WEBVTT

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Auto Light and its 98,000 dealers bring you Mr. Paul Douglas in tonight's presentation

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of Suspense.

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Tonight, Auto Light presents the exciting report of one man's efforts to prevent a

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national tragedy.

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It is based on fact with only names and places changed.

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The story is called Man Alive, our star, Mr. Paul Douglas.

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Hello, Harlow.

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Hi, Hap.

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Boy, you're sure loaded down.

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Thanksgiving shopping, Harlow.

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Yeah.

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Turkey?

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Check.

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Cranberries?

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Check.

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Spark plugs?

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Check.

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What?

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Check the spark plugs, Hap.

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They always have to be in top shape so that your engine will give you smooth and economical

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performance.

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And there's no better time than now to have them checked by your nearest auto light spark

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plug dealer.

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And suppose he finds them as gone as Thursday's turkey, Harlow?

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Why, Hap, if they're worn out or wrong for your style of driving, your auto light spark

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plug dealer will replace them with a set of world famous ignition engineered auto light

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spark plugs, either standard or resistor type.

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Sounds like a great idea, Harlow.

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Where do I locate my auto light spark plug dealer?

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Hap, just phone Western Union by number and ask for operator 25.

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She'll gladly tell you the location of your nearest auto light spark plug dealer.

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And remember, from bumper to tail light, you're always right with auto light.

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And now, auto light presents Man Alive, starring Mr. Paul Douglas, hoping once again to keep

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you in suspense.

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You may have seen the name, Man Jackson.

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I run a column of saucy chat and unimpeachable rumors in the San Francisco Express under

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the heading, what else, Man Overboard.

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It's got little paragraphs, you know, man among men, that's the sports section, and

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man's best friend, so forth.

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Well, beginning today, I've got a new department called Man Alive, just because I'm so lucky

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I am.

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Last night, I let my secretary off at 5.30 so she could go and do some Christmas shopping,

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although I've told her repeatedly that all I want this year is money.

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Well, the fog was rolling in off the bay and it was bitter cold as I came out in the street,

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so it seemed like the night for a spaghetti dinner and some pleasant Italian hospitality,

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down at Mama Caruso's restaurant on the Embarcadero opposite the ferry building.

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But Mama Caruso had more than hospitality on her mind when she met me at the door.

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Oh, Mr. Jackson, I'm so glad to find you.

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I'm just calling your office.

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What's the trouble, Mama?

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Somebody been stealing ravioli?

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Please.

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It's my cousin Tony.

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They tried to kill him.

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Who?

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What happened, Mama?

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Come on, Mr. Jackson.

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I'll make Tony tell you.

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He does not feel so good, but he can talk all right.

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You gonna see.

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She led me to the back of the restaurant, the table where the family generally sits.

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The family tonight was a man, small to start with, but even smaller, hunched down in his

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chair miserably staring, unseeing into a glass of wine.

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On the table in front of him was a battered old concertina.

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The top of his head was swabbed in a clean new bandage.

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Sit down, Mr. Jackson.

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Go on, sit down.

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This is my cousin, Tony Colucci.

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Tony, this is my good friend, Mr. Man Jackson.

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Hello, Tony.

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Hello.

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Go on, Tony.

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You tell him, Mr. Jackson, what's happened on you.

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Well, I'm on the boat.

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Yeah, what boat?

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The ferry boat, Oakland ferry boat.

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Don't you never hear my music on the boat?

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You play the concertina on the ferry ride.

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Sure, no more.

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Tonight they tried to kill me.

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Well, you play pretty well, don't you, Tony?

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I play perfect.

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What's the matter?

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Some people don't like it, I guess.

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Tonight on the six o'clock boat.

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Oh, boy.

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Tonight on the six o'clock boat what?

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Well, I play inside the first by the sandwich place and everybody say, oh, boy, Tony, you're

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good, you play good, play some more.

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Ten cents a year, five cents, two quarters even.

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Then I go up the stairs.

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Oh, boy.

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Oh, boy.

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And?

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Then I go out on a deck.

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It's very misty and foggy, so black, I can't see nothing.

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I'm very happy.

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I feel like I could play some more.

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So I walk way back and open down the deck and I make a music.

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Then all of a sudden I hear somebody say something to me.

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I can't see nobody.

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I hear him.

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And what do you think he said to me?

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Bravo, Tony.

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I have no idea.

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What did he say?

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Yeah.

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What?

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He say, Cospadour.

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Cospadour, as in bar rooms?

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Cospadour.

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Well.

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So I say back on top of him, Cospadour.

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I still can't see nobody.

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So then I hear him say, is that you play Boris?

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So I get mad.

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I say, no, I don't play Boris.

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I play Pagliacci, butterfly, Tlatosca, Povatore.

