WEBVTT

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Auto Light and its 98,000 dealers bring you Mr. William Powell in tonight's presentation of...

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Suspense!

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Tonight, Auto Light presents a story based on fact.

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The dramatic report of a man's desperate race for freedom,

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with names and places changed in order to protect the lives of three people.

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The story is called, The Man Who Cried Wolf, our star Mr. William Powell.

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Okay, Mr. Wilcox, you're all set.

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Thanks, Sam. My complete Auto Light electrical system is tuned to a tee, eh?

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Yes, sir. The coil, distributor, starting motor, generator, spark plugs, battery, and all the other parts are working together like a perfect team.

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And that means smooth and economical performance.

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You know, that electrical system has a big job.

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It goes to work the instant you press the starter button, and continues to function every second your car is in motion.

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In addition, it works for you every time you blow your horn, turn on your lights, radio, heater, and electric windshield wiper.

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Yep, and that's why it pays to keep the electrical system really running right.

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You bet. So friends, have your car's electrical system periodically and expertly checked at your car dealer's or authorized Auto Light service station.

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You can locate your nearest Auto Light service station through the classified section of the phone book under Automobile Electrical Service,

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or by calling Western Union by number and asking for operator 25.

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And remember, from bumper to tail light, you're always right with Auto Light.

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In Auto Light, William Powell is appearing by arrangement with Metro-Goldwyn-Mayer,

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producers of the Technicolor picture, The Naked Spur, starring James Stewart, Janet Leigh, and Robert Ryan.

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And now, Auto Light presents The Man Who Cried Wolf, starring Mr. William Powell, hoping once again to keep you in suspense.

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If you knew who I am, if one day you would pass me on the street and stop and point your finger at me and say,

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this story happened to you, then I would be a dead man.

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And therefore, I cannot tell you too much about myself, neither what I look like nor where I am.

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A few things you may know which will alter nothing.

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I am Russian. I was once a member of the Communist Party.

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And until recently, I was attached to the Russian Embassy in Mexico City, a cipher clerk.

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Three years of it, attached to the embassy in a strange new land.

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Here, a thing needs emphasis. The people, the Mexican people, they worked, they sang, they laughed,

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they had families, cried, played, hoped, loved, like Russian people, but with a difference.

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They did these things when and how and where they wanted to, not by directives.

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The word is freedom. It took me three years to know its meaning.

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For this, I was almost murdered.

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To you, my name is Meroz Leco.

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It started at nine o'clock in the morning, when I was walking toward the cipher room in the embassy.

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Comrade Leco, if you please, comrade.

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Can you spare me a moment?

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Of course.

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In here, please, my office.

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Sit down, sit down.

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Thank you.

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And how is your wife, Lilia, and the little one, his name?

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Ivan.

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Ivan. He must be, let me see, three months.

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Three months. Amazing.

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I believe Ivan recognizes me, comrade Zappekin.

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I have heard of other children his age who travel in airplanes.

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Bottles and equipment to make formula, these things are provided.

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I don't...

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Of course you do. Travel in airplanes. Ivan will do it. Therefore you, therefore your wife.

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I have been recalled.

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I have suggested it to the ambassador, the ambassador to Moscow, approved. Moscow to the ambassador, etc.

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But why?

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Because I suggested it to the ambassador.

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I see.

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Of course you do. However, you should know this.

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I have written a letter which will proceed you by diplomatic pouch.

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As your superior, my impressions of you. The gist of it you must know.

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No, no, I don't.

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You will be missed here in Mexico, I've told them that.

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Thank you.

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By many friends, Mexicans, Americans whom you have met through your Mexican friends.

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Then I am being recalled as a poor security risk.

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Exactly. Now, your key to the cypher room.

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Comrade...

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The key.

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Oh yes, I have it here. To detach it will...

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Ah. Zappekin speaking. Yes, comrade. Oh yes, one moment.

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Comrade Leco, if you please wait for me in the corridor.

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Of course.

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Yes, comrade. Yes, ambassador. I have told him.

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There is no melodrama attached to it.

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Merely a simple truth.

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To be sent back to Moscow is a bad security risk.

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Prison, work camp in Siberia, death.

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Therefore, do a thing.

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Pursue a plan. Ensure my living.

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Do not wait for Zappekin.

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Back to the cypher room. Use the key.

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Steel. Certain papers. Documents.

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For the occasion of remaining alive.

