1 00:00:00,000 --> 00:00:12,000 Auto Light and its 98,000 dealers bring you Miss Ethel Merman in tonight's presentation 2 00:00:12,000 --> 00:00:15,000 of Suspense. 3 00:00:15,000 --> 00:00:24,800 Tonight, Auto Light presents the story of a good-humored lady with a big voice and a 4 00:00:24,800 --> 00:00:28,120 soft-spoken boy with a very sharp knife. 5 00:00:28,120 --> 00:00:31,400 The story is called, Never Follow a Banjo Act. 6 00:00:31,400 --> 00:00:40,640 Our star, the queen of musical comedy, Miss Ethel Merman. 7 00:00:40,640 --> 00:00:43,560 This is Harlow Wilcox with $100,000 News. 8 00:00:43,560 --> 00:00:47,920 You may get your own church, hospital, or other community or national charity a big share 9 00:00:47,920 --> 00:00:49,200 of that sum. 10 00:00:49,200 --> 00:00:52,840 There's nothing to do except write your name and address on a registration form at any 11 00:00:52,840 --> 00:00:55,360 Auto Light family car dealer showroom. 12 00:00:55,360 --> 00:00:59,760 If you're one of 25 persons selected, you will name your favorite recognized charity 13 00:00:59,760 --> 00:01:04,200 or charities to share in this $100,000 Auto Light family gift. 14 00:01:04,200 --> 00:01:08,560 Now, it is my privilege to introduce Mr. Basil O'Connor, National Chairman of the March 15 00:01:08,560 --> 00:01:10,260 of Dimes. 16 00:01:10,260 --> 00:01:11,260 Thank you. 17 00:01:11,260 --> 00:01:16,480 I'm sure everybody in America will open his heart to this most generous offer. 18 00:01:16,480 --> 00:01:21,840 Of course, those selected can give to church, hospital, or any other recognized charity. 19 00:01:21,840 --> 00:01:27,880 But I for one am hoping a big share goes to my favorite charity, the March of Dimes, whose 20 00:01:27,880 --> 00:01:31,160 crucial campaign is underway. 21 00:01:31,160 --> 00:01:35,760 But for that once in a lifetime thrill, to be able to give thousands of dollars to the 22 00:01:35,760 --> 00:01:41,440 March of Dimes or any other charity, be sure to register with your local Auto Light family 23 00:01:41,440 --> 00:01:44,080 car dealer tomorrow. 24 00:01:44,080 --> 00:01:45,080 Thank you, Mr. O'Connor. 25 00:01:45,080 --> 00:01:49,840 Friends, visit your DeSoto, Hudson, Plymouth, Studebaker, Dodge, Willis, Nash, Packard, 26 00:01:49,840 --> 00:01:57,000 Kaiser, or Chrysler dealer, help your favorite charity share in $100,000. 27 00:01:57,000 --> 00:02:02,480 And now, Auto Light presents transcribed, Never Follow a Banjo Act, starring Miss Ethel 28 00:02:02,480 --> 00:02:07,080 Merman, hoping once again to keep you in suspense. 29 00:02:07,080 --> 00:02:19,960 You're a hero, a Nero, Apollo, the Wizard of Oz, you the kingdom, power and glory, 30 00:02:19,960 --> 00:02:31,960 the old, old, oldest of stories, the new, true, you've built your Rome in just one day. 31 00:02:31,960 --> 00:02:42,280 Life is mystic, a midsummer's night we live in, a Turkish delight, you're in heaven, 32 00:02:42,280 --> 00:02:50,280 it's swell when you're really in love. 33 00:02:50,280 --> 00:03:05,280 It's swell when you're really in love. 34 00:03:05,280 --> 00:03:12,280 How about that, folks? 35 00:03:12,280 --> 00:03:13,280 Great. 36 00:03:13,280 --> 00:03:14,280 I mean it, ladies and gentlemen. 37 00:03:14,280 --> 00:03:17,280 Rosie Jones, come on, take one more bow, Rosie. 38 00:03:17,280 --> 00:03:23,280 Oh, man, she really does come on, that girl. 39 00:03:23,280 --> 00:03:28,200 Well, ladies and gentlemen, all you lovely uptown types, you came, you saw, and you heard, 40 00:03:28,200 --> 00:03:33,280 the one and only, the immortal Rosie Jones, right at 52nd Street in the club nightshade. 41 00:03:33,280 --> 00:03:36,560 Hey, sing well and call his baby. 42 00:03:36,560 --> 00:03:39,560 And now we bring you Chico and his Mambo Rascals. 43 00:03:39,560 --> 00:03:42,560 Get it, boys. 44 00:03:42,560 --> 00:03:47,560 Sing melancholy, baby. 45 00:03:47,560 --> 00:03:52,640 Hey, no, doll, no. 46 00:03:52,640 --> 00:03:53,640 No what? 47 00:03:53,640 --> 00:03:54,640 Don't unhook. 48 00:03:54,640 --> 00:03:55,640 You got company coming back. 49 00:03:55,640 --> 00:03:56,640 Listen, Benny, if I've told you once, I've told you a million times... 50 00:03:56,640 --> 00:03:57,640 Yeah, but this is different, doll. 51 00:03:57,640 --> 00:03:58,640 Oh, this is different. 52 00:03:58,640 --> 00:03:59,640 Yeah, it's always different. 53 00:03:59,640 --> 00:04:00,640 Come on, come on, fix your hair. 54 00:04:00,640 --> 00:04:01,640 May I come in? 55 00:04:01,640 --> 00:04:02,640 It's open. 56 00:04:02,640 --> 00:04:03,640 I can't stop you. 57 00:04:03,640 --> 00:04:15,320 My name is Cram, Rosie, Ray Cram. 58 00:04:15,320 --> 00:04:16,560 I'd like to talk to you. 59 00:04:16,560 --> 00:04:18,560 Ray Cram, huh? 60 00:04:18,560 --> 00:04:19,560 Beat it, mister. 61 00:04:19,560 --> 00:04:23,440 I don't think you got the name right, or maybe you never heard of me. 62 00:04:23,440 --> 00:04:27,360 Every guy who wants to make a big impression back here claims he either is or is representing 63 00:04:27,360 --> 00:04:28,360 a big agent. 