WEBVTT

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Auto Light and its 98,000 dealers bring you Mr. Dick Hames in tonight's presentation of

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Suspense.

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Tonight, Auto Light presents the story of a man who watched a murder committed and couldn't

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get away to tell about it.

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It's called Pigeon in the Cage, our star Mr. Dick Hames.

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This is Harlow Wilcox, and I would like...

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Hey, Hap, stop horning in.

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But Harlow, that horn is part of my car's electrical system.

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And Hap, that electrical system goes to work the instant you press the starter button and

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continues every second your engine runs.

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In addition, whether your engine is running or not, it works every time you blow your

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horn, turn on your lights, radio, heater, or electric windshield wiper.

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Must be right at all times, eh, Harlow?

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It sure must have.

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So, friends, that's why it's so important to treat the electrical system of your car

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to a periodic checkup.

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Regardless of the make of car you own, make it a point to see your authorized Auto Light

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service station or your car dealer regularly.

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You can quickly locate your nearest authorized Auto Light service station in the classified

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section of the phone book under Automobile Electrical Service.

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Or call Western Union by number and ask for operator 25.

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And remember, from bumper to tail light, you're always right with Auto Light.

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And now, Auto Light presents transcribed Pigeon in the Cage, starring Mr. Dick Hames, hoping

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once again to keep you in suspense.

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I'm Gerald Brewer and I'm 31 years old.

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I'm a paper hanger and I've got a wife.

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I got a kid on the way and I'd like to be home now.

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I wish I were out of here.

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Right under the button here it says for emergency ring, but nothing happens.

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I've been ringing this bell for the last hour and nothing happens.

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Nobody's home, I know that.

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But I don't know what else to do except ring this bell.

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I'm stuck in an elevator between the first and second floor.

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The overhead light went out a few minutes ago.

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I can hardly see.

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This elevator isn't very big.

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It'd hold three or four people.

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There's a lever here for floor stops.

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But something's gone wrong.

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The elevator won't move.

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There are two buttons here, one that rings the bell, the other for emergency stops.

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Overhead maybe about eight feet from the floor is a little door, maybe about six inches square.

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I don't know what that's for.

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It's a pretty old elevator in a pretty old house.

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I can't squeeze out of it, that's for sure.

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Three walls of this thing are cherry wood.

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In front of it is a folding iron gate.

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I got on it on the fourth floor where I was papering.

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It was five o'clock, I was putting work.

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Then the elevator got stuck and nobody's home.

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Been yelling my lungs out, ringing on the bell, calling for Mrs. Rogers who owns this

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house pounding on the wall, but nobody's home.

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Nobody's home and I'm stuck.

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The elevator's stuck right on the first floor above the living room.

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So lying down like this, I can see into it through a gap no bigger than a quarter inch.

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I'm worried a little about my wife because she'll worry.

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But there's nothing I can do but wait and relax and wait.

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That's what woke me.

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Someone was home and talking and I was going to yell out and let them know I was stuck in

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the elevator right above their heads.

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Killer, you're satisfied now, aren't you?

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That's the only way to do it.

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All right, all right.

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You're nervous, you agree to it once.

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Killer, I'll kill her when she gets home.

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You all right?

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You all right, Janice?

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When your wife's dead, I'll be all right.

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Hey, I'll put on some records, relax you.

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Help the waiting.

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Harry?

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Yeah, what?

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What about the gun?

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Oh, don't worry.

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Do me a favor, will you, Harry?

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Let me worry.

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Let me know.

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Ah, no.

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Oh, sure, I'm nervous.

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The gun's upstairs, second floor, my bedroom.

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Listen, I'm going to go get it.

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I'm going to go get it.

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I'm going to go get it.

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I'm going to go get it.

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I'm going to go get it.

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Oh, listen, Janice, you don't even have to be here when it happens.

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When's your wife coming home?

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Soon.

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Look, want a drink?

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Baby, I don't know.

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Come on, let's go to the kitchen.

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Mix it up.

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I don't know who the girl is.

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I never saw her before.

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What I could make out of her looking through the gap is she's a lot younger than Mr. Rogers.

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Oh, that was Mr. Rogers.

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I knew that right away without looking at him.

