1 00:00:00,000 --> 00:00:11,120 Auto Light and its 98,000 dealers bring you Mr. Van Heflin in tonight's presentation of 2 00:00:11,120 --> 00:00:14,120 Suspense. 3 00:00:14,120 --> 00:00:21,480 Tonight, Auto Light presents the true story of a reign of terror. 4 00:00:21,480 --> 00:00:26,480 The dramatic report of the final moments of a beast, a man without conscience, a professional 5 00:00:26,480 --> 00:00:27,480 killer. 6 00:00:27,480 --> 00:00:32,480 The last days of John Dillinger, our star Mr. Van Heflin. 7 00:00:32,480 --> 00:00:38,120 Hi, a half? 8 00:00:38,120 --> 00:00:39,120 Have a cigarette? 9 00:00:39,120 --> 00:00:40,120 No, thanks, Harlow. 10 00:00:40,120 --> 00:00:41,520 I prefer my own brand. 11 00:00:41,520 --> 00:00:45,720 A lot of people feel that way about cigarettes, but when it comes to something important, 12 00:00:45,720 --> 00:00:48,320 they accept a substitute and never know the difference. 13 00:00:48,320 --> 00:00:49,800 What do you mean, Harlow? 14 00:00:49,800 --> 00:00:52,680 Well, for example, take the electrical system of a car. 15 00:00:52,680 --> 00:00:57,980 If a replacement is needed, such as a contact set or condenser, you'd think the owner would 16 00:00:57,980 --> 00:01:03,080 always insist on original service parts, exactly the same as those originally installed by 17 00:01:03,080 --> 00:01:04,080 the car manufacturer. 18 00:01:04,080 --> 00:01:06,040 Well, I sure would, Harlow. 19 00:01:06,040 --> 00:01:10,520 And if your car is Auto Light equipped, as millions are, you should ask for and insist 20 00:01:10,520 --> 00:01:15,440 on Auto Light original service parts, which work as a perfect team in harmony with the 21 00:01:15,440 --> 00:01:16,920 complete electrical system. 22 00:01:16,920 --> 00:01:23,080 So friends, no matter what make car you own, for safe, smooth, efficient performance, always 23 00:01:23,080 --> 00:01:29,360 insist on original service parts, the same as those first installed by the car manufacturer. 24 00:01:29,360 --> 00:01:31,120 It pays to buy the best. 25 00:01:31,120 --> 00:01:36,120 And the best for your Auto Light equipped car is Auto Light original service parts. 26 00:01:36,120 --> 00:01:41,840 Remember, from bumper to tail light, you're always right with Auto Light. 27 00:01:41,840 --> 00:01:48,800 Now Auto Light presents transcribed Mr. Van Heflin in The Last Days of John Dillinger, 28 00:01:48,800 --> 00:01:52,560 hoping once again to keep you in suspense. 29 00:01:52,560 --> 00:02:03,880 No, no, no more, no more, the name of that. 30 00:02:03,880 --> 00:02:04,880 Hold him, Harvey. 31 00:02:04,880 --> 00:02:05,880 Sure. 32 00:02:05,880 --> 00:02:06,880 Please, please, stop. 33 00:02:06,880 --> 00:02:07,880 Yeah, let him go. 34 00:02:07,880 --> 00:02:08,880 Sure. 35 00:02:08,880 --> 00:02:11,880 How you feel, Ernie? 36 00:02:11,880 --> 00:02:13,880 How you feel, copper? 37 00:02:13,880 --> 00:02:16,280 Come on, come on, tell me so I know. 38 00:02:16,280 --> 00:02:18,880 Oh, no, you oughtn't to laugh at him, Harvey. 39 00:02:18,880 --> 00:02:19,880 He's hurt. 40 00:02:19,880 --> 00:02:20,880 Hey, Ernie, you hurt? 41 00:02:20,880 --> 00:02:21,880 You hurt, Ernie? 42 00:02:21,880 --> 00:02:26,400 How's it feel to be in the cell of your own jailhouse, Ernie? 43 00:02:26,400 --> 00:02:27,400 Look, Dylan. 44 00:02:27,400 --> 00:02:29,680 No, no, no, you look. 45 00:02:29,680 --> 00:02:32,680 On your feet and take a look, Ernie. 46 00:02:32,680 --> 00:02:33,680 Up, up, Ernie, or up. 47 00:02:33,680 --> 00:02:34,680 Don't hit me anymore. 48 00:02:34,680 --> 00:02:35,680 Take a look. 49 00:02:35,680 --> 00:02:38,440 You see the pretty pistol, Ernie? 50 00:02:38,440 --> 00:02:39,440 It's wood. 51 00:02:39,440 --> 00:02:40,440 Yeah. 52 00:02:40,440 --> 00:02:43,360 Yeah, I whittled it, Ernie. 53 00:02:43,360 --> 00:02:45,680 Right after I whittled that boat for your kid, I made me this gun. 54 00:02:45,680 --> 00:02:47,880 I put some shoe polish on it. 55 00:02:47,880 --> 00:02:48,880 Bang. 56 00:02:48,880 --> 00:02:50,880 Yeah, yeah, he's nice. 57 00:02:50,880 --> 00:02:51,880 Sure. 58 00:02:51,880 --> 00:02:54,000 Now we got a real gun, Ernie, yours. 59 00:02:54,000 --> 00:02:55,000 And we're going to get out of here. 60 00:02:55,000 --> 00:02:58,240 Out of the jail, everybody's screaming that nobody's going to break out of. 61 00:02:58,240 --> 00:02:59,880 Come on, let's go, Ernie. 62 00:02:59,880 --> 00:03:00,880 Go. 63 00:03:00,880 --> 00:03:02,560 Let me tell you something, copper. 64 00:03:02,560 --> 00:03:08,240 From now on, from the second I do this, from just then on, just listen to what I say. 65 00:03:08,240 --> 00:03:09,240 I'll repeat it. 66 00:03:09,240 --> 00:03:10,240 Just listen to it and do it. 67 00:03:10,240 --> 00:03:11,240 I said, let's go. 68 00:03:11,240 --> 00:03:12,240 That means we're getting out. 69 00:03:12,240 --> 00:03:14,000 I said, keep your mouth shut. 70 00:03:14,000 --> 00:03:16,720 It means you say just one word and you're dead. 71 00:03:16,720 --> 00:03:21,000 And the last part of it is, when I'm ready to kill you, I'll let you watch. 72 00:03:21,000 --> 00:03:22,000 That's fair enough. 73 00:03:22,000 --> 00:03:23,000 Now, let's go. 74 00:03:23,000 --> 00:03:24,000 Please, please. 