WEBVTT 00:00.000 --> 00:11.120 Auto Light and its 98,000 dealers bring you Mr. Van Heflin in tonight's presentation of 00:11.120 --> 00:14.120 Suspense. 00:14.120 --> 00:21.480 Tonight, Auto Light presents the true story of a reign of terror. 00:21.480 --> 00:26.480 The dramatic report of the final moments of a beast, a man without conscience, a professional 00:26.480 --> 00:27.480 killer. 00:27.480 --> 00:32.480 The last days of John Dillinger, our star Mr. Van Heflin. 00:32.480 --> 00:38.120 Hi, a half? 00:38.120 --> 00:39.120 Have a cigarette? 00:39.120 --> 00:40.120 No, thanks, Harlow. 00:40.120 --> 00:41.520 I prefer my own brand. 00:41.520 --> 00:45.720 A lot of people feel that way about cigarettes, but when it comes to something important, 00:45.720 --> 00:48.320 they accept a substitute and never know the difference. 00:48.320 --> 00:49.800 What do you mean, Harlow? 00:49.800 --> 00:52.680 Well, for example, take the electrical system of a car. 00:52.680 --> 00:57.980 If a replacement is needed, such as a contact set or condenser, you'd think the owner would 00:57.980 --> 01:03.080 always insist on original service parts, exactly the same as those originally installed by 01:03.080 --> 01:04.080 the car manufacturer. 01:04.080 --> 01:06.040 Well, I sure would, Harlow. 01:06.040 --> 01:10.520 And if your car is Auto Light equipped, as millions are, you should ask for and insist 01:10.520 --> 01:15.440 on Auto Light original service parts, which work as a perfect team in harmony with the 01:15.440 --> 01:16.920 complete electrical system. 01:16.920 --> 01:23.080 So friends, no matter what make car you own, for safe, smooth, efficient performance, always 01:23.080 --> 01:29.360 insist on original service parts, the same as those first installed by the car manufacturer. 01:29.360 --> 01:31.120 It pays to buy the best. 01:31.120 --> 01:36.120 And the best for your Auto Light equipped car is Auto Light original service parts. 01:36.120 --> 01:41.840 Remember, from bumper to tail light, you're always right with Auto Light. 01:41.840 --> 01:48.800 Now Auto Light presents transcribed Mr. Van Heflin in The Last Days of John Dillinger, 01:48.800 --> 01:52.560 hoping once again to keep you in suspense. 01:52.560 --> 02:03.880 No, no, no more, no more, the name of that. 02:03.880 --> 02:04.880 Hold him, Harvey. 02:04.880 --> 02:05.880 Sure. 02:05.880 --> 02:06.880 Please, please, stop. 02:06.880 --> 02:07.880 Yeah, let him go. 02:07.880 --> 02:08.880 Sure. 02:08.880 --> 02:11.880 How you feel, Ernie? 02:11.880 --> 02:13.880 How you feel, copper? 02:13.880 --> 02:16.280 Come on, come on, tell me so I know. 02:16.280 --> 02:18.880 Oh, no, you oughtn't to laugh at him, Harvey. 02:18.880 --> 02:19.880 He's hurt. 02:19.880 --> 02:20.880 Hey, Ernie, you hurt? 02:20.880 --> 02:21.880 You hurt, Ernie? 02:21.880 --> 02:26.400 How's it feel to be in the cell of your own jailhouse, Ernie? 02:26.400 --> 02:27.400 Look, Dylan. 02:27.400 --> 02:29.680 No, no, no, you look. 02:29.680 --> 02:32.680 On your feet and take a look, Ernie. 02:32.680 --> 02:33.680 Up, up, Ernie, or up. 02:33.680 --> 02:34.680 Don't hit me anymore. 02:34.680 --> 02:35.680 Take a look. 02:35.680 --> 02:38.440 You see the pretty pistol, Ernie? 02:38.440 --> 02:39.440 It's wood. 02:39.440 --> 02:40.440 Yeah. 02:40.440 --> 02:43.360 Yeah, I whittled it, Ernie. 02:43.360 --> 02:45.680 Right after I whittled that boat for your kid, I made me this gun. 02:45.680 --> 02:47.880 I put some shoe polish on it. 02:47.880 --> 02:48.880 Bang. 02:48.880 --> 02:50.880 Yeah, yeah, he's nice. 02:50.880 --> 02:51.880 Sure. 02:51.880 --> 02:54.000 Now we got a real gun, Ernie, yours. 02:54.000 --> 02:55.000 And we're going to get out of here. 02:55.000 --> 02:58.240 Out of the jail, everybody's screaming that nobody's going to break out of. 02:58.240 --> 02:59.880 Come on, let's go, Ernie. 02:59.880 --> 03:00.880 Go. 03:00.880 --> 03:02.560 Let me tell you something, copper. 03:02.560 --> 03:08.240 From now on, from the second I do this, from just then on, just listen to what I say. 03:08.240 --> 03:09.240 I'll repeat it. 03:09.240 --> 03:10.240 Just listen to it and do it. 03:10.240 --> 03:11.240 I said, let's go. 03:11.240 --> 03:12.240 That means we're getting out. 03:12.240 --> 03:14.000 I said, keep your mouth shut. 03:14.000 --> 03:16.720 It means you say just one word and you're dead. 03:16.720 --> 03:21.000 And the last part of it is, when I'm ready to kill you, I'll let you watch. 