1 00:00:00,000 --> 00:00:11,520 Auto Light and its 96,000 dealers bring you Mr. Robert Young in tonight's presentation 2 00:00:11,520 --> 00:00:14,520 of Suspense. 3 00:00:14,520 --> 00:00:24,800 Tonight, Auto Light presents a story about a man who commits a murder efficiently and 4 00:00:24,800 --> 00:00:28,440 safely, only to find there was a witness. 5 00:00:28,440 --> 00:00:36,600 The story is called, A Murder of Necessity, starring Mr. Robert Young. 6 00:00:36,600 --> 00:00:43,000 Great performance, eh, Harlow? 7 00:00:43,000 --> 00:00:44,520 Ah, it sure is, Hap. 8 00:00:44,520 --> 00:00:48,960 Reminds me of the outstanding performance of that team combination of precision-made 9 00:00:48,960 --> 00:00:53,520 units including the auto light generator, starting motor, coil distributor, and all 10 00:00:53,520 --> 00:00:57,460 the other important parts of the complete auto light electrical system in your auto 11 00:00:57,460 --> 00:00:58,460 light equipped car. 12 00:00:58,460 --> 00:01:01,040 I know, Harlow, but I'm talking about the show. 13 00:01:01,040 --> 00:01:05,280 Ah, and what a show that auto light electrical system puts on, Hap. 14 00:01:05,280 --> 00:01:09,400 It works every time you start and run your car, blow your horn, light your lights, or 15 00:01:09,400 --> 00:01:13,300 use your electric windshield wiper, cigarette lighter, radio, or heater. 16 00:01:13,300 --> 00:01:18,640 And every unit is related by auto light engineering design and manufacturing skill to give you 17 00:01:18,640 --> 00:01:21,080 the smoothest performance money can buy. 18 00:01:21,080 --> 00:01:22,080 Yes. 19 00:01:22,080 --> 00:01:23,840 Well, here's the next act, Harlow. 20 00:01:23,840 --> 00:01:28,760 The next act, friends, is to specify auto light original factory parts when replacements 21 00:01:28,760 --> 00:01:34,000 are needed for your auto light equipped car, because from bumper to tail light, you're 22 00:01:34,000 --> 00:01:37,400 always right with auto light. 23 00:01:37,400 --> 00:01:43,720 And now, with A Murder of Necessity and the performance of Mr. Robert Young, auto light 24 00:01:43,720 --> 00:01:53,920 hopes once again to keep you in suspense. 25 00:01:53,920 --> 00:01:58,360 I'm walking along a city street with murder in my heart. 26 00:01:58,360 --> 00:02:00,680 Tonight is the night I must kill. 27 00:02:00,680 --> 00:02:04,960 Remember the name Herbie Sax, fat, sweaty Herbie Sax. 28 00:02:04,960 --> 00:02:09,680 He'll be sitting behind his big desk and he'll look up at me and smile and his fat neck will 29 00:02:09,680 --> 00:02:15,420 spill over the expensive collar of the expensive shirt that he'll be wearing. 30 00:02:15,420 --> 00:02:20,240 So far so good, no one around. 31 00:02:20,240 --> 00:02:21,240 So far so good. 32 00:02:21,240 --> 00:02:26,040 Why do I keep saying that? 33 00:02:26,040 --> 00:02:31,280 Some sign painter will have a new job, scrape the name and gold letters off the glass door. 34 00:02:31,280 --> 00:02:36,200 Herbert J. Sax, private investigator, will soon be dead, gentlemen. 35 00:02:36,200 --> 00:02:39,760 Through the panel of the glass door, the fat shadow of the big man sitting happily in his 36 00:02:39,760 --> 00:02:41,760 swivel chair. 37 00:02:41,760 --> 00:02:45,280 Mr. Sax waits within, murderer. 38 00:02:45,280 --> 00:02:46,280 Knock on his door. 39 00:02:46,280 --> 00:02:50,080 Oh, hold it a minute, the camera wants to remain. 