75 00:03:24,000 --> 00:03:25,000 Shut up. 76 00:03:25,000 --> 00:03:39,800 Find a road that don't look too traveled, Herb. 77 00:03:39,800 --> 00:03:40,800 Turn into it. 78 00:03:40,800 --> 00:03:41,800 Don't kill me, Johnny. 79 00:03:41,800 --> 00:03:42,800 No. 80 00:03:42,800 --> 00:03:43,800 Don't kill me, Johnny. 81 00:03:43,800 --> 00:03:44,800 Don't kill me. 82 00:03:44,800 --> 00:03:45,800 Johnny, don't kill me, Johnny. 83 00:03:45,800 --> 00:03:46,800 Here. 84 00:03:46,800 --> 00:03:55,360 Looks okay. 85 00:03:55,360 --> 00:03:59,480 Well, now, why are you crying, Ernie? 86 00:03:59,480 --> 00:04:00,760 Real good hostage like you. 87 00:04:00,760 --> 00:04:04,680 You told us where everybody was, where the arsenal was, where the keys to the warden's 88 00:04:04,680 --> 00:04:05,680 car was. 89 00:04:05,680 --> 00:04:06,680 Well, you're a nice boy. 90 00:04:06,680 --> 00:04:07,680 Don't kill me, Johnny. 91 00:04:07,680 --> 00:04:08,680 Okay, Herb. 92 00:04:08,680 --> 00:04:09,680 Out, Ernie. 93 00:04:09,680 --> 00:04:10,680 Don't kill me, Johnny. 94 00:04:10,680 --> 00:04:11,680 Out, Ernie. 95 00:04:11,680 --> 00:04:12,680 Don't kill me, Johnny. 96 00:04:12,680 --> 00:04:13,680 Don't kill me, Johnny. 97 00:04:13,680 --> 00:04:14,680 Don't kill me, Johnny. 98 00:04:14,680 --> 00:04:15,680 Don't kill me, Johnny. 99 00:04:15,680 --> 00:04:16,680 Don't kill me, Johnny. 100 00:04:16,680 --> 00:04:18,680 Don't kill me, Johnny. 101 00:04:18,680 --> 00:04:19,680 Jaguar,alanx. 102 00:04:19,680 --> 00:04:20,680 Now, get up. 103 00:04:20,680 --> 00:04:22,720 You want a cigarette? 104 00:04:22,720 --> 00:04:24,100 Like? 105 00:04:24,100 --> 00:04:26,120 Good-bye, Ernie. 106 00:04:26,120 --> 00:04:34,600 Let him walk back, Hep. 107 00:04:34,600 --> 00:04:36,600 Don't kill me. 108 00:04:36,600 --> 00:04:38,600 Johnny, don't kill me. 109 00:04:38,600 --> 00:04:40,600 Don't kill me. 110 00:04:50,600 --> 00:04:51,600 I like you. 111 00:04:51,600 --> 00:04:53,600 I know, I can tell. 112 00:04:53,600 --> 00:04:55,600 It's one of the reasons I like you. 113 00:04:55,600 --> 00:04:57,600 Come on, Johnny, let's scram from this joint. 114 00:04:57,600 --> 00:04:59,600 Let's get going. 115 00:04:59,600 --> 00:05:01,600 Give her a piece of apple pie, huh? 116 00:05:01,600 --> 00:05:03,600 All right. 117 00:05:03,600 --> 00:05:05,600 Want some more coffee? 118 00:05:05,600 --> 00:05:07,600 No, thank you, ma'am. 119 00:05:07,600 --> 00:05:09,600 Don't rush Johnny and me, mister. 120 00:05:11,600 --> 00:05:12,600 Hi. 121 00:05:12,600 --> 00:05:15,600 Pretty girl like you slinging in a road diner like this. 122 00:05:15,600 --> 00:05:17,600 Don't do that, Johnny. 123 00:05:17,600 --> 00:05:18,600 What? 124 00:05:18,600 --> 00:05:20,600 The truck drivers and the tourists say... 125 00:05:20,600 --> 00:05:22,600 They say just what you said. 126 00:05:22,600 --> 00:05:24,600 Don't become you. 127 00:05:24,600 --> 00:05:26,600 What does become me, Molly? 128 00:05:26,600 --> 00:05:28,600 Me? 129 00:05:28,600 --> 00:05:29,600 Listen. 130 00:05:29,600 --> 00:05:31,600 You walked in here half an hour ago, 131 00:05:31,600 --> 00:05:33,600 and I said to myself, it's John Dillinger. 132 00:05:33,600 --> 00:05:35,600 The fellow whose picture I see in the papers 133 00:05:35,600 --> 00:05:37,600 with that smile on his face. 134 00:05:37,600 --> 00:05:39,600 Same smile as you got now. 135 00:05:39,600 --> 00:05:42,600 And you know what about that smile, Johnny? 136 00:05:42,600 --> 00:05:45,600 It means you've been there and you've seen it. 137 00:05:45,600 --> 00:05:47,600 Whatever there was to see. 138 00:05:47,600 --> 00:05:49,600 And nobody's gonna fool you. 139 00:05:51,600 --> 00:05:54,600 Johnny, what's down the end of the road? 140 00:05:54,600 --> 00:05:56,600 You want to see? 141 00:05:56,600 --> 00:05:58,600 The way you'll show me. 142 00:05:58,600 --> 00:06:01,600 I'm coming back for you, Molly. 143 00:06:01,600 --> 00:06:02,600 Yeah, I know. 144 00:06:02,600 --> 00:06:04,600 First I gotta see some people up the road, 145 00:06:04,600 --> 00:06:06,600 couple hundred miles up the road. 146 00:06:06,600 --> 00:06:07,600 People expecting me. 147 00:06:07,600 --> 00:06:09,600 And you're coming back? 148 00:06:09,600 --> 00:06:10,600 Yeah. 149 00:06:21,600 --> 00:06:22,600 Hey, Johnny. 150 00:06:22,600 --> 00:06:24,600 Johnny, why don't you join the dance? 151 00:06:24,600 --> 00:06:26,600 You be on yourself, baby. 152 00:06:26,600 --> 00:06:29,600 Ha-ha, the time we've been together, Johnny. 153 00:06:29,600 --> 00:06:31,600 I've been jumping for joy. 154 00:06:31,600 --> 00:06:33,600 You're dancing on a grave. 155 00:06:33,600 --> 00:06:35,600 Herbie's grave. 156 00:06:35,600 --> 00:06:38,600 Yeah, well, Herbie shouldn't have tried a bank job all alone. 157 00:06:38,600 --> 00:06:40,600 You should have come up there to Wisconsin with you and your friends, 158 00:06:40,600 --> 00:06:42,600 had a party, had fun. 159 00:06:42,600 --> 00:06:44,600 Yeah, I should have had a party. 160 00:06:44,600 --> 00:06:46,600 Should have had fun. 161 00:06:46,600 --> 00:06:48,600 You miss Annie, huh? 162 00:06:48,600 --> 00:06:50,600 Also for Annie, Johnny? 