WEBVTT 00:00.000 --> 00:09.800 Auto Light and its 98,000 dealers bring you Miss Rosemary Clooney. 00:09.800 --> 00:12.000 In tonight's presentation of... 00:12.000 --> 00:13.000 Suspense. 00:13.000 --> 00:22.520 Tonight, Auto Light presents a story about the roaring twenties and the violent people 00:22.520 --> 00:23.520 who lived them. 00:23.520 --> 00:28.800 As with song and story, we tell you about St. James Infirmary Blues. 00:28.800 --> 00:39.200 Our star, Time Magazine's cover girl, Miss Rosemary Clooney. 00:39.200 --> 00:42.040 Well Harlow, did you enjoy G.W.'s birthday? 00:42.040 --> 00:43.400 Yes, sir, Hap. 00:43.400 --> 00:44.760 Quite a guy, George. 00:44.760 --> 00:47.480 And an Auto Light stay full battery user, of course. 00:47.480 --> 00:48.480 He was? 00:48.480 --> 00:49.480 Well, he is. 00:49.480 --> 00:52.600 George just can't buy a better battery than the one that needs water only three times a 00:52.600 --> 00:54.000 year in normal car use. 00:54.000 --> 00:58.520 I suppose he used his stay full to start his boat across the Delaware. 00:58.520 --> 01:02.600 Well, if he did, he got the quickest and most powerful start of his life. 01:02.600 --> 01:04.320 And G.W. agrees. 01:04.320 --> 01:05.320 George Washington? 01:05.320 --> 01:06.800 Oh, no, no. 01:06.800 --> 01:08.560 George Wilcox, my brother. 01:08.560 --> 01:12.720 Friends, to quickly locate your Auto Light battery dealer, who services all makes of 01:12.720 --> 01:16.560 batteries, phone Western Union by number and ask for operator 25. 01:16.560 --> 01:21.080 And I'll gladly tell you where to get an Auto Light stay full, the battery that needs water 01:21.080 --> 01:23.920 only three times a year in normal car use. 01:23.920 --> 01:30.680 And remember, from bumper to tail light, you're always right with Auto Light. 01:30.680 --> 01:36.980 And now, Auto Light presents Miss Rosemary Clooney in St. James Infirmary Blues, hoping 01:36.980 --> 01:49.840 once again to keep you in suspense. 01:49.840 --> 01:59.200 I went down to St. James Infirmary. 01:59.200 --> 02:08.240 I saw my sweetheart there. 02:08.240 --> 02:17.240 All stretched out on a long white table. 02:17.240 --> 02:23.840 So pale, so cold, so thin. 02:23.840 --> 02:29.880 Hey, how do you like it, honey? 02:29.880 --> 02:30.880 It's all right. 02:30.880 --> 02:32.200 You know who that is over there? 02:32.200 --> 02:36.040 Brock, Brock Martin and all those guys around him. 02:36.040 --> 02:37.320 Every one of them gangsters. 02:37.320 --> 02:38.320 I told you tonight. 02:38.320 --> 02:41.640 I told you I'd take you to the fanciest speakeasy in New York. 02:41.640 --> 02:44.560 That Brock, he owns this whole end of town. 02:44.560 --> 02:46.680 You see the way they let me in, Sheila? 02:46.680 --> 02:49.200 It was very impressive, Freddy, dear. 02:49.200 --> 02:51.000 And how do you like the liquor here, huh? 02:51.000 --> 02:52.000 Right from Canada. 02:52.000 --> 02:53.640 You know, one thing about Brock. 02:53.640 --> 02:54.640 Freddy? 02:54.640 --> 02:55.640 Yeah, honey? 02:55.640 --> 02:56.640 Who's he? 02:56.640 --> 02:57.640 Huh? 02:57.640 --> 02:58.880 The boy with the black hair. 02:58.880 --> 03:00.640 Oh, he's Brock's trigger. 03:00.640 --> 03:02.640 What does that mean, honey? 03:02.640 --> 03:03.640 Baby, baby. 03:03.640 --> 03:04.640 Trigger. 03:04.640 --> 03:06.920 Trigger means you want somebody out of the way. 03:06.920 --> 03:07.920 Shot. 03:07.920 --> 03:09.680 And the boy with the black hair does it? 03:09.680 --> 03:11.240 That's what the papers say. 03:11.240 --> 03:12.240 That's Nick Volpe. 03:12.240 --> 03:13.240 You know him? 03:13.240 --> 03:16.040 Oh, you point these guys out, you don't know him. 03:16.040 --> 03:17.040 Hey, where you going? 03:17.040 --> 03:18.040 That's what he said. 03:18.040 --> 03:20.880 Three to two on Dempsey and Philly tomorrow, Brock. 03:20.880 --> 03:23.040 Don't you think we ought to take a hunker? 