40 00:02:50,080 --> 00:02:52,560 Gets up from the chair, Herbie. 41 00:02:52,560 --> 00:02:54,880 Come and open the door, meet your doom. 42 00:02:54,880 --> 00:02:57,360 Start in the other office. 43 00:02:57,360 --> 00:03:00,120 Oh, hello, Mark. 44 00:03:00,120 --> 00:03:02,800 What do you want? 45 00:03:02,800 --> 00:03:03,800 Few moments of your time. 46 00:03:03,800 --> 00:03:04,800 Oh, I'm busy. 47 00:03:04,800 --> 00:03:05,800 Let's make it some... 48 00:03:05,800 --> 00:03:06,800 Herbie. 49 00:03:06,800 --> 00:03:09,480 Go ahead, Herbie. 50 00:03:09,480 --> 00:03:10,480 Sit down. 51 00:03:10,480 --> 00:03:15,440 What do you want? 52 00:03:15,440 --> 00:03:17,680 Herbie, I'm through. 53 00:03:17,680 --> 00:03:19,160 You bled me for the last nickel. 54 00:03:19,160 --> 00:03:20,280 What are you talking about? 55 00:03:20,280 --> 00:03:22,360 I made a mistake a long time ago. 56 00:03:22,360 --> 00:03:24,440 I went hunting and I killed a man. 57 00:03:24,440 --> 00:03:25,440 It was an accident. 58 00:03:25,440 --> 00:03:29,560 But instead of turning myself in and getting off on a charge of manslaughter, I listened 59 00:03:29,560 --> 00:03:32,320 to the advice of a man named Herbie Sax. 60 00:03:32,320 --> 00:03:33,400 Go home, Mark. 61 00:03:33,400 --> 00:03:35,040 Nobody saw you shoot him, you said. 62 00:03:35,040 --> 00:03:37,400 Nobody did except you, Herbie. 63 00:03:37,400 --> 00:03:38,720 I'll be silenced, said Herbie. 64 00:03:38,720 --> 00:03:39,720 Now look, Mark. 65 00:03:39,720 --> 00:03:43,320 I've had to pay for your silence, haven't I, Herbie? 66 00:03:43,320 --> 00:03:44,320 Through the nose. 67 00:03:44,320 --> 00:03:47,560 Who do you think you are coming here like this? 68 00:03:47,560 --> 00:03:48,560 Why, for two cents? 69 00:03:48,560 --> 00:03:52,640 For two cents, you'd sell your mother, your grandmother and your wife Gretchen, a nice 70 00:03:52,640 --> 00:03:54,120 girl who doesn't deserve you. 71 00:03:54,120 --> 00:03:55,640 I'm warning you, Mark. 72 00:03:55,640 --> 00:03:58,400 You're through warning people, Herbie. 73 00:03:58,400 --> 00:04:02,760 I wonder how many others will breathe easier when once they learn you're no longer exercising 74 00:04:02,760 --> 00:04:03,760 the big stick. 75 00:04:03,760 --> 00:04:06,840 What are you going to do? 76 00:04:06,840 --> 00:04:07,840 This. 77 00:04:07,840 --> 00:04:18,800 Now the sign painter can scrape the gold letters off the glass door. 78 00:04:18,800 --> 00:04:24,080 Herbert J. Sax sits dead in his swivel chair, the blood running a crazy pattern down the 79 00:04:24,080 --> 00:04:32,840 front of his expensive shirt, his mouth silent, no words, no accusations, no talk of any kind, 80 00:04:32,840 --> 00:04:33,840 no talk. 81 00:04:33,840 --> 00:04:34,840 Wait. 82 00:04:34,840 --> 00:04:35,840 Wait. 83 00:04:35,840 --> 00:04:40,120 Herbie was talking to somebody when I knocked on the door. 84 00:04:40,120 --> 00:04:41,120 Nobody here. 85 00:04:41,120 --> 00:04:43,880 Who was he talking to? 86 00:04:43,880 --> 00:04:49,560 Must have been talking to somebody on the telephone. 87 00:04:49,560 --> 00:04:53,880 He didn't hang it up. 88 00:04:53,880 --> 00:04:56,840 Hello? 89 00:04:56,840 --> 00:04:59,600 Hello? 90 00:04:59,600 --> 00:05:06,080 Who's there? 91 00:05:06,080 --> 00:05:19,640 Please don't. 92 00:05:19,640 --> 00:05:23,120 The phone in Herbie's desk drawer had been off the hook. 93 00:05:23,120 --> 00:05:25,520 Herbie had been talking to someone on the phone. 