WEBVTT 00:00.000 --> 00:13.000 And now, tonight's presentation of radio's outstanding theater of thrill, Suspense. 00:13.000 --> 00:20.200 Tonight, the story of a man who killed and a woman who helped him try to get away with 00:20.200 --> 00:21.200 it. 00:21.200 --> 00:23.400 It's called Run Sheep Run. 00:23.400 --> 00:28.000 Our stars, Kathy and Elliot Lewis. 00:28.000 --> 00:33.000 Is that you, Joe? 00:33.000 --> 00:36.000 Hello, Hazel. 00:36.000 --> 00:39.000 I just wanted... 00:39.000 --> 00:43.000 I'm gonna kill you. 00:43.000 --> 00:45.000 Now, Hazel, why do you always say that? 00:45.000 --> 00:46.000 I am. 00:46.000 --> 00:47.000 One of these days I'm... 00:47.000 --> 00:48.000 Hazel, honey, it's the fog. 00:48.000 --> 00:50.000 I'm in a gas station now just below Redondo. 00:50.000 --> 00:51.000 The fog's been so sick... 00:51.000 --> 00:52.000 You're doing it again, fabricating. 00:52.000 --> 00:53.000 Honey... 00:53.000 --> 00:54.000 Making up stories. 00:54.000 --> 00:55.000 Fog. 00:55.000 --> 00:58.000 Why don't you say hail or some other terrible storm of nature? 00:58.000 --> 00:59.000 Typhoon and be done with it. 00:59.000 --> 01:00.000 Fog. 01:00.000 --> 01:01.000 And here it's as clear as crystal. 01:01.000 --> 01:02.000 Honey, Hazel... 01:02.000 --> 01:03.000 Who you got there with you? 01:03.000 --> 01:04.000 How many girls? 01:04.000 --> 01:05.000 Now, Hazel, you know... 01:05.000 --> 01:06.000 Better get home, that's all. 01:06.000 --> 01:07.000 All right, the fog's lifting a little. 01:07.000 --> 01:08.000 I'll try to chance it now. 01:08.000 --> 01:09.000 But it's been so heavy, honest, I thought I'd better pull up by the side of... 01:09.000 --> 01:10.000 Honey, Hazel, honey, Hazel. 01:10.000 --> 01:11.000 Oh, Hazel. 01:11.000 --> 01:38.000 Hazel. 01:38.000 --> 01:42.560 She's a fine girl, a good wife, a good cook, runs a neat clean home for me, but she's got 01:42.560 --> 01:44.800 one fault, a nagger. 01:44.800 --> 01:47.000 Another thing, always telling me I make up stories. 01:47.000 --> 01:51.000 A guy works eight hours a day on the steel lathe in an aircraft factory in El Segundo. 01:51.000 --> 01:54.780 How much energy has he got left to make up stories to his wife? 01:54.780 --> 01:56.160 Like about the fog, for instance. 01:56.160 --> 01:58.160 What's there to make up? 01:58.160 --> 02:03.240 Fog hits the coast of Southern California regularly like clockwork this time of the year. 02:03.240 --> 02:08.640 Like right now, it's got a kind of gray-white color and it curls in real slow from the ocean 02:08.640 --> 02:10.880 and it stops up the traffic. 02:10.880 --> 02:15.640 And from far away, over the honking of the automobiles, you can hear the fog horns out 02:15.640 --> 02:19.600 the sea and the ships, the freighters and the steamers. 02:19.600 --> 02:22.800 A very musical sound, far away sound. 02:22.800 --> 02:27.700 And it reminds a guy of things, like your ship hits a port of call and you lean over 02:27.700 --> 02:33.160 the rail and look out and in the fog there's a face waiting for you, just for you. 02:33.160 --> 02:37.080 Warm, beautiful and shanty. 02:37.080 --> 02:38.880 Another thing, I'm a singer. 02:38.880 --> 02:41.800 I drive in my car, I like to sing. 02:41.800 --> 02:57.720 Her face was very beautiful. 02:57.720 --> 02:59.640 My headlights hit it just right, no mistake. 02:59.640 --> 03:03.760 Like the fog, not the mood, a very stunning face and the smile sweet. 03:03.760 --> 03:09.200 And she was standing a little way in the street, holding up her thumb for a ride. 03:09.200 --> 03:10.200 Hi. 03:10.200 --> 03:11.200 Ride? 03:11.200 --> 03:13.200 Ride with me? 03:13.200 --> 03:14.200 Sure, hop in. 03:14.200 --> 03:15.200 Thank you. 03:15.200 --> 03:20.200 Thank you ever so much. 03:20.200 --> 03:21.200 Don't mention it. 03:21.200 --> 03:22.200 What? 03:22.200 --> 03:23.200 I like this. 03:23.200 --> 03:33.400 I like the fog and the feeling of being lost in it. 03:33.400 --> 03:34.400 You do? 03:34.400 --> 03:35.400 Oh yeah. 03:35.400 --> 03:42.400 If I were a thousand miles away from anything and anyone, nice feeling, exciting, secret 03:42.400 --> 03:46.880 and exciting. 03:46.880 --> 03:51.400 How come a girl like you, how come you have to, I mean. 03:51.400 --> 03:52.920 You mean why I was hitching a ride? 03:52.920 --> 03:53.920 A girl like you? 03:53.920 --> 03:57.480 My car stalled about a half mile back and I was alone and I don't know anything about 03:57.480 --> 03:58.480 cars. 03:58.480 --> 04:01.280 I just left it there and started to walk. 04:01.280 --> 04:03.320 Then I remembered my thumb, I just held it up. 04:03.320 --> 04:08.840 But somebody like you, what I mean is it could be dangerous getting a lift from just anybody, 04:08.840 --> 04:11.840 get in some stranger's car and not know what kind of. 04:11.840 --> 04:13.840 You'd worry about it. 04:13.840 --> 04:16.840 Well yes, yes I would. 