1 00:00:00,000 --> 00:00:10,760 Auto Light and its 98,000 dealers bring you Mr. Victor Mature in tonight's presentation 2 00:00:10,760 --> 00:00:18,720 of Suspense. 3 00:00:18,720 --> 00:00:23,200 Tonight Auto Light presents the story of a cross-country train trip during which a police 4 00:00:23,200 --> 00:00:28,520 officer finds himself torn between his assignment and his personal feelings for the girl in 5 00:00:28,520 --> 00:00:37,680 car 32, our star Mr. Victor Mature. 6 00:00:37,680 --> 00:00:38,840 This is Harlow Wilcox. 7 00:00:38,840 --> 00:00:43,480 Would you like to be responsible for your local church or hospital getting a big share 8 00:00:43,480 --> 00:00:45,840 of $100,000 in cash? 9 00:00:45,840 --> 00:00:51,720 Well, that's the total which will go to the recognized charities chosen by the 25 persons 10 00:00:51,720 --> 00:00:55,080 selected in the Auto Light family, Charity Drawing. 11 00:00:55,080 --> 00:01:02,080 The top award is $50,000 with 24 others from $1,000 to $20,000 each. 12 00:01:02,080 --> 00:01:06,400 To enter is as simple as signing your name and address and that's all you do. 13 00:01:06,400 --> 00:01:11,280 Now it's our privilege to have you hear what the head of one of America's finest organizations 14 00:01:11,280 --> 00:01:13,640 says about this great event. 15 00:01:13,640 --> 00:01:18,760 Here is Mr. E. Roland Harriman, chairman of the American Red Cross. 16 00:01:18,760 --> 00:01:19,760 Thank you. 17 00:01:19,760 --> 00:01:24,840 The spirit of the Auto Light family charity plan is a fine example of the simple slogan 18 00:01:24,840 --> 00:01:28,240 of the Red Cross, people helping people. 19 00:01:28,240 --> 00:01:33,600 Just a slight effort to register may qualify you to be the benefactor of thousands who 20 00:01:33,600 --> 00:01:37,000 look to you for assistance through your Red Cross. 21 00:01:37,000 --> 00:01:42,080 Fill out a registration form at any of the following Auto Light family car dealers, DeSoto, 22 00:01:42,080 --> 00:01:47,400 Hudson, Plymouth, Studebaker, Dodge, Willis, Nash, Packard, Kaiser, or Chrysler. 23 00:01:47,400 --> 00:01:52,440 Remember, there's no obligation, but your favorite recognized charity may thank you 24 00:01:52,440 --> 00:01:55,840 for a large part of $100,000. 25 00:01:55,840 --> 00:01:58,280 Sign up tomorrow. 26 00:01:58,280 --> 00:02:04,640 And now Auto Light presents Transcribe, the girl in car 32, starring Mr. Victor Matur, 27 00:02:04,640 --> 00:02:10,840 hoping once again to keep you in suspense. 28 00:02:10,840 --> 00:02:13,840 Hey. 29 00:02:13,840 --> 00:02:16,840 Morning. 30 00:02:16,840 --> 00:02:22,840 Buker? 31 00:02:22,840 --> 00:02:27,840 They can see better from here. 32 00:02:27,840 --> 00:02:29,400 How do you feel, kiddo? 33 00:02:29,400 --> 00:02:30,400 OK, I guess. 34 00:02:30,400 --> 00:02:34,520 Flying out here from New York last night and taking a train back this morning isn't my 35 00:02:34,520 --> 00:02:35,520 idea of fun, though. 36 00:02:35,520 --> 00:02:38,640 Yeah, well, we'll show you LA next trip, baby. 37 00:02:38,640 --> 00:02:41,760 We got about two minutes. 38 00:02:41,760 --> 00:02:43,280 You better tell me what this is all about. 39 00:02:43,280 --> 00:02:47,640 We got a dame who's been living with Fritzie Hollister's sweetheart for the past couple 40 00:02:47,640 --> 00:02:48,640 of weeks. 41 00:02:48,640 --> 00:02:49,640 You know Fritzie. 42 00:02:49,640 --> 00:02:50,640 Yeah. 43 00:02:50,640 --> 00:02:51,640 He's got a trunk full of hot jewelry. 44 00:02:51,640 --> 00:02:52,960 I'd like to get my hands on. 45 00:02:52,960 --> 00:02:55,040 Well, this is your chance, Mahoney. 46 00:02:55,040 --> 00:02:59,640 Now, we figure Fritzie's ducked the old girlfriend and made a connection with a new one. 47 00:02:59,640 --> 00:03:02,760 And her name is Genevieve Josephine Johnson. 48 00:03:02,760 --> 00:03:04,960 Now, here's the angle. 49 00:03:04,960 --> 00:03:10,680 She's heading east on this streamliner today, probably to wherever Fritzie's hanging around. 50 00:03:10,680 --> 00:03:12,480 It's a sit-up train. 51 00:03:12,480 --> 00:03:15,240 And right across the aisle from her. 52 00:03:15,240 --> 00:03:17,080 So you work yourself in with her. 53 00:03:17,080 --> 00:03:22,680 And when you get a chance, check her luggage and find out where she's going to meet him. 54 00:03:22,680 --> 00:03:23,680 I know. 55 00:03:23,680 --> 00:03:25,560 Don't look so sad, kiddo. 56 00:03:25,560 --> 00:03:28,520 It's an easy job sitting on a train with a doll. 57 00:03:28,520 --> 00:03:30,160 Hey, hey. 58 00:03:30,160 --> 00:03:31,160 Hmm? 59 00:03:31,160 --> 00:03:32,880 Oh, that one? 60 00:03:32,880 --> 00:03:33,880 Yeah. 61 00:03:33,880 --> 00:03:35,880 Genevieve Josephine Johnson. 62 00:03:35,880 --> 00:03:36,880 Uh-huh. 63 00:03:36,880 --> 00:03:38,520 In the flesh. 64 00:03:38,520 --> 00:03:39,520 I don't know. 65 00:03:39,520 --> 00:03:41,560 And I don't mean to argue with you. 66 00:03:41,560 --> 00:03:44,400 To me, she just isn't the type for a Fritzie Hollister. 67 00:03:44,400 --> 00:03:46,240 Oh, stop your kidding. 68 00:03:46,240 --> 00:03:47,960 No job for one thing. 69 00:03:47,960 --> 00:03:50,000 No family or background we can check. 70 00:03:50,000 --> 00:03:53,720 An apartment in Hollywood that rented for $4.50 a month. 71 00:03:53,720 --> 00:03:55,800 Part of the act, huh? 72 00:03:55,800 --> 00:03:56,800 Everything else set? 73 00:03:56,800 --> 00:03:57,800 All set. 74 00:03:57,800 --> 00:03:58,800 Albert! 