03:21.000 --> 03:22.000 That's fair enough. 03:22.000 --> 03:23.000 Now, let's go. 03:23.000 --> 03:24.000 Please, please. 03:24.000 --> 03:25.000 Shut up. 03:25.000 --> 03:39.800 Find a road that don't look too traveled, Herb. 03:39.800 --> 03:40.800 Turn into it. 03:40.800 --> 03:41.800 Don't kill me, Johnny. 03:41.800 --> 03:42.800 No. 03:42.800 --> 03:43.800 Don't kill me, Johnny. 03:43.800 --> 03:44.800 Don't kill me. 03:44.800 --> 03:45.800 Johnny, don't kill me, Johnny. 03:45.800 --> 03:46.800 Here. 03:46.800 --> 03:55.360 Looks okay. 03:55.360 --> 03:59.480 Well, now, why are you crying, Ernie? 03:59.480 --> 04:00.760 Real good hostage like you. 04:00.760 --> 04:04.680 You told us where everybody was, where the arsenal was, where the keys to the warden's 04:04.680 --> 04:05.680 car was. 04:05.680 --> 04:06.680 Well, you're a nice boy. 04:06.680 --> 04:07.680 Don't kill me, Johnny. 04:07.680 --> 04:08.680 Okay, Herb. 04:08.680 --> 04:09.680 Out, Ernie. 04:09.680 --> 04:10.680 Don't kill me, Johnny. 04:10.680 --> 04:11.680 Out, Ernie. 04:11.680 --> 04:12.680 Don't kill me, Johnny. 04:12.680 --> 04:13.680 Don't kill me, Johnny. 04:13.680 --> 04:14.680 Don't kill me, Johnny. 04:14.680 --> 04:15.680 Don't kill me, Johnny. 04:15.680 --> 04:16.680 Don't kill me, Johnny. 04:16.680 --> 04:18.680 Don't kill me, Johnny. 04:18.680 --> 04:19.680 Jaguar,alanx. 04:19.680 --> 04:20.680 Now, get up. 04:20.680 --> 04:22.720 You want a cigarette? 04:22.720 --> 04:24.100 Like? 04:24.100 --> 04:26.120 Good-bye, Ernie. 04:26.120 --> 04:34.600 Let him walk back, Hep. 04:34.600 --> 04:36.600 Don't kill me. 04:36.600 --> 04:38.600 Johnny, don't kill me. 04:38.600 --> 04:40.600 Don't kill me. 04:50.600 --> 04:51.600 I like you. 04:51.600 --> 04:53.600 I know, I can tell. 04:53.600 --> 04:55.600 It's one of the reasons I like you. 04:55.600 --> 04:57.600 Come on, Johnny, let's scram from this joint. 04:57.600 --> 04:59.600 Let's get going. 04:59.600 --> 05:01.600 Give her a piece of apple pie, huh? 05:01.600 --> 05:03.600 All right. 05:03.600 --> 05:05.600 Want some more coffee? 05:05.600 --> 05:07.600 No, thank you, ma'am. 05:07.600 --> 05:09.600 Don't rush Johnny and me, mister. 05:11.600 --> 05:12.600 Hi. 05:12.600 --> 05:15.600 Pretty girl like you slinging in a road diner like this. 05:15.600 --> 05:17.600 Don't do that, Johnny. 05:17.600 --> 05:18.600 What? 05:18.600 --> 05:20.600 The truck drivers and the tourists say... 05:20.600 --> 05:22.600 They say just what you said. 05:22.600 --> 05:24.600 Don't become you. 05:24.600 --> 05:26.600 What does become me, Molly? 05:26.600 --> 05:28.600 Me? 05:28.600 --> 05:29.600 Listen. 05:29.600 --> 05:31.600 You walked in here half an hour ago, 05:31.600 --> 05:33.600 and I said to myself, it's John Dillinger. 05:33.600 --> 05:35.600 The fellow whose picture I see in the papers 05:35.600 --> 05:37.600 with that smile on his face. 05:37.600 --> 05:39.600 Same smile as you got now. 05:39.600 --> 05:42.600 And you know what about that smile, Johnny? 05:42.600 --> 05:45.600 It means you've been there and you've seen it. 05:45.600 --> 05:47.600 Whatever there was to see. 05:47.600 --> 05:49.600 And nobody's gonna fool you. 05:51.600 --> 05:54.600 Johnny, what's down the end of the road? 05:54.600 --> 05:56.600 You want to see? 05:56.600 --> 05:58.600 The way you'll show me. 05:58.600 --> 06:01.600 I'm coming back for you, Molly. 06:01.600 --> 06:02.600 Yeah, I know. 06:02.600 --> 06:04.600 First I gotta see some people up the road, 06:04.600 --> 06:06.600 couple hundred miles up the road. 06:06.600 --> 06:07.600 People expecting me. 06:07.600 --> 06:09.600 And you're coming back? 06:09.600 --> 06:10.600 Yeah. 06:21.600 --> 06:22.600 Hey, Johnny. 06:22.600 --> 06:24.600 Johnny, why don't you join the dance? 06:24.600 --> 06:26.600 You be on yourself, baby. 06:26.600 --> 06:29.600 Ha-ha, the time we've been together, Johnny. 06:29.600 --> 06:31.600 I've been jumping for joy. 06:31.600 --> 06:33.600 You're dancing on a grave. 06:33.600 --> 06:35.600 Herbie's grave. 06:35.600 --> 06:38.600 Yeah, well, Herbie shouldn't have tried a bank job all alone. 06:38.600 --> 06:40.600 You should have come up there to Wisconsin with you and your friends, 06:40.600 --> 06:42.600 had a party, had fun. 06:42.600 --> 06:44.600 Yeah, I should have had a party. 