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My don't play Boris.

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That's a foreign stuff.

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Yeah, I see.

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Then?

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Then I'm sorry I say that.

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But because of this fellow, he sounds like he's a foreigner.

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So I'm just going to say, look, mister.

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And oh, boy.

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Yeah, what, Tony?

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What?

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Patron!

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I get a hit on the head.

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I fall down.

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I'm bleeding.

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I drop my concertina.

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My head got a big hole on the top.

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I let out a big yell.

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Then I black out.

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Oh, boy.

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People come running around.

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And good luck.

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There's a doctor on board.

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They carry me down the stairs and he fix me up.

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Otherwise, I'm going to die for sure.

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Yeah, yeah.

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And you never saw the guy?

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No, I never saw him.

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Well, what did it feel like?

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I mean, what did he hit you with?

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Well, it felt just like a baseball bat.

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But the doctor, he said that...

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Oh, look, look.

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He said the doctor now.

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He just come in.

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Hey, doctor!

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The doctor looked in our direction when Tony called and strode over to the table.

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A big six foot three blonde guy in the Joe McCrae Gary Cooper tradition.

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You had to like him right away.

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No bedside manner to this doctor, although he could have had as much of it as he liked,

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but he was all business and no kidding.

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But I told you to go to bed and stay there.

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Well, Doc, I just...

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You may have a concussion.

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I'll be back in an hour and then we'll take some x-rays.

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My name is Man Jackson, doctor.

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I'm a friend of the family.

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Ames, Dr. Oscar Ames.

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How are you?

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Dr. Ames.

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Mr. Can I get you something to eat?

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No, thanks.

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Smells wonderful, but I haven't time.

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I'll have a cup of coffee, maybe.

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Sure.

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Mr. Jackson?

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Yes, please, mama.

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Doctor, you want me to make Tony go to bed?

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Go on now, Tony.

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You lie down.

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I'll be back and we'll check you over.

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Get some rest in the meantime.

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But all right, ma'am.

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I'm Dr. Ames.

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I don't know.

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X-rays and the whole thing.

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How am I going to pay you?

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Never mind that.

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That's why we charge our knob-hill patients a little extra.

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So we're able to do something like this once in a while.

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This will be on me, Tony.

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You're a good kind man, doctor.

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I don't know what to say.

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Look, you go on and lie down, Tony.

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You're embarrassing the doctor.

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Okay, okay.

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It's a screwy thing, this one, isn't it, doctor?

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Sure is.

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Here's your coffee, gentlemen.

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Oh, thanks.

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Thank you, mama.

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Yeah, sure is.

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I'm a cyber maniac, it looks like, Mr. Jackson.

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Man Jackson, are you the columnist, man overboard?

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That's right.

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Well, I read you all the time.

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Amusing, intelligent, and you've got a heart.

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Isn't that a little unusual for a columnist?

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Well...

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Say, what is all this tonight down here?

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Newspaper men, police?

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Police?

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How do you mean police?

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Well, I think they were police.

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Five or six plain clothes guys.

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They were waiting here on the side when the ferry pulled into the slip.

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They're still there holding the boat.

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I just left them.

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What were they doing?

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Oh, they're talking to all the passengers as they come off.

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Asked us for identification.

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They took one passenger away with them.

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Huh?

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Red-haired girl, carrying a package, paper parcel.

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What did they think about Tony's little experience, getting knocked on the head?

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Oh, they were mighty interested, naturally.

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Especially when I told them how I thought the wound had been inflicted.

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Which was?

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Gunbutt.

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Gunbutt, eh?

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Well...

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I'd say so.

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Hey, I gotta go.

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Take that dreary ride again.

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What, the ferry?

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Yeah, I've got a patient over in Oakland.

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Had to come back over here to pick up some serum.

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Well, nice to have seen you, Jackson.

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Tell what's his name, uh, Tony...

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Oh, wait a minute, Doc.

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I've got nothing to do.

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I'll ride over with you.

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We crossed the street, went into the ferry building.

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Everything was normal enough in the main waiting room where I stopped to buy cigarettes

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and a pocket flashlight.

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But outside on the dock where the Oakland boat was waiting to take off, there were a number

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of extra characters whom you wouldn't think would have chosen a dismal, chilly night like

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this for waterfront lounging.

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There wasn't anybody I knew, and in any gathering of plainclothesmen, local variety, I generally

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spot one or two familiar faces.

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But Dr. Ames and I got aboard, followed by three of these gentlemen.

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The broadest one, who was built for endurance, exchanged pleasantries with us as the boat

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moved out into the water.

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Hello, Dr. Ames.

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I say you didn't miss a boat, like he'll say.

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No.

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Oh, you're one of the fellows I talked to before when we landed.

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That's right.

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I don't think I got your name.

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Connelly.

