1 00:00:00,000 --> 00:00:09,800 Auto Light and its 98,000 dealers bring you Miss Rosemary Clooney. 2 00:00:09,800 --> 00:00:12,000 In tonight's presentation of... 3 00:00:12,000 --> 00:00:13,000 Suspense. 4 00:00:13,000 --> 00:00:22,520 Tonight, Auto Light presents a story about the roaring twenties and the violent people 5 00:00:22,520 --> 00:00:23,520 who lived them. 6 00:00:23,520 --> 00:00:28,800 As with song and story, we tell you about St. James Infirmary Blues. 7 00:00:28,800 --> 00:00:39,200 Our star, Time Magazine's cover girl, Miss Rosemary Clooney. 8 00:00:39,200 --> 00:00:42,040 Well Harlow, did you enjoy G.W.'s birthday? 9 00:00:42,040 --> 00:00:43,400 Yes, sir, Hap. 10 00:00:43,400 --> 00:00:44,760 Quite a guy, George. 11 00:00:44,760 --> 00:00:47,480 And an Auto Light stay full battery user, of course. 12 00:00:47,480 --> 00:00:48,480 He was? 13 00:00:48,480 --> 00:00:49,480 Well, he is. 14 00:00:49,480 --> 00:00:52,600 George just can't buy a better battery than the one that needs water only three times a 15 00:00:52,600 --> 00:00:54,000 year in normal car use. 16 00:00:54,000 --> 00:00:58,520 I suppose he used his stay full to start his boat across the Delaware. 17 00:00:58,520 --> 00:01:02,600 Well, if he did, he got the quickest and most powerful start of his life. 18 00:01:02,600 --> 00:01:04,320 And G.W. agrees. 19 00:01:04,320 --> 00:01:05,320 George Washington? 20 00:01:05,320 --> 00:01:06,800 Oh, no, no. 21 00:01:06,800 --> 00:01:08,560 George Wilcox, my brother. 22 00:01:08,560 --> 00:01:12,720 Friends, to quickly locate your Auto Light battery dealer, who services all makes of 23 00:01:12,720 --> 00:01:16,560 batteries, phone Western Union by number and ask for operator 25. 24 00:01:16,560 --> 00:01:21,080 And I'll gladly tell you where to get an Auto Light stay full, the battery that needs water 25 00:01:21,080 --> 00:01:23,920 only three times a year in normal car use. 26 00:01:23,920 --> 00:01:30,680 And remember, from bumper to tail light, you're always right with Auto Light. 27 00:01:30,680 --> 00:01:36,980 And now, Auto Light presents Miss Rosemary Clooney in St. James Infirmary Blues, hoping 28 00:01:36,980 --> 00:01:49,840 once again to keep you in suspense. 29 00:01:49,840 --> 00:01:59,200 I went down to St. James Infirmary. 30 00:01:59,200 --> 00:02:08,240 I saw my sweetheart there. 31 00:02:08,240 --> 00:02:17,240 All stretched out on a long white table. 32 00:02:17,240 --> 00:02:23,840 So pale, so cold, so thin. 33 00:02:23,840 --> 00:02:29,880 Hey, how do you like it, honey? 34 00:02:29,880 --> 00:02:30,880 It's all right. 35 00:02:30,880 --> 00:02:32,200 You know who that is over there? 36 00:02:32,200 --> 00:02:36,040 Brock, Brock Martin and all those guys around him. 37 00:02:36,040 --> 00:02:37,320 Every one of them gangsters. 38 00:02:37,320 --> 00:02:38,320 I told you tonight. 39 00:02:38,320 --> 00:02:41,640 I told you I'd take you to the fanciest speakeasy in New York. 40 00:02:41,640 --> 00:02:44,560 That Brock, he owns this whole end of town. 41 00:02:44,560 --> 00:02:46,680 You see the way they let me in, Sheila? 42 00:02:46,680 --> 00:02:49,200 It was very impressive, Freddy, dear. 43 00:02:49,200 --> 00:02:51,000 And how do you like the liquor here, huh? 44 00:02:51,000 --> 00:02:52,000 Right from Canada. 45 00:02:52,000 --> 00:02:53,640 You know, one thing about Brock. 46 00:02:53,640 --> 00:02:54,640 Freddy? 47 00:02:54,640 --> 00:02:55,640 Yeah, honey? 48 00:02:55,640 --> 00:02:56,640 Who's he? 49 00:02:56,640 --> 00:02:57,640 Huh? 50 00:02:57,640 --> 00:02:58,880 The boy with the black hair. 51 00:02:58,880 --> 00:03:00,640 Oh, he's Brock's trigger. 52 00:03:00,640 --> 00:03:02,640 What does that mean, honey? 53 00:03:02,640 --> 00:03:03,640 Baby, baby. 54 00:03:03,640 --> 00:03:04,640 Trigger. 55 00:03:04,640 --> 00:03:06,920 Trigger means you want somebody out of the way. 56 00:03:06,920 --> 00:03:07,920 Shot. 57 00:03:07,920 --> 00:03:09,680 And the boy with the black hair does it? 58 00:03:09,680 --> 00:03:11,240 That's what the papers say. 59 00:03:11,240 --> 00:03:12,240 That's Nick Volpe. 60 00:03:12,240 --> 00:03:13,240 You know him? 61 00:03:13,240 --> 00:03:16,040 Oh, you point these guys out, you don't know him. 62 00:03:16,040 --> 00:03:17,040 Hey, where you going? 63 00:03:17,040 --> 00:03:18,040 That's what he said. 64 00:03:18,040 --> 00:03:20,880 Three to two on Dempsey and Philly tomorrow, Brock. 65 00:03:20,880 --> 00:03:23,040 Don't you think we ought to take a hunker? 66 00:03:23,040 --> 00:03:24,680 Whatever you say, Nicky. 67 00:03:24,680 --> 00:03:27,800 Whatever Nicky says. 68 00:03:27,800 --> 00:03:29,800 This yours, Nicky? 