75 00:03:58,800 --> 00:04:01,800 Well, so long, kid. 76 00:04:01,800 --> 00:04:02,800 So long. 77 00:04:02,800 --> 00:04:03,800 Albert! 78 00:04:03,800 --> 00:04:04,800 Good! 79 00:04:04,800 --> 00:04:05,800 Have a nice trip. 80 00:04:05,800 --> 00:04:06,800 Bye, Charlie. 81 00:04:06,800 --> 00:04:07,800 Bye. 82 00:04:07,800 --> 00:04:08,800 Bye. 83 00:04:08,800 --> 00:04:09,800 Water. 84 00:04:09,800 --> 00:04:10,800 Yes, sir. 85 00:04:10,800 --> 00:04:11,800 Carry your bags, sir. 86 00:04:11,800 --> 00:04:12,800 The bag's okay. 87 00:04:12,800 --> 00:04:13,800 My ticket says 32. 88 00:04:13,800 --> 00:04:14,800 Car 32. 89 00:04:14,800 --> 00:04:15,800 Yes, sir. 90 00:04:15,800 --> 00:04:16,800 That'll be the next car down, sir. 91 00:04:16,800 --> 00:04:17,800 You can board right here. 92 00:04:17,800 --> 00:04:18,800 All reserved seats. 93 00:04:18,800 --> 00:04:19,800 Yes, sir. 94 00:04:19,800 --> 00:04:20,800 Thanks. 95 00:04:20,800 --> 00:04:21,800 Pardon me. 96 00:04:21,800 --> 00:04:22,800 Pardon me, please. 97 00:04:22,800 --> 00:04:23,800 Oh, excuse me. 98 00:04:23,800 --> 00:04:24,800 Oh, boy. 99 00:04:24,800 --> 00:04:25,800 Oh, boy. 100 00:04:25,800 --> 00:04:26,800 Oh, boy. 101 00:04:26,800 --> 00:04:27,800 Oh, boy. 102 00:04:27,800 --> 00:04:28,800 Oh, boy. 103 00:04:28,800 --> 00:04:29,800 Oh, boy. 104 00:04:29,800 --> 00:04:30,800 Oh, boy. 105 00:04:30,800 --> 00:04:31,800 Oh, boy. 106 00:04:31,800 --> 00:04:32,800 Oh, boy. 107 00:04:32,800 --> 00:04:33,800 Oh, boy. 108 00:04:33,800 --> 00:04:34,800 Oh, boy. 109 00:04:34,800 --> 00:04:35,800 Oh, boy. 110 00:04:35,800 --> 00:04:36,800 Oh, boy. 111 00:04:36,800 --> 00:04:37,800 Oh, boy. 112 00:04:37,800 --> 00:04:38,800 Oh, boy. 113 00:04:38,800 --> 00:04:39,800 Oh, boy. 114 00:04:39,800 --> 00:04:40,800 There. 115 00:04:40,800 --> 00:04:41,800 There. 116 00:04:41,800 --> 00:04:42,800 See? 117 00:04:42,800 --> 00:04:43,800 Somebody... 118 00:04:43,800 --> 00:04:44,800 Yes? 119 00:04:44,800 --> 00:04:45,800 Can you hold up your arm for me? 120 00:04:45,800 --> 00:04:46,800 I'll be right back. 121 00:04:46,800 --> 00:04:47,800 Please, cut off a little less than a foot. 122 00:04:47,800 --> 00:04:48,800 It's all right. 123 00:04:48,800 --> 00:04:49,800 We'll be fine. 124 00:04:49,800 --> 00:04:50,800 Hey. 125 00:04:50,800 --> 00:04:51,800 Oh. 126 00:04:51,800 --> 00:04:54,800 Oh, I'm sorry, Miss. 127 00:04:54,800 --> 00:04:57,040 It's all right. 128 00:04:57,040 --> 00:04:58,040 Oh. 129 00:04:58,040 --> 00:05:01,340 And careful now. 130 00:05:01,340 --> 00:05:08,320 Don't look at her sitting there in her little brown suit and white blouse. 131 00:05:08,320 --> 00:05:09,320 Just take off your hat. 132 00:05:09,320 --> 00:05:12,320 Lay it on the seat. Pick up your magazine. 133 00:05:13,320 --> 00:05:15,320 But don't look over there. 134 00:05:16,320 --> 00:05:19,320 No, no. Don't reach over and offer to light a cigarette. 135 00:05:20,320 --> 00:05:22,320 She can do it. She's okay. 136 00:05:23,320 --> 00:05:25,320 Don't lean across the aisle. I've got plenty of time. 137 00:05:26,320 --> 00:05:27,320 It'll happen sooner or later. 138 00:05:28,320 --> 00:05:30,320 So just relax and just let it happen. 139 00:05:30,320 --> 00:05:38,320 You know what you're doing, boy. That old Mahoney technique. 140 00:05:51,320 --> 00:05:54,320 It's sorry, isn't it? Yes, sorry. 141 00:05:55,320 --> 00:05:56,320 Hi, bud. 142 00:05:56,320 --> 00:05:57,320 Hi. 143 00:05:57,320 --> 00:06:00,320 Yes, sorry. Oh, how's it? 144 00:06:02,320 --> 00:06:04,320 Hello there, little lady. How are you? 145 00:06:06,320 --> 00:06:08,320 Hey, you'll mind if I take your seat for a minute? 146 00:06:09,320 --> 00:06:11,320 I'm on my way to the club, guys. It's a long walk. 147 00:06:15,320 --> 00:06:17,320 Well, that's one way to sit down. 148 00:06:21,320 --> 00:06:23,320 What's the matter? Ain't I even human? 149 00:06:23,320 --> 00:06:26,320 Ain't I even looked at, huh? 150 00:06:27,320 --> 00:06:29,320 Hey, how are you? 151 00:06:30,320 --> 00:06:32,320 Well, Miss Hihat, hey. 152 00:06:33,320 --> 00:06:35,320 Please go wherever you were going and leave me alone. 153 00:06:35,320 --> 00:06:38,320 Come on, little lady. Have a nice friendly drink with old Frank Tars. 154 00:06:38,320 --> 00:06:39,320 How about it? 155 00:06:39,320 --> 00:06:40,320 Pardon me, miss. 156 00:06:40,320 --> 00:06:41,320 Hey, you. 157 00:06:41,320 --> 00:06:42,320 Hey, we... 158 00:06:42,320 --> 00:06:43,320 Now, just what's the idea, buster? 159 00:06:44,320 --> 00:06:45,320 What are you doing in this car anyway? 160 00:06:45,320 --> 00:06:46,320 And what are you looking for? 161 00:06:46,320 --> 00:06:47,320 A good punch in the mouth, maybe? 162 00:06:47,320 --> 00:06:52,320 No, no. He's bothering me, yes, but I don't want any trouble about this. 163 00:06:52,320 --> 00:06:55,320 Oh, boy, it's a hassle about power. I can get off in a couple of minutes. 164 00:06:55,320 --> 00:06:58,320 It's the same for doing. I didn't mean to insult anybody. 165 00:06:58,320 --> 00:06:59,320 All I thought to do... 166 00:06:59,320 --> 00:07:00,320 Yeah, all you thought to do. 167 00:07:00,320 --> 00:07:02,320 Then who asked you to sit down with the young lady, huh? 168 00:07:03,320 --> 00:07:04,320 Who wanted you? Why I ought to... 169 00:07:04,320 --> 00:07:07,320 Please, please, it's all right. It's all... It's perfectly all right. 170 00:07:07,320 --> 00:07:09,320 Just... Just don't... Don't hit him, Morgan. 171 00:07:09,320 --> 00:07:10,320 Where's your car? 172 00:07:10,320 --> 00:07:11,320 It's back there. 