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Uh, this is Mr. Jackson.

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Yeah?

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Would that be Lieutenant Connelly or Sergeant maybe?

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Just Connelly, no special title.

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How's the little fellow doing, Dr. Colucci?

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Tony, he's under care.

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He, uh, talk anymore?

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Say anything interesting?

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I didn't talk to him.

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Mr. Jackson here did.

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Oh?

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Really?

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Really.

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What'd he have to say?

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Well, uh, you see, I'm an old friend of his family.

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What he told me was in confidence, and I'd really have to know a little more about who

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I'm telling his secrets to.

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I see.

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Jackson, your name is?

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Still is.

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Nice to meet you, Ghost Buddy.

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Ghost Buddy?

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It means nothing to you.

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It might.

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Yeah, it might.

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Ghost Budean sounds like another word.

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Somebody might think you said Cuspidore.

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That's very funny.

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Are you going to stay out here on deck?

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Well, we haven't made up our minds.

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Is that okay?

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I ought to go inside, have a little coffee at the snack bar.

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Comfortable.

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Rides over before you know it.

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Out here, it's foggy, wet, and miserable.

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Well, I'm going in.

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I'll see you later.

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Bye-bye, Doc.

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Well, maybe he's right.

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Although I must say he's not my favorite man in the world, that Mr. Conley.

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It is strictly pneumonia weather out here on deck.

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Shall we go in?

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Not just yet for me.

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I think I'll stretch my legs a little.

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Dr. Ames, where was it that Tony got conked?

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On the upper deck, I know, but which side?

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We've turned around now, starboard.

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Just about directly above where we're standing.

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Yes, right about...

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Doc, Doc, don't point.

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Our friend Conley and his boys are on their way out to see us again.

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No, they went back in.

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You think they're as mysterious as they seem?

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Oh, definitely that.

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You know what made them turn back just now, decide it wasn't necessary to check whether

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we were still here?

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No, what?

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Our cigarettes.

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They can't make us out here.

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It's too dark, but they can see two lighted cigarettes.

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I'd like to get up there on that upper deck.

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Looking for tomorrow's column, huh?

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You want to get up there and know around where Tony was, is that it?

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Well, that's the idea, but those mugs in there...

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I've got it.

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Hand me your cigarette.

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I'll smoke them both a yard apart.

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When they check, we'll both still be here.

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Masterful thinking, Oscar.

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Go ahead.

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I'll be here.

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So I tried the slippery stairs to the upper deck.

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The fog was as wet as rain.

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I couldn't see any more than inches ahead of me with my flashlight.

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I stopped about a midships and looked down over the rail.

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Dr. Oscar Ames and his two cigarettes, tiny red dots of light were almost directly beneath

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me.

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I turned back from the rail and my foot squashed into something that sounded like an egg shell.

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I bent and picked it up.

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It was a mother of pearl ornament like the ones Tony's concertina were covered with.

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A sudden noise over my head made me shoot my light up.

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A piece of canvas had suddenly ripped loose from the top of the lifeboat.

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Well, I got up there somehow and looked.

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The canvas had been ripped open with a knife, a hole large enough for a man's body to get

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through.

12:59.760 --> 13:02.280
And that's what was in there.

13:02.280 --> 13:05.440
A man's body.

13:05.440 --> 13:06.880
He'd been stabbed in the neck.

13:06.880 --> 13:10.640
This was the man who had slugged Tony, or so it seemed, because the gun was still clenched

13:10.640 --> 13:12.440
in his right hand, the barrel reversed.

13:12.440 --> 13:15.840
Well, my flash caught a speck of something white in one of his shoes.

13:15.840 --> 13:18.880
It was a bit of paper with two typewritten lines on it.

13:18.880 --> 13:23.320
I let myself down to the deck and prepared to read the note, and that's when my flashlight

13:23.320 --> 13:24.480
went dead.

13:24.480 --> 13:29.880
I groped about until I found a faint ghostly glimmer of light overhead, out over the edge

13:29.880 --> 13:32.200
of the ship on the outside rail.

13:32.200 --> 13:35.800
I climbed over, steadied myself, and lit a couple of matches.

13:35.800 --> 13:43.960
It said International Postcard Shop, Geary Street, SF, reading card for Boris.

13:43.960 --> 13:48.720
I put the bit of paper in my pocket and turned to climb back over the rail, and then something

13:48.720 --> 13:49.720
came at me from the back.

13:49.720 --> 14:04.720
It caught me full in the center of the board, and I fell crashing over the side.

14:04.720 --> 14:09.000
They tell you a lot about what you remember when you're going down for the third time.

14:09.000 --> 14:10.560
You know what I remembered?

14:10.560 --> 14:28.200
I remembered that Gospodin is Russian for comrade.