69 00:03:29,800 --> 00:03:31,720 Nicky hasn't started to find out yet. 70 00:03:31,720 --> 00:03:33,960 Who are you, baby? 71 00:03:33,960 --> 00:03:34,960 Sheila. 72 00:03:34,960 --> 00:03:37,160 This is Sheila, Brock. 73 00:03:37,160 --> 00:03:38,160 Why? 74 00:03:38,160 --> 00:03:40,360 Tell him, baby. 75 00:03:40,360 --> 00:03:41,840 It's a dull place. 76 00:03:41,840 --> 00:03:43,800 I don't like dull. 77 00:03:43,800 --> 00:03:44,800 You see, Brock? 78 00:03:44,800 --> 00:03:47,040 Sit down, Sheila. 79 00:03:47,040 --> 00:03:48,040 I've got a table. 80 00:03:48,040 --> 00:03:49,520 I know, I saw. 81 00:03:49,520 --> 00:03:50,520 I know. 82 00:03:50,520 --> 00:03:54,760 You stared, Nicky, but I was too far away. 83 00:03:54,760 --> 00:03:56,760 You really couldn't tell. 84 00:03:56,760 --> 00:03:57,760 Freddie? 85 00:03:57,760 --> 00:04:02,760 Hello, Mr. Volpe. 86 00:04:02,760 --> 00:04:03,760 You're who? 87 00:04:03,760 --> 00:04:05,360 Oh, just a customer. 88 00:04:05,360 --> 00:04:07,160 Just brought Sheila here. 89 00:04:07,160 --> 00:04:08,160 Sheila. 90 00:04:08,160 --> 00:04:09,800 It was lovely, Freddie. 91 00:04:09,800 --> 00:04:11,600 I guess we better go now. 92 00:04:11,600 --> 00:04:12,600 Goodbye, Freddie. 93 00:04:12,600 --> 00:04:16,240 Hey, I can't leave you here with these things. 94 00:04:16,240 --> 00:04:17,240 Sheila. 95 00:04:17,240 --> 00:04:20,080 Valentino's playing down the street, Freddie. 96 00:04:20,080 --> 00:04:21,080 Go see him. 97 00:04:21,080 --> 00:04:22,080 Do that. 98 00:04:22,080 --> 00:04:23,080 Hi, Nick. 99 00:04:23,080 --> 00:04:27,080 The dull went away, didn't it? 100 00:04:27,080 --> 00:04:32,080 Keep it like that. 101 00:04:32,080 --> 00:04:35,080 Sure. 102 00:04:35,080 --> 00:04:57,720 I'd roam the wide world over, but none so sweet, so fair, as my loving baby Nicky, like 103 00:04:57,720 --> 00:05:04,720 red rockets in the air. 104 00:05:04,720 --> 00:05:07,560 Having fun, Sheila? 105 00:05:07,560 --> 00:05:08,560 Love it. 106 00:05:08,560 --> 00:05:09,560 How fast are we going? 107 00:05:09,560 --> 00:05:11,560 How fast, Cleo? 108 00:05:11,560 --> 00:05:12,560 60. 109 00:05:12,560 --> 00:05:13,560 Next corner, Cleo. 110 00:05:13,560 --> 00:05:14,560 I know where to stop, Nicky. 111 00:05:14,560 --> 00:05:15,560 Don't worry. 112 00:05:15,560 --> 00:05:16,560 You all right, baby? 113 00:05:16,560 --> 00:05:17,560 You think so? 114 00:05:17,560 --> 00:05:18,560 Yeah, yeah, I do. 115 00:05:18,560 --> 00:05:21,560 You're not going to get hurt, are you? 116 00:05:21,560 --> 00:05:22,560 Nah, never. 117 00:05:22,560 --> 00:05:23,560 Be back in a minute. 118 00:05:23,560 --> 00:05:24,560 Cleo. 119 00:05:24,560 --> 00:05:25,560 Yes, ma'am? 120 00:05:25,560 --> 00:05:26,560 How long have you been with Nicky? 121 00:05:26,560 --> 00:05:27,560 Driving him? 122 00:05:27,560 --> 00:05:28,560 Oh, a long time. 123 00:05:28,560 --> 00:05:36,440 He's nice, isn't he? 124 00:05:36,440 --> 00:05:37,440 Not while he's collecting. 125 00:05:37,440 --> 00:05:38,440 Not now he isn't. 126 00:05:38,440 --> 00:05:39,440 But exciting. 127 00:05:39,440 --> 00:05:42,440 You ought to go home. 128 00:05:42,440 --> 00:05:43,560 Exciting. 129 00:05:43,560 --> 00:05:47,000 This week, a whole week of Nicky. 130 00:05:47,000 --> 00:05:48,000 You don't... 131 00:05:48,000 --> 00:05:49,000 All right, let's get going, Cleo. 132 00:05:49,000 --> 00:05:50,000 Any trouble, boss? 133 00:05:50,000 --> 00:05:51,000 Just pie. 134 00:05:51,000 --> 00:05:56,000 Little guy in that store even thanked me for the protection we give him. 135 00:05:56,000 --> 00:05:59,000 Nicky. 136 00:05:59,000 --> 00:06:02,000 What, baby? 137 00:06:02,000 --> 00:06:13,120 Nothing, just Nicky. 138 00:06:13,120 --> 00:06:14,120 You're not smiling, Nicky. 139 00:06:14,120 --> 00:06:15,120 Trouble? 140 00:06:15,120 --> 00:06:16,120 Oh, not much. 141 00:06:16,120 --> 00:06:17,120 Cleo. 142 00:06:17,120 --> 00:06:18,120 Yeah, yeah, yeah. 143 00:06:18,120 --> 00:06:19,120 I know I'll take it slow. 144 00:06:19,120 --> 00:06:20,120 Get down in the car, baby. 145 00:06:20,120 --> 00:06:21,120 Nicky. 146 00:06:21,120 --> 00:06:22,120 Get down, I told you. 147 00:06:22,120 --> 00:06:29,120 All right, beat it. 148 00:06:29,120 --> 00:06:35,120 Sheila, honey. 149 00:06:35,120 --> 00:06:40,480 What? 150 00:06:40,480 --> 00:06:42,560 You know why that happened? 151 00:06:42,560 --> 00:06:45,520 You know why that man's store just blew up in his face? 152 00:06:45,520 --> 00:07:13,920 Sheila, when I tell you to do something, you'll do it, huh? 153 00:07:13,920 --> 00:07:15,920 Come in. 154 00:07:15,920 --> 00:07:17,480 Funny, I was just thinking about you, Nick. 155 00:07:17,480 --> 00:07:19,880 While I was mixing this drink, I was thinking, wouldn't it be... 156 00:07:19,880 --> 00:07:20,880 Shut up. 157 00:07:20,880 --> 00:07:21,880 All right. 