64 00:04:28,360 --> 00:04:30,160 Doll, this is Ray Cram. 65 00:04:30,160 --> 00:04:32,800 I assure you, Miss Jones, this is Mr. Cram. 66 00:04:32,800 --> 00:04:34,520 And who, my dear, are you? 67 00:04:34,520 --> 00:04:36,200 I'm Johnson, assistant to Mr. Cram. 68 00:04:36,200 --> 00:04:39,600 Tell you what, Mr. Cram, show me your driver's license. 69 00:04:39,600 --> 00:04:42,600 Oh, there you are. 70 00:04:42,600 --> 00:04:44,760 Oh, have a chair. 71 00:04:44,760 --> 00:04:45,760 Call me Ray. 72 00:04:45,760 --> 00:04:50,840 You know, I've been an admirer of yours for many years, Rosie. 73 00:04:50,840 --> 00:04:51,840 Many, many years. 74 00:04:51,840 --> 00:04:53,440 You can skip the many years stuff. 75 00:04:53,440 --> 00:04:55,760 I guess we all know how long I've been around. 76 00:04:55,760 --> 00:04:56,760 Sorry, Rosie. 77 00:04:56,760 --> 00:05:01,400 For some time, I've been casting about in my mind, speculating as to how your mature 78 00:05:01,400 --> 00:05:03,560 talents could best be utilized. 79 00:05:03,560 --> 00:05:04,560 Benny. 80 00:05:04,560 --> 00:05:06,040 Listen to Mr. Cram, doll. 81 00:05:06,040 --> 00:05:08,840 Benny, if this is a rib, so help me, I'll kill you. 82 00:05:08,840 --> 00:05:09,840 Go on, Mr. Cram. 83 00:05:09,840 --> 00:05:11,080 Well, last night it came to him. 84 00:05:11,080 --> 00:05:12,080 I know. 85 00:05:12,080 --> 00:05:14,000 You want me to replace Marilyn Monroe. 86 00:05:14,000 --> 00:05:18,760 Rosie, you're a sensitive, insecure girl because somehow these last few years have passed you 87 00:05:18,760 --> 00:05:19,760 by. 88 00:05:19,760 --> 00:05:22,360 But I want you to shut up and listen. 89 00:05:22,360 --> 00:05:23,360 All right. 90 00:05:23,360 --> 00:05:25,440 But so help me, if this is a rib... 91 00:05:25,440 --> 00:05:26,840 Shut up. 92 00:05:26,840 --> 00:05:28,680 You know I'm representing Terry Dane. 93 00:05:28,680 --> 00:05:31,720 And you know who he is and you know what I got, right? 94 00:05:31,720 --> 00:05:33,720 And no cracks. 95 00:05:33,720 --> 00:05:34,720 Right? 96 00:05:34,720 --> 00:05:36,360 Right, right, right. 97 00:05:36,360 --> 00:05:38,840 The hottest thing since Frankie was first discovered. 98 00:05:38,840 --> 00:05:39,840 That's it. 99 00:05:39,840 --> 00:05:41,320 We've had new ones and new ones. 100 00:05:41,320 --> 00:05:42,680 They come, they go. 101 00:05:42,680 --> 00:05:45,240 But this Terry Dane's a million dollars a year gross. 102 00:05:45,240 --> 00:05:51,320 With tousled hair, face you'd like to put in your lap and hug and kiss, and a voice like... 103 00:05:51,320 --> 00:05:53,800 Well, he answered to a maiden's prayer. 104 00:05:53,800 --> 00:05:56,080 Personally, I go for men. 105 00:05:56,080 --> 00:05:57,080 But what's the pitch? 106 00:05:57,080 --> 00:05:59,480 He goes for men, great little kidder, huh? 107 00:05:59,480 --> 00:06:02,800 Listen, Rosie, you ask me what's the pitch, I'll tell you. 108 00:06:02,800 --> 00:06:05,960 We're opening Terry at the new Cactus Retreat in Vegas, two weeks from Saturday. 109 00:06:05,960 --> 00:06:07,920 He gets 25 Gs a week. 110 00:06:07,920 --> 00:06:09,520 I read it in Billboard. 111 00:06:09,520 --> 00:06:10,520 Big deal. 112 00:06:10,520 --> 00:06:13,040 We need somebody to work with him, Rosie. 113 00:06:13,040 --> 00:06:17,860 Somebody who's got the experience and the talent and a voice you could lay bricks on. 114 00:06:17,860 --> 00:06:19,720 Somebody who can really go along with him. 115 00:06:19,720 --> 00:06:20,720 It is a rib. 116 00:06:20,720 --> 00:06:21,720 Will you shut up? 117 00:06:21,720 --> 00:06:26,000 So may my mother be struck dead if I should say one word that isn't the truth and sincere 118 00:06:26,000 --> 00:06:27,000 from the heart. 119 00:06:27,000 --> 00:06:28,000 Go on. 120 00:06:28,000 --> 00:06:29,720 Benny's paying you 275, Rosie. 121 00:06:29,720 --> 00:06:32,200 I want to buy you a contract from him. 122 00:06:32,200 --> 00:06:35,640 I'll give you an even grand, legitimate expenses plus transportation. 123 00:06:35,640 --> 00:06:37,560 You like? 124 00:06:37,560 --> 00:06:39,200 To work with Terry Dane. 125 00:06:39,200 --> 00:06:41,400 Four weeks guaranteed, maybe a bonus, who knows? 126 00:06:41,400 --> 00:06:42,400 Benny. 127 00:06:42,400 --> 00:06:43,940 I've seen the contract, Rosie. 128 00:06:43,940 --> 00:06:44,940 And you? 129 00:06:44,940 --> 00:06:46,520 I assure you, Miss Jarrett. 130 00:06:46,520 --> 00:06:49,120 I give you 10 seconds to give me a firm answer. 131 00:06:49,120 --> 00:06:51,900 Say yes, we finalize it here and now. 132 00:06:51,900 --> 00:06:54,200 You don't mind if I seem a bit in the dark. 133 00:06:54,200 --> 00:06:56,080 That's nine seconds. 134 00:06:56,080 --> 00:07:00,880 What happened to that big My Darling Died campaign your office was spreading when you 135 00:07:00,880 --> 00:07:05,120 had him singing I'll Never Smile Again and so forth over the cute little girl who was 136 00:07:05,120 --> 00:07:06,520 killed in that accident? 