04:16.840 --> 04:17.840 Delight. 04:17.840 --> 04:18.840 Oh it's just. 04:18.840 --> 04:19.840 Delight. 04:19.840 --> 04:20.840 And it's gentle. 04:20.840 --> 04:21.840 Oh it's just gentle. 04:21.840 --> 04:25.480 Well it's just if I knew anyone like you, I'd worry. 04:25.480 --> 04:27.840 I like you. 04:27.840 --> 04:28.840 You headed for Long Beach? 04:28.840 --> 04:29.840 Uh huh. 04:29.840 --> 04:32.320 You get to that stop sign up ahead, turn left. 04:32.320 --> 04:33.320 Why? 04:33.320 --> 04:34.320 Coast Highway will take us right into it. 04:34.320 --> 04:38.320 Maybe it won't be as crowded as the Coast Highway, maybe not so foggy. 04:38.320 --> 04:42.600 Maybe it is a little out of the way. 04:42.600 --> 04:44.600 Maybe it'll take longer but. 04:44.600 --> 04:46.600 Left, just up ahead? 04:46.600 --> 04:47.600 Yeah. 04:47.600 --> 04:54.560 I live in Long Beach, work in El Segundo, make the drive every morning and night. 04:54.560 --> 04:55.560 I live in Long Beach. 04:55.560 --> 04:56.560 Where do you. 04:56.560 --> 04:57.560 What's your name? 04:57.560 --> 04:58.560 Joe, Joe Haywood. 04:58.560 --> 04:59.560 My name's Roberta. 04:59.560 --> 05:00.560 Roberta. 05:00.560 --> 05:01.560 Roberta what? 05:01.560 --> 05:02.560 Just Roberta. 05:02.560 --> 05:06.520 Call me Bobby if you want. 05:06.520 --> 05:08.400 No, I like Roberta. 05:08.400 --> 05:14.000 I like I can be driving through the fog and see a lovely, and see her and stop so as I 05:14.000 --> 05:16.440 can help out a girl whose name is Roberta. 05:16.440 --> 05:22.600 In shining armor, through banners of mist in shining armor. 05:22.600 --> 05:25.600 My wife's name's Hazel. 05:25.600 --> 05:28.600 Joe and Hazel. 05:28.600 --> 05:31.600 Joe and Roberta. 05:31.600 --> 05:34.600 Joe and Roberta. 05:34.600 --> 05:36.600 It's bumpy, rough. 05:36.600 --> 05:39.640 Yeah, I told you maybe it'd take us longer. 05:39.640 --> 05:42.640 Fog's just as heavy, heavier. 05:42.640 --> 05:43.640 Nice. 05:43.640 --> 05:44.640 Nudity? 05:44.640 --> 05:46.640 Nudity? 05:46.640 --> 05:48.640 Nudity? 05:48.640 --> 05:50.640 Nudity? 05:50.640 --> 05:52.640 Rosalind? 05:52.640 --> 05:54.640 Bubba? 05:54.640 --> 05:57.640 Watch out. 05:57.640 --> 05:58.640 Joe! 05:58.640 --> 05:59.640 Joe! 05:59.640 --> 06:00.640 What? 06:00.640 --> 06:01.640 What's the matter? 06:01.640 --> 06:02.640 You hit someone. 06:02.640 --> 06:03.640 You hit him and ran over him. 06:03.640 --> 06:04.640 What are you talking about? 06:04.640 --> 06:05.640 I just. 06:05.640 --> 06:06.640 You didn't see it Joe, the fog and you were looking at me. 06:06.640 --> 06:07.640 You mean it? 06:07.640 --> 06:08.640 Yeah. 06:08.640 --> 06:09.640 You didn't see it Joe, the fog and you were looking at me. 06:09.640 --> 06:10.640 You mean it? 06:10.640 --> 06:11.640 Yeah. 06:11.640 --> 06:12.640 You didn't see it? 06:12.640 --> 06:13.640 Yeah. 06:13.640 --> 06:14.640 You didn't see it Joe, the fog and you were looking at me. 06:14.640 --> 06:15.640 You mean it? 06:15.640 --> 06:16.640 You mean I hit someone? 06:16.640 --> 06:17.640 No. 06:17.640 --> 06:18.640 You better get out of the car. 06:18.640 --> 06:19.640 Take a look. 06:19.640 --> 06:20.640 Yeah, maybe I better. 06:20.640 --> 06:21.640 Oh. 06:21.640 --> 06:22.640 Joe? 06:22.640 --> 06:23.640 Like you said, I hit a man. 06:23.640 --> 06:26.640 I ran over him. 06:26.640 --> 06:29.640 Oh, Joe. 06:29.640 --> 06:32.640 He's dead. 06:32.640 --> 06:36.640 I'm surprised. 06:36.640 --> 06:37.640 Joe? 06:37.640 --> 06:38.640 Like you said, I hit a man. 06:38.640 --> 06:39.640 I ran over him. 06:39.640 --> 06:40.640 Oh, Joe. 06:40.640 --> 06:41.640 He's dead. 06:41.640 --> 06:42.640 You sure, Joe? 06:42.640 --> 06:45.640 You know, sometimes a quick look like that, you can't... 06:45.640 --> 06:46.640 You sure? 06:46.640 --> 06:47.640 I'm sure. 06:47.640 --> 06:48.640 I killed him. 06:48.640 --> 06:49.640 Joe? 06:49.640 --> 06:50.640 What? 06:50.640 --> 06:51.640 What's going to happen to you? 06:51.640 --> 06:52.640 What happens now? 06:52.640 --> 06:53.640 I don't know. 06:53.640 --> 06:54.640 Just keep quiet a minute, huh? 06:54.640 --> 06:55.640 Sure. 06:55.640 --> 06:56.640 Roberta... 06:56.640 --> 07:05.640 A nice person like you, a really wonderful person. 07:05.640 --> 07:08.640 To get mixed up in a thing like this. 07:08.640 --> 07:09.640 And police... 