94 00:05:25,520 --> 00:05:27,360 Who would it have been? 95 00:05:27,360 --> 00:05:32,640 Somebody I knew, somebody I didn't know, somebody like Herbie who would make me suffer some 96 00:05:32,640 --> 00:05:34,040 more. 97 00:05:34,040 --> 00:05:35,520 I had to find out. 98 00:05:35,520 --> 00:05:36,520 But how? 99 00:05:36,520 --> 00:05:37,520 How? 100 00:05:37,520 --> 00:05:39,520 I got an idea. 101 00:05:39,520 --> 00:05:41,320 The phone pad. 102 00:05:41,320 --> 00:05:44,920 Today March 24th and under the date three names. 103 00:05:44,920 --> 00:05:50,600 L. Collins, the name Janice and a phone number and an art lefoune. 104 00:05:50,600 --> 00:05:52,880 Could it have been one of them? 105 00:05:52,880 --> 00:05:55,960 On the phone you heard what? 106 00:05:55,960 --> 00:05:57,800 Was it a radio? 107 00:05:57,800 --> 00:05:59,440 Was it a record? 108 00:05:59,440 --> 00:06:00,920 That's all you have to go on. 109 00:06:00,920 --> 00:06:03,140 But it'll have to be enough. 110 00:06:03,140 --> 00:06:11,960 Even now whoever it was may be calling the police. 111 00:06:11,960 --> 00:06:14,080 Down in the corner drug store I look up L. Collins. 112 00:06:14,080 --> 00:06:15,080 There's only one. 113 00:06:15,080 --> 00:06:17,720 Strange for a name like Collins but only one. 114 00:06:17,720 --> 00:06:20,360 Lucius Collins who lives on North Woodburn Drive. 115 00:06:20,360 --> 00:06:34,920 The taxi gets me there in 20 minutes. 116 00:06:34,920 --> 00:06:36,480 Mrs. Lucius Collins? 117 00:06:36,480 --> 00:06:37,480 Yes. 118 00:06:37,480 --> 00:06:39,760 Is your husband at home? 119 00:06:39,760 --> 00:06:40,760 Yes. 120 00:06:40,760 --> 00:06:41,760 You want to see him? 121 00:06:41,760 --> 00:06:43,560 If it's possible. 122 00:06:43,560 --> 00:06:47,360 Come in. 123 00:06:47,360 --> 00:06:50,600 Follow me. 124 00:06:50,600 --> 00:06:51,920 What did you say your name was? 125 00:06:51,920 --> 00:06:54,720 I didn't say but it's Paul. 126 00:06:54,720 --> 00:06:55,720 Paul Drake. 127 00:06:55,720 --> 00:07:01,320 Lucius, is it Mr. Drake who wants to see you? 128 00:07:01,320 --> 00:07:02,320 Drake? 129 00:07:02,320 --> 00:07:03,320 Yes Mr. Collins. 130 00:07:03,320 --> 00:07:04,480 A mutual friend asked me to call. 131 00:07:04,480 --> 00:07:06,640 I'd like to speak to you alone if I may. 132 00:07:06,640 --> 00:07:09,920 I'll close the door. 133 00:07:09,920 --> 00:07:10,920 Mr. Collins. 134 00:07:10,920 --> 00:07:13,840 Oh sit down Mr. Drake. 135 00:07:13,840 --> 00:07:15,960 Thank you. 136 00:07:15,960 --> 00:07:18,240 You said a mutual friend sent you? 137 00:07:18,240 --> 00:07:19,240 Who? 138 00:07:19,240 --> 00:07:21,040 Herbie Sachs sent me Mr. Collins. 139 00:07:21,040 --> 00:07:23,240 What does he want? 140 00:07:23,240 --> 00:07:25,560 He's not satisfied with the present set up. 141 00:07:25,560 --> 00:07:28,160 Mr. Drake I'm paying him all I can now. 142 00:07:28,160 --> 00:07:29,160 I can't pay anymore. 143 00:07:29,160 --> 00:07:31,000 If I did my wife might find out. 144 00:07:31,000 --> 00:07:33,240 Then how would I explain it? 145 00:07:33,240 --> 00:07:35,440 Doesn't Mr. Sachs understand that? 146 00:07:35,440 --> 00:07:37,240 He's not satisfied Mr. Collins. 147 00:07:37,240 --> 00:07:38,240 That's all I can tell you. 148 00:07:38,240 --> 00:07:40,320 But what am I going to do? 149 00:07:40,320 --> 00:07:43,920 Well Herbie just gave me a general picture of your situation. 