14:28.200 --> 14:34.640
Auto Light is bringing you Mr. Paul Douglas in Man Alive, tonight's presentation in radio's

14:34.640 --> 14:48.080
outstanding theater of thrills, Suspense.

14:48.080 --> 14:50.000
Well Hap, let's talk turkey.

14:50.000 --> 14:52.600
Okay Harlow, gobble away.

14:52.600 --> 14:57.460
Well I say give the bird two worn out spark plugs and replace them with a set of ignition

14:57.460 --> 15:02.400
engineered auto light spark plugs, like the amazing auto light resistor spark plug for

15:02.400 --> 15:03.400
example.

15:03.400 --> 15:05.640
You're really crow about that Harlow.

15:05.640 --> 15:10.320
Yes sir Hap, because the auto light resistor spark plug is the greatest advancement in

15:10.320 --> 15:14.240
spark plugs for automotive use in the past 20 years.

15:14.240 --> 15:19.360
You see, the auto light resistor spark plug has something extra, and that's the exclusive

15:19.360 --> 15:23.320
auto light built in 10,000 ohm resistor.

15:23.320 --> 15:27.960
Because of this exclusive extra, auto light resistor spark plugs give you such outstanding

15:27.960 --> 15:34.120
advantages as smoother engine performance, quick starts and double life under equal service

15:34.120 --> 15:35.560
conditions.

15:35.560 --> 15:40.800
And the auto light resistor spark plug is only one of a complete line of ignition engineered

15:40.800 --> 15:43.640
auto light spark plugs for every use.

15:43.640 --> 15:46.600
So see your auto light spark plug dealer soon.

15:46.600 --> 15:52.320
And remember, from bumper to tail light, you're always right with auto light.

15:52.320 --> 15:58.920
And now auto light brings back to our Hollywood sound stage, Mr. Paul Douglas in Elliot Lewis's

15:58.920 --> 16:14.400
production of Man Alive, a dramatic report well calculated to keep you in suspense.

16:14.400 --> 16:20.320
I found myself mechanically keeping afloat somehow and trying to get out of my overcoat.

16:20.320 --> 16:24.560
From out of the misty blanket, from every direction and a dozen different keys, from

16:24.560 --> 16:27.440
near and far, foghorn sounded.

16:27.440 --> 16:30.560
I floated on my back trying to figure where I was.

16:30.560 --> 16:34.440
I was somewhere in San Francisco Bay, and that was all I knew.

16:34.440 --> 16:39.440
The water was chilling me, and I turned over and began swimming, just hard enough to keep

16:39.440 --> 16:40.880
the blood circulating.

16:40.880 --> 16:44.720
The lights of a boat came into sight suddenly, and I threw back my head and yelled, but the

16:44.720 --> 16:50.440
horn crying its warning drowned me out, and the boat went on and the fog closed in behind

16:50.440 --> 16:51.440
me.

16:51.440 --> 16:59.040
And then I found myself full of a strange, wonderful weariness.

16:59.040 --> 17:01.320
The water wasn't cold anymore.

17:01.320 --> 17:04.640
I was warm, with a comfortable, soothing numbness.

17:04.640 --> 17:05.960
My head stopped throbbing.

17:05.960 --> 17:08.120
There was no feeling at all in it now.

17:08.120 --> 17:10.600
There was nothing, nothing anywhere.

17:10.600 --> 17:15.040
And then some lights came into my eyes, and I wanted to stay in the dark, and I turned

17:15.040 --> 17:23.640
my face down into the embrace of the water.

17:23.640 --> 17:25.920
And then I wasn't where you'd expect at all.

17:25.920 --> 17:28.440
I was lying on a baggage truck that was moving.

17:28.440 --> 17:31.920
People were crowding around, walking beside the truck, staring at me.

17:31.920 --> 17:35.200
The guy in uniform, wheeling me, noticed I had opened my eyes.

17:35.200 --> 17:36.600
Well, hello, pal.

17:36.600 --> 17:38.080
Welcome back to the United States.

17:38.080 --> 17:39.080
Well, hello.

17:39.080 --> 17:40.480
What part of the United States?

17:40.480 --> 17:42.800
It's landing in Sausalita, a lace hill.

17:42.800 --> 17:44.160
We're taking you over to the hospital.

17:44.160 --> 17:45.160
Sausalita?

17:45.160 --> 17:47.640
How long before that boat goes back to San Francisco?

17:47.640 --> 17:48.640
It leaves right away.

17:48.640 --> 17:49.640
Well, I'm going with it.

17:49.640 --> 17:50.640
Hey, wait there.

17:50.640 --> 17:51.640
You ain't in no condition.

17:51.640 --> 17:52.640
Thanks.

17:52.640 --> 17:53.640
I'll be okay.