03:23.040 --> 03:24.680 Whatever you say, Nicky. 03:24.680 --> 03:27.800 Whatever Nicky says. 03:27.800 --> 03:29.800 This yours, Nicky? 03:29.800 --> 03:31.720 Nicky hasn't started to find out yet. 03:31.720 --> 03:33.960 Who are you, baby? 03:33.960 --> 03:34.960 Sheila. 03:34.960 --> 03:37.160 This is Sheila, Brock. 03:37.160 --> 03:38.160 Why? 03:38.160 --> 03:40.360 Tell him, baby. 03:40.360 --> 03:41.840 It's a dull place. 03:41.840 --> 03:43.800 I don't like dull. 03:43.800 --> 03:44.800 You see, Brock? 03:44.800 --> 03:47.040 Sit down, Sheila. 03:47.040 --> 03:48.040 I've got a table. 03:48.040 --> 03:49.520 I know, I saw. 03:49.520 --> 03:50.520 I know. 03:50.520 --> 03:54.760 You stared, Nicky, but I was too far away. 03:54.760 --> 03:56.760 You really couldn't tell. 03:56.760 --> 03:57.760 Freddie? 03:57.760 --> 04:02.760 Hello, Mr. Volpe. 04:02.760 --> 04:03.760 You're who? 04:03.760 --> 04:05.360 Oh, just a customer. 04:05.360 --> 04:07.160 Just brought Sheila here. 04:07.160 --> 04:08.160 Sheila. 04:08.160 --> 04:09.800 It was lovely, Freddie. 04:09.800 --> 04:11.600 I guess we better go now. 04:11.600 --> 04:12.600 Goodbye, Freddie. 04:12.600 --> 04:16.240 Hey, I can't leave you here with these things. 04:16.240 --> 04:17.240 Sheila. 04:17.240 --> 04:20.080 Valentino's playing down the street, Freddie. 04:20.080 --> 04:21.080 Go see him. 04:21.080 --> 04:22.080 Do that. 04:22.080 --> 04:23.080 Hi, Nick. 04:23.080 --> 04:27.080 The dull went away, didn't it? 04:27.080 --> 04:32.080 Keep it like that. 04:32.080 --> 04:35.080 Sure. 04:35.080 --> 04:57.720 I'd roam the wide world over, but none so sweet, so fair, as my loving baby Nicky, like 04:57.720 --> 05:04.720 red rockets in the air. 05:04.720 --> 05:07.560 Having fun, Sheila? 05:07.560 --> 05:08.560 Love it. 05:08.560 --> 05:09.560 How fast are we going? 05:09.560 --> 05:11.560 How fast, Cleo? 05:11.560 --> 05:12.560 60. 05:12.560 --> 05:13.560 Next corner, Cleo. 05:13.560 --> 05:14.560 I know where to stop, Nicky. 05:14.560 --> 05:15.560 Don't worry. 05:15.560 --> 05:16.560 You all right, baby? 05:16.560 --> 05:17.560 You think so? 05:17.560 --> 05:18.560 Yeah, yeah, I do. 05:18.560 --> 05:21.560 You're not going to get hurt, are you? 05:21.560 --> 05:22.560 Nah, never. 05:22.560 --> 05:23.560 Be back in a minute. 05:23.560 --> 05:24.560 Cleo. 05:24.560 --> 05:25.560 Yes, ma'am? 05:25.560 --> 05:26.560 How long have you been with Nicky? 05:26.560 --> 05:27.560 Driving him? 05:27.560 --> 05:28.560 Oh, a long time. 05:28.560 --> 05:36.440 He's nice, isn't he? 05:36.440 --> 05:37.440 Not while he's collecting. 05:37.440 --> 05:38.440 Not now he isn't. 05:38.440 --> 05:39.440 But exciting. 05:39.440 --> 05:42.440 You ought to go home. 05:42.440 --> 05:43.560 Exciting. 05:43.560 --> 05:47.000 This week, a whole week of Nicky. 05:47.000 --> 05:48.000 You don't... 05:48.000 --> 05:49.000 All right, let's get going, Cleo. 05:49.000 --> 05:50.000 Any trouble, boss? 05:50.000 --> 05:51.000 Just pie. 05:51.000 --> 05:56.000 Little guy in that store even thanked me for the protection we give him. 05:56.000 --> 05:59.000 Nicky. 05:59.000 --> 06:02.000 What, baby? 06:02.000 --> 06:13.120 Nothing, just Nicky. 06:13.120 --> 06:14.120 You're not smiling, Nicky. 06:14.120 --> 06:15.120 Trouble? 06:15.120 --> 06:16.120 Oh, not much. 06:16.120 --> 06:17.120 Cleo. 06:17.120 --> 06:18.120 Yeah, yeah, yeah. 06:18.120 --> 06:19.120 I know I'll take it slow. 06:19.120 --> 06:20.120 Get down in the car, baby. 06:20.120 --> 06:21.120 Nicky. 06:21.120 --> 06:22.120 Get down, I told you. 06:22.120 --> 06:29.120 All right, beat it. 06:29.120 --> 06:35.120 Sheila, honey. 06:35.120 --> 06:40.480 What? 06:40.480 --> 06:42.560 You know why that happened? 