1 00:00:00,000 --> 00:00:13,000 And now, tonight's presentation of radio's outstanding theater of thrill, Suspense. 2 00:00:13,000 --> 00:00:20,200 Tonight, the story of a man who killed and a woman who helped him try to get away with 3 00:00:20,200 --> 00:00:21,200 it. 4 00:00:21,200 --> 00:00:23,400 It's called Run Sheep Run. 5 00:00:23,400 --> 00:00:28,000 Our stars, Kathy and Elliot Lewis. 6 00:00:28,000 --> 00:00:33,000 Is that you, Joe? 7 00:00:33,000 --> 00:00:36,000 Hello, Hazel. 8 00:00:36,000 --> 00:00:39,000 I just wanted... 9 00:00:39,000 --> 00:00:43,000 I'm gonna kill you. 10 00:00:43,000 --> 00:00:45,000 Now, Hazel, why do you always say that? 11 00:00:45,000 --> 00:00:46,000 I am. 12 00:00:46,000 --> 00:00:47,000 One of these days I'm... 13 00:00:47,000 --> 00:00:48,000 Hazel, honey, it's the fog. 14 00:00:48,000 --> 00:00:50,000 I'm in a gas station now just below Redondo. 15 00:00:50,000 --> 00:00:51,000 The fog's been so sick... 16 00:00:51,000 --> 00:00:52,000 You're doing it again, fabricating. 17 00:00:52,000 --> 00:00:53,000 Honey... 18 00:00:53,000 --> 00:00:54,000 Making up stories. 19 00:00:54,000 --> 00:00:55,000 Fog. 20 00:00:55,000 --> 00:00:58,000 Why don't you say hail or some other terrible storm of nature? 21 00:00:58,000 --> 00:00:59,000 Typhoon and be done with it. 22 00:00:59,000 --> 00:01:00,000 Fog. 23 00:01:00,000 --> 00:01:01,000 And here it's as clear as crystal. 24 00:01:01,000 --> 00:01:02,000 Honey, Hazel... 25 00:01:02,000 --> 00:01:03,000 Who you got there with you? 26 00:01:03,000 --> 00:01:04,000 How many girls? 27 00:01:04,000 --> 00:01:05,000 Now, Hazel, you know... 28 00:01:05,000 --> 00:01:06,000 Better get home, that's all. 29 00:01:06,000 --> 00:01:07,000 All right, the fog's lifting a little. 30 00:01:07,000 --> 00:01:08,000 I'll try to chance it now. 31 00:01:08,000 --> 00:01:09,000 But it's been so heavy, honest, I thought I'd better pull up by the side of... 32 00:01:09,000 --> 00:01:10,000 Honey, Hazel, honey, Hazel. 33 00:01:10,000 --> 00:01:11,000 Oh, Hazel. 34 00:01:11,000 --> 00:01:38,000 Hazel. 35 00:01:38,000 --> 00:01:42,560 She's a fine girl, a good wife, a good cook, runs a neat clean home for me, but she's got 36 00:01:42,560 --> 00:01:44,800 one fault, a nagger. 37 00:01:44,800 --> 00:01:47,000 Another thing, always telling me I make up stories. 38 00:01:47,000 --> 00:01:51,000 A guy works eight hours a day on the steel lathe in an aircraft factory in El Segundo. 39 00:01:51,000 --> 00:01:54,780 How much energy has he got left to make up stories to his wife? 40 00:01:54,780 --> 00:01:56,160 Like about the fog, for instance. 41 00:01:56,160 --> 00:01:58,160 What's there to make up? 42 00:01:58,160 --> 00:02:03,240 Fog hits the coast of Southern California regularly like clockwork this time of the year. 43 00:02:03,240 --> 00:02:08,640 Like right now, it's got a kind of gray-white color and it curls in real slow from the ocean 44 00:02:08,640 --> 00:02:10,880 and it stops up the traffic. 45 00:02:10,880 --> 00:02:15,640 And from far away, over the honking of the automobiles, you can hear the fog horns out 46 00:02:15,640 --> 00:02:19,600 the sea and the ships, the freighters and the steamers. 47 00:02:19,600 --> 00:02:22,800 A very musical sound, far away sound. 48 00:02:22,800 --> 00:02:27,700 And it reminds a guy of things, like your ship hits a port of call and you lean over 49 00:02:27,700 --> 00:02:33,160 the rail and look out and in the fog there's a face waiting for you, just for you. 50 00:02:33,160 --> 00:02:37,080 Warm, beautiful and shanty. 51 00:02:37,080 --> 00:02:38,880 Another thing, I'm a singer. 52 00:02:38,880 --> 00:02:41,800 I drive in my car, I like to sing. 53 00:02:41,800 --> 00:02:57,720 Her face was very beautiful. 54 00:02:57,720 --> 00:02:59,640 My headlights hit it just right, no mistake. 55 00:02:59,640 --> 00:03:03,760 Like the fog, not the mood, a very stunning face and the smile sweet. 56 00:03:03,760 --> 00:03:09,200 And she was standing a little way in the street, holding up her thumb for a ride. 57 00:03:09,200 --> 00:03:10,200 Hi. 58 00:03:10,200 --> 00:03:11,200 Ride? 59 00:03:11,200 --> 00:03:13,200 Ride with me? 60 00:03:13,200 --> 00:03:14,200 Sure, hop in. 61 00:03:14,200 --> 00:03:15,200 Thank you. 62 00:03:15,200 --> 00:03:20,200 Thank you ever so much. 63 00:03:20,200 --> 00:03:21,200 Don't mention it. 64 00:03:21,200 --> 00:03:22,200 What? 65 00:03:22,200 --> 00:03:23,200 I like this. 66 00:03:23,200 --> 00:03:33,400 I like the fog and the feeling of being lost in it. 67 00:03:33,400 --> 00:03:34,400 You do? 68 00:03:34,400 --> 00:03:35,400 Oh yeah. 69 00:03:35,400 --> 00:03:42,400 If I were a thousand miles away from anything and anyone, nice feeling, exciting, secret 70 00:03:42,400 --> 00:03:46,880 and exciting. 71 00:03:46,880 --> 00:03:51,400 How come a girl like you, how come you have to, I mean. 72 00:03:51,400 --> 00:03:52,920 You mean why I was hitching a ride? 73 00:03:52,920 --> 00:03:53,920 A girl like you? 74 00:03:53,920 --> 00:03:57,480 My car stalled about a half mile back and I was alone and I don't know anything about 75 00:03:57,480 --> 00:03:58,480 cars. 76 00:03:58,480 --> 00:04:01,280 I just left it there and started to walk. 77 00:04:01,280 --> 00:04:03,320 Then I remembered my thumb, I just held it up. 78 00:04:03,320 --> 00:04:08,840 But somebody like you, what I mean is it could be dangerous getting a lift from just anybody, 79 00:04:08,840 --> 00:04:11,840 get in some stranger's car and not know what kind of. 80 00:04:11,840 --> 00:04:13,840 You'd worry about it. 81 00:04:13,840 --> 00:04:16,840 Well yes, yes I would. 