137 00:07:06,520 --> 00:07:07,520 Constance Green. 138 00:07:07,520 --> 00:07:09,600 Boy got over it. 139 00:07:09,600 --> 00:07:12,760 So why don't you get him another young thing like she was? 140 00:07:12,760 --> 00:07:16,080 Never follow a banjo act with a banjo act, Rosie. 141 00:07:16,080 --> 00:07:17,560 Whole show business model. 142 00:07:17,560 --> 00:07:19,520 Gee, she was cute. 143 00:07:19,520 --> 00:07:21,160 And that accident, what was it? 144 00:07:21,160 --> 00:07:24,520 She fell through a shower door or something, bled to death. 145 00:07:24,520 --> 00:07:25,520 Five seconds. 146 00:07:25,520 --> 00:07:28,920 Four, three, two, I'll take it. 147 00:07:28,920 --> 00:07:29,920 That's my girl, Rosie. 148 00:07:29,920 --> 00:07:33,880 Now, while you're signing these, gentlemen, if you'll just leave us alone for a minute. 149 00:07:33,880 --> 00:07:34,880 Sure thing, Mr. Cramp. 150 00:07:34,880 --> 00:07:38,800 Now, the pen just, yeah, that's it. 151 00:07:38,800 --> 00:07:40,160 Standard form, no writers? 152 00:07:40,160 --> 00:07:42,120 No writers, Rosie. 153 00:07:42,120 --> 00:07:47,000 But there's one thing I want to make clear right from the outset so there's no misunderstandings 154 00:07:47,000 --> 00:07:48,000 later. 155 00:07:48,000 --> 00:07:49,560 Why, Mr. Cramp. 156 00:07:49,560 --> 00:07:51,600 No, serious, dear. 157 00:07:51,600 --> 00:07:53,320 Bob Terry, keep away from him. 158 00:07:53,320 --> 00:07:54,320 Okay. 159 00:07:54,320 --> 00:07:55,520 Keep away, dear. 160 00:07:55,520 --> 00:07:58,220 He's a moody kid, terribly shy. 161 00:07:58,220 --> 00:08:00,720 Remember what I said before about liking men? 162 00:08:00,720 --> 00:08:02,560 Yeah, and that's what I call being mature. 163 00:08:02,560 --> 00:08:03,920 He's just a boy. 164 00:08:03,920 --> 00:08:04,920 You got no interest. 165 00:08:04,920 --> 00:08:05,920 You'll develop none. 166 00:08:05,920 --> 00:08:07,480 You'll keep clear, clean, and away. 167 00:08:07,480 --> 00:08:08,960 Is that right? 168 00:08:08,960 --> 00:08:09,960 Right. 169 00:08:09,960 --> 00:08:15,720 Oh, I'll make it look good on stage, Ray, but after hours, after hours, I'm going hunting 170 00:08:15,720 --> 00:08:20,920 for one of those Nevada cowpokes. 171 00:08:20,920 --> 00:08:22,680 Terry Dane. 172 00:08:22,680 --> 00:08:26,840 Me and Terry Dane. 173 00:08:26,840 --> 00:08:36,200 Do you like this, Rosie? 174 00:08:36,200 --> 00:08:46,560 It was a good arrangement, Terry. 175 00:08:46,560 --> 00:08:49,560 Go on. 176 00:08:49,560 --> 00:08:53,640 They're cueing your solo. 177 00:08:53,640 --> 00:08:55,840 Who cares about solos? 178 00:08:55,840 --> 00:08:56,840 I like duets. 179 00:08:56,840 --> 00:08:58,840 I like doing it with you, honey. 180 00:08:58,840 --> 00:09:01,040 You're a passionate one you are. 181 00:09:01,040 --> 00:09:03,440 So get on with you and passionize that mob, Terry. 182 00:09:03,440 --> 00:09:05,440 They're calling for an encore, sugar. 183 00:09:05,440 --> 00:09:07,440 An encore of humor, boy, of you. 184 00:09:07,440 --> 00:09:09,240 They like you, love you. 185 00:09:09,240 --> 00:09:10,600 Every last dame in the place. 186 00:09:10,600 --> 00:09:11,600 So get out there. 187 00:09:11,600 --> 00:09:12,600 Yes. 188 00:09:12,600 --> 00:09:13,600 They love me. 189 00:09:13,600 --> 00:09:14,600 It's true. 190 00:09:14,600 --> 00:09:18,720 Every last one of them out there. 191 00:09:18,720 --> 00:09:19,720 Rosie seems to. 192 00:09:19,720 --> 00:09:22,880 I don't intend to try to explain it. 193 00:09:22,880 --> 00:09:26,120 It's just a thing that happens to women when I sing. 194 00:09:26,120 --> 00:09:27,120 That's right. 195 00:09:27,120 --> 00:09:28,120 That's right. 196 00:09:28,120 --> 00:09:29,120 Now sing for them. 197 00:09:29,120 --> 00:09:30,120 That's the boy. 198 00:09:30,120 --> 00:09:34,120 But it's somehow it just doesn't seem to happen to you, Rosie. 199 00:09:34,120 --> 00:09:37,120 Now why would that be? 200 00:09:37,120 --> 00:09:42,120 Why would that be? 201 00:09:42,120 --> 00:09:57,480 Why would that be? 202 00:09:57,480 --> 00:10:00,320 Lady wages two bits on the 23 red. 203 00:10:00,320 --> 00:10:01,320 Rosie. 204 00:10:01,320 --> 00:10:02,480 Hello, Ray. 205 00:10:02,480 --> 00:10:04,280 Get me a two bit plunger. 206 00:10:04,280 --> 00:10:07,120 After your turn in the last show. 207 00:10:07,120 --> 00:10:08,120 Yeah? 208 00:10:08,120 --> 00:10:09,600 Gary was whispering to you. 209 00:10:09,600 --> 00:10:10,600 What about me? 210 00:10:10,600 --> 00:10:12,800 Oh, he wants me to join his fan club. 211 00:10:12,800 --> 00:10:13,800 Something. 212 00:10:13,800 --> 00:10:14,800 I don't know. 213 00:10:14,800 --> 00:10:15,800 And what else? 214 00:10:15,800 --> 00:10:16,800 Nothing else. 215 00:10:16,800 --> 00:10:17,800 You sure? 216 00:10:17,800 --> 00:10:20,400 Hey, look, what is this anyway? 217 00:10:20,400 --> 00:10:21,400 Nothing there. 