WEBVTT

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Auto Light and its 98,000 dealers bring you Miss Anne Baxter in tonight's presentation

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of Suspense.

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Tonight, Auto Light recreates a classic tale as with song and story we tell of the death

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of Barbara Allen, our star Miss Anne Baxter.

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Hey Harlow, you got in my way.

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Huh?

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Oh, Oscar Auto.

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Sorry, I was daydreaming.

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About what?

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Why, about the Auto Light stay full, the battery that needs water only three times a year in

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normal car use.

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I've got one.

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Then my speaking sedan, you've got the world's most desired, dynamic and dependable battery.

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It has fiberglass retaining mats protecting every positive plate to reduce shedding and

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flaking.

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That's one of the reasons why the Auto Light stay full gives longer life, as proved by

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tests conducted according to accepted life cycle standards.

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My owner got mine from our neighborhood Auto Light battery dealer.

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Friends, to quickly locate your nearest Auto Light battery dealer, phone Western Union

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by number.

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And ask for operator 25.

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That's me and I'll gladly tell you where you can get an Auto Light stay full.

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A battery that needs water only three times a year in normal car use.

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And remember from bumper to tail light, you're always right with Auto Light.

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And now Auto Light presents the Death of Barbara Allen, starring Miss Anne Baxter, hoping once

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again to keep you in suspense.

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In Scarlet Town where I was born, there was a fair maid dwelling, made every youth cry

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well a day, and her name was Barbara Allen.

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His voice was on the wind calling, calling to me, and the surface to the west of me and

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to the east, and the sounds of the night sea were all around, and on the finger of strand

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I waited for him, for my love, for my love as he rode to me.

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And a star swung across the moon and the wind rose from the night as he rode to me, as he

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came to me.

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I thought you wouldn't be here, Barbara Allen.

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And where else would I be on such a night?

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Home perhaps, where it's warm.

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And the young men of Scarlet Town to knock on your door.

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Not here where the sea rises and the moon is cold.

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Where I meet my love.

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But there's a storm coming.

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Let it.

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The storm and the tides will drown this strand.

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And we would drown.

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Yes.

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We would drown, Will.

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And you would live no longer than I, and I no longer than you.

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Our love would die at once on a storm.

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Why do you talk of death?

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Oh, I talk of love.

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And I do.

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And there's no death in it.

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No, Will.

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Only this.

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Oh, Will.

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Fair Barbara Allen.

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Wild Barbara Allen.

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Ride with me.

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Yes.

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They rode, they rode on a stallion black.

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The sea it was a-swellin'.

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And dark, dark clouds a shadow lay on the lips of Barbara Allen.

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Then Willie held her oh so close.

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And he kissed a little trembling.

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Then kissed again in fond ado.

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Then kissed again in fond ado.

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And he kissed again in fond ado.

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Father.

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In the kitchen.

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Sean's here.

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He's been waiting.

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Hello, Barbara Allen.

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I'll get you some tea.

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No.

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The pillow in back of me slid down, Barbara Allen.

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Sit.

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Where you been?

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On the Strand.

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With Will.

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With Will.

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Sean's been waiting.

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You knew he was going to be here.

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And then sitting with your father waiting, doing the things you should be doing, while

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you meet Will on the Strand.

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Ah, he can do for himself.

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Thank you, Teafater.

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I like whiskey in it.

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Here.

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Drink, old man.

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I like whiskey in it because whiskey keeps the warm down.

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And it's a cold house.

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It's a season of storm.

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And I have a daughter who's never home.

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Ah, father.

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The warmth of my daughter is for a sailor named Will.

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Father.

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And my house is cold.

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You'll need a pillow for his chair, Barbara Allen.

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He can do for himself.

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He can do whatever he needs for himself.

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He sits there and rocks and remembers the time when he had a wife to do for him.

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Do everything but walk for him.

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My house is cold.

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Listen to him.