173 00:07:11,320 --> 00:07:12,320 Come on, I'll take you. 174 00:07:13,320 --> 00:07:14,320 I said come on. 175 00:07:14,320 --> 00:07:16,320 Please, don't... Don't hurt him. 176 00:07:16,320 --> 00:07:17,320 Don't hurt him. 177 00:07:18,320 --> 00:07:20,320 It's all right, miss. Don't you worry. 178 00:07:20,320 --> 00:07:21,320 Come on, move on. 179 00:07:21,320 --> 00:07:23,320 Hey, now, wait just a minute. 180 00:07:23,320 --> 00:07:24,320 You know who I am? 181 00:07:24,320 --> 00:07:26,320 Yeah, I know who you are. 182 00:07:33,320 --> 00:07:36,320 Okay, you can let go now. 183 00:07:39,320 --> 00:07:40,320 So you're bright eyes, huh? 184 00:07:40,320 --> 00:07:42,320 You can leave off the bright eyes. 185 00:07:42,320 --> 00:07:43,320 Yeah, sure, sure. 186 00:07:43,320 --> 00:07:45,320 It's your day to be touchy, huh? 187 00:07:46,320 --> 00:07:48,320 You look pretty good back in there. 188 00:07:48,320 --> 00:07:51,320 You see her wring her hands and wink them big brown eyes? 189 00:07:51,320 --> 00:07:52,320 Who will you be? 190 00:07:52,320 --> 00:07:54,320 Compartment A next door whenever you need me. 191 00:07:55,320 --> 00:07:58,320 Well, she's waiting for you, Mr. Hero. 192 00:07:58,320 --> 00:08:01,320 You know, I wish I had poked you, Dane. 193 00:08:02,320 --> 00:08:04,320 You're a nice big New York copper, Mahoney. 194 00:08:04,320 --> 00:08:06,320 You got the jaw and you got the shoulders. 195 00:08:06,320 --> 00:08:07,320 I heard all about you. 196 00:08:08,320 --> 00:08:09,320 You look like you could do it. 197 00:08:10,320 --> 00:08:13,320 Well, I'm just a beefy blot working out of L.A.'s central division, 198 00:08:13,320 --> 00:08:15,320 but I could whip you, boy. 199 00:08:15,320 --> 00:08:16,320 So easy. 200 00:08:16,320 --> 00:08:17,320 So easy. 201 00:08:18,320 --> 00:08:19,320 I'd better get back. 202 00:08:19,320 --> 00:08:20,320 Yeah, sure. 203 00:08:21,320 --> 00:08:23,320 I envy you, bright eyes. 204 00:08:23,320 --> 00:08:25,320 You two make a nice couple. 205 00:08:32,320 --> 00:08:33,320 He won't bother you again, miss? 206 00:08:33,320 --> 00:08:38,320 Oh, you didn't hurt him or anything like that, did you? 207 00:08:38,320 --> 00:08:39,320 Oh, no, no, no. 208 00:08:39,320 --> 00:08:42,320 I just took him back to his car and asked him to stay away from you. 209 00:08:42,320 --> 00:08:44,320 Oh, it was embarrassing. 210 00:08:44,320 --> 00:08:47,320 This is the first time anything like this has happened to me. 211 00:08:48,320 --> 00:08:50,320 I'm glad you helped out. 212 00:08:50,320 --> 00:08:51,320 Thank you very much. 213 00:08:51,320 --> 00:08:52,320 There's no trouble at all. 214 00:08:53,320 --> 00:08:54,320 Oh, um... 215 00:08:54,320 --> 00:08:55,320 What? 216 00:08:55,320 --> 00:08:56,320 I'm out of matches. 217 00:08:56,320 --> 00:08:58,320 Oh, well, I can help you there. 218 00:08:58,320 --> 00:09:02,320 I have some in my purse, I think. 219 00:09:02,320 --> 00:09:04,320 Yes, here you are. 220 00:09:04,320 --> 00:09:05,320 Thanks. 221 00:09:05,320 --> 00:09:07,320 Would you, uh, have a cigarette? 222 00:09:08,320 --> 00:09:10,320 Well, thank you, yes. 223 00:09:10,320 --> 00:09:13,320 Why don't you sit down? 224 00:09:20,320 --> 00:09:21,320 Thank you. 225 00:09:22,320 --> 00:09:23,320 Thank you very much. 226 00:09:23,320 --> 00:09:24,320 Sure. 227 00:09:27,320 --> 00:09:28,320 What? 228 00:09:28,320 --> 00:09:31,320 My goodness, it was kind of funny, wasn't it? 229 00:09:31,320 --> 00:09:34,320 He was so typed. 230 00:09:35,320 --> 00:09:36,320 Yes. 231 00:09:36,320 --> 00:09:40,320 Yes, it was funny. 232 00:09:44,320 --> 00:09:46,320 They all razzmatazz. 233 00:09:46,320 --> 00:09:48,320 Don't ask, just answer. 234 00:09:48,320 --> 00:09:50,320 Don't laugh, but smile a lot. 235 00:09:50,320 --> 00:09:51,320 Better see your teeth. 236 00:09:51,320 --> 00:09:53,320 Don't move close. 237 00:09:53,320 --> 00:09:56,320 But let her know that you've got shoulders there, boy. 238 00:09:56,320 --> 00:09:57,320 And the other trick. 239 00:09:57,320 --> 00:10:00,320 Keep your hands open, spread out. 240 00:10:00,320 --> 00:10:01,320 Talk. 241 00:10:01,320 --> 00:10:02,320 Then stop. 242 00:10:02,320 --> 00:10:03,320 Look a while. 243 00:10:03,320 --> 00:10:06,320 Watch the orange groves go by. 244 00:10:06,320 --> 00:10:08,320 Watch the houses go by. 245 00:10:08,320 --> 00:10:09,320 Watch your life go by. 246 00:10:09,320 --> 00:10:10,320 What? 247 00:10:10,320 --> 00:10:12,320 Oh, my goodness. 248 00:10:12,320 --> 00:10:14,320 You must have money in the bank. 249 00:10:14,320 --> 00:10:16,320 You're talking to yourself. 250 00:10:16,320 --> 00:10:18,320 What's the trouble? 251 00:10:18,320 --> 00:10:20,320 I think I'll stop looking around out there. 252 00:10:20,320 --> 00:10:22,320 It's beginning to worry me. 253 00:10:22,320 --> 00:10:25,320 Too big or too empty or too something, I don't know. 254 00:10:25,320 --> 00:10:28,320 You, uh, like it, do you? 255 00:10:28,320 --> 00:10:30,320 Oh, it's lovely. 256 00:10:30,320 --> 00:10:33,320 The most beautiful country I've ever seen in my life. 257 00:10:33,320 --> 00:10:36,320 It's breathtaking. 258 00:10:36,320 --> 00:10:40,320 Oh, and, um, people call me Jenny. 259 00:10:40,320 --> 00:10:42,320 Jenny for Genevieve, huh? 260 00:10:42,320 --> 00:10:43,320 Yep. 261 00:10:43,320 --> 00:10:44,320 Jenny Johnson. 262 00:10:44,320 --> 00:10:46,320 Well, they call me Mahoney. 263 00:10:46,320 --> 00:10:49,320 And, um, some other things sometimes. 