158 00:07:21,880 --> 00:07:24,880 Here, take my drink. 159 00:07:24,880 --> 00:07:26,880 Lousy fools. 160 00:07:26,880 --> 00:07:29,280 What's the matter, Nick? 161 00:07:29,280 --> 00:07:32,720 Well, if anybody asks you, I've been here for the last five hours. 162 00:07:32,720 --> 00:07:33,720 Sure, but... 163 00:07:33,720 --> 00:07:36,120 What happens if anyone asks you? 164 00:07:36,120 --> 00:07:39,000 You were here five hours, Nick. 165 00:07:39,000 --> 00:07:40,840 All right. 166 00:07:40,840 --> 00:07:41,840 Now you tell me. 167 00:07:41,840 --> 00:07:44,120 Listen to me, a guy got killed. 168 00:07:44,120 --> 00:07:45,120 Who? 169 00:07:45,120 --> 00:07:46,120 What difference does it make? 170 00:07:46,120 --> 00:07:47,120 He was hauling a load of bulls to Montreal. 171 00:07:47,120 --> 00:07:48,120 They didn't make it. 172 00:07:48,120 --> 00:07:49,120 He got hijacked. 173 00:07:49,120 --> 00:07:50,120 They didn't like it. 174 00:07:50,120 --> 00:07:51,960 He didn't do what he was told to do, so he's dead. 175 00:07:51,960 --> 00:07:54,120 You kill him, Nick? 176 00:07:54,120 --> 00:07:55,960 How could I kill him? 177 00:07:55,960 --> 00:07:59,480 I've been here for the last five hours. 178 00:07:59,480 --> 00:08:00,480 That's right, Nick. 179 00:08:00,480 --> 00:08:02,480 It was Brock's bulls. 180 00:08:02,480 --> 00:08:04,400 It was Brock's boy who got killed. 181 00:08:04,400 --> 00:08:05,680 Brock will kill you for it. 182 00:08:05,680 --> 00:08:06,680 You shouldn't. 183 00:08:06,680 --> 00:08:07,680 Listen to me. 184 00:08:07,680 --> 00:08:08,680 Don't you know what I'm telling you? 185 00:08:08,680 --> 00:08:09,680 Nick, you're hurting me. 186 00:08:09,680 --> 00:08:11,680 Brock's gonna kill nobody, you understand? 187 00:08:11,680 --> 00:08:12,680 Nick! 188 00:08:12,680 --> 00:08:13,680 That's the phone. 189 00:08:13,680 --> 00:08:14,680 Hello? 190 00:08:14,680 --> 00:08:15,680 Nicky there. 191 00:08:15,680 --> 00:08:16,680 Who's this? 192 00:08:16,680 --> 00:08:17,680 Brock. 193 00:08:17,680 --> 00:08:18,680 He's here, Brock. 194 00:08:18,680 --> 00:08:19,680 You want to talk to him? 195 00:08:19,680 --> 00:08:20,680 How long's he been there? 196 00:08:20,680 --> 00:08:21,680 Five hours. 197 00:08:21,680 --> 00:08:22,680 Listen, Sheila, tell him something for me. 198 00:08:22,680 --> 00:08:23,680 Tell him McCready never got in with his truck because he got killed. 199 00:08:23,680 --> 00:08:24,680 Tell Nick McCready's gonna have a funeral tomorrow. 200 00:08:24,680 --> 00:08:25,680 Tell him to be there. 201 00:08:25,680 --> 00:08:26,680 I'll tell him. 202 00:08:26,680 --> 00:08:27,680 Nick. 203 00:08:27,680 --> 00:08:28,680 You did good. 204 00:08:28,680 --> 00:08:29,680 I'm sorry. 205 00:08:29,680 --> 00:08:30,680 I'm sorry. 206 00:08:30,680 --> 00:08:31,680 I'm sorry. 207 00:08:31,680 --> 00:08:32,680 I'm sorry. 208 00:08:32,680 --> 00:08:33,680 I'm sorry. 209 00:08:33,680 --> 00:08:34,680 I'm sorry. 210 00:08:34,680 --> 00:08:35,680 I'm sorry. 211 00:08:35,680 --> 00:08:36,680 I'm sorry. 212 00:08:36,680 --> 00:08:37,680 I'm sorry. 213 00:08:37,680 --> 00:08:38,680 I'm sorry. 214 00:08:38,680 --> 00:08:39,680 I'm sorry. 215 00:08:39,680 --> 00:08:40,680 I'm sorry. 216 00:08:40,680 --> 00:08:41,680 You did good. 217 00:08:41,680 --> 00:08:42,680 I'm scared. 218 00:08:42,680 --> 00:08:45,680 Touch this to you, baby. 219 00:08:45,680 --> 00:08:48,680 The scare's the way of the scare. 220 00:08:48,680 --> 00:08:50,520 50,000 times. 221 00:08:50,520 --> 00:08:52,200 One for each dollar. 222 00:08:52,200 --> 00:08:53,280 All that money? 223 00:08:53,280 --> 00:08:55,560 All that happy time, baby. 224 00:08:55,560 --> 00:09:00,000 Put it away for a rainy day for us. 225 00:09:00,000 --> 00:09:02,340 You like Cuba, baby? 226 00:09:02,340 --> 00:09:05,720 Right now I like it right here. 227 00:09:05,720 --> 00:09:06,720 Nick. 228 00:09:06,720 --> 00:09:09,360 Cuba's later. 229 00:09:09,360 --> 00:09:12,120 I'm sorry. 230 00:09:12,120 --> 00:09:14,960 I'm sorry. 231 00:09:14,960 --> 00:09:23,000 So we went down to the funeral. 232 00:09:23,000 --> 00:09:30,320 A man my naked killed. 233 00:09:30,320 --> 00:09:37,320 Parade of long black autos. 234 00:09:37,320 --> 00:09:44,560 The streets with crowds were filled. 235 00:09:44,560 --> 00:09:51,520 Six crapshooters as Paul Barrett. 236 00:09:51,520 --> 00:09:59,000 A chorus girl sang a song. 237 00:09:59,000 --> 00:10:06,200 With a jazz band on his hearse. 