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Barbara Allen?

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Yes, Sean.

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Will is a sailor.

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Yes.

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With a small boat.

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Yes.

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And a narrow life.

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You couldn't know.

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I know.

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And one day he'll say goodbye to you and sailor small boat.

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That will be the day when the sea will throw him back to you.

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Wrapped in kelp and drowned.

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And what of you, Sean?

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Shelf keeper, Sean.

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Seller of pots and fish hooks and whiskeys, Sean.

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Should I love you, Sean?

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Yes.

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Cold.

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And what will you make of me?

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One like him who sits in a rocker and remembers.

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You love Will.

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How many others love Willie the sailor?

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And how many does he love?

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No one.

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There's a girl.

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You've seen her, Barbara Allen.

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She's new to Scarlet Town.

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Her name is Moria.

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And she drinks wine with Will.

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They whisper in life together.

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Get out of here, Sean.

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They say when Will leaves you, he goes to her.

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You lie.

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And if I'm not lying?

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If he hurts you, Barbara Allen, I'll kill him.

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Get out of here, Sean.

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I would.

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I'd kill him.

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And later I could still hear my father rocking and the sounds of his remembering.

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For me, it was a night of no sleep.

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I lay there in my bed and outside was fitful squalls of rain.

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It began and stopped and began again.

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There was surf that eddied in the rocks and mist and choke and tangle of kelp flung against

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the strand.

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And Will's face and his words and the words of Sean and the sudden blaze of light across

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my bed.

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The night careened against the sea.

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And then the night was still.

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Then it was morning.

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I got up and dressed, walked through the room where my father was, still sleeping in his

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care.

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The beach had been pitted by the rain when I walked it.

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The dune grass was green and shining.

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The wind held stung the sand against my legs.

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And down the curb of the beach near the end of it, Will's boat.

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The sail on it to be mended.

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From me to men.

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For Will.

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Hello.

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What are you doing on Will's boat?

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It's where I belong now, on Will's boat.

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To mend his nets and the sails.

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Will sent you here?

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He left me here.

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I'm not...

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I know who you are.

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You are Moria.

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You wear a silk dress in the morning to mend a net.

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Here, this is a net.

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Mend it.

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Let me watch what you'll do with it.

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He will teach me when he returns.

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When did you see Will?

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I saw him.

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When?

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When I was with him.

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When he told me to stay here and today we would go sailing together.

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Sailing?

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Where?

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Why?

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To someplace.

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This coast is new to me.

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Will wants me to know it.

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What other places has he shown you?

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Scarlet Town and what's around it.

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You ridden with him?

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On his black horse.

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Ridden the Strand?

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At night?

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Yes.

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The ruined church at the end of it?

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Yes, all of these things.

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Where is Will?

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We sail today.

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Will's in Scarlet Town.

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He's buying things for the sailing.

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Wine, cigarettes...

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At Sean's.

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What?

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Will is at Sean's.

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And he'll stay there.

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He won't sail with you.

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Across the dunes, oh she did run

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The wind with her a-sying

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And as she ran, the more she grieved

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Until she burst out crying

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When she came down to Scarlet Town

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The street with crowd was fillin'

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When they saw her, they stepped aside

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Made way for Barbara Allen

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He's in there, Barbara Allen.

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In Sean's place.

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Why is there a crowd, Mr. Eamon?

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In Sean's place.

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Will's in there.

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What happened?

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I was in there.

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Will was buying things of Sean.

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Will was laughing.

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He broke open a bottle of wine.

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He made a toast.

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To whom?

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To the ladies all around.

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To Maria?

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To her.

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And what happened?

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There was talk.

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Then Will had a knife in his hand.

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Then Sean did too.

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There was a fight.

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Will's in there, Barbara Allen.

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He's lying on the floor.

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He called your name.

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Hello, Will.

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I'm dying, Barbara Allen.

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What did you say, Will?

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I'm dying.