163 00:06:50,600 --> 00:06:52,600 You know, if Annie Stager's here, you know what? 164 00:06:52,600 --> 00:06:54,600 Yeah, I wouldn't. 165 00:06:54,600 --> 00:06:56,600 I'm in Chicago. 166 00:06:56,600 --> 00:06:58,600 Real soon I'll drop in on her. 167 00:06:58,600 --> 00:06:59,600 When? 168 00:06:59,600 --> 00:07:01,600 One more day here, then we move out. 169 00:07:01,600 --> 00:07:02,600 Oh, you're kidding? 170 00:07:02,600 --> 00:07:04,600 Party's only four days old. 171 00:07:04,600 --> 00:07:05,600 We're just beginning. 172 00:07:05,600 --> 00:07:08,600 Ah, well, you're gonna have it better, Johnny. 173 00:07:08,600 --> 00:07:10,600 Look, who's gonna think to look for you in a crummy roadhouse 174 00:07:10,600 --> 00:07:12,600 in the Wisconsin woods? 175 00:07:12,600 --> 00:07:14,600 We could stay here for weeks. 176 00:07:14,600 --> 00:07:15,600 You could sing for Annie. 177 00:07:15,600 --> 00:07:18,600 No, no, I like Annie with Chicago around her. 178 00:07:18,600 --> 00:07:19,600 Don't push it, Johnny. 179 00:07:19,600 --> 00:07:22,600 Every cop in Illinois is watering at the mouth for a chance. 180 00:07:22,600 --> 00:07:25,600 You gotta like him for my face. 181 00:07:25,600 --> 00:07:26,600 Huh? 182 00:07:26,600 --> 00:07:27,600 My face, you like it? 183 00:07:27,600 --> 00:07:28,600 Oh, sure, Johnny. 184 00:07:28,600 --> 00:07:29,600 Oh, sure. 185 00:07:29,600 --> 00:07:31,600 You like my face, Annie likes my face. 186 00:07:31,600 --> 00:07:35,600 That Molly in the cops, they like my face. 187 00:07:35,600 --> 00:07:36,600 What are you planning? 188 00:07:36,600 --> 00:07:39,600 Well, there's a doc in Chicago, a plastic surgeon. 189 00:07:39,600 --> 00:07:42,600 For five grand, he'll make me a new face. 190 00:07:42,600 --> 00:07:44,600 Then I don't run, I don't hide. 191 00:07:44,600 --> 00:07:48,600 Then I have me a party in Chicago like you never dreamed. 192 00:07:48,600 --> 00:07:49,600 Like you never... 193 00:07:49,600 --> 00:07:50,600 Where's Dillinger? 194 00:07:50,600 --> 00:07:53,600 Where's John Dillinger? 195 00:07:53,600 --> 00:07:55,600 I gotta see John Dillinger. 196 00:07:55,600 --> 00:07:56,600 Who's...? 197 00:07:56,600 --> 00:07:58,600 I'm Dillinger. 198 00:07:58,600 --> 00:08:00,600 You gotta get out of here, Mr. Dillinger. 199 00:08:00,600 --> 00:08:01,600 Why? 200 00:08:01,600 --> 00:08:02,600 Cops. 201 00:08:02,600 --> 00:08:04,600 The back roads is full of them. 202 00:08:04,600 --> 00:08:05,600 Cars with cops in them. 203 00:08:05,600 --> 00:08:07,600 And plainclothes guys. 204 00:08:07,600 --> 00:08:08,600 And they're heading here. 205 00:08:08,600 --> 00:08:10,600 I ran all the way through the woods. 206 00:08:10,600 --> 00:08:11,600 You gotta get out of here, Mr. Dillinger. 207 00:08:11,600 --> 00:08:13,600 How close are they, kid? 208 00:08:13,600 --> 00:08:14,600 Up at Point Racine. 209 00:08:14,600 --> 00:08:17,600 They gotta take the dirt roads detour before they... 210 00:08:17,600 --> 00:08:19,600 That's where I cut across the hill and through the woods. 211 00:08:19,600 --> 00:08:20,600 I ran all the way. 212 00:08:20,600 --> 00:08:21,600 How did you know I was here, kid? 213 00:08:21,600 --> 00:08:24,600 Everybody around here knows you're here, Mr. Dillinger. 214 00:08:24,600 --> 00:08:26,600 The big party you're having. 215 00:08:26,600 --> 00:08:28,600 This road house open in the middle of winter. 216 00:08:28,600 --> 00:08:30,600 And somebody wants a pigeon on you. 217 00:08:30,600 --> 00:08:31,600 Call the cops. 218 00:08:30,600 --> 00:08:31,600 But not you. 219 00:08:31,600 --> 00:08:33,600 No, no, no, not me. 220 00:08:33,600 --> 00:08:35,600 That's one of the cars, Mr. Dillinger. 221 00:08:35,600 --> 00:08:36,600 I just bet it's one of them. 222 00:08:36,600 --> 00:08:37,600 Kid. 223 00:08:37,600 --> 00:08:38,600 Yes, sir? 224 00:08:38,600 --> 00:08:39,600 You're a good boy and I'm gonna make you one of my gang. 225 00:08:39,600 --> 00:08:40,600 You like that? 226 00:08:40,600 --> 00:08:41,600 Sure, sure. 227 00:08:41,600 --> 00:08:43,600 And I'm gonna give you my gun. 228 00:08:43,600 --> 00:08:44,600 Here, kid, you take it. 229 00:08:44,600 --> 00:08:45,600 What's your name? 230 00:08:45,600 --> 00:08:46,600 Paul. 231 00:08:46,600 --> 00:08:47,600 Paul Harvey. 232 00:08:46,600 --> 00:08:47,600 Well, I tell you what, Paul. 233 00:08:47,600 --> 00:08:52,600 You go out there and if that's really the cops like the way you said, 234 00:08:52,600 --> 00:08:54,600 I want you to stall them. 235 00:08:54,600 --> 00:08:56,600 How'll I do that, Mr. Dillinger? 236 00:08:56,600 --> 00:08:57,600 You'll think of something, Paul, 237 00:08:57,600 --> 00:08:59,600 because you're the kind of a guy I got around me. 238 00:08:59,600 --> 00:09:01,600 Guys who think of something when the chips are down. 239 00:09:01,600 --> 00:09:02,600 Guys like you. 240 00:09:02,600 --> 00:09:04,600 Go on, Paul. 241 00:09:04,600 --> 00:09:06,600 Do what Johnny Dillinger told you. 242 00:09:13,600 --> 00:09:15,600 You won't get Johnny Dillinger! 243 00:09:15,600 --> 00:09:17,600 You won't get Johnny Dillinger! 