06:42.560 --> 06:45.520 You know why that man's store just blew up in his face? 06:45.520 --> 07:13.920 Sheila, when I tell you to do something, you'll do it, huh? 07:13.920 --> 07:15.920 Come in. 07:15.920 --> 07:17.480 Funny, I was just thinking about you, Nick. 07:17.480 --> 07:19.880 While I was mixing this drink, I was thinking, wouldn't it be... 07:19.880 --> 07:20.880 Shut up. 07:20.880 --> 07:21.880 All right. 07:21.880 --> 07:24.880 Here, take my drink. 07:24.880 --> 07:26.880 Lousy fools. 07:26.880 --> 07:29.280 What's the matter, Nick? 07:29.280 --> 07:32.720 Well, if anybody asks you, I've been here for the last five hours. 07:32.720 --> 07:33.720 Sure, but... 07:33.720 --> 07:36.120 What happens if anyone asks you? 07:36.120 --> 07:39.000 You were here five hours, Nick. 07:39.000 --> 07:40.840 All right. 07:40.840 --> 07:41.840 Now you tell me. 07:41.840 --> 07:44.120 Listen to me, a guy got killed. 07:44.120 --> 07:45.120 Who? 07:45.120 --> 07:46.120 What difference does it make? 07:46.120 --> 07:47.120 He was hauling a load of bulls to Montreal. 07:47.120 --> 07:48.120 They didn't make it. 07:48.120 --> 07:49.120 He got hijacked. 07:49.120 --> 07:50.120 They didn't like it. 07:50.120 --> 07:51.960 He didn't do what he was told to do, so he's dead. 07:51.960 --> 07:54.120 You kill him, Nick? 07:54.120 --> 07:55.960 How could I kill him? 07:55.960 --> 07:59.480 I've been here for the last five hours. 07:59.480 --> 08:00.480 That's right, Nick. 08:00.480 --> 08:02.480 It was Brock's bulls. 08:02.480 --> 08:04.400 It was Brock's boy who got killed. 08:04.400 --> 08:05.680 Brock will kill you for it. 08:05.680 --> 08:06.680 You shouldn't. 08:06.680 --> 08:07.680 Listen to me. 08:07.680 --> 08:08.680 Don't you know what I'm telling you? 08:08.680 --> 08:09.680 Nick, you're hurting me. 08:09.680 --> 08:11.680 Brock's gonna kill nobody, you understand? 08:11.680 --> 08:12.680 Nick! 08:12.680 --> 08:13.680 That's the phone. 08:13.680 --> 08:14.680 Hello? 08:14.680 --> 08:15.680 Nicky there. 08:15.680 --> 08:16.680 Who's this? 08:16.680 --> 08:17.680 Brock. 08:17.680 --> 08:18.680 He's here, Brock. 08:18.680 --> 08:19.680 You want to talk to him? 08:19.680 --> 08:20.680 How long's he been there? 08:20.680 --> 08:21.680 Five hours. 08:21.680 --> 08:22.680 Listen, Sheila, tell him something for me. 08:22.680 --> 08:23.680 Tell him McCready never got in with his truck because he got killed. 08:23.680 --> 08:24.680 Tell Nick McCready's gonna have a funeral tomorrow. 08:24.680 --> 08:25.680 Tell him to be there. 08:25.680 --> 08:26.680 I'll tell him. 08:26.680 --> 08:27.680 Nick. 08:27.680 --> 08:28.680 You did good. 08:28.680 --> 08:29.680 I'm sorry. 08:29.680 --> 08:30.680 I'm sorry. 08:30.680 --> 08:31.680 I'm sorry. 08:31.680 --> 08:32.680 I'm sorry. 08:32.680 --> 08:33.680 I'm sorry. 08:33.680 --> 08:34.680 I'm sorry. 08:34.680 --> 08:35.680 I'm sorry. 08:35.680 --> 08:36.680 I'm sorry. 08:36.680 --> 08:37.680 I'm sorry. 08:37.680 --> 08:38.680 I'm sorry. 08:38.680 --> 08:39.680 I'm sorry. 08:39.680 --> 08:40.680 I'm sorry. 08:40.680 --> 08:41.680 You did good. 08:41.680 --> 08:42.680 I'm scared. 08:42.680 --> 08:45.680 Touch this to you, baby. 08:45.680 --> 08:48.680 The scare's the way of the scare. 08:48.680 --> 08:50.520 50,000 times. 08:50.520 --> 08:52.200 One for each dollar. 08:52.200 --> 08:53.280 All that money? 08:53.280 --> 08:55.560 All that happy time, baby. 08:55.560 --> 09:00.000 Put it away for a rainy day for us. 09:00.000 --> 09:02.340 You like Cuba, baby? 09:02.340 --> 09:05.720 Right now I like it right here. 09:05.720 --> 09:06.720 Nick. 09:06.720 --> 09:09.360 Cuba's later. 09:09.360 --> 09:12.120 I'm sorry. 09:12.120 --> 09:14.960 I'm sorry. 09:14.960 --> 09:23.000 So we went down to the funeral. 09:23.000 --> 09:30.320 A man my naked killed. 09:30.320 --> 09:37.320 Parade of long black autos. 09:37.320 --> 09:44.560 The streets with crowds were filled. 09:44.560 --> 09:51.520 Six crapshooters as Paul Barrett. 09:51.520 --> 09:59.000 A chorus girl sang a song. 09:59.000 --> 10:06.200 With a jazz band on his hearse. 