238 00:10:06,200 --> 00:10:12,160 Raising came as we drove along. 239 00:10:12,160 --> 00:10:15,160 Somebody, huh? 240 00:10:15,160 --> 00:10:24,120 But Katie would have liked it. 241 00:10:24,120 --> 00:10:25,120 Where's Nicky, Cleo? 242 00:10:25,120 --> 00:10:28,120 I haven't seen him for the last half hour. 243 00:10:28,120 --> 00:10:29,120 Oh, Michelle. 244 00:10:29,120 --> 00:10:30,120 Oh, hi, Brock. 245 00:10:30,120 --> 00:10:31,120 Hi, Brock. 246 00:10:31,120 --> 00:10:23,140 Hi, 247 00:10:23,140 --> 00:10:36,140 You want your machine? 248 00:10:36,140 --> 00:10:37,140 I'm sorry, Sheila. 249 00:10:37,140 --> 00:10:38,140 What? 250 00:10:38,140 --> 00:10:39,140 Brock's nodding to you. 251 00:10:39,140 --> 00:10:40,640 That means he wants you. 252 00:10:40,640 --> 00:10:41,640 All right. 253 00:10:41,640 --> 00:10:48,280 And here, Sheila, I want to talk to you. 254 00:10:48,280 --> 00:10:51,880 Sit down. 255 00:10:51,880 --> 00:10:53,360 You want a drink? 256 00:10:53,360 --> 00:10:54,360 No. 257 00:10:54,360 --> 00:10:55,360 You want Nicky? 258 00:10:55,360 --> 00:10:56,360 What did you do to him? 259 00:10:56,360 --> 00:10:59,180 Nothing's going to happen to him that you won't know about. 260 00:10:59,180 --> 00:11:00,280 He was with me. 261 00:11:00,280 --> 00:11:02,660 He didn't kill McCready. 262 00:11:02,660 --> 00:11:04,160 I swear he was with me, Brock. 263 00:11:04,160 --> 00:11:05,160 You're a pretty girl, Sheila. 264 00:11:05,160 --> 00:11:07,360 You got a nice face. 265 00:11:07,360 --> 00:11:09,920 Take care of yourself. 266 00:11:09,920 --> 00:11:11,600 Mostly don't lie. 267 00:11:11,600 --> 00:11:12,600 Don't kill him, Brock. 268 00:11:12,600 --> 00:11:15,200 He was the only one that knew about that load of booze from Montreal. 269 00:11:15,200 --> 00:11:19,440 I got a phone call from Patterson, New Jersey, a guy who runs things over there. 270 00:11:19,440 --> 00:11:20,440 He laughed in my face. 271 00:11:20,440 --> 00:11:26,920 He said, my boy Nick just sold him a load of my whiskey. 272 00:11:26,920 --> 00:11:28,920 You want to see Nick? 273 00:11:28,920 --> 00:11:32,960 Sure you do. 274 00:11:32,960 --> 00:11:35,840 Charlie, bring him in. 275 00:11:35,840 --> 00:11:38,040 Inside, big shot. 276 00:11:38,040 --> 00:11:39,040 Nicky. 277 00:11:39,040 --> 00:11:40,040 Hi, Sheila. 278 00:11:40,040 --> 00:11:42,040 It's all right, baby. 279 00:11:42,040 --> 00:11:43,040 It doesn't hurt. 280 00:11:43,040 --> 00:11:45,040 Sure it don't, Nick. 281 00:11:45,040 --> 00:11:46,940 Nothing's going to hurt anymore. 282 00:11:46,940 --> 00:11:47,940 Take him, Charlie. 283 00:11:47,940 --> 00:11:48,940 Let's go. 284 00:11:48,940 --> 00:11:49,940 Big shot. 285 00:11:49,940 --> 00:11:50,940 All right. 286 00:11:50,940 --> 00:11:51,940 It's what we got for you. 287 00:11:51,940 --> 00:11:52,940 You too, Sheila. 288 00:11:52,940 --> 00:11:53,940 Come on. 289 00:11:53,940 --> 00:12:03,680 OK, Cleo. 290 00:12:03,680 --> 00:12:12,040 Yes, sir. 291 00:12:12,040 --> 00:12:16,720 Out, Nick. 292 00:12:16,720 --> 00:12:17,720 Baby. 293 00:12:17,720 --> 00:12:18,720 Come on. 294 00:12:18,720 --> 00:12:21,360 She won't let him go, boys. 295 00:12:21,360 --> 00:12:22,360 Maker. 296 00:12:22,360 --> 00:12:23,360 Yeah. 297 00:12:23,360 --> 00:12:24,360 She let go. 298 00:12:24,360 --> 00:12:25,360 Come on, Nick. 299 00:12:25,360 --> 00:12:26,360 Bye, baby. 300 00:12:26,360 --> 00:12:27,360 Come on. 301 00:12:27,360 --> 00:12:28,360 Come on. 302 00:12:28,360 --> 00:12:29,360 Come on. 303 00:12:29,360 --> 00:12:30,360 Yeah. 304 00:12:30,360 --> 00:12:31,360 Baby. 305 00:12:31,360 --> 00:12:32,360 Nick. 306 00:12:32,360 --> 00:12:33,360 Nicky. 307 00:12:33,360 --> 00:12:38,040 You better believe it, Sheila. 308 00:12:38,040 --> 00:12:59,760 It just happened to him. 309 00:12:59,760 --> 00:13:04,760 Auto Light is bringing you Miss Rosemary Clooney in St. James Infirmary Blues. 310 00:13:04,760 --> 00:13:17,400 Tonight's presentation in suspense. 311 00:13:17,400 --> 00:13:21,040 You know, Harlow, life was tough in Washington's time. 312 00:13:21,040 --> 00:13:22,280 It sure was, Hap. 313 00:13:22,280 --> 00:13:25,960 Imagine having to get along without an Auto Light Stay Full, the great battery that needs 314 00:13:25,960 --> 00:13:28,680 water only three times a year in normal car use. 315 00:13:28,680 --> 00:13:32,960 But they didn't need Auto Light Stay Full batteries in that time. 316 00:13:32,960 --> 00:13:36,400 Why, Hap, folks should have the Stay Full advantages all the time. 317 00:13:36,400 --> 00:13:40,720 Those fiberglass retaining mats protect the power of every positive plate, reduce shedding 318 00:13:40,720 --> 00:13:45,560 and flaking, and give the Auto Light Stay Full longer life, as proved by tests conducted 319 00:13:45,560 --> 00:13:47,840 according to accepted life cycle standards. 