07:09.640 --> 07:14.640 Well, you tell them how you were riding along singing. 07:14.640 --> 07:17.640 And looking at me and... 07:17.640 --> 07:18.640 And manslaughter. 07:18.640 --> 07:21.640 That's what they'll do to you. 07:21.640 --> 07:22.640 Oh, Joe. 07:22.640 --> 07:23.640 Roberta. 07:23.640 --> 07:24.640 Roberta, doctor. 07:24.640 --> 07:25.640 You worried? 07:25.640 --> 07:26.640 You worried about me? 07:26.640 --> 07:27.640 Yeah. 07:27.640 --> 07:28.640 Yeah, Joe. 07:28.640 --> 07:29.640 Listen. 07:29.640 --> 07:36.640 Listen, Roberta. 07:36.640 --> 07:37.640 Just listen to me. 07:37.640 --> 07:38.640 It's trouble. 07:38.640 --> 07:39.640 It's terrible trouble. 07:39.640 --> 07:40.640 Yeah, trouble. 07:40.640 --> 07:41.640 And I don't know what to do. 07:41.640 --> 07:42.640 A thing like this never happens. 07:42.640 --> 07:43.640 Never. 07:43.640 --> 07:44.640 I'm all mixed up. 07:44.640 --> 07:45.640 Let's get away from here. 07:45.640 --> 07:46.640 And let's just... 07:46.640 --> 07:47.640 I killed a man. 07:47.640 --> 07:48.640 Let's get away from here. 07:48.640 --> 07:49.640 You hear me? 07:49.640 --> 07:50.640 It's never happened. 07:50.640 --> 07:51.640 Please let us get away from here. 07:51.640 --> 07:52.640 I just killed a man. 07:52.640 --> 07:53.640 I won't tell. 07:53.640 --> 07:54.640 Honest, I won't tell. 07:54.640 --> 07:55.640 I'd never tell Joe. 07:55.640 --> 07:56.640 Joe, we can't just sit here, please. 07:56.640 --> 07:57.640 Please. 07:57.640 --> 07:58.640 Please. 07:58.640 --> 07:59.640 Please. 07:59.640 --> 08:00.640 All right. 08:00.640 --> 08:01.640 All right. 08:01.640 --> 08:23.440 I don't know too much about things like this, so I can't explain not exactly what it feels 08:23.440 --> 08:25.440 like to kill a man. 08:25.440 --> 08:30.000 And I can't explain not exactly what it felt like to hear her sobbing, the girl whose name 08:30.000 --> 08:34.680 was just Roberta, and the way she leaned her head against my shoulder and sat close and 08:34.680 --> 08:41.420 shivered and then was quiet, real quiet, and not moving away from me, just staring straight 08:41.420 --> 08:42.760 into the fog. 08:42.760 --> 08:46.080 I kept driving, as all I know, like it was some mechanical reflex. 08:46.080 --> 08:50.800 I got back on the coast highway and kept driving past where I lived, past Long Beach, past 08:50.800 --> 08:56.120 Seal Beach, past Balboa, south, just outside Laguna. 08:56.120 --> 08:58.120 The fog started to lift. 08:58.120 --> 08:59.120 Joe. 08:59.120 --> 09:00.120 It's okay. 09:00.120 --> 09:01.600 We're a long way from... 09:01.600 --> 09:02.600 You okay? 09:02.600 --> 09:03.600 Yeah. 09:03.600 --> 09:04.600 And you? 09:04.600 --> 09:05.600 I'm okay. 09:05.600 --> 09:06.600 Where are we? 09:06.600 --> 09:07.600 Just outside of Laguna. 09:07.600 --> 09:10.600 Keep your eye on the rear view mirror, will you, Roberta? 09:10.600 --> 09:11.600 What? 09:11.600 --> 09:12.600 The car just behind picked me up outside Balboa. 09:12.600 --> 09:13.600 I think he's been following me. 09:13.600 --> 09:23.160 Maybe. 09:23.160 --> 09:25.040 I don't know any way to tell for sure. 09:25.040 --> 09:26.040 I know a way. 09:26.040 --> 09:27.720 There's a place just up ahead, cocktail bar, parking lot. 09:27.720 --> 09:32.720 I'll turn in there. 09:32.720 --> 09:42.800 I guess I'm just jumping and scared. 09:42.800 --> 09:43.800 Very scared, I don't mind saying. 09:43.800 --> 09:47.200 So, as long as we're here, could we have... 09:47.200 --> 09:50.000 Yeah, as long as we're here, a drink would help relax me. 09:50.000 --> 09:52.400 Let me think instead of being all knotted up inside. 09:52.400 --> 09:53.400 You want to? 09:53.400 --> 09:54.400 Yeah, yeah. 09:54.400 --> 10:03.340 It was a place Hazel and I used to go to a lot before we were married. 10:03.340 --> 10:04.920 That kind of place. 10:04.920 --> 10:09.320 Jetting out over the ocean and a glass wall to look through at whatever horizon you had 10:09.320 --> 10:11.160 in mind that evening. 10:11.160 --> 10:15.200 Candles and wrought iron on every table and piano music. 10:15.200 --> 10:20.360 And the sound of the ocean washing against the beach and the place swaying with the tides 10:20.360 --> 10:23.760 rolling in from the South Pacific. 10:23.760 --> 10:27.320 About a place like that, I can talk like that. 10:27.320 --> 10:31.840 We found a table close to the glass wall and I asked Roberta to order for me and I asked 10:31.840 --> 10:36.360 her to excuse me for just a minute as I had a phone call to make. 10:36.360 --> 10:38.160 Operator? 10:38.160 --> 10:43.480 I want Terminal 21476 in Long Beach, Operator. 10:43.480 --> 10:46.480 One moment please. 