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You have this one. And this.

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Secret documents to buy my own security.

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Papers dogged for the purpose.

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Stay alive.

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And these. This.

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Comrade Leco.

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And put them into my coat pocket. Inside.

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Comrade.

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A moment, comrade.

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Open.

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I told you to wait.

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But I had duties here in the cypher room, comrade.

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You are relieved of them. I told you this.

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No. Merely that I am returning to Moscow.

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Tomorrow.

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Yes.

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The key, comrade.

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Of course.

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Here.

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You will go immediately to your house. You will inform your wife.

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You will pack. You will get your child ready.

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And you will be delivered to Moscow.

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Under escort, comrade.

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Now. Good day.

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Lilia.

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Lilia.

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You, Mero? Is it you?

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I was but in the kitchen doing the things of the morning.

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And Mero.

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What?

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It is morning and you are not at the embassy.

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You are here. Why?

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The child, Lilia. Where?

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He has been fed. He is bathed and he sleeps now.

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Lilia.

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There is cold in your hands.

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Close. I will warn you.

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Lilia.

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Why?

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Say to me why you are of illness.

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Yes, that is it.

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An old illness.

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Then we will call a doctor. We will...

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No, Lilia.

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But this chill in you that I cannot warm.

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Fear.

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Fear of death.

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To run in streets blazing the sun and still to be cold.

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What cure for that, Lilia?

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Death.

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To begin tomorrow. For you.

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For me.

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And for the child.

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I do not know what there will be for the child.

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Your lips for death.

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I am being recalled, Lilia.

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Why?

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Why? You have worked hard for him.

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And I have talked to people here.

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And I have sat in sunlight and laughed with them.

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And somewhere in darkness it was observed and reported.

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There is until tomorrow.

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And there is time for flight.

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I will make ready the child.

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No.

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If we run, they will find a quicker way to kill us.

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I have a plan, Lilia.

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For a year now I have had this plan.

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And it will keep you from death?

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Listen to me.

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I have stolen certain papers from the cipher room.

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Documents of theirs that can buy back our life.

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I have them here in my coat.

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From whom will they buy our life, Meroes?

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Who will now want...

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Will you listen to me?

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You are to take them.

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Here, take them.

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Yes, Meroes.

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You put them in a briefcase.

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And then you take the boy and dress him.

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And go to the plazas of Calo.

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And the bench there near the Greek fountain.

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And you are there so the child will have son, if anyone asks.

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And you will keep the briefcase hidden until I come to you.

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You understand, Lilia?

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Yes.

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And then quickly get ready.

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Yes, sir.

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Go, Lilia, quick.

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Oh, Senor Carradonis.

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You give me surprise, Senor Leco.

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It was not you I expected to see this hour.

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But I am glad to see you.

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Please come in.

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The day has a beauty.

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And in the streets there is fiesta.

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And I thought to me, the Senora Leco would care for fiesta.

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She and the Pequeño.

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Ay, the Senora and the Pequeño.

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Muy buenos días to you both.

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Senor Carradonis.

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You'd better take the child and go, Lilia.

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There's not much time.

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Yes, Meroes.

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But Senora, I have come for you and the little one to the fiesta.

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Lilia.

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I'm sorry, Senor Carradonis.

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Perhaps another time.

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Come to us soon, Meroes.

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Another time, Senora, when I will not disturb, I too will go.

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No, no, wait.

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Yes?

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Three years we've known each other now.

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Neighbors.

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You've done kindnesses for us.

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Are you also my friend, Carradonis?

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This is a question of ridiculous.

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That I am your friend?

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I, who have held the Pequeño Ivan in my hands?

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Who have maybe shit for him?

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Listen to me.

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Just listen.

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I've come across certain documents.

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They prove a conspiracy exists between members of your government and mine.

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These papers can buy back my life.

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I have only until tomorrow to sell.

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Oh, I have read of such grotesque things.

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Where do I buy back my life, Cardosus, and Lilia's and Ivan's?

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You were a lawyer and a Mexican.

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Where do I trade?

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Ah, it is to ponder.

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A moment.

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If I were not a poor lawyer.

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If I were an editor perhaps of a great newspaper

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and there was a week's headlines to be had for so little price.

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Oh, pardon, how frightful I am.

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I did not mean the editor.

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Newspaper.

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Yes, yes, of course.

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Oh, Bill, gracias, Cardosus.