82 00:04:16,840 --> 00:04:17,840 Delight. 83 00:04:17,840 --> 00:04:18,840 Oh it's just. 84 00:04:18,840 --> 00:04:19,840 Delight. 85 00:04:19,840 --> 00:04:20,840 And it's gentle. 86 00:04:20,840 --> 00:04:21,840 Oh it's just gentle. 87 00:04:21,840 --> 00:04:25,480 Well it's just if I knew anyone like you, I'd worry. 88 00:04:25,480 --> 00:04:27,840 I like you. 89 00:04:27,840 --> 00:04:28,840 You headed for Long Beach? 90 00:04:28,840 --> 00:04:29,840 Uh huh. 91 00:04:29,840 --> 00:04:32,320 You get to that stop sign up ahead, turn left. 92 00:04:32,320 --> 00:04:33,320 Why? 93 00:04:33,320 --> 00:04:34,320 Coast Highway will take us right into it. 94 00:04:34,320 --> 00:04:38,320 Maybe it won't be as crowded as the Coast Highway, maybe not so foggy. 95 00:04:38,320 --> 00:04:42,600 Maybe it is a little out of the way. 96 00:04:42,600 --> 00:04:44,600 Maybe it'll take longer but. 97 00:04:44,600 --> 00:04:46,600 Left, just up ahead? 98 00:04:46,600 --> 00:04:47,600 Yeah. 99 00:04:47,600 --> 00:04:54,560 I live in Long Beach, work in El Segundo, make the drive every morning and night. 100 00:04:54,560 --> 00:04:55,560 I live in Long Beach. 101 00:04:55,560 --> 00:04:56,560 Where do you. 102 00:04:56,560 --> 00:04:57,560 What's your name? 103 00:04:57,560 --> 00:04:58,560 Joe, Joe Haywood. 104 00:04:58,560 --> 00:04:59,560 My name's Roberta. 105 00:04:59,560 --> 00:05:00,560 Roberta. 106 00:05:00,560 --> 00:05:01,560 Roberta what? 107 00:05:01,560 --> 00:05:02,560 Just Roberta. 108 00:05:02,560 --> 00:05:06,520 Call me Bobby if you want. 109 00:05:06,520 --> 00:05:08,400 No, I like Roberta. 110 00:05:08,400 --> 00:05:14,000 I like I can be driving through the fog and see a lovely, and see her and stop so as I 111 00:05:14,000 --> 00:05:16,440 can help out a girl whose name is Roberta. 112 00:05:16,440 --> 00:05:22,600 In shining armor, through banners of mist in shining armor. 113 00:05:22,600 --> 00:05:25,600 My wife's name's Hazel. 114 00:05:25,600 --> 00:05:28,600 Joe and Hazel. 115 00:05:28,600 --> 00:05:31,600 Joe and Roberta. 116 00:05:31,600 --> 00:05:34,600 Joe and Roberta. 117 00:05:34,600 --> 00:05:36,600 It's bumpy, rough. 118 00:05:36,600 --> 00:05:39,640 Yeah, I told you maybe it'd take us longer. 119 00:05:39,640 --> 00:05:42,640 Fog's just as heavy, heavier. 120 00:05:42,640 --> 00:05:43,640 Nice. 121 00:05:43,640 --> 00:05:44,640 Nudity? 122 00:05:44,640 --> 00:05:46,640 Nudity? 123 00:05:46,640 --> 00:05:48,640 Nudity? 124 00:05:48,640 --> 00:05:50,640 Nudity? 125 00:05:50,640 --> 00:05:52,640 Rosalind? 126 00:05:52,640 --> 00:05:54,640 Bubba? 127 00:05:54,640 --> 00:05:57,640 Watch out. 128 00:05:57,640 --> 00:05:58,640 Joe! 129 00:05:58,640 --> 00:05:59,640 Joe! 130 00:05:59,640 --> 00:06:00,640 What? 131 00:06:00,640 --> 00:06:01,640 What's the matter? 132 00:06:01,640 --> 00:06:02,640 You hit someone. 133 00:06:02,640 --> 00:06:03,640 You hit him and ran over him. 134 00:06:03,640 --> 00:06:04,640 What are you talking about? 135 00:06:04,640 --> 00:06:05,640 I just. 136 00:06:05,640 --> 00:06:06,640 You didn't see it Joe, the fog and you were looking at me. 137 00:06:06,640 --> 00:06:07,640 You mean it? 138 00:06:07,640 --> 00:06:08,640 Yeah. 139 00:06:08,640 --> 00:06:09,640 You didn't see it Joe, the fog and you were looking at me. 140 00:06:09,640 --> 00:06:10,640 You mean it? 141 00:06:10,640 --> 00:06:11,640 Yeah. 142 00:06:11,640 --> 00:06:12,640 You didn't see it? 143 00:06:12,640 --> 00:06:13,640 Yeah. 144 00:06:13,640 --> 00:06:14,640 You didn't see it Joe, the fog and you were looking at me. 145 00:06:14,640 --> 00:06:15,640 You mean it? 146 00:06:15,640 --> 00:06:16,640 You mean I hit someone? 147 00:06:16,640 --> 00:06:17,640 No. 148 00:06:17,640 --> 00:06:18,640 You better get out of the car. 149 00:06:18,640 --> 00:06:19,640 Take a look. 150 00:06:19,640 --> 00:06:20,640 Yeah, maybe I better. 151 00:06:20,640 --> 00:06:21,640 Oh. 152 00:06:21,640 --> 00:06:22,640 Joe? 153 00:06:22,640 --> 00:06:23,640 Like you said, I hit a man. 154 00:06:23,640 --> 00:06:26,640 I ran over him. 155 00:06:26,640 --> 00:06:29,640 Oh, Joe. 156 00:06:29,640 --> 00:06:32,640 He's dead. 157 00:06:32,640 --> 00:06:36,640 I'm surprised. 158 00:06:36,640 --> 00:06:37,640 Joe? 159 00:06:37,640 --> 00:06:38,640 Like you said, I hit a man. 160 00:06:38,640 --> 00:06:39,640 I ran over him. 161 00:06:39,640 --> 00:06:40,640 Oh, Joe. 162 00:06:40,640 --> 00:06:41,640 He's dead. 163 00:06:41,640 --> 00:06:42,640 You sure, Joe? 164 00:06:42,640 --> 00:06:45,640 You know, sometimes a quick look like that, you can't... 165 00:06:45,640 --> 00:06:46,640 You sure? 166 00:06:46,640 --> 00:06:47,640 I'm sure. 167 00:06:47,640 --> 00:06:48,640 I killed him. 168 00:06:48,640 --> 00:06:49,640 Joe? 169 00:06:49,640 --> 00:06:50,640 What? 170 00:06:50,640 --> 00:06:51,640 What's going to happen to you? 171 00:06:51,640 --> 00:06:52,640 What happens now? 172 00:06:52,640 --> 00:06:53,640 I don't know. 173 00:06:53,640 --> 00:06:54,640 Just keep quiet a minute, huh? 174 00:06:54,640 --> 00:06:55,640 Sure. 175 00:06:55,640 --> 00:06:56,640 Roberta... 176 00:06:56,640 --> 00:07:05,640 A nice person like you, a really wonderful person. 177 00:07:05,640 --> 00:07:08,640 To get mixed up in a thing like this. 178 00:07:08,640 --> 00:07:09,640 And police... 179 00:07:09,640 --> 00:07:14,640 Well, you tell them how you were riding along singing. 