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Auto Light and its 98,000 dealers bring you Mr. Terrone Power in tonight's presentation

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of Suspense.

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Tonight Auto Light presents the story of a man who found that everything was against

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him.

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His wife distrusted him, his best friend had to give him an alibi, all because of a girl,

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a dead girl.

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Our story is called The Guilty Always Run.

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Our star Mr. Terrone Power.

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$100,000.

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That's the huge total to be given away in cash through the Auto Light family charity

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drawing.

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If you're one of 25 persons selected, you will name your favorite church, club, hospital,

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or other recognized charity to share a total of $100,000.

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And now it's our privilege to hear what Fleet Admiral William F. Halsey, campaign chairman

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of the Mental Health Fund, says about this great opportunity.

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Money, such as that being offered in this Auto Light family charity drawing, can do

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much to aid the research which will not only help cure, but prevent mental illness.

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If you are selected, I urge you to remember the vital work of the Mental Health Fund.

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You can enter this drawing by just signing your name and address on a registration form

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at any or all of these Auto Light family car dealers.

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DeSoto, Hudson, Plymouth, Studebaker, Dodge, Willis, Nash, Packard, Kaiser, or Chrysler.

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Help your favorite local or national charity share in $100,000.

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Sign up tomorrow.

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And now Auto Light presents Transcribed, The Guilty Always Run, starring Mr. Terrone Power,

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hoping once again to keep you in suspense.

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To leave me alone all evening like that.

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It's way after 12.

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Listen, you told me it was all right.

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You told me to go.

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Answer the phone, will you?

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Okay.

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Or do you expect me to leap across the room and...

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Okay.

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Hello?

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Hello?

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Hello?

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Hello?

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Hello?

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Anybody there?

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Well?

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Nobody there.

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What's the matter?

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I thought I heard something.

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Hello?

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Hello?

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Hello?

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Hello?

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There's a bell.

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Nobody there.

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What's the matter?

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I thought I heard something.

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Hello. Hello.

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Hello, hello.

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Somebody playing a joke, Jeff?

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I guess so.

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Karen?

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Don't start anything, Janie, huh?

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Was it Karen?

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Janie, baby. Janie.

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What?

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Listen.

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Sure.

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Sure, sweetie. What do you want me to listen to?

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It's not my fault you've got your hip in a cast.

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It's not your fault I've got my hip in a cast, dear.

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Oh, cut it out, will you?

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I'm clumsy.

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I go along on vacations to the beach and fall off a surfboard

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and break my hip and my husband meets another...

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Are you going to answer the phone?

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Uh-uh. No.

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Bring the phone over to me, Jeff.

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Let me answer it.

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Sure.

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Here.

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Hello?

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What's the matter?

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You tell me.

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I asked you a question. What's the...

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Here, you take the phone.

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Hello?

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Who is this?

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Hello?

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Help me. Help me, Jeff.

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Yes, this is...

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Jeff.

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This is Jeff.

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Who would... Hello? Hello? Hello?

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Whoever it was hung up, Janie.

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Who was it, Jeff?

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I don't know.

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Was it Karen?

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Now, why don't you cut that out?

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It was a girl. Was it Karen?

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Karen sounded like she needed help.

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Loaded, probably.

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What does she look like? You never told me.

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Very tanned, very tall.

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And very beautiful.

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She really is.

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Calling here after midnight.

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Doesn't she know you're married? Didn't you tell her?

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I told her.

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You better go see if she's all right.

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Now, listen, Karen...

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You'd better go see.

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Yeah.

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The drive was eight miles from Zuma Beach.

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Nearly two in the morning and a full moon and a few clouds

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and phosphorescence riding the lip of the surf.

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No one was home at Karen Lawrence's house.

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Her white convertible wasn't there either.

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I went home.

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Janie was sleeping, so I waited till morning to tell her.

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Then I went out on the beach and started to work on the surfboards with Lou,

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a friend of mine who'd taken the place next door.

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You know how I'd raise this, Dent?

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How?

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Put a beer bottle cap on it, then set a hot iron on the cap.

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That'll pop right up.

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Yeah, I might try it when...

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Hi.

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Hello there.

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Hello.