10:46.480 --> 10:51.480 That'll be 1510 please. 10:51.480 --> 10:54.480 Yes ma'am. 10:54.480 --> 10:59.480 I'll ring your number. 10:59.480 --> 11:02.480 Hello? 11:02.480 --> 11:04.480 It's Joe, honey. 11:04.480 --> 11:07.480 You better be calling from the hospital is what I've got to say to you. 11:07.480 --> 11:08.480 Something happened. 11:08.480 --> 11:09.480 A broken leg? 11:09.480 --> 11:10.480 Two broken legs? 11:10.480 --> 11:11.480 What? 11:11.480 --> 11:12.480 What happened to you Joe? 11:12.480 --> 11:13.480 Will you just listen to me? 11:13.480 --> 11:14.480 Or maybe you got mixed up with some gambling, Carlin. 11:14.480 --> 11:15.480 You don't dare show your face back home because it'll cost every penny you ever had. 11:15.480 --> 11:16.480 The house, the car. 11:16.480 --> 11:17.480 Honey, it's nothing like that. 11:17.480 --> 11:18.480 It's a le... 11:18.480 --> 11:19.480 Gambler. 11:19.480 --> 11:20.480 Oh. 11:20.480 --> 11:21.480 Oh. 11:21.480 --> 11:22.480 Hello. 11:22.480 --> 11:23.480 I'm sorry sir. 11:23.480 --> 11:26.480 I thought I recognized you young lady. 11:26.480 --> 11:29.480 I was wrong. 11:29.480 --> 11:37.480 That's right. 11:37.480 --> 11:40.480 He thought he recognized me. 11:40.480 --> 11:41.480 Oh. 11:41.480 --> 11:42.480 Yeah. 11:42.480 --> 11:43.480 Yeah. 11:43.480 --> 11:44.480 Be a good chap. 11:44.480 --> 11:45.480 Take my word for it. 11:45.480 --> 11:46.480 Her word too. 11:46.480 --> 11:47.480 I'm very sorry. 11:47.480 --> 11:48.480 Good night lady. 11:48.480 --> 11:49.480 Good night sir. 11:49.480 --> 11:50.480 Hey. 11:50.480 --> 11:51.480 Now you just wait a... 11:51.480 --> 11:52.480 Look what happened, Joe. 11:52.480 --> 11:53.480 He thought he knew me. 11:53.480 --> 11:54.480 I was setting him right when you... 11:54.480 --> 11:55.480 Come on. 11:55.480 --> 11:56.480 Come on. 11:56.480 --> 11:57.480 Sit down. 11:57.480 --> 12:00.480 I've been waiting. 12:00.480 --> 12:05.480 I waited to drink with you. 12:05.480 --> 12:13.800 Joe and Roberta. 12:13.800 --> 12:15.720 Joe and Roberta. 12:15.720 --> 12:19.600 We drank our drink and I ordered another one and we drank that. 12:19.600 --> 12:21.080 Not a whole lot of talk. 12:21.080 --> 12:23.880 Sat and looked at the ocean. 12:23.880 --> 12:28.640 And in a while the clouds over the water moved away to some other country, some other ocean. 12:28.640 --> 12:31.840 And there was left the moon. 12:31.840 --> 12:35.760 People often remark how nice I talk about pretty things. 12:35.760 --> 12:37.280 But there was no talk that night. 12:37.280 --> 12:39.160 Anyway hardly any talk at all. 12:39.160 --> 12:42.040 Just the music from the piano and another drink. 12:42.040 --> 12:45.840 And not think what happened way back there outside of Redondo. 12:45.840 --> 12:48.120 Not say it. 12:48.120 --> 12:51.440 I guess I must have looked at Roberta in some ways that... 12:51.440 --> 12:52.440 We better go. 12:52.440 --> 12:53.440 Not yet. 12:53.440 --> 12:54.440 We better. 12:54.440 --> 12:55.440 Come on, Joe. 12:55.440 --> 12:56.440 Please. 12:56.440 --> 12:57.440 Yeah, I bet. 12:57.440 --> 13:04.880 So I called over the waiter and paid him and gave him a very nice large tip. 13:04.880 --> 13:09.320 And we went outside. 13:09.320 --> 13:11.360 And in the parking lot I saw something. 13:11.360 --> 13:13.360 What could matter? 13:13.360 --> 13:15.400 Why you stop? 13:15.400 --> 13:16.400 There. 13:16.400 --> 13:17.400 That car parked there. 13:17.400 --> 13:18.400 What about it? 13:18.400 --> 13:21.000 It's just like the car I thought was following me. 13:21.000 --> 13:23.160 Exactly the same car. 13:23.160 --> 13:24.160 I swear. 13:24.160 --> 13:25.160 You better let me drive, Joe. 13:25.160 --> 13:28.160 Maybe you got too relaxed in those drinks. 13:28.160 --> 13:29.160 Maybe it'd be better if I drove. 13:29.160 --> 13:30.160 Give me the keys, huh, Joe? 13:30.160 --> 13:31.160 Come on. 13:31.160 --> 13:32.160 Yeah, it'll be better. 13:32.160 --> 13:33.160 You drive. 13:33.160 --> 13:34.160 Here are my keys. 13:34.160 --> 13:35.160 Roberta, Roberta. 13:35.160 --> 13:36.160 I'll help you in, Joe. 13:36.160 --> 13:37.160 Roberta, Roberta. 13:37.160 --> 13:38.160 All right. 13:38.160 --> 13:53.160 Roberta, Roberta. 13:53.160 --> 14:07.280 I'm sorry. 14:07.280 --> 14:14.280 I'm sorry for what I got you into and for being kind of low to the way I am. 14:14.280 --> 14:17.280 Oh, now you just put your head on my shoulder and don't think of anything. 14:17.280 --> 14:18.280 Oh. 14:18.280 --> 14:23.280 Traffic accidents throughout the Southwest. 