180 00:07:14,640 --> 00:07:17,640 And looking at me and... 181 00:07:17,640 --> 00:07:18,640 And manslaughter. 182 00:07:18,640 --> 00:07:21,640 That's what they'll do to you. 183 00:07:21,640 --> 00:07:22,640 Oh, Joe. 184 00:07:22,640 --> 00:07:23,640 Roberta. 185 00:07:23,640 --> 00:07:24,640 Roberta, doctor. 186 00:07:24,640 --> 00:07:25,640 You worried? 187 00:07:25,640 --> 00:07:26,640 You worried about me? 188 00:07:26,640 --> 00:07:27,640 Yeah. 189 00:07:27,640 --> 00:07:28,640 Yeah, Joe. 190 00:07:28,640 --> 00:07:29,640 Listen. 191 00:07:29,640 --> 00:07:36,640 Listen, Roberta. 192 00:07:36,640 --> 00:07:37,640 Just listen to me. 193 00:07:37,640 --> 00:07:38,640 It's trouble. 194 00:07:38,640 --> 00:07:39,640 It's terrible trouble. 195 00:07:39,640 --> 00:07:40,640 Yeah, trouble. 196 00:07:40,640 --> 00:07:41,640 And I don't know what to do. 197 00:07:41,640 --> 00:07:42,640 A thing like this never happens. 198 00:07:42,640 --> 00:07:43,640 Never. 199 00:07:43,640 --> 00:07:44,640 I'm all mixed up. 200 00:07:44,640 --> 00:07:45,640 Let's get away from here. 201 00:07:45,640 --> 00:07:46,640 And let's just... 202 00:07:46,640 --> 00:07:47,640 I killed a man. 203 00:07:47,640 --> 00:07:48,640 Let's get away from here. 204 00:07:48,640 --> 00:07:49,640 You hear me? 205 00:07:49,640 --> 00:07:50,640 It's never happened. 206 00:07:50,640 --> 00:07:51,640 Please let us get away from here. 207 00:07:51,640 --> 00:07:52,640 I just killed a man. 208 00:07:52,640 --> 00:07:53,640 I won't tell. 209 00:07:53,640 --> 00:07:54,640 Honest, I won't tell. 210 00:07:54,640 --> 00:07:55,640 I'd never tell Joe. 211 00:07:55,640 --> 00:07:56,640 Joe, we can't just sit here, please. 212 00:07:56,640 --> 00:07:57,640 Please. 213 00:07:57,640 --> 00:07:58,640 Please. 214 00:07:58,640 --> 00:07:59,640 Please. 215 00:07:59,640 --> 00:08:00,640 All right. 216 00:08:00,640 --> 00:08:01,640 All right. 217 00:08:01,640 --> 00:08:23,440 I don't know too much about things like this, so I can't explain not exactly what it feels 218 00:08:23,440 --> 00:08:25,440 like to kill a man. 219 00:08:25,440 --> 00:08:30,000 And I can't explain not exactly what it felt like to hear her sobbing, the girl whose name 220 00:08:30,000 --> 00:08:34,680 was just Roberta, and the way she leaned her head against my shoulder and sat close and 221 00:08:34,680 --> 00:08:41,420 shivered and then was quiet, real quiet, and not moving away from me, just staring straight 222 00:08:41,420 --> 00:08:42,760 into the fog. 223 00:08:42,760 --> 00:08:46,080 I kept driving, as all I know, like it was some mechanical reflex. 224 00:08:46,080 --> 00:08:50,800 I got back on the coast highway and kept driving past where I lived, past Long Beach, past 225 00:08:50,800 --> 00:08:56,120 Seal Beach, past Balboa, south, just outside Laguna. 226 00:08:56,120 --> 00:08:58,120 The fog started to lift. 227 00:08:58,120 --> 00:08:59,120 Joe. 228 00:08:59,120 --> 00:09:00,120 It's okay. 229 00:09:00,120 --> 00:09:01,600 We're a long way from... 230 00:09:01,600 --> 00:09:02,600 You okay? 231 00:09:02,600 --> 00:09:03,600 Yeah. 232 00:09:03,600 --> 00:09:04,600 And you? 233 00:09:04,600 --> 00:09:05,600 I'm okay. 234 00:09:05,600 --> 00:09:06,600 Where are we? 235 00:09:06,600 --> 00:09:07,600 Just outside of Laguna. 236 00:09:07,600 --> 00:09:10,600 Keep your eye on the rear view mirror, will you, Roberta? 237 00:09:10,600 --> 00:09:11,600 What? 238 00:09:11,600 --> 00:09:12,600 The car just behind picked me up outside Balboa. 239 00:09:12,600 --> 00:09:13,600 I think he's been following me. 240 00:09:13,600 --> 00:09:23,160 Maybe. 241 00:09:23,160 --> 00:09:25,040 I don't know any way to tell for sure. 242 00:09:25,040 --> 00:09:26,040 I know a way. 243 00:09:26,040 --> 00:09:27,720 There's a place just up ahead, cocktail bar, parking lot. 244 00:09:27,720 --> 00:09:32,720 I'll turn in there. 245 00:09:32,720 --> 00:09:42,800 I guess I'm just jumping and scared. 246 00:09:42,800 --> 00:09:43,800 Very scared, I don't mind saying. 247 00:09:43,800 --> 00:09:47,200 So, as long as we're here, could we have... 248 00:09:47,200 --> 00:09:50,000 Yeah, as long as we're here, a drink would help relax me. 249 00:09:50,000 --> 00:09:52,400 Let me think instead of being all knotted up inside. 250 00:09:52,400 --> 00:09:53,400 You want to? 251 00:09:53,400 --> 00:09:54,400 Yeah, yeah. 252 00:09:54,400 --> 00:10:03,340 It was a place Hazel and I used to go to a lot before we were married. 253 00:10:03,340 --> 00:10:04,920 That kind of place. 254 00:10:04,920 --> 00:10:09,320 Jetting out over the ocean and a glass wall to look through at whatever horizon you had 255 00:10:09,320 --> 00:10:11,160 in mind that evening. 256 00:10:11,160 --> 00:10:15,200 Candles and wrought iron on every table and piano music. 257 00:10:15,200 --> 00:10:20,360 And the sound of the ocean washing against the beach and the place swaying with the tides 258 00:10:20,360 --> 00:10:23,760 rolling in from the South Pacific. 259 00:10:23,760 --> 00:10:27,320 About a place like that, I can talk like that. 260 00:10:27,320 --> 00:10:31,840 We found a table close to the glass wall and I asked Roberta to order for me and I asked 261 00:10:31,840 --> 00:10:36,360 her to excuse me for just a minute as I had a phone call to make. 262 00:10:36,360 --> 00:10:38,160 Operator? 263 00:10:38,160 --> 00:10:43,480 I want Terminal 21476 in Long Beach, Operator. 264 00:10:43,480 --> 00:10:46,480 One moment please. 265 00:10:46,480 --> 00:10:51,480 That'll be 1510 please. 