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I'm Phyllis George. Which one of you is Jeff?

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Not Lou, huh?

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Jeff.

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It's always Jeff.

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Me.

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What did you do with Karen?

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What are you talking about?

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I drove out to see her. We were going shopping today.

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She's not home.

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The inside of her house is a wreck.

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Why ask me?

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She told me yesterday she was going to load up her surfboard

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and try to trap you into some moonlight surfing.

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How did she make out?

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She made out good.

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Yeah, we went surfing.

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Where's Karen, Sonny?

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All right, baby. I'm going to the cops.

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We finished resurfacing the boards after that.

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Not much talk.

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I kept looking down the road for the cops that girl promised.

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No cops.

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After a while, I said to Lou,

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see you, and went back to Janie.

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Carried her out to the strand of white beach we bought for the summer.

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Oiled her back and her shoulders and her arms and then her face.

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Then lay down and set the ball of sun spinning.

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And that's how a day got done.

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Around 10 that night, the moon was low,

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but gaining altitude fast.

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Jeff?

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Yeah, honey?

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It's a beautiful night out there.

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Very beautiful.

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Uh-huh.

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No sense you sitting around listening to the radio.

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Why don't you take the board, go surfing in the moonlight?

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No, no, Janie, I...

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Listen to me, sweetie.

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If I could, I'd go with you.

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There's nothing right now I want more to do.

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So you go, huh, sweetie?

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Don't let me ruin all of it for you.

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Janie, I don't mind...

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You go, take the board and go, because I asked you to.

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Because I want you to.

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I went.

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And the waves were coming in gentle and fast

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and the moon crested from about 150 yards offshore.

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I paddled the board out easy and slow

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to where the moon was shaping them.

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It's where I saw her.

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Karen.

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Her hair floating and woven in a web of kelp.

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And her face moon-white.

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And her lips and splotches of color on her throat

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where the bruises were.

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Karen in the wet shroud of a silk dress.

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Dead Karen.

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In the sodden jacket I'd lent her the night before.

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When I got back to the house, Janie was asleep.

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I didn't wake her.

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I got into some clothes, went out to the car.

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Hey, wait a minute.

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Is that you, Jeff?

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Yeah, it's me, Lou.

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Lou, come out here a minute, will you?

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Sure.

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I couldn't sleep.

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I was reading.

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I heard the car and I thought maybe I...

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Something I want to tell you about last night, Lou.

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Something you don't know.

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All I know about last night is that you and Karen went surfing

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by moonlight this morning.

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A girl named Phyllis rode up and you all copped in your face

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because no more beautiful Karen.

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After that, I lose you.

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Just listen to me, huh?

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Well, I'm listening, Jeff.

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Well, like you said, I went surfing with her.

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After that, she needled me into taking her to that joint

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down the highway for a beer.

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It's been done.

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A beautiful girl sometimes merits a beer.

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Ah, Journey doesn't know about it, huh?

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That's what you're trying to say?

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Something else.

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All right, something else.

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It was while we were in the joint.

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She...

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Well, you know Karen.

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You'd know what she...

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Yeah, if only you'd better deny it.

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Is that what you did, Jeff?

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I had to walk out on her.

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She followed me out.

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I told her off.

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Put her in her car and told her off for the rest of time.

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Marriage, I said to her.

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Happily married.

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And a couple of other things I said.

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She cried and then she drove off.

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I walked the beach for a long time.

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Jeff.

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It's the last I saw her, Lou.

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I swear it.

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I swear it.

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What's eating on you, kid?

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A little while ago, I found her

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floating in a kelp bed.

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Dead.

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I think murdered.

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Where were you going just now, Jeff?

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To the police.

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Jeff.

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Yeah?

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Police is where grief is.

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What?

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You told Karen off, you said, and never saw her again.

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You swore it when I didn't even know what you were talking about.

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Don't you believe me?

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Don't!

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Police is where grief is.

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Police and Karen murdered can burst wide open what you got with Janie.

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You forgot a thing, Jeff.

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What?

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You didn't walk a lonesome beach last night.

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You left Karen, you came to my house.

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We sanded the surfboards.

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Isn't that what you forgot?