320 00:13:47,840 --> 00:13:51,520 But Harlow, they didn't have cars in Washington's time. 321 00:13:51,520 --> 00:13:55,400 They weren't worth having without an Auto Light Stay Full, Hap. 322 00:13:55,400 --> 00:13:57,000 Friends visit your Auto Light Battery dealer. 323 00:13:57,000 --> 00:14:01,240 He services all makes of batteries, and he has an Auto Light Stay Full for your car if 324 00:14:01,240 --> 00:14:03,000 a replacement is needed. 325 00:14:03,000 --> 00:14:06,400 To quickly locate him, phone Western Union by number and ask for... 326 00:14:06,400 --> 00:14:10,640 Operator 25, I'll gladly tell you where to get an Auto Light Stay Full. 327 00:14:10,640 --> 00:14:14,920 The battery that needs water only three times a year in normal car use. 328 00:14:14,920 --> 00:14:21,640 And remember, from bumper to tail light, you're always right with Auto Light. 329 00:14:21,640 --> 00:14:27,120 And now, Auto Light brings back to our Hollywood soundstage, Miss Rosemary Clooney, in Elliot 330 00:14:27,120 --> 00:14:33,920 Lewis's production of St. James Infirmary Blues, a story well calculated to keep you 331 00:14:33,920 --> 00:14:49,160 in suspense. 332 00:14:49,160 --> 00:14:50,520 You've been a good girl, Sheila. 333 00:14:50,520 --> 00:14:52,760 I like that. 334 00:14:52,760 --> 00:15:03,200 Let's try the smile when we get inside the club. 335 00:15:03,200 --> 00:15:10,000 Open it, Lefty. 336 00:15:10,000 --> 00:15:13,800 The smile, Sheila, like it just came from a party with laughs. 337 00:15:13,800 --> 00:15:16,240 Hi, Brock, buy you a drink. 338 00:15:16,240 --> 00:15:17,240 Some other time. 339 00:15:17,240 --> 00:15:21,440 Come on, have a drink with me, Brock. 340 00:15:21,440 --> 00:15:23,880 My office, Sheila, inside. 341 00:15:23,880 --> 00:15:26,120 Here, I'll take your coat. 342 00:15:26,120 --> 00:15:27,120 Brock. 343 00:15:27,120 --> 00:15:35,520 Sit down, Sheila. 344 00:15:35,520 --> 00:15:36,520 Drink it. 345 00:15:36,520 --> 00:15:37,520 No. 346 00:15:37,520 --> 00:15:40,720 Nick used to tell me to do things and I did them. 347 00:15:40,720 --> 00:15:42,040 He's dead now. 348 00:15:42,040 --> 00:15:43,680 You're not. 349 00:15:43,680 --> 00:15:45,760 Thank me, Sheila. 350 00:15:45,760 --> 00:15:49,120 You're fat. 351 00:15:49,120 --> 00:15:50,120 Nick was a good boy. 352 00:15:50,120 --> 00:15:52,280 He met you, something happened to him. 353 00:15:52,280 --> 00:15:54,080 He crossed me, now he's dead. 354 00:15:54,080 --> 00:15:56,320 You see what I can do, Sheila? 355 00:15:56,320 --> 00:16:00,400 You're fat and you're old. 356 00:16:00,400 --> 00:16:02,440 I've seen him like you. 357 00:16:02,440 --> 00:16:03,440 Beautiful. 358 00:16:03,440 --> 00:16:06,040 Cultures are weird, aren't they, Sheila? 359 00:16:06,040 --> 00:16:08,120 Good family, money, everything. 360 00:16:08,120 --> 00:16:12,280 But really nothing at all. 361 00:16:12,280 --> 00:16:14,800 Excitement's what you need, isn't it? 362 00:16:14,800 --> 00:16:16,800 What do I do to you, Brock? 363 00:16:16,800 --> 00:16:19,080 I don't know. 364 00:16:19,080 --> 00:16:22,160 But I do it, don't I? 365 00:16:22,160 --> 00:16:23,840 Yeah. 366 00:16:23,840 --> 00:16:26,200 Make me another drink, Brock. 367 00:16:26,200 --> 00:16:27,280 Sheila. 368 00:16:27,280 --> 00:16:30,200 Make me another drink. 369 00:16:30,200 --> 00:16:33,200 All right, Sheila. 370 00:16:33,200 --> 00:16:41,640 Here, drink it, baby, and we'll make it the start of a... 371 00:16:41,640 --> 00:16:45,880 Wipe the gin off your face, Brock. 372 00:16:45,880 --> 00:16:48,880 Enjoy it. 373 00:16:48,880 --> 00:16:51,360 Let me make up my mind about something. 374 00:16:51,360 --> 00:16:54,840 Whether we should ride back to where Nicky got his and throw you away. 375 00:16:54,840 --> 00:16:57,640 You think that would be exciting, Sheila? 376 00:16:57,640 --> 00:16:58,640 Do it right here. 377 00:16:58,640 --> 00:16:59,640 You've got the gun. 378 00:16:59,640 --> 00:17:02,520 Oh, Sheila, Sheila. 379 00:17:02,520 --> 00:17:04,160 You want to kiss me? 380 00:17:04,160 --> 00:17:05,920 Go ahead. 381 00:17:05,920 --> 00:17:09,240 You taste of gin. 382 00:17:09,240 --> 00:17:11,720 I've got to stay alive now, huh, Brock? 