06:44.600 --> 06:46.600 Should have had fun. 06:46.600 --> 06:48.600 You miss Annie, huh? 06:48.600 --> 06:50.600 Also for Annie, Johnny? 06:50.600 --> 06:52.600 You know, if Annie Stager's here, you know what? 06:52.600 --> 06:54.600 Yeah, I wouldn't. 06:54.600 --> 06:56.600 I'm in Chicago. 06:56.600 --> 06:58.600 Real soon I'll drop in on her. 06:58.600 --> 06:59.600 When? 06:59.600 --> 07:01.600 One more day here, then we move out. 07:01.600 --> 07:02.600 Oh, you're kidding? 07:02.600 --> 07:04.600 Party's only four days old. 07:04.600 --> 07:05.600 We're just beginning. 07:05.600 --> 07:08.600 Ah, well, you're gonna have it better, Johnny. 07:08.600 --> 07:10.600 Look, who's gonna think to look for you in a crummy roadhouse 07:10.600 --> 07:12.600 in the Wisconsin woods? 07:12.600 --> 07:14.600 We could stay here for weeks. 07:14.600 --> 07:15.600 You could sing for Annie. 07:15.600 --> 07:18.600 No, no, I like Annie with Chicago around her. 07:18.600 --> 07:19.600 Don't push it, Johnny. 07:19.600 --> 07:22.600 Every cop in Illinois is watering at the mouth for a chance. 07:22.600 --> 07:25.600 You gotta like him for my face. 07:25.600 --> 07:26.600 Huh? 07:26.600 --> 07:27.600 My face, you like it? 07:27.600 --> 07:28.600 Oh, sure, Johnny. 07:28.600 --> 07:29.600 Oh, sure. 07:29.600 --> 07:31.600 You like my face, Annie likes my face. 07:31.600 --> 07:35.600 That Molly in the cops, they like my face. 07:35.600 --> 07:36.600 What are you planning? 07:36.600 --> 07:39.600 Well, there's a doc in Chicago, a plastic surgeon. 07:39.600 --> 07:42.600 For five grand, he'll make me a new face. 07:42.600 --> 07:44.600 Then I don't run, I don't hide. 07:44.600 --> 07:48.600 Then I have me a party in Chicago like you never dreamed. 07:48.600 --> 07:49.600 Like you never... 07:49.600 --> 07:50.600 Where's Dillinger? 07:50.600 --> 07:53.600 Where's John Dillinger? 07:53.600 --> 07:55.600 I gotta see John Dillinger. 07:55.600 --> 07:56.600 Who's...? 07:56.600 --> 07:58.600 I'm Dillinger. 07:58.600 --> 08:00.600 You gotta get out of here, Mr. Dillinger. 08:00.600 --> 08:01.600 Why? 08:01.600 --> 08:02.600 Cops. 08:02.600 --> 08:04.600 The back roads is full of them. 08:04.600 --> 08:05.600 Cars with cops in them. 08:05.600 --> 08:07.600 And plainclothes guys. 08:07.600 --> 08:08.600 And they're heading here. 08:08.600 --> 08:10.600 I ran all the way through the woods. 08:10.600 --> 08:11.600 You gotta get out of here, Mr. Dillinger. 08:11.600 --> 08:13.600 How close are they, kid? 08:13.600 --> 08:14.600 Up at Point Racine. 08:14.600 --> 08:17.600 They gotta take the dirt roads detour before they... 08:17.600 --> 08:19.600 That's where I cut across the hill and through the woods. 08:19.600 --> 08:20.600 I ran all the way. 08:20.600 --> 08:21.600 How did you know I was here, kid? 08:21.600 --> 08:24.600 Everybody around here knows you're here, Mr. Dillinger. 08:24.600 --> 08:26.600 The big party you're having. 08:26.600 --> 08:28.600 This road house open in the middle of winter. 08:28.600 --> 08:30.600 And somebody wants a pigeon on you. 08:30.600 --> 08:31.600 Call the cops. 08:30.600 --> 08:31.600 But not you. 08:31.600 --> 08:33.600 No, no, no, not me. 08:33.600 --> 08:35.600 That's one of the cars, Mr. Dillinger. 08:35.600 --> 08:36.600 I just bet it's one of them. 08:36.600 --> 08:37.600 Kid. 08:37.600 --> 08:38.600 Yes, sir? 08:38.600 --> 08:39.600 You're a good boy and I'm gonna make you one of my gang. 08:39.600 --> 08:40.600 You like that? 08:40.600 --> 08:41.600 Sure, sure. 08:41.600 --> 08:43.600 And I'm gonna give you my gun. 08:43.600 --> 08:44.600 Here, kid, you take it. 08:44.600 --> 08:45.600 What's your name? 08:45.600 --> 08:46.600 Paul. 08:46.600 --> 08:47.600 Paul Harvey. 08:46.600 --> 08:47.600 Well, I tell you what, Paul. 08:47.600 --> 08:52.600 You go out there and if that's really the cops like the way you said, 08:52.600 --> 08:54.600 I want you to stall them. 08:54.600 --> 08:56.600 How'll I do that, Mr. Dillinger? 08:56.600 --> 08:57.600 You'll think of something, Paul, 08:57.600 --> 08:59.600 because you're the kind of a guy I got around me. 08:59.600 --> 09:01.600 Guys who think of something when the chips are down. 09:01.600 --> 09:02.600 Guys like you. 09:02.600 --> 09:04.600 Go on, Paul. 09:04.600 --> 09:06.600 Do what Johnny Dillinger told you. 09:13.600 --> 09:15.600 You won't get Johnny Dillinger! 09:15.600 --> 09:17.600 You won't get Johnny Dillinger! 