WEBVTT

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Auto Light and its 98,000 dealers bring you Mr. Frank Lovejoy in tonight's presentation

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of Suspense.

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Tonight, Auto Light presents a story based on fact, terrifying in its truth.

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The dramatic report of a man returned home to find he now lives in a frightened city.

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Our star Mr. Frank Lovejoy.

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Hi, Harlow.

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What's the matter?

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Hap, I'm in love.

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Oh, what's your name?

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It's not a her, it's the famous Auto Light Stay Full.

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The battery that needs water only three times a year in normal car use.

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Why millions of drivers go for the Auto Light Stay Full, Harlow.

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Sure, Hap, because it's the great battery with the fiberglass retaining mats protecting

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every positive plate to reduce shedding and flaking.

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And that means longer life for the Auto Light Stay Full battery, as proved by tests conducted

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according to accepted life cycle standards.

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Tell other drivers how to meet this lovable battery, Harlow.

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All right, friends, your neighborhood Auto Light battery dealer services all makes of

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batteries and he will gladly show you the Auto Light Stay Full battery for your car.

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To quickly learn his location, call Western Union by number.

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And ask for me, operator 25, I'll give you the location of your nearest Auto Light battery

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dealer where you can get an Auto Light Stay Full.

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The battery that needs water only three times a year in normal car use.

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And remember, from bumper to tail light, you're always right with Auto Light.

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And now, Auto Light presents, The Frightened City, starring Mr. Frank Lovejoy, hoping once

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again to keep you in suspense.

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The train pulled out of Easton at 1.20 in the afternoon.

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It pulled in three minutes earlier.

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It was a simple thing I had to do then.

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Watch it cross the bridge over the Wabash, watch it grow smaller.

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And when it was out of sight, I was finally home.

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And home was pick up the barracks bag and walk up the small hill from the depot, down

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in a main street on an autumn afternoon.

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Train left on Sycamore down three blocks, where the houses are painted white and has

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rockers on the porches and wide elm trees in November color.

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And the far off sound of a dog barking and the smell of smoldering leaves.

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And 595 Sycamore Street.

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Up the path, up the steps.

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Jane?

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Janey?

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Who is it?

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Janey?

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Sis?

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Nick?

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Oh Nicky, Nicky, Nicky.

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How's the baby, Sis?

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Oh fine.

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He was teething, but he's all right now.

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I haven't seen him yet.

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Oh he's beautiful.

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How's Janey?

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How's Janey, Sis?

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What?

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Janey, how is he?

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Your husband, my brother-in-law, Janey, how...

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What's the matter with you?

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How'd you get my letter?

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I was aboard ship the last two weeks, so...

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Johnny is dead.

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Johnny went walking one night and he's dead.

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One night Johnny said he was going to walk down the main street.

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He told me he wanted to stop in the police station.

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He had something to tell the chief of the police.

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Janey, Janey.

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He went out and he was walking along, walking along.

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Walking along.

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Baby.

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Baby.

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A car drove by and someone shot a gun at Johnny.

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Johnny's dead.

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Who?

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Who shot Johnny, Sis?

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Janey, I'm talking to you.

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Who shot Johnny?

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Janey.

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Come with me, Nick.

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There's your nephew.

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He's sleeping and he's my son.

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He's pink and he's fat and he says mama.

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He can say dada too, but it's a word he won't need.

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He's a good baby.

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I love him as much as a mother can love a child.

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Now I want to show you something else.

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I've had it here in my apron and I've been wondering what to do about it.

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I found it under my door about a week ago, the day after Johnny was shot.

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I'll read it to you.

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Don't talk to strangers.

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What happened to daddy can happen to sonny.

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Give it to me.

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My little boy is going to grow up.

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He's going to play with other boys and laugh and cry when he scrapes his knee on the sidewalk

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and go to school.

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And live a life.

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No.

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No, no, Nicky.

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These pieces get burned, get forgotten.

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It gets forgotten like everything else that's happened.

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Who did it, Janey?

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You're back from a war.

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Let everything be peaceful now.

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Look at my son, Nick.

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The way he wakes up.

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So peaceful.

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Then the infinite gentleness as she lifted the child held him close and kissed him.

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And the room was stillness and anguish and the bitter fear and the emptiness.