218 00:10:21,400 --> 00:10:23,040 Keep up the good work. 219 00:10:23,040 --> 00:10:25,120 And keep on keeping away from Terry. 220 00:10:25,120 --> 00:10:26,120 That's right, dear. 221 00:10:26,120 --> 00:10:27,120 A pleasure. 222 00:10:27,120 --> 00:10:28,120 Bye now. 223 00:10:28,120 --> 00:10:29,120 Toodle-oo. 224 00:10:29,120 --> 00:10:32,120 Miss Jones, ma'am? 225 00:10:32,120 --> 00:10:35,120 Why, hello, Texas. 226 00:10:35,120 --> 00:10:38,640 Oh, my name ain't Texas, ma'am. 227 00:10:38,640 --> 00:10:39,640 It's Earl. 228 00:10:39,640 --> 00:10:40,640 Earl what? 229 00:10:40,640 --> 00:10:41,640 Earl. 230 00:10:41,640 --> 00:10:47,760 But that's such a short name for such a long man. 231 00:10:47,760 --> 00:10:52,360 I just wanted to tell you how much I like your singing, Miss Jones. 232 00:10:52,360 --> 00:10:53,360 Really? 233 00:10:53,360 --> 00:10:56,040 Oh, you're not just saying that. 234 00:10:56,040 --> 00:10:57,680 Oh, no, ma'am. 235 00:10:57,680 --> 00:10:59,680 You're one in a million, Earl. 236 00:10:59,680 --> 00:11:00,680 Yes, I'm. 237 00:11:00,680 --> 00:11:02,680 Blurt it out, Earl. 238 00:11:02,680 --> 00:11:06,720 Well, I'd sincerely like to buy you a drink, Miss Jones. 239 00:11:06,720 --> 00:11:26,240 Well, let's settle up, Pot, and get with it. 240 00:11:26,240 --> 00:11:30,160 You know, it's a right smart stretch since I've seen the sunrise, Earl. 241 00:11:30,160 --> 00:11:32,880 The finest time of the day, Miss Rosie. 242 00:11:32,880 --> 00:11:36,840 And look at those mountains, all purpley and gold. 243 00:11:36,840 --> 00:11:39,920 Yeah, man, could look at those mountains for quite a spell. 244 00:11:39,920 --> 00:11:43,560 Here's my bungalow, Earl, so I guess I'll be saying good night. 245 00:11:43,560 --> 00:11:45,400 Or is it good morning? 246 00:11:45,400 --> 00:11:48,120 Don't rightly know which to say, ma'am. 247 00:11:48,120 --> 00:11:52,120 Let's just make it so long till later. 248 00:11:52,120 --> 00:11:53,920 We still got that riding day? 249 00:11:53,920 --> 00:11:54,920 Yes, ma'am. 250 00:11:54,920 --> 00:11:56,520 Oh, yes, ma'am. 251 00:11:56,520 --> 00:11:59,520 So long, Podner. 252 00:11:59,520 --> 00:12:01,520 Bye. 253 00:12:01,520 --> 00:12:04,400 Who's there? 254 00:12:04,400 --> 00:12:06,400 Who's that in my bedroom? 255 00:12:06,400 --> 00:12:12,400 Hey, dream boy, what do you think you're doing in my bungalow? 256 00:12:12,400 --> 00:12:13,400 Dream boy, Terry. 257 00:12:13,400 --> 00:12:14,400 Oh, come on, Terry. 258 00:12:14,400 --> 00:12:15,400 Time to go home to your Betty bye. 259 00:12:15,400 --> 00:12:16,400 Got to look good tonight, paly. 260 00:12:16,400 --> 00:12:17,400 Yes, indeedy. 261 00:12:17,400 --> 00:12:18,400 So come on. 262 00:12:18,400 --> 00:12:19,400 Stand up. 263 00:12:19,400 --> 00:12:20,400 Hey, you're going to cut yourself playing with that butcher knife. 264 00:12:20,400 --> 00:12:21,400 Put it away. 265 00:12:21,400 --> 00:12:22,400 Oh, yes, ma'am. 266 00:12:22,400 --> 00:12:23,400 Oh, yes, ma'am. 267 00:12:23,400 --> 00:12:24,400 Oh, yes, ma'am. 268 00:12:24,400 --> 00:12:25,400 Oh, yes, ma'am. 269 00:12:25,400 --> 00:12:26,400 Oh, yes, ma'am. 270 00:12:26,400 --> 00:12:27,400 Oh, yes, ma'am. 271 00:12:27,400 --> 00:12:28,400 Oh, yes, ma'am. 272 00:12:28,400 --> 00:12:29,400 Oh, yes, ma'am. 273 00:12:29,400 --> 00:12:30,400 Oh, yes, ma'am. 274 00:12:30,400 --> 00:12:31,400 Oh, yes, ma'am. 275 00:12:31,400 --> 00:12:32,400 You look just like Connie. 276 00:12:32,400 --> 00:12:33,400 You're like Connie. 277 00:12:33,400 --> 00:12:34,400 Connie? 278 00:12:34,400 --> 00:12:39,280 You're like Connie. 279 00:12:39,280 --> 00:12:42,340 And like that other one when I was little. 280 00:12:42,340 --> 00:12:43,340 Connie? 281 00:12:43,340 --> 00:12:48,400 Oh, you mean Constance Green, that little girl who used to sing with you, the one who 282 00:12:48,400 --> 00:12:49,400 died? 283 00:12:49,400 --> 00:12:50,400 Connie was like you. 284 00:12:50,400 --> 00:12:51,600 Oh, we're not in the least. 285 00:12:51,600 --> 00:12:53,180 Connie didn't like me. 286 00:12:53,180 --> 00:12:57,380 Yeah, don't, don't snap that so close to me. 287 00:12:57,380 --> 00:12:58,380 Don't. 288 00:12:58,380 --> 00:12:59,380 Connie didn't like me. 289 00:12:59,380 --> 00:13:00,800 You don't like me. 290 00:13:00,800 --> 00:13:03,260 Everybody likes you, Terry. 291 00:13:03,260 --> 00:13:04,640 You don't? 292 00:13:04,640 --> 00:13:07,180 Yes, I do. I do. 293 00:13:07,180 --> 00:13:08,640 Why? 294 00:13:08,640 --> 00:13:11,180 Because when you sing, when you sing, 295 00:13:11,180 --> 00:13:14,480 it does something to me way inside. 296 00:13:14,480 --> 00:13:15,480 Does it? 297 00:13:15,480 --> 00:13:17,100 Yeah, it makes a lump in my throat, 298 00:13:17,100 --> 00:13:19,600 and I just want to swoon. 