150 00:07:43,920 --> 00:07:46,360 Perhaps if you filled me in on the details. 151 00:07:46,360 --> 00:07:48,640 There are no details Mr. Drake. 152 00:07:48,640 --> 00:07:49,760 I made a mistake once. 153 00:07:49,760 --> 00:07:50,760 I met a girl. 154 00:07:50,760 --> 00:07:52,640 We grew fond of each other. 155 00:07:52,640 --> 00:07:55,120 Naturally my wife suspected something was wrong. 156 00:07:55,120 --> 00:07:57,680 She went to Mr. Sachs and had him trail me. 157 00:07:57,680 --> 00:08:00,320 He found out about us, the girl and me. 158 00:08:00,320 --> 00:08:02,080 He didn't tell my wife. 159 00:08:02,080 --> 00:08:04,120 He said he wouldn't tell her if I paid him. 160 00:08:04,120 --> 00:08:06,000 And so I did. 161 00:08:06,000 --> 00:08:10,600 The girl went away but I still paid Mr. Sachs. 162 00:08:10,600 --> 00:08:11,600 I understand Mr. Collins. 163 00:08:11,600 --> 00:08:12,600 You do. 164 00:08:12,600 --> 00:08:14,800 You really do. 165 00:08:14,800 --> 00:08:18,320 Have you been home all evening Mr. Collins? 166 00:08:18,320 --> 00:08:23,240 Well he is. 167 00:08:23,240 --> 00:08:25,880 I guess I'll just tell Herbie what you told me. 168 00:08:25,880 --> 00:08:26,880 You can't increase it. 169 00:08:26,880 --> 00:08:28,920 You can't do it. 170 00:08:28,920 --> 00:08:31,640 That radio over there looks like an old one. 171 00:08:31,640 --> 00:08:33,200 Oh it is. 172 00:08:33,200 --> 00:08:34,200 We've had that for years. 173 00:08:34,200 --> 00:08:35,200 It's broken. 174 00:08:35,200 --> 00:08:37,200 I haven't bothered to have it fixed. 175 00:08:37,200 --> 00:08:38,200 You got a phonograph? 176 00:08:38,200 --> 00:08:39,200 Yes, an old one. 177 00:08:39,200 --> 00:08:41,640 The kind of wine is not much good. 178 00:08:41,640 --> 00:08:44,040 It's up in the attic stored away. 179 00:08:44,040 --> 00:08:46,040 Well thanks Mr. Collins. 180 00:08:46,040 --> 00:08:47,040 Thanks? 181 00:08:47,040 --> 00:08:50,760 I mean for seeing me or letting me talk to you. 182 00:08:50,760 --> 00:08:53,600 Well I don't understand. 183 00:08:53,600 --> 00:08:56,320 A man like you working for Herbie Sachs? 184 00:08:56,320 --> 00:08:57,320 I know Mr. Collins. 185 00:08:57,320 --> 00:09:03,880 I don't seem like the kind that would. 186 00:09:03,880 --> 00:09:04,880 That poor little man. 187 00:09:04,880 --> 00:09:07,880 If only I could have told him, whispered to him, yelled to him. 188 00:09:07,880 --> 00:09:10,240 Mr. Collins your unhappiness is over. 189 00:09:10,240 --> 00:09:13,040 The man who held you in the arms of terror is no more. 190 00:09:13,040 --> 00:09:14,040 He's dead. 191 00:09:14,040 --> 00:09:17,760 He's up in his office spilling blood all over his nice clean carpet. 192 00:09:17,760 --> 00:09:22,200 You're a free man, free to pick up the pieces of your life and start again. 193 00:09:22,200 --> 00:09:24,560 But tomorrow you'll know. 194 00:09:24,560 --> 00:09:26,320 It'll be in all the papers. 195 00:09:26,320 --> 00:09:31,320 That'll be soon enough. 196 00:09:31,320 --> 00:09:36,920 The first name on the list I check off. 197 00:09:36,920 --> 00:09:40,120 Lucius Collins is a man with problems of his own. 198 00:09:40,120 --> 00:09:44,840 He didn't play his broken radio or the old phonograph stored away up in his attic. 