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I remembered his voice because we'd had a discussion about wallpaper pattern 1216B, Sunday strollers

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in the park for the library on the fourth floor.

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Well, if he was going to kill his wife and I just heard about it, what do you think he'd

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do to me?

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All I had to do was yell out and let him know I'd heard.

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Listen, I got a wife and a kid on the way.

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I'm a guy who figures on hanging a lot more paper before he dies.

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My family expects it of me.

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Besides, what am I supposed to do?

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Yell out?

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I'm hanging up here in the elevator and I just heard what you said.

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How do I know Mr. Rogers wouldn't kill me?

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What do I do?

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Just stay here and hope I can think of something.

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Betty?

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Betty Jamson?

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The drink, Janet.

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I'm fine.

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What should we do?

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What do you mean?

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Waiting.

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No, I don't mind.

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I feel fine.

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We left the party.

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We were dancing.

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I feel fine, Harris.

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Come on.

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I'm not going to wait.

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I'm going to wait.

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I'm going to wait.

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I'm going to wait.

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I'm going to wait.

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Come on, honey.

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Come on.

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You remember the...

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Hey, hey, Janice.

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What's the matter?

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Nothing.

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Let's not laugh, that's all.

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Let's not do anything to make the other one laugh.

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Now who's nervous?

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She ought to be coming home soon.

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Let go of me.

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Now look.

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Nothing wrong, Harry.

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Just right now, let go of me.

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Okay, okay.

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I'll go upstairs.

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I'll go upstairs.

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And I'll go to the other room.

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You're going to have to wait.

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I'll go upstairs.

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I'll go upstairs.

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I'll go upstairs.

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I'll go upstairs.

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I'll go upstairs.

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I'll go upstairs.

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I'll go upstairs.

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I'll go upstairs.

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I'll go upstairs.

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I'll go upstairs.

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I'll go upstairs.

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I'll go upstairs and get the gun.

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Come on.

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Come on.

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That thing's stuck again.

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What?

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Oh, the elevator.

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The door down the basement keeps swinging it open and stops it.

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Darn, thing's stuck.

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I'm sure it's stuck.

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Look, right over your head.

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Oh, yeah?

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Harry.

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What?

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Suppose someone's in that elevator.

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Oh, you kidding?

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Suppose someone's in that elevator.

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Well, how could anyone?

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Well, tell me how it got stuck.

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How do I know how it got stuck?

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Someone's on that elevator and heard everything we said.

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Oh, look, it's happened a hundred times before.

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Suppose the elevator were upstairs,

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and I stood here and rang for it.

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The elevator'd start, but if the basement door swung open,

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the elevator'd stop, you see.

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All right.

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You satisfied?

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All right.

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Happened to my wife.

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She walked instead of closing the door in the basement.

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Happens all the time.

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All right, all right.

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Gun's in the bedroom. I'll walk upstairs and get it.

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Mr. Rogers went to get the gun.

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I could hear him go into his bedroom,

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where yesterday I papered with the hunters on horseback pattern.

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I watched the girl he called Janice.

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She sat on the sofa for a little while,

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and she got up, folded her arms,

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and walked around the room.

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She stopped in front of the elevator.

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Anybody in there?

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Anybody in there?

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She kept looking at the gap where the floor of the elevator

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was a quarter inch above the top of the door.

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But the light was out in the elevator, and it was black.

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And I hugged the far wall, and she couldn't see me.

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Mr. Rogers came back then.

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Still not satisfied, are you?

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What do you mean?

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Looking at the elevator.

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I'm not satisfied.

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I'm not satisfied.

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I'm not satisfied.

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What do you mean?

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Looking at the elevator.

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I'm satisfied.

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I tell you, I'm okay.

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Would it make you feel better if I went down to the basement

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and shut the door down there and start the elevator and you'd see?

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Forget it.

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Leave me alone, will you?

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Janice.

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Stop it, Harry, please.

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You want to forget it, Janice, do you?

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Go back to the party?

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No, no, no, no.

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Harry, I told you.

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There's someone in there.

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Why didn't you say so instead of all...

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Please go downstairs and close the...

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Harry.

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That's her.

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You wait.

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Yes.

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depressed music

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gun fire

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I'm sorry.

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Janice, Janice, we're going to have to hurry.