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Ten thousand thanks for our lives.

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Yes?

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What do you wish of me?

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Ahem.

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I am Maros Leco.

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I, uh...

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Code clerk of the Russian embassy.

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I remember you well, Senor Leco, from another time.

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I have a story for you with documents.

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Top secret.

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So?

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The documents prove that there's a conspiracy

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between certain members of your government with mine.

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I've stolen them from my embassy.

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They're yours if you want.

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And the price, Senor?

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I told you.

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My life, my wife's, my three-month-old child, our lives.

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Very cheap, Senor.

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Bargain rates.

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You have the courage to steal secret papers of the Soviet.

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You, a Russian citizen, and this is what you want, not money?

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I have been recalled to the Soviet.

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There'll be a plane for us tomorrow morning.

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An escort.

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And after that...

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Where are the papers?

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My wife has them.

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She's waiting for me on a bench in the plaza sopalo.

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The boy's with her.

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I'll go to her.

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Tell her that you'll take them.

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Oh, you...

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You people.

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Intrigue, drama, the promises of violence and of revelations

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and the easy words on your mouths.

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Life.

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Death.

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It's like the last time you came to see me, huh, Senor Leco?

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What?

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Not a year ago, Senor Leco, you were here.

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You then had another thing to sell.

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Listen to me.

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The thing of Dr. Diego.

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Remember, professor of electronics in the University of Mexico?

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He, too, was in conspiracy, you told me then.

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And it was false.

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A savage lie.

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You and your government wished only to relieve us of his brains.

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To get him out of your evil way, to destroy him and slowly us.

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It was a lie, I admit it.

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I had orders to do that.

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But this...

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But this?

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This is of a fable, Senor, of the boy who cried wolf once too often.

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And now it is a man who has cried wolf.

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Please, you have to believe.

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Not I, Senor, I have more wisdom of you now.

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Run, run into the streets, cry wolf to the masks of Fiesta.

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Perhaps one of them will believe, but not I.

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Go, cry wolf.

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Then tell me, Lilia, the boy.

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Adios, Senor.

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Auto Light is bringing you Mr. William Powell in The Man Who Cried Wolf.

14:53.000 --> 14:59.000
Tonight's presentation in radio's outstanding theater of thrills, Suspense.

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Say, Sam, did you know that 41 years ago, Auto Light designed the first two-unit,

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six-volt automotive electrical system used as original equipment?

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Sure. And Auto Light electrical systems have been used as original equipment

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on leading makes of our finest cars, tracks, truckers, and boats ever since.

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Eh, Mr. Wilcock?

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They sure have, Sam.

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And all the units which make up the world-famous Auto Light electrical system,

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including the coil distributor, generator, starting motor, spark plugs,

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voltage regulator, and battery, are related by Auto Light engineering design

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and manufacturing skill to give the finest performance money can buy.

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Every unit, as well as the component parts that go to make up every unit,

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are designed to fit and work as a family team.

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So be sure. Insist on Auto Light original service parts for your Auto Light-equipped car.

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Right, Sam, because then you're sure of getting the best.

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Friends, you'll find it pays to keep the Auto Light electrical system of your car a family system.

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Insist on Auto Light original service parts.

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And remember, from bumper to tail light, you're always right with Auto Light.

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And now, Auto Light brings back to our Hollywood soundstage, Mr. William Powell,

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in Elliot Lewis's production of The Man Who Cried Wolf,

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a story well calculated to keep you in suspense.

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Music

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These are the things which happen to a man who might be killed.

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Walk a street, glance backward, stop.

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That man in back of you, why did he stop, too?

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So turn a corner, and there's a place, a building, a place you've been looking for,

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the Department of Justice.

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And go into it.

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Find a man, a small man, a neat and dapper and meticulous and methodical and shattering man.

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Leco, Maros Leco, the name I know. I am sure of it.

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Pardon me.

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Please, senor.

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Si?

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I have documents.

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Forgive me. You have a story, but no documents.

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You say your wife has documents, but you do not.

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Pardon me.

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Leco, Leco, Maros Leco. Ah, ah, si. Maros Leco.

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The Department of Justice has a dossier on you. I was sure of it.

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In March 1952, you reported that a certain Dr. Diego of the university

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erroneously reported, I must say.

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It was a lie, then. I was under orders to report.

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And today, no lies, senor?

18:05.000 --> 18:09.000
What I have been telling you is the truth. My life is in danger.

