WEBVTT

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Auto Light and its 98,000 dealers bring you Mr. Terrone Power in tonight's presentation

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of Suspense.

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Tonight Auto Light presents the story of a man who found that everything was against

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him.

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His wife distrusted him, his best friend had to give him an alibi, all because of a girl,

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a dead girl.

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Our story is called The Guilty Always Run.

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Our star Mr. Terrone Power.

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$100,000.

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That's the huge total to be given away in cash through the Auto Light family charity

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drawing.

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If you're one of 25 persons selected, you will name your favorite church, club, hospital,

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or other recognized charity to share a total of $100,000.

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And now it's our privilege to hear what Fleet Admiral William F. Halsey, campaign chairman

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of the Mental Health Fund, says about this great opportunity.

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Money, such as that being offered in this Auto Light family charity drawing, can do

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much to aid the research which will not only help cure, but prevent mental illness.

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If you are selected, I urge you to remember the vital work of the Mental Health Fund.

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You can enter this drawing by just signing your name and address on a registration form

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at any or all of these Auto Light family car dealers.

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DeSoto, Hudson, Plymouth, Studebaker, Dodge, Willis, Nash, Packard, Kaiser, or Chrysler.

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Help your favorite local or national charity share in $100,000.

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Sign up tomorrow.

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And now Auto Light presents Transcribed, The Guilty Always Run, starring Mr. Terrone Power,

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hoping once again to keep you in suspense.

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To leave me alone all evening like that.

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It's way after 12.

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Listen, you told me it was all right.

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You told me to go.

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Answer the phone, will you?

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Okay.

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Or do you expect me to leap across the room and...

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Okay.

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Hello?

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Hello?

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Hello?

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Hello?

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Hello?

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Anybody there?

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Well?

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Nobody there.

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What's the matter?

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I thought I heard something.

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Hello?

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Hello?

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Hello?

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Hello?

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There's a bell.

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Nobody there.

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What's the matter?

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I thought I heard something.

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Hello. Hello.

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Hello, hello.

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Somebody playing a joke, Jeff?

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I guess so.

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Karen?

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Don't start anything, Janie, huh?

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Was it Karen?

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Janie, baby. Janie.

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What?

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Listen.

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Sure.

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Sure, sweetie. What do you want me to listen to?

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It's not my fault you've got your hip in a cast.

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It's not your fault I've got my hip in a cast, dear.

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Oh, cut it out, will you?

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I'm clumsy.

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I go along on vacations to the beach and fall off a surfboard

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and break my hip and my husband meets another...

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Are you going to answer the phone?

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Uh-uh. No.

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Bring the phone over to me, Jeff.

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Let me answer it.

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Sure.

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Here.

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Hello?

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What's the matter?

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You tell me.

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I asked you a question. What's the...

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Here, you take the phone.

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Hello?

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Who is this?

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Hello?

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Help me. Help me, Jeff.

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Yes, this is...

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Jeff.

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This is Jeff.

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Who would... Hello? Hello? Hello?

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Whoever it was hung up, Janie.

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Who was it, Jeff?

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I don't know.

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Was it Karen?

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Now, why don't you cut that out?

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It was a girl. Was it Karen?

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Karen sounded like she needed help.

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Loaded, probably.

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What does she look like? You never told me.

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Very tanned, very tall.

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And very beautiful.

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She really is.

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Calling here after midnight.

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Doesn't she know you're married? Didn't you tell her?

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I told her.

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You better go see if she's all right.

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Now, listen, Karen...

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You'd better go see.

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Yeah.

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The drive was eight miles from Zuma Beach.

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Nearly two in the morning and a full moon and a few clouds

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and phosphorescence riding the lip of the surf.

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No one was home at Karen Lawrence's house.

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Her white convertible wasn't there either.

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I went home.

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Janie was sleeping, so I waited till morning to tell her.

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Then I went out on the beach and started to work on the surfboards with Lou,

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a friend of mine who'd taken the place next door.

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You know how I'd raise this, Dent?

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How?

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Put a beer bottle cap on it, then set a hot iron on the cap.

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That'll pop right up.

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Yeah, I might try it when...

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Hi.

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Hello there.

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Hello.

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I'm Phyllis George. Which one of you is Jeff?

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Not Lou, huh?

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Jeff.

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It's always Jeff.

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Me.

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What did you do with Karen?