299 00:13:19,600 --> 00:13:20,600 You don't mean it. 300 00:13:20,600 --> 00:13:22,900 I do. I do. 301 00:13:22,900 --> 00:13:24,780 I've never heard anything like you, Terry, 302 00:13:24,780 --> 00:13:27,780 and your hair. Oh, I love your hair. 303 00:13:27,780 --> 00:13:31,040 I just wanted to... to... to tousle it. 304 00:13:31,040 --> 00:13:32,620 Do that. 305 00:13:32,620 --> 00:13:34,040 Do what? 306 00:13:34,040 --> 00:13:35,740 What you said. 307 00:13:35,740 --> 00:13:36,740 Huh? 308 00:13:36,740 --> 00:13:38,080 Don't you remember? 309 00:13:38,080 --> 00:13:41,040 Oh, that knife. It's... it's making me nervous. 310 00:13:41,040 --> 00:13:43,500 You don't like me, or you do what I said. 311 00:13:43,500 --> 00:13:45,540 Oh, oh, oh. 312 00:13:45,540 --> 00:13:47,460 Put down the knife, and I will. 313 00:13:47,460 --> 00:13:49,080 All right. 314 00:13:49,080 --> 00:13:51,380 Like this? 315 00:13:51,380 --> 00:13:54,040 Yes. 316 00:13:54,040 --> 00:13:55,580 Do you like to do that? 317 00:13:55,580 --> 00:13:57,340 Oh, oh, yes. I... 318 00:13:57,340 --> 00:14:00,100 I love to tousle your hair, Terry. 319 00:14:00,100 --> 00:14:01,600 You do? 320 00:14:01,600 --> 00:14:03,980 Yes, you do, don't you? 321 00:14:03,980 --> 00:14:06,020 I can tell. 322 00:14:06,020 --> 00:14:07,400 Yes, Terry. 323 00:14:07,400 --> 00:14:10,020 I'll bet you'd like to kiss my eyes now, Connie. 324 00:14:10,020 --> 00:14:12,740 Oh, yes. Yes. 325 00:14:12,740 --> 00:14:15,660 Tousle your hair and kiss your eyes. 326 00:14:15,660 --> 00:14:16,660 Yes. 327 00:14:16,660 --> 00:14:17,660 But I won't let you. 328 00:14:17,660 --> 00:14:20,580 It's time I went back to my bungalow. 329 00:14:20,580 --> 00:14:22,580 All right, honey, if you insist. 330 00:14:22,580 --> 00:14:25,580 When I saw you lying there, all in blood, 331 00:14:25,580 --> 00:14:28,580 I knew you finally loved me, and it was right. 332 00:14:28,580 --> 00:14:30,580 And it was right. 333 00:14:30,580 --> 00:14:33,580 Yes, yes, yes. 334 00:14:33,580 --> 00:14:35,580 Well, I'll see you tonight, darling. 335 00:14:35,580 --> 00:14:37,580 It's mean making you wait. 336 00:14:37,580 --> 00:15:01,580 Yes, yes, yes. 337 00:15:01,580 --> 00:15:07,580 Auto Light is bringing you Miss Ethel Merman in Never Follow a Banjo Act, 338 00:15:07,580 --> 00:15:13,580 tonight's presentation in radio's outstanding theater of thrills, Suspense. 339 00:15:25,580 --> 00:15:26,580 Hi, Harlow. 340 00:15:26,580 --> 00:15:29,580 Well, hello, Bob. Hey, got new Plymouth, eh? 341 00:15:29,580 --> 00:15:31,580 Yes, sir, and what a car. 342 00:15:31,580 --> 00:15:34,580 Just like they say, under the beauty, there is solid value. 343 00:15:34,580 --> 00:15:37,580 Say, you know, we're saluting Plymouth tonight on Suspense 344 00:15:37,580 --> 00:15:40,580 as a distinguished member of the Auto Light family. 345 00:15:40,580 --> 00:15:43,580 Plymouth's a distinguished member of my family, too, Harlow. 346 00:15:43,580 --> 00:15:46,580 The kids love its looks, my wife loves the comfort, 347 00:15:46,580 --> 00:15:48,580 and I really go for the economy. 348 00:15:48,580 --> 00:15:51,580 And we all go for a drive every time we can, 349 00:15:51,580 --> 00:15:55,580 because with Plymouth, driving is the real pleasure it should be. 350 00:15:55,580 --> 00:15:58,580 Hey, talking about drives, you get a choice of three, don't you, Bob? 351 00:15:58,580 --> 00:16:00,580 Yes, you do, Harlow. 352 00:16:00,580 --> 00:16:05,580 Synchro silent, or if you wish, automatic overdrive, or no shift high drive. 353 00:16:05,580 --> 00:16:08,580 They're all available on this great new Plymouth. 354 00:16:08,580 --> 00:16:12,580 And of course, you know, Harlow, four is Auto Light equipped. 355 00:16:12,580 --> 00:16:14,580 I sure do, Bob. 356 00:16:14,580 --> 00:16:16,580 You're justly proud of your new Plymouth, 357 00:16:16,580 --> 00:16:20,580 and Auto Light is also proud of its long association with Plymouth 358 00:16:20,580 --> 00:16:23,580 and Plymouth dealers everywhere. 359 00:16:23,580 --> 00:16:27,580 And now, Auto Light brings back to our Hollywood sound stage 360 00:16:27,580 --> 00:16:30,580 Miss Ethel Merman in Elliot Lewis's production of 361 00:16:30,580 --> 00:16:32,580 Never Follow a Banjo Act, 362 00:16:32,580 --> 00:16:54,580 a tale well calculated to keep you in suspense. 363 00:17:03,580 --> 00:17:05,580 Oh, good morning, Miss Jones. 364 00:17:05,580 --> 00:17:06,580 Let me in. 365 00:17:06,580 --> 00:17:07,580 How's that? 366 00:17:07,580 --> 00:17:11,580 It's me, Ray. Come out here. I've got to see you. 367 00:17:11,580 --> 00:17:14,580 Well, what are you doing up this time of day, dear? 368 00:17:14,580 --> 00:17:15,580 What's the problem, Rosie? 369 00:17:15,580 --> 00:17:19,580 It's your boy, your client, your tousle-headed million dollar gross. 370 00:17:19,580 --> 00:17:20,580 Ha, ha, ha. Terry? 371 00:17:20,580 --> 00:17:21,580 Yeah. 372 00:17:21,580 --> 00:17:23,580 Now, what's the rascal up to this morning? 373 00:17:23,580 --> 00:17:24,580 Murder. 374 00:17:24,580 --> 00:17:25,580 Very funny. 375 00:17:25,580 --> 00:17:27,580 Now, come on, Rosie, what's going on? 376 00:17:27,580 --> 00:17:28,580 You mean you don't know? 377 00:17:28,580 --> 00:17:30,580 Oh, no, what? No jokes, Rosie. 