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And this was homecoming.

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Outside it was November, a long quiet avenue.

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And the glimpse of the coat-sweated woman in her backyard, gathering in her wash, feeling

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in at the starch of cold autumn wind.

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Walk to a cross street and three blocks east.

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Police headquarters.

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Give a murdered man's name and yours.

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Ask for the chief of police.

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And in less than an hour be shown into him.

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Hello, Mr. Crawford.

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Have a seat.

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You know why I'm here?

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Yeah, yeah, I do.

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I just came from my sister.

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She's scared.

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She, she gets threatening notes and burns them up.

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Why?

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I don't know.

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Who killed her husband?

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I don't know.

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Now look, you, this happened to my sister and now it's happening to me.

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A week ago a man walked down the street.

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He was on his way to see you and he got murdered.

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Easy, easy, I've got some things to tell you.

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Tell me.

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Four people saw it happen to your brother-in-law.

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That night one of them, a woman, was brutally beaten, tossed into a vacant lot.

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Kid playing in the trash found her there.

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Two days later another witness got a bomb thrown through his nice new house and almost

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killed his wife.

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That's two.

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The other two won't talk either, like your own sister won't talk.

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I'm tired, Mr. Crawford.

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I got a lot of things to clear away.

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I want their names and addresses.

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They'll talk to you, huh?

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They'll talk to me.

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I want those names.

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All right.

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Tell the sergeant in the next office I said you can have them.

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Mr. Crawford.

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What?

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Things have changed in this town.

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It's different.

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Hang around, you'll see.

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Hello.

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Good evening.

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Mr. Osborne?

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Mr. Osborne, something I can do for you?

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They tell me down at your place of business you'd be home.

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It's about Jimmy Stewart.

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Mind if I sit down?

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Not at all.

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Johnny Stewart, a friend of yours?

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He was married to my sister.

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Your sis?

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Oh, then you must be Nick.

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Heard a lot about you from Johnny, how you were soldiering.

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Welcome home, Nick.

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Johnny worked for you, didn't he?

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Good accountant, nice guy, Johnny.

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One of the best.

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You were with him the night he was killed?

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That's right, I was with him.

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You want to tell me about it?

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Johnny was walking by my store just as I was closing up.

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I told him to wait a minute.

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I'd walk with him.

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We walked, we talked.

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Got to a corner.

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I told Johnny to wait for me while I went into the drugstore to buy some cigarettes.

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As I came out, a car turned the corner, shot him down, drove away.

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That's how it was.

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What kind of car?

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I wouldn't know.

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Sedan, convertible, old, new?

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A week ago they put me through this.

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I didn't know then, I don't know now.

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Well, he worked for you.

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He was your friend.

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You knew all about him and me and his wife.

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Nick, I like it here on my port swing.

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It reminds me I'm alive.

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Don't spoil it for me, Nick.

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Mrs. Mason, you were sitting right here at your window and you saw it happen.

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You saw Johnny killed.

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I didn't see it.

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What kind of a car?

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Just tell me that.

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Nothing.

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Well the men who beat you up, did you identify them?

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There were weeds, dirty old tin cans.

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Please.

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And they threw me down and kicked me in my throat.

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Go away.

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What are you doing in my house?

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You listen to me, Nick.

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I can remember when Johnny Stewart was a kid and he stole penny candy from me, right here

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in this same drug store.

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Yeah, and he grew up to be shot down right on this corner, right outside this store.

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What happened that night, Mr. Nolan?

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Nick, I built up a nice business here, twenty years.

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What did you see?

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Nick, Nicky, it was me had to scrub his blood off the sidewalk.

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What did you see?

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Nothing.

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Nothing, that's what I saw, Nick.

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Nothing.

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Hi.

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Hello there.

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Breaking leaves, you can work up a sweat, even in November.

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Yeah, big tree, a lot of leaves, Indian summer evening, you sweat.

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I know.

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You're Tom Rockston, aren't you?

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That's right.

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I'm Nick Crawford.

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Glad to know you.

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I'm Tom.

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Johnny Stewart was my brother-in-law.

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Oh, really?

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You got a nice house, Tom.

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Thanks.

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I understand your wife was almost killed when they tossed a bomb into it.

