you both gone crazy trying to kill me?

20:20.720 --> 20:21.720
Like you were going to murder us.

20:21.720 --> 20:22.720
I wasn't.

20:22.720 --> 20:24.720
Don't let her get free.

20:24.720 --> 20:28.720
David, if you have a knife, then I'll have glass.

20:28.720 --> 20:29.720
Hold it, David. Hold it.

20:29.720 --> 20:31.720
I can't take much longer.

20:31.720 --> 20:36.720
I'm not crazy. Please believe me. Just give me that knife. That's all.

20:36.720 --> 20:39.720
You got my throat. You're joking.

20:39.720 --> 20:40.720
Your knife.

20:40.720 --> 20:42.720
David, use your knife.

20:47.720 --> 20:50.720
You killed her.

20:50.720 --> 20:55.720
David, you killed the craziest woman.

21:03.720 --> 21:05.720
I couldn't help it.

21:05.720 --> 21:07.720
She was choking.

21:07.720 --> 21:09.720
You covered her with blood.

21:11.720 --> 21:13.720
She was going to kill us.

21:13.720 --> 21:14.720
David.

21:19.720 --> 21:21.720
Look, lights.

21:21.720 --> 21:23.720
The car's coming. The help's coming.

21:23.720 --> 21:25.720
Everything will be all right, honey.

21:35.720 --> 21:37.720
Hey there. You in the car.

21:37.720 --> 21:38.720
Why are you parked here?

21:38.720 --> 21:41.720
It's the police. It's the police at last.

21:41.720 --> 21:44.720
We ran out of gas.

21:44.720 --> 21:46.720
The crazy woman.

21:46.720 --> 21:47.720
Couldn't have picked a better spot.

21:47.720 --> 21:49.720
What with that woman running around loose?

21:49.720 --> 21:51.720
Officer.

21:51.720 --> 21:52.720
We wanted to tell you.

21:52.720 --> 21:53.720
The bomber up the road called us.

21:53.720 --> 21:55.720
Said his dog's been barking at something.

21:55.720 --> 21:56.720
We caught her.

21:56.720 --> 21:57.720
Who would you catch?

21:57.720 --> 21:58.720
The crazy woman.

21:58.720 --> 22:01.720
She's in the back seat. Dead.

22:01.720 --> 22:02.720
What?

22:05.720 --> 22:06.720
No.

22:06.720 --> 22:09.720
No, she's alive.

22:09.720 --> 22:10.720
Badly hurt, though.

22:10.720 --> 22:13.720
She was trying to kill us. We fought.

22:13.720 --> 22:15.720
We'll get her to a hospital. You come with me.

22:15.720 --> 22:16.720
Lucky it didn't kill her.

22:16.720 --> 22:18.720
We captured that crazy woman half hour ago.

22:18.720 --> 22:20.720
I don't know who this lady is.

22:20.720 --> 22:42.720
Come on. Give me your hand with her.

22:44.720 --> 22:46.720
Suspense.

22:46.720 --> 22:53.720
In which Harry Bartel starred as David and Virginia Greig as Dorothy with Helen Klebe as the woman.

22:53.720 --> 23:00.720
Next week, the story of a young girl who was able to win her way with all men, save one.

23:00.720 --> 23:04.720
We call it simply Pretty Girl.

23:04.720 --> 23:28.720
That's next week on Suspense.

23:28.720 --> 23:36.720
Suspense is produced and directed by Norman MacDonald with music composed by Lucian Morawick and conducted by Lud Bluskin.

23:36.720 --> 23:47.720
On a country road was specially written for Suspense by Walter Bazar, also appearing in tonight's cast for Tom McKee and Jack Carroll.

23:47.720 --> 24:07.720
Gun smoke is heard twice every Saturday on the CBS Radio Network.