10:06.200 --> 10:12.160 Raising came as we drove along. 10:12.160 --> 10:15.160 Somebody, huh? 10:15.160 --> 10:24.120 But Katie would have liked it. 10:24.120 --> 10:25.120 Where's Nicky, Cleo? 10:25.120 --> 10:28.120 I haven't seen him for the last half hour. 10:28.120 --> 10:29.120 Oh, Michelle. 10:29.120 --> 10:30.120 Oh, hi, Brock. 10:30.120 --> 10:31.120 Hi, Brock. 10:31.120 --> 10:23.140 Hi, 10:23.140 --> 10:36.140 You want your machine? 10:36.140 --> 10:37.140 I'm sorry, Sheila. 10:37.140 --> 10:38.140 What? 10:38.140 --> 10:39.140 Brock's nodding to you. 10:39.140 --> 10:40.640 That means he wants you. 10:40.640 --> 10:41.640 All right. 10:41.640 --> 10:48.280 And here, Sheila, I want to talk to you. 10:48.280 --> 10:51.880 Sit down. 10:51.880 --> 10:53.360 You want a drink? 10:53.360 --> 10:54.360 No. 10:54.360 --> 10:55.360 You want Nicky? 10:55.360 --> 10:56.360 What did you do to him? 10:56.360 --> 10:59.180 Nothing's going to happen to him that you won't know about. 10:59.180 --> 11:00.280 He was with me. 11:00.280 --> 11:02.660 He didn't kill McCready. 11:02.660 --> 11:04.160 I swear he was with me, Brock. 11:04.160 --> 11:05.160 You're a pretty girl, Sheila. 11:05.160 --> 11:07.360 You got a nice face. 11:07.360 --> 11:09.920 Take care of yourself. 11:09.920 --> 11:11.600 Mostly don't lie. 11:11.600 --> 11:12.600 Don't kill him, Brock. 11:12.600 --> 11:15.200 He was the only one that knew about that load of booze from Montreal. 11:15.200 --> 11:19.440 I got a phone call from Patterson, New Jersey, a guy who runs things over there. 11:19.440 --> 11:20.440 He laughed in my face. 11:20.440 --> 11:26.920 He said, my boy Nick just sold him a load of my whiskey. 11:26.920 --> 11:28.920 You want to see Nick? 11:28.920 --> 11:32.960 Sure you do. 11:32.960 --> 11:35.840 Charlie, bring him in. 11:35.840 --> 11:38.040 Inside, big shot. 11:38.040 --> 11:39.040 Nicky. 11:39.040 --> 11:40.040 Hi, Sheila. 11:40.040 --> 11:42.040 It's all right, baby. 11:42.040 --> 11:43.040 It doesn't hurt. 11:43.040 --> 11:45.040 Sure it don't, Nick. 11:45.040 --> 11:46.940 Nothing's going to hurt anymore. 11:46.940 --> 11:47.940 Take him, Charlie. 11:47.940 --> 11:48.940 Let's go. 11:48.940 --> 11:49.940 Big shot. 11:49.940 --> 11:50.940 All right. 11:50.940 --> 11:51.940 It's what we got for you. 11:51.940 --> 11:52.940 You too, Sheila. 11:52.940 --> 11:53.940 Come on. 11:53.940 --> 12:03.680 OK, Cleo. 12:03.680 --> 12:12.040 Yes, sir. 12:12.040 --> 12:16.720 Out, Nick. 12:16.720 --> 12:17.720 Baby. 12:17.720 --> 12:18.720 Come on. 12:18.720 --> 12:21.360 She won't let him go, boys. 12:21.360 --> 12:22.360 Maker. 12:22.360 --> 12:23.360 Yeah. 12:23.360 --> 12:24.360 She let go. 12:24.360 --> 12:25.360 Come on, Nick. 12:25.360 --> 12:26.360 Bye, baby. 12:26.360 --> 12:27.360 Come on. 12:27.360 --> 12:28.360 Come on. 12:28.360 --> 12:29.360 Come on. 12:29.360 --> 12:30.360 Yeah. 12:30.360 --> 12:31.360 Baby. 12:31.360 --> 12:32.360 Nick. 12:32.360 --> 12:33.360 Nicky. 12:33.360 --> 12:38.040 You better believe it, Sheila. 12:38.040 --> 12:59.760 It just happened to him. 12:59.760 --> 13:04.760 Auto Light is bringing you Miss Rosemary Clooney in St. James Infirmary Blues. 13:04.760 --> 13:17.400 Tonight's presentation in suspense. 13:17.400 --> 13:21.040 You know, Harlow, life was tough in Washington's time. 13:21.040 --> 13:22.280 It sure was, Hap. 13:22.280 --> 13:25.960 Imagine having to get along without an Auto Light Stay Full, the great battery that needs 13:25.960 --> 13:28.680 water only three times a year in normal car use. 13:28.680 --> 13:32.960 But they didn't need Auto Light Stay Full batteries in that time. 13:32.960 --> 13:36.400 Why, Hap, folks should have the Stay Full advantages all the time. 13:36.400 --> 13:40.720 Those fiberglass retaining mats protect the power of every positive plate, reduce shedding 13:40.720 --> 13:45.560 and flaking, and give the Auto Light Stay Full longer life, as proved by tests conducted 13:45.560 --> 13:47.840 according to accepted life cycle standards. 