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What are you talking about?

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I drove out to see her. We were going shopping today.

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She's not home.

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The inside of her house is a wreck.

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Why ask me?

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She told me yesterday she was going to load up her surfboard

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and try to trap you into some moonlight surfing.

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How did she make out?

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She made out good.

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Yeah, we went surfing.

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Where's Karen, Sonny?

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All right, baby. I'm going to the cops.

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We finished resurfacing the boards after that.

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Not much talk.

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I kept looking down the road for the cops that girl promised.

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No cops.

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After a while, I said to Lou,

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see you, and went back to Janie.

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Carried her out to the strand of white beach we bought for the summer.

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Oiled her back and her shoulders and her arms and then her face.

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Then lay down and set the ball of sun spinning.

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And that's how a day got done.

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Around 10 that night, the moon was low,

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but gaining altitude fast.

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Jeff?

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Yeah, honey?

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It's a beautiful night out there.

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Very beautiful.

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Uh-huh.

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No sense you sitting around listening to the radio.

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Why don't you take the board, go surfing in the moonlight?

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No, no, Janie, I...

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Listen to me, sweetie.

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If I could, I'd go with you.

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There's nothing right now I want more to do.

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So you go, huh, sweetie?

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Don't let me ruin all of it for you.

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Janie, I don't mind...

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You go, take the board and go, because I asked you to.

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Because I want you to.

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I went.

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And the waves were coming in gentle and fast

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and the moon crested from about 150 yards offshore.

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I paddled the board out easy and slow

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to where the moon was shaping them.

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It's where I saw her.

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Karen.

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Her hair floating and woven in a web of kelp.

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And her face moon-white.

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And her lips and splotches of color on her throat

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where the bruises were.

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Karen in the wet shroud of a silk dress.

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Dead Karen.

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In the sodden jacket I'd lent her the night before.

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When I got back to the house, Janie was asleep.

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I didn't wake her.

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I got into some clothes, went out to the car.

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Hey, wait a minute.

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Is that you, Jeff?

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Yeah, it's me, Lou.

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Lou, come out here a minute, will you?

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Sure.

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I couldn't sleep.

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I was reading.

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I heard the car and I thought maybe I...

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Something I want to tell you about last night, Lou.

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Something you don't know.

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All I know about last night is that you and Karen went surfing

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by moonlight this morning.

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A girl named Phyllis rode up and you all copped in your face

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because no more beautiful Karen.

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After that, I lose you.

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Just listen to me, huh?

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Well, I'm listening, Jeff.

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Well, like you said, I went surfing with her.

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After that, she needled me into taking her to that joint

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down the highway for a beer.

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It's been done.

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A beautiful girl sometimes merits a beer.

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Ah, Journey doesn't know about it, huh?

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That's what you're trying to say?

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Something else.

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All right, something else.

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It was while we were in the joint.

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She...

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Well, you know Karen.

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You'd know what she...

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Yeah, if only you'd better deny it.

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Is that what you did, Jeff?

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I had to walk out on her.

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She followed me out.

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I told her off.

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Put her in her car and told her off for the rest of time.

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Marriage, I said to her.

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Happily married.

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And a couple of other things I said.

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She cried and then she drove off.

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I walked the beach for a long time.

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Jeff.

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It's the last I saw her, Lou.

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I swear it.

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I swear it.

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What's eating on you, kid?

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A little while ago, I found her

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floating in a kelp bed.

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Dead.

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I think murdered.

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Where were you going just now, Jeff?

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To the police.

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Jeff.

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Yeah?

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Police is where grief is.

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What?

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You told Karen off, you said, and never saw her again.

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You swore it when I didn't even know what you were talking about.

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Don't you believe me?

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Don't!

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Police is where grief is.

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Police and Karen murdered can burst wide open what you got with Janie.

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You forgot a thing, Jeff.

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What?

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You didn't walk a lonesome beach last night.

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You left Karen, you came to my house.

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We sanded the surfboards.

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Isn't that what you forgot?

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Lou, from me to you, an alibi.

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An alibi maybe you don't need, but from me to you.

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Because of what you and Janie mean to me.

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Because of what he said, because it was a big grief.

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Because it might kill what it was Janie and I had together.

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The summer and beach and sky and sea and the love I had for her.

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I waited till Lou had gone back into his house.

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And I swam out to where Karen was.