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That's right, Hazel was out back, lucky.

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That bomb was tossed into your house because you were a witness to a murder, wasn't it?

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House looks OK now.

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Got nice neighbors, helped me, we fixed it up ourselves.

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No kill, Johnny.

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You're scared to death, aren't you?

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I've got a pretty good house here, mister, a tract house, GI loan.

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Once I had a nice uniform, just like you.

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Now what I've got is a wonderful wife and anybody asks me, I'll say Hazel's a wonderful

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wife and I love her.

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Like I said, scared.

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Right now, mostly of you, and whatever you're carrying around with you, I don't want to

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rub off on Mia Hazel.

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So I'll tell you something, leave me alone.

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When I went outside, it was evening in Easton.

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The air was chill and the dew was turning to light frost on the lawns.

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I walked for a while and I noticed a thing.

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The people on the streets, their stares, their looks over the shoulder at me, the whispers

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and the turning aside to let me pass.

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The word had gotten around that Johnny Stewart's brother-in-law was back in town and he was

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asking questions.

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I was being pointed out and walked away from.

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I'd come home and I'd come home to a frightened city.

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Auto Light is bringing you Mr. Frank Lovejoy in the Frightened City.

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Tonight's presentation in radio's outstanding theater of thrills, Suspense.

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Hey Hap, isn't that wonderful?

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Well Harlow, it looks just like an auto light stay full battery to me.

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Hap, I'm surprised at you.

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Don't you realize that this is the battery that needs water only three times a year in

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normal car use?

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Don't you know that the auto light stay full is protected by fiberglass retaining mats

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around every positive plate to reduce shedding and flaking?

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Aren't you aware of its longer life as proved by tests conducted according to accepted life

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cycle standards?

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Well sure Harlow.

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Well then Hap, you'll agree when I say money can't buy a better battery.

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So friends, visit your nearest auto light battery dealer.

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He services all makes of batteries and he's got an auto light stay full for your car in

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case a replacement is needed.

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To quickly locate your nearest auto light battery dealer, call Western Union by number

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and ask for operator 25.

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I'll tell you where you can get an auto light stay full.

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The battery that needs water only three times a year in normal car use.

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And remember from bumper to tail light, you're always right with auto light.

14:34.600 --> 14:41.380
And now auto light brings back to our Hollywood sound stage Mr. Frank Lovejoy in Elliot Lewis's

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production of The Frightened City.

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A dramatic report well calculated to keep you in suspense.

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The next morning in Easton, clear, bright.

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Look out the window of an upstairs room where you slept in an almost forgotten bed.

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And the glint of sunlight is autumn leaves wet with melting frost.

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And three houses down, the man on the bathrobe darting out of his front door to where the

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morning paper had been tossed into an evergreen bush.

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Watch him stalk it, retrieve it, scurry back.

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Trace a design on a pane of steamed window.

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And it's almost the way you remembered it.

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Almost.

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Nikki, you up?

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Yeah, come on in.

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Hi.

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Hi.

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You sleep good?

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Yeah.

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I heard the kid balling a little while ago woke me up.

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He was hungry.

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He's all right now.

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Nikki.

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What?

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Got home real late last night.

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I waited up a long time then I got tired and went to sleep.

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My brother's first night home in three years, you'd think you could have managed to get

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home early enough for us to talk.

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Oh, what do we talk about, Jane?

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You.

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What's happened to you in three years?

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But Johnny.

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Dead Johnny, murdered Johnny.

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Your husband, the man you had the kid with.

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We don't talk about that, huh, sister?

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Shut up.

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Janey.

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I told you, shut up.

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You're going to yell me into keeping quiet, Janey.

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I told you.

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I don't want my baby killed.

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Johnny was enough.

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You hate me for wanting to know why Johnny's dead.

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You hate me for that, Janey.

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My baby gets hurt.

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I'll hate you to your grave.

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You've got lots of new things in the house, Jane.

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New furniture, new carpets.

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Looks nice.

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Looks expensive.

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Are you coming down for breakfast?

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How much did Johnny make working as an accountant for Osmond?

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Fifty?

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Sixty a week?

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How much?

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Leave me alone.

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New sofa, big green leather chair, new carpet.

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That costs a lot of money.

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How did you get them, Jane?