266 00:10:51,480 --> 00:10:54,480 Yes ma'am. 267 00:10:54,480 --> 00:10:59,480 I'll ring your number. 268 00:10:59,480 --> 00:11:02,480 Hello? 269 00:11:02,480 --> 00:11:04,480 It's Joe, honey. 270 00:11:04,480 --> 00:11:07,480 You better be calling from the hospital is what I've got to say to you. 271 00:11:07,480 --> 00:11:08,480 Something happened. 272 00:11:08,480 --> 00:11:09,480 A broken leg? 273 00:11:09,480 --> 00:11:10,480 Two broken legs? 274 00:11:10,480 --> 00:11:11,480 What? 275 00:11:11,480 --> 00:11:12,480 What happened to you Joe? 276 00:11:12,480 --> 00:11:13,480 Will you just listen to me? 277 00:11:13,480 --> 00:11:14,480 Or maybe you got mixed up with some gambling, Carlin. 278 00:11:14,480 --> 00:11:15,480 You don't dare show your face back home because it'll cost every penny you ever had. 279 00:11:15,480 --> 00:11:16,480 The house, the car. 280 00:11:16,480 --> 00:11:17,480 Honey, it's nothing like that. 281 00:11:17,480 --> 00:11:18,480 It's a le... 282 00:11:18,480 --> 00:11:19,480 Gambler. 283 00:11:19,480 --> 00:11:20,480 Oh. 284 00:11:20,480 --> 00:11:21,480 Oh. 285 00:11:21,480 --> 00:11:22,480 Hello. 286 00:11:22,480 --> 00:11:23,480 I'm sorry sir. 287 00:11:23,480 --> 00:11:26,480 I thought I recognized you young lady. 288 00:11:26,480 --> 00:11:29,480 I was wrong. 289 00:11:29,480 --> 00:11:37,480 That's right. 290 00:11:37,480 --> 00:11:40,480 He thought he recognized me. 291 00:11:40,480 --> 00:11:41,480 Oh. 292 00:11:41,480 --> 00:11:42,480 Yeah. 293 00:11:42,480 --> 00:11:43,480 Yeah. 294 00:11:43,480 --> 00:11:44,480 Be a good chap. 295 00:11:44,480 --> 00:11:45,480 Take my word for it. 296 00:11:45,480 --> 00:11:46,480 Her word too. 297 00:11:46,480 --> 00:11:47,480 I'm very sorry. 298 00:11:47,480 --> 00:11:48,480 Good night lady. 299 00:11:48,480 --> 00:11:49,480 Good night sir. 300 00:11:49,480 --> 00:11:50,480 Hey. 301 00:11:50,480 --> 00:11:51,480 Now you just wait a... 302 00:11:51,480 --> 00:11:52,480 Look what happened, Joe. 303 00:11:52,480 --> 00:11:53,480 He thought he knew me. 304 00:11:53,480 --> 00:11:54,480 I was setting him right when you... 305 00:11:54,480 --> 00:11:55,480 Come on. 306 00:11:55,480 --> 00:11:56,480 Come on. 307 00:11:56,480 --> 00:11:57,480 Sit down. 308 00:11:57,480 --> 00:12:00,480 I've been waiting. 309 00:12:00,480 --> 00:12:05,480 I waited to drink with you. 310 00:12:05,480 --> 00:12:13,800 Joe and Roberta. 311 00:12:13,800 --> 00:12:15,720 Joe and Roberta. 312 00:12:15,720 --> 00:12:19,600 We drank our drink and I ordered another one and we drank that. 313 00:12:19,600 --> 00:12:21,080 Not a whole lot of talk. 314 00:12:21,080 --> 00:12:23,880 Sat and looked at the ocean. 315 00:12:23,880 --> 00:12:28,640 And in a while the clouds over the water moved away to some other country, some other ocean. 316 00:12:28,640 --> 00:12:31,840 And there was left the moon. 317 00:12:31,840 --> 00:12:35,760 People often remark how nice I talk about pretty things. 318 00:12:35,760 --> 00:12:37,280 But there was no talk that night. 319 00:12:37,280 --> 00:12:39,160 Anyway hardly any talk at all. 320 00:12:39,160 --> 00:12:42,040 Just the music from the piano and another drink. 321 00:12:42,040 --> 00:12:45,840 And not think what happened way back there outside of Redondo. 322 00:12:45,840 --> 00:12:48,120 Not say it. 323 00:12:48,120 --> 00:12:51,440 I guess I must have looked at Roberta in some ways that... 324 00:12:51,440 --> 00:12:52,440 We better go. 325 00:12:52,440 --> 00:12:53,440 Not yet. 326 00:12:53,440 --> 00:12:54,440 We better. 327 00:12:54,440 --> 00:12:55,440 Come on, Joe. 328 00:12:55,440 --> 00:12:56,440 Please. 329 00:12:56,440 --> 00:12:57,440 Yeah, I bet. 330 00:12:57,440 --> 00:13:04,880 So I called over the waiter and paid him and gave him a very nice large tip. 331 00:13:04,880 --> 00:13:09,320 And we went outside. 332 00:13:09,320 --> 00:13:11,360 And in the parking lot I saw something. 333 00:13:11,360 --> 00:13:13,360 What could matter? 334 00:13:13,360 --> 00:13:15,400 Why you stop? 335 00:13:15,400 --> 00:13:16,400 There. 336 00:13:16,400 --> 00:13:17,400 That car parked there. 337 00:13:17,400 --> 00:13:18,400 What about it? 338 00:13:18,400 --> 00:13:21,000 It's just like the car I thought was following me. 339 00:13:21,000 --> 00:13:23,160 Exactly the same car. 340 00:13:23,160 --> 00:13:24,160 I swear. 341 00:13:24,160 --> 00:13:25,160 You better let me drive, Joe. 342 00:13:25,160 --> 00:13:28,160 Maybe you got too relaxed in those drinks. 343 00:13:28,160 --> 00:13:29,160 Maybe it'd be better if I drove. 344 00:13:29,160 --> 00:13:30,160 Give me the keys, huh, Joe? 345 00:13:30,160 --> 00:13:31,160 Come on. 346 00:13:31,160 --> 00:13:32,160 Yeah, it'll be better. 347 00:13:32,160 --> 00:13:33,160 You drive. 348 00:13:33,160 --> 00:13:34,160 Here are my keys. 349 00:13:34,160 --> 00:13:35,160 Roberta, Roberta. 350 00:13:35,160 --> 00:13:36,160 I'll help you in, Joe. 351 00:13:36,160 --> 00:13:37,160 Roberta, Roberta. 352 00:13:37,160 --> 00:13:38,160 All right. 353 00:13:38,160 --> 00:13:53,160 Roberta, Roberta. 354 00:13:53,160 --> 00:14:07,280 I'm sorry. 355 00:14:07,280 --> 00:14:14,280 I'm sorry for what I got you into and for being kind of low to the way I am. 356 00:14:14,280 --> 00:14:17,280 Oh, now you just put your head on my shoulder and don't think of anything. 357 00:14:17,280 --> 00:14:18,280 Oh. 358 00:14:18,280 --> 00:14:23,280 Traffic accidents throughout the Southwest. 359 00:14:23,280 --> 00:14:29,280 California State Highway Patrol reports that a short while ago a man was found dead on 360 00:14:29,280 --> 00:14:31,280 Vernon Avenue outside Redondo. 