244 00:09:19,600 --> 00:09:22,600 Quick, out the back window, baby, and bring your gun. 245 00:09:25,600 --> 00:09:26,600 Cover me. 246 00:09:26,600 --> 00:09:27,600 Yeah, yeah, jump. 247 00:09:34,600 --> 00:09:35,600 Paul! 248 00:09:35,600 --> 00:09:36,600 Paul, there are two! 249 00:09:36,600 --> 00:09:37,600 Hit the ground. 250 00:09:40,600 --> 00:09:41,600 You see him? 251 00:09:41,600 --> 00:09:49,600 Yeah, now I see him. 252 00:09:49,600 --> 00:09:50,600 We'll do it, baby. 253 00:09:50,600 --> 00:09:52,600 I want him closer. 254 00:09:59,600 --> 00:10:01,600 You two men, get up. 255 00:10:01,600 --> 00:10:02,600 Get up and put up there. 256 00:10:06,600 --> 00:10:07,600 See you around, baby face. 257 00:10:07,600 --> 00:10:11,600 I'd like to have fun at my party. 258 00:10:26,600 --> 00:10:28,600 You like it, huh, Johnny? 259 00:10:28,600 --> 00:10:31,600 You like what I've done to your face? 260 00:10:31,600 --> 00:10:34,600 Here, let me wipe off the mirror. 261 00:10:34,600 --> 00:10:35,600 You like it, huh? 262 00:10:35,600 --> 00:10:38,600 You're a butcher, Doc. 263 00:10:38,600 --> 00:10:42,600 You're a drunken son of a Chicago butcher. 264 00:10:42,600 --> 00:10:45,600 You're a slaughterhouse man. 265 00:10:45,600 --> 00:10:47,600 You just told your tongue, Johnny. 266 00:10:47,600 --> 00:10:48,600 Bang, PK. 267 00:10:48,600 --> 00:10:49,600 Now, wait a minute. 268 00:10:49,600 --> 00:10:50,600 Wait a minute. 269 00:10:50,600 --> 00:10:52,600 I want to tell you something. 270 00:10:52,600 --> 00:10:54,600 Five thousand, Doc. 271 00:10:54,600 --> 00:10:55,600 That's what you agreed on. 272 00:10:55,600 --> 00:10:56,600 That's what you get. 273 00:10:56,600 --> 00:10:58,600 Now, you listen to me. 274 00:10:58,600 --> 00:11:00,600 You died there on my operating table. 275 00:11:00,600 --> 00:11:01,600 You died for sure. 276 00:11:01,600 --> 00:11:02,600 You died on my operating table. 277 00:11:02,600 --> 00:11:04,600 You died for sure. 278 00:11:04,600 --> 00:11:06,600 You died stone dead. 279 00:11:06,600 --> 00:11:08,600 What are you talking about? 280 00:11:08,600 --> 00:11:11,600 My sister and that slob that gave you too much ether. 281 00:11:11,600 --> 00:11:13,600 And you were dead. 282 00:11:13,600 --> 00:11:15,600 And I thought fast, and I grabbed a hemostat 283 00:11:15,600 --> 00:11:17,600 and pulled your tongue over your teeth. 284 00:11:17,600 --> 00:11:20,600 Then I gave you artificial respiration. 285 00:11:20,600 --> 00:11:22,600 You were stone dead, Johnny. 286 00:11:22,600 --> 00:11:25,600 And I brought you back to life. 287 00:11:25,600 --> 00:11:29,600 You're a drunken butcher, Doc. 288 00:11:29,600 --> 00:11:31,600 Go on, give him the five grand, PK. 289 00:11:31,600 --> 00:11:33,600 Thanks. 290 00:11:33,600 --> 00:11:35,600 Thanks a lot, Johnny. 291 00:11:35,600 --> 00:11:37,600 Now, Johnny. 292 00:11:37,600 --> 00:11:39,600 Yeah? 293 00:11:39,600 --> 00:11:41,600 Your fingertips. 294 00:11:41,600 --> 00:11:42,600 Hmm. 295 00:11:42,600 --> 00:11:44,600 And new face don't do you any good 296 00:11:44,600 --> 00:11:46,600 without you got new fingerprints. 297 00:11:46,600 --> 00:11:48,600 That's right, Doc. 298 00:11:48,600 --> 00:11:49,600 You're thinking, Doc. 299 00:11:49,600 --> 00:11:50,600 Yeah. 300 00:11:50,600 --> 00:11:52,600 I got it all ready. 301 00:11:52,600 --> 00:11:53,600 Right over here. 302 00:11:53,600 --> 00:11:57,600 Come on, Johnny. 303 00:11:57,600 --> 00:11:58,600 Here. 304 00:11:58,600 --> 00:12:00,600 Take a look. 305 00:12:00,600 --> 00:12:03,600 A bowl of acid, Johnny. 306 00:12:03,600 --> 00:12:05,600 All you gotta do is... 307 00:12:05,600 --> 00:12:07,600 Well, let's get it over with. 308 00:12:07,600 --> 00:12:09,600 Sure, sure, sure, Johnny. 309 00:12:09,600 --> 00:12:11,600 Just roll back your sleeve. 310 00:12:11,600 --> 00:12:13,600 That's it. 311 00:12:13,600 --> 00:12:16,600 Now, give me your hand. 312 00:12:16,600 --> 00:12:18,600 No, no, no, don't hold back, Johnny. 313 00:12:18,600 --> 00:12:21,600 Just give me your hand. 314 00:12:21,600 --> 00:12:23,600 That's it. 315 00:12:23,600 --> 00:12:25,600 And relax your fingers and... 316 00:12:25,600 --> 00:12:39,600 Ah! 317 00:12:39,600 --> 00:12:42,600 Auto Light is bringing you Mr. Van Heflin 318 00:12:42,600 --> 00:12:45,600 in The Last Days of John Dillinger, 319 00:12:45,600 --> 00:12:47,600 tonight's presentation in radio's 320 00:12:47,600 --> 00:13:00,600 outstanding theater of thrills, Suspense. 321 00:13:00,600 --> 00:13:03,600 Say, Hap, ever hear of a person buying cigarettes 322 00:13:03,600 --> 00:13:05,600 without asking for a particular brand? 323 00:13:05,600 --> 00:13:06,600 Never did, Harlow. 324 00:13:06,600 --> 00:13:09,600 Well, some of these same folks accept parts 325 00:13:09,600 --> 00:13:11,600 for their car's electrical systems 326 00:13:11,600 --> 00:13:13,600 without even asking the name. 327 00:13:13,600 --> 00:13:15,600 They don't insist on parts exactly like those 328 00:13:15,600 --> 00:13:17,600 specified by the car manufacturer? 329 00:13:17,600 --> 00:13:18,600 That's right, Hap. 330 00:13:18,600 --> 00:13:21,600 Well, then how can they be sure to get top performance, Harlow? 331 00:13:21,600 --> 00:13:23,600 They can't, and they don't, Hap. 332 00:13:23,600 --> 00:13:25,600 Original service parts are designed and built 333 00:13:25,600 --> 00:13:27,600 to the specifications of the car manufacturer 334 00:13:27,600 --> 00:13:29,600 to work as a team in perfect harmony. 