199 00:09:44,840 --> 00:09:48,760 So I call the phone number next to the name on the pad that reads Janice. 200 00:09:48,760 --> 00:09:55,280 Just picked it up and walked away with it. 201 00:09:55,280 --> 00:09:57,720 Leon Sparatek speaking. 202 00:09:57,720 --> 00:09:58,720 Is Janice there? 203 00:09:58,720 --> 00:10:01,720 Yeah but she's awful busy waiting on tables. 204 00:10:01,720 --> 00:10:04,720 Can I give her a message? 205 00:10:04,720 --> 00:10:05,720 No. 206 00:10:05,720 --> 00:10:06,720 I'll call later. 207 00:10:06,720 --> 00:10:07,720 Okay. 208 00:10:07,720 --> 00:10:14,720 I found Leon's bar downtown on Main. 209 00:10:14,720 --> 00:10:18,120 It was a cheap place but it was full of people. 210 00:10:18,120 --> 00:10:19,880 Then I saw the girl waiting on the tables. 211 00:10:19,880 --> 00:10:25,240 She was pretty but a prettiness that was cheap like the bar. 212 00:10:25,240 --> 00:10:29,440 I walked over to an empty booth in the corner and sat down. 213 00:10:29,440 --> 00:10:30,440 I waited. 214 00:10:30,440 --> 00:10:33,600 Then she saw me and came over and stood beside me. 215 00:10:33,600 --> 00:10:36,560 What do you have? 216 00:10:36,560 --> 00:10:37,560 Whiskey and water. 217 00:10:37,560 --> 00:10:38,560 Right. 218 00:10:38,560 --> 00:10:39,560 Janice. 219 00:10:39,560 --> 00:10:42,560 Come here a minute. 220 00:10:42,560 --> 00:10:44,040 Yeah? 221 00:10:44,040 --> 00:10:45,560 What is it? 222 00:10:45,560 --> 00:10:47,200 I want to talk to you. 223 00:10:47,200 --> 00:10:48,960 Look I'm awful busy right now. 224 00:10:48,960 --> 00:10:51,120 Herbie sent me. 225 00:10:51,120 --> 00:10:54,800 I didn't get your name. 226 00:10:54,800 --> 00:10:55,800 Drake. 227 00:10:55,800 --> 00:10:57,280 Paul Drake. 228 00:10:57,280 --> 00:10:58,640 Herbie sent you? 229 00:10:58,640 --> 00:11:00,360 Yes Herbie sent me. 230 00:11:00,360 --> 00:11:02,120 For what? 231 00:11:02,120 --> 00:11:03,400 What does Herbie usually want? 232 00:11:03,400 --> 00:11:05,000 What kind of a hold up is this? 233 00:11:05,000 --> 00:11:06,600 Twice in one week. 234 00:11:06,600 --> 00:11:08,720 Herbie's an ugly man isn't he Janice? 235 00:11:08,720 --> 00:11:11,400 You're a funny guy. 236 00:11:11,400 --> 00:11:13,720 I'd almost get the impression you didn't like him. 237 00:11:13,720 --> 00:11:17,440 Well it isn't necessary for an employee to like his employer is it? 238 00:11:17,440 --> 00:11:18,440 No. 239 00:11:18,440 --> 00:11:20,520 What are you? 240 00:11:20,520 --> 00:11:22,160 His collection agency? 241 00:11:22,160 --> 00:11:23,440 In a sense. 242 00:11:23,440 --> 00:11:25,800 I'm also an advisor of his. 243 00:11:25,800 --> 00:11:27,320 What do you mean? 244 00:11:27,320 --> 00:11:29,680 Sometimes I advise him about his clients. 245 00:11:29,680 --> 00:11:32,480 Perhaps I could advise him about you. 246 00:11:32,480 --> 00:11:34,200 What would you advise him? 247 00:11:34,200 --> 00:11:37,520 I think you're a pretty girl, a very pretty girl Janice. 248 00:11:37,520 --> 00:11:39,560 I'd advise him of that. 249 00:11:39,560 --> 00:11:41,360 You shouldn't say things like that. 250 00:11:41,360 --> 00:11:42,360 Why not? 251 00:11:42,360 --> 00:11:44,360 Because they're not true. 252 00:11:44,360 --> 00:11:45,600 Yes they are. 253 00:11:45,600 --> 00:11:48,000 What do you want from me mister? 254 00:11:48,000 --> 00:11:50,840 I'd like to take you home tonight to where you live. 255 00:11:50,840 --> 00:11:52,640 That's all I want. 256 00:11:52,640 --> 00:11:54,280 That's a lot. 257 00:11:54,280 --> 00:11:56,480 I think you're pretty Janice. 