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Installment plan?

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Somebody give you a birthday present?

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How'd you do it, Jane?

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You got a home hobby?

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You take telephone subscriptions for latest magazine?

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How did Johnny do it?

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Is that it?

17:16.840 --> 17:17.840
How?

17:17.840 --> 17:18.840
He steal, he rob, he kill?

17:18.840 --> 17:19.840
Nicky.

17:19.840 --> 17:20.840
Tell me.

17:20.840 --> 17:21.840
Ask Osmond.

17:21.840 --> 17:22.840
Osmond?

17:22.840 --> 17:23.840
Ask him what?

17:23.840 --> 17:24.840
What?

17:24.840 --> 17:26.520
Ask him what?

17:26.520 --> 17:27.800
How we suddenly became rich.

17:27.800 --> 17:31.000
How Johnny left a bank account with $30,000 in it.

17:31.000 --> 17:32.000
What are you talking about?

17:32.000 --> 17:33.200
You said you walked the town last night.

17:33.200 --> 17:35.240
Didn't you see what's happened to it?

17:35.240 --> 17:36.240
See what?

17:36.240 --> 17:37.240
People walking into back rooms.

17:37.240 --> 17:38.920
Shops with no customers, open late.

17:38.920 --> 17:41.520
Men paying newsboys with bills and not taking change.

17:41.520 --> 17:42.900
Or newspapers.

17:42.900 --> 17:44.080
People walking into back rooms.

17:44.080 --> 17:45.080
Card rooms.

17:45.080 --> 17:46.080
Dice tables.

17:46.080 --> 17:47.080
Numbers.

17:47.080 --> 17:50.320
And Johnny was part of it?

17:50.320 --> 17:54.120
Johnny worked for Osmond.

17:54.120 --> 17:57.760
And Johnny got sick of it and was on his way to tell the cop?

17:57.760 --> 18:01.240
Oh, Nicky.

18:01.240 --> 18:07.240
Oh, Janie, what's the matter?

18:07.240 --> 18:12.200
If you tell anybody what I said, I'll swear you're lying.

18:12.200 --> 18:17.840
My baby Nick, my son.

18:17.840 --> 18:21.200
I just died.

18:21.200 --> 18:24.400
That's what you did to me.

18:24.400 --> 18:27.400
It just died.

18:27.400 --> 18:32.760
Hi, Nick.

18:32.760 --> 18:43.960
What are you?

18:43.960 --> 18:47.040
Hey, what's a big idea busting up my office?

18:47.040 --> 18:49.640
I'll tell you the idea, Osmond.

18:49.640 --> 18:51.960
I reached across that desk to grab you by the throat.

18:51.960 --> 18:55.480
And I was going to try to break you in half, but a thing stopped me.

18:55.480 --> 18:57.080
You want to know what stopped me, Osmond?

18:57.080 --> 18:58.080
What's the matter with your neck?

18:58.080 --> 19:02.000
I want you to look at me and I want you to say to yourself, here's a man who's angry.

19:02.000 --> 19:05.800
And you say to yourself, here's a man who might reach across the desk and kill me.

19:05.800 --> 19:08.400
He hasn't made up his mind yet.

19:08.400 --> 19:09.400
On your feet, Osmond.

19:09.400 --> 19:11.920
On your feet!

19:11.920 --> 19:12.920
Why did you kill Johnny?

19:12.920 --> 19:13.920
You're crazy!

19:13.920 --> 19:14.920
Talk to me, talk!

19:14.920 --> 19:15.920
Tell me why did you kill Johnny?

19:15.920 --> 19:17.880
I was walking with him, son.

19:17.880 --> 19:18.880
Walking with him.

19:18.880 --> 19:20.240
How could you set him up as a pigeon?

19:20.240 --> 19:21.920
It's real simple.

19:21.920 --> 19:24.360
Walk with him, then go into a drug store and wait until he's killed.

19:24.360 --> 19:25.360
Now you know how.

19:25.360 --> 19:26.360
Now tell me why.

19:26.360 --> 19:28.320
You talking to your sister, son?

19:28.320 --> 19:30.680
Osborne, you send your boys down to see my sister.

19:30.680 --> 19:33.240
They might live through what happened to them, but I doubt it.