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Lou, from me to you, an alibi.

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An alibi maybe you don't need, but from me to you.

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Because of what you and Janie mean to me.

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Because of what he said, because it was a big grief.

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Because it might kill what it was Janie and I had together.

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The summer and beach and sky and sea and the love I had for her.

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I waited till Lou had gone back into his house.

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And I swam out to where Karen was.

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I took off her the jacket I'd lent her the night before.

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I swam back to shore and found a littered strand of beach and burned the jacket.

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And buried the scorched rags.

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And I went home and slept.

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And it was Janie who woke me.

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Jeff, Jeff, there's a fellow outside.

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Who?

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A fellow outside.

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Wants to talk to you.

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Who?

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A Mr. Anders.

275
00:11:40,000 --> 00:11:41,000
A policeman.

276
00:11:41,000 --> 00:11:43,000
Look Janie, no matter what.

277
00:11:43,000 --> 00:11:45,000
That phone call last night.

278
00:11:45,000 --> 00:11:48,000
From Karen? That phone call?

279
00:11:48,000 --> 00:11:51,000
No matter what. Don't say anything about it. Nothing.

280
00:11:51,000 --> 00:11:53,000
A fellow's waiting at the door for you Jeff.

281
00:11:53,000 --> 00:11:56,000
No matter what do you hear? No matter...

282
00:12:07,000 --> 00:12:10,000
You want to see me? You Jeff Marlow?

283
00:12:10,000 --> 00:12:11,000
That's right.

284
00:12:11,000 --> 00:12:13,000
A swimmer found a girl out in the kelp this morning.

285
00:12:13,000 --> 00:12:16,000
A girl we all know around here. Karen Lawrence.

286
00:12:16,000 --> 00:12:18,000
What's that got to do with me?

287
00:12:18,000 --> 00:12:20,000
She was murdered Mr. Marlow, strangled.

288
00:12:20,000 --> 00:12:23,000
Somebody killed her and put her out on the tide.

289
00:12:23,000 --> 00:12:25,000
Let's go inside and talk about it.

290
00:12:25,000 --> 00:12:30,000
The Guilty Always Run

291
00:12:39,000 --> 00:12:41,000
Auto Light is bringing you Mr. Terrone Power

292
00:12:41,000 --> 00:12:43,000
with Kathy Lewis and William Conrad

293
00:12:43,000 --> 00:12:45,000
in The Guilty Always Run.

294
00:12:45,000 --> 00:12:48,000
Tonight's presentation in radio's outstanding

295
00:12:48,000 --> 00:12:55,000
theater of thrills, Suspense.

296
00:13:04,000 --> 00:13:06,000
Hey Marty, what's the rush?

297
00:13:06,000 --> 00:13:08,000
Oh hiya Harlow, I can't stop now.

298
00:13:08,000 --> 00:13:11,000
I'm coming from a preview of the new 54 Kaiser

299
00:13:11,000 --> 00:13:13,000
and I've got to get over to the paper and write the story.

300
00:13:13,000 --> 00:13:16,000
Hey they call it the new car with the big change, don't they?

301
00:13:16,000 --> 00:13:20,000
Right, there's a big change in styling, front, back and inside.

302
00:13:20,000 --> 00:13:23,000
And there's more room and comfort than ever before.

303
00:13:23,000 --> 00:13:25,000
Man, the new Kaiser is luxurious.

304
00:13:25,000 --> 00:13:27,000
How about the new Kaiser's power?

305
00:13:27,000 --> 00:13:30,000
Oh there's a big change there too with new super power.

306
00:13:30,000 --> 00:13:32,000
The Kaiser has a revolutionary new engine

307
00:13:32,000 --> 00:13:34,000
that gives you power on demand.

308
00:13:34,000 --> 00:13:37,000
It's like having two engines in one.

309
00:13:37,000 --> 00:13:40,000
For normal driving you get Kaiser's famous economy.

310
00:13:40,000 --> 00:13:43,000
But when you need an extra burst of power and pick up for passing

311
00:13:43,000 --> 00:13:47,000
or for zooming up hills, you get it, on demand.

312
00:13:47,000 --> 00:13:49,000
Wow, that sounds exciting Marty.