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I took off her the jacket I'd lent her the night before.

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I swam back to shore and found a littered strand of beach and burned the jacket.

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And buried the scorched rags.

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And I went home and slept.

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And it was Janie who woke me.

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Jeff, Jeff, there's a fellow outside.

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Who?

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A fellow outside.

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Wants to talk to you.

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Who?

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A Mr. Anders.

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A policeman.

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Look Janie, no matter what.

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That phone call last night.

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From Karen? That phone call?

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No matter what. Don't say anything about it. Nothing.

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A fellow's waiting at the door for you Jeff.

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No matter what do you hear? No matter...

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You want to see me? You Jeff Marlow?

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That's right.

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A swimmer found a girl out in the kelp this morning.

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A girl we all know around here. Karen Lawrence.

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What's that got to do with me?

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She was murdered Mr. Marlow, strangled.

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Somebody killed her and put her out on the tide.

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Let's go inside and talk about it.

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The Guilty Always Run

12:39.000 --> 12:41.000
Auto Light is bringing you Mr. Terrone Power

12:41.000 --> 12:43.000
with Kathy Lewis and William Conrad

12:43.000 --> 12:45.000
in The Guilty Always Run.

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Tonight's presentation in radio's outstanding

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theater of thrills, Suspense.

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Hey Marty, what's the rush?

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Oh hiya Harlow, I can't stop now.

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I'm coming from a preview of the new 54 Kaiser

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and I've got to get over to the paper and write the story.

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Hey they call it the new car with the big change, don't they?

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Right, there's a big change in styling, front, back and inside.

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And there's more room and comfort than ever before.

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Man, the new Kaiser is luxurious.

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How about the new Kaiser's power?

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Oh there's a big change there too with new super power.

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The Kaiser has a revolutionary new engine

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that gives you power on demand.

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It's like having two engines in one.

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For normal driving you get Kaiser's famous economy.

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But when you need an extra burst of power and pick up for passing

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or for zooming up hills, you get it, on demand.

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Wow, that sounds exciting Marty.

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And tonight we are privileged to salute Kaiser

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as an outstanding member of our Auto Light family.

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Auto Light is proud of its long association with Kaiser

13:57.000 --> 14:00.000
and Kaiser dealers everywhere.

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And now Auto Light brings back to our Hollywood sound stage

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Mr. Terrone Power in Elliot Lewis's production of

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The Guilty Always Run, a tale well calculated to keep you in suspense.

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Karen Lawrence, Mr. Marlow.

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How come she's dead?

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I don't know.

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Jeff?

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Oh it's nothing Janey.

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This gentleman just wants to know if I know Karen Lawrence.

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Why does the gentleman want to know that Jeff?

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Well...

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Why do you want to know that?

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She's dead.

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That's not the question I asked you.

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She was murdered.

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That's still not the question.

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Asking around about her, your husband's name gets mentioned

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more than anybody else's.

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I see.

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She was murdered alright in case you've got any doubt about it.

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Strangled.

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Bruce marks here and here.

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Two thumbs you know.

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Wearing all her clothes.

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Good swimmer I understand so we've got a tab at murder.

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And I've got to ask Mr. Marlow if you killed her.

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No sir, I did not.

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But you know her.

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Yes sir.

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Now look, you don't have to yes sir and no sir me.

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Okay.

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You were with her last night.

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We got that from Phyllis George, a friend of hers.

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Well look, this is what happened.

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One day Karen comes up from Malibu with a board

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pretty helpless about getting from her car to the surf.

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When was this?

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Ten days ago.

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Eleven.

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Eleven.

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The afternoon of the morning I broke my hip.

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I can pick it all up till yesterday Marlow.

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Talk has it she liked you.

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Did Talk have it I tried to ignore her?

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Yes it did.

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Did Talk have it that right off I told her I was married?

15:55.000 --> 15:57.000
Yes, yes it did.

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I also checked next door your friend Lou Foster.

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He says he was with you around the time the girl was probably killed.

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Then what are you coming around here for?

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What about the bar?

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Bar on the coast highway near Topanga Canyon Marlow.

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Bar keeps said to be here.

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Okay, okay.

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Like a fool I took her down there for a beer night before last.

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Night before last is when she was killed.

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To Talk it out, to tell her to stay away.

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Look, maybe to you it sounds-

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Don't get yourself excited Marlow.

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That's just what I do.