264 00:10:49,320 --> 00:10:51,320 My name's Harry. 265 00:10:51,320 --> 00:10:53,320 Oh, well, where are you heading anyway? 266 00:10:53,320 --> 00:10:55,320 All the way east? 267 00:10:55,320 --> 00:10:57,320 All the way and more. 268 00:10:57,320 --> 00:10:59,320 Bayside Hills, Pennsylvania. 269 00:10:59,320 --> 00:11:01,320 I work in a dentist's office there. 270 00:11:01,320 --> 00:11:03,320 Now, that's funny. 271 00:11:03,320 --> 00:11:05,320 Maybe the suntan threw me. 272 00:11:05,320 --> 00:11:08,320 You know, I kind of thought you lived in L.A. 273 00:11:08,320 --> 00:11:10,320 And mostly that you didn't work. 274 00:11:10,320 --> 00:11:12,320 Oh, dear. 275 00:11:12,320 --> 00:11:15,320 Well, I did live there for three weeks 276 00:11:15,320 --> 00:11:19,320 in a simply marvelous garden apartment in Hollywood. 277 00:11:19,320 --> 00:11:21,320 Right off Sunset Boulevard. 278 00:11:21,320 --> 00:11:23,320 They had a heated pool. 279 00:11:23,320 --> 00:11:25,320 Oh, it was wonderful. 280 00:11:25,320 --> 00:11:26,320 It sounds expensive. 281 00:11:26,320 --> 00:11:28,320 Oh, it was terribly. 282 00:11:28,320 --> 00:11:31,320 But I shared it with a couple of other girls off and on. 283 00:11:31,320 --> 00:11:33,320 Advertising the papers, you know. 284 00:11:33,320 --> 00:11:34,320 Only... 285 00:11:34,320 --> 00:11:36,320 Only? 286 00:11:36,320 --> 00:11:37,320 Well, go on. 287 00:11:37,320 --> 00:11:39,320 Something happened? 288 00:11:39,320 --> 00:11:42,320 Only maybe I'm funny in some ways. 289 00:11:42,320 --> 00:11:44,320 Maybe I'm old fashioned. 290 00:11:44,320 --> 00:11:47,320 But some things I just... 291 00:11:47,320 --> 00:11:50,320 Well, there's not much point of going into that part. 292 00:11:50,320 --> 00:11:51,320 I get it. 293 00:11:51,320 --> 00:11:53,320 You got stuck with a cute little blonde 294 00:11:53,320 --> 00:11:55,320 who always wore your clothes or something. 295 00:11:55,320 --> 00:11:57,320 Cute? 296 00:11:57,320 --> 00:11:59,320 Not for my money. Thank you. 297 00:11:59,320 --> 00:12:02,320 What happened anyway was that she got out last week 298 00:12:02,320 --> 00:12:05,320 after one of her parties when I said what I had to say. 299 00:12:05,320 --> 00:12:08,320 She got out pretty darn fast, believe you me. 300 00:12:08,320 --> 00:12:10,320 I... 301 00:12:10,320 --> 00:12:13,320 My goodness, did I say something? 302 00:12:13,320 --> 00:12:15,320 Why are you staring at me? 303 00:12:15,320 --> 00:12:17,320 Who? What? 304 00:12:17,320 --> 00:12:20,320 Oh, I was staring at you. 305 00:12:20,320 --> 00:12:23,320 Well, I'm sorry. I didn't mean to. 306 00:12:23,320 --> 00:12:25,320 Oh, now that's all right. 307 00:12:25,320 --> 00:12:27,320 My goodness. 308 00:12:27,320 --> 00:12:30,320 For some reason, it seemed like you were looking at me 309 00:12:30,320 --> 00:12:32,320 for the first time. 310 00:12:42,320 --> 00:12:45,320 Ah, I seen you go to dinner with her. 311 00:12:45,320 --> 00:12:47,320 You're doing okay, bright eyes. 312 00:12:47,320 --> 00:12:49,320 Yeah, but it doesn't add up. 313 00:12:49,320 --> 00:12:51,320 Too homespun for this trick. 314 00:12:51,320 --> 00:12:53,320 What's she done, throwing up a smoke screen? 315 00:12:53,320 --> 00:12:55,320 That homespun stuff's all part of the act. 316 00:12:55,320 --> 00:12:57,320 She's Fritzie's girlfriend, all right? 317 00:12:57,320 --> 00:13:00,320 Remember, you're the operator, boy, not her. 318 00:13:00,320 --> 00:13:02,320 She's going to a place in Pennsylvania. 319 00:13:02,320 --> 00:13:04,320 She tell you she's got a little old mother 320 00:13:04,320 --> 00:13:06,320 and a little old father waiting for her back home? 321 00:13:06,320 --> 00:13:07,320 Yeah. 322 00:13:07,320 --> 00:13:09,320 Well, it's a great act. 323 00:13:09,320 --> 00:13:11,320 She's just a better actor than you are. 324 00:13:11,320 --> 00:13:13,320 Now, there's nothing in her luggage on the baggage car, 325 00:13:13,320 --> 00:13:17,320 but Fritzie must have slipped her some little trick in her. 326 00:13:17,320 --> 00:13:21,320 Hey, it took a lot of fixing to set this up, 327 00:13:21,320 --> 00:13:23,320 getting you the space across from her and all, 328 00:13:23,320 --> 00:13:25,320 so keep your eyes on her, bright eyes. 329 00:13:25,320 --> 00:13:27,320 That's what you're here for. 330 00:13:27,320 --> 00:13:29,320 Keep on her. 331 00:13:33,320 --> 00:13:35,320 Hi. 332 00:13:35,320 --> 00:13:37,320 Did you get your glass of water? 333 00:13:37,320 --> 00:13:39,320 Yeah. 334 00:13:39,320 --> 00:13:44,320 Well, it seems to be getting pretty late, doesn't it? 335 00:13:44,320 --> 00:13:46,320 Hadn't we better call it a night? 336 00:13:46,320 --> 00:13:47,320 Oh, uh... 337 00:13:47,320 --> 00:13:48,320 What? 338 00:13:48,320 --> 00:13:49,320 Why? 339 00:13:49,320 --> 00:13:51,320 Well, couldn't we sit here another half hour 340 00:13:51,320 --> 00:13:53,320 and just talk about things? 341 00:13:53,320 --> 00:13:55,320 Why couldn't we? 342 00:13:55,320 --> 00:13:58,320 Oh, I suppose we could. 343 00:13:58,320 --> 00:14:01,320 That is, if you don't expect... 344 00:14:01,320 --> 00:14:03,320 Oh, I don't expect anything. 345 00:14:03,320 --> 00:14:08,320 Well, we'll talk about what? 346 00:14:08,320 --> 00:14:10,320 We'll talk about you. 347 00:14:10,320 --> 00:14:11,320 Oh, no, we won't. 348 00:14:11,320 --> 00:14:13,320 There's nothing to talk about. 349 00:14:13,320 --> 00:14:15,320 That isn't the way I heard it. 350 00:14:15,320 --> 00:14:18,320 Oh, you didn't hear anything about me. 351 00:14:18,320 --> 00:14:20,320 You'd be surprised, sister. 