09:19.600 --> 09:22.600 Quick, out the back window, baby, and bring your gun. 09:25.600 --> 09:26.600 Cover me. 09:26.600 --> 09:27.600 Yeah, yeah, jump. 09:34.600 --> 09:35.600 Paul! 09:35.600 --> 09:36.600 Paul, there are two! 09:36.600 --> 09:37.600 Hit the ground. 09:40.600 --> 09:41.600 You see him? 09:41.600 --> 09:49.600 Yeah, now I see him. 09:49.600 --> 09:50.600 We'll do it, baby. 09:50.600 --> 09:52.600 I want him closer. 09:59.600 --> 10:01.600 You two men, get up. 10:01.600 --> 10:02.600 Get up and put up there. 10:06.600 --> 10:07.600 See you around, baby face. 10:07.600 --> 10:11.600 I'd like to have fun at my party. 10:26.600 --> 10:28.600 You like it, huh, Johnny? 10:28.600 --> 10:31.600 You like what I've done to your face? 10:31.600 --> 10:34.600 Here, let me wipe off the mirror. 10:34.600 --> 10:35.600 You like it, huh? 10:35.600 --> 10:38.600 You're a butcher, Doc. 10:38.600 --> 10:42.600 You're a drunken son of a Chicago butcher. 10:42.600 --> 10:45.600 You're a slaughterhouse man. 10:45.600 --> 10:47.600 You just told your tongue, Johnny. 10:47.600 --> 10:48.600 Bang, PK. 10:48.600 --> 10:49.600 Now, wait a minute. 10:49.600 --> 10:50.600 Wait a minute. 10:50.600 --> 10:52.600 I want to tell you something. 10:52.600 --> 10:54.600 Five thousand, Doc. 10:54.600 --> 10:55.600 That's what you agreed on. 10:55.600 --> 10:56.600 That's what you get. 10:56.600 --> 10:58.600 Now, you listen to me. 10:58.600 --> 11:00.600 You died there on my operating table. 11:00.600 --> 11:01.600 You died for sure. 11:01.600 --> 11:02.600 You died on my operating table. 11:02.600 --> 11:04.600 You died for sure. 11:04.600 --> 11:06.600 You died stone dead. 11:06.600 --> 11:08.600 What are you talking about? 11:08.600 --> 11:11.600 My sister and that slob that gave you too much ether. 11:11.600 --> 11:13.600 And you were dead. 11:13.600 --> 11:15.600 And I thought fast, and I grabbed a hemostat 11:15.600 --> 11:17.600 and pulled your tongue over your teeth. 11:17.600 --> 11:20.600 Then I gave you artificial respiration. 11:20.600 --> 11:22.600 You were stone dead, Johnny. 11:22.600 --> 11:25.600 And I brought you back to life. 11:25.600 --> 11:29.600 You're a drunken butcher, Doc. 11:29.600 --> 11:31.600 Go on, give him the five grand, PK. 11:31.600 --> 11:33.600 Thanks. 11:33.600 --> 11:35.600 Thanks a lot, Johnny. 11:35.600 --> 11:37.600 Now, Johnny. 11:37.600 --> 11:39.600 Yeah? 11:39.600 --> 11:41.600 Your fingertips. 11:41.600 --> 11:42.600 Hmm. 11:42.600 --> 11:44.600 And new face don't do you any good 11:44.600 --> 11:46.600 without you got new fingerprints. 11:46.600 --> 11:48.600 That's right, Doc. 11:48.600 --> 11:49.600 You're thinking, Doc. 11:49.600 --> 11:50.600 Yeah. 11:50.600 --> 11:52.600 I got it all ready. 11:52.600 --> 11:53.600 Right over here. 11:53.600 --> 11:57.600 Come on, Johnny. 11:57.600 --> 11:58.600 Here. 11:58.600 --> 12:00.600 Take a look. 12:00.600 --> 12:03.600 A bowl of acid, Johnny. 12:03.600 --> 12:05.600 All you gotta do is... 12:05.600 --> 12:07.600 Well, let's get it over with. 12:07.600 --> 12:09.600 Sure, sure, sure, Johnny. 12:09.600 --> 12:11.600 Just roll back your sleeve. 12:11.600 --> 12:13.600 That's it. 12:13.600 --> 12:16.600 Now, give me your hand. 12:16.600 --> 12:18.600 No, no, no, don't hold back, Johnny. 12:18.600 --> 12:21.600 Just give me your hand. 12:21.600 --> 12:23.600 That's it. 12:23.600 --> 12:25.600 And relax your fingers and... 12:25.600 --> 12:39.600 Ah! 12:39.600 --> 12:42.600 Auto Light is bringing you Mr. Van Heflin 12:42.600 --> 12:45.600 in The Last Days of John Dillinger, 12:45.600 --> 12:47.600 tonight's presentation in radio's 12:47.600 --> 13:00.600 outstanding theater of thrills, Suspense. 13:00.600 --> 13:03.600 Say, Hap, ever hear of a person buying cigarettes 13:03.600 --> 13:05.600 without asking for a particular brand? 13:05.600 --> 13:06.600 Never did, Harlow. 13:06.600 --> 13:09.600 Well, some of these same folks accept parts 13:09.600 --> 13:11.600 for their car's electrical systems 13:11.600 --> 13:13.600 without even asking the name. 13:13.600 --> 13:15.600 They don't insist on parts exactly like those 13:15.600 --> 13:17.600 specified by the car manufacturer? 13:17.600 --> 13:18.600 That's right, Hap. 13:18.600 --> 13:21.600 Well, then how can they be sure to get top performance, Harlow? 