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Dane was chasing me, didn't want her to.

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Take her to some quiet place and talk to her.

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Adult over a beer.

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Well, I hope your hip gets better Mrs. Marlow.

16:38.000 --> 16:39.000
Thanks.

16:39.000 --> 16:42.000
And thank you for your courtesy, both of you.

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Sure.

16:49.000 --> 16:50.000
Jeff.

16:50.000 --> 16:51.000
Yeah.

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You didn't tell me you took her for a drink.

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Just for a beer.

16:54.000 --> 16:55.000
Oh.

16:55.000 --> 16:56.000
Now look Janie.

16:56.000 --> 16:59.000
You want me to tell her not to love you anymore Jeff?

16:59.000 --> 17:01.000
What's been going on anyhow?

17:03.000 --> 17:04.000
Hello.

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Mr. Marlow?

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That's right.

17:06.000 --> 17:07.000
Who's this?

17:07.000 --> 17:08.000
Norm.

17:08.000 --> 17:09.000
Norm?

17:09.000 --> 17:11.000
Yeah, Norm Sloan Mr. Marlow.

17:11.000 --> 17:14.000
I got the Topanga Innery on the coast highway.

17:14.000 --> 17:15.000
You've been in here.

17:15.000 --> 17:19.000
Back night before last you were in here with Karen Lawrence.

17:19.000 --> 17:21.000
I understand from the police that Karen-

17:21.000 --> 17:23.000
What do you want?

17:23.000 --> 17:30.000
I can't talk to you over the phone Mr. Marlow, but I wish you'd stop in here anytime in the next half hour or so.

17:30.000 --> 17:34.000
If I were in your shoes I would Mr. Marlow.

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Bye.

17:40.000 --> 17:41.000
Who was it?

17:41.000 --> 17:42.000
Nobody.

17:42.000 --> 17:43.000
Who was it Jeff?

17:43.000 --> 17:44.000
Nobody.

17:44.000 --> 18:00.000
I'm going out.

18:00.000 --> 18:04.000
You don't want to hear my troubles Mr. Marlow, so I'll just tell you this.

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I didn't tell that policeman about the arguments you and that girl had in here.

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Since you were the only ones in here, then I'm the only one who knows about it.

18:13.000 --> 18:16.000
And what happened out front when you left.

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How she was carrying on and crying.

18:19.000 --> 18:26.000
And from what Mr. Anders at Policeman said, she must have been murdered a couple hours after you left here with her.

18:26.000 --> 18:30.000
Now look, I don't know what you told the police.

18:30.000 --> 18:35.000
But you came down when I called Mr. Marlow, so what am I to figure?

18:35.000 --> 18:45.000
As long as you're here Mr. Marlow, I'd like to know what it feels like to go out to Santa Anita with a thousand dollars and not care if I win or lose.

18:45.000 --> 18:49.000
With a thousand dollars Mr. Marlow.

18:49.000 --> 18:59.000
Today Mr. Marlow.

18:59.000 --> 19:04.000
A thousand? For what Jeff? For what I need? To buy off a murder charge?

19:04.000 --> 19:08.000
Are you crazy kid? You got it Lou. You're gonna give it to me?

19:08.000 --> 19:13.000
You're crazy? How deep into it can you get? A thousand now? A thousand a week maybe for the rest of your life and then you...

19:13.000 --> 19:17.000
You're not gonna do it, huh? You're not gonna give it to me.

19:17.000 --> 19:24.000
Who you buying from Jeff? Sloan. Runs the beer joint on the highway. He saw me and Karen outside his...

19:24.000 --> 19:28.000
A thousand? He must have seen a lot.

19:28.000 --> 19:32.000
You'll get it back Lou. Every nickel.

19:32.000 --> 19:35.000
All right Jeff. Drive me to my bank.

19:35.000 --> 19:37.000
And Jeff... Thanks. Thanks.

19:37.000 --> 19:43.000
That's not what I meant. This is what I meant. This will do it Jeff. It's as far as I can go.

19:43.000 --> 19:49.000
So luck and a long life kid.

19:49.000 --> 19:56.000
We just stared at each other for a while and I had to lift his hand from his side to shake it. No more talk.

19:56.000 --> 20:03.000
I drove him to his bank. Lou got the money. He gave it to me. I drove him to his house and then went to Sloan's joint.