335 00:13:29,600 --> 00:13:33,600 That's why it pays to always insist on original service parts 336 00:13:33,600 --> 00:13:35,600 when replacements are needed. 337 00:13:35,600 --> 00:13:37,600 And that means Auto Light original service parts 338 00:13:37,600 --> 00:13:39,600 for my Auto Light-equipped car. 339 00:13:39,600 --> 00:13:42,600 Right, Hap, because Auto Light designs and builds 340 00:13:42,600 --> 00:13:45,600 complete electrical systems for many leading makes 341 00:13:45,600 --> 00:13:48,600 of our finest cars, trucks, and tractors. 342 00:13:48,600 --> 00:13:51,600 And all Auto Light units, like the coil, distributor, 343 00:13:51,600 --> 00:13:54,600 contact set, condenser, and regulator, 344 00:13:54,600 --> 00:13:56,600 are designed to work together as a perfect team. 345 00:13:56,600 --> 00:13:59,600 So, regardless of the make of car you own, 346 00:13:59,600 --> 00:14:02,600 it always pays to get only original service parts 347 00:14:02,600 --> 00:14:05,600 like those first installed by the manufacturer. 348 00:14:05,600 --> 00:14:08,600 And remember, from bumper to tail light, 349 00:14:08,600 --> 00:14:11,600 you're always right with Auto Light. 350 00:14:11,600 --> 00:14:14,600 And now, Auto Light brings back to our Hollywood soundstage 351 00:14:14,600 --> 00:14:18,600 Mr. Van Heflin in Elliot Lewis's production of 352 00:14:18,600 --> 00:14:20,600 The Last Days of John Dillinger, 353 00:14:20,600 --> 00:14:24,600 a true report, well calculated to keep you in... 354 00:14:24,600 --> 00:14:26,600 suspense. 355 00:14:26,600 --> 00:14:41,600 Look at you. 356 00:14:41,600 --> 00:14:42,600 Honey. 357 00:14:42,600 --> 00:14:43,600 Look at you. 358 00:14:43,600 --> 00:14:44,600 Honey. 359 00:14:44,600 --> 00:14:45,600 Hands bandaged, your face. 360 00:14:45,600 --> 00:14:46,600 Get away from me. 361 00:14:46,600 --> 00:14:47,600 All right. 362 00:14:47,600 --> 00:14:50,600 All right, I will. 363 00:14:50,600 --> 00:14:53,600 John? 364 00:14:53,600 --> 00:14:54,600 John. 365 00:14:54,600 --> 00:14:56,600 Why? 366 00:14:56,600 --> 00:14:57,600 You broke Crown Point weeks ago. 367 00:14:57,600 --> 00:14:59,600 How come you're just showing up? 368 00:14:59,600 --> 00:15:01,600 I gotta explain it to you, Annie. 369 00:15:01,600 --> 00:15:04,600 Or else out. 370 00:15:04,600 --> 00:15:05,600 You heard Annie... 371 00:15:05,600 --> 00:15:06,600 What? You read the papers. 372 00:15:06,600 --> 00:15:08,600 What happened in Wisconsin? 373 00:15:08,600 --> 00:15:09,600 Four days. 374 00:15:09,600 --> 00:15:12,600 Babyface came around, told me all about it. 375 00:15:12,600 --> 00:15:14,600 And this crazy operation, how long? 376 00:15:14,600 --> 00:15:17,600 A week, two? 377 00:15:17,600 --> 00:15:18,600 Where have you been all this time? 378 00:15:18,600 --> 00:15:19,600 Yeah, like I'm a child. 379 00:15:19,600 --> 00:15:22,600 That's right. 380 00:15:22,600 --> 00:15:23,600 Where have you been all this time? 381 00:15:23,600 --> 00:15:24,600 Well, I'm here now, so what? 382 00:15:24,600 --> 00:15:25,600 Another woman? 383 00:15:25,600 --> 00:15:26,600 Oh. 384 00:15:26,600 --> 00:15:27,600 You can tell me, Johnny. 385 00:15:27,600 --> 00:15:28,600 Now look. 386 00:15:28,600 --> 00:15:29,600 You can tell me anything, Johnny. 387 00:15:29,600 --> 00:15:30,600 You know you can. 388 00:15:30,600 --> 00:15:31,600 You always said you could tell me. 389 00:15:31,600 --> 00:15:34,600 Something happens when I'm around you. 390 00:15:34,600 --> 00:15:36,600 What? 391 00:15:36,600 --> 00:15:37,600 Tell me what. 392 00:15:37,600 --> 00:15:39,600 I don't know. 393 00:15:39,600 --> 00:15:40,600 Tell me what, Johnny. 394 00:15:40,600 --> 00:15:43,600 The reason I waited so long to come to you, 395 00:15:43,600 --> 00:15:44,600 why I can't stay away. 396 00:15:44,600 --> 00:15:45,600 Leave me, Johnny. 397 00:15:45,600 --> 00:15:47,600 Everything gets all right. 398 00:15:47,600 --> 00:15:50,600 It gets warm and nothing's exciting. 399 00:15:50,600 --> 00:15:51,600 Hungry, Johnny? 400 00:15:51,600 --> 00:15:52,600 Funny, up in Wisconsin, 401 00:15:52,600 --> 00:15:54,600 I was running away, you know, with Babyface 402 00:15:54,600 --> 00:15:56,600 after he let that FBI guy have it. 403 00:15:56,600 --> 00:15:57,600 I put my coffee in. 404 00:15:57,600 --> 00:15:58,600 And I was running. 405 00:15:58,600 --> 00:16:00,600 Running, and you know what went through my mind? 406 00:16:00,600 --> 00:16:02,600 Kind of real crazy. 407 00:16:02,600 --> 00:16:06,600 This oil cloth on the table, the patterns in it, 408 00:16:06,600 --> 00:16:09,600 the blocks and how you look at me one way 409 00:16:09,600 --> 00:16:12,600 and then they look like they're coming out from the table. 410 00:16:12,600 --> 00:16:13,600 Such a nice piece of pie. 411 00:16:13,600 --> 00:16:16,600 And they keep staring and they change. 412 00:16:16,600 --> 00:16:17,600 Johnny? 413 00:16:17,600 --> 00:16:18,600 You know what I mean? 414 00:16:18,600 --> 00:16:20,600 Johnny. 415 00:16:20,600 --> 00:16:22,600 Yeah? 416 00:16:22,600 --> 00:16:25,600 Don't worry about anything. 