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Make it look like a robbery.

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All right, Harry.

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She keeps her jewels in the safe.

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Watch out, Janice.

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Don't push me.

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Look, it's standing in the way.

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It's safe behind that picture.

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Just tell me to move and I'll move.

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Don't push me anymore, Harry.

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All right, I'm sorry.

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12 to the right.

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18.

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18.

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Yes.

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Harry, the phone.

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I know it's the phone.

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Go on, answer it.

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What?

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Answer it.

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Say you're Mrs. Rogers.

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Get rid of whoever it is and hurry.

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Go on, say you'll call back.

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Hello?

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Yes?

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Yes, this is Mrs. Rogers.

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Who?

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Paper hanger?

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No.

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I'm sure of it.

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Yes, yes, goodbye.

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Harry?

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What is it?

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Was there a paper hanger here?

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The place is being papered.

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Why?

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That was his wife, Mrs. Brewer.

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He's not home.

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She expected him home hours ago.

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She knew he was here.

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Harry?

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Hey, Brewer.

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You in there?

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What about it, Brewer?

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You in there?

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Okay, Brewer, don't bother to answer.

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I'll find out whether you're in there.

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And if you are, you're dead.

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Auto Light is bringing you Mr. Dick Hames in Fidgin' in the Cage.

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Tonight's presentation in radio's outstanding theatre of thrills, Suspense.

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See, Harlow, Auto Light has had a lot of experience in building electrical systems, right?

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Only 42 years, half.

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42 years?

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That's right, back in 1911, Auto Light developed the first two-unit, six-volt electrical system ever used as original equipment.

11:56.620 --> 12:05.620
And today, Auto Light designs and builds modern and complete electrical systems for many of our finest makes of cars, trucks, tractors, airplanes, and boats.

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That's a lot of electrical systems, Harlow.

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It sure is, half.

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And yet every unit is precision-built to operate as a team.

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That includes the generator, starting motor, distributor, coil, voltage regulator, spark plugs, battery, and all their thousands of component parts.

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They're all related by Auto Light engineering design and manufacturing skill to give you the finest performance money can buy.

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And that's a lot of performance.

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Right you are, half.

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So friends, be sure you get the best for your Auto Light-equipped car.

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Always insist on Auto Light original service parts when replacements are needed.

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And remember, from bumper to tail light, you're always right with Auto Light.

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And now, Auto Light brings back to our Hollywood soundstage, Mr. Dick Hames, in Elliot Lewis's production of Pigeon in the Cage,

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a tale well calculated to keep you in suspense.

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Well?

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I don't know.

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I'm not sure.

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He's in there.

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He's in that elevator and he knows what we did.

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Wait a second, will you?

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Hey, Brewer.

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You heard what I said, didn't you?

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If you're in there, I'll kill you.

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Janice, get me a chair.

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Maybe if I stand on it, I can see him.

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Brewer.

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Brewer, you won't be able to hide in there for very long, Brewer.

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Can you see him, Harry?

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I don't know.

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It's black in there and there's a slit I have to look through.

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Turn off that music, will you?

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What's the music?

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Turn it off.

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Harry.

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What?

13:59.620 --> 14:02.620
Listen, Harry, we're getting panicky, both of us.

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Maybe I'm wrong, maybe you're wrong.

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Maybe the paper hanger just stopped at the corner bar and got loaded and never got home.

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Maybe...

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We've got to find out.

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We've got to...

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We've got to get out of here, Janice.

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Get back to the party.

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I'll walk down to the basement, close the elevator door and bring it down.

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All right.

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You wait here.

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Harry.

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Come on, pour yourself a drink, Janice.

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You look terrible.

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Why don't you just wait to hear what I have to say?

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Take the gun with you in case he's there.

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Go on, go on.

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Okay, okay.

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Sometimes...

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Sometimes, well, when I was going to say it was my wife's fault for calling, for being

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worried, for being such a good wife.

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If she hadn't called Mr. Rogers, that girl would have gone away.

14:45.620 --> 14:52.620
Isn't it a shame the way we always blame somebody else when we're in trouble?

14:52.620 --> 14:55.620
One thing I was sure of, Mr. Rogers had a gun in his hand, and the other thing I was sure

14:55.620 --> 14:57.620
of, he wasn't kidding.