352 00:14:20,320 --> 00:14:21,320 What? 353 00:14:21,320 --> 00:14:24,320 Nothing. 354 00:14:24,320 --> 00:14:29,320 I don't think you want to talk very much, do you? 355 00:14:29,320 --> 00:14:32,320 No, I want to find out something. 356 00:14:32,320 --> 00:14:34,320 Harry, Harry, Harry, no. 357 00:14:34,320 --> 00:14:35,320 Anything to matter? 358 00:14:35,320 --> 00:14:37,320 No, no, please. 359 00:14:37,320 --> 00:14:39,320 I don't care for that sort of thing. 360 00:14:39,320 --> 00:14:41,320 You promised. You said, please. 361 00:14:41,320 --> 00:14:43,320 Oh, oh, oh, oh, oh, oh, oh. 362 00:14:43,320 --> 00:14:44,320 I'm sorry, I just... 363 00:14:44,320 --> 00:14:47,320 That's quite all right. 364 00:14:47,320 --> 00:14:50,320 The first minute it got dark, though, you had to try it. 365 00:14:50,320 --> 00:14:51,320 I told you, I'm sorry. 366 00:14:51,320 --> 00:14:52,320 Forget it. 367 00:14:52,320 --> 00:14:54,320 You know, I'd like to tell you something. 368 00:14:54,320 --> 00:14:56,320 I'm not that kind of a guy. I never was. 369 00:14:56,320 --> 00:14:58,320 I've had so much of that stupid messing around. 370 00:14:58,320 --> 00:15:01,320 Oh, so much of it? 371 00:15:01,320 --> 00:15:03,320 I see. 372 00:15:03,320 --> 00:15:04,320 Well, I haven't. 373 00:15:04,320 --> 00:15:07,320 And I don't think I'm sorry either. 374 00:15:07,320 --> 00:15:09,320 I want it to mean something with me, 375 00:15:09,320 --> 00:15:11,320 and it won't be stupid. 376 00:15:11,320 --> 00:15:13,320 That's silly, isn't it? 377 00:15:13,320 --> 00:15:16,320 No, it isn't. 378 00:15:16,320 --> 00:15:18,320 It's awfully late, really, it is. 379 00:15:18,320 --> 00:15:20,320 I'll see you tomorrow. 380 00:15:30,320 --> 00:15:35,320 Kansas City Star, get your Kansas City Star here. 381 00:15:35,320 --> 00:15:38,320 Star here. Kansas City Star. 382 00:15:40,320 --> 00:15:42,320 It's about time. 383 00:15:42,320 --> 00:15:43,320 Why didn't you come back last night? 384 00:15:43,320 --> 00:15:45,320 I didn't feel like it. 385 00:15:45,320 --> 00:15:47,320 Did you get anything else done? 386 00:15:47,320 --> 00:15:49,320 I went through her suitcase when she was asleep. 387 00:15:49,320 --> 00:15:51,320 Dresses and things, shoes, bathrobes, 388 00:15:51,320 --> 00:15:53,320 some stuff underneath, that's all. 389 00:15:53,320 --> 00:15:56,320 The dress costs maybe $15 at the outside. 390 00:15:56,320 --> 00:15:58,320 It was the most expensive item there. 391 00:15:58,320 --> 00:16:01,320 And that suit that she's wearing went for $40 at the sale. 392 00:16:01,320 --> 00:16:02,320 You know that. 393 00:16:02,320 --> 00:16:04,320 All right, so she's smart enough not only to act it, 394 00:16:04,320 --> 00:16:06,320 but to have the right props. 395 00:16:06,320 --> 00:16:08,320 This isn't Fritzie's girlfriend. 396 00:16:08,320 --> 00:16:09,320 He wouldn't know one like this, 397 00:16:09,320 --> 00:16:10,320 and she wouldn't have one like him. 398 00:16:10,320 --> 00:16:12,320 That's the second time you've said that. 399 00:16:12,320 --> 00:16:13,320 How do you know? 400 00:16:13,320 --> 00:16:15,320 I just know, I... well, I found out. 401 00:16:15,320 --> 00:16:19,320 You're getting older and you're getting dumber, bright eyes. 402 00:16:19,320 --> 00:16:20,320 You're getting fed up. 403 00:16:20,320 --> 00:16:23,320 She'd never have anything to do with somebody like Fritzie. 404 00:16:23,320 --> 00:16:25,320 I told you that once before, too. 405 00:16:25,320 --> 00:16:26,320 Hey, hey. 406 00:16:26,320 --> 00:16:27,320 What? 407 00:16:27,320 --> 00:16:28,320 Fritzie. 408 00:16:28,320 --> 00:16:29,320 What? 409 00:16:29,320 --> 00:16:31,320 Just walked by outside the window carrying a suitcase. 410 00:16:35,320 --> 00:16:39,320 Kansas Star here. Kansas City Star. 411 00:16:39,320 --> 00:16:41,320 Yeah, that's him, all right. 412 00:16:41,320 --> 00:16:42,320 Getting on this car. 413 00:16:42,320 --> 00:16:44,320 You see the little guy in the overcoat with the cigarette? 414 00:16:44,320 --> 00:16:45,320 You're right. 415 00:16:45,320 --> 00:16:46,320 It's Fritzie Hollister. 416 00:16:46,320 --> 00:16:48,320 Yeah, sure, I'm right. 417 00:16:48,320 --> 00:16:52,320 He just sat down beside Genevieve Josephine Johnson 418 00:16:52,320 --> 00:16:53,320 from Pennsylvania. 419 00:16:53,320 --> 00:16:55,320 Well, you know, it could be just a coincidence. 420 00:16:55,320 --> 00:16:57,320 So she's a nice kid, huh? 421 00:16:57,320 --> 00:17:00,320 Couldn't have anything to do with a bum like Fritzie, huh? 422 00:17:00,320 --> 00:17:01,320 Come on. 423 00:17:01,320 --> 00:17:03,320 Now stay where you are. 424 00:17:03,320 --> 00:17:09,320 We'll make our play when the time comes. 425 00:17:18,320 --> 00:17:20,320 Auto Light is bringing you Mr. Victor Matur 426 00:17:20,320 --> 00:17:23,320 as star of The Girl in Car 32, 427 00:17:23,320 --> 00:17:33,320 tonight's presentation in radio's outstanding theater of thrills, Suspense. 428 00:17:43,320 --> 00:17:44,320 Boy, that's the car for me, Harlow. 429 00:17:44,320 --> 00:17:46,320 You mean that new Packard that just passed, Jim? 430 00:17:46,320 --> 00:17:47,320 Yes, sir. 431 00:17:47,320 --> 00:17:49,320 That's the popular price Packard Clipper 432 00:17:49,320 --> 00:17:53,320 with the power and luxury that only Packard can put into a car. 433 00:17:53,320 --> 00:17:55,320 And have you seen the Packard Patrician? 