313
00:13:49,000 --> 00:13:51,000
And tonight we are privileged to salute Kaiser

314
00:13:51,000 --> 00:13:54,000
as an outstanding member of our Auto Light family.

315
00:13:54,000 --> 00:13:57,000
Auto Light is proud of its long association with Kaiser

316
00:13:57,000 --> 00:14:00,000
and Kaiser dealers everywhere.

317
00:14:02,000 --> 00:14:05,000
And now Auto Light brings back to our Hollywood sound stage

318
00:14:05,000 --> 00:14:08,000
Mr. Terrone Power in Elliot Lewis's production of

319
00:14:08,000 --> 00:14:15,000
The Guilty Always Run, a tale well calculated to keep you in suspense.

320
00:14:31,000 --> 00:14:33,000
Karen Lawrence, Mr. Marlow.

321
00:14:33,000 --> 00:14:34,000
How come she's dead?

322
00:14:34,000 --> 00:14:35,000
I don't know.

323
00:14:35,000 --> 00:14:36,000
Jeff?

324
00:14:36,000 --> 00:14:38,000
Oh it's nothing Janey.

325
00:14:38,000 --> 00:14:41,000
This gentleman just wants to know if I know Karen Lawrence.

326
00:14:41,000 --> 00:14:44,000
Why does the gentleman want to know that Jeff?

327
00:14:44,000 --> 00:14:45,000
Well...

328
00:14:44,000 --> 00:14:45,000
Why do you want to know that?

329
00:14:45,000 --> 00:14:46,000
She's dead.

330
00:14:46,000 --> 00:14:48,000
That's not the question I asked you.

331
00:14:48,000 --> 00:14:49,000
She was murdered.

332
00:14:49,000 --> 00:14:50,000
That's still not the question.

333
00:14:50,000 --> 00:14:53,000
Asking around about her, your husband's name gets mentioned

334
00:14:53,000 --> 00:14:55,000
more than anybody else's.

335
00:14:55,000 --> 00:14:56,000
I see.

336
00:14:56,000 --> 00:14:59,000
She was murdered alright in case you've got any doubt about it.

337
00:14:59,000 --> 00:15:01,000
Strangled.

338
00:15:01,000 --> 00:15:04,000
Bruce marks here and here.

339
00:15:04,000 --> 00:15:06,000
Two thumbs you know.

340
00:15:06,000 --> 00:15:08,000
Wearing all her clothes.

341
00:15:08,000 --> 00:15:12,000
Good swimmer I understand so we've got a tab at murder.

342
00:15:12,000 --> 00:15:15,000
And I've got to ask Mr. Marlow if you killed her.

343
00:15:15,000 --> 00:15:17,000
No sir, I did not.

344
00:15:17,000 --> 00:15:18,000
But you know her.

345
00:15:18,000 --> 00:15:19,000
Yes sir.

346
00:15:19,000 --> 00:15:22,000
Now look, you don't have to yes sir and no sir me.

347
00:15:22,000 --> 00:15:23,000
Okay.

348
00:15:23,000 --> 00:15:25,000
You were with her last night.

349
00:15:25,000 --> 00:15:27,000
We got that from Phyllis George, a friend of hers.

350
00:15:27,000 --> 00:15:30,000
Well look, this is what happened.

351
00:15:30,000 --> 00:15:33,000
One day Karen comes up from Malibu with a board

352
00:15:33,000 --> 00:15:35,000
pretty helpless about getting from her car to the surf.

353
00:15:35,000 --> 00:15:36,000
When was this?

354
00:15:36,000 --> 00:15:38,000
Ten days ago.

355
00:15:38,000 --> 00:15:40,000
Eleven.

356
00:15:40,000 --> 00:15:42,000
Eleven.

357
00:15:42,000 --> 00:15:45,000
The afternoon of the morning I broke my hip.

358
00:15:45,000 --> 00:15:48,000
I can pick it all up till yesterday Marlow.

359
00:15:48,000 --> 00:15:50,000
Talk has it she liked you.

360
00:15:50,000 --> 00:15:52,000
Did Talk have it I tried to ignore her?

361
00:15:52,000 --> 00:15:53,000
Yes it did.