361 00:14:31,280 --> 00:14:33,280 As yet he is unidentified. 362 00:14:33,280 --> 00:14:36,280 But he is a victim of a hit and run driver. 363 00:14:36,280 --> 00:14:40,280 The Highway Patrol has asked that this announcement be made so that any person or persons who 364 00:14:40,280 --> 00:14:42,280 may have seen the accident will immediately... 365 00:14:42,280 --> 00:14:44,280 Roberta, they mean me. 366 00:14:44,280 --> 00:14:45,280 Maybe. 367 00:14:45,280 --> 00:14:46,280 What am I going to do? 368 00:14:46,280 --> 00:14:47,280 What? 369 00:14:47,280 --> 00:14:48,280 But you heard it, Phil. 370 00:14:48,280 --> 00:14:49,280 For sure. 371 00:14:49,280 --> 00:14:50,280 What... 372 00:14:50,280 --> 00:14:51,280 Sleep. 373 00:14:51,280 --> 00:14:52,280 That's what you're going to do. 374 00:14:52,280 --> 00:14:53,280 Sleep. 375 00:14:53,280 --> 00:14:56,280 Close your eyes and nestle close and sleep. 376 00:14:56,280 --> 00:14:58,280 Sleep, Joe. 377 00:14:58,280 --> 00:15:00,280 Yeah, maybe. 378 00:15:00,280 --> 00:15:03,280 So am I hell queer. 379 00:15:03,280 --> 00:15:04,280 Sleep. 380 00:15:04,280 --> 00:15:06,280 That's it. 381 00:15:06,280 --> 00:15:09,280 Close your eyes. 382 00:15:26,280 --> 00:15:30,280 You are listening to Kathy and Elliot Lewis in Morton Fine and David Friedkin's story, 383 00:15:30,280 --> 00:15:32,280 Run Sheep Run. 384 00:15:32,280 --> 00:15:37,280 A presentation in radio's outstanding theater of thrills, Suspense. 385 00:15:47,280 --> 00:15:52,280 Tomorrow night, CBS radio's 21st Precinct thriller begins in the early morning hours 386 00:15:52,280 --> 00:15:56,280 when a woman approaches a cop on his beat and announces, I just shot my husband. 387 00:15:56,280 --> 00:16:01,280 It's another poignant story of Captain Cannelli's 21st Precinct titled The Shotgun. 388 00:16:01,280 --> 00:16:03,280 One that will touch your heartstrings. 389 00:16:03,280 --> 00:16:09,280 Hear it on most of these same stations tomorrow night for another revealing insight on the human element in police work. 390 00:16:09,280 --> 00:16:15,280 And now we bring back to our Hollywood soundstage Kathy and Elliot Lewis in Mr. Lewis's production of 391 00:16:15,280 --> 00:16:17,280 Run Sheep Run. 392 00:16:17,280 --> 00:16:32,280 A tale well calculated to keep you in suspense. 393 00:16:39,280 --> 00:16:41,280 Hi. 394 00:16:41,280 --> 00:16:44,280 Hi, sleepyhead. 395 00:16:44,280 --> 00:16:47,280 Hello, you old sleepyhead. 396 00:16:47,280 --> 00:16:49,280 Don't think about it. 397 00:16:49,280 --> 00:16:50,280 Where are we? 398 00:16:50,280 --> 00:16:52,280 Just south of San Diego. 399 00:16:52,280 --> 00:16:54,280 We'll be a national city in a little while. 400 00:16:54,280 --> 00:16:55,280 You know what I did? 401 00:16:55,280 --> 00:16:56,280 I don't want you to think about it. 402 00:16:56,280 --> 00:16:57,280 I killed a man. 403 00:16:57,280 --> 00:16:58,280 For my sake, don't. 404 00:16:58,280 --> 00:16:59,280 And I'm running away. Look. 405 00:16:59,280 --> 00:17:00,280 What? 406 00:17:00,280 --> 00:17:02,280 Over there, the sun's coming up, see? 407 00:17:02,280 --> 00:17:04,280 It's the start of my first day as a fugitive. 408 00:17:04,280 --> 00:17:05,280 It's... 409 00:17:05,280 --> 00:17:06,280 Honey. 410 00:17:06,280 --> 00:17:07,280 Honey? 411 00:17:07,280 --> 00:17:10,280 Of course it's honey. 412 00:17:10,280 --> 00:17:12,280 What we've been through together, what we... 413 00:17:12,280 --> 00:17:13,280 For just a minute. 414 00:17:13,280 --> 00:17:14,280 Everything seems different. 415 00:17:14,280 --> 00:17:16,280 It's a new day and my mind's refreshed. 416 00:17:16,280 --> 00:17:17,280 I don't know what you're talking about. 417 00:17:17,280 --> 00:17:18,280 A new perspective. 418 00:17:18,280 --> 00:17:19,280 Everything's terrible. 419 00:17:19,280 --> 00:17:21,280 Honey, everything was terrible last night. 420 00:17:21,280 --> 00:17:24,280 But in the light of a new day, listen, I've killed a man and I'm running away from him. 421 00:17:24,280 --> 00:17:25,280 That's right. 422 00:17:25,280 --> 00:17:27,280 Joe Haywood murderer. 423 00:17:27,280 --> 00:17:29,280 Joe Haywood murderer. 424 00:17:29,280 --> 00:17:30,280 I don't think about it. 425 00:17:30,280 --> 00:17:31,280 In Mexico. 426 00:17:31,280 --> 00:17:32,280 In Mexico? 427 00:17:32,280 --> 00:17:34,280 Have you ever dreamed of Mexico, Joe? 428 00:17:34,280 --> 00:17:35,280 Very often. 429 00:17:35,280 --> 00:17:36,280 In an hour. 430 00:17:36,280 --> 00:17:38,280 Mexico. 431 00:17:38,280 --> 00:17:39,280 With me. 432 00:17:39,280 --> 00:17:40,280 Last night. 433 00:17:40,280 --> 00:17:42,280 I don't know what happened to me. 434 00:17:42,280 --> 00:17:44,280 I think I saw a poor man lying there. 435 00:17:44,280 --> 00:17:45,280 I guess he was shot. 436 00:17:45,280 --> 00:17:47,280 What made me do... 437 00:17:47,280 --> 00:17:49,280 Joe, Mexico. 438 00:17:49,280 --> 00:17:50,280 With me, Joe. 439 00:17:50,280 --> 00:17:52,280 I'm out of my mind. 440 00:17:52,280 --> 00:17:54,280 First there was a girl out of the fog. 441 00:17:54,280 --> 00:17:57,280 Me, Joe, and I'm beside you now. 442 00:17:57,280 --> 00:18:00,280 What are you shaking your head for? 443 00:18:00,280 --> 00:18:02,280 Am I not pretty anymore in the morning? 444 00:18:02,280 --> 00:18:03,280 You're beautiful. 