13:21.600 --> 13:23.600 They can't, and they don't, Hap. 13:23.600 --> 13:25.600 Original service parts are designed and built 13:25.600 --> 13:27.600 to the specifications of the car manufacturer 13:27.600 --> 13:29.600 to work as a team in perfect harmony. 13:29.600 --> 13:33.600 That's why it pays to always insist on original service parts 13:33.600 --> 13:35.600 when replacements are needed. 13:35.600 --> 13:37.600 And that means Auto Light original service parts 13:37.600 --> 13:39.600 for my Auto Light-equipped car. 13:39.600 --> 13:42.600 Right, Hap, because Auto Light designs and builds 13:42.600 --> 13:45.600 complete electrical systems for many leading makes 13:45.600 --> 13:48.600 of our finest cars, trucks, and tractors. 13:48.600 --> 13:51.600 And all Auto Light units, like the coil, distributor, 13:51.600 --> 13:54.600 contact set, condenser, and regulator, 13:54.600 --> 13:56.600 are designed to work together as a perfect team. 13:56.600 --> 13:59.600 So, regardless of the make of car you own, 13:59.600 --> 14:02.600 it always pays to get only original service parts 14:02.600 --> 14:05.600 like those first installed by the manufacturer. 14:05.600 --> 14:08.600 And remember, from bumper to tail light, 14:08.600 --> 14:11.600 you're always right with Auto Light. 14:11.600 --> 14:14.600 And now, Auto Light brings back to our Hollywood soundstage 14:14.600 --> 14:18.600 Mr. Van Heflin in Elliot Lewis's production of 14:18.600 --> 14:20.600 The Last Days of John Dillinger, 14:20.600 --> 14:24.600 a true report, well calculated to keep you in... 14:24.600 --> 14:26.600 suspense. 14:26.600 --> 14:41.600 Look at you. 14:41.600 --> 14:42.600 Honey. 14:42.600 --> 14:43.600 Look at you. 14:43.600 --> 14:44.600 Honey. 14:44.600 --> 14:45.600 Hands bandaged, your face. 14:45.600 --> 14:46.600 Get away from me. 14:46.600 --> 14:47.600 All right. 14:47.600 --> 14:50.600 All right, I will. 14:50.600 --> 14:53.600 John? 14:53.600 --> 14:54.600 John. 14:54.600 --> 14:56.600 Why? 14:56.600 --> 14:57.600 You broke Crown Point weeks ago. 14:57.600 --> 14:59.600 How come you're just showing up? 14:59.600 --> 15:01.600 I gotta explain it to you, Annie. 15:01.600 --> 15:04.600 Or else out. 15:04.600 --> 15:05.600 You heard Annie... 15:05.600 --> 15:06.600 What? You read the papers. 15:06.600 --> 15:08.600 What happened in Wisconsin? 15:08.600 --> 15:09.600 Four days. 15:09.600 --> 15:12.600 Babyface came around, told me all about it. 15:12.600 --> 15:14.600 And this crazy operation, how long? 15:14.600 --> 15:17.600 A week, two? 15:17.600 --> 15:18.600 Where have you been all this time? 15:18.600 --> 15:19.600 Yeah, like I'm a child. 15:19.600 --> 15:22.600 That's right. 15:22.600 --> 15:23.600 Where have you been all this time? 15:23.600 --> 15:24.600 Well, I'm here now, so what? 15:24.600 --> 15:25.600 Another woman? 15:25.600 --> 15:26.600 Oh. 15:26.600 --> 15:27.600 You can tell me, Johnny. 15:27.600 --> 15:28.600 Now look. 15:28.600 --> 15:29.600 You can tell me anything, Johnny. 15:29.600 --> 15:30.600 You know you can. 15:30.600 --> 15:31.600 You always said you could tell me. 15:31.600 --> 15:34.600 Something happens when I'm around you. 15:34.600 --> 15:36.600 What? 15:36.600 --> 15:37.600 Tell me what. 15:37.600 --> 15:39.600 I don't know. 15:39.600 --> 15:40.600 Tell me what, Johnny. 15:40.600 --> 15:43.600 The reason I waited so long to come to you, 15:43.600 --> 15:44.600 why I can't stay away. 15:44.600 --> 15:45.600 Leave me, Johnny. 15:45.600 --> 15:47.600 Everything gets all right. 15:47.600 --> 15:50.600 It gets warm and nothing's exciting. 15:50.600 --> 15:51.600 Hungry, Johnny? 15:51.600 --> 15:52.600 Funny, up in Wisconsin, 15:52.600 --> 15:54.600 I was running away, you know, with Babyface 15:54.600 --> 15:56.600 after he let that FBI guy have it. 15:56.600 --> 15:57.600 I put my coffee in. 15:57.600 --> 15:58.600 And I was running. 15:58.600 --> 16:00.600 Running, and you know what went through my mind? 16:00.600 --> 16:02.600 Kind of real crazy. 16:02.600 --> 16:06.600 This oil cloth on the table, the patterns in it, 16:06.600 --> 16:09.600 the blocks and how you look at me one way 16:09.600 --> 16:12.600 and then they look like they're coming out from the table. 16:12.600 --> 16:13.600 Such a nice piece of pie. 16:13.600 --> 16:16.600 And they keep staring and they change. 16:16.600 --> 16:17.600 Johnny? 16:17.600 --> 16:18.600 You know what I mean? 16:18.600 --> 16:20.600 Johnny. 16:20.600 --> 16:22.600 Yeah? 16:22.600 --> 16:25.600 Don't worry about anything. 