383 00:17:11,720 --> 00:17:12,720 Bye. 384 00:17:12,720 --> 00:17:33,840 I left my Nicky's killer The clarinet played so sad 385 00:17:33,840 --> 00:17:42,320 Copped a cab at 44th Street Oh, I had it 386 00:17:42,320 --> 00:17:53,920 Oh, so bad Put on my black lace nightgown 387 00:17:53,920 --> 00:18:07,080 Turned down my cold, cold bed The blues were all around me 388 00:18:07,080 --> 00:18:15,200 And I wished that I was dead 389 00:18:15,200 --> 00:18:16,200 Who is it? 390 00:18:16,200 --> 00:18:20,600 Wait, I'll slip something on. 391 00:18:20,600 --> 00:18:23,600 Nicky. 392 00:18:23,600 --> 00:18:27,080 Let me in. 393 00:18:27,080 --> 00:18:29,040 Sure, sure, Nicky. 394 00:18:29,040 --> 00:18:30,040 Over here. 395 00:18:30,040 --> 00:18:31,040 Lie down. 396 00:18:31,040 --> 00:18:32,040 No, no, listen. 397 00:18:32,040 --> 00:18:33,040 I've got to get him. 398 00:18:33,040 --> 00:18:34,040 I've got to get Brock. 399 00:18:34,040 --> 00:18:35,040 You're hurt. 400 00:18:35,040 --> 00:18:37,040 You're hurt so terribly. 401 00:18:37,040 --> 00:18:38,280 Bring him to me. 402 00:18:38,280 --> 00:18:39,280 You need a doctor, Nicky. 403 00:18:39,280 --> 00:18:40,280 I'll get you a doctor. 404 00:18:40,280 --> 00:18:41,280 And I want one. 405 00:18:41,280 --> 00:18:42,800 I want Brock. 406 00:18:42,800 --> 00:18:46,240 Get him for me. 407 00:18:46,240 --> 00:18:47,240 I'm dying, Sheila. 408 00:18:47,240 --> 00:18:50,800 I've got to get Brock before I die. 409 00:18:50,800 --> 00:18:52,800 You've got to do it for me. 410 00:18:52,800 --> 00:18:54,720 Yes, I can do it for you, Nicky. 411 00:18:54,720 --> 00:18:55,720 And a gun. 412 00:18:55,720 --> 00:18:56,720 Yes. 413 00:18:56,720 --> 00:18:57,720 Go to Cleo. 414 00:18:57,720 --> 00:19:00,720 He'll give you a gun. 415 00:19:00,720 --> 00:19:01,720 Yes. 416 00:19:01,720 --> 00:19:03,080 Lie down, Nick. 417 00:19:03,080 --> 00:19:04,080 Here. 418 00:19:04,080 --> 00:19:05,080 Put your arm around me. 419 00:19:05,080 --> 00:19:06,720 We'll do it, won't we? 420 00:19:06,720 --> 00:19:08,880 We'll kill Brock. 421 00:19:08,880 --> 00:19:13,880 We'll kill him. 422 00:19:13,880 --> 00:19:29,680 Oh, Miss Sheila. 423 00:19:29,680 --> 00:19:33,840 Hello, Cleo. 424 00:19:33,840 --> 00:19:34,840 May I come in? 425 00:19:34,840 --> 00:19:36,200 Well, I don't know. 426 00:19:36,200 --> 00:19:37,200 Sure you do. 427 00:19:37,200 --> 00:19:38,200 What do you want? 428 00:19:38,200 --> 00:19:39,200 I want a gun, Cleo. 429 00:19:39,200 --> 00:19:40,200 Oh, I can't do that, Miss Sheila. 430 00:19:40,200 --> 00:19:41,200 Why not? 431 00:19:41,200 --> 00:19:42,200 Well, Brock didn't say give you a gun. 432 00:19:42,200 --> 00:19:43,200 It doesn't matter. 433 00:19:43,200 --> 00:19:44,200 Oh, you're wrong, Miss Sheila. 434 00:19:44,200 --> 00:19:45,200 That's what matters the most. 435 00:19:45,200 --> 00:19:46,200 You see, if Brock called me and said give you a gun, it'd be all right. 436 00:19:46,200 --> 00:19:47,200 I'll call him. 437 00:19:47,200 --> 00:19:48,200 All right. 438 00:19:48,200 --> 00:19:49,200 You want to know what I'm going to tell him? 439 00:19:49,200 --> 00:19:50,200 Yeah, I know about the gun. 440 00:19:50,200 --> 00:19:51,200 I'll listen in. 441 00:19:51,200 --> 00:19:52,200 About how you were waiting for me when I left his place. 442 00:19:52,200 --> 00:19:53,200 How we went riding and had some drinks. 443 00:19:53,200 --> 00:19:54,200 And how I've, how I've been waiting for you. 444 00:19:54,200 --> 00:19:55,200 And I've been waiting for you. 445 00:19:55,200 --> 00:19:56,200 And I've been waiting for you. 446 00:19:56,200 --> 00:19:57,200 And I've been waiting for you. 447 00:19:57,200 --> 00:20:10,200 And I've been waiting for you. 448 00:20:10,200 --> 00:20:17,200 And I've been waiting for you. 449 00:20:17,200 --> 00:20:27,200 Here. 450 00:20:27,200 --> 00:20:28,200 Thanks, Cleo. 451 00:20:28,200 --> 00:20:29,200 Miss Sheila. 452 00:20:29,200 --> 00:20:30,200 Yes. 453 00:20:30,200 --> 00:20:31,200 What do you want it for? 454 00:20:31,200 --> 00:20:33,200 Let me ask you something, Cleo. 455 00:20:33,200 --> 00:20:34,200 Did you like Nicky? 456 00:20:34,200 --> 00:20:36,200 I liked him all right. 457 00:20:36,200 --> 00:20:37,200 He's alive. 458 00:20:37,200 --> 00:20:39,200 Well, your kid and Brock got written. 459 00:20:39,200 --> 00:20:41,200 Nicky's alive, Cleo. 460 00:20:41,200 --> 00:20:42,200 He liked you. 461 00:20:42,200 --> 00:20:45,200 I thought you'd want it. 462 00:20:45,200 --> 00:20:47,200 Cleo, don't. 463 00:20:47,200 --> 00:20:48,200 And over 79715. 464 00:20:48,200 --> 00:20:49,200 Cleo. 465 00:20:49,200 --> 00:20:50,200 I got to, Miss Sheila. 466 00:20:50,200 --> 00:20:51,200 Brock's my boss. 467 00:20:51,200 --> 00:20:52,200 He's got to know. 468 00:20:52,200 --> 00:20:53,200 Cleo, don't. 469 00:20:53,200 --> 00:20:54,200 You've got to understand, Miss Sheila. 