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Die.

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Auto Light is bringing you Miss Ann Baxter in

11:49.400 --> 11:51.400
The Death of Barbara Allen.

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Tonight's presentation in radio's outstanding

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theater of thrills, Suspense.

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For fine dependable starting power, all can well agree,

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your best buy, by far, is an auto light staple battery.

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Right, Oscar Auto.

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And that's the great battery that needs water

12:21.400 --> 12:24.400
only three times a year in normal car use.

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The battery with advanced engineering design, eh, hello?

12:27.400 --> 12:29.400
Right, my loquacious limousine.

12:29.400 --> 12:32.400
It's protected with fiberglass retaining mats

12:32.400 --> 12:35.400
to give longer life, as proved by tests conducted

12:35.400 --> 12:37.400
according to accepted life cycle standards.

12:37.400 --> 12:40.400
Why, money just can't buy a better battery

12:40.400 --> 12:43.400
than the famous auto light staple.

12:43.400 --> 12:46.400
So friends, see your nearest auto light battery dealer.

12:46.400 --> 12:48.400
He services all makes of batteries.

12:48.400 --> 12:51.400
To quickly locate him, phone Western Union by number

12:51.400 --> 12:53.400
and ask for operator 25.

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That's me and I'll gladly tell you the name of your

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nearest auto light battery dealer,

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where you can get an auto light staple.

12:59.400 --> 13:02.400
The battery that needs water only three times a year

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in normal car use.

13:04.400 --> 13:06.400
And remember, from bumper to tail light,

13:06.400 --> 13:09.400
you're always right with auto light.

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And now, auto light brings back to our Hollywood sound stage,

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Miss Ann Baxter in Elliot Lewis's production of

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The Death of Barbara Allen.

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A tale well calculated to keep you in...

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suspense.

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In scarlet town

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where I was born

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Twilight was a-fallin'

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On William Green

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cold death it lay

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No grief from Barbara Allen

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They carried will to the edge of the Strand

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the people scarlet town

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and I was not there

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They opened the earth of the old treach yard

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and they scattered the earth over the body of will

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and I was not there

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I walked the sands of scarlet shore

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and I cursed the grave that held him

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Is that you, Barbara Allen?

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How do you want, old woman?

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Is that you, Barbara Allen?

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I'm old and I can't see so good

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especially with a mist so heavy and drifting like the dew.

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What do you want?

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Oh, give me some of the driftwood you're gathering.

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I'm an old woman and when I bend for the wood

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the sea snatches it from my hand.

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Think what I have, there's more.

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Let me walk with you and fill my apron for me.

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All right.

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Your will is dead.

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He's dead.

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They're burying him.

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The whole town is there.

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You're not there, Barbara Allen.

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And you're not there, old woman.

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I buried three sons on that strand

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in the churchyard at the end of it.

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Never do I want to be on that strip of land again.

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Nor I.

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But you will and I.

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Your death place is there and mine

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and all of us is scarlet town.

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The earth covers us in summer

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and the sea in winter and storm.

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Oh, give me that piece of wood from my apron.

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Take it.

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You met will there on the strand, didn't you, Barbara Allen?

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It's a place of love and death.

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That will was handsome.

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Listen to me, old woman.

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Walk with me and beg my driftwood and I'll give it to you.

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But don't talk to me, will.

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And why not?

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He died for the love of you.

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For the love of me and one called Moria

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and the rest of the ladies all around.

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For the love of you.

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I was there in Sean's place touching the vaults of dress goods and close.

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I heard what happened, all of it.

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For the love of me.

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Sean spoke your name lightly in a teasing way

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and he leaned over with a smile and whispered a question in Will's ear.

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Then in Will's hand was a knife because of what Sean had asked.

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You lie, old woman.

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It's how Will died.

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For the love of you, I swear it, on the graves of my three sons who lie dead.

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For the love of me.

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Not for the one called Moria.