417 00:16:25,600 --> 00:16:26,600 Okay. 418 00:16:26,600 --> 00:16:28,600 Everything's gonna be all right. 419 00:16:28,600 --> 00:16:30,600 Sure. 420 00:16:30,600 --> 00:16:32,600 And later you can cry. 421 00:16:43,600 --> 00:16:46,600 I like to see you laugh, Johnny. 422 00:16:46,600 --> 00:16:49,600 Oh, you make me laugh. 423 00:16:49,600 --> 00:16:51,600 Am I funny? 424 00:16:51,600 --> 00:16:53,600 You think I'm funny? 425 00:16:53,600 --> 00:16:55,600 You're just like a kid. 426 00:16:55,600 --> 00:16:57,600 Molly. 427 00:16:57,600 --> 00:17:01,600 You glad you quit that job and come up here to Chicago? 428 00:17:01,600 --> 00:17:02,600 Huh? 429 00:17:02,600 --> 00:17:03,600 Mm-hmm. 430 00:17:03,600 --> 00:17:07,600 Why you always sit on the floor like that, huh? 431 00:17:07,600 --> 00:17:09,600 Listen to her. 432 00:17:09,600 --> 00:17:10,600 Huh? 433 00:17:10,600 --> 00:17:11,600 Cross me. 434 00:17:11,600 --> 00:17:16,600 I swear you, you're just like a kid. 435 00:17:16,600 --> 00:17:18,600 Bright eyes. 436 00:17:18,600 --> 00:17:20,600 Bright eyes, Johnny? 437 00:17:20,600 --> 00:17:21,600 Yeah. 438 00:17:21,600 --> 00:17:23,600 Oh, Johnny, being here in Chicago 439 00:17:23,600 --> 00:17:27,600 and knowing what it's like where the road's going. 440 00:17:27,600 --> 00:17:28,600 Johnny. 441 00:17:28,600 --> 00:17:30,600 Yeah? 442 00:17:30,600 --> 00:17:33,600 A man like you. 443 00:17:33,600 --> 00:17:36,600 You're like a giant, aren't you, Johnny? 444 00:17:36,600 --> 00:17:37,600 Not afraid of anything. 445 00:17:37,600 --> 00:17:39,600 Where's Molly? 446 00:17:39,600 --> 00:17:40,600 They're looking for you to kid you, 447 00:17:40,600 --> 00:17:43,600 and you're not afraid of anything. 448 00:17:43,600 --> 00:17:45,600 John DeWinger. 449 00:17:45,600 --> 00:17:47,600 Come over here. 450 00:17:47,600 --> 00:17:49,600 Johnny. 451 00:17:49,600 --> 00:17:50,600 How many men? 452 00:17:50,600 --> 00:17:51,600 Huh? 453 00:17:51,600 --> 00:17:53,600 How many men dead because of you? 454 00:17:53,600 --> 00:17:55,600 Uh, 13. 455 00:17:55,600 --> 00:17:56,600 So? 456 00:17:56,600 --> 00:17:59,600 The sheriff and the deputies and the cops and the FBI 457 00:17:59,600 --> 00:18:03,600 and everybody looking for you to kid you. 458 00:18:03,600 --> 00:18:05,600 And you're not afraid. 459 00:18:05,600 --> 00:18:07,600 Sure, yeah. 460 00:18:07,600 --> 00:18:09,600 Sure, Johnny. 461 00:18:09,600 --> 00:18:18,600 Sure, Johnny. 462 00:18:18,600 --> 00:18:40,600 Yeah? 463 00:18:40,600 --> 00:18:42,600 You're Molly? 464 00:18:42,600 --> 00:18:43,600 Yes, what's your name? 465 00:18:43,600 --> 00:18:45,600 I'm Anna Sage. 466 00:18:45,600 --> 00:18:46,600 Johnny? 467 00:18:46,600 --> 00:18:48,600 Yeah, Johnny. 468 00:18:48,600 --> 00:18:49,600 Until you blew in. 469 00:18:49,600 --> 00:18:52,600 Until a month ago when he brought you here. 470 00:18:52,600 --> 00:18:54,600 Ask me inside, Molly, 471 00:18:54,600 --> 00:18:57,600 so as we can have a heart-to-heart, compared note. 472 00:18:57,600 --> 00:18:59,600 Sheriff. 473 00:18:59,600 --> 00:19:00,600 All right. 474 00:19:00,600 --> 00:19:04,600 Come in. 475 00:19:04,600 --> 00:19:06,600 I was just having a bottle of beer. 476 00:19:06,600 --> 00:19:08,600 You want one? 477 00:19:08,600 --> 00:19:09,600 You want one? 478 00:19:09,600 --> 00:19:11,600 Sure, honey. 479 00:19:11,600 --> 00:19:15,600 Because I can cry in it how pretty you are. 480 00:19:15,600 --> 00:19:17,600 You like Chicago? 481 00:19:17,600 --> 00:19:22,600 Crazy boy. 482 00:19:22,600 --> 00:19:24,600 Your beer. 483 00:19:24,600 --> 00:19:28,600 Dull, a real dull. 484 00:19:28,600 --> 00:19:30,600 Johnny's a picker, he is. 485 00:19:30,600 --> 00:19:33,600 And he gave you Chicago. 486 00:19:33,600 --> 00:19:36,600 Drink your drink, say your say, and then get out. 487 00:19:36,600 --> 00:19:38,600 I broke up something coming here right at this time, 488 00:19:38,600 --> 00:19:40,600 didn't I, Molly? 489 00:19:40,600 --> 00:19:43,600 Yeah, something real nice. 490 00:19:43,600 --> 00:19:45,600 And you can't wait till Johnny again? 491 00:19:45,600 --> 00:19:48,600 No. 492 00:19:48,600 --> 00:19:50,600 Johnny told me about you. 493 00:19:50,600 --> 00:19:52,600 Oh? 494 00:19:52,600 --> 00:19:55,600 I'm sorry for you. 495 00:19:55,600 --> 00:19:58,600 Tell me all the ways you're sorry for me. 496 00:19:58,600 --> 00:20:01,600 Only one. 497 00:20:01,600 --> 00:20:03,600 But you haven't got with Johnny. 498 00:20:03,600 --> 00:20:05,600 And you have. 499 00:20:05,600 --> 00:20:07,600 Crazy for it. 500 00:20:07,600 --> 00:20:11,600 From the time he walked in the diner where I worked, I was alive. 501 00:20:11,600 --> 00:20:15,600 Advice from an older woman, honey, make it a memory. 502 00:20:15,600 --> 00:20:16,600 Get out of Chicago. 503 00:20:16,600 --> 00:20:17,600 Leave Johnny. 504 00:20:17,600 --> 00:20:19,600 For you? 505 00:20:19,600 --> 00:20:21,600 Leave a man like that to something? 506 00:20:21,600 --> 00:20:25,600 Leave him, keep away from him. Did you hear me? 507 00:20:25,600 --> 00:20:28,600 I just broke my beer bottle, Annie. 508 00:20:28,600 --> 00:20:33,600 The way I once saw a man doing a bar I worked in in Des Moines. 