378 00:17:30,580 --> 00:17:32,580 Now, what's this about Terry? 379 00:17:32,580 --> 00:17:35,580 In words of one syllable, Ray, that boy is a nut. 380 00:17:35,580 --> 00:17:38,580 He was in my bedroom just now with a knife, this long, 381 00:17:38,580 --> 00:17:41,580 suggesting that I should maybe flip every time he opens his mouth. 382 00:17:41,580 --> 00:17:44,580 I tell you, he scared the living daylights out of me. 383 00:17:44,580 --> 00:17:45,580 This is serious. 384 00:17:45,580 --> 00:17:47,580 You bet it is. He darn near cut my throat. 385 00:17:47,580 --> 00:17:49,580 And all because he said I didn't like him. 386 00:17:49,580 --> 00:17:50,580 Didn't like him? 387 00:17:50,580 --> 00:17:51,580 Yeah. 388 00:17:51,580 --> 00:17:53,580 And you know what you said about the old show business motto, 389 00:17:53,580 --> 00:17:56,580 Never Follow a Banjo Act with a Banjo Act? 390 00:17:56,580 --> 00:17:57,580 Yeah. 391 00:17:57,580 --> 00:17:58,580 Well, Ray Cram, you've done it. 392 00:17:58,580 --> 00:18:01,580 He's got me all mixed up with her and something about lying in a pool of blood 393 00:18:01,580 --> 00:18:04,580 and, oh, this isn't for a baby. 394 00:18:04,580 --> 00:18:06,580 To that boy, I'm another Banjo Act. 395 00:18:06,580 --> 00:18:09,580 Well, well, what should we do? 396 00:18:09,580 --> 00:18:11,580 Call the police. Let them handle it. 397 00:18:11,580 --> 00:18:13,580 We can't very well do that, can we? 398 00:18:13,580 --> 00:18:16,580 Why not? The kid's sick. He's insane. He could do anything. 399 00:18:16,580 --> 00:18:18,580 Aren't you exaggerating a bit? 400 00:18:18,580 --> 00:18:19,580 No. 401 00:18:19,580 --> 00:18:22,580 Think now, dear. Don't you think it might have been just a little joke? 402 00:18:22,580 --> 00:18:25,580 Ray, nobody makes jokes like that. 403 00:18:25,580 --> 00:18:27,580 Sure they do. Don't they, Johnson? 404 00:18:27,580 --> 00:18:29,580 Yes, Mr. Cram. 405 00:18:29,580 --> 00:18:30,580 Quite often. 406 00:18:30,580 --> 00:18:33,580 So why don't we forget about this, huh, Rosie? 407 00:18:33,580 --> 00:18:35,580 Forget about it? 408 00:18:35,580 --> 00:18:38,580 Yeah, forget about it. 409 00:18:38,580 --> 00:18:39,580 Hey, now. 410 00:18:39,580 --> 00:18:41,580 You're getting a grand a week, dear. 411 00:18:41,580 --> 00:18:43,580 Top publicity, a swell time. 412 00:18:43,580 --> 00:18:46,580 So why don't you relax, hmm? 413 00:18:46,580 --> 00:18:50,580 I'll have a little talk with Terry. There'll be no more jokes, I promise. 414 00:18:50,580 --> 00:18:51,580 Okay? 415 00:18:51,580 --> 00:18:52,580 You know. 416 00:18:52,580 --> 00:18:55,580 Know what? That the kid's maybe a little loopy? 417 00:18:55,580 --> 00:18:57,580 You know. You know about him and that little knife of his. 418 00:18:57,580 --> 00:18:58,580 Don't raise your voice. 419 00:18:58,580 --> 00:19:01,580 And maybe you know how that other girl, that Connie, died. 420 00:19:01,580 --> 00:19:03,580 She fell through a shower door. 421 00:19:03,580 --> 00:19:04,580 I read about it. 422 00:19:04,580 --> 00:19:08,580 She was cut up pretty bad, wasn't she? 423 00:19:09,580 --> 00:19:10,580 Johnson. 424 00:19:10,580 --> 00:19:11,580 Yes, Mr. Cram. 425 00:19:11,580 --> 00:19:12,580 Give me a drink. 426 00:19:12,580 --> 00:19:13,580 Yes, Mr. Cram. 427 00:19:13,580 --> 00:19:14,580 You want a drink, Rosie? 428 00:19:14,580 --> 00:19:15,580 At six o'clock in the morning? 429 00:19:15,580 --> 00:19:18,580 What I want is a good explanation, and after that I want to use your phone. 430 00:19:18,580 --> 00:19:19,580 Now listen, Rosie, and listen good. 431 00:19:19,580 --> 00:19:21,580 You've been around a long time, dear, 432 00:19:21,580 --> 00:19:26,580 and you know what can sometimes happen to a Weisenheimer who goes popping off when it's uncalled for. 433 00:19:26,580 --> 00:19:30,580 But this is called for. That kid belongs in an asylum or someplace. 434 00:19:30,580 --> 00:19:32,580 That kid represents a million dollar gross. 435 00:19:32,580 --> 00:19:34,580 Of which you get 10%. 436 00:19:34,580 --> 00:19:36,580 Of which I get a whole lot less than that. 437 00:19:36,580 --> 00:19:39,580 He's divided up a half a dozen ways, Rosie. 438 00:19:39,580 --> 00:19:42,580 Some of the holders are very influential parties. 439 00:19:42,580 --> 00:19:47,580 One of the parties in particular wouldn't like it if anything happened to make the money stop coming in. 440 00:19:47,580 --> 00:19:49,580 That party's name's a secret. 441 00:19:49,580 --> 00:19:53,580 But I'm gonna tell it to you, Rosie, because you've been around and you'll appreciate this. 442 00:19:53,580 --> 00:19:54,580 Who? 443 00:19:54,580 --> 00:19:55,580 The syndicate. 444 00:19:55,580 --> 00:19:58,580 So explain. They're human beings, sort of. 445 00:19:58,580 --> 00:20:02,580 Tell them the truth. Tell them they bought in on something bad, just like you. 446 00:20:02,580 --> 00:20:07,580 You don't understand. I sold them their piece. Me, Ray Cram. 447 00:20:07,580 --> 00:20:08,580 You're in trouble. 