14:23.280 --> 14:29.280 California State Highway Patrol reports that a short while ago a man was found dead on 14:29.280 --> 14:31.280 Vernon Avenue outside Redondo. 14:31.280 --> 14:33.280 As yet he is unidentified. 14:33.280 --> 14:36.280 But he is a victim of a hit and run driver. 14:36.280 --> 14:40.280 The Highway Patrol has asked that this announcement be made so that any person or persons who 14:40.280 --> 14:42.280 may have seen the accident will immediately... 14:42.280 --> 14:44.280 Roberta, they mean me. 14:44.280 --> 14:45.280 Maybe. 14:45.280 --> 14:46.280 What am I going to do? 14:46.280 --> 14:47.280 What? 14:47.280 --> 14:48.280 But you heard it, Phil. 14:48.280 --> 14:49.280 For sure. 14:49.280 --> 14:50.280 What... 14:50.280 --> 14:51.280 Sleep. 14:51.280 --> 14:52.280 That's what you're going to do. 14:52.280 --> 14:53.280 Sleep. 14:53.280 --> 14:56.280 Close your eyes and nestle close and sleep. 14:56.280 --> 14:58.280 Sleep, Joe. 14:58.280 --> 15:00.280 Yeah, maybe. 15:00.280 --> 15:03.280 So am I hell queer. 15:03.280 --> 15:04.280 Sleep. 15:04.280 --> 15:06.280 That's it. 15:06.280 --> 15:09.280 Close your eyes. 15:26.280 --> 15:30.280 You are listening to Kathy and Elliot Lewis in Morton Fine and David Friedkin's story, 15:30.280 --> 15:32.280 Run Sheep Run. 15:32.280 --> 15:37.280 A presentation in radio's outstanding theater of thrills, Suspense. 15:47.280 --> 15:52.280 Tomorrow night, CBS radio's 21st Precinct thriller begins in the early morning hours 15:52.280 --> 15:56.280 when a woman approaches a cop on his beat and announces, I just shot my husband. 15:56.280 --> 16:01.280 It's another poignant story of Captain Cannelli's 21st Precinct titled The Shotgun. 16:01.280 --> 16:03.280 One that will touch your heartstrings. 16:03.280 --> 16:09.280 Hear it on most of these same stations tomorrow night for another revealing insight on the human element in police work. 16:09.280 --> 16:15.280 And now we bring back to our Hollywood soundstage Kathy and Elliot Lewis in Mr. Lewis's production of 16:15.280 --> 16:17.280 Run Sheep Run. 16:17.280 --> 16:32.280 A tale well calculated to keep you in suspense. 16:39.280 --> 16:41.280 Hi. 16:41.280 --> 16:44.280 Hi, sleepyhead. 16:44.280 --> 16:47.280 Hello, you old sleepyhead. 16:47.280 --> 16:49.280 Don't think about it. 16:49.280 --> 16:50.280 Where are we? 16:50.280 --> 16:52.280 Just south of San Diego. 16:52.280 --> 16:54.280 We'll be a national city in a little while. 16:54.280 --> 16:55.280 You know what I did? 16:55.280 --> 16:56.280 I don't want you to think about it. 16:56.280 --> 16:57.280 I killed a man. 16:57.280 --> 16:58.280 For my sake, don't. 16:58.280 --> 16:59.280 And I'm running away. Look. 16:59.280 --> 17:00.280 What? 17:00.280 --> 17:02.280 Over there, the sun's coming up, see? 17:02.280 --> 17:04.280 It's the start of my first day as a fugitive. 17:04.280 --> 17:05.280 It's... 17:05.280 --> 17:06.280 Honey. 17:06.280 --> 17:07.280 Honey? 17:07.280 --> 17:10.280 Of course it's honey. 17:10.280 --> 17:12.280 What we've been through together, what we... 17:12.280 --> 17:13.280 For just a minute. 17:13.280 --> 17:14.280 Everything seems different. 17:14.280 --> 17:16.280 It's a new day and my mind's refreshed. 17:16.280 --> 17:17.280 I don't know what you're talking about. 17:17.280 --> 17:18.280 A new perspective. 17:18.280 --> 17:19.280 Everything's terrible. 17:19.280 --> 17:21.280 Honey, everything was terrible last night. 17:21.280 --> 17:24.280 But in the light of a new day, listen, I've killed a man and I'm running away from him. 17:24.280 --> 17:25.280 That's right. 17:25.280 --> 17:27.280 Joe Haywood murderer. 17:27.280 --> 17:29.280 Joe Haywood murderer. 17:29.280 --> 17:30.280 I don't think about it. 17:30.280 --> 17:31.280 In Mexico. 17:31.280 --> 17:32.280 In Mexico? 17:32.280 --> 17:34.280 Have you ever dreamed of Mexico, Joe? 17:34.280 --> 17:35.280 Very often. 17:35.280 --> 17:36.280 In an hour. 17:36.280 --> 17:38.280 Mexico. 17:38.280 --> 17:39.280 With me. 17:39.280 --> 17:40.280 Last night. 17:40.280 --> 17:42.280 I don't know what happened to me. 17:42.280 --> 17:44.280 I think I saw a poor man lying there. 17:44.280 --> 17:45.280 I guess he was shot. 17:45.280 --> 17:47.280 What made me do... 17:47.280 --> 17:49.280 Joe, Mexico. 17:49.280 --> 17:50.280 With me, Joe. 17:50.280 --> 17:52.280 I'm out of my mind. 17:52.280 --> 17:54.280 First there was a girl out of the fog. 17:54.280 --> 17:57.280 Me, Joe, and I'm beside you now. 17:57.280 --> 18:00.280 What are you shaking your head for? 18:00.280 --> 18:02.280 Am I not pretty anymore in the morning? 18:02.280 --> 18:03.280 You're beautiful. 