509 00:20:33,600 --> 00:20:35,600 He broke this beer bottle, 510 00:20:35,600 --> 00:20:37,600 and he held it close to this woman's face. 511 00:20:37,600 --> 00:20:38,600 Stay away from me. 512 00:20:38,600 --> 00:20:41,600 He held it real close, right under her eye. 513 00:20:41,600 --> 00:20:43,600 At first he made a little scar. 514 00:20:43,600 --> 00:20:45,600 Just a small scar. 515 00:20:45,600 --> 00:20:46,600 Don't. Don't. 516 00:20:46,600 --> 00:20:49,600 Like that. 517 00:20:49,600 --> 00:20:51,600 You. 518 00:20:51,600 --> 00:20:53,600 You get out of here. 519 00:20:53,600 --> 00:20:55,600 And you leave Johnny and me alone. 520 00:20:55,600 --> 00:21:01,600 As one day the mood strikes, I'll tell Johnny to kill you. 521 00:21:01,600 --> 00:21:29,600 Get out, Annie. 522 00:21:29,600 --> 00:21:32,600 Federal Bureau of Investigation, Kyle A. speaking. 523 00:21:32,600 --> 00:21:34,600 You want John Dillinger? 524 00:21:34,600 --> 00:21:35,600 Who is this? 525 00:21:35,600 --> 00:21:37,600 Anna Sage. You want Johnny? 526 00:21:37,600 --> 00:21:40,600 You giving him to us, Annie, for the $5,000? 527 00:21:40,600 --> 00:21:43,600 Not for the money. I don't care about the money. 528 00:21:43,600 --> 00:21:45,600 I don't want Johnny anymore, that's all. 529 00:21:45,600 --> 00:21:46,600 Sure, Annie. Now where are we? 530 00:21:46,600 --> 00:21:49,600 I'll set him up for you. I'll call you later, where and when. 531 00:21:49,600 --> 00:21:50,600 Oh, listen, Annie. 532 00:21:50,600 --> 00:22:04,600 Stay by your phone, and I'll make you a hero. 533 00:22:04,600 --> 00:22:05,600 Johnny. 534 00:22:05,600 --> 00:22:06,600 What? 535 00:22:06,600 --> 00:22:09,600 Mind if I take a sip of your beer first? 536 00:22:09,600 --> 00:22:10,600 Don't do that. 537 00:22:10,600 --> 00:22:11,600 What am I doing? 538 00:22:11,600 --> 00:22:15,600 Acting girlish. Sweet. Just don't do it, Annie. 539 00:22:15,600 --> 00:22:20,600 Hand me the beer and she... 540 00:22:20,600 --> 00:22:21,600 Here. 541 00:22:21,600 --> 00:22:22,600 Thanks. 542 00:22:22,600 --> 00:22:23,600 Oh, I never knew Chicago was so hot. 543 00:22:23,600 --> 00:22:25,600 Why don't we go out, Johnny? 544 00:22:25,600 --> 00:22:28,600 Cooked up in here, sweating out the heat, clawing at each other like we do. 545 00:22:28,600 --> 00:22:29,600 Why don't we go out? 546 00:22:29,600 --> 00:22:30,600 You crazy. 547 00:22:30,600 --> 00:22:33,600 Well, we're crazy to stay in here. 548 00:22:33,600 --> 00:22:37,600 We go to a movie, a nice air-conditioned movie, cool off for a while. 549 00:22:37,600 --> 00:22:38,600 I go out of here and somebody... 550 00:22:38,600 --> 00:22:40,600 Who's going to know you're sitting in a dark movie theater? 551 00:22:40,600 --> 00:22:43,600 What you had done to your face and some dark glasses. 552 00:22:43,600 --> 00:22:46,600 Nobody's going to recognize you. 553 00:22:46,600 --> 00:22:48,600 Right here in the paper. 554 00:22:48,600 --> 00:22:51,600 The Biograph Theater, picture with Clark Gable and Myrna Loa. 555 00:22:51,600 --> 00:22:53,600 You like Clark Gable, don't you, Johnny? 556 00:22:53,600 --> 00:22:55,600 A Disney cartoon. 557 00:22:55,600 --> 00:22:56,600 Yeah. 558 00:22:56,600 --> 00:22:58,600 For a while you could enjoy yourself and get out of the heat. 559 00:22:58,600 --> 00:22:59,600 Johnny. 560 00:22:59,600 --> 00:23:00,600 What? 561 00:23:00,600 --> 00:23:07,600 You ask Molly to come along if you want. 562 00:23:07,600 --> 00:23:08,600 Annie. 563 00:23:08,600 --> 00:23:11,600 I mean it. I mean it. 564 00:23:11,600 --> 00:23:14,600 Go call up Molly and ask her to meet us here. 565 00:23:14,600 --> 00:23:16,600 And then the three of us will go to a movie. 566 00:23:16,600 --> 00:23:19,600 Yeah, Molly told me you was around. 567 00:23:19,600 --> 00:23:22,600 Is that how you got that little cut under your eye, honey? 568 00:23:22,600 --> 00:23:25,600 Yeah. 569 00:23:25,600 --> 00:23:27,600 No sense anybody being mad at anybody. 570 00:23:27,600 --> 00:23:30,600 No. No, there ain't. 571 00:23:30,600 --> 00:23:31,600 I'm glad you figured that out. 572 00:23:31,600 --> 00:23:34,600 Why don't the three of us get together for a movie tonight? 573 00:23:34,600 --> 00:23:58,600 Sure. Sure, I'll call Molly. 574 00:23:58,600 --> 00:23:59,600 Why don't you sit and watch the cartoon, Annie? 575 00:23:59,600 --> 00:24:00,600 Where you going? 576 00:24:00,600 --> 00:24:02,600 Get some candy. 577 00:24:02,600 --> 00:24:04,600 You want some candy, Molly? 578 00:24:04,600 --> 00:24:07,600 No. I got a figure to worry about. 579 00:24:07,600 --> 00:24:31,600 Excuse me then. 580 00:24:31,600 --> 00:24:42,600 Hello? 581 00:24:42,600 --> 00:24:44,600 Federal Bureau of Investigation, Collie speaking. 582 00:24:44,600 --> 00:24:45,600 Anna Sage, Mr. Collie. 583 00:24:45,600 --> 00:24:46,600 Oh, yes? 584 00:24:46,600 --> 00:24:48,600 We're at the Bygraph Theater. 585 00:24:48,600 --> 00:24:49,600 Dillinger? 586 00:24:49,600 --> 00:24:50,600 Yes, sir. 587 00:24:50,600 --> 00:24:52,600 We ought to be leaving here in 20 minutes or so. 588 00:24:52,600 --> 00:24:53,600 Cartoon in the newsroom. 589 00:24:53,600 --> 00:24:54,600 Right. 590 00:24:54,600 --> 00:24:56,600 Johnny's not wearing a coat. 591 00:24:56,600 --> 00:24:58,600 Blue sports shirt. 