18:09.000 --> 18:10.000
And you wish protection?

18:10.000 --> 18:13.000
Yes. For me, for my wife, for my child.

18:13.000 --> 18:14.000
Senor.

18:14.000 --> 18:15.000
Yes.

18:15.000 --> 18:18.000
You are a Russian national of the embassy.

18:18.000 --> 18:23.000
Has your embassy been informed of these things that are about to happen to your life?

18:23.000 --> 18:27.000
Don't you understand? Those are the people who want to kill me.

18:27.000 --> 18:34.000
I understand only that once you endeavor to involve my government in an unpleasantness with your lies.

18:34.000 --> 18:49.000
However, the Russian embassy, please.

18:49.000 --> 18:55.000
Leave him. Get away from him. Flight from a cone phone call to death.

18:55.000 --> 18:56.000
Mine.

18:56.000 --> 19:00.000
And for a woman who sits in the plaza near a fountain and waits.

19:00.000 --> 19:06.000
And for a child whose fingers play with drifting golden feathers of sunlight.

19:06.000 --> 19:11.000
And try not to run through a long corridor of marble and columns.

19:11.000 --> 19:18.000
Quick blur faces and voices and their feet murmuring through the tongues of terror.

19:18.000 --> 19:23.000
And great doors of metal and glass open onto a pavilion of steps.

19:23.000 --> 19:28.000
Closer now to the images of Fiesta. To the masks of Fiesta.

19:28.000 --> 19:33.000
To the women and the music and the spinning scarlets and golds and green of Fiesta.

19:33.000 --> 19:36.000
And across the street is a lifetime away.

19:36.000 --> 19:39.000
And a cry of laughter and small fright.

19:39.000 --> 19:43.000
You made a child, a young boy, sprawl against confetted pavement.

19:43.000 --> 19:47.000
And take the precious time to help him to his feet and say you're sorry.

19:47.000 --> 19:51.000
But a few steps to another building. To a shuttered door and beat on it.

19:51.000 --> 19:58.000
To come here as help there and refuge in Senor Cardozes. The office of Senor Cardozes.

19:58.000 --> 20:02.000
Cardozes! Cardozes!

20:06.000 --> 20:07.000
Senor Leco.

20:07.000 --> 20:08.000
Let me in.

20:08.000 --> 20:10.000
Vengo, senor amigo, come in.

20:10.000 --> 20:12.000
Always I close my office for Fiesta.

20:12.000 --> 20:15.000
He wouldn't listen to me, Cardozes. He wouldn't believe me.

20:15.000 --> 20:18.000
Huh? Oh, the man of the newspaper.

20:18.000 --> 20:22.000
Someone has to believe me, Cardozes. Someone has to see those documents.

20:22.000 --> 20:23.000
Perhaps...

20:23.000 --> 20:24.000
What?

20:24.000 --> 20:29.000
A friend to me in the secret police. I could say to him of you and perhaps he...

20:29.000 --> 20:31.000
Maybe...

20:31.000 --> 20:35.000
You have no wish of secret police, Senor Leco.

20:35.000 --> 20:37.000
Get to him. Tell him.

20:37.000 --> 20:49.000
I have got to phone to him. He's a friend from student days. He will meet us.

20:53.000 --> 20:55.000
To your health, Meros.

20:55.000 --> 20:57.000
Drink, drink, amigo.

20:57.000 --> 20:59.000
Where is your friend?

20:59.000 --> 21:03.000
He will meet us here in good time. Drink.

21:03.000 --> 21:05.000
Meros.

21:05.000 --> 21:06.000
Yes?

21:06.000 --> 21:09.000
Are you not worried about your wife, about the Pequeño?

21:09.000 --> 21:11.000
They will be all right.

21:11.000 --> 21:13.000
Yes, I'm sure of it.

21:13.000 --> 21:15.000
That man who came through the door.

21:15.000 --> 21:17.000
Pepe, aqui.

21:20.000 --> 21:24.000
Siéntate, Pepe. Amigo Pepe, amigo Meros.

21:24.000 --> 21:25.000
Buenos dias.

21:25.000 --> 21:26.000
How do you do?

21:26.000 --> 21:28.000
You are in trouble, senor?

21:28.000 --> 21:29.000
Yes.

21:29.000 --> 21:31.000
What trouble?

21:31.000 --> 21:34.000
Pepe, may I call you that?