17:53.640 --> 18:03.280
Half an hour later, shivering and shaking in my wet clothes and keeping my mouth clamped

18:03.280 --> 18:08.000
tight so my teeth wouldn't sound like a dice game, I climbed into a taxi at the ferry building

18:08.000 --> 18:09.520
and went to my apartment.

18:09.520 --> 18:14.960
There, I swallowed a half a pint of whiskey, rubbed myself with a coarse towel until my

18:14.960 --> 18:16.400
skin was sore.

18:16.400 --> 18:19.880
Then I looked in the pocket of the soggy suit I'd hung up to dry.

18:19.880 --> 18:21.240
It was still there.

18:21.240 --> 18:25.680
The piece of paper from the dead man's shoes, damp but legible.

18:25.680 --> 18:31.280
International postcard shop, Geary Street, SF, greeting card for Boris.

18:31.280 --> 18:37.880
I got up to put on a dry suit and then I changed my mind and put the wet one back on.

18:37.880 --> 18:39.760
Good evening.

18:39.760 --> 18:41.840
Good evening.

18:41.840 --> 18:50.760
Are you the proprietor here?

18:50.760 --> 18:51.760
That's right, sir.

18:51.760 --> 18:53.440
Six years at the same location.

18:53.440 --> 18:54.440
You...

18:54.440 --> 18:55.440
Oh, my goodness.

18:55.440 --> 18:56.760
Is it raining out?

18:56.760 --> 18:57.760
You really got...

18:57.760 --> 19:00.240
Dousing, yes, I did.

19:00.240 --> 19:01.560
Nice collection of postcards.

19:01.560 --> 19:05.520
From all over, South America, every place.

19:05.520 --> 19:09.320
I bribed myself on having the most complete possible selection.

19:09.320 --> 19:11.560
Was there something you had especially in mind?

19:11.560 --> 19:13.600
Yes, there was.

19:13.600 --> 19:16.480
I'm looking for a greeting card for Boris.

19:16.480 --> 19:17.480
You...

19:17.480 --> 19:20.040
What's the matter?

19:20.040 --> 19:21.520
Didn't you hear me?

19:21.520 --> 19:22.520
Yes.

19:22.520 --> 19:24.120
Didn't you understand then?

19:24.120 --> 19:25.120
Well...

19:25.120 --> 19:26.120
Well what?

19:26.120 --> 19:31.120
It's only that I didn't exactly expect somebody like you.

19:31.120 --> 19:32.120
What did you expect?

19:32.120 --> 19:36.880
Somebody slinking around in a false mustache, wearing dark glasses and an invinous cape?

19:36.880 --> 19:40.600
You know, your type of thinking.

19:40.600 --> 19:44.760
You may not be the right man for this job, Gospedin.

19:44.760 --> 19:47.440
Oh, now wait, please, Mr. Lubov.

19:47.440 --> 19:48.600
I thought you were dead.

19:48.600 --> 19:49.600
You drowned.

19:49.600 --> 19:51.160
Yeah, yeah, who told you that?

19:51.160 --> 19:52.160
Well, you know.

19:52.160 --> 19:54.160
Yes, well, I didn't drown.

19:54.160 --> 19:55.880
I jumped in the water when I heard him coming.

19:55.880 --> 19:57.880
You can still see how wet I am.

19:57.880 --> 19:59.480
Of course.

19:59.480 --> 20:00.480
So you escaped.

20:00.480 --> 20:01.480
Easily.

20:01.480 --> 20:02.480
Well, enough talk.

20:02.480 --> 20:03.480
Hand it over.

20:03.480 --> 20:05.160
The greeting card for Boris.

20:05.160 --> 20:06.160
Very well.

20:06.160 --> 20:07.160
Let's see.

20:07.160 --> 20:10.840
That's San Francisco, of course.

20:10.840 --> 20:14.880
He turned and reached his hand down under the counter and came up with a box marked special.

20:14.880 --> 20:17.520
From this, he extracted something and handed it to me.

20:17.520 --> 20:21.520
I took it with a knowing expression on my face, but I didn't know from nothing as to

20:21.520 --> 20:22.520
what it meant.

20:22.520 --> 20:24.680
All it was was an ordinary postcard.

20:24.680 --> 20:25.680
That's all.

20:25.680 --> 20:28.720
A picture postcard showing the Golden Gate Bridge.

20:28.720 --> 20:38.920
Beneath it, the caption, Wonder Cities of the World, number 251235679, San Francisco.

20:38.920 --> 20:39.920
Nothing else.

20:39.920 --> 20:42.480
I'm afraid my mouth was open.

20:42.480 --> 20:43.480
What's the matter?

20:43.480 --> 20:44.480
Matter?

20:44.480 --> 20:46.240
Don't you know how to read the name?