19:33.240 --> 19:34.240
Tough boy.

19:34.240 --> 19:35.240
Soldier boy.

19:35.240 --> 19:37.320
Here's what's else, Osborne.

19:37.320 --> 19:39.280
This town suddenly stinks.

19:39.280 --> 19:44.080
Dice rooms, card rooms, numbers and everything that goes with it.

19:44.080 --> 19:48.840
My brother-in-law gets a shiny garbage disposal, a new grand piano, real fine rugs and a large

19:48.840 --> 19:51.800
bank account on how much a week?

19:51.800 --> 19:54.160
Seventy-five accountants make about that, don't they?

19:54.160 --> 19:56.240
We could start you at about three hundred.

19:56.240 --> 19:59.080
Be polite, Mr. Osborne, to a guy who's talking.

19:59.080 --> 20:00.080
Five hundred.

20:00.080 --> 20:04.360
Polite, Mr. Osborne, that's the word for just now.

20:04.360 --> 20:07.000
I could kill you, Osborne.

20:07.000 --> 20:09.200
Think about it with me.

20:09.200 --> 20:12.920
Here we are in this room, you the man who's got the whole town of Easton so scared that

20:12.920 --> 20:14.400
nobody has a friend anymore.

20:14.400 --> 20:18.640
It takes a powerful man to frighten almost twenty thousand people, but you did it.

20:18.640 --> 20:22.400
If anything happens to me, Nicky boy, you'd get one block from here.

20:22.400 --> 20:24.080
Let's think about that, too, huh?

20:24.080 --> 20:25.960
That's what I'm coming to.

20:25.960 --> 20:29.760
Then there's me in this room and you're afraid of me and that makes me pretty big, too.

20:29.760 --> 20:35.040
But I'm not going to kill you because this is my town and it used to be a pretty good

20:35.040 --> 20:36.040
town.

20:36.040 --> 20:38.920
The uniform and the flag and the fist, that's all you need?

20:38.920 --> 20:43.960
And there's law and there's people who need to know what's happening here.

20:43.960 --> 20:45.840
I'm going to tell you what I'm going to do.

20:45.840 --> 20:47.120
Get proof, Nicky?

20:47.120 --> 20:48.120
How?

20:48.120 --> 20:50.920
At five o'clock tonight, I'm going to take a walk and I'm going to take the same walk

20:50.920 --> 20:52.800
that Johnny did.

20:52.800 --> 20:55.880
And I'm going into that drug store and I'm going to make a phone call.

20:55.880 --> 21:00.360
A long distance call to St. Louis to a newspaper guy I know.

21:00.360 --> 21:04.960
And then it's going to be in the papers about a frightened city and the reporters will come

21:04.960 --> 21:07.960
here and they'll find out, Osborne.

21:07.960 --> 21:10.880
You're getting real scared, baby.

21:10.880 --> 21:13.480
You mean it about taking that walk tonight, Nick?

21:13.480 --> 21:14.480
I mean it.

21:14.480 --> 21:16.900
Maybe we'll bump into each other.

21:16.900 --> 21:30.040
We will.

21:30.040 --> 21:33.680
And on the way home, stop at Lane's Sporting Goods Store.

21:33.680 --> 21:36.760
Buy a gun, buy cartridges.

21:36.760 --> 21:38.080
And Mr. Lane is all business.

21:38.080 --> 21:39.080
No good evenings.

21:39.080 --> 21:41.520
No, how have you been, Nicky?

21:41.520 --> 21:44.800
Just ring it up on the cash register and not look at you and walk quickly away from you

21:44.800 --> 21:47.440
when it was done.

21:47.440 --> 21:50.200
And the walk home.

21:50.200 --> 21:54.360
Small town held in November twilight.

21:54.360 --> 22:03.600
Inside the house, try the new piano.

22:03.600 --> 22:05.720
The room where the baby is.

22:05.720 --> 22:07.200
Play with him.

22:07.200 --> 22:10.560
And Jane comes in and takes him away from you and tells you there's supper in the kitchen

22:10.560 --> 22:12.700
if you want it.

22:12.700 --> 22:16.320
And eat alone, paper propped against water pitcher.

22:16.320 --> 22:17.560
Alone.