258 00:11:56,480 --> 00:11:57,480 I told you. 259 00:11:57,480 --> 00:12:00,400 I get off in an hour. 260 00:12:00,400 --> 00:12:02,400 You can take me home. 261 00:12:02,400 --> 00:12:07,480 In an hour. 262 00:12:07,480 --> 00:12:09,440 She got up from the table and walked across the room. 263 00:12:09,440 --> 00:12:11,760 There was something strange about this girl. 264 00:12:11,760 --> 00:12:13,080 Something I didn't understand. 265 00:12:13,080 --> 00:12:16,040 But something I had to find out. 266 00:12:16,040 --> 00:12:20,640 She stopped at the jukebox in the corner of the bar next to the phone booth and dropped 267 00:12:20,640 --> 00:12:23,160 a dime into the machine. 268 00:12:23,160 --> 00:12:45,600 That's when I heard this song again. 269 00:12:45,600 --> 00:12:50,920 Auto Light is bringing you Mr. Robert Young in, a murder of necessity. 270 00:12:50,920 --> 00:13:05,920 It's production in radio's outstanding theater of thrills, Suspense. 271 00:13:05,920 --> 00:13:08,960 Well Harlow, I'll admit it's the best system going. 272 00:13:08,960 --> 00:13:11,480 And it's always going when your car is, Hap. 273 00:13:11,480 --> 00:13:15,520 The auto light electrical system that works every second your engine runs. 274 00:13:15,520 --> 00:13:19,400 As well as when you blow your horn, light your lights, or use your electric windshield 275 00:13:19,400 --> 00:13:21,640 wiper, cigarette lighter, radio, or heater. 276 00:13:21,640 --> 00:13:25,000 And the auto light electrical system is used by the finest, Harlow. 277 00:13:25,000 --> 00:13:29,720 Yes sir, Hap, as original equipment on many leading makes of our finest cars, trucks, 278 00:13:29,720 --> 00:13:30,720 and tractors. 279 00:13:30,720 --> 00:13:35,920 And in the auto light electrical system, every unit and component part is related by auto 280 00:13:35,920 --> 00:13:40,880 light engineering design and manufacturing skill to give you the smoothest performance 281 00:13:40,880 --> 00:13:42,280 money can buy. 282 00:13:42,280 --> 00:13:44,880 That's why it pays to keep your car running right. 283 00:13:44,880 --> 00:13:45,920 Right you are, Hap. 284 00:13:45,920 --> 00:13:50,640 So friends, make it a point to see your car dealer or authorized auto light service station 285 00:13:50,640 --> 00:13:51,640 soon. 286 00:13:51,640 --> 00:13:55,640 You can easily locate your nearest authorized auto light service station in the classified 287 00:13:55,640 --> 00:14:00,840 section of your telephone directory under automobile electrical service. 288 00:14:00,840 --> 00:14:05,480 Or you can call Western Union by number and ask for operator 25. 289 00:14:05,480 --> 00:14:07,840 She will gladly tell you his location. 290 00:14:07,840 --> 00:14:13,440 And remember, from bumper to tail light, you're always right with auto light. 291 00:14:13,440 --> 00:14:20,040 And now, auto light brings back to our Hollywood sound stage, Mr. Robert Young, in Elliot Lewis's 292 00:14:20,040 --> 00:14:48,600 production of A Murder of Necessity, a tale well calculated to keep you in suspense. 293 00:14:48,600 --> 00:14:53,120 Oh, nice music. 294 00:14:53,120 --> 00:14:54,120 Like it? 295 00:14:54,120 --> 00:14:55,120 My favorite record. 