18:03.280 --> 18:04.280 Then what? 18:04.280 --> 18:05.280 Stop the car. 18:05.280 --> 18:06.280 What? 18:06.280 --> 18:07.280 Quick, stop the car. 18:09.280 --> 18:10.280 Now what? 18:10.280 --> 18:12.280 I'm going to make a telephone call. 18:12.280 --> 18:13.280 That phone booth in the filling station. 18:13.280 --> 18:14.280 Who are you going to call? 18:14.280 --> 18:15.280 Hazel. 18:15.280 --> 18:16.280 You know I'm going to call Hazel. 18:16.280 --> 18:17.280 She's my wife. 18:17.280 --> 18:18.280 I just got to call her. 18:18.280 --> 18:19.280 I'm going to tell her everything. 18:19.280 --> 18:20.280 How I killed a man... 18:35.280 --> 18:37.280 Operator, your number, please. 18:37.280 --> 18:41.280 On the terminal 21476 in Long Beach, operating. 18:43.280 --> 18:45.280 That will be 45 cents for the first three minutes. 18:45.280 --> 18:46.280 Yes, ma'am. 18:51.280 --> 18:52.280 And a quarter. 18:52.280 --> 18:53.280 Thank you. 18:53.280 --> 18:54.280 Just a moment. 19:02.280 --> 19:03.280 Joe? 19:03.280 --> 19:04.280 Joe, where are you? 19:04.280 --> 19:05.280 I'm coming in, Hazel. 19:05.280 --> 19:07.280 I'm going to give myself up. 19:07.280 --> 19:08.280 Joe, are you all right? 19:08.280 --> 19:09.280 I'm going to face the music, Hazel. 19:09.280 --> 19:10.280 Face what music? 19:10.280 --> 19:11.280 What are you talking about? 19:11.280 --> 19:12.280 It's a long story, Hazel, what's happened to me 19:12.280 --> 19:14.280 and the strangeness of events leading up to... 19:14.280 --> 19:16.280 You drunken bum. 19:16.280 --> 19:17.280 Hazel, listen to me. 19:17.280 --> 19:18.280 What's that music playing? 19:18.280 --> 19:19.280 And who are those girls I hear laughing at? 19:19.280 --> 19:20.280 There's no music. 19:20.280 --> 19:21.280 The chorus girl, I'll bet you. 19:21.280 --> 19:23.280 And wine and whiskey. 19:23.280 --> 19:24.280 Joe? 19:24.280 --> 19:25.280 Can you hear me, Joe? 19:25.280 --> 19:26.280 Hazel, please. 19:26.280 --> 19:27.280 Don't come home. 19:27.280 --> 19:29.280 Don't ever come home. 19:29.280 --> 19:31.280 Now don't say that, baby doll. 19:31.280 --> 19:32.280 Hazel? 19:32.280 --> 19:33.280 Hazel? 19:33.280 --> 19:35.280 Hazel? 19:35.280 --> 19:48.280 Well, look at me, Joe. 19:48.280 --> 19:52.280 And you come on and look at me. 19:52.280 --> 19:55.280 That's better. 19:55.280 --> 19:57.280 You certainly are a changed person in the morning. 19:57.280 --> 19:59.280 You know that? 19:59.280 --> 20:01.280 Anybody ever tell you that? 20:01.280 --> 20:02.280 You know something? 20:02.280 --> 20:04.280 I don't understand you at all. 20:04.280 --> 20:06.280 I'm glad, Joe. 20:06.280 --> 20:07.280 A little mystery in a woman. 20:07.280 --> 20:10.280 Roberta, my wife is really worried about me. 20:10.280 --> 20:12.280 Roberta, we're going back. 20:12.280 --> 20:13.280 What? 20:13.280 --> 20:14.280 We're going back. 20:14.280 --> 20:15.280 And you'll testify... 20:15.280 --> 20:16.280 Oh, no, I'm not. 20:16.280 --> 20:17.280 It's the only way. 20:17.280 --> 20:19.280 Not me, Jack. 20:19.280 --> 20:22.280 Jack? 20:22.280 --> 20:24.280 What did you call me? 20:24.280 --> 20:25.280 Jack. 20:25.280 --> 20:27.280 It's a phrase. 20:27.280 --> 20:28.280 You want to know what? 20:28.280 --> 20:29.280 You don't look pretty anymore. 20:29.280 --> 20:30.280 Trouble? 20:30.280 --> 20:32.280 He wants to go back. 20:32.280 --> 20:33.280 What is this? 20:33.280 --> 20:35.280 He wants me to go back with him to testify. 20:35.280 --> 20:36.280 I know you. 20:36.280 --> 20:37.280 I know him, Roberta. 20:37.280 --> 20:40.280 He's the fellow who was talking to you at the bar when I came back from... 20:40.280 --> 20:41.280 I know you. 20:41.280 --> 20:42.280 Oh. 20:42.280 --> 20:43.280 What's going on here? 20:43.280 --> 20:45.280 What do you mean, what's going on here? 20:45.280 --> 20:49.280 What does this chap mean when he says, what's going on here, buddy? 20:49.280 --> 20:50.280 Bobby? 20:50.280 --> 20:51.280 He calls me that. 20:51.280 --> 20:53.280 You didn't want to, but he does. 20:53.280 --> 20:54.280 All the time. 20:54.280 --> 20:55.280 You please get out of my car. 20:55.280 --> 20:56.280 Out. 20:56.280 --> 20:58.280 Don't struggle with me, fella, because... 20:58.280 --> 21:00.280 Bobby, make him like all the steering wheel. 21:00.280 --> 21:01.280 Okay. 21:01.280 --> 21:02.280 Ow! 21:02.280 --> 21:03.280 Come on out here. 21:03.280 --> 21:04.280 Ow! 21:04.280 --> 21:06.280 Something's funny, very, very funny. 21:06.280 --> 21:09.280 The whole thing, the back road and Roberta... 21:20.280 --> 21:25.280 Now, that was the first time in my whole life I'd ever been knocked unconscious by another fella. 