470 00:20:54,200 --> 00:20:55,200 Hello. 471 00:20:55,200 --> 00:20:56,200 Hello. 472 00:20:56,200 --> 00:20:57,200 Hello. 473 00:20:57,200 --> 00:20:58,200 Hello, Brock. 474 00:20:58,200 --> 00:20:59,200 Who is this? 475 00:20:59,200 --> 00:21:00,200 Sheila. 476 00:21:00,200 --> 00:21:01,200 Sheila? 477 00:21:01,200 --> 00:21:02,200 Hello, Sheila. 478 00:21:02,200 --> 00:21:03,200 I'm lonely, Brock. 479 00:21:03,200 --> 00:21:04,200 Doll again, huh? 480 00:21:04,200 --> 00:21:05,200 Doll. 481 00:21:05,200 --> 00:21:16,200 I can fix it, baby. 482 00:21:16,200 --> 00:21:21,200 It'll take you about an hour to get to my place, won't it, Brock? 483 00:21:21,200 --> 00:21:24,200 That's how long I can stand it without you. 484 00:21:24,200 --> 00:21:25,200 Just that long. 485 00:21:25,200 --> 00:21:26,200 See you. 486 00:21:26,200 --> 00:21:45,200 Sheila. 487 00:21:45,200 --> 00:21:48,200 It's me, honey. 488 00:21:48,200 --> 00:21:49,200 How do you feel? 489 00:21:49,200 --> 00:21:52,200 It's better now you're here. 490 00:21:52,200 --> 00:21:53,200 I got the gun, Nick. 491 00:21:53,200 --> 00:21:57,200 Give it to me. 492 00:21:57,200 --> 00:22:00,200 Three bullets missing, Sheila. 493 00:22:00,200 --> 00:22:01,200 I know. 494 00:22:01,200 --> 00:22:04,200 Been fired not long ago, ain't it? 495 00:22:04,200 --> 00:22:05,200 I know. 496 00:22:05,200 --> 00:22:06,200 What happened? 497 00:22:06,200 --> 00:22:08,200 I told Cleo you were alive. 498 00:22:08,200 --> 00:22:10,200 He was going to call Brock. 499 00:22:10,200 --> 00:22:13,200 So you shot him. 500 00:22:13,200 --> 00:22:15,200 Let me hold your neck. 501 00:22:15,200 --> 00:22:17,200 Yeah, baby. 502 00:22:17,200 --> 00:22:18,200 Yeah. 503 00:22:18,200 --> 00:22:19,200 Nicky. 504 00:22:19,200 --> 00:22:21,200 What, baby? 505 00:22:21,200 --> 00:22:23,200 It was easy. 506 00:22:23,200 --> 00:22:25,200 Brock coming? 507 00:22:25,200 --> 00:22:28,200 He'll be here in about a half hour. 508 00:22:28,200 --> 00:22:31,200 Hold me, baby. 509 00:22:31,200 --> 00:22:49,200 No tears, no blues, no blues. 510 00:22:49,200 --> 00:22:52,200 It hurts me to laugh, Sheila, but it's funny. 511 00:22:52,200 --> 00:22:54,200 I'll listen to him. 512 00:22:54,200 --> 00:22:56,200 Do you want me to do it for you, Nick? 513 00:22:56,200 --> 00:22:57,200 Shoot him. 514 00:22:57,200 --> 00:22:58,200 I'd do it. 515 00:22:58,200 --> 00:23:00,200 Just show him in the living room, baby. 516 00:23:00,200 --> 00:23:10,200 Then I'll make an entrance. 517 00:23:10,200 --> 00:23:13,200 You snapped your fingers and I came running, Sheila. 518 00:23:13,200 --> 00:23:15,200 I'll snap them again, Brock. 519 00:23:15,200 --> 00:23:17,200 What are you going to do now? 520 00:23:17,200 --> 00:23:19,200 You tell me. 521 00:23:19,200 --> 00:23:21,200 Now I mean it. 522 00:23:21,200 --> 00:23:23,200 I'll think of something. 523 00:23:23,200 --> 00:23:24,200 Take off your coat. 524 00:23:24,200 --> 00:23:26,200 We'll have some music. 525 00:23:26,200 --> 00:23:28,200 Yeah, sure. 526 00:23:28,200 --> 00:23:33,200 It's a nice place you got here. 527 00:23:33,200 --> 00:23:35,200 Nick liked it. 528 00:23:35,200 --> 00:23:37,200 Tough about him. 529 00:23:37,200 --> 00:23:40,200 Dance with me, honey. 530 00:23:40,200 --> 00:23:43,200 You want to dance with me? 531 00:23:43,200 --> 00:23:45,200 You dance whether you put your hands on it. 532 00:23:45,200 --> 00:23:47,200 I couldn't stand that. 533 00:23:47,200 --> 00:23:48,200 Nick. 534 00:23:48,200 --> 00:23:49,200 All I did was say goodbye to everybody. 535 00:23:49,200 --> 00:23:51,200 What are you going to do, Brock? 536 00:23:51,200 --> 00:23:52,200 No, no, no. 537 00:23:52,200 --> 00:23:53,200 Don't do it, Nick. 538 00:23:53,200 --> 00:23:54,200 You're going to? 539 00:23:54,200 --> 00:23:55,200 No, no, no. 540 00:23:55,200 --> 00:23:56,200 Please, please, Nick. 541 00:23:56,200 --> 00:23:57,200 Say a pretty word before you die. 542 00:23:57,200 --> 00:23:58,200 No, please, please. 543 00:23:58,200 --> 00:23:59,200 No, no. 544 00:23:59,200 --> 00:24:09,200 Now it's over, baby. 545 00:24:09,200 --> 00:24:10,200 Now we'll get a doctor. 546 00:24:10,200 --> 00:24:11,200 No. 547 00:24:11,200 --> 00:24:15,200 Too late, baby. 548 00:24:15,200 --> 00:24:18,200 But it was fun. 549 00:24:18,200 --> 00:24:19,200 Wasn't it fun, Sheila? 