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Her of the silk dress who paid Will to take her sailing.

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Paid him?

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This I heard too when the toasts were drunk in Sean's place.

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Gave him money to take her sailing.

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Will spoke her name lightly and laughed when he told us of it.

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Well, fetch me that piece of wood there, Barbara, and my apron will be full.

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And then she left me, the old woman did.

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And for an hour I walked the beach gathering driftwood for my house

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and all the while the bell of the ruined church tolled for Will.

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For the death of Will.

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For my true love.

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For Will.

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Night came swiftly with the rain

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and the moon said behind something.

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Black in the sky and it stayed there.

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The sea was vast.

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It rolled in and broke and the end of it was chill against my feet.

17:58.400 --> 18:02.400
Far away the file of mourner's life as they walked home.

18:02.400 --> 18:05.400
And I went home too and made a fire.

18:05.400 --> 18:08.400
Waited till the sound of my father's returning.

18:08.400 --> 18:10.400
The funeral was over.

18:10.400 --> 18:13.400
The dead had been buried in the sand.

18:13.400 --> 18:16.400
My father asked for his tea with whiskey in it.

18:16.400 --> 18:18.400
I gave it to him.

18:18.400 --> 18:19.400
I left.

18:19.400 --> 18:21.400
I went to a place.

18:21.400 --> 18:23.400
Sean's place.

18:33.400 --> 18:35.400
Barbara Allen.

18:35.400 --> 18:37.400
The storm outside you're drenched.

18:37.400 --> 18:39.400
Take my coat, Sean.

18:39.400 --> 18:40.400
Yes.

18:40.400 --> 18:43.400
You killed Will.

18:43.400 --> 18:45.400
It was a fair fight.

18:45.400 --> 18:47.400
You killed him with a knife.

18:47.400 --> 18:48.400
In my belt.

18:48.400 --> 18:49.400
You'll hang for it.

18:49.400 --> 18:51.400
No, it was a fair fight.

18:51.400 --> 18:53.400
According to the law of Scarlet Town, he could have killed me.

18:53.400 --> 18:56.400
I'm alive, he's dead, no one will hang.

18:56.400 --> 18:57.400
I'm glad.

18:57.400 --> 19:00.400
I was worried for you.

19:00.400 --> 19:01.400
Barbara Allen.

19:01.400 --> 19:03.400
No, no, wait.

19:03.400 --> 19:05.400
Tell me about it.

19:05.400 --> 19:06.400
About what?

19:06.400 --> 19:10.400
The fight.

19:10.400 --> 19:11.400
How you killed Will.

19:11.400 --> 19:14.400
Will was your love and you want to know how he died?

19:14.400 --> 19:16.400
Will is dead and I can't breathe.

19:16.400 --> 19:19.400
Tell me why, Sean.

19:19.400 --> 19:21.400
I'll make you happy.

19:21.400 --> 19:23.400
Yes.

19:23.400 --> 19:25.400
Tell me how you killed Will.

19:25.400 --> 19:29.400
Will was a sailor, but he was clumsy with a knife.

19:29.400 --> 19:34.400
And when I drew mine, and we faced each other, and we circled,

19:34.400 --> 19:37.400
I could tell it, heavy footed and awkward.

19:37.400 --> 19:41.400
And when he rushed me, I stepped aside, and he fell.

19:41.400 --> 19:43.400
And everybody laughed.

19:43.400 --> 19:45.400
And I let him get up.

19:45.400 --> 19:49.400
And somehow he closed with me and cut me here on my arm.

19:49.400 --> 19:50.400
Oh, show me.

19:50.400 --> 19:52.400
Oh, poor Sean.

19:52.400 --> 19:56.400
We bent back over the counter, the two of us struggling.

19:56.400 --> 20:00.400
And I looked into his face, and I saw a thing.

20:00.400 --> 20:01.400
Fright.

20:01.400 --> 20:03.400
Will was dead.