21:25.280 --> 21:27.280 I didn't see him hit me. 21:27.280 --> 21:30.280 Whether or not that would have made a difference, I don't know. 21:30.280 --> 21:31.280 I've been called agile. 21:31.280 --> 21:33.280 I might have ducked or something. 21:33.280 --> 21:35.280 And I don't remember anything when I was out. 21:35.280 --> 21:39.280 Spinning wheels of color and voices and rockets bursting and sounds. 21:39.280 --> 21:41.280 Nothing. 21:41.280 --> 21:42.280 I opened my eyes. 21:42.280 --> 21:44.280 I was flat on my back. 21:44.280 --> 21:45.280 Up. 21:45.280 --> 21:46.280 I got up. 21:46.280 --> 21:47.280 Into the car. 21:47.280 --> 21:49.280 Behind the wheel. 21:49.280 --> 21:51.280 I got into the car and behind the wheel. 21:51.280 --> 21:54.280 Roberta was sitting beside me. 21:54.280 --> 21:55.280 This is a gun, Joe. 21:55.280 --> 21:57.280 That's a gun, Joe. 21:57.280 --> 21:58.280 She'll tell you where to drive. 21:58.280 --> 22:00.280 You drive it, are you here? 22:00.280 --> 22:02.280 Else she'll shoot you. 22:02.280 --> 22:04.280 I will, Joe. 22:04.280 --> 22:07.280 Straight down the road. 22:07.280 --> 22:10.280 And I'll be following along in my car. 22:10.280 --> 22:12.280 Bye. 22:19.280 --> 22:21.280 Hi. 22:21.280 --> 22:25.280 You were a liar from the word go, weren't you? 22:25.280 --> 22:26.280 I don't. 22:26.280 --> 22:27.280 With a gun. 22:27.280 --> 22:28.280 Take your eyes off it. 22:28.280 --> 22:29.280 Watch the road. 22:29.280 --> 22:30.280 With a gun. 22:30.280 --> 22:31.280 Uh-huh. 22:31.280 --> 22:32.280 Where are we going? 22:32.280 --> 22:34.280 US Route 101, Joe. 22:34.280 --> 22:36.280 Just follow the highway. 22:36.280 --> 22:37.280 Look at you. 22:37.280 --> 22:39.280 Pretty girl like you. 22:39.280 --> 22:40.280 Sitting there with a pistol. 22:40.280 --> 22:41.280 Straight down the road. 22:41.280 --> 22:42.280 To Mexico. 22:42.280 --> 22:45.280 I promised you Mexico, didn't I? 22:45.280 --> 22:48.280 You think I'm stupid, don't you? 22:48.280 --> 22:50.280 No, I don't. 22:50.280 --> 22:52.280 I'd rather what's going to happen wouldn't happen to you, Joe. 22:52.280 --> 22:54.280 Still, you'd shoot me. 22:54.280 --> 22:56.280 Yes, I would. 22:56.280 --> 22:58.280 I don't pity you, Roberta. 22:58.280 --> 23:01.280 I guess I should, but I just don't. 23:01.280 --> 23:03.280 What's going to happen? 23:03.280 --> 23:05.280 You killed a man, remember? 23:05.280 --> 23:07.280 I'm not so sure. 23:07.280 --> 23:08.280 What's the matter? 23:08.280 --> 23:10.280 Not so sure, he says. 23:10.280 --> 23:11.280 It's a light flash. 23:11.280 --> 23:12.280 What's going to happen? 23:12.280 --> 23:14.280 Well, I'll tell you. 23:14.280 --> 23:17.280 We're going to drive straight through to Tijuana. 23:17.280 --> 23:18.280 You like Tijuana? 23:18.280 --> 23:19.280 It's all right. 23:19.280 --> 23:22.280 Well, we're going to drive straight through. 23:22.280 --> 23:23.280 Then I think, Mark... 23:23.280 --> 23:25.280 Is he going to kill me? 23:25.280 --> 23:27.280 Honey, honey. 23:27.280 --> 23:28.280 I don't think he's going to kill me. 23:28.280 --> 23:30.280 He's going to use me for a patsy. 23:30.280 --> 23:32.280 Patsy? 23:32.280 --> 23:33.280 What are you doing with that word? 23:33.280 --> 23:35.280 I read, I read twenty. 23:35.280 --> 23:38.280 And you are so right. 23:38.280 --> 23:40.280 You're going to be a patsy. 23:40.280 --> 23:43.280 Dump you in the car below Mexico where the police can find you. 23:43.280 --> 23:47.280 By the time they do, they'll have word you're the guy running away from a hit-and-run outside Redondo. 23:47.280 --> 23:48.280 Patsy. 23:48.280 --> 23:51.280 That's the word. 23:51.280 --> 23:52.280 Joe. 23:52.280 --> 23:53.280 I didn't kill that man at all. 23:53.280 --> 23:54.280 Joe. 23:53.280 --> 23:54.280 You did. 23:54.280 --> 23:55.280 I didn't. 23:55.280 --> 23:56.280 Yes, you did. 23:56.280 --> 23:58.280 Up ahead, Joe, is the border. 23:58.280 --> 24:01.280 Behave. 24:01.280 --> 24:02.280 Take your eye off the road for a second. 24:02.280 --> 24:05.280 Look at this gun. 24:05.280 --> 24:07.280 Now back on the road. 24:07.280 --> 24:10.280 Just behave, that's all. 24:10.280 --> 24:14.280 I got a story all fixed just in case the border guard... 24:14.280 --> 24:22.280 Just behave. 24:22.280 --> 24:23.280 Good morning and welcome to Mexico. 24:23.280 --> 24:25.280 We hope you enjoy your stay. 24:25.280 --> 24:26.280 Where were you born? 24:26.280 --> 24:27.280 Me? 24:27.280 --> 24:28.280 If you please. 24:28.280 --> 24:29.280 Ohio. 24:29.280 --> 24:31.280 And you, senor, where were you born? 24:31.280 --> 24:33.280 Ah, your father's Cucaracha. 24:33.280 --> 24:34.280 Pardon me? 24:34.280 --> 24:35.280 Your father's Cucaracha. 