13:47.840 --> 13:51.520 But Harlow, they didn't have cars in Washington's time. 13:51.520 --> 13:55.400 They weren't worth having without an Auto Light Stay Full, Hap. 13:55.400 --> 13:57.000 Friends visit your Auto Light Battery dealer. 13:57.000 --> 14:01.240 He services all makes of batteries, and he has an Auto Light Stay Full for your car if 14:01.240 --> 14:03.000 a replacement is needed. 14:03.000 --> 14:06.400 To quickly locate him, phone Western Union by number and ask for... 14:06.400 --> 14:10.640 Operator 25, I'll gladly tell you where to get an Auto Light Stay Full. 14:10.640 --> 14:14.920 The battery that needs water only three times a year in normal car use. 14:14.920 --> 14:21.640 And remember, from bumper to tail light, you're always right with Auto Light. 14:21.640 --> 14:27.120 And now, Auto Light brings back to our Hollywood soundstage, Miss Rosemary Clooney, in Elliot 14:27.120 --> 14:33.920 Lewis's production of St. James Infirmary Blues, a story well calculated to keep you 14:33.920 --> 14:49.160 in suspense. 14:49.160 --> 14:50.520 You've been a good girl, Sheila. 14:50.520 --> 14:52.760 I like that. 14:52.760 --> 15:03.200 Let's try the smile when we get inside the club. 15:03.200 --> 15:10.000 Open it, Lefty. 15:10.000 --> 15:13.800 The smile, Sheila, like it just came from a party with laughs. 15:13.800 --> 15:16.240 Hi, Brock, buy you a drink. 15:16.240 --> 15:17.240 Some other time. 15:17.240 --> 15:21.440 Come on, have a drink with me, Brock. 15:21.440 --> 15:23.880 My office, Sheila, inside. 15:23.880 --> 15:26.120 Here, I'll take your coat. 15:26.120 --> 15:27.120 Brock. 15:27.120 --> 15:35.520 Sit down, Sheila. 15:35.520 --> 15:36.520 Drink it. 15:36.520 --> 15:37.520 No. 15:37.520 --> 15:40.720 Nick used to tell me to do things and I did them. 15:40.720 --> 15:42.040 He's dead now. 15:42.040 --> 15:43.680 You're not. 15:43.680 --> 15:45.760 Thank me, Sheila. 15:45.760 --> 15:49.120 You're fat. 15:49.120 --> 15:50.120 Nick was a good boy. 15:50.120 --> 15:52.280 He met you, something happened to him. 15:52.280 --> 15:54.080 He crossed me, now he's dead. 15:54.080 --> 15:56.320 You see what I can do, Sheila? 15:56.320 --> 16:00.400 You're fat and you're old. 16:00.400 --> 16:02.440 I've seen him like you. 16:02.440 --> 16:03.440 Beautiful. 16:03.440 --> 16:06.040 Cultures are weird, aren't they, Sheila? 16:06.040 --> 16:08.120 Good family, money, everything. 16:08.120 --> 16:12.280 But really nothing at all. 16:12.280 --> 16:14.800 Excitement's what you need, isn't it? 16:14.800 --> 16:16.800 What do I do to you, Brock? 16:16.800 --> 16:19.080 I don't know. 16:19.080 --> 16:22.160 But I do it, don't I? 16:22.160 --> 16:23.840 Yeah. 16:23.840 --> 16:26.200 Make me another drink, Brock. 16:26.200 --> 16:27.280 Sheila. 16:27.280 --> 16:30.200 Make me another drink. 16:30.200 --> 16:33.200 All right, Sheila. 16:33.200 --> 16:41.640 Here, drink it, baby, and we'll make it the start of a... 16:41.640 --> 16:45.880 Wipe the gin off your face, Brock. 16:45.880 --> 16:48.880 Enjoy it. 16:48.880 --> 16:51.360 Let me make up my mind about something. 16:51.360 --> 16:54.840 Whether we should ride back to where Nicky got his and throw you away. 16:54.840 --> 16:57.640 You think that would be exciting, Sheila? 16:57.640 --> 16:58.640 Do it right here. 16:58.640 --> 16:59.640 You've got the gun. 16:59.640 --> 17:02.520 Oh, Sheila, Sheila. 17:02.520 --> 17:04.160 You want to kiss me? 17:04.160 --> 17:05.920 Go ahead. 17:05.920 --> 17:09.240 You taste of gin. 17:09.240 --> 17:11.720 I've got to stay alive now, huh, Brock? 