362
00:15:53,000 --> 00:15:55,000
Did Talk have it that right off I told her I was married?

363
00:15:55,000 --> 00:15:57,000
Yes, yes it did.

364
00:15:57,000 --> 00:16:00,000
I also checked next door your friend Lou Foster.

365
00:16:00,000 --> 00:16:03,000
He says he was with you around the time the girl was probably killed.

366
00:16:03,000 --> 00:16:05,000
Then what are you coming around here for?

367
00:16:05,000 --> 00:16:07,000
What about the bar?

368
00:16:07,000 --> 00:16:11,000
Bar on the coast highway near Topanga Canyon Marlow.

369
00:16:11,000 --> 00:16:12,000
Bar keeps said to be here.

370
00:16:12,000 --> 00:16:13,000
Okay, okay.

371
00:16:13,000 --> 00:16:16,000
Like a fool I took her down there for a beer night before last.

372
00:16:16,000 --> 00:16:18,000
Night before last is when she was killed.

373
00:16:18,000 --> 00:16:20,000
To Talk it out, to tell her to stay away.

374
00:16:20,000 --> 00:16:22,000
Look, maybe to you it sounds-

375
00:16:22,000 --> 00:16:24,000
Don't get yourself excited Marlow.

376
00:16:24,000 --> 00:16:26,000
That's just what I do.

377
00:16:26,000 --> 00:16:28,000
Dane was chasing me, didn't want her to.

378
00:16:28,000 --> 00:16:30,000
Take her to some quiet place and talk to her.

379
00:16:30,000 --> 00:16:32,000
Adult over a beer.

380
00:16:35,000 --> 00:16:38,000
Well, I hope your hip gets better Mrs. Marlow.

381
00:16:38,000 --> 00:16:39,000
Thanks.

382
00:16:39,000 --> 00:16:42,000
And thank you for your courtesy, both of you.

383
00:16:42,000 --> 00:16:43,000
Sure.

384
00:16:49,000 --> 00:16:50,000
Jeff.

385
00:16:50,000 --> 00:16:51,000
Yeah.

386
00:16:51,000 --> 00:16:53,000
You didn't tell me you took her for a drink.

387
00:16:53,000 --> 00:16:54,000
Just for a beer.

388
00:16:54,000 --> 00:16:55,000
Oh.

389
00:16:55,000 --> 00:16:56,000
Now look Janie.

390
00:16:56,000 --> 00:16:59,000
You want me to tell her not to love you anymore Jeff?

391
00:16:59,000 --> 00:17:01,000
What's been going on anyhow?

392
00:17:03,000 --> 00:17:04,000
Hello.

393
00:17:04,000 --> 00:17:05,000
Mr. Marlow?

394
00:17:05,000 --> 00:17:06,000
That's right.

395
00:17:06,000 --> 00:17:07,000
Who's this?

396
00:17:07,000 --> 00:17:08,000
Norm.

397
00:17:08,000 --> 00:17:09,000
Norm?

398
00:17:09,000 --> 00:17:11,000
Yeah, Norm Sloan Mr. Marlow.

399
00:17:11,000 --> 00:17:14,000
I got the Topanga Innery on the coast highway.

400
00:17:14,000 --> 00:17:15,000
You've been in here.

401
00:17:15,000 --> 00:17:19,000
Back night before last you were in here with Karen Lawrence.

402
00:17:19,000 --> 00:17:21,000
I understand from the police that Karen-

403
00:17:21,000 --> 00:17:23,000
What do you want?

404
00:17:23,000 --> 00:17:30,000
I can't talk to you over the phone Mr. Marlow, but I wish you'd stop in here anytime in the next half hour or so.

405
00:17:30,000 --> 00:17:34,000
If I were in your shoes I would Mr. Marlow.

406
00:17:34,000 --> 00:17:36,000
Bye.

407
00:17:40,000 --> 00:17:41,000
Who was it?

408
00:17:41,000 --> 00:17:42,000
Nobody.

409
00:17:42,000 --> 00:17:43,000
Who was it Jeff?

410
00:17:43,000 --> 00:17:44,000
Nobody.

411
00:17:44,000 --> 00:18:00,000
I'm going out.