16:25.600 --> 16:26.600 Okay. 16:26.600 --> 16:28.600 Everything's gonna be all right. 16:28.600 --> 16:30.600 Sure. 16:30.600 --> 16:32.600 And later you can cry. 16:43.600 --> 16:46.600 I like to see you laugh, Johnny. 16:46.600 --> 16:49.600 Oh, you make me laugh. 16:49.600 --> 16:51.600 Am I funny? 16:51.600 --> 16:53.600 You think I'm funny? 16:53.600 --> 16:55.600 You're just like a kid. 16:55.600 --> 16:57.600 Molly. 16:57.600 --> 17:01.600 You glad you quit that job and come up here to Chicago? 17:01.600 --> 17:02.600 Huh? 17:02.600 --> 17:03.600 Mm-hmm. 17:03.600 --> 17:07.600 Why you always sit on the floor like that, huh? 17:07.600 --> 17:09.600 Listen to her. 17:09.600 --> 17:10.600 Huh? 17:10.600 --> 17:11.600 Cross me. 17:11.600 --> 17:16.600 I swear you, you're just like a kid. 17:16.600 --> 17:18.600 Bright eyes. 17:18.600 --> 17:20.600 Bright eyes, Johnny? 17:20.600 --> 17:21.600 Yeah. 17:21.600 --> 17:23.600 Oh, Johnny, being here in Chicago 17:23.600 --> 17:27.600 and knowing what it's like where the road's going. 17:27.600 --> 17:28.600 Johnny. 17:28.600 --> 17:30.600 Yeah? 17:30.600 --> 17:33.600 A man like you. 17:33.600 --> 17:36.600 You're like a giant, aren't you, Johnny? 17:36.600 --> 17:37.600 Not afraid of anything. 17:37.600 --> 17:39.600 Where's Molly? 17:39.600 --> 17:40.600 They're looking for you to kid you, 17:40.600 --> 17:43.600 and you're not afraid of anything. 17:43.600 --> 17:45.600 John DeWinger. 17:45.600 --> 17:47.600 Come over here. 17:47.600 --> 17:49.600 Johnny. 17:49.600 --> 17:50.600 How many men? 17:50.600 --> 17:51.600 Huh? 17:51.600 --> 17:53.600 How many men dead because of you? 17:53.600 --> 17:55.600 Uh, 13. 17:55.600 --> 17:56.600 So? 17:56.600 --> 17:59.600 The sheriff and the deputies and the cops and the FBI 17:59.600 --> 18:03.600 and everybody looking for you to kid you. 18:03.600 --> 18:05.600 And you're not afraid. 18:05.600 --> 18:07.600 Sure, yeah. 18:07.600 --> 18:09.600 Sure, Johnny. 18:09.600 --> 18:18.600 Sure, Johnny. 18:18.600 --> 18:40.600 Yeah? 18:40.600 --> 18:42.600 You're Molly? 18:42.600 --> 18:43.600 Yes, what's your name? 18:43.600 --> 18:45.600 I'm Anna Sage. 18:45.600 --> 18:46.600 Johnny? 18:46.600 --> 18:48.600 Yeah, Johnny. 18:48.600 --> 18:49.600 Until you blew in. 18:49.600 --> 18:52.600 Until a month ago when he brought you here. 18:52.600 --> 18:54.600 Ask me inside, Molly, 18:54.600 --> 18:57.600 so as we can have a heart-to-heart, compared note. 18:57.600 --> 18:59.600 Sheriff. 18:59.600 --> 19:00.600 All right. 19:00.600 --> 19:04.600 Come in. 19:04.600 --> 19:06.600 I was just having a bottle of beer. 19:06.600 --> 19:08.600 You want one? 19:08.600 --> 19:09.600 You want one? 19:09.600 --> 19:11.600 Sure, honey. 19:11.600 --> 19:15.600 Because I can cry in it how pretty you are. 19:15.600 --> 19:17.600 You like Chicago? 19:17.600 --> 19:22.600 Crazy boy. 19:22.600 --> 19:24.600 Your beer. 19:24.600 --> 19:28.600 Dull, a real dull. 19:28.600 --> 19:30.600 Johnny's a picker, he is. 19:30.600 --> 19:33.600 And he gave you Chicago. 19:33.600 --> 19:36.600 Drink your drink, say your say, and then get out. 19:36.600 --> 19:38.600 I broke up something coming here right at this time, 19:38.600 --> 19:40.600 didn't I, Molly? 19:40.600 --> 19:43.600 Yeah, something real nice. 19:43.600 --> 19:45.600 And you can't wait till Johnny again? 19:45.600 --> 19:48.600 No. 19:48.600 --> 19:50.600 Johnny told me about you. 19:50.600 --> 19:52.600 Oh? 19:52.600 --> 19:55.600 I'm sorry for you. 19:55.600 --> 19:58.600 Tell me all the ways you're sorry for me. 19:58.600 --> 20:01.600 Only one. 20:01.600 --> 20:03.600 But you haven't got with Johnny. 20:03.600 --> 20:05.600 And you have. 20:05.600 --> 20:07.600 Crazy for it. 20:07.600 --> 20:11.600 From the time he walked in the diner where I worked, I was alive. 20:11.600 --> 20:15.600 Advice from an older woman, honey, make it a memory. 20:15.600 --> 20:16.600 Get out of Chicago. 20:16.600 --> 20:17.600 Leave Johnny. 20:17.600 --> 20:19.600 For you? 20:19.600 --> 20:21.600 Leave a man like that to something? 20:21.600 --> 20:25.600 Leave him, keep away from him. Did you hear me? 20:25.600 --> 20:28.600 I just broke my beer bottle, Annie. 20:28.600 --> 20:33.600 The way I once saw a man doing a bar I worked in in Des Moines. 