17:11.720 --> 17:12.720 Bye. 17:12.720 --> 17:33.840 I left my Nicky's killer The clarinet played so sad 17:33.840 --> 17:42.320 Copped a cab at 44th Street Oh, I had it 17:42.320 --> 17:53.920 Oh, so bad Put on my black lace nightgown 17:53.920 --> 18:07.080 Turned down my cold, cold bed The blues were all around me 18:07.080 --> 18:15.200 And I wished that I was dead 18:15.200 --> 18:16.200 Who is it? 18:16.200 --> 18:20.600 Wait, I'll slip something on. 18:20.600 --> 18:23.600 Nicky. 18:23.600 --> 18:27.080 Let me in. 18:27.080 --> 18:29.040 Sure, sure, Nicky. 18:29.040 --> 18:30.040 Over here. 18:30.040 --> 18:31.040 Lie down. 18:31.040 --> 18:32.040 No, no, listen. 18:32.040 --> 18:33.040 I've got to get him. 18:33.040 --> 18:34.040 I've got to get Brock. 18:34.040 --> 18:35.040 You're hurt. 18:35.040 --> 18:37.040 You're hurt so terribly. 18:37.040 --> 18:38.280 Bring him to me. 18:38.280 --> 18:39.280 You need a doctor, Nicky. 18:39.280 --> 18:40.280 I'll get you a doctor. 18:40.280 --> 18:41.280 And I want one. 18:41.280 --> 18:42.800 I want Brock. 18:42.800 --> 18:46.240 Get him for me. 18:46.240 --> 18:47.240 I'm dying, Sheila. 18:47.240 --> 18:50.800 I've got to get Brock before I die. 18:50.800 --> 18:52.800 You've got to do it for me. 18:52.800 --> 18:54.720 Yes, I can do it for you, Nicky. 18:54.720 --> 18:55.720 And a gun. 18:55.720 --> 18:56.720 Yes. 18:56.720 --> 18:57.720 Go to Cleo. 18:57.720 --> 19:00.720 He'll give you a gun. 19:00.720 --> 19:01.720 Yes. 19:01.720 --> 19:03.080 Lie down, Nick. 19:03.080 --> 19:04.080 Here. 19:04.080 --> 19:05.080 Put your arm around me. 19:05.080 --> 19:06.720 We'll do it, won't we? 19:06.720 --> 19:08.880 We'll kill Brock. 19:08.880 --> 19:13.880 We'll kill him. 19:13.880 --> 19:29.680 Oh, Miss Sheila. 19:29.680 --> 19:33.840 Hello, Cleo. 19:33.840 --> 19:34.840 May I come in? 19:34.840 --> 19:36.200 Well, I don't know. 19:36.200 --> 19:37.200 Sure you do. 19:37.200 --> 19:38.200 What do you want? 19:38.200 --> 19:39.200 I want a gun, Cleo. 19:39.200 --> 19:40.200 Oh, I can't do that, Miss Sheila. 19:40.200 --> 19:41.200 Why not? 19:41.200 --> 19:42.200 Well, Brock didn't say give you a gun. 19:42.200 --> 19:43.200 It doesn't matter. 19:43.200 --> 19:44.200 Oh, you're wrong, Miss Sheila. 19:44.200 --> 19:45.200 That's what matters the most. 19:45.200 --> 19:46.200 You see, if Brock called me and said give you a gun, it'd be all right. 19:46.200 --> 19:47.200 I'll call him. 19:47.200 --> 19:48.200 All right. 19:48.200 --> 19:49.200 You want to know what I'm going to tell him? 19:49.200 --> 19:50.200 Yeah, I know about the gun. 19:50.200 --> 19:51.200 I'll listen in. 19:51.200 --> 19:52.200 About how you were waiting for me when I left his place. 19:52.200 --> 19:53.200 How we went riding and had some drinks. 19:53.200 --> 19:54.200 And how I've, how I've been waiting for you. 19:54.200 --> 19:55.200 And I've been waiting for you. 19:55.200 --> 19:56.200 And I've been waiting for you. 19:56.200 --> 19:57.200 And I've been waiting for you. 19:57.200 --> 20:10.200 And I've been waiting for you. 20:10.200 --> 20:17.200 And I've been waiting for you. 20:17.200 --> 20:27.200 Here. 20:27.200 --> 20:28.200 Thanks, Cleo. 20:28.200 --> 20:29.200 Miss Sheila. 20:29.200 --> 20:30.200 Yes. 20:30.200 --> 20:31.200 What do you want it for? 20:31.200 --> 20:33.200 Let me ask you something, Cleo. 20:33.200 --> 20:34.200 Did you like Nicky? 20:34.200 --> 20:36.200 I liked him all right. 20:36.200 --> 20:37.200 He's alive. 20:37.200 --> 20:39.200 Well, your kid and Brock got written. 20:39.200 --> 20:41.200 Nicky's alive, Cleo. 20:41.200 --> 20:42.200 He liked you. 20:42.200 --> 20:45.200 I thought you'd want it. 20:45.200 --> 20:47.200 Cleo, don't. 20:47.200 --> 20:48.200 And over 79715. 20:48.200 --> 20:49.200 Cleo. 20:49.200 --> 20:50.200 I got to, Miss Sheila. 20:50.200 --> 20:51.200 Brock's my boss. 20:51.200 --> 20:52.200 He's got to know. 20:52.200 --> 20:53.200 Cleo, don't. 20:53.200 --> 20:54.200 You've got to understand, Miss Sheila. 20:54.200 --> 20:55.200 Hello. 