412
00:18:00,000 --> 00:18:04,000
You don't want to hear my troubles Mr. Marlow, so I'll just tell you this.

413
00:18:04,000 --> 00:18:09,000
I didn't tell that policeman about the arguments you and that girl had in here.

414
00:18:09,000 --> 00:18:13,000
Since you were the only ones in here, then I'm the only one who knows about it.

415
00:18:13,000 --> 00:18:16,000
And what happened out front when you left.

416
00:18:16,000 --> 00:18:19,000
How she was carrying on and crying.

417
00:18:19,000 --> 00:18:26,000
And from what Mr. Anders at Policeman said, she must have been murdered a couple hours after you left here with her.

418
00:18:26,000 --> 00:18:30,000
Now look, I don't know what you told the police.

419
00:18:30,000 --> 00:18:35,000
But you came down when I called Mr. Marlow, so what am I to figure?

420
00:18:35,000 --> 00:18:45,000
As long as you're here Mr. Marlow, I'd like to know what it feels like to go out to Santa Anita with a thousand dollars and not care if I win or lose.

421
00:18:45,000 --> 00:18:49,000
With a thousand dollars Mr. Marlow.

422
00:18:49,000 --> 00:18:59,000
Today Mr. Marlow.

423
00:18:59,000 --> 00:19:04,000
A thousand? For what Jeff? For what I need? To buy off a murder charge?

424
00:19:04,000 --> 00:19:08,000
Are you crazy kid? You got it Lou. You're gonna give it to me?

425
00:19:08,000 --> 00:19:13,000
You're crazy? How deep into it can you get? A thousand now? A thousand a week maybe for the rest of your life and then you...

426
00:19:13,000 --> 00:19:17,000
You're not gonna do it, huh? You're not gonna give it to me.

427
00:19:17,000 --> 00:19:24,000
Who you buying from Jeff? Sloan. Runs the beer joint on the highway. He saw me and Karen outside his...

428
00:19:24,000 --> 00:19:28,000
A thousand? He must have seen a lot.

429
00:19:28,000 --> 00:19:32,000
You'll get it back Lou. Every nickel.

430
00:19:32,000 --> 00:19:35,000
All right Jeff. Drive me to my bank.

431
00:19:35,000 --> 00:19:37,000
And Jeff... Thanks. Thanks.

432
00:19:37,000 --> 00:19:43,000
That's not what I meant. This is what I meant. This will do it Jeff. It's as far as I can go.

433
00:19:43,000 --> 00:19:49,000
So luck and a long life kid.

434
00:19:49,000 --> 00:19:56,000
We just stared at each other for a while and I had to lift his hand from his side to shake it. No more talk.

435
00:19:56,000 --> 00:20:03,000
I drove him to his bank. Lou got the money. He gave it to me. I drove him to his house and then went to Sloan's joint.

436
00:20:03,000 --> 00:20:31,000
Bought a bottle of beer. Drank half of it. Paid him a thousand dollars for it. Sloan laughed from deep in his stomach.

437
00:20:34,000 --> 00:20:43,000
Hello? Hi honey. Who is this? I'm sorry there's no one here. Honey baby it's Jeff.

438
00:20:43,000 --> 00:20:51,000
No. No there's no one here by that... Jeff listen. The police are here. They... What are you...

439
00:20:51,000 --> 00:20:59,000
That you Marlow? This is Anders Marlow. Sheriff's office. Now listen. Sloan, that beer joint fella.

440
00:20:59,000 --> 00:21:03,000
He called the office a little while ago and said you offered him a hundred dollars to keep his mouth shut.

441
00:21:03,000 --> 00:21:08,000
A hundred? Now you come in Marlow because when you did that you practically signed a confession.

442
00:21:08,000 --> 00:21:15,000
Marlow you understand what's happening to you don't you? You understand what's going to happen to you?

443
00:21:20,000 --> 00:21:26,000
I let the receiver hang and let him talk into nothing and I ran. Off the coast highway down the beach.

444
00:21:26,000 --> 00:21:34,000
A couple of miles. Farther to Santa Monica Pier. Farther to Ocean Park. Me. Wanted for murder.