20:03.400 --> 20:05.400
Willie, the sailor, was scared.

20:05.400 --> 20:07.400
And I brought my hand up.

20:07.400 --> 20:09.400
Up, Papa Allen.

20:09.400 --> 20:10.400
Oh, you should have seen it.

20:10.400 --> 20:13.400
His face when the knife went into him.

20:13.400 --> 20:15.400
That knife?

20:15.400 --> 20:17.400
In your belt?

20:17.400 --> 20:18.400
Yes.

20:18.400 --> 20:19.400
I want to see it.

20:19.400 --> 20:24.400
Put it there on the table where I can look at it.

20:24.400 --> 20:25.400
Sean.

20:25.400 --> 20:27.400
Yes.

20:27.400 --> 20:30.400
What else will you do for me?

20:30.400 --> 20:31.400
What?

20:31.400 --> 20:34.400
There was a storm outside, and I came to you.

20:34.400 --> 20:37.400
What will you do for me now?

20:37.400 --> 20:39.400
Love you.

20:39.400 --> 20:41.400
How?

20:41.400 --> 20:44.400
With fine things, Barbara Allen.

20:44.400 --> 20:46.400
With silk from my shelves.

20:46.400 --> 20:48.400
Whatever you want.

20:48.400 --> 20:50.400
This one.

20:50.400 --> 20:52.400
This bowl of silk.

20:52.400 --> 20:53.400
Or this one.

20:53.400 --> 20:54.400
Or this one.

20:54.400 --> 20:56.400
Which one, Barbara Allen? Which one?

20:56.400 --> 20:57.400
They're at your feet.

20:57.400 --> 20:59.400
Whatever you want.

20:59.400 --> 21:03.400
And listen, I have these too.

21:03.400 --> 21:04.400
Mirrors.

21:04.400 --> 21:06.400
And these.

21:06.400 --> 21:08.400
Buttons of shell.

21:08.400 --> 21:09.400
And these.

21:09.400 --> 21:12.400
Combs of Mother of Pearl.

21:12.400 --> 21:14.400
For your hair, Barbara Allen.

21:14.400 --> 21:15.400
Sean.

21:15.400 --> 21:16.400
For your hair.

21:16.400 --> 21:19.400
You will love me forever, Sean?

21:19.400 --> 21:22.400
For as long as I live.

21:22.400 --> 21:24.400
Tell me again.

21:24.400 --> 21:27.400
For as long as I live.

21:27.400 --> 21:29.400
Yes.

21:29.400 --> 21:32.400
You.

21:32.400 --> 21:35.400
With a knife, you killed Will.

21:35.400 --> 21:37.400
I killed you.

21:54.400 --> 21:55.400
Father.

21:55.400 --> 21:57.400
I'm home, Barbara Allen.

21:57.400 --> 21:58.400
Something happened, Father.

21:58.400 --> 22:00.400
You left me alone again.

22:00.400 --> 22:01.400
The fire's gone out.

22:01.400 --> 22:02.400
I went to Sean.

22:02.400 --> 22:04.400
The fire's gone out.

22:04.400 --> 22:06.400
And I killed him.

22:06.400 --> 22:09.400
The sea spilled over the churchyard.

22:09.400 --> 22:11.400
And the dead will drown.

22:11.400 --> 22:13.400
The dead in the old graves.

22:13.400 --> 22:16.400
And the dead in the new graves.

22:16.400 --> 22:17.400
Will.

22:17.400 --> 22:19.400
That's why I killed Sean, Father.

22:19.400 --> 22:20.400
Because of Will.

22:20.400 --> 22:23.400
His grave will sink beneath the sea.

22:23.400 --> 22:26.400
The storm will wash over him.

22:26.400 --> 22:28.400
Lonely.

22:28.400 --> 22:30.400
Don't you hear what I'm saying, Father?

22:30.400 --> 22:31.400
I killed Sean.