434 00:17:55,320 --> 00:17:58,320 That's the finest car ever to bear that famous Packard name. 435 00:17:58,320 --> 00:18:01,320 A name we're privileged to salute tonight on Suspense. 436 00:18:01,320 --> 00:18:06,320 Packard, an outstanding member of our worldwide Auto Light family. 437 00:18:06,320 --> 00:18:08,320 Well, Packard is outstanding in every way. 438 00:18:08,320 --> 00:18:12,320 Its ruggedness and dependability have withstood the most tortuous tests 439 00:18:12,320 --> 00:18:14,320 that Packard engineers can devise. 440 00:18:14,320 --> 00:18:17,320 Packards have proved over and over 441 00:18:17,320 --> 00:18:21,320 that they have what it takes under every road and weather condition. 442 00:18:21,320 --> 00:18:25,320 Yes, sir, Harlow, when you get an Auto Light equipped Packard, 443 00:18:25,320 --> 00:18:26,320 you get real value. 444 00:18:26,320 --> 00:18:31,320 And you get a car with one of the most famous of all fine car names, Packard. 445 00:18:31,320 --> 00:18:35,320 Yes, and Auto Light is proud of its long association with Packard 446 00:18:35,320 --> 00:18:38,320 and with Packard dealers everywhere. 447 00:18:40,320 --> 00:18:43,320 And now, Auto Light brings back to our Hollywood sound stage 448 00:18:43,320 --> 00:18:49,320 Mr. Victor Mottor in Elliot Lewis's production of The Girl in Car 32. 449 00:18:49,320 --> 00:18:54,320 A tale well calculated to keep you in suspense. 450 00:19:02,320 --> 00:19:04,320 Now, use your head right eyes. 451 00:19:04,320 --> 00:19:07,320 It's no mistake, no crazy coincidence. 452 00:19:07,320 --> 00:19:11,320 Even if she sat there all day and hasn't talked to him once, 453 00:19:11,320 --> 00:19:14,320 the little bird in the blue overcoat is Fretzy Hollister. 454 00:19:14,320 --> 00:19:17,320 And you were trying to steal his girl. 455 00:19:17,320 --> 00:19:19,320 Use your head. 456 00:19:19,320 --> 00:19:22,320 She was fast enough and smart enough to spot you right off for what you were. 457 00:19:22,320 --> 00:19:25,320 And she handled you last night like a schoolboy. 458 00:19:25,320 --> 00:19:28,320 She couldn't warn him from the train, 459 00:19:28,320 --> 00:19:30,320 but she's given him a poke in the ribs or an elbow or something 460 00:19:30,320 --> 00:19:32,320 so he'll play it straight here. 461 00:19:32,320 --> 00:19:37,320 Sure, she's Fitsy's one chance. 462 00:19:37,320 --> 00:19:39,320 She'll work on you again bright eyes. 463 00:19:39,320 --> 00:19:41,320 And watch that. 464 00:19:41,320 --> 00:19:45,320 Because you don't want to let either one of them slip off the hook. 465 00:19:47,320 --> 00:19:49,320 Asleep? 466 00:19:49,320 --> 00:19:51,320 No. 467 00:19:51,320 --> 00:19:52,320 Cup of water? 468 00:19:52,320 --> 00:19:54,320 No. 469 00:19:54,320 --> 00:19:57,320 I'll drink it myself. 470 00:19:59,320 --> 00:20:01,320 I can't sleep. 471 00:20:01,320 --> 00:20:04,320 Not with that strange man over there. 472 00:20:04,320 --> 00:20:06,320 What's so strange about him? 473 00:20:06,320 --> 00:20:07,320 What? 474 00:20:07,320 --> 00:20:12,320 Do you feel like talking? 475 00:20:12,320 --> 00:20:14,320 Sure, let's talk. Why not sit down? 476 00:20:14,320 --> 00:20:16,320 Thank you. 477 00:20:16,320 --> 00:20:21,320 Well, I wonder what this stop is going to be. 478 00:20:21,320 --> 00:20:23,320 I'm glad you wanted to talk. 479 00:20:23,320 --> 00:20:26,320 But suppose you drop the rude girl routine, huh? 480 00:20:26,320 --> 00:20:28,320 My goodness. 481 00:20:28,320 --> 00:20:30,320 You're all right in the daytime, 482 00:20:30,320 --> 00:20:34,320 but at night you come out with the silliest things that... 483 00:20:34,320 --> 00:20:38,320 Say, what do you mean by that? 484 00:20:38,320 --> 00:20:40,320 Big laugh. 485 00:20:40,320 --> 00:20:42,320 Big laugh for you. 486 00:20:42,320 --> 00:20:43,320 What? 487 00:20:43,320 --> 00:20:46,320 For a couple of minutes last night I was stupid enough to believe you, sister. 488 00:20:46,320 --> 00:20:47,320 What? 489 00:20:47,320 --> 00:20:50,320 Not now, though, and don't you forget it. 490 00:20:50,320 --> 00:20:52,320 What on earth are you talking about? 491 00:20:52,320 --> 00:20:54,320 I said cut the act. 492 00:20:54,320 --> 00:20:57,320 Well, I don't have to have anyone to talk to me like that. 493 00:20:57,320 --> 00:21:00,320 I think you're crazy. You must be. 494 00:21:00,320 --> 00:21:03,320 You must have something all twisted up in your head 495 00:21:03,320 --> 00:21:05,320 that wouldn't say things like this. 496 00:21:05,320 --> 00:21:08,320 Oh, darn. 497 00:21:13,320 --> 00:21:17,320 I've been so thirsty all day. I think I'll get some water. 498 00:21:17,320 --> 00:21:19,320 Stay where you are. I'll get the water. 499 00:21:19,320 --> 00:21:20,320 Now, sit here. I... 500 00:21:20,320 --> 00:21:22,320 I'll get the water. 501 00:21:22,320 --> 00:21:25,320 You know where it is? 502 00:21:30,320 --> 00:21:31,320 Hi. Hi. 503 00:21:31,320 --> 00:21:34,320 What's the idea of leaving them together when we come in a station? 504 00:21:34,320 --> 00:21:36,320 I'm sick of it. It happens here or else. 505 00:21:36,320 --> 00:21:37,320 Now, look... 506 00:21:36,320 --> 00:21:37,320 Shut up. 507 00:21:37,320 --> 00:21:39,320 Hey, hey, Fritzy jumped over in your seat. 508 00:21:39,320 --> 00:21:40,320 Yeah. 509 00:21:40,320 --> 00:21:42,320 And he's talking to her. 510 00:21:42,320 --> 00:21:44,320 Yeah, yeah, too sooner or later. 