445 00:18:03,280 --> 00:18:04,280 Then what? 446 00:18:04,280 --> 00:18:05,280 Stop the car. 447 00:18:05,280 --> 00:18:06,280 What? 448 00:18:06,280 --> 00:18:07,280 Quick, stop the car. 449 00:18:09,280 --> 00:18:10,280 Now what? 450 00:18:10,280 --> 00:18:12,280 I'm going to make a telephone call. 451 00:18:12,280 --> 00:18:13,280 That phone booth in the filling station. 452 00:18:13,280 --> 00:18:14,280 Who are you going to call? 453 00:18:14,280 --> 00:18:15,280 Hazel. 454 00:18:15,280 --> 00:18:16,280 You know I'm going to call Hazel. 455 00:18:16,280 --> 00:18:17,280 She's my wife. 456 00:18:17,280 --> 00:18:18,280 I just got to call her. 457 00:18:18,280 --> 00:18:19,280 I'm going to tell her everything. 458 00:18:19,280 --> 00:18:20,280 How I killed a man... 459 00:18:35,280 --> 00:18:37,280 Operator, your number, please. 460 00:18:37,280 --> 00:18:41,280 On the terminal 21476 in Long Beach, operating. 461 00:18:43,280 --> 00:18:45,280 That will be 45 cents for the first three minutes. 462 00:18:45,280 --> 00:18:46,280 Yes, ma'am. 463 00:18:51,280 --> 00:18:52,280 And a quarter. 464 00:18:52,280 --> 00:18:53,280 Thank you. 465 00:18:53,280 --> 00:18:54,280 Just a moment. 466 00:19:02,280 --> 00:19:03,280 Joe? 467 00:19:03,280 --> 00:19:04,280 Joe, where are you? 468 00:19:04,280 --> 00:19:05,280 I'm coming in, Hazel. 469 00:19:05,280 --> 00:19:07,280 I'm going to give myself up. 470 00:19:07,280 --> 00:19:08,280 Joe, are you all right? 471 00:19:08,280 --> 00:19:09,280 I'm going to face the music, Hazel. 472 00:19:09,280 --> 00:19:10,280 Face what music? 473 00:19:10,280 --> 00:19:11,280 What are you talking about? 474 00:19:11,280 --> 00:19:12,280 It's a long story, Hazel, what's happened to me 475 00:19:12,280 --> 00:19:14,280 and the strangeness of events leading up to... 476 00:19:14,280 --> 00:19:16,280 You drunken bum. 477 00:19:16,280 --> 00:19:17,280 Hazel, listen to me. 478 00:19:17,280 --> 00:19:18,280 What's that music playing? 479 00:19:18,280 --> 00:19:19,280 And who are those girls I hear laughing at? 480 00:19:19,280 --> 00:19:20,280 There's no music. 481 00:19:20,280 --> 00:19:21,280 The chorus girl, I'll bet you. 482 00:19:21,280 --> 00:19:23,280 And wine and whiskey. 483 00:19:23,280 --> 00:19:24,280 Joe? 484 00:19:24,280 --> 00:19:25,280 Can you hear me, Joe? 485 00:19:25,280 --> 00:19:26,280 Hazel, please. 486 00:19:26,280 --> 00:19:27,280 Don't come home. 487 00:19:27,280 --> 00:19:29,280 Don't ever come home. 488 00:19:29,280 --> 00:19:31,280 Now don't say that, baby doll. 489 00:19:31,280 --> 00:19:32,280 Hazel? 490 00:19:32,280 --> 00:19:33,280 Hazel? 491 00:19:33,280 --> 00:19:35,280 Hazel? 492 00:19:35,280 --> 00:19:48,280 Well, look at me, Joe. 493 00:19:48,280 --> 00:19:52,280 And you come on and look at me. 494 00:19:52,280 --> 00:19:55,280 That's better. 495 00:19:55,280 --> 00:19:57,280 You certainly are a changed person in the morning. 496 00:19:57,280 --> 00:19:59,280 You know that? 497 00:19:59,280 --> 00:20:01,280 Anybody ever tell you that? 498 00:20:01,280 --> 00:20:02,280 You know something? 499 00:20:02,280 --> 00:20:04,280 I don't understand you at all. 500 00:20:04,280 --> 00:20:06,280 I'm glad, Joe. 501 00:20:06,280 --> 00:20:07,280 A little mystery in a woman. 502 00:20:07,280 --> 00:20:10,280 Roberta, my wife is really worried about me. 503 00:20:10,280 --> 00:20:12,280 Roberta, we're going back. 504 00:20:12,280 --> 00:20:13,280 What? 505 00:20:13,280 --> 00:20:14,280 We're going back. 506 00:20:14,280 --> 00:20:15,280 And you'll testify... 507 00:20:15,280 --> 00:20:16,280 Oh, no, I'm not. 508 00:20:16,280 --> 00:20:17,280 It's the only way. 509 00:20:17,280 --> 00:20:19,280 Not me, Jack. 510 00:20:19,280 --> 00:20:22,280 Jack? 511 00:20:22,280 --> 00:20:24,280 What did you call me? 512 00:20:24,280 --> 00:20:25,280 Jack. 513 00:20:25,280 --> 00:20:27,280 It's a phrase. 514 00:20:27,280 --> 00:20:28,280 You want to know what? 515 00:20:28,280 --> 00:20:29,280 You don't look pretty anymore. 516 00:20:29,280 --> 00:20:30,280 Trouble? 517 00:20:30,280 --> 00:20:32,280 He wants to go back. 518 00:20:32,280 --> 00:20:33,280 What is this? 519 00:20:33,280 --> 00:20:35,280 He wants me to go back with him to testify. 520 00:20:35,280 --> 00:20:36,280 I know you. 521 00:20:36,280 --> 00:20:37,280 I know him, Roberta. 522 00:20:37,280 --> 00:20:40,280 He's the fellow who was talking to you at the bar when I came back from... 523 00:20:40,280 --> 00:20:41,280 I know you. 524 00:20:41,280 --> 00:20:42,280 Oh. 525 00:20:42,280 --> 00:20:43,280 What's going on here? 526 00:20:43,280 --> 00:20:45,280 What do you mean, what's going on here? 527 00:20:45,280 --> 00:20:49,280 What does this chap mean when he says, what's going on here, buddy? 528 00:20:49,280 --> 00:20:50,280 Bobby? 529 00:20:50,280 --> 00:20:51,280 He calls me that. 530 00:20:51,280 --> 00:20:53,280 You didn't want to, but he does. 531 00:20:53,280 --> 00:20:54,280 All the time. 532 00:20:54,280 --> 00:20:55,280 You please get out of my car. 533 00:20:55,280 --> 00:20:56,280 Out. 534 00:20:56,280 --> 00:20:58,280 Don't struggle with me, fella, because... 535 00:20:58,280 --> 00:21:00,280 Bobby, make him like all the steering wheel. 536 00:21:00,280 --> 00:21:01,280 Okay. 537 00:21:01,280 --> 00:21:02,280 Ow! 538 00:21:02,280 --> 00:21:03,280 Come on out here. 539 00:21:03,280 --> 00:21:04,280 Ow! 540 00:21:04,280 --> 00:21:06,280 Something's funny, very, very funny. 541 00:21:06,280 --> 00:21:09,280 The whole thing, the back road and Roberta... 542 00:21:20,280 --> 00:21:25,280 Now, that was the first time in my whole life I'd ever been knocked unconscious by another fella. 