22:31.400 --> 22:33.400
Will is dead.

22:33.400 --> 22:34.400
I killed Sean.

22:34.400 --> 22:37.400
And your life is over.

22:37.400 --> 22:38.400
Yes.

22:38.400 --> 22:42.400
Like mine.

22:42.400 --> 22:44.400
Sit with me, Barbara Allen.

22:44.400 --> 22:45.400
Yes.

22:45.400 --> 22:50.400
And I sat with him at his feet while he rocked.

22:50.400 --> 22:52.400
He remembered.

22:52.400 --> 22:54.400
And I remembered.

22:54.400 --> 22:58.400
And once my father got up, walked to the fire,

22:58.400 --> 23:00.400
and threw on wood.

23:00.400 --> 23:01.400
Sat down again.

23:01.400 --> 23:03.400
Rocked.

23:03.400 --> 23:06.400
And I remembered.

23:06.400 --> 23:07.400
Will.

23:07.400 --> 23:09.400
Will.

23:09.400 --> 23:12.400
The dead will drown.

23:12.400 --> 23:15.400
Will.

23:15.400 --> 23:19.400
The grief came and the tears.

23:19.400 --> 23:20.400
Will.

23:20.400 --> 23:22.400
Will, the tears.

23:22.400 --> 23:27.400
His grave will sink beneath the sea.

23:27.400 --> 23:31.400
I'll make your bed, Barbara Allen.

23:31.400 --> 23:33.400
All right.

23:33.400 --> 23:36.400
See, you killed Sean.

23:36.400 --> 23:38.400
I did.

23:38.400 --> 23:41.400
Look through the window.

23:41.400 --> 23:42.400
The lights.

23:42.400 --> 23:45.400
The people from Scarlet Town are coming after you.

23:45.400 --> 23:47.400
They'll hang me for what I did.

23:47.400 --> 23:50.400
Your love lies on the strand.

23:50.400 --> 23:52.400
He sleeps on the strand.

23:52.400 --> 23:54.400
Your love is over me.

24:01.400 --> 24:02.400
I ran.

24:02.400 --> 24:04.400
I ran to where my love was.

24:04.400 --> 24:05.400
Where Will was.

24:05.400 --> 24:07.400
Down to the beach, under the strand.

24:07.400 --> 24:09.400
And they followed me.

24:09.400 --> 24:11.400
The lights of the people from Scarlet Town.

24:11.400 --> 24:13.400
And their voices on the howling wind.

24:13.400 --> 24:16.400
And I ran down the strand.

24:16.400 --> 24:18.400
But the black sea was covering it.

24:18.400 --> 24:19.400
And they followed me.

24:19.400 --> 24:21.400
Their voices.

24:21.400 --> 24:23.400
And the bell on the wind.

24:23.400 --> 24:26.400
And their voices on the wind.

24:26.400 --> 24:28.400
I ran.

24:28.400 --> 24:29.400
And fell.

24:29.400 --> 24:30.400
And ran again.

24:30.400 --> 24:33.400
Where my love lay lonely.

24:33.400 --> 24:35.400
The will in his grave.

24:35.400 --> 24:39.400
In the churchyard I found him.

24:39.400 --> 24:43.400
And no longer was he lonely.

24:55.400 --> 25:01.400
Sweet William lay in the old churchyard.

25:01.400 --> 25:06.400
His love so fair beside him.

25:06.400 --> 25:09.400
Out of William's heart.

25:09.400 --> 25:13.400
Grew a red, red rose.

25:13.400 --> 25:19.400
Out of Barbara's grew a briar.

25:19.400 --> 25:22.400
They grew and grew.

25:22.400 --> 25:25.400
To the old church tower.

25:25.400 --> 25:30.400
And they could not grow higher.

25:30.400 --> 25:32.400
And at the end.

25:32.400 --> 25:36.400
A tidal lover's knot.