20:03.000 --> 20:31.000
Bought a bottle of beer. Drank half of it. Paid him a thousand dollars for it. Sloan laughed from deep in his stomach.

20:34.000 --> 20:43.000
Hello? Hi honey. Who is this? I'm sorry there's no one here. Honey baby it's Jeff.

20:43.000 --> 20:51.000
No. No there's no one here by that... Jeff listen. The police are here. They... What are you...

20:51.000 --> 20:59.000
That you Marlow? This is Anders Marlow. Sheriff's office. Now listen. Sloan, that beer joint fella.

20:59.000 --> 21:03.000
He called the office a little while ago and said you offered him a hundred dollars to keep his mouth shut.

21:03.000 --> 21:08.000
A hundred? Now you come in Marlow because when you did that you practically signed a confession.

21:08.000 --> 21:15.000
Marlow you understand what's happening to you don't you? You understand what's going to happen to you?

21:20.000 --> 21:26.000
I let the receiver hang and let him talk into nothing and I ran. Off the coast highway down the beach.

21:26.000 --> 21:34.000
A couple of miles. Farther to Santa Monica Pier. Farther to Ocean Park. Me. Wanted for murder.

21:34.000 --> 21:39.000
Because Karen. Dead Karen wanted a part of my life and I wouldn't give it to her.

21:39.000 --> 21:45.000
Because her girlfriend stuck her face into mine and yelled cop. Girlfriend Phyllis George.

21:45.000 --> 21:53.000
I found her address in the Venice phone book. I went there. Rooming house overlooking one of the phony canals they have.

21:53.000 --> 21:59.000
Second floor rear. Phyllis. Scared. Staring. Holding it in.

21:59.000 --> 22:03.000
You just get out you hear. Just keep away from me. You gotta help me understand.

22:03.000 --> 22:08.000
Things you know about Karen. Fellas she knew. One fella maybe who wanted her dead.

22:08.000 --> 22:12.000
You. You did it. Nobody wanted her dead. No. Me. I didn't.

22:12.000 --> 22:17.000
You. You did it. Nobody wanted her dead. Help me. Help me. What was it you had with Karen?

22:17.000 --> 22:22.000
It makes you choke her and kill her and throw her out into the ocean like she was. I didn't. I didn't kill her.

22:22.000 --> 22:27.000
You get out of here huh. Because you scare me. Because you scare. Just listen huh.

22:27.000 --> 22:32.000
Anything you know about her that I can take to the cops. Keep away. Keep away.

22:32.000 --> 22:42.000
Killer. Killer. Killer. Shut up. Shut up. Like Karen huh. That's how you choke.

22:44.000 --> 22:51.000
That's what you did to her killer. That. Like you wanted to do to me just now. No. No. I.

22:51.000 --> 23:15.000
Don't. Don't do. Hello.

23:15.000 --> 23:24.000
Lou. This is Jeff. Where are you kid. Listen. How's Janie. I didn't call her because the lines probably tapped or something.

23:24.000 --> 23:30.000
How's Janie Lou. She's OK. Where are you. I want you to meet me Lou. Tell me how things are going.

23:30.000 --> 23:39.000
How. I gotta talk to somebody. Sure. Where are you. Phone booth outside a drive in laundry in Venice. Rose and Third Avenue.

23:39.000 --> 23:52.000
I'll pick you up there kid. Right away Lou. Right away.

23:52.000 --> 24:03.000
How you feeling kid. Scared Lou. How did I get into this Lou. What happened. Why am I running away.

24:03.000 --> 24:13.000
Jeff. Let's not. Let's not what. Let's not kid. Huh. Because I'm in this too. That alibi I gave you.

24:13.000 --> 24:22.000
What do you mean. Let's not kid Lou. The way you pounced on the alibi paying blackmail. Is that any way for an innocent. You're saying what Lou.

24:22.000 --> 24:29.000
Come on. You really think I killed her don't you. Listen Jeff. Janie and I were talking. Janie thinks I killed her.

24:29.000 --> 24:41.000
Yeah. Yeah she does Jeff. You ask and I told you. OK. OK. What are we stopping for. This is where you're getting out.

24:41.000 --> 24:54.000
What are you talking about. Hey what is this. Open the door Marlow. That's a boy. Now come on out.

24:54.000 --> 25:04.000
That's it. You can slide out too Mr. Foster. Sure. Sure. Lou. That's right. I told Mr. Anders I'd bring you here kid.