20:46.240 --> 20:48.440
It's so difficult, of course.

20:48.440 --> 20:49.440
Idiots.

20:49.440 --> 20:50.440
Certainly I know how.

20:50.440 --> 20:52.760
I was just admiring the work.

20:52.760 --> 20:53.760
That's all.

20:53.760 --> 20:56.560
Oh, it is excellent, isn't it?

20:56.560 --> 20:57.560
You better go now.

20:57.560 --> 20:58.760
We've been here an awfully long time.

20:58.760 --> 20:59.760
We don't want...

20:59.760 --> 21:00.760
No, of course we don't.

21:00.760 --> 21:03.760
I'll go, Gospedin.

21:03.760 --> 21:07.440
Gospedin, I'm sorry to have been overly cautious.

21:07.440 --> 21:10.360
There is no such thing as over-caution.

21:10.360 --> 21:11.840
Oh, thank you.

21:11.840 --> 21:12.840
You were so...

21:12.840 --> 21:16.000
Well, you seem like an American.

21:16.000 --> 21:21.640
So do you.

21:21.640 --> 21:25.920
I strode out into the street, clutching my postcard, but I shoved it inside my sleeve

21:25.920 --> 21:31.000
a moment later because who I saw standing under the misty glimmer of a streetlight waiting

21:31.000 --> 21:36.120
for me was my heavyset mysterious friend from the ferryboat, Connelly.

21:36.120 --> 21:40.520
I turned my head around and glanced down the other end of the block behind me.

21:40.520 --> 21:42.920
The other two guys were there, sure enough.

21:42.920 --> 21:48.180
They advanced slowly toward me with their hands raised, palms out, as if they were showing

21:48.180 --> 21:50.480
me they weren't carrying guns.

21:50.480 --> 21:51.480
I waited.

21:51.480 --> 21:52.480
Then all of a sudden Connelly rushed me.

21:52.480 --> 21:56.680
I caught him on the chin and he went down clattering into an ash can.

21:56.680 --> 21:59.800
The other two boys grabbed me and held my arms behind me.

21:59.800 --> 22:01.920
Connelly got up rubbing his face.

22:01.920 --> 22:04.200
I waited to get murdered.

22:04.200 --> 22:05.200
But no.

22:05.200 --> 22:08.200
All right, Joe Lewis.

22:08.200 --> 22:16.120
Bring him along.

22:16.120 --> 22:17.120
And so they did.

22:17.120 --> 22:18.400
We didn't go far.

22:18.400 --> 22:22.400
Just around the corner to a little hamburger place that had a sign in the door saying,

22:22.400 --> 22:25.560
closed, although there were lights inside.

22:25.560 --> 22:28.880
Connelly knocked on the door and a fellow with an apron came and opened it and locked

22:28.880 --> 22:30.640
it after us.

22:30.640 --> 22:34.160
Connelly gave them a nod and we sat down at the table while he brought us coffee.

22:34.160 --> 22:35.920
Well, Jackson, we've checked on you.

22:35.920 --> 22:36.920
You seem to be OK.

22:36.920 --> 22:39.440
You stand in good with the department, friend.

22:39.440 --> 22:43.320
What department would that be, friend?

22:43.320 --> 22:44.320
This department.

22:44.320 --> 22:45.320
Government?

22:45.320 --> 22:46.320
Oh.

22:46.320 --> 22:47.320
Maybe you can help.

22:47.320 --> 22:51.520
Anyhow, we don't want you going around making a noise and messing it up for us.

22:51.520 --> 22:52.920
So here it is.

22:52.920 --> 22:53.920
I'm all ears.

22:53.920 --> 22:56.800
Ever hear of a man called Boris Kargamensky?

22:56.800 --> 22:57.800
No.

22:57.800 --> 23:01.280
Not many people have, even in Russia.

23:01.280 --> 23:03.760
Boris Kargamensky is the top Soviet agent of America.

23:03.760 --> 23:04.760
He's the head man.

23:04.760 --> 23:06.800
He organizes and runs everything for him here.

23:06.800 --> 23:07.800
I see.

23:07.800 --> 23:10.520
Now, he came to this country seven years ago and vanished.

23:10.520 --> 23:12.600
We've been trying to find him ever since.

23:12.600 --> 23:13.600
False passport, of course.

23:13.600 --> 23:14.600
That didn't help.

23:14.600 --> 23:16.640
There's nothing anywhere on Kargamensky.

23:16.640 --> 23:18.080
No pictures, even in Russia.

23:18.080 --> 23:19.160
No fingerprints, nothing.

23:19.160 --> 23:21.040
Every lead we had, dead end.

23:21.040 --> 23:22.960
And then last week...

23:22.960 --> 23:24.880
Well, go ahead, drink your coffee.