592 00:24:58,600 --> 00:25:00,600 Dark glasses and a straw hat. 593 00:25:00,600 --> 00:25:21,600 Thanks, Anna. 594 00:25:21,600 --> 00:25:23,600 That fellow, Hitler, he's a comah, huh? 595 00:25:23,600 --> 00:25:25,600 Oh, it's hot. 596 00:25:25,600 --> 00:25:27,600 Even with the air conditioning, it's so hot. 597 00:25:27,600 --> 00:25:29,600 Let's get out and get some beer. 598 00:25:29,600 --> 00:25:31,600 Want to go with us and get some beer, Annie? 599 00:25:31,600 --> 00:25:32,600 No, I'm going home. 600 00:25:32,600 --> 00:25:33,600 We were just talking about... 601 00:25:33,600 --> 00:25:34,600 Do what you want. 602 00:25:34,600 --> 00:25:35,600 I'm going home. 603 00:25:35,600 --> 00:25:42,600 Who's afraid of the big bad wolf? 604 00:25:42,600 --> 00:25:43,600 Oh, boy. 605 00:25:43,600 --> 00:25:45,600 He hates you, like... 606 00:25:45,600 --> 00:25:46,600 You feel it, Molly? 607 00:25:46,600 --> 00:25:47,600 What? 608 00:25:47,600 --> 00:25:48,600 The heat. 609 00:25:48,600 --> 00:25:49,600 You feel it? 610 00:25:49,600 --> 00:25:50,600 Yeah. 611 00:25:50,600 --> 00:25:51,600 Well, we'll go to some place and get a... 612 00:25:51,600 --> 00:25:52,600 You two go on, I'll join you. 613 00:25:52,600 --> 00:25:53,600 Johnny? 614 00:25:53,600 --> 00:25:54,600 Johnny Dillinger? 615 00:25:54,600 --> 00:25:55,600 Huh? 616 00:25:55,600 --> 00:25:56,600 FBI, Johnny. 617 00:25:56,600 --> 00:25:57,600 Don't go for your... 618 00:25:57,600 --> 00:25:58,600 You're not going to... 619 00:25:58,600 --> 00:25:59,600 Johnny! 620 00:25:59,600 --> 00:26:00,600 Johnny! 621 00:26:00,600 --> 00:26:01,600 Johnny! 622 00:26:01,600 --> 00:26:04,600 Did you hear him? 623 00:26:04,600 --> 00:26:08,600 He called for me. 624 00:26:08,600 --> 00:26:12,600 I kind of thought he would. 625 00:26:12,600 --> 00:26:13,600 Hey! 626 00:26:13,600 --> 00:26:14,600 Hey, look, it's Dillinger! 627 00:26:14,600 --> 00:26:15,600 It's John Dillinger! 628 00:26:15,600 --> 00:26:16,600 Hey, look! 629 00:26:16,600 --> 00:26:17,600 Look! 630 00:26:17,600 --> 00:26:18,600 It's John Dillinger! 631 00:26:18,600 --> 00:26:45,800 Suspense. 632 00:26:45,800 --> 00:26:50,440 And by Auto Light, tonight's star, Mr. Van Heflin. 633 00:26:50,440 --> 00:26:55,440 This is Harlow Wilcox for Auto Light, the world's largest independent manufacturer of automotive 634 00:26:55,440 --> 00:26:57,120 electrical equipment. 635 00:26:57,120 --> 00:27:02,260 In 28 plants from coast to coast, the men and women of Auto Light build over 400 fine 636 00:27:02,260 --> 00:27:07,360 products for cars, trucks, tractors, planes, boats, and industry. 637 00:27:07,360 --> 00:27:12,400 Auto Light contributes its manufacturing experience and skills to the fields of transportation, 638 00:27:12,400 --> 00:27:16,560 electronics, agriculture, die casting, and plastics. 639 00:27:16,560 --> 00:27:21,120 The Auto Light name is famous all over the world for products of unsurpassed quality 640 00:27:21,120 --> 00:27:22,600 and performance. 641 00:27:22,600 --> 00:27:25,920 In service, too, Auto Light facilities are worldwide. 642 00:27:25,920 --> 00:27:31,380 Wherever you travel, you'll find trained experts prepared to serve your technical needs. 643 00:27:31,380 --> 00:27:37,600 So for superior products, always look for the name Auto Light, because from bumper to tail 644 00:27:37,600 --> 00:27:40,640 light, you're always right with Auto Light. 645 00:27:40,640 --> 00:27:52,640 Next week, the dramatization of an amazing document in which an unbelievable voyage is 646 00:27:52,640 --> 00:27:58,720 chronicled, beginning with that moment when Fletcher Christian led the men on HMS Bounty 647 00:27:58,720 --> 00:27:59,960 to mutiny. 648 00:27:59,960 --> 00:28:05,800 It's called The Revenge of Captain Bly, our star, Mr. Charles Lawton. 649 00:28:05,800 --> 00:28:11,880 Next week on Suspense. 650 00:28:11,880 --> 00:28:16,360 Suspense is transcribed and directed by Elliot Lewis with music composed by Lucian Morawick 651 00:28:16,360 --> 00:28:17,880 and conducted by Lud Gluskin. 652 00:28:17,880 --> 00:28:23,560 The Last Days of John Dillinger was adapted for suspense by Morton Fine and David Friedkin. 653 00:28:23,560 --> 00:28:28,680 In tonight's story, Kathy Lewis was heard as Anna and Michael Ann Barrett as Molly, 654 00:28:28,680 --> 00:28:33,720 featured in the cast were Joseph Kearns, Tom Brown, Roy Glenn, Parley Bear, Sam Edwards, 655 00:28:33,720 --> 00:28:36,960 Jimmy Eagles and Joseph Granby. 656 00:28:36,960 --> 00:28:41,720 Van Heflin appeared to the courtesy of 20th Century Fox, producers of the picture Three 657 00:28:41,720 --> 00:28:45,400 Coins in the Fountain in Cinemascope and Technicolor. 658 00:28:45,400 --> 00:28:54,280 And remember next week, Mr. Charles Lawton in The Revenge of Captain Bly. 659 00:28:54,280 --> 00:28:58,480 You can buy Auto Light original service parts, Auto Light standard or resistor type spark 660 00:28:58,480 --> 00:29:02,480 plugs or Auto Light stay full batteries at your neighborhood Auto Light dealers. 661 00:29:02,480 --> 00:29:09,480 Switch to Auto Light. 662 00:29:09,480 --> 00:29:16,480 Good night. 663 00:29:16,480 --> 00:29:35,480 Good night.