21:34.000 --> 21:35.000
Si.

21:35.000 --> 21:39.000
I have stolen some documents from the Russian embassy.

21:39.000 --> 21:41.000
Where are they, senor?

21:41.000 --> 21:42.000
My wife has them.

21:42.000 --> 21:44.000
And where is your wife?

21:44.000 --> 21:49.000
She's waiting for me. When you hear my story, if you believe me...

21:49.000 --> 21:50.000
No one believes in Pepe.

21:50.000 --> 21:52.000
The story, senor?

21:52.000 --> 21:59.000
Tomorrow, I'm to be sent back to Russia. I have stolen documents to prevent this.

21:59.000 --> 22:03.000
That is the part that is difficult for authorities to understand, Pepe.

22:03.000 --> 22:06.000
My friend Meros talks of documents and has no documents.

22:06.000 --> 22:08.000
Si, this I notice.

22:08.000 --> 22:11.000
To give them to my wife and separate from her is part of a plan.

22:11.000 --> 22:15.000
By this time, surely the theft of the documents has been discovered.

22:15.000 --> 22:20.000
By this time, the embassy looks for me. If they catch me, they cannot harm me.

22:20.000 --> 22:22.000
Si, the blackmail of the documents.

22:22.000 --> 22:24.000
Do you believe my story?

22:24.000 --> 22:26.000
Senor, I wish to tell you something.

22:26.000 --> 22:27.000
Do you believe me?

22:27.000 --> 22:32.000
To us of the police, the names of all members of your embassy is known.

22:32.000 --> 22:38.000
Yours. I will not conceal from you the fact that I know of the tricks you played with us last year.

22:38.000 --> 22:41.000
The matter of the professor at the university.

22:41.000 --> 22:44.000
It's the truth. What I tell you is the truth.

22:44.000 --> 22:45.000
Believe him, Pepe.

22:45.000 --> 22:47.000
Why should I believe you, senor?

22:47.000 --> 22:49.000
Because it is the truth.

22:49.000 --> 22:51.000
Si, I saw his wife, Lilia, leave.

22:51.000 --> 22:52.000
I will take you to her.

22:52.000 --> 22:54.000
I do not wish to be made a fool of.

22:54.000 --> 22:56.000
I will give you the papers.

22:56.000 --> 22:58.000
Believe him, Pepe.

22:58.000 --> 23:02.000
I have a car outside. We will go to your wife.

23:15.000 --> 23:17.000
Turn here.

23:17.000 --> 23:20.000
My wife waits for me at the plaza of Zogalo.

23:20.000 --> 23:21.000
And she will wait?

23:21.000 --> 23:22.000
With my son.

23:22.000 --> 23:24.000
Yes, Pepe. Three months.

23:24.000 --> 23:25.000
Senor?

23:25.000 --> 23:26.000
Yes.

23:26.000 --> 23:28.000
Your wife is Russian also?

23:28.000 --> 23:29.000
Yes.

23:29.000 --> 23:31.000
And a member of the party?

23:31.000 --> 23:32.000
Yes.

23:32.000 --> 23:39.000
How can you be sure she did not return to the embassy, deliver back the papers, and when you arrive at the plaza, a trap?

23:39.000 --> 23:40.000
Oh.

23:40.000 --> 23:41.000
For me?

23:41.000 --> 23:42.000
Very.

23:44.000 --> 23:48.000
The plaza, senor. Where is your wife?

23:48.000 --> 23:55.000
Oh, slowly. Ah, yes. Yes, there she is. At the fountain where I told her to be. With the child.

23:55.000 --> 23:57.000
Let's see.

24:02.000 --> 24:09.000
Do not look at me so, Cardozes. The police motions to stop the car. So I must stop.

24:12.000 --> 24:19.000
The procession. We can't get to the other side, anyhow. We have to wait.

24:19.000 --> 24:23.000
Idiots.

24:31.000 --> 24:40.000
A parade. Such a solemn parade. How ridiculous. And they bow their heads.

24:42.000 --> 24:46.000
You're communists. Both of you. Spies.

24:46.000 --> 24:49.000
You tricked me. You won't get away.

24:49.000 --> 24:52.000
I'll show you. Hold him. These people.

24:52.000 --> 25:01.000
People, listen to me. You are fools. Listen. You are being exploited by your ignorance.

25:01.000 --> 25:04.000
Meros, they'll kill all of us. Meros.