445
00:21:34,000 --> 00:21:39,000
Because Karen. Dead Karen wanted a part of my life and I wouldn't give it to her.

446
00:21:39,000 --> 00:21:45,000
Because her girlfriend stuck her face into mine and yelled cop. Girlfriend Phyllis George.

447
00:21:45,000 --> 00:21:53,000
I found her address in the Venice phone book. I went there. Rooming house overlooking one of the phony canals they have.

448
00:21:53,000 --> 00:21:59,000
Second floor rear. Phyllis. Scared. Staring. Holding it in.

449
00:21:59,000 --> 00:22:03,000
You just get out you hear. Just keep away from me. You gotta help me understand.

450
00:22:03,000 --> 00:22:08,000
Things you know about Karen. Fellas she knew. One fella maybe who wanted her dead.

451
00:22:08,000 --> 00:22:12,000
You. You did it. Nobody wanted her dead. No. Me. I didn't.

452
00:22:12,000 --> 00:22:17,000
You. You did it. Nobody wanted her dead. Help me. Help me. What was it you had with Karen?

453
00:22:17,000 --> 00:22:22,000
It makes you choke her and kill her and throw her out into the ocean like she was. I didn't. I didn't kill her.

454
00:22:22,000 --> 00:22:27,000
You get out of here huh. Because you scare me. Because you scare. Just listen huh.

455
00:22:27,000 --> 00:22:32,000
Anything you know about her that I can take to the cops. Keep away. Keep away.

456
00:22:32,000 --> 00:22:42,000
Killer. Killer. Killer. Shut up. Shut up. Like Karen huh. That's how you choke.

457
00:22:44,000 --> 00:22:51,000
That's what you did to her killer. That. Like you wanted to do to me just now. No. No. I.

458
00:22:51,000 --> 00:23:15,000
Don't. Don't do. Hello.

459
00:23:15,000 --> 00:23:24,000
Lou. This is Jeff. Where are you kid. Listen. How's Janie. I didn't call her because the lines probably tapped or something.

460
00:23:24,000 --> 00:23:30,000
How's Janie Lou. She's OK. Where are you. I want you to meet me Lou. Tell me how things are going.

461
00:23:30,000 --> 00:23:39,000
How. I gotta talk to somebody. Sure. Where are you. Phone booth outside a drive in laundry in Venice. Rose and Third Avenue.

462
00:23:39,000 --> 00:23:52,000
I'll pick you up there kid. Right away Lou. Right away.

463
00:23:52,000 --> 00:24:03,000
How you feeling kid. Scared Lou. How did I get into this Lou. What happened. Why am I running away.

464
00:24:03,000 --> 00:24:13,000
Jeff. Let's not. Let's not what. Let's not kid. Huh. Because I'm in this too. That alibi I gave you.

465
00:24:13,000 --> 00:24:22,000
What do you mean. Let's not kid Lou. The way you pounced on the alibi paying blackmail. Is that any way for an innocent. You're saying what Lou.

466
00:24:22,000 --> 00:24:29,000
Come on. You really think I killed her don't you. Listen Jeff. Janie and I were talking. Janie thinks I killed her.

467
00:24:29,000 --> 00:24:41,000
Yeah. Yeah she does Jeff. You ask and I told you. OK. OK. What are we stopping for. This is where you're getting out.

468
00:24:41,000 --> 00:24:54,000
What are you talking about. Hey what is this. Open the door Marlow. That's a boy. Now come on out.

469
00:24:54,000 --> 00:25:04,000
That's it. You can slide out too Mr. Foster. Sure. Sure. Lou. That's right. I told Mr. Anders I'd bring you here kid.

470
00:25:04,000 --> 00:25:11,000
Look I didn't kill her. I did a lot of things wrong but I didn't. Just don't whimper Jeff. Huh. The old nerve kid.

471
00:25:11,000 --> 00:25:18,000
Like sliding in on a big one. Like the thrill things kid huh. Like you and Karen. It wasn't like that. How was it kid huh.

472
00:25:18,000 --> 00:25:24,000
What was the formula. Flex the muscle and be polite. Brown eyes looking up at you and here take my coat. You must be cold.