543 00:21:25,280 --> 00:21:27,280 I didn't see him hit me. 544 00:21:27,280 --> 00:21:30,280 Whether or not that would have made a difference, I don't know. 545 00:21:30,280 --> 00:21:31,280 I've been called agile. 546 00:21:31,280 --> 00:21:33,280 I might have ducked or something. 547 00:21:33,280 --> 00:21:35,280 And I don't remember anything when I was out. 548 00:21:35,280 --> 00:21:39,280 Spinning wheels of color and voices and rockets bursting and sounds. 549 00:21:39,280 --> 00:21:41,280 Nothing. 550 00:21:41,280 --> 00:21:42,280 I opened my eyes. 551 00:21:42,280 --> 00:21:44,280 I was flat on my back. 552 00:21:44,280 --> 00:21:45,280 Up. 553 00:21:45,280 --> 00:21:46,280 I got up. 554 00:21:46,280 --> 00:21:47,280 Into the car. 555 00:21:47,280 --> 00:21:49,280 Behind the wheel. 556 00:21:49,280 --> 00:21:51,280 I got into the car and behind the wheel. 557 00:21:51,280 --> 00:21:54,280 Roberta was sitting beside me. 558 00:21:54,280 --> 00:21:55,280 This is a gun, Joe. 559 00:21:55,280 --> 00:21:57,280 That's a gun, Joe. 560 00:21:57,280 --> 00:21:58,280 She'll tell you where to drive. 561 00:21:58,280 --> 00:22:00,280 You drive it, are you here? 562 00:22:00,280 --> 00:22:02,280 Else she'll shoot you. 563 00:22:02,280 --> 00:22:04,280 I will, Joe. 564 00:22:04,280 --> 00:22:07,280 Straight down the road. 565 00:22:07,280 --> 00:22:10,280 And I'll be following along in my car. 566 00:22:10,280 --> 00:22:12,280 Bye. 567 00:22:19,280 --> 00:22:21,280 Hi. 568 00:22:21,280 --> 00:22:25,280 You were a liar from the word go, weren't you? 569 00:22:25,280 --> 00:22:26,280 I don't. 570 00:22:26,280 --> 00:22:27,280 With a gun. 571 00:22:27,280 --> 00:22:28,280 Take your eyes off it. 572 00:22:28,280 --> 00:22:29,280 Watch the road. 573 00:22:29,280 --> 00:22:30,280 With a gun. 574 00:22:30,280 --> 00:22:31,280 Uh-huh. 575 00:22:31,280 --> 00:22:32,280 Where are we going? 576 00:22:32,280 --> 00:22:34,280 US Route 101, Joe. 577 00:22:34,280 --> 00:22:36,280 Just follow the highway. 578 00:22:36,280 --> 00:22:37,280 Look at you. 579 00:22:37,280 --> 00:22:39,280 Pretty girl like you. 580 00:22:39,280 --> 00:22:40,280 Sitting there with a pistol. 581 00:22:40,280 --> 00:22:41,280 Straight down the road. 582 00:22:41,280 --> 00:22:42,280 To Mexico. 583 00:22:42,280 --> 00:22:45,280 I promised you Mexico, didn't I? 584 00:22:45,280 --> 00:22:48,280 You think I'm stupid, don't you? 585 00:22:48,280 --> 00:22:50,280 No, I don't. 586 00:22:50,280 --> 00:22:52,280 I'd rather what's going to happen wouldn't happen to you, Joe. 587 00:22:52,280 --> 00:22:54,280 Still, you'd shoot me. 588 00:22:54,280 --> 00:22:56,280 Yes, I would. 589 00:22:56,280 --> 00:22:58,280 I don't pity you, Roberta. 590 00:22:58,280 --> 00:23:01,280 I guess I should, but I just don't. 591 00:23:01,280 --> 00:23:03,280 What's going to happen? 592 00:23:03,280 --> 00:23:05,280 You killed a man, remember? 593 00:23:05,280 --> 00:23:07,280 I'm not so sure. 594 00:23:07,280 --> 00:23:08,280 What's the matter? 595 00:23:08,280 --> 00:23:10,280 Not so sure, he says. 596 00:23:10,280 --> 00:23:11,280 It's a light flash. 597 00:23:11,280 --> 00:23:12,280 What's going to happen? 598 00:23:12,280 --> 00:23:14,280 Well, I'll tell you. 599 00:23:14,280 --> 00:23:17,280 We're going to drive straight through to Tijuana. 600 00:23:17,280 --> 00:23:18,280 You like Tijuana? 601 00:23:18,280 --> 00:23:19,280 It's all right. 602 00:23:19,280 --> 00:23:22,280 Well, we're going to drive straight through. 603 00:23:22,280 --> 00:23:23,280 Then I think, Mark... 604 00:23:23,280 --> 00:23:25,280 Is he going to kill me? 605 00:23:25,280 --> 00:23:27,280 Honey, honey. 606 00:23:27,280 --> 00:23:28,280 I don't think he's going to kill me. 607 00:23:28,280 --> 00:23:30,280 He's going to use me for a patsy. 608 00:23:30,280 --> 00:23:32,280 Patsy? 609 00:23:32,280 --> 00:23:33,280 What are you doing with that word? 610 00:23:33,280 --> 00:23:35,280 I read, I read twenty. 611 00:23:35,280 --> 00:23:38,280 And you are so right. 612 00:23:38,280 --> 00:23:40,280 You're going to be a patsy. 613 00:23:40,280 --> 00:23:43,280 Dump you in the car below Mexico where the police can find you. 614 00:23:43,280 --> 00:23:47,280 By the time they do, they'll have word you're the guy running away from a hit-and-run outside Redondo. 615 00:23:47,280 --> 00:23:48,280 Patsy. 616 00:23:48,280 --> 00:23:51,280 That's the word. 617 00:23:51,280 --> 00:23:52,280 Joe. 618 00:23:52,280 --> 00:23:53,280 I didn't kill that man at all. 619 00:23:53,280 --> 00:23:54,280 Joe. 620 00:23:53,280 --> 00:23:54,280 You did. 621 00:23:54,280 --> 00:23:55,280 I didn't. 622 00:23:55,280 --> 00:23:56,280 Yes, you did. 623 00:23:56,280 --> 00:23:58,280 Up ahead, Joe, is the border. 624 00:23:58,280 --> 00:24:01,280 Behave. 625 00:24:01,280 --> 00:24:02,280 Take your eye off the road for a second. 626 00:24:02,280 --> 00:24:05,280 Look at this gun. 627 00:24:05,280 --> 00:24:07,280 Now back on the road. 628 00:24:07,280 --> 00:24:10,280 Just behave, that's all. 629 00:24:10,280 --> 00:24:14,280 I got a story all fixed just in case the border guard... 630 00:24:14,280 --> 00:24:22,280 Just behave. 631 00:24:22,280 --> 00:24:23,280 Good morning and welcome to Mexico. 632 00:24:23,280 --> 00:24:25,280 We hope you enjoy your stay. 633 00:24:25,280 --> 00:24:26,280 Where were you born? 634 00:24:26,280 --> 00:24:27,280 Me? 635 00:24:27,280 --> 00:24:28,280 If you please. 636 00:24:28,280 --> 00:24:29,280 Ohio. 637 00:24:29,280 --> 00:24:31,280 And you, senor, where were you born? 638 00:24:31,280 --> 00:24:33,280 Ah, your father's Cucaracha. 