25:04.000 --> 25:06.000
Exhausted.

25:06.000 --> 25:08.000
I know.

25:08.000 --> 25:16.000
Look to us. We, the people of the world. All of these people are here to keep the floor.

25:26.000 --> 25:33.000
And that's the way it ended. The crowd ended it. The crowd I enraged with lies.

25:33.000 --> 25:40.000
The old lies. Communist lies. The lies I had once lived. The envelopes. They turned over the car.

25:40.000 --> 25:46.000
And the last thing I saw. Cardozes and Pepe. Communists who tricked me.

25:46.000 --> 25:51.000
The terror on their faces. The last thing I saw.

25:58.000 --> 26:00.000
Meros. Meros.

26:00.000 --> 26:01.000
Oh, Lilia.

26:01.000 --> 26:02.000
Are you all right?

26:02.000 --> 26:04.000
Yes. And Ivan?

26:04.000 --> 26:05.000
At home.

26:05.000 --> 26:07.000
Home? Where?

26:07.000 --> 26:11.000
At another place. Meros, you are released. I will take you there.

26:11.000 --> 26:13.000
And the papers? The documents?

26:13.000 --> 26:14.000
The police.

26:14.000 --> 26:15.000
They believe you?

26:15.000 --> 26:22.000
Yes. Oh, yes. We are free, Meros. Not to return to Russia.

26:22.000 --> 26:32.000
A new homeland. That is freedom. And no fear. Freedom.

26:38.000 --> 26:46.000
Where we are now, we are not known. And it is freedom where we are.

26:46.000 --> 26:53.000
And there are hopes. And there is love. And I am alive.

26:53.000 --> 26:59.000
But if one day you would pass me on the street and stop and point your finger at me and say,

26:59.000 --> 27:19.000
this story happened to you, then I would be a dead man.

27:19.000 --> 27:29.000
Suspense. Presented by Autolite. Tonight's star, Mr. William Powell.

27:29.000 --> 27:32.000
This is Harlow Wilcox again speaking for Autolite,

27:32.000 --> 27:37.000
world's largest independent manufacturer of automotive electrical equipment.

27:37.000 --> 27:41.000
Autolite is proud to serve the greatest names in the industry.

27:41.000 --> 27:46.000
That's why during these early months of 53, the Autolite family joins together

27:46.000 --> 27:52.000
in saluting the leading car manufacturers who install Autolite products as original equipment.

27:52.000 --> 27:59.000
Our Autolite family is made up of the nearly 30,000 men and women in 28 great Autolite plants

27:59.000 --> 28:04.000
from coast to coast and in still other Autolite plants in many foreign countries.

28:04.000 --> 28:10.000
Our family also includes more than 18,000 people who have invested a portion of their savings in Autolite,

28:10.000 --> 28:17.000
as well as 98,000 Autolite distributors and dealers in the United States and thousands more in Canada

28:17.000 --> 28:19.000
and throughout the world.

28:19.000 --> 28:24.000
Our Autolite family will salute the National Safety Council and its accident prevention work

28:24.000 --> 28:27.000
on the next Autolite Suspense television program.

28:27.000 --> 28:31.000
If you live in a television area, check the day and time of suspense

28:31.000 --> 28:41.000
so that you'll be sure to see this program.

28:41.000 --> 28:47.000
Next week, a true story, the tragic history of the most famous of all early California bandits.

28:47.000 --> 28:54.000
The story is called, The Love and Death of Joaquin Murrieta, our star, Mr. Victor Mature.

28:54.000 --> 29:00.000
That's next week on Suspense.

29:00.000 --> 29:05.000
Suspense is produced and directed by Elliot Lewis with music composed by Lucian Morrowick

29:05.000 --> 29:07.000
and conducted by Lud Bluskin.

29:07.000 --> 29:12.000
The Man Who Cried Wolf was written for suspense by Morton Fine and David Friedkin

29:12.000 --> 29:14.000
from research gathered by Larry Thorpe.

29:14.000 --> 29:17.000
In tonight's story, Lillian Byup was heard as Lillia,

29:17.000 --> 29:23.000
featured in the cast were Joseph Kearns, Jack Crouchon, Steve Roberts, Byron Cain and John Danaer.

29:23.000 --> 29:31.000
Remember next week, Mr. Victor Mature as Joaquin Murrieta.

29:31.000 --> 29:54.000
This is the CBS Radio Network.