448 00:20:08,580 --> 00:20:11,580 Not unless you talk, and if you do, you're in trouble too. 449 00:20:11,580 --> 00:20:12,580 Here's your drink, Mr. Cram. 450 00:20:12,580 --> 00:20:14,580 Ah, you put ice in it. 451 00:20:14,580 --> 00:20:15,580 I'm sorry, Mr. Cram. 452 00:20:15,580 --> 00:20:16,580 Ice hurts my caps. 453 00:20:16,580 --> 00:20:17,580 So sorry, Mr. Cram. 454 00:20:17,580 --> 00:20:18,580 Go on, fix it. 455 00:20:18,580 --> 00:20:19,580 Yes, Mr. Cram. 456 00:20:19,580 --> 00:20:22,580 How do you mean? I'll be in trouble too. 457 00:20:22,580 --> 00:20:27,580 The syndicate. I'd be forced to tell them who blew the whistle on their golden goose. 458 00:20:27,580 --> 00:20:30,580 And then, well, you know. 459 00:20:30,580 --> 00:20:31,580 Oh. 460 00:20:31,580 --> 00:20:34,580 So take the realistic view, huh, dear? 461 00:20:34,580 --> 00:20:39,580 We'll protect you. We'll keep Terry away from you. You've got nothing to worry about. 462 00:20:39,580 --> 00:20:43,580 Nothing to worry about? Now I'm real reassured. 463 00:20:43,580 --> 00:20:46,580 Look, Ray, couldn't I just slip out of town? 464 00:20:46,580 --> 00:20:53,580 No. I saw the boys after the show. They liked you. You stay. That's the word from the boys. 465 00:20:53,580 --> 00:20:56,580 You know, this is kind of a hysterical situation. 466 00:20:56,580 --> 00:20:58,580 Hell you are, Mr. Cram. 467 00:20:58,580 --> 00:21:01,580 Caps. They cost me $3,500. All they do is ache. 468 00:21:01,580 --> 00:21:03,580 I wish I were dead. 469 00:21:03,580 --> 00:21:05,580 And, uh, dear. 470 00:21:05,580 --> 00:21:07,580 Yes, dear? 471 00:21:07,580 --> 00:21:12,580 You're singing good on your solo, but don't sing too good on your duet. Don't take away from the boy. 472 00:21:12,580 --> 00:21:14,580 No, no. 473 00:21:14,580 --> 00:21:17,580 That's it, dear. Bye now. 474 00:21:34,580 --> 00:21:38,580 Dear, when you smiled at me, I heard a melody. 475 00:21:38,580 --> 00:21:42,580 It haunted me from the start. 476 00:21:42,580 --> 00:21:46,580 Something inside of me started a symphony. 477 00:21:46,580 --> 00:21:50,580 Zing went the strings of my heart. 478 00:21:50,580 --> 00:21:58,580 Twas like a breath of spring. I heard a robin sing about a nest set apart. 479 00:21:58,580 --> 00:22:02,580 All nature seemed to be in perfect harmony. 480 00:22:02,580 --> 00:22:06,580 Zing went the strings of my heart. 481 00:22:06,580 --> 00:22:10,580 Your eyes made skies seem blue again. What else could I do again? 482 00:22:10,580 --> 00:22:13,580 But keep repeating through again. 483 00:22:13,580 --> 00:22:19,580 I love you. Love you. 484 00:22:19,580 --> 00:22:24,580 I still recall the thrill. I guess I always will. 485 00:22:24,580 --> 00:22:28,580 I hoped we'll never depart. 486 00:22:28,580 --> 00:22:32,580 Dear, with your lips to mine, a rhapsody divine. 487 00:22:32,580 --> 00:22:37,580 Zing went the strings of my heart. 488 00:22:37,580 --> 00:22:44,580 Never could carry a tune. Never knew where to start. 489 00:22:44,580 --> 00:22:50,580 You came along when everything was wrong. 490 00:22:50,580 --> 00:22:57,580 And put a song in my heart. 491 00:22:57,580 --> 00:23:06,580 Dear, when you smiled at me, I heard a melody. 492 00:23:06,580 --> 00:23:10,580 Something inside of me started a symphony. 493 00:23:10,580 --> 00:23:14,580 Zing went the strings of my heart. 494 00:23:14,580 --> 00:23:22,580 Twas like a breath of spring. I heard a robin sing. 495 00:23:22,580 --> 00:23:26,580 All nature seemed to be in perfect harmony. 496 00:23:26,580 --> 00:23:31,580 Zing went the strings of my heart. 497 00:23:31,580 --> 00:23:38,580 Your eyes made skies seem blue again. What else could I do again? 498 00:23:38,580 --> 00:23:42,580 But keep repeating through again. 499 00:23:42,580 --> 00:23:49,580 I love you. Love you. 500 00:23:49,580 --> 00:23:54,580 I still recall the thrill. I guess I always will. 501 00:23:54,580 --> 00:23:59,580 I hoped we'll never depart. 502 00:23:59,580 --> 00:24:05,580 Dear, with your lips to mine, a rhapsody divine. 503 00:24:05,580 --> 00:24:19,580 Zing went the strings of my heart. 504 00:24:19,580 --> 00:24:27,580 Thank you. 505 00:24:27,580 --> 00:24:30,580 And now the moment you've all been waiting for. 506 00:24:30,580 --> 00:24:37,580 Ladies and gentlemen, Terry Dane. 507 00:24:37,580 --> 00:24:42,580 Oh, baby, hi, folks. Isn't she great? 508 00:24:42,580 --> 00:24:47,580 Isn't he great? 509 00:24:47,580 --> 00:24:48,580 Terry? 510 00:24:48,580 --> 00:24:49,580 Yeah, doll? 511 00:24:49,580 --> 00:24:51,580 What are you thinking about, Terry? 512 00:24:51,580 --> 00:24:52,580 All things. 513 00:24:52,580 --> 00:24:54,580 What kind of things, Terry? 