639 00:24:33,280 --> 00:24:34,280 Pardon me? 640 00:24:34,280 --> 00:24:35,280 Your father's Cucaracha. 641 00:24:35,280 --> 00:24:36,280 Jack. 642 00:24:36,280 --> 00:24:38,280 I do not understand this belligerent senor. 643 00:24:38,280 --> 00:24:40,280 I wish only to hear which state you were born in. 644 00:24:40,280 --> 00:24:41,280 Also, it's Cumpra Cita. 645 00:24:41,280 --> 00:24:42,280 I can deny you permission to make a go. 646 00:24:42,280 --> 00:24:43,280 God. 647 00:24:43,280 --> 00:24:44,280 It will avail you nothing, madam. 648 00:24:44,280 --> 00:24:45,280 This man has insulted me. 649 00:24:45,280 --> 00:24:46,280 I suggest... 650 00:24:46,280 --> 00:24:47,280 Get him suggesting. 651 00:24:47,280 --> 00:24:48,280 You want a suggestion, Jack? 652 00:24:48,280 --> 00:24:49,280 The guy in that car driving up. 653 00:24:49,280 --> 00:24:50,280 Talk to him. 654 00:24:50,280 --> 00:24:51,280 Guard, my friend here is upset this time, you know. 655 00:24:51,280 --> 00:24:54,280 The guy driving up, he's the boss of an international smuggling ring. 656 00:24:54,280 --> 00:24:55,280 Smuggling? 657 00:24:55,280 --> 00:24:56,280 Ring. 658 00:24:56,280 --> 00:24:57,280 We'll turn back, guard. 659 00:24:57,280 --> 00:24:58,280 Right there, guard. 660 00:24:58,280 --> 00:24:59,280 He's packing 200 grand in his suitcase. 661 00:24:59,280 --> 00:25:00,280 That fellow there in the gray sedan. 662 00:25:00,280 --> 00:25:01,280 Suitcase full of money. 663 00:25:01,280 --> 00:25:02,280 Very big smuggler. 664 00:25:02,280 --> 00:25:03,280 In the gray sedan? 665 00:25:03,280 --> 00:25:04,280 The one I'm pointing to, the gray sedan. 666 00:25:04,280 --> 00:25:05,280 The fellow's turning around. 667 00:25:05,280 --> 00:25:06,280 Oh, yes, I see. 668 00:25:06,280 --> 00:25:07,280 Senor! 669 00:25:07,280 --> 00:25:08,280 That's the fella. 670 00:25:08,280 --> 00:25:09,280 Senor! 671 00:25:09,280 --> 00:25:10,280 Wait, I wish to... 672 00:25:10,280 --> 00:25:13,280 Don't get him! 673 00:25:13,280 --> 00:25:18,280 Don't get him! 674 00:25:18,280 --> 00:25:29,280 Will you accept the charges? 675 00:25:29,280 --> 00:25:32,280 He's in Mexico, Tijuana. 676 00:25:32,280 --> 00:25:34,280 Put him on. 677 00:25:34,280 --> 00:25:36,280 Go ahead, sir. 678 00:25:36,280 --> 00:25:37,280 Hello, Hazel. 679 00:25:37,280 --> 00:25:40,280 I've been told you're in Mexico, Joe. 680 00:25:40,280 --> 00:25:41,280 Yes, Hazel, I am. 681 00:25:41,280 --> 00:25:43,280 Please tell me why. 682 00:25:43,280 --> 00:25:44,280 Will you listen? 683 00:25:44,280 --> 00:25:46,280 Of course I'll listen. 684 00:25:46,280 --> 00:25:48,280 I thought I had murdered somebody. 685 00:25:48,280 --> 00:25:49,280 Murdered somebody. 686 00:25:49,280 --> 00:25:50,280 Hit and run, it's the same thing. 687 00:25:50,280 --> 00:25:51,280 It is. 688 00:25:51,280 --> 00:25:53,280 But Roberta and Mark really did it. 689 00:25:53,280 --> 00:25:57,280 Beat up a friend for the money he had that he'd won in Vegas, and I was kidnapped, Hazel. 690 00:25:57,280 --> 00:26:01,280 He tried to get away, but the border guards grabbed him, and they found nearly $10,000 in his suitcase. 691 00:26:01,280 --> 00:26:02,280 Boy, was I surprised. 692 00:26:02,280 --> 00:26:04,280 They got Roberta when she tried... 693 00:26:04,280 --> 00:26:05,280 Hazel, are you there? 694 00:26:05,280 --> 00:26:07,280 Who kidnapped you, Joe? 695 00:26:07,280 --> 00:26:09,280 Roberta and Mark, but it's all right. 696 00:26:09,280 --> 00:26:10,280 I tricked them at the border. 697 00:26:10,280 --> 00:26:12,280 Roberta had a gun on me, but I... 698 00:26:12,280 --> 00:26:13,280 Hazel? 699 00:26:13,280 --> 00:26:14,280 Hazel? 700 00:26:14,280 --> 00:26:38,280 Oh. 701 00:26:38,280 --> 00:26:44,280 In which Kathy and Elliot Lewis were starred in Run Sheep Run. 702 00:26:44,280 --> 00:26:46,280 What's your definition of the criminal type? 703 00:26:46,280 --> 00:26:52,280 Have you ever looked at a man or woman and decided, inwardly, we hope, that person is the criminal type? 704 00:26:52,280 --> 00:27:00,280 If so, you'll be fascinated by what befalls Casey, crime photographer, tomorrow night, when he gets involved in a case he blithely labeled the criminal type. 705 00:27:00,280 --> 00:27:06,280 Surprise follows surprise, thrill follows thrill, when CBS Radio's crime photographer takes his latest case. 706 00:27:06,280 --> 00:27:09,280 Tomorrow night, on most of these same stations. 707 00:27:09,280 --> 00:27:14,280 Next week, the story of a man no one believed, even when he confessed to a murder. 708 00:27:14,280 --> 00:27:19,280 Anthony Ellis will be starred in his own adaptation of Elizabeth Bowen's Telling. 709 00:27:19,280 --> 00:27:33,280 That's next week on Suspense. 710 00:27:33,280 --> 00:27:40,280 Suspense is produced and directed by Elliot Lewis, with music composed by Lucian Morrowick and conducted by Lud Bloskin. 711 00:27:40,280 --> 00:27:55,280 Run Sheep Run was written for Suspense by Morton Fine and David Friedkin, featured in tonight's cast were Irene Tedrow, Mary Lansing, Tony Barrett, and Jack Crouchon. 712 00:27:55,280 --> 00:28:07,280 And remember, next week, Anthony Ellis's adaptation of Elizabeth Bowen's story, Telling. 713 00:28:07,280 --> 00:28:36,280 You can join the FBI in peace and war, Wednesday, on the CBS Radio Network. 714 00:28:36,280 --> 00:29:04,280 Please subscribe to me for more watching Štěk and Čandž Like, comment strike, and check it out! 715 00:29:06,280 --> 00:29:08,340 you