14:57.620 --> 14:58.620
Positive he wasn't kidding.

14:58.620 --> 15:02.620
A man who's just killed his wife in the garage isn't a kidding type.

15:02.620 --> 15:05.620
And here's what he was about to do.

15:05.620 --> 15:09.620
Close the basement elevator gate, push the button and bring the elevator down.

15:09.620 --> 15:13.620
And he was going to open the door, see me and shoot me.

15:13.620 --> 15:17.620
I'm a man with a family, like I said, and I got a going business, paper hanging.

15:17.620 --> 15:21.620
There are a lot of things I enjoy in life, so I don't want to die.

15:21.620 --> 15:24.620
You know what my life depended on in that instant?

15:24.620 --> 15:27.620
The button marked emergency stop.

15:27.620 --> 15:32.620
Mr. Rogers closes the gate and tries to bring the elevator down to the basement.

15:32.620 --> 15:36.620
And me inside the elevator, I keep my finger on the emergency stop button.

15:36.620 --> 15:38.620
And nothing happens.

15:38.620 --> 15:43.620
The elevator doesn't move, I mean.

15:46.620 --> 15:47.620
Janice?

15:47.620 --> 15:48.620
What's the matter?

15:48.620 --> 15:49.620
You doing anything up there?

15:49.620 --> 15:50.620
What? What do you mean?

15:50.620 --> 15:51.620
Well, pressing a button or anything.

15:51.620 --> 15:53.620
I'm not doing anything, Harry.

15:53.620 --> 15:55.620
There's something wrong.

15:55.620 --> 15:56.620
What?

15:56.620 --> 15:57.620
Oh, the motor, I don't know.

15:57.620 --> 16:00.620
Just in case, I'm going to leave this door open.

16:00.620 --> 16:12.620
Yeah, I'm coming up.

16:12.620 --> 16:14.620
Mister?

16:14.620 --> 16:17.620
Mister, if you're in there.

16:17.620 --> 16:20.620
Mister?

16:20.620 --> 16:24.620
If you're in there, in that elevator, and you know what's happened,

16:24.620 --> 16:29.620
and if there's some way the three of us can get together so that nobody has to get hurt anymore.

16:29.620 --> 16:30.620
Listen, all right, we killed his wife.

16:30.620 --> 16:31.620
You don't know what she was.

16:31.620 --> 16:33.620
You don't know what she was.

16:33.620 --> 16:34.620
Janice?

16:34.620 --> 16:36.620
Janice, what do you do?

16:36.620 --> 16:38.620
Maybe we can reason with him if he's in there.

16:38.620 --> 16:43.620
Maybe all we have to do is explain why it happened and maybe tell him we're not so bad.

16:43.620 --> 16:45.620
Look, look, you know what, Janice, there's no one in there.

16:45.620 --> 16:46.620
There is, there is.

16:46.620 --> 16:47.620
I know it, Harry.

16:47.620 --> 16:49.620
All right, I'll find out for sure.

16:49.620 --> 16:51.620
Come on, we'll go upstairs up to the second floor.

16:51.620 --> 16:52.620
I got a way to make sure.

16:52.620 --> 16:53.620
How?

16:53.620 --> 16:55.620
I'll climb down into the elevator from the second floor.

16:55.620 --> 16:57.620
There's a little trap door on top.

16:57.620 --> 16:59.620
I'll open it, strike a match, I'll find out.

16:59.620 --> 17:00.620
Come on.

17:17.620 --> 17:18.620
You got matches, Harry?

17:18.620 --> 17:19.620
I'll use my lighter.

17:20.620 --> 17:21.620
My lighter.

17:21.620 --> 17:24.620
I got the trap door open.

17:24.620 --> 17:25.620
Can you see him?

17:25.620 --> 17:26.620
No, wait, I'll...

17:28.620 --> 17:30.620
No, I'm going to have to...

17:31.620 --> 17:32.620
Harry!

17:32.620 --> 17:33.620
Harry, what is it?

17:33.620 --> 17:34.620
What's the matter?

17:34.620 --> 17:35.620
Harry!

17:35.620 --> 17:36.620
Harry!

17:38.620 --> 17:39.620
He's in there, Janice, he's in there.