23:24.880 --> 23:25.880
No, no, it's all right.

23:25.880 --> 23:26.880
I'm too interested.

23:26.880 --> 23:30.520
Last week we heard that another agent, an important little guy named Lyubov, was on

23:30.520 --> 23:34.360
his way to San Francisco and that he would definitely have to contact the big gun, something

23:34.360 --> 23:38.560
to do with the Chinese war business that only Kargamensky is big enough to handle.

23:38.560 --> 23:43.680
Well, our man tailed Lyubov all the way out here and then lost him at the Oakland ferry.

23:43.680 --> 23:45.480
That didn't bother us very much.

23:45.480 --> 23:47.320
He called us and we were waiting on this end.

23:47.320 --> 23:50.600
But in pulls the ferry and no Lyubov.

23:50.600 --> 23:53.440
Lyubov was the dead man in the lifeboat.

23:53.440 --> 23:54.440
That's right.

23:54.440 --> 23:56.120
He must have been up there waiting to be contacted.

23:56.120 --> 24:00.160
Then he heard Tony and his concertina, thought that this might be it.

24:00.160 --> 24:03.520
Then when he realized he'd made a mistake and uncovered himself, he conked Tony on

24:03.520 --> 24:04.520
the head.

24:04.520 --> 24:05.520
Right.

24:05.520 --> 24:08.560
And his Soviet contact got scared and stabbed Lyubov.

24:08.560 --> 24:10.840
So now we're back where we started.

24:10.840 --> 24:12.560
Every passenger on the ferry was OK.

24:12.560 --> 24:15.000
What's that you're looking at?

24:15.000 --> 24:16.480
A picture postcard.

24:16.480 --> 24:22.640
I found a message on Lyubov about the international postcard shop and a greeting for, hey, a greeting

24:22.640 --> 24:24.600
for Boris, Boris Kargamensky.

24:24.600 --> 24:25.600
Let me see that.

24:25.600 --> 24:28.160
I bulldozed the guy into the shop into letting me have it.

24:28.160 --> 24:29.960
It looks like nothing, just a picture.

24:29.960 --> 24:31.840
But he said I could read the name.

24:31.840 --> 24:32.840
Golden Gate.

24:32.840 --> 24:34.200
Now, give me it.

24:34.200 --> 24:36.640
Give me these numbers.

24:36.640 --> 24:43.480
Wonder cities of the world, number two, five, one, two, three, five, six, seven, nine.

24:43.480 --> 24:44.480
Wait a minute.

24:44.480 --> 24:45.480
What?

24:45.480 --> 24:46.480
What's the guy's name?

24:46.480 --> 24:47.480
Boris.

24:47.480 --> 24:48.480
B-O-R-I-S.

24:48.480 --> 24:49.480
Leave a space.

24:49.480 --> 24:50.480
K-A-R-G-A-M-E-N-S-K-Y.

24:50.480 --> 24:51.480
Now, put numbers.

24:51.480 --> 24:52.480
Wait a minute.

24:52.480 --> 24:53.480
Now, the top number's nine.

24:53.480 --> 24:54.480
All right.

24:54.480 --> 24:55.480
Now, put one, two, three, four, five over Boris.

24:55.480 --> 24:56.480
Yeah.

24:56.480 --> 24:57.480
And start again.

24:57.480 --> 24:58.480
One, two, three, up to nine over Kargamensky.

24:58.480 --> 24:59.480
Uh-huh.

24:59.480 --> 25:00.480
Nine.

25:00.480 --> 25:01.480
Yeah.

25:01.480 --> 25:02.480
All right.

25:02.480 --> 25:03.480
Now, let's see the postcard.

25:03.480 --> 25:04.480
OK.

25:04.480 --> 25:05.480
I'll put it in the postcard.

25:05.480 --> 25:06.480
OK.

25:06.480 --> 25:07.480
And then I'll put it in the postcard.

25:07.480 --> 25:08.480
OK.

25:08.480 --> 25:09.480
And then I'll put it in the postcard.

25:09.480 --> 25:10.480
OK.

25:10.480 --> 25:15.480
And then I'll put it in the postcard.

25:15.480 --> 25:16.480
OK.

25:16.480 --> 25:17.480
Nine.

25:17.480 --> 25:18.480
Yeah.

25:18.480 --> 25:19.480
All right.

25:19.480 --> 25:20.480
Now, let's see the postcard.

25:20.480 --> 25:21.480
Two, five, one, two, three, five, six, seven, nine.

25:21.480 --> 25:22.480
OK.

25:22.480 --> 25:23.480
What's two?

25:23.480 --> 25:24.480
Uh, two is O.

25:24.480 --> 25:25.480
Five?

25:25.480 --> 25:26.480
S.

25:26.480 --> 25:27.480
O-S.