514 00:24:54,580 --> 00:24:57,580 Moon, June, spoon, tune. 515 00:24:57,580 --> 00:24:58,580 Got a tune? 516 00:24:58,580 --> 00:24:59,580 Oh, I got a tune. 517 00:24:59,580 --> 00:25:00,580 Good little tune? 518 00:25:00,580 --> 00:25:04,580 Happy little tune. 519 00:25:04,580 --> 00:25:07,580 I like a happy little tune. Is there a boy in it? 520 00:25:07,580 --> 00:25:11,580 No, just a girl. 521 00:25:11,580 --> 00:25:13,580 What kind of a girl? 522 00:25:13,580 --> 00:25:18,580 A very quiet girl. And she was right. 523 00:25:18,580 --> 00:25:23,580 Right and dead and red as red can be. 524 00:25:23,580 --> 00:25:26,580 Oh, what are you going to sing, Terry? 525 00:25:26,580 --> 00:25:31,580 She was red. It was all red. 526 00:25:31,580 --> 00:25:33,580 Get hold of yourself. 527 00:25:33,580 --> 00:25:34,580 Quietly whispering. 528 00:25:34,580 --> 00:25:35,580 Sing. 529 00:25:35,580 --> 00:25:36,580 Don't they like me? 530 00:25:36,580 --> 00:25:37,580 Sing. 531 00:25:37,580 --> 00:25:42,580 I'll make them like me. Make you like me, Connie. 532 00:25:42,580 --> 00:25:45,580 And now that we've done our little crazy bit, folks, 533 00:25:45,580 --> 00:25:47,580 we're going to carry on in the... 534 00:25:47,580 --> 00:25:50,580 Bursts mine again. 535 00:25:50,580 --> 00:25:51,580 Look out! He's got a knife! 536 00:25:51,580 --> 00:25:53,580 Watch out! 537 00:25:53,580 --> 00:25:55,580 You can't close me out! 538 00:25:55,580 --> 00:25:58,580 Not out of your hearts! Connie, close me out! 539 00:25:58,580 --> 00:25:59,580 Hold him! Hold him! 540 00:25:59,580 --> 00:26:00,580 Rosie, get out there. Sing something. 541 00:26:00,580 --> 00:26:02,580 Oh, I'm dead. I'm ruined. 542 00:26:02,580 --> 00:26:03,580 Here, I've got his arm. 543 00:26:03,580 --> 00:26:04,580 Keep holding him. 544 00:26:04,580 --> 00:26:06,580 There's no business like show. 545 00:26:06,580 --> 00:26:10,580 Business like no business I know. 546 00:26:10,580 --> 00:26:12,580 Yes, sir, but it's all right, folks. 547 00:26:12,580 --> 00:26:14,580 Just one of those little things. 548 00:26:14,580 --> 00:26:31,580 And so, let's go on with the show. 549 00:26:31,580 --> 00:26:35,580 Ah, concern if I can figure what makes a fella like that tick. 550 00:26:35,580 --> 00:26:38,580 I think I'll play the black tonight. 551 00:26:38,580 --> 00:26:40,580 He went just plum loco, didn't he? 552 00:26:40,580 --> 00:26:44,580 Took six men to get him into that there special airplane. 553 00:26:44,580 --> 00:26:47,580 That's swan flying a man to the bug house. 554 00:26:47,580 --> 00:26:49,580 Too many banjos. 555 00:26:49,580 --> 00:26:52,580 That's all, partner. Too many banjos. 556 00:26:52,580 --> 00:26:56,580 I beg your pardon, ma'am, but I don't rightly follow you. 557 00:26:56,580 --> 00:27:21,580 Let it pass, handsome. Let it pass. 558 00:27:21,580 --> 00:27:27,580 Suspense. Presented by Auto Light. Tonight's star, Miss Ethel Merman. 559 00:27:27,580 --> 00:27:31,580 Friends, sign up tomorrow for the big Auto Light family charity drawing. 560 00:27:31,580 --> 00:27:35,580 If you are 18 years or older, you can be one of 25 persons selected 561 00:27:35,580 --> 00:27:39,580 to pick your favorite charity or charities to share in $100,000. 562 00:27:39,580 --> 00:27:42,580 As March of Dimes chairman Basil O'Connor said earlier, 563 00:27:42,580 --> 00:27:45,580 for that once in a lifetime thrill to be able to give thousands of dollars 564 00:27:45,580 --> 00:27:48,580 to the March of Dimes or any other recognized charity, 565 00:27:48,580 --> 00:27:52,580 be sure to register with your local Auto Light family card dealer tomorrow. 566 00:27:52,580 --> 00:27:55,580 Just fill out a registration form and have the dealer sign it. 567 00:27:55,580 --> 00:27:58,580 There's nothing to buy, nothing to write except your name and address. 568 00:27:58,580 --> 00:28:02,580 But you may help your church, hospital or other favorite recognized charity 569 00:28:02,580 --> 00:28:04,580 share in $100,000. 570 00:28:04,580 --> 00:28:09,580 So visit any DeSoto, Hudson, Plymouth, Studebaker, Dodge, Willis, Nash, Packard, 571 00:28:09,580 --> 00:28:19,580 Kaiser or Chrysler dealer tomorrow. 572 00:28:19,580 --> 00:28:21,580 Next week, a true story. 573 00:28:21,580 --> 00:28:26,580 The report of two murders and the heroic man responsible for these necessary atrocities. 574 00:28:26,580 --> 00:28:29,580 It's called Death at Skrankerood Pond. 575 00:28:29,580 --> 00:28:32,580 Our star, Mr. Jeff Chandler. 576 00:28:32,580 --> 00:28:35,580 That's next week on... 577 00:28:35,580 --> 00:28:38,580 Suspense. 578 00:28:38,580 --> 00:28:41,580 Suspense is transcribed and directed by Elliot Lewis. 579 00:28:41,580 --> 00:28:45,580 The music composed by Lucian Morrowick and conducted by Lud Gluskin. 580 00:28:45,580 --> 00:28:49,580 Never Follow a Banjo Act was written for suspense by James Poe. 581 00:28:49,580 --> 00:28:52,580 The duo pianist were Walter Gross and Vic Piemonte. 582 00:28:52,580 --> 00:28:57,580 In tonight's story, Shepherd Menken was heard as Terry with Joseph Kearns as Cram. 583 00:28:57,580 --> 00:29:02,580 Featured in the cast were Jerry Hausner, Ben Wright, Paul Fries and Jess Kirkpatrick. 584 00:29:02,580 --> 00:29:14,580 This is the CBS Radio Network.