473
00:25:24,000 --> 00:25:30,000
Let's have a beer and back to the beach. Back to the beach. And after all of it she was only kidding all the time.

474
00:25:30,000 --> 00:25:37,000
What did you strangle her for. The coat Lou. How did you know about it. The coat. My coat I put on her.

475
00:25:37,000 --> 00:25:45,000
Sure. The one she was drawing in. There was no coat. I went back there after she'd been murdered. Took the coat from her and burned it.

476
00:25:45,000 --> 00:25:50,000
The same crazy reason I did everything wrong. How do you know about the coat Lou.

477
00:25:50,000 --> 00:25:58,000
Now look. Nobody knew about that coat but me. And whoever killed her. Then why did you come running to me for an alibi.

478
00:25:58,000 --> 00:26:06,000
I didn't Lou. You suggested I ought to have one. You would be my alibi. That way you'd have one too.

479
00:26:06,000 --> 00:26:14,000
What about it Foster. What can he say. Those phone calls. Call and hang up.

480
00:26:14,000 --> 00:26:22,000
Until Janie got on the line. Then let Janie listen to her in pain and calling out my name. Start suspicion right at home base.

481
00:26:22,000 --> 00:26:28,000
You really built it didn't you. We better go.

482
00:26:28,000 --> 00:26:48,000
Hey don't shoot that Foster. Stop. Hey. Hey don't.

483
00:26:48,000 --> 00:27:01,000
Lou didn't die. He'll stand trial. Summer's fading and vacation's long over. But sometimes. Sometimes on weekends Janie drives me out to Point Doom.

484
00:27:01,000 --> 00:27:30,000
We sit there and we watch the sunset ride in on the long slow curve of surf. And we don't talk.

485
00:27:30,000 --> 00:27:37,000
Suspense. Presented by Auto Light. Tonight's star Mr. Terrone Power.

486
00:27:37,000 --> 00:27:44,000
This is Harlow Wilcox again. If you're one of the 25 persons selected in the huge Auto Light family charity drawing.

487
00:27:44,000 --> 00:27:51,000
You can name any recognized charity you wish to receive a big share of one hundred thousand dollars in cash.

488
00:27:51,000 --> 00:27:58,000
Those charities can be schools, hospitals, churches, the mental health fund or any other recognized charity.

489
00:27:58,000 --> 00:28:04,000
So if you're 18 years or over visit any of the following Auto Light family car dealer showrooms.

490
00:28:04,000 --> 00:28:11,000
De Soto, Hudson, Plymouth, Studebaker, Dodge, Willis, Nash, Packard, Kaiser or Chrysler.

491
00:28:11,000 --> 00:28:18,000
Print your name and address on the registration form and have the car dealer sign it. That's all. Nothing to buy, try or solve.

492
00:28:18,000 --> 00:28:24,000
So help your favorite recognized charity share in this one hundred thousand dollar total.

493
00:28:24,000 --> 00:28:31,000
Visit any Auto Light family car dealer showroom and sign up for the Auto Light family charity drawing tomorrow.

494
00:28:39,000 --> 00:28:47,000
Next week a story based on fact. The dramatic report of a murderer and how he spent seven hours with a young lady before he killed her.

495
00:28:47,000 --> 00:28:55,000
It's called Somebody Help Me. Our star Mr. Cornell Wild. That's next week on Suspense.

496
00:28:59,000 --> 00:29:06,000
Suspense is transcribed and directed by Elliot Lewis with music composed by Lucian Morrowick and conducted by Ludd Bluskin.

497
00:29:06,000 --> 00:29:11,000
The Guilty Always Run was written for suspense by Morton Fine and David Friedkin.

498
00:29:11,000 --> 00:29:21,000
In tonight's story, Kathy Lewis was heard as Janie and William Conrad as Lou. Featured in the cast were Charlotte Lawrence, Frank Nelson and Jack Crouchon.

499
00:29:21,000 --> 00:29:29,000
Terrone Power may currently be seen in the 20th Century Fox picture, King of the Kiber Rifles in cinemascope and Technicolor.

500
00:29:29,000 --> 00:29:35,000
And remember next week Mr. Cornell Wild in Somebody Help Me.

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