22:17.560 --> 22:25.880
From now on, everything alone because the police wouldn't let you be a pigeon.

22:25.880 --> 22:30.440
Glance at the kitchen clock and it's time.

22:30.440 --> 22:35.960
You going out, Nick?

22:35.960 --> 22:36.960
Yeah.

22:36.960 --> 22:37.960
Where?

22:37.960 --> 22:39.880
Just for a walk.

22:39.880 --> 22:42.360
Will you be late?

22:42.360 --> 23:12.320
Don't wait up for me.

23:12.320 --> 23:13.760
Something for you, Nick?

23:13.760 --> 23:14.760
Some change.

23:14.760 --> 23:15.760
I want to use your phone.

23:15.760 --> 23:18.760
Sure, Nick.

23:18.760 --> 23:26.760
Here, Nick.

23:26.760 --> 23:33.680
Thanks.

23:33.680 --> 23:46.480
Long distance.

23:46.480 --> 23:48.800
Oh, long distance.

23:48.800 --> 23:51.000
What's the station to station charge to St. Louis?

23:51.000 --> 23:52.000
Just a moment, please.

23:52.000 --> 23:53.000
That will be a dollar twenty including the tax.

23:53.000 --> 23:54.000
What number do you wish, please?

23:54.000 --> 24:09.640
What number are you calling in St. Louis, please?

24:09.640 --> 24:13.600
Pick a number.

24:13.600 --> 24:15.040
I'm sorry, sir, but you must...

24:15.040 --> 24:16.360
Don't be sorry.

24:16.360 --> 24:18.200
Get anybody you want to talk to in St. Louis.

24:18.200 --> 24:19.760
Have a talk on me.

24:19.760 --> 24:21.200
I will return your money, sir.

24:21.200 --> 24:22.200
Now don't do that.

24:22.200 --> 24:25.840
There's somebody I want to call in St. Louis, but I can't think of who it is.

24:25.840 --> 24:26.840
I will give you information.

24:26.840 --> 24:27.840
No, no.

24:27.840 --> 24:28.840
Just talk to me.

24:28.840 --> 24:30.840
I'm sorry, sir, but I can't do that.

24:30.840 --> 24:34.400
Operator, I've got to talk into this phone for just a little while longer just to let

24:34.400 --> 24:37.240
somebody think I'm not kidding in case somebody's watching.

24:37.240 --> 24:38.240
I don't understand, sir.

24:38.240 --> 24:39.240
Would you like information?

24:39.240 --> 24:40.240
About what?

24:40.240 --> 24:44.080
Do you wish to talk to St. Louis, sir?

24:44.080 --> 24:45.080
Do you think I should?

24:45.080 --> 24:47.280
I'm afraid I'm going to have to return your money.

24:47.280 --> 24:48.280
No, no.

24:48.280 --> 24:49.280
Don't do that.

24:49.280 --> 24:50.280
I've got a number.

24:50.280 --> 24:54.280
It's the, uh, Venden 64373 in St. Louis.

24:54.280 --> 24:57.280
One moment, please.

24:57.280 --> 25:00.280
Nick!

25:00.280 --> 25:03.280
Osborne.

25:03.280 --> 25:20.280
Nick.

25:20.280 --> 25:34.280
Oh, Nick.

25:34.280 --> 25:37.280
Sorry, soldier.

25:37.280 --> 25:43.280
And just think, you could have died on a battlefield, not in your home town.

25:43.280 --> 25:57.280
Osborne didn't die.

25:57.280 --> 26:00.280
He lived quite a long time, five months.

26:00.280 --> 26:03.280
Hospital, trial, confession, sentence.

26:03.280 --> 26:05.280
And in five months it was spring in Eastern.

26:05.280 --> 26:07.280
It was a good spring.

26:07.280 --> 26:08.280
And you know how people are.

26:08.280 --> 26:10.280
They react to the weather.

26:10.280 --> 26:11.280
Hi, Nick.

26:11.280 --> 26:13.280
The tree's starting to bud already.

26:13.280 --> 26:14.280
You notice?

26:14.280 --> 26:19.280
They get friendly and they smile a lot, like winter was a long time, a dark time, and it

26:19.280 --> 26:20.280
was over.

26:20.280 --> 26:22.280
Come on over to the house when you have a chance, Nick.