550 00:24:19,200 --> 00:24:20,200 Nick, don't die. 551 00:24:20,200 --> 00:24:21,200 Baby. 552 00:24:21,200 --> 00:24:23,200 Nick, Nick. 553 00:24:23,200 --> 00:24:24,200 Nick. 554 00:24:24,200 --> 00:24:25,200 Nick. 555 00:24:25,200 --> 00:24:26,200 Nick. 556 00:24:26,200 --> 00:24:27,200 Nick. 557 00:24:27,200 --> 00:24:28,200 Nick. 558 00:24:28,200 --> 00:24:29,200 Nick. 559 00:24:29,200 --> 00:24:30,200 Nick. 560 00:24:30,200 --> 00:24:31,200 Nick. 561 00:24:31,200 --> 00:24:32,200 Nick. 562 00:24:32,200 --> 00:24:33,200 Nick. 563 00:24:33,200 --> 00:24:34,200 Nick. 564 00:24:34,200 --> 00:24:35,200 Nick. 565 00:24:35,200 --> 00:24:36,200 Nick. 566 00:24:36,200 --> 00:24:37,200 Nick. 567 00:24:37,200 --> 00:24:38,200 Nick. 568 00:24:38,200 --> 00:24:39,200 Nick. 569 00:24:39,200 --> 00:24:40,200 Nick. 570 00:24:40,200 --> 00:24:41,200 Nick. 571 00:24:41,200 --> 00:24:42,200 Nick. 572 00:24:42,200 --> 00:24:43,200 Nick. 573 00:24:43,200 --> 00:24:47,200 Now here's your receipt, Officer. 574 00:24:47,200 --> 00:24:54,200 Received by St. James Infirmary, one body dead on arrival, Brock Garvey. 575 00:24:54,200 --> 00:24:56,200 Also received one Nick Volpe. 576 00:24:56,200 --> 00:24:58,200 He died five minutes after arrival. 577 00:24:58,200 --> 00:24:59,200 Right. 578 00:24:59,200 --> 00:25:02,200 Now what's she doing in there? 579 00:25:02,200 --> 00:25:03,200 The girl? 580 00:25:03,200 --> 00:25:05,200 Oh, just standing by his table staring at him. 581 00:25:05,200 --> 00:25:06,200 Get her. 582 00:25:06,200 --> 00:25:07,200 Okay. 583 00:25:07,200 --> 00:25:13,200 Hey, Miss, the policeman wants you. 584 00:25:13,200 --> 00:25:16,200 He says you gotta go with him now. 585 00:25:16,200 --> 00:25:22,200 Here she is, Officer. 586 00:25:22,200 --> 00:25:25,200 You see what you wanted to see, Miss? 587 00:25:25,200 --> 00:25:26,200 I saw. 588 00:25:26,200 --> 00:25:30,200 I saw my Nicky all stretched out on the table. 589 00:25:30,200 --> 00:25:33,200 So sweet, so cold, so fair. 590 00:25:33,200 --> 00:25:45,200 Let him go, let him go and bless you. 591 00:25:45,200 --> 00:26:01,200 Wherever he may be, he can look this wide world over. 592 00:26:01,200 --> 00:26:17,200 He'll never find a sweet gal like me. 593 00:26:17,200 --> 00:26:19,200 Suspense. 594 00:26:19,200 --> 00:26:23,200 Presented by Autolite, tonight's star, Miss Rosemary Clooney. 595 00:26:23,200 --> 00:26:28,200 This is Harlow Wilcox again speaking for Autolite, world's largest independent manufacturer 596 00:26:28,200 --> 00:26:30,200 of automotive electrical equipment. 597 00:26:30,200 --> 00:26:34,200 Autolite is proud to serve the greatest names in the industry. 598 00:26:34,200 --> 00:26:38,200 That's why during these early months of 53, the Autolite family joins in saluting the 599 00:26:38,200 --> 00:26:43,200 leading car manufacturers who install Autolite products as original equipment. 600 00:26:43,200 --> 00:26:49,200 Our Autolite family is made up of some 30,000 men and women in 28 great Autolite plants 601 00:26:49,200 --> 00:26:53,200 from coast to coast and in still other Autolite plants in many foreign countries. 602 00:26:53,200 --> 00:26:58,200 And more than 18,000 people who have invested a portion of their savings in Autolite, 603 00:26:58,200 --> 00:27:03,200 as well as 98,000 Autolite distributors and dealers in the United States and thousands 604 00:27:03,200 --> 00:27:06,200 more in Canada and throughout the world. 605 00:27:06,200 --> 00:27:11,200 Our Autolite family will salute Willis Overland on the next Autolite Suspense Television Program. 606 00:27:11,200 --> 00:27:15,200 If you live in a television area, check the day and time of suspense on television 607 00:27:15,200 --> 00:27:27,200 so that you will be sure to see this program. 608 00:27:27,200 --> 00:27:32,200 Next week, the story about a man who felt he was bigger and more important than anything 609 00:27:32,200 --> 00:27:36,200 else in the world and lost his life trying to prove it. 610 00:27:36,200 --> 00:27:39,200 The story is called The Storm. 611 00:27:39,200 --> 00:27:41,200 Our star, Mr. Frank Lovejoy. 612 00:27:41,200 --> 00:27:56,200 That's next week on Suspense. 613 00:27:56,200 --> 00:28:01,200 Suspense is produced and directed by Elliot Lewis with music composed by Lucian Morawick 614 00:28:01,200 --> 00:28:03,200 and conducted by Lut Gluskin. 615 00:28:03,200 --> 00:28:09,200 St. James Infirmary Blues was written for Suspense by Morton Fine and David Friedkin. 616 00:28:09,200 --> 00:28:15,200 In tonight's story, Anthony Barrett was heard as Nick and William Conrad as Brock. 617 00:28:15,200 --> 00:28:23,200 Others in the cast were Billy Hallop, Joseph Kearns, Clayton Post, Vivi Janis, and Shep Menken. 618 00:28:23,200 --> 00:28:31,200 Rosemary Clooney can currently be seen as the star of the Paramount picture, The Stars Are Singing. 619 00:28:31,200 --> 00:28:51,200 And remember next week, Mr. Frank Lovejoy in The Storm. 620 00:28:51,200 --> 00:29:07,200 This is the CBS Radio Network.