511 00:21:44,320 --> 00:21:46,320 Right now she's telling him I'm a cop 512 00:21:46,320 --> 00:21:48,320 and they'd better scram out while the scramming's good. 513 00:21:48,320 --> 00:21:50,320 You hit it on the head, boy. There he goes, heading for the door. 514 00:21:50,320 --> 00:21:51,320 He won't make it. 515 00:21:51,320 --> 00:21:52,320 Hey. 516 00:21:52,320 --> 00:21:54,320 Come on. 517 00:21:54,320 --> 00:21:55,320 Hey, Fritzy. 518 00:21:55,320 --> 00:21:56,320 What? 519 00:21:56,320 --> 00:21:58,320 I've been waiting for you to try something like this. 520 00:21:58,320 --> 00:21:59,320 Your girlfriend's pretty smart. 521 00:21:59,320 --> 00:22:01,320 Look out, right? I see he's got a gun. 522 00:22:01,320 --> 00:22:03,320 No, you don't. Stay away from me. 523 00:22:03,320 --> 00:22:04,320 Stay away from me. 524 00:22:04,320 --> 00:22:06,320 No good, Fritzy. No good. 525 00:22:06,320 --> 00:22:08,320 Hey, you okay? 526 00:22:08,320 --> 00:22:10,320 Yeah. Here. Hold on to it. 527 00:22:10,320 --> 00:22:11,320 All right. 528 00:22:11,320 --> 00:22:13,320 Hey, where you going? 529 00:22:13,320 --> 00:22:15,320 To get his girlfriend. I want to attend to her personally. 530 00:22:15,320 --> 00:22:18,320 All right, stand back. Stand back. Get out of the way. 531 00:22:18,320 --> 00:22:20,320 Hey, what's all this? What's... 532 00:22:20,320 --> 00:22:22,320 Police officers. Keep these people back. 533 00:22:22,320 --> 00:22:25,320 Oh, yes, sir. Yes, sir. I'll do that, sir. 534 00:22:28,320 --> 00:22:30,320 What is this? What on earth is this? 535 00:22:30,320 --> 00:22:32,320 Stole that baby. This is a pinch. 536 00:22:32,320 --> 00:22:33,320 What? 537 00:22:33,320 --> 00:22:35,320 Come on. Come on. Come on. Up on your feet. 538 00:22:35,320 --> 00:22:37,320 We've got Fritzy in a huddle. 539 00:22:37,320 --> 00:22:39,320 You're hurting me. 540 00:22:39,320 --> 00:22:40,320 And you're killing me with those big brown eyes. 541 00:22:40,320 --> 00:22:42,320 Why, you just... 542 00:22:42,320 --> 00:22:44,320 Pretty smart you were, only you forgot one little thing. 543 00:22:44,320 --> 00:22:46,320 You forgot the first rule of Broadway. 544 00:22:46,320 --> 00:22:48,320 Never hustle a hustler. 545 00:22:48,320 --> 00:22:50,320 Just who do you think you had, anyway? 546 00:22:50,320 --> 00:22:53,320 Some clown on a train or bright-eyed Mahoney? 547 00:22:53,320 --> 00:22:55,320 Cut up the tears. Come on. 548 00:23:08,320 --> 00:23:11,320 Now then, what's it all about, Sergeant Mahoney? 549 00:23:11,320 --> 00:23:14,320 We can keep the man for carrying a gun. 550 00:23:14,320 --> 00:23:16,320 That'll do for a starter. 551 00:23:16,320 --> 00:23:18,320 We've got a million charges against him. 552 00:23:18,320 --> 00:23:20,320 He pulled the biggest jewelry heist in the country last year. 553 00:23:20,320 --> 00:23:22,320 You can get some papers out here to me? 554 00:23:22,320 --> 00:23:24,320 Sergeant Daines is phoning Los Angeles right now. 555 00:23:24,320 --> 00:23:27,320 All right. Now, what about the lady? 556 00:23:27,320 --> 00:23:30,320 Hold her, too, for disturbing the peace if you have to. 557 00:23:30,320 --> 00:23:32,320 She's Fritzy's girlfriend. She'll be named accomplice. 558 00:23:32,320 --> 00:23:34,320 Oh, I see. 559 00:23:34,320 --> 00:23:37,320 Well, she sure cries a lot. 560 00:23:37,320 --> 00:23:39,320 I'll hold them for you. 561 00:23:39,320 --> 00:23:41,320 Anything else you want from me? 562 00:23:41,320 --> 00:23:44,320 Bright-eyes. We got a mix-up. 563 00:23:44,320 --> 00:23:45,320 What do you mean? 564 00:23:45,320 --> 00:23:48,320 You're a little mixed up, boy. That's what I mean. 565 00:23:48,320 --> 00:23:51,320 I've been on the phone to L.A. straightening it out for you. 566 00:23:51,320 --> 00:23:55,320 Fritzy's old girlfriend and that other one had the apartment together in L.A., okay? 567 00:23:55,320 --> 00:23:59,320 But that's all. She's not tied up with Fritzy. She never was. 568 00:23:59,320 --> 00:24:00,320 Why'd you meet her on the train? 569 00:24:00,320 --> 00:24:04,320 Because Fritzy's girlfriend left an old trunk after her in the store room. 570 00:24:04,320 --> 00:24:08,320 How was this Johnson deemed to know that there was a couple of hundred thousand dollars 571 00:24:08,320 --> 00:24:10,320 worth of stolen jewelry in the fall's bottom? 572 00:24:10,320 --> 00:24:14,320 Naturally, Fritzy wanted it back, so he found out this tomato 573 00:24:14,320 --> 00:24:16,320 you were bright-eyeing with was coming east, 574 00:24:16,320 --> 00:24:19,320 so he just grabbed a plane so he could meet her in K.C. 575 00:24:19,320 --> 00:24:21,320 He wanted that trunk, boy. 576 00:24:21,320 --> 00:24:22,320 Yeah, you mentioned that. 577 00:24:22,320 --> 00:24:24,320 Well, sir, that's it. 578 00:24:24,320 --> 00:24:27,320 She's no more Fritzy's new girlfriend than I am. 579 00:24:27,320 --> 00:24:29,320 You know, it's funny how things work out. 580 00:24:29,320 --> 00:24:33,320 The trunk's been in a hawk shop in L.A. all the time. 581 00:24:33,320 --> 00:24:37,320 Little Miss Muffet got rid of it to clean up the place when she moved. 582 00:24:40,320 --> 00:24:43,320 What's the matter? You sick or something? 583 00:24:43,320 --> 00:24:46,320 I told you she wasn't Fritzy's girlfriend. I told you. 584 00:24:46,320 --> 00:24:50,320 Well, I got that all straightened out for you now, bright-eye, so you... 585 00:24:52,320 --> 00:24:55,320 Right out of release. Will you show her for Jenny Johnson? 586 00:24:55,320 --> 00:24:59,320 Sure. Sure, glad to. 587 00:24:59,320 --> 00:25:03,320 You know, I wanted to do just what you did 588 00:25:03,320 --> 00:25:06,320 ever since that fella started talking. 