20:55.200 --> 20:56.200 Hello. 20:56.200 --> 20:57.200 Hello. 20:57.200 --> 20:58.200 Hello, Brock. 20:58.200 --> 20:59.200 Who is this? 20:59.200 --> 21:00.200 Sheila. 21:00.200 --> 21:01.200 Sheila? 21:01.200 --> 21:02.200 Hello, Sheila. 21:02.200 --> 21:03.200 I'm lonely, Brock. 21:03.200 --> 21:04.200 Doll again, huh? 21:04.200 --> 21:05.200 Doll. 21:05.200 --> 21:16.200 I can fix it, baby. 21:16.200 --> 21:21.200 It'll take you about an hour to get to my place, won't it, Brock? 21:21.200 --> 21:24.200 That's how long I can stand it without you. 21:24.200 --> 21:25.200 Just that long. 21:25.200 --> 21:26.200 See you. 21:26.200 --> 21:45.200 Sheila. 21:45.200 --> 21:48.200 It's me, honey. 21:48.200 --> 21:49.200 How do you feel? 21:49.200 --> 21:52.200 It's better now you're here. 21:52.200 --> 21:53.200 I got the gun, Nick. 21:53.200 --> 21:57.200 Give it to me. 21:57.200 --> 22:00.200 Three bullets missing, Sheila. 22:00.200 --> 22:01.200 I know. 22:01.200 --> 22:04.200 Been fired not long ago, ain't it? 22:04.200 --> 22:05.200 I know. 22:05.200 --> 22:06.200 What happened? 22:06.200 --> 22:08.200 I told Cleo you were alive. 22:08.200 --> 22:10.200 He was going to call Brock. 22:10.200 --> 22:13.200 So you shot him. 22:13.200 --> 22:15.200 Let me hold your neck. 22:15.200 --> 22:17.200 Yeah, baby. 22:17.200 --> 22:18.200 Yeah. 22:18.200 --> 22:19.200 Nicky. 22:19.200 --> 22:21.200 What, baby? 22:21.200 --> 22:23.200 It was easy. 22:23.200 --> 22:25.200 Brock coming? 22:25.200 --> 22:28.200 He'll be here in about a half hour. 22:28.200 --> 22:31.200 Hold me, baby. 22:31.200 --> 22:49.200 No tears, no blues, no blues. 22:49.200 --> 22:52.200 It hurts me to laugh, Sheila, but it's funny. 22:52.200 --> 22:54.200 I'll listen to him. 22:54.200 --> 22:56.200 Do you want me to do it for you, Nick? 22:56.200 --> 22:57.200 Shoot him. 22:57.200 --> 22:58.200 I'd do it. 22:58.200 --> 23:00.200 Just show him in the living room, baby. 23:00.200 --> 23:10.200 Then I'll make an entrance. 23:10.200 --> 23:13.200 You snapped your fingers and I came running, Sheila. 23:13.200 --> 23:15.200 I'll snap them again, Brock. 23:15.200 --> 23:17.200 What are you going to do now? 23:17.200 --> 23:19.200 You tell me. 23:19.200 --> 23:21.200 Now I mean it. 23:21.200 --> 23:23.200 I'll think of something. 23:23.200 --> 23:24.200 Take off your coat. 23:24.200 --> 23:26.200 We'll have some music. 23:26.200 --> 23:28.200 Yeah, sure. 23:28.200 --> 23:33.200 It's a nice place you got here. 23:33.200 --> 23:35.200 Nick liked it. 23:35.200 --> 23:37.200 Tough about him. 23:37.200 --> 23:40.200 Dance with me, honey. 23:40.200 --> 23:43.200 You want to dance with me? 23:43.200 --> 23:45.200 You dance whether you put your hands on it. 23:45.200 --> 23:47.200 I couldn't stand that. 23:47.200 --> 23:48.200 Nick. 23:48.200 --> 23:49.200 All I did was say goodbye to everybody. 23:49.200 --> 23:51.200 What are you going to do, Brock? 23:51.200 --> 23:52.200 No, no, no. 23:52.200 --> 23:53.200 Don't do it, Nick. 23:53.200 --> 23:54.200 You're going to? 23:54.200 --> 23:55.200 No, no, no. 23:55.200 --> 23:56.200 Please, please, Nick. 23:56.200 --> 23:57.200 Say a pretty word before you die. 23:57.200 --> 23:58.200 No, please, please. 23:58.200 --> 23:59.200 No, no. 23:59.200 --> 24:09.200 Now it's over, baby. 24:09.200 --> 24:10.200 Now we'll get a doctor. 24:10.200 --> 24:11.200 No. 24:11.200 --> 24:15.200 Too late, baby. 24:15.200 --> 24:18.200 But it was fun. 24:18.200 --> 24:19.200 Wasn't it fun, Sheila? 24:19.200 --> 24:20.200 Nick, don't die. 24:20.200 --> 24:21.200 Baby. 24:21.200 --> 24:23.200 Nick, Nick. 24:23.200 --> 24:24.200 Nick. 24:24.200 --> 24:25.200 Nick. 24:25.200 --> 24:26.200 Nick. 24:26.200 --> 24:27.200 Nick. 24:27.200 --> 24:28.200 Nick. 24:28.200 --> 24:29.200 Nick. 24:29.200 --> 24:30.200 Nick. 24:30.200 --> 24:31.200 Nick. 24:31.200 --> 24:32.200 Nick. 24:32.200 --> 24:33.200 Nick. 24:33.200 --> 24:34.200 Nick. 24:34.200 --> 24:35.200 Nick. 24:35.200 --> 24:36.200 Nick. 24:36.200 --> 24:37.200 Nick. 24:37.200 --> 24:38.200 Nick. 24:38.200 --> 24:39.200 Nick. 24:39.200 --> 24:40.200 Nick. 24:40.200 --> 24:41.200 Nick. 24:41.200 --> 24:42.200 Nick. 24:42.200 --> 24:43.200 Nick. 24:43.200 --> 24:47.200 Now here's your receipt, Officer. 