26:22.280 --> 26:23.280
You'll do that, you hear?

26:23.280 --> 26:27.280
Grass grows in the springtime, but babies grow all the time.

26:27.280 --> 26:28.280
Did you see him?

26:28.280 --> 26:29.280
Did you see him?

26:29.280 --> 26:30.280
Nick, he walked.

26:30.280 --> 26:31.280
My son walked.

26:31.280 --> 26:32.280
Sure.

26:32.280 --> 26:33.280
Sure I saw him, sis.

26:33.280 --> 26:34.280
He's growing up.

26:34.280 --> 26:36.280
That happens, sis.

26:36.280 --> 26:37.280
And you know what?

26:37.280 --> 26:38.280
He's lucky.

26:38.280 --> 26:41.280
He's got a good town to grow up in.

26:41.280 --> 27:10.200
Suspense.

27:10.200 --> 27:14.820
And now, we're joined by Auto Light, tonight's star, Mr. Frank Lovejoy.

27:14.820 --> 27:18.840
This is Harlow Wilcox, and here once again is our star, Frank Lovejoy.

27:18.840 --> 27:22.920
This was your first appearance of our new season, Frank, and we wanted to know we enjoyed

27:22.920 --> 27:23.920
every minute.

27:23.920 --> 27:27.640
Thank you, Harlow, and thanks to Auto Light for making it possible.

27:27.640 --> 27:31.400
You had some wonderful shows this season, and next week's promises to be one of the

27:31.400 --> 27:32.400
best.

27:32.400 --> 27:37.460
Ladies and gentlemen, if I may, I recommend that you be sure to listen to Death and Miss

27:37.460 --> 27:39.680
Turner, starring Miss Agnes Moorhead.

27:39.680 --> 27:44.200
Yes, Frank, it should be a great show, brought to you by one of the great names in American

27:44.200 --> 27:50.520
industry, Auto Light, and its family of 98,000 distributors and dealers in the United States,

27:50.520 --> 27:54.040
and thousands more in Canada and throughout the world.

27:54.040 --> 27:59.160
Our family also includes the nearly 30,000 men and women in 28 great Auto Light plants

27:59.160 --> 28:04.200
from coast to coast, and Auto Light plants in many foreign countries, as well as the

28:04.200 --> 28:09.580
18,000 people who have invested a portion of their savings in Auto Light.

28:09.580 --> 28:14.920
The Auto Light product is backed by constant research and precision built to the highest

28:14.920 --> 28:17.720
standards of quality and performance.

28:17.720 --> 28:29.920
So remember, from bumper to tail light, you're always right with Auto Light.

28:29.920 --> 28:34.920
Next week, a new radio play by the originator of suspense, Mr. William Spear.

28:34.920 --> 28:40.160
The story is called Death and Miss Turner, and it will star the First Lady of Suspense,

28:40.160 --> 28:41.880
Miss Agnes Moorhead.

28:41.880 --> 28:48.000
That's next week on Suspense.

28:48.000 --> 28:52.280
Suspense is produced and directed by Elliot Lewis, with music composed by Lucian Morawak

28:52.280 --> 28:54.560
and conducted by Ludd Gluskin.

28:54.560 --> 29:00.640
The Frightened City was written for suspense by Morton Fine and David Friedkin.

29:00.640 --> 29:05.240
And in tonight's cast were Joan Banks, Lou Merrill, Herb Butterfield, Paula Winslow,

29:05.240 --> 29:07.640
Hi Aberback, and Charles Calvert.

29:07.640 --> 29:11.240
Frank Lovejoy appeared to the courtesy of Warner Brothers, whose current release is

29:11.240 --> 29:12.800
Operation Secret.

29:12.800 --> 29:20.160
Remember next week, Miss Agnes Moorhead in Death and Miss Turner.

29:20.160 --> 29:24.400
You can buy Auto Light staple batteries, Auto Light electrical parts, and Auto Light resistor

29:24.400 --> 29:27.800
or standard type spark plugs at your neighborhood Auto Light dealers.

29:27.800 --> 29:29.240
Switch to Auto Light.

29:29.240 --> 29:30.240
Good night.

29:30.240 --> 29:32.120
This is the CBS Radio Network.