25:04.000 --> 25:11.000
Look I didn't kill her. I did a lot of things wrong but I didn't. Just don't whimper Jeff. Huh. The old nerve kid.

25:11.000 --> 25:18.000
Like sliding in on a big one. Like the thrill things kid huh. Like you and Karen. It wasn't like that. How was it kid huh.

25:18.000 --> 25:24.000
What was the formula. Flex the muscle and be polite. Brown eyes looking up at you and here take my coat. You must be cold.

25:24.000 --> 25:30.000
Let's have a beer and back to the beach. Back to the beach. And after all of it she was only kidding all the time.

25:30.000 --> 25:37.000
What did you strangle her for. The coat Lou. How did you know about it. The coat. My coat I put on her.

25:37.000 --> 25:45.000
Sure. The one she was drawing in. There was no coat. I went back there after she'd been murdered. Took the coat from her and burned it.

25:45.000 --> 25:50.000
The same crazy reason I did everything wrong. How do you know about the coat Lou.

25:50.000 --> 25:58.000
Now look. Nobody knew about that coat but me. And whoever killed her. Then why did you come running to me for an alibi.

25:58.000 --> 26:06.000
I didn't Lou. You suggested I ought to have one. You would be my alibi. That way you'd have one too.

26:06.000 --> 26:14.000
What about it Foster. What can he say. Those phone calls. Call and hang up.

26:14.000 --> 26:22.000
Until Janie got on the line. Then let Janie listen to her in pain and calling out my name. Start suspicion right at home base.

26:22.000 --> 26:28.000
You really built it didn't you. We better go.

26:28.000 --> 26:48.000
Hey don't shoot that Foster. Stop. Hey. Hey don't.

26:48.000 --> 27:01.000
Lou didn't die. He'll stand trial. Summer's fading and vacation's long over. But sometimes. Sometimes on weekends Janie drives me out to Point Doom.

27:01.000 --> 27:30.000
We sit there and we watch the sunset ride in on the long slow curve of surf. And we don't talk.

27:30.000 --> 27:37.000
Suspense. Presented by Auto Light. Tonight's star Mr. Terrone Power.

27:37.000 --> 27:44.000
This is Harlow Wilcox again. If you're one of the 25 persons selected in the huge Auto Light family charity drawing.

27:44.000 --> 27:51.000
You can name any recognized charity you wish to receive a big share of one hundred thousand dollars in cash.

27:51.000 --> 27:58.000
Those charities can be schools, hospitals, churches, the mental health fund or any other recognized charity.

27:58.000 --> 28:04.000
So if you're 18 years or over visit any of the following Auto Light family car dealer showrooms.

28:04.000 --> 28:11.000
De Soto, Hudson, Plymouth, Studebaker, Dodge, Willis, Nash, Packard, Kaiser or Chrysler.

28:11.000 --> 28:18.000
Print your name and address on the registration form and have the car dealer sign it. That's all. Nothing to buy, try or solve.

28:18.000 --> 28:24.000
So help your favorite recognized charity share in this one hundred thousand dollar total.

28:24.000 --> 28:31.000
Visit any Auto Light family car dealer showroom and sign up for the Auto Light family charity drawing tomorrow.

28:39.000 --> 28:47.000
Next week a story based on fact. The dramatic report of a murderer and how he spent seven hours with a young lady before he killed her.

28:47.000 --> 28:55.000
It's called Somebody Help Me. Our star Mr. Cornell Wild. That's next week on Suspense.

28:59.000 --> 29:06.000
Suspense is transcribed and directed by Elliot Lewis with music composed by Lucian Morrowick and conducted by Ludd Bluskin.

29:06.000 --> 29:11.000
The Guilty Always Run was written for suspense by Morton Fine and David Friedkin.

29:11.000 --> 29:21.000
In tonight's story, Kathy Lewis was heard as Janie and William Conrad as Lou. Featured in the cast were Charlotte Lawrence, Frank Nelson and Jack Crouchon.

29:21.000 --> 29:29.000
Terrone Power may currently be seen in the 20th Century Fox picture, King of the Kiber Rifles in cinemascope and Technicolor.

29:29.000 --> 29:35.000
And remember next week Mr. Cornell Wild in Somebody Help Me.

29:35.000 --> 29:39.000
This is the CBS Radio Network.