24:35.280 --> 24:36.280 Jack. 24:36.280 --> 24:38.280 I do not understand this belligerent senor. 24:38.280 --> 24:40.280 I wish only to hear which state you were born in. 24:40.280 --> 24:41.280 Also, it's Cumpra Cita. 24:41.280 --> 24:42.280 I can deny you permission to make a go. 24:42.280 --> 24:43.280 God. 24:43.280 --> 24:44.280 It will avail you nothing, madam. 24:44.280 --> 24:45.280 This man has insulted me. 24:45.280 --> 24:46.280 I suggest... 24:46.280 --> 24:47.280 Get him suggesting. 24:47.280 --> 24:48.280 You want a suggestion, Jack? 24:48.280 --> 24:49.280 The guy in that car driving up. 24:49.280 --> 24:50.280 Talk to him. 24:50.280 --> 24:51.280 Guard, my friend here is upset this time, you know. 24:51.280 --> 24:54.280 The guy driving up, he's the boss of an international smuggling ring. 24:54.280 --> 24:55.280 Smuggling? 24:55.280 --> 24:56.280 Ring. 24:56.280 --> 24:57.280 We'll turn back, guard. 24:57.280 --> 24:58.280 Right there, guard. 24:58.280 --> 24:59.280 He's packing 200 grand in his suitcase. 24:59.280 --> 25:00.280 That fellow there in the gray sedan. 25:00.280 --> 25:01.280 Suitcase full of money. 25:01.280 --> 25:02.280 Very big smuggler. 25:02.280 --> 25:03.280 In the gray sedan? 25:03.280 --> 25:04.280 The one I'm pointing to, the gray sedan. 25:04.280 --> 25:05.280 The fellow's turning around. 25:05.280 --> 25:06.280 Oh, yes, I see. 25:06.280 --> 25:07.280 Senor! 25:07.280 --> 25:08.280 That's the fella. 25:08.280 --> 25:09.280 Senor! 25:09.280 --> 25:10.280 Wait, I wish to... 25:10.280 --> 25:13.280 Don't get him! 25:13.280 --> 25:18.280 Don't get him! 25:18.280 --> 25:29.280 Will you accept the charges? 25:29.280 --> 25:32.280 He's in Mexico, Tijuana. 25:32.280 --> 25:34.280 Put him on. 25:34.280 --> 25:36.280 Go ahead, sir. 25:36.280 --> 25:37.280 Hello, Hazel. 25:37.280 --> 25:40.280 I've been told you're in Mexico, Joe. 25:40.280 --> 25:41.280 Yes, Hazel, I am. 25:41.280 --> 25:43.280 Please tell me why. 25:43.280 --> 25:44.280 Will you listen? 25:44.280 --> 25:46.280 Of course I'll listen. 25:46.280 --> 25:48.280 I thought I had murdered somebody. 25:48.280 --> 25:49.280 Murdered somebody. 25:49.280 --> 25:50.280 Hit and run, it's the same thing. 25:50.280 --> 25:51.280 It is. 25:51.280 --> 25:53.280 But Roberta and Mark really did it. 25:53.280 --> 25:57.280 Beat up a friend for the money he had that he'd won in Vegas, and I was kidnapped, Hazel. 25:57.280 --> 26:01.280 He tried to get away, but the border guards grabbed him, and they found nearly $10,000 in his suitcase. 26:01.280 --> 26:02.280 Boy, was I surprised. 26:02.280 --> 26:04.280 They got Roberta when she tried... 26:04.280 --> 26:05.280 Hazel, are you there? 26:05.280 --> 26:07.280 Who kidnapped you, Joe? 26:07.280 --> 26:09.280 Roberta and Mark, but it's all right. 26:09.280 --> 26:10.280 I tricked them at the border. 26:10.280 --> 26:12.280 Roberta had a gun on me, but I... 26:12.280 --> 26:13.280 Hazel? 26:13.280 --> 26:14.280 Hazel? 26:14.280 --> 26:38.280 Oh. 26:38.280 --> 26:44.280 In which Kathy and Elliot Lewis were starred in Run Sheep Run. 26:44.280 --> 26:46.280 What's your definition of the criminal type? 26:46.280 --> 26:52.280 Have you ever looked at a man or woman and decided, inwardly, we hope, that person is the criminal type? 26:52.280 --> 27:00.280 If so, you'll be fascinated by what befalls Casey, crime photographer, tomorrow night, when he gets involved in a case he blithely labeled the criminal type. 27:00.280 --> 27:06.280 Surprise follows surprise, thrill follows thrill, when CBS Radio's crime photographer takes his latest case. 27:06.280 --> 27:09.280 Tomorrow night, on most of these same stations. 27:09.280 --> 27:14.280 Next week, the story of a man no one believed, even when he confessed to a murder. 27:14.280 --> 27:19.280 Anthony Ellis will be starred in his own adaptation of Elizabeth Bowen's Telling. 27:19.280 --> 27:33.280 That's next week on Suspense. 27:33.280 --> 27:40.280 Suspense is produced and directed by Elliot Lewis, with music composed by Lucian Morrowick and conducted by Lud Bloskin. 27:40.280 --> 27:55.280 Run Sheep Run was written for Suspense by Morton Fine and David Friedkin, featured in tonight's cast were Irene Tedrow, Mary Lansing, Tony Barrett, and Jack Crouchon. 27:55.280 --> 28:07.280 And remember, next week, Anthony Ellis's adaptation of Elizabeth Bowen's story, Telling. 28:07.280 --> 28:36.280 You can join the FBI in peace and war, Wednesday, on the CBS Radio Network. 28:36.280 --> 29:04.280 Please subscribe to me for more watching Štěk and Čandž Like, comment strike, and check it out! 29:06.280 --> 29:08.340 you