25:36.400 --> 26:00.400
And the rose wrapped round the briar.

26:00.400 --> 26:02.400
Suspense.

26:02.400 --> 26:04.400
Presented by Auto Light.

26:04.400 --> 26:08.400
Tonight's star, Miss Ann Baxter, will return in just a moment.

26:08.400 --> 26:11.400
This is Harlow Wilcock speaking for Auto Light,

26:11.400 --> 26:15.400
world's largest independent manufacturer of automotive electrical equipment.

26:15.400 --> 26:19.400
Auto Light is proud to serve the greatest names in the industry.

26:19.400 --> 26:21.400
They are members of the Auto Light family,

26:21.400 --> 26:26.400
as well as are the 98,000 Auto Light distributors and dealers in the United States,

26:26.400 --> 26:29.400
and thousands more in Canada and throughout the world.

26:29.400 --> 26:36.400
Our family also includes the nearly 30,000 men and women in 28 great Auto Light plants from coast to coast,

26:36.400 --> 26:42.400
as well as the 18,000 people who have invested a portion of their savings in Auto Light.

26:42.400 --> 26:45.400
Every Auto Light product is backed by constant research

26:45.400 --> 26:50.400
and precision built to the highest standards of quality and performance.

26:50.400 --> 26:55.400
So remember, from bumper to tail light, you're always right with Auto Light.

26:55.400 --> 27:06.400
And now we bring back to our suspense microphone Miss Ann Baxter.

27:06.400 --> 27:11.400
Miss Baxter, we of Auto Light would like to thank you for another magnificent performance

27:11.400 --> 27:17.400
and to announce to our listeners that you have won the first annual Golden Mic Award

27:17.400 --> 27:21.400
for the best feminine performance of the past year on suspense.

27:21.400 --> 27:26.400
And here Ann, is your handsome Golden Mic to add to the Baxter Trophy.

27:26.400 --> 27:31.400
Thank you Harlow, it's beautiful. And thanks to Auto Light.

27:31.400 --> 27:35.400
I'd also like to thank the wonderful group of suspense players who worked with me,

27:35.400 --> 27:38.400
especially Joseph Kearns and Jeanette Nolan,

27:38.400 --> 27:42.400
who have also won Golden Mics for the best supporting performances on suspense.

27:42.400 --> 27:45.400
Thank you for all of us, and good night.

27:45.400 --> 27:51.400
Next week, a story that will prove once again that truth is stranger than fiction.

27:51.400 --> 27:57.400
Mr. Cornell Wilde will star as a man who inadvertently was hired to be an assassin.

27:57.400 --> 28:14.400
The story is called, Alan in Wonderland, and will be heard on Suspense.

28:14.400 --> 28:17.400
Suspense was produced and directed by Elliot Lewis,

28:17.400 --> 28:21.400
with music written by Lucian Morawick and conducted by Lud Bluskin.

28:21.400 --> 28:27.400
The Death of Barbara Allen was written for Suspense by Morton Fine and David Friedkin.

28:27.400 --> 28:31.400
In tonight's story, Jeanette Nolan was heard as the old lady,

28:31.400 --> 28:33.400
Joseph Kearns as Barbara's father,

28:33.400 --> 28:40.400
featured in the cast were Harry Bartel, William Conrad, Louise Lewis, and Junius Matthews.

28:40.400 --> 28:45.400
And Baxter is soon to be seen in Alfred Hitchcock's I Confess.

28:45.400 --> 28:58.400
And remember next week on Suspense, Mr. Cornell Wilde in Alan in Wonderland.

28:58.400 --> 29:02.400
You can buy auto light staple batteries, auto light electrical parts,

29:02.400 --> 29:06.400
and auto light resistor or standard type spark plugs at your neighborhood auto light dealer.

29:06.400 --> 29:09.400
Switch to auto light. Good night.

29:09.400 --> 29:11.400
This is the CBS Radio Network.