17:39.620 --> 17:40.620
He grabbed my arm.

17:40.620 --> 17:41.620
I reached him with the light.

17:41.620 --> 17:42.620
He's in there.

17:42.620 --> 17:43.620
Kill him, kill him, kill him.

17:43.620 --> 17:44.620
You've got to kill him.

17:44.620 --> 17:45.620
Just leave me alone.

17:45.620 --> 17:46.620
Get away from me.

17:46.620 --> 17:47.620
Leave me alone, will you?

17:47.620 --> 17:48.620
He knows we've got to.

17:48.620 --> 17:49.620
Get away from me!

17:49.620 --> 17:50.620
Harry!

17:50.620 --> 17:51.620
Harry!

17:51.620 --> 17:52.620
Harry!

17:52.620 --> 17:55.620
All right, all right, all right now.

17:55.620 --> 17:56.620
Janice, Janice!

17:58.620 --> 17:59.620
I'll try to.

17:59.620 --> 18:00.620
It's all right now.

18:00.620 --> 18:03.620
It's all right that he's in there.

18:04.620 --> 18:05.620
What do you mean?

18:05.620 --> 18:07.620
We killed my wife.

18:07.620 --> 18:08.620
We were going to take her jewelry.

18:08.620 --> 18:11.620
It'd make it look like robbery and murder.

18:11.620 --> 18:13.620
It'd make it look like she surprised a thief.

18:13.620 --> 18:15.620
She was coming home when the thief was leaving.

18:15.620 --> 18:17.620
Don't you see?

18:17.620 --> 18:19.620
I'll bring my wife up here, up here to the bedroom.

18:19.620 --> 18:22.620
Then I'll throw the jewels in the elevator, empty the gun, throw it in.

18:22.620 --> 18:25.620
And he'll be the thief, the murderer trapped in the elevator.

18:25.620 --> 18:27.620
Hey, how do you like that, Brewer?

18:27.620 --> 18:28.620
You'll be the murderer.

18:28.620 --> 18:29.620
How do you like that?

18:29.620 --> 18:31.620
Just do it, Harry.

18:31.620 --> 18:33.620
Yeah, it's going to be all right, Janice.

18:33.620 --> 18:34.620
Just do it.

18:42.620 --> 18:43.620
Mister?

18:43.620 --> 18:46.620
Mister?

18:46.620 --> 18:49.620
We know you're in there, mister.

18:49.620 --> 18:52.620
Just a couple of feet below.

18:52.620 --> 18:53.620
Listen, mister.

18:53.620 --> 18:55.620
What do you want?

19:01.620 --> 19:03.620
Hello, Mr. Paperhanger Brewer.

19:03.620 --> 19:04.620
If you think...

19:04.620 --> 19:05.620
What?

19:05.620 --> 19:07.620
If you think you can get away with this...

19:07.620 --> 19:08.620
I tried to reason with you.

19:08.620 --> 19:10.620
All I wanted you to do was go away.

19:10.620 --> 19:12.620
I talked to your wife.

19:12.620 --> 19:14.620
She was worried, wasn't she?

19:14.620 --> 19:17.620
If you'd listened to me, you could have been home now.

19:17.620 --> 19:19.620
How could I listen to you?

19:19.620 --> 19:20.620
What you did?

19:20.620 --> 19:23.620
I tried to explain it to you and you wouldn't listen.

19:23.620 --> 19:25.620
Mr. Rogers was a married man.

19:25.620 --> 19:28.620
You carried on with him and what you did.

19:28.620 --> 19:30.620
You know what?

19:30.620 --> 19:31.620
What?

19:31.620 --> 19:33.620
He shot his wife.

19:33.620 --> 19:35.620
But you're as much a murderer.

19:35.620 --> 19:37.620
I know.

19:37.620 --> 19:39.620
How can you expect me to listen to you?

19:39.620 --> 19:40.620
I don't want anybody else to get hurt.

19:40.620 --> 19:41.620
Yeah, yeah, I know.

19:41.620 --> 19:42.620
Honest.

19:42.620 --> 19:45.620
The way you said, kill him, kill him, meaning me.

19:45.620 --> 19:46.620
What about that?

19:46.620 --> 19:48.620
Because you had to act so smart.