25:27.480 --> 25:29.280
Now, Kargamensky.

25:29.280 --> 25:30.280
One.

25:30.280 --> 25:31.280
K.

25:31.280 --> 25:32.280
Two.

25:32.280 --> 25:33.280
Three.

25:33.280 --> 25:34.280
A-R.

25:34.280 --> 25:35.280
O-S-K-A-R.

25:35.280 --> 25:36.280
Oscar!

25:36.280 --> 25:38.280
Well, I guess we know the rest of it.

25:38.280 --> 25:39.280
Five, six, seven, nine.

25:39.280 --> 25:40.280
A-N-E-S.

25:40.280 --> 25:41.280
Aims, correct?

25:41.280 --> 25:42.280
Correct.

25:42.280 --> 25:43.280
Oscar Aims.

25:43.280 --> 25:44.280
Dr. Oscar Aims.

25:44.280 --> 25:45.280
What?

25:45.280 --> 26:02.200
I was just thinking, he was worried about me catching pneumonia.

26:02.200 --> 26:05.680
I called Mama Caruso, and from what she said, we knew where to go.

26:05.680 --> 26:07.560
We picked him up at the emergency hospital.

26:07.560 --> 26:10.400
He was just finishing the operation on Tony's head.

26:10.400 --> 26:13.920
We watched him through the glass, and the other young doctor standing alongside of us

26:13.920 --> 26:17.240
said he was one of the greatest surgeons they'd ever seen.

26:17.240 --> 26:23.120
When he unrolled his gloves and took off his operating mask, he looked up and saw me, alive,

26:23.120 --> 26:24.840
and the other boys with me.

26:24.840 --> 26:28.000
His scalp tightened for just a second, and then he smiled.

26:28.000 --> 26:31.400
It was when he reached into his bag that we rushed him before he could get the little

26:31.400 --> 26:33.880
red bottle to his lips.

26:33.880 --> 26:37.000
Well, that's about it.

26:37.000 --> 26:38.800
I made the morning edition okay.

26:38.800 --> 26:44.720
On page 18, under my usual slug, Man Overboard by Man Jackson, they did a cute thing.

26:44.720 --> 26:46.920
Under Man Overboard, it said, he really is.

26:46.920 --> 26:48.400
See, page one.

26:48.400 --> 26:53.200
And on page one, with a byline, was the story just as above.

26:53.200 --> 26:56.520
Complete with a photograph of Dr. Oscar Aims.

26:56.520 --> 27:01.880
A clean-cut, smiling, confident, typically American fellow.

27:01.880 --> 27:18.800
The caption said, portrait of a spy.

27:18.800 --> 27:35.320
Suspense, presented by Auto Light, tonight's star, Mr. Paul Douglas.

27:35.320 --> 27:40.220
This is Harlow Wilcox speaking for Auto Light, world's largest independent manufacturer of

27:40.220 --> 27:42.320
automotive electrical equipment.

27:42.320 --> 27:45.880
Auto Light is proud to serve the greatest names in the industry.

27:45.880 --> 27:50.920
They are members of the Auto Light family, as well as are the 98,000 Auto Light distributors

27:50.920 --> 27:56.280
and dealers in the United States, and thousands more in Canada and throughout the world.

27:56.280 --> 28:01.280
Our family also includes the nearly 30,000 men and women in 28 great Auto Light plants

28:01.280 --> 28:06.120
from coast to coast, and Auto Light plants in many foreign countries, as well as the

28:06.120 --> 28:11.320
18,000 people who have invested a portion of their savings in Auto Light.

28:11.320 --> 28:16.280
Every Auto Light product is backed by constant research and precision built to the highest

28:16.280 --> 28:19.080
standards of quality and performance.

28:19.080 --> 28:24.860
So remember, from bumper to tail light, you're always right with Auto Light.

28:24.860 --> 28:30.240
Next week, the story of two men who could really talk, a young man and an old man.

28:30.240 --> 28:32.840
Naturally enough, they were liars.

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They also happened to be bank robbers.

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The story is based on fact and is called The Big Heist.

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For star Mr. John Hodiac, the program will be heard on Suspense.

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Suspense is produced and directed by Elliot Lewis with music composed by Lucian Morawak.

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Man Alive was written for suspense by William Spear.

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Featured in tonight's cast were Jeanette Nolan, Jane Avello, Fred McKay, William Conrad, and

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Joseph Kearns.

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Paul Douglas will soon be seen in the RKO radio production Never Wave at a Wack with

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Rosalind Russell.

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Remember next week, Mr. John Hodiac in The Big Heist.

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This Thursday, Americans give thanks for all our blessings and especially our liberties.

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The Auto Light family sincerely wishes you and your family a happy Thanksgiving.

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This is the CBS Radio Network.