296 00:14:55,120 --> 00:14:56,120 I play it all the time. 297 00:14:56,120 --> 00:14:57,120 You do? 298 00:14:57,120 --> 00:14:58,120 Well, should we go? 299 00:14:58,120 --> 00:14:59,120 I'll call a cab. 300 00:14:59,120 --> 00:15:00,120 You don't have to. 301 00:15:00,120 --> 00:15:01,120 Why not? 302 00:15:01,120 --> 00:15:02,120 Ride home in style. 303 00:15:02,120 --> 00:15:03,120 It's only a couple of blocks from here. 304 00:15:03,120 --> 00:15:04,120 We can walk. 305 00:15:04,120 --> 00:15:05,120 Wouldn't you like to walk? 306 00:15:05,120 --> 00:15:06,120 All right. 307 00:15:06,120 --> 00:15:23,480 Beautiful night, not a cloud in the sky. 308 00:15:23,480 --> 00:15:26,160 I love fresh air. 309 00:15:26,160 --> 00:15:28,640 What's your last name, Janice? 310 00:15:28,640 --> 00:15:30,760 I've got a lot of them. 311 00:15:30,760 --> 00:15:32,360 Call me Janice Gibson. 312 00:15:32,360 --> 00:15:34,640 All right, Janice Gibson. 313 00:15:34,640 --> 00:15:37,160 What kind of a girl are you, Janice? 314 00:15:37,160 --> 00:15:40,640 If you work for Herbie Sachs, you know all about me. 315 00:15:40,640 --> 00:15:42,160 Not the details, pretty girl. 316 00:15:42,160 --> 00:15:44,240 Why do you keep saying pretty girl? 317 00:15:44,240 --> 00:15:45,760 Because it's a statement of fact. 318 00:15:45,760 --> 00:15:48,640 You are pretty, Janice. 319 00:15:48,640 --> 00:15:52,920 I'm the kind of girl that you read about in the confession magazines. 320 00:15:52,920 --> 00:15:54,360 Only they make those stories up. 321 00:15:54,360 --> 00:15:56,720 They're fiction. 322 00:15:56,720 --> 00:15:57,720 My story's not fiction. 323 00:15:57,720 --> 00:15:59,720 It's a real one. 324 00:15:59,720 --> 00:16:01,880 I believe you. 325 00:16:01,880 --> 00:16:09,240 Long time ago, a girl with big ideas came out of the sticks, landed in the big city. 326 00:16:09,240 --> 00:16:11,760 And she met a man named Herbie Sachs. 327 00:16:11,760 --> 00:16:14,880 She met him after she'd gone off the deep end. 328 00:16:14,880 --> 00:16:17,680 She wanted thrills. 329 00:16:17,680 --> 00:16:22,680 Those thrills ended her up in a straitjacket in a sanitarium. 330 00:16:22,680 --> 00:16:27,000 They were the kind of thrills you don't write the family back home about. 331 00:16:27,000 --> 00:16:30,840 But how does Herbie figure? 332 00:16:30,840 --> 00:16:34,720 Herbie is a man with many ways and means. 333 00:16:34,720 --> 00:16:39,840 When the girl ended up in an attic, Herbie was the big brother. 334 00:16:39,840 --> 00:16:44,960 He had a soft shoulder and he stretched out a helping hand. 335 00:16:44,960 --> 00:16:49,200 After I was cured, he told me I had to pay him for his silence. 336 00:16:49,200 --> 00:16:53,480 The silence that would keep the family back home from finding out about the thrilling 337 00:16:53,480 --> 00:16:57,920 things that had happened to the girl from the sticks. 338 00:16:57,920 --> 00:16:58,920 Are you? 339 00:16:58,920 --> 00:16:59,920 Yes. 340 00:16:59,920 --> 00:17:02,720 I'm well over them. 341 00:17:02,720 --> 00:17:03,720 That's good. 342 00:17:03,720 --> 00:17:09,560 Why do you work for a man like him? 343 00:17:09,560 --> 00:17:12,360 Check it off the living. 344 00:17:12,360 --> 00:17:14,760 Were you at the bar all night tonight? 345 00:17:14,760 --> 00:17:15,760 Ever since eight o'clock. 346 00:17:15,760 --> 00:17:16,760 Why? 347 00:17:16,760 --> 00:17:17,760 Nothing. 348 00:17:17,760 --> 00:17:22,360 I guess I'm making conversation because I don't want to talk to you anymore. 