20:33.600 --> 20:35.600 He broke this beer bottle, 20:35.600 --> 20:37.600 and he held it close to this woman's face. 20:37.600 --> 20:38.600 Stay away from me. 20:38.600 --> 20:41.600 He held it real close, right under her eye. 20:41.600 --> 20:43.600 At first he made a little scar. 20:43.600 --> 20:45.600 Just a small scar. 20:45.600 --> 20:46.600 Don't. Don't. 20:46.600 --> 20:49.600 Like that. 20:49.600 --> 20:51.600 You. 20:51.600 --> 20:53.600 You get out of here. 20:53.600 --> 20:55.600 And you leave Johnny and me alone. 20:55.600 --> 21:01.600 As one day the mood strikes, I'll tell Johnny to kill you. 21:01.600 --> 21:29.600 Get out, Annie. 21:29.600 --> 21:32.600 Federal Bureau of Investigation, Kyle A. speaking. 21:32.600 --> 21:34.600 You want John Dillinger? 21:34.600 --> 21:35.600 Who is this? 21:35.600 --> 21:37.600 Anna Sage. You want Johnny? 21:37.600 --> 21:40.600 You giving him to us, Annie, for the $5,000? 21:40.600 --> 21:43.600 Not for the money. I don't care about the money. 21:43.600 --> 21:45.600 I don't want Johnny anymore, that's all. 21:45.600 --> 21:46.600 Sure, Annie. Now where are we? 21:46.600 --> 21:49.600 I'll set him up for you. I'll call you later, where and when. 21:49.600 --> 21:50.600 Oh, listen, Annie. 21:50.600 --> 22:04.600 Stay by your phone, and I'll make you a hero. 22:04.600 --> 22:05.600 Johnny. 22:05.600 --> 22:06.600 What? 22:06.600 --> 22:09.600 Mind if I take a sip of your beer first? 22:09.600 --> 22:10.600 Don't do that. 22:10.600 --> 22:11.600 What am I doing? 22:11.600 --> 22:15.600 Acting girlish. Sweet. Just don't do it, Annie. 22:15.600 --> 22:20.600 Hand me the beer and she... 22:20.600 --> 22:21.600 Here. 22:21.600 --> 22:22.600 Thanks. 22:22.600 --> 22:23.600 Oh, I never knew Chicago was so hot. 22:23.600 --> 22:25.600 Why don't we go out, Johnny? 22:25.600 --> 22:28.600 Cooked up in here, sweating out the heat, clawing at each other like we do. 22:28.600 --> 22:29.600 Why don't we go out? 22:29.600 --> 22:30.600 You crazy. 22:30.600 --> 22:33.600 Well, we're crazy to stay in here. 22:33.600 --> 22:37.600 We go to a movie, a nice air-conditioned movie, cool off for a while. 22:37.600 --> 22:38.600 I go out of here and somebody... 22:38.600 --> 22:40.600 Who's going to know you're sitting in a dark movie theater? 22:40.600 --> 22:43.600 What you had done to your face and some dark glasses. 22:43.600 --> 22:46.600 Nobody's going to recognize you. 22:46.600 --> 22:48.600 Right here in the paper. 22:48.600 --> 22:51.600 The Biograph Theater, picture with Clark Gable and Myrna Loa. 22:51.600 --> 22:53.600 You like Clark Gable, don't you, Johnny? 22:53.600 --> 22:55.600 A Disney cartoon. 22:55.600 --> 22:56.600 Yeah. 22:56.600 --> 22:58.600 For a while you could enjoy yourself and get out of the heat. 22:58.600 --> 22:59.600 Johnny. 22:59.600 --> 23:00.600 What? 23:00.600 --> 23:07.600 You ask Molly to come along if you want. 23:07.600 --> 23:08.600 Annie. 23:08.600 --> 23:11.600 I mean it. I mean it. 23:11.600 --> 23:14.600 Go call up Molly and ask her to meet us here. 23:14.600 --> 23:16.600 And then the three of us will go to a movie. 23:16.600 --> 23:19.600 Yeah, Molly told me you was around. 23:19.600 --> 23:22.600 Is that how you got that little cut under your eye, honey? 23:22.600 --> 23:25.600 Yeah. 23:25.600 --> 23:27.600 No sense anybody being mad at anybody. 23:27.600 --> 23:30.600 No. No, there ain't. 23:30.600 --> 23:31.600 I'm glad you figured that out. 23:31.600 --> 23:34.600 Why don't the three of us get together for a movie tonight? 23:34.600 --> 23:58.600 Sure. Sure, I'll call Molly. 23:58.600 --> 23:59.600 Why don't you sit and watch the cartoon, Annie? 23:59.600 --> 24:00.600 Where you going? 24:00.600 --> 24:02.600 Get some candy. 24:02.600 --> 24:04.600 You want some candy, Molly? 24:04.600 --> 24:07.600 No. I got a figure to worry about. 24:07.600 --> 24:31.600 Excuse me then. 24:31.600 --> 24:42.600 Hello? 24:42.600 --> 24:44.600 Federal Bureau of Investigation, Collie speaking. 24:44.600 --> 24:45.600 Anna Sage, Mr. Collie. 24:45.600 --> 24:46.600 Oh, yes? 24:46.600 --> 24:48.600 We're at the Bygraph Theater. 24:48.600 --> 24:49.600 Dillinger? 24:49.600 --> 24:50.600 Yes, sir. 24:50.600 --> 24:52.600 We ought to be leaving here in 20 minutes or so. 24:52.600 --> 24:53.600 Cartoon in the newsroom. 24:53.600 --> 24:54.600 Right. 24:54.600 --> 24:56.600 Johnny's not wearing a coat. 24:56.600 --> 24:58.600 Blue sports shirt. 