24:47.200 --> 24:54.200 Received by St. James Infirmary, one body dead on arrival, Brock Garvey. 24:54.200 --> 24:56.200 Also received one Nick Volpe. 24:56.200 --> 24:58.200 He died five minutes after arrival. 24:58.200 --> 24:59.200 Right. 24:59.200 --> 25:02.200 Now what's she doing in there? 25:02.200 --> 25:03.200 The girl? 25:03.200 --> 25:05.200 Oh, just standing by his table staring at him. 25:05.200 --> 25:06.200 Get her. 25:06.200 --> 25:07.200 Okay. 25:07.200 --> 25:13.200 Hey, Miss, the policeman wants you. 25:13.200 --> 25:16.200 He says you gotta go with him now. 25:16.200 --> 25:22.200 Here she is, Officer. 25:22.200 --> 25:25.200 You see what you wanted to see, Miss? 25:25.200 --> 25:26.200 I saw. 25:26.200 --> 25:30.200 I saw my Nicky all stretched out on the table. 25:30.200 --> 25:33.200 So sweet, so cold, so fair. 25:33.200 --> 25:45.200 Let him go, let him go and bless you. 25:45.200 --> 26:01.200 Wherever he may be, he can look this wide world over. 26:01.200 --> 26:17.200 He'll never find a sweet gal like me. 26:17.200 --> 26:19.200 Suspense. 26:19.200 --> 26:23.200 Presented by Autolite, tonight's star, Miss Rosemary Clooney. 26:23.200 --> 26:28.200 This is Harlow Wilcox again speaking for Autolite, world's largest independent manufacturer 26:28.200 --> 26:30.200 of automotive electrical equipment. 26:30.200 --> 26:34.200 Autolite is proud to serve the greatest names in the industry. 26:34.200 --> 26:38.200 That's why during these early months of 53, the Autolite family joins in saluting the 26:38.200 --> 26:43.200 leading car manufacturers who install Autolite products as original equipment. 26:43.200 --> 26:49.200 Our Autolite family is made up of some 30,000 men and women in 28 great Autolite plants 26:49.200 --> 26:53.200 from coast to coast and in still other Autolite plants in many foreign countries. 26:53.200 --> 26:58.200 And more than 18,000 people who have invested a portion of their savings in Autolite, 26:58.200 --> 27:03.200 as well as 98,000 Autolite distributors and dealers in the United States and thousands 27:03.200 --> 27:06.200 more in Canada and throughout the world. 27:06.200 --> 27:11.200 Our Autolite family will salute Willis Overland on the next Autolite Suspense Television Program. 27:11.200 --> 27:15.200 If you live in a television area, check the day and time of suspense on television 27:15.200 --> 27:27.200 so that you will be sure to see this program. 27:27.200 --> 27:32.200 Next week, the story about a man who felt he was bigger and more important than anything 27:32.200 --> 27:36.200 else in the world and lost his life trying to prove it. 27:36.200 --> 27:39.200 The story is called The Storm. 27:39.200 --> 27:41.200 Our star, Mr. Frank Lovejoy. 27:41.200 --> 27:56.200 That's next week on Suspense. 27:56.200 --> 28:01.200 Suspense is produced and directed by Elliot Lewis with music composed by Lucian Morawick 28:01.200 --> 28:03.200 and conducted by Lut Gluskin. 28:03.200 --> 28:09.200 St. James Infirmary Blues was written for Suspense by Morton Fine and David Friedkin. 28:09.200 --> 28:15.200 In tonight's story, Anthony Barrett was heard as Nick and William Conrad as Brock. 28:15.200 --> 28:23.200 Others in the cast were Billy Hallop, Joseph Kearns, Clayton Post, Vivi Janis, and Shep Menken. 28:23.200 --> 28:31.200 Rosemary Clooney can currently be seen as the star of the Paramount picture, The Stars Are Singing. 28:31.200 --> 28:51.200 And remember next week, Mr. Frank Lovejoy in The Storm. 28:51.200 --> 29:07.200 This is the CBS Radio Network.