349 00:17:22,360 --> 00:17:24,960 Look, mister, you can walk on the other side of the street. 350 00:17:24,960 --> 00:17:26,960 I didn't mean it that way, Janice. 351 00:17:26,960 --> 00:17:33,120 Believe me, what I meant was I didn't want to talk because I suddenly feel like kissing 352 00:17:33,120 --> 00:17:34,120 you. 353 00:17:34,120 --> 00:17:37,440 This is where I live. 354 00:17:37,440 --> 00:17:38,440 The bug house. 355 00:17:38,440 --> 00:17:41,520 Want to come up and meet the fleas? 356 00:17:41,520 --> 00:17:42,520 Courtesy of Herbie Sacks. 357 00:17:42,520 --> 00:17:43,760 Janice, don't be bitter. 358 00:17:43,760 --> 00:17:45,160 I got one room and a hot plate. 359 00:17:45,160 --> 00:17:46,160 What am I supposed to do? 360 00:17:46,160 --> 00:17:48,560 Dance or dance because I can't afford anything better? 361 00:17:48,560 --> 00:17:51,560 Look, I'll talk to Herbie. 362 00:17:51,560 --> 00:17:54,040 I'm his advisor, remember? 363 00:17:54,040 --> 00:17:57,760 Maybe I'll advise him to change his mind. 364 00:17:57,760 --> 00:17:59,680 If you thought you could... 365 00:17:59,680 --> 00:18:01,240 I'll try. 366 00:18:01,240 --> 00:18:03,000 That much I promise. 367 00:18:03,000 --> 00:18:09,120 I'll advise him that you ought to have a nice apartment to live in and a stove. 368 00:18:09,120 --> 00:18:10,640 Paul? 369 00:18:10,640 --> 00:18:12,120 Yes? 370 00:18:12,120 --> 00:18:13,120 You want to come upstairs? 371 00:18:13,120 --> 00:18:15,120 I'll make you some coffee. 372 00:18:15,120 --> 00:18:20,360 I have something to take care of and it's late to... maybe after... 373 00:18:20,360 --> 00:18:21,360 You won't come back. 374 00:18:21,360 --> 00:18:24,280 Once you leave, I won't see you anymore. 375 00:18:24,280 --> 00:18:26,640 You're that kind of guy. 376 00:18:26,640 --> 00:18:27,720 I'll come back. 377 00:18:27,720 --> 00:18:29,440 I won't see you again. 378 00:18:29,440 --> 00:18:32,800 I know I won't. 379 00:18:32,800 --> 00:18:35,800 Kiss me, Paul. 380 00:18:35,800 --> 00:18:36,800 Hard. 381 00:18:36,800 --> 00:18:46,720 Like you were going away for a long time. 382 00:18:46,720 --> 00:18:48,080 Come upstairs. 383 00:18:48,080 --> 00:18:51,080 Let me make you some coffee. 384 00:18:51,080 --> 00:18:52,080 I'll be back. 385 00:18:52,080 --> 00:18:53,080 Paul. 386 00:18:53,080 --> 00:18:58,920 Janice, someday if you ever find out that this is all over, go back home to where there 387 00:18:58,920 --> 00:19:02,520 aren't thrilling things for a girl like you to do. 388 00:19:02,520 --> 00:19:03,520 I don't know. 389 00:19:03,520 --> 00:19:06,160 They'll never know. 390 00:19:06,160 --> 00:19:09,920 Home is a long and far away memory. 391 00:19:09,920 --> 00:19:12,120 I don't know. 392 00:19:12,120 --> 00:19:13,720 Promise me. 393 00:19:13,720 --> 00:19:15,880 On the kiss. 394 00:19:15,880 --> 00:19:18,240 Maybe. 395 00:19:18,240 --> 00:19:19,240 Maybe Paul. 396 00:19:19,240 --> 00:19:20,240 Maybe. 397 00:19:20,240 --> 00:19:29,440 I took her in my arms and kissed her again. 398 00:19:29,440 --> 00:19:33,520 Then she turned and disappeared through the door into the cheap boarding house. 399 00:19:33,520 --> 00:19:37,960 And the black night closed in on me again and the fear and fright returned. 400 00:19:37,960 --> 00:19:41,680 Under the street light up at the corner, I checked the last name on the phone pad. 401 00:19:41,680 --> 00