24:58.600 --> 25:00.600 Dark glasses and a straw hat. 25:00.600 --> 25:21.600 Thanks, Anna. 25:21.600 --> 25:23.600 That fellow, Hitler, he's a comah, huh? 25:23.600 --> 25:25.600 Oh, it's hot. 25:25.600 --> 25:27.600 Even with the air conditioning, it's so hot. 25:27.600 --> 25:29.600 Let's get out and get some beer. 25:29.600 --> 25:31.600 Want to go with us and get some beer, Annie? 25:31.600 --> 25:32.600 No, I'm going home. 25:32.600 --> 25:33.600 We were just talking about... 25:33.600 --> 25:34.600 Do what you want. 25:34.600 --> 25:35.600 I'm going home. 25:35.600 --> 25:42.600 Who's afraid of the big bad wolf? 25:42.600 --> 25:43.600 Oh, boy. 25:43.600 --> 25:45.600 He hates you, like... 25:45.600 --> 25:46.600 You feel it, Molly? 25:46.600 --> 25:47.600 What? 25:47.600 --> 25:48.600 The heat. 25:48.600 --> 25:49.600 You feel it? 25:49.600 --> 25:50.600 Yeah. 25:50.600 --> 25:51.600 Well, we'll go to some place and get a... 25:51.600 --> 25:52.600 You two go on, I'll join you. 25:52.600 --> 25:53.600 Johnny? 25:53.600 --> 25:54.600 Johnny Dillinger? 25:54.600 --> 25:55.600 Huh? 25:55.600 --> 25:56.600 FBI, Johnny. 25:56.600 --> 25:57.600 Don't go for your... 25:57.600 --> 25:58.600 You're not going to... 25:58.600 --> 25:59.600 Johnny! 25:59.600 --> 26:00.600 Johnny! 26:00.600 --> 26:01.600 Johnny! 26:01.600 --> 26:04.600 Did you hear him? 26:04.600 --> 26:08.600 He called for me. 26:08.600 --> 26:12.600 I kind of thought he would. 26:12.600 --> 26:13.600 Hey! 26:13.600 --> 26:14.600 Hey, look, it's Dillinger! 26:14.600 --> 26:15.600 It's John Dillinger! 26:15.600 --> 26:16.600 Hey, look! 26:16.600 --> 26:17.600 Look! 26:17.600 --> 26:18.600 It's John Dillinger! 26:18.600 --> 26:45.800 Suspense. 26:45.800 --> 26:50.440 And by Auto Light, tonight's star, Mr. Van Heflin. 26:50.440 --> 26:55.440 This is Harlow Wilcox for Auto Light, the world's largest independent manufacturer of automotive 26:55.440 --> 26:57.120 electrical equipment. 26:57.120 --> 27:02.260 In 28 plants from coast to coast, the men and women of Auto Light build over 400 fine 27:02.260 --> 27:07.360 products for cars, trucks, tractors, planes, boats, and industry. 27:07.360 --> 27:12.400 Auto Light contributes its manufacturing experience and skills to the fields of transportation, 27:12.400 --> 27:16.560 electronics, agriculture, die casting, and plastics. 27:16.560 --> 27:21.120 The Auto Light name is famous all over the world for products of unsurpassed quality 27:21.120 --> 27:22.600 and performance. 27:22.600 --> 27:25.920 In service, too, Auto Light facilities are worldwide. 27:25.920 --> 27:31.380 Wherever you travel, you'll find trained experts prepared to serve your technical needs. 27:31.380 --> 27:37.600 So for superior products, always look for the name Auto Light, because from bumper to tail 27:37.600 --> 27:40.640 light, you're always right with Auto Light. 27:40.640 --> 27:52.640 Next week, the dramatization of an amazing document in which an unbelievable voyage is 27:52.640 --> 27:58.720 chronicled, beginning with that moment when Fletcher Christian led the men on HMS Bounty 27:58.720 --> 27:59.960 to mutiny. 27:59.960 --> 28:05.800 It's called The Revenge of Captain Bly, our star, Mr. Charles Lawton. 28:05.800 --> 28:11.880 Next week on Suspense. 28:11.880 --> 28:16.360 Suspense is transcribed and directed by Elliot Lewis with music composed by Lucian Morawick 28:16.360 --> 28:17.880 and conducted by Lud Gluskin. 28:17.880 --> 28:23.560 The Last Days of John Dillinger was adapted for suspense by Morton Fine and David Friedkin. 28:23.560 --> 28:28.680 In tonight's story, Kathy Lewis was heard as Anna and Michael Ann Barrett as Molly, 28:28.680 --> 28:33.720 featured in the cast were Joseph Kearns, Tom Brown, Roy Glenn, Parley Bear, Sam Edwards, 28:33.720 --> 28:36.960 Jimmy Eagles and Joseph Granby. 28:36.960 --> 28:41.720 Van Heflin appeared to the courtesy of 20th Century Fox, producers of the picture Three 28:41.720 --> 28:45.400 Coins in the Fountain in Cinemascope and Technicolor. 28:45.400 --> 28:54.280 And remember next week, Mr. Charles Lawton in The Revenge of Captain Bly. 28:54.280 --> 28:58.480 You can buy Auto Light original service parts, Auto Light standard or resistor type spark 28:58.480 --> 29:02.480 plugs or Auto Light stay full batteries at your neighborhood Auto Light dealers. 29:02.480 --> 29:09.480 Switch to Auto Light. 29:09.480 --> 29:16.480 Good night. 29:16.480 --> 29:35.480 Good night.