19:48.620 --> 19:51.620
Because you didn't answer when I talked to you.

19:51.620 --> 19:53.620
I saw you.

19:53.620 --> 19:54.620
What do you mean?

19:54.620 --> 19:56.620
When you were downstairs in the living room.

19:56.620 --> 20:00.620
I was lying down on the floor in here and I saw you.

20:00.620 --> 20:04.620
I can't understand how anybody who looks like you can do what you did.

20:04.620 --> 20:07.620
What does your wife look like?

20:07.620 --> 20:09.620
Why?

20:09.620 --> 20:11.620
What do you look like?

20:11.620 --> 20:13.620
See, you don't even know.

20:13.620 --> 20:15.620
You don't care what a man looks like.

20:15.620 --> 20:17.620
You're going to do what you're going to do.

20:17.620 --> 20:19.620
Yes, I am.

20:19.620 --> 20:21.620
Mr.

20:21.620 --> 20:23.620
Mr.

20:23.620 --> 20:25.620
Mr.

20:25.620 --> 20:27.620
Mr.

20:27.620 --> 20:31.620
Mr. Paperhanger, I'm talking to you.

20:31.620 --> 20:44.620
I'm talking to you, talking to you.

20:44.620 --> 20:47.620
Give me a hand, Janice.

20:47.620 --> 20:49.620
Hey, Janice, what's the matter?

20:49.620 --> 20:51.620
Nothing.

20:51.620 --> 20:53.620
It's almost over.

20:53.620 --> 20:58.620
Just put her right down here.

20:58.620 --> 20:59.620
I got the jewels.

20:59.620 --> 21:01.620
Here, hold them a minute.

21:01.620 --> 21:02.620
No.

21:02.620 --> 21:04.620
No, just put them down someplace.

21:04.620 --> 21:06.620
All right, all right.

21:06.620 --> 21:09.620
Take the rest of the bullets out of this gun, that's all.

21:09.620 --> 21:12.620
Yeah, wait a minute.

21:12.620 --> 21:16.620
Stop acting like a baby.

21:16.620 --> 21:18.620
What did you have to do that for?

21:18.620 --> 21:20.620
Now, there are no more bullets in the gun.

21:20.620 --> 21:22.620
Bullets in the wall.

21:22.620 --> 21:24.620
You make this place look like a mess.

21:24.620 --> 21:28.620
Makes you put up a fight.

21:28.620 --> 21:30.620
There.

21:30.620 --> 21:33.620
You okay, Janice?

21:33.620 --> 21:35.620
Now, what do you have to do?

21:35.620 --> 21:38.620
Just climb down there again on top of the elevator, that's all.

21:38.620 --> 21:42.620
I told you it would all be over in a minute.

21:42.620 --> 21:43.620
Hey.

21:43.620 --> 21:46.620
Hey, you, Brewer.

21:46.620 --> 21:48.620
Not talking, huh?

21:48.620 --> 21:50.620
Well, I don't mind.

21:50.620 --> 21:51.620
I'm going to give you something, Brewer.

21:51.620 --> 21:54.620
Here, jewelry, bracelet and a necklace.

21:54.620 --> 21:56.620
Worth a lot of money, Brewer.

21:56.620 --> 21:58.620
And here's a gun, too.

21:58.620 --> 21:59.620
Empty.

21:59.620 --> 22:03.620
Because it's the one you killed my wife with.

22:03.620 --> 22:05.620
Goodbye, Brewer.

22:14.620 --> 22:17.620
So now look what's happened to me.

22:17.620 --> 22:20.620
I was papering a house and I got caught in an elevator.

22:20.620 --> 22:22.620
Now they're going to blame me for a murder.

22:22.620 --> 22:25.620
Mr. Rogers and that girl.

22:25.620 --> 22:28.620
And here I am stuck in an elevator and there's nothing I can do about it.

22:28.620 --> 22:31.620
They're on the first floor now and he's helping her with her coat.

22:31.620 --> 22:33.620
She still looks shaky.

22:33.620 --> 22:37.620
I can lie down on the floor and look out through that gap and I can see them.

22:37.620 --> 22:42.620
And hey, they're starting to leave.

22:42.620 --> 22:45.620
Hey, Mr. Rogers.

22:45.620 --> 22:48.620
You're not going to get away with it, Mr. Rogers.

22:48.620 --> 22:50.620
Before you go, you'd better think about something.

22:50.620 --> 22:52.620
What about the fingerprints?

22:52.620 --> 22:57.620
What about the fingerprints on the gun, Mr. Rogers?

22:57.620 --> 22:59.620
I guess you did, huh?

22:59.620 --> 23:02.620
Guess you forgot to wipe them off.

23:02.620 --> 23:05.620
Else you'd have walked out of here instead of...

23:06.620 --> 23:09.620
Hello, Mr. Rogers.

23:09.620 --> 23:14.620
I'm lying down on the floor of the elevator and I'm looking out of the gap and I can see you.

23:14.620 --> 23:17.620
Hello, Miss.

23:17.620 --> 23:20.620
I'm in here and you're out there.

23:20.620 --> 23:23.620
But you're the one who's trapped now.

23:23.620 --> 23:26.620
What is it you want, Mr. Rogers?

23:26.620 --> 23:28.620
Mr. Brewer...

23:28.620 --> 23:30.620
Harry, he's right, isn't he?

23:30.620 --> 23:32.620
Your fingerprints are on the gun.

23:32.620 --> 23:36.620
Mr. Brewer, I guess we'd better make some arrangements, shouldn't we?

23:36.620 --> 23:40.620
Janice, go down to the basement and shut the elevator door.

23:40.620 --> 23:43.620
Then Mr. Brewer will be able to bring the elevator down.

23:43.620 --> 23:46.620
Go ahead, Janice. Go on, hurry.

23:46.620 --> 23:48.620
How does it feel?

23:48.620 --> 23:53.620
The first thing I want to tell you is that you can keep the jewels...

23:53.620 --> 23:55.620
How does it feel to be trapped?

23:55.620 --> 23:57.620
Oh, really? Now we'll talk this over.

23:57.620 --> 23:59.620
It feels terrible, doesn't it?

23:59.620 --> 24:00.620
When you come out of the elevator...

24:00.620 --> 24:03.620
I don't think so.

24:03.620 --> 24:06.620
I don't know whether I'm going to come out or not.

24:06.620 --> 24:08.620
Not now.

24:10.620 --> 24:11.620
It's closed, Harry.

24:11.620 --> 24:12.620
Well, come on up.

24:12.620 --> 24:17.620
All I have to do is keep my finger on this emergency stop button and you can't move this elevator an inch.

24:17.620 --> 24:19.620
Now, let's be reasonable.

24:19.620 --> 24:21.620
You killed your wife, Mr. Rogers.

24:21.620 --> 24:24.620
How do I know what else you got down there you might kill me with?

24:24.620 --> 24:27.620
Do you think I'd...

24:27.620 --> 24:30.620
Now, you know what a silly question that is, don't you?

24:30.620 --> 24:34.620
Look, I got this gun of yours and it's proof you killed her.

24:34.620 --> 24:37.620
No amount of arguing you can think of can change that.

24:37.620 --> 24:39.620
Money. Do you want money?

24:39.620 --> 24:41.620
I don't think money's important right now.

24:41.620 --> 24:42.620
Well, why is he...

24:42.620 --> 24:44.620
He won't come out.

24:44.620 --> 24:45.620
What?

24:45.620 --> 24:48.620
No, sir. I'm not coming out.

24:48.620 --> 24:50.620
I got you two where I want you and I'm not moving.

24:50.620 --> 24:53.620
Janice, tell him how rich I am. Tell him what I can do for him.

24:53.620 --> 24:54.620
Harry.

24:54.620 --> 24:55.620
Come on, tell him, tell him.

24:55.620 --> 24:56.620
Harry.

24:56.620 --> 24:57.620
All the things I can do for him.

24:57.620 --> 24:58.620
Harry, Harry, Harry.

24:58.620 --> 24:59.620
Now, shut it out.

24:59.620 --> 25:02.620
All the things you can do. Look at what you can do.

25:02.620 --> 25:04.620
All the things you can do. Look at what you can do.

25:04.620 --> 25:05.620
Stop it. Stop it.

25:05.620 --> 25:06.620
Shut up.

25:06.620 --> 25:07.620
Shut up.