589 00:25:06,320 --> 00:25:13,320 He bothers me. 590 00:25:23,320 --> 00:25:25,320 The next one will be through tomorrow morning, Jenny. 591 00:25:25,320 --> 00:25:27,320 Thank you. 592 00:25:27,320 --> 00:25:30,320 It's a real nice train, a streamliner and all. 593 00:25:30,320 --> 00:25:33,320 They have a compartment for you. 594 00:25:33,320 --> 00:25:38,320 Jenny, can I say anything? Can I do anything? 595 00:25:38,320 --> 00:25:43,320 You know, when I remember what I was beginning to feel in my heart 596 00:25:43,320 --> 00:25:45,320 and what I've done to you, I just... 597 00:25:45,320 --> 00:25:48,320 In what? In your heart? 598 00:25:48,320 --> 00:25:51,320 Oh, you proved it, didn't you? 599 00:25:51,320 --> 00:25:52,320 Oh, Jenny, look, I'm sorry. 600 00:25:52,320 --> 00:25:54,320 Well, that's all right, bright-eyes. 601 00:25:54,320 --> 00:25:56,320 I heard them call you that. 602 00:25:56,320 --> 00:26:01,320 You're very clever with all women and I'm very stupid, I suppose. 603 00:26:01,320 --> 00:26:04,320 I didn't even know the first rule of Broadway, 604 00:26:04,320 --> 00:26:07,320 but I know what I want anyway. 605 00:26:07,320 --> 00:26:10,320 I want you to leave me alone. 606 00:26:10,320 --> 00:26:12,320 I don't ever want to see you again. 607 00:26:12,320 --> 00:26:15,320 Jenny, Jenny, I know what I want. 608 00:26:15,320 --> 00:26:18,320 I found out sitting in that seat beside you. 609 00:26:18,320 --> 00:26:20,320 Will you just get away from me, the things you said to me 610 00:26:20,320 --> 00:26:22,320 and the way you acted? 611 00:26:22,320 --> 00:26:25,320 Because... because what? 612 00:26:25,320 --> 00:26:28,320 Because you cared for me, I suppose. 613 00:26:28,320 --> 00:26:31,320 Because I cared for you, Jenny. 614 00:26:31,320 --> 00:26:33,320 You know something? 615 00:26:35,320 --> 00:26:38,320 I'm going to be on that train with you tomorrow morning. 616 00:26:38,320 --> 00:26:39,320 Yes, sir, Jenny. 617 00:26:39,320 --> 00:27:02,320 I'm going to be on that train with you. 618 00:27:02,320 --> 00:27:04,320 Suspense. 619 00:27:04,320 --> 00:27:05,320 Presented by Auto Light. 620 00:27:05,320 --> 00:27:08,320 Tonight's star, Mr. Victor Mature. 621 00:27:08,320 --> 00:27:10,320 This is Harlow Wilcox again. 622 00:27:10,320 --> 00:27:13,320 Remember, you now have a good chance to do your favorite 623 00:27:13,320 --> 00:27:16,320 local or national recognized charity, 624 00:27:16,320 --> 00:27:18,320 the favor of a lifetime. 625 00:27:18,320 --> 00:27:21,320 If you're one of the 25 persons selected in the huge 626 00:27:21,320 --> 00:27:23,320 Auto Light family charity drawing, 627 00:27:23,320 --> 00:27:26,320 you can name any recognized charity you wish 628 00:27:26,320 --> 00:27:31,320 to receive a big share of $100,000 in cash. 629 00:27:31,320 --> 00:27:34,320 Those charities can be schools, hospitals, churches, 630 00:27:34,320 --> 00:27:38,320 the American Red Cross, or any other recognized charity. 631 00:27:38,320 --> 00:27:40,320 So if you're 18 years or over, 632 00:27:40,320 --> 00:27:44,320 visit any of the following Auto Light family car showrooms. 633 00:27:44,320 --> 00:27:47,320 DeSoto, Hudson, Plymouth, Studebaker, Dodge, 634 00:27:47,320 --> 00:27:51,320 Willis, Nash, Packard, Kaiser, or Chrysler. 635 00:27:51,320 --> 00:27:54,320 Print your name and address on the drawing registration form 636 00:27:54,320 --> 00:27:56,320 and have the car dealer sign it. 637 00:27:56,320 --> 00:27:57,320 That's all. 638 00:27:57,320 --> 00:27:59,320 Nothing to buy, try, or solve. 639 00:27:59,320 --> 00:28:02,320 So give your favorite recognized charity 640 00:28:02,320 --> 00:28:05,320 a chance to share in this huge $100,000 641 00:28:05,320 --> 00:28:08,320 Auto Light family opportunity. 642 00:28:08,320 --> 00:28:11,320 Visit any Auto Light family car showroom 643 00:28:11,320 --> 00:28:13,320 and sign up tomorrow. 644 00:28:21,320 --> 00:28:24,320 Next week, the story of a man who found that 645 00:28:24,320 --> 00:28:26,320 everything was against him. 646 00:28:26,320 --> 00:28:28,320 His wife distrusted him, his best friend had to give him 647 00:28:28,320 --> 00:28:32,320 an alibi, all because of a girl, a dead girl. 648 00:28:32,320 --> 00:28:35,320 It's called The Guilty Always Run. 649 00:28:35,320 --> 00:28:37,320 Our star, Mr. Terrone Power. 650 00:28:37,320 --> 00:28:41,320 That's next week on Suspense. 651 00:28:46,320 --> 00:28:49,320 Suspense is transcribed and directed by Elliot Lewis, 652 00:28:49,320 --> 00:28:51,320 music composed by Lucian Morwick 653 00:28:51,320 --> 00:28:53,320 and conducted by Lud Gluskin. 654 00:28:53,320 --> 00:28:56,320 The girl in Car 32 was written for suspense by E. Jack Newman 655 00:28:56,320 --> 00:28:58,320 from the story by Thomas Walsh. 656 00:28:58,320 --> 00:29:01,320 In tonight's story, Kathy Lewis was heard as Jenny 657 00:29:01,320 --> 00:29:03,320 and William Conrad as Dane. 658 00:29:03,320 --> 00:29:05,320 Featured in the cast were Herb Butterfield, 659 00:29:05,320 --> 00:29:08,320 Joseph Kearns, Roy Glenn, and John Danaer. 660 00:29:08,320 --> 00:29:12,320 Victor Mature appeared by arrangement with 20th Century Fox, 661 00:29:12,320 --> 00:29:15,320 producers of Prince Valiant in Technicolor and Cinescope, 662 00:29:15,320 --> 00:29:19,320 starring James Mason, Janet Leigh, and Robert Wagner. 663 00:29:21,320 --> 00:29:24,320 And remember next week, Mr. Terrone Power 664 00:29:24,320 --> 00:29:27,320 in The Guilty Always Run. 665 00:29:27,320 --> 00:29:54,320 This is the CBS Radio Network.