25:07.620 --> 25:08.620
Shut up.

25:08.620 --> 25:09.620
Janice, shut up.

25:09.620 --> 25:10.620
Janice.

25:10.620 --> 25:13.620
Janice.

25:13.620 --> 25:15.620
Janice.

25:15.620 --> 25:19.620
Janice, dear, I'm sorry. I didn't mean to hit you.

25:19.620 --> 25:21.620
You're all right, aren't you?

25:24.620 --> 25:26.620
Dad.

25:26.620 --> 25:29.620
Oh, are you dead, Janice?

25:29.620 --> 25:31.620
Dead, Janice.

25:31.620 --> 25:32.620
Dead, Janice.

25:32.620 --> 25:33.620
Dead, Janice.

25:33.620 --> 25:34.620
Dead, dead.

25:34.620 --> 25:36.620
No, no, no.

25:36.620 --> 25:38.620
No, no.

25:38.620 --> 25:40.620
No.

26:01.620 --> 26:02.620
Hello, Norma.

26:02.620 --> 26:04.620
Jerry, dear.

26:04.620 --> 26:06.620
No, no, everything's fine.

26:06.620 --> 26:07.620
Yeah.

26:07.620 --> 26:09.620
Just a little while.

26:09.620 --> 26:11.620
No, really, everything's fine.

26:11.620 --> 26:14.620
I'll tell you about it when I get home.

26:15.620 --> 26:18.620
Well, I got stuck in an elevator zone.

26:18.620 --> 26:21.620
I said I got stuck in an elevator.

26:21.620 --> 26:43.620
No, really.

26:43.620 --> 26:45.620
Suspense.

26:45.620 --> 26:46.620
Presented by Auto Light.

26:46.620 --> 26:49.620
Tonight's star, Mr. Dick Hames.

26:49.620 --> 26:52.620
This is Harlow Wilcox speaking for Auto Light,

26:52.620 --> 26:56.620
world's largest independent manufacturer of automotive electrical equipment.

26:56.620 --> 27:00.620
Auto Light is proud to serve the greatest names in the industry.

27:00.620 --> 27:03.620
They are members of the Auto Light family,

27:03.620 --> 27:07.620
as well as other 98,000 Auto Light distributors and dealers in the United States

27:07.620 --> 27:10.620
and thousands more in Canada and throughout the world.

27:10.620 --> 27:17.620
Our family also includes the nearly 30,000 men and women in 28 great Auto Light plants from coast to coast

27:17.620 --> 27:20.620
and Auto Light plants in many foreign countries,

27:20.620 --> 27:26.620
as well as the 18,000 people who have invested a portion of their savings in Auto Light.

27:26.620 --> 27:30.620
Every Auto Light product is backed by constant research

27:30.620 --> 27:34.620
and precision built to the highest standards of quality and performance.

27:34.620 --> 27:39.620
So remember, from bumper to tail light, you're always right with Auto Light.

27:39.620 --> 27:52.620
Next week, a terrifying tale about a man who was able to foresee the future

27:52.620 --> 27:55.620
and found in it his own violent death.

27:55.620 --> 27:58.620
It's called Vision of Death.

27:58.620 --> 28:01.620
Our star, Mr. Ronald Coleman.

28:01.620 --> 28:07.620
That's next week on Suspense.

28:07.620 --> 28:11.620
Suspense is transcribed and directed by Elliot Lewis,

28:11.620 --> 28:15.620
with music composed by Lucian Morawick and conducted by Lud Gluskin.

28:15.620 --> 28:20.620
Pigeon in the Cage was written for Suspense by Morton Fine and David Friedkin.

28:20.620 --> 28:26.620
In tonight's play, Charlotte Lawrence was Janice and Joseph Kearns was Harry.

28:26.620 --> 28:32.620
And remember next week, Mr. Ronald Coleman in Vision of Death.

28:32.620 --> 28:38.620
You can buy Auto Light electrical parts, Auto Light stay-full batteries,

28:38.620 --> 28:43.620
and Auto Light resistor or standard type spark plugs at your neighborhood Auto Light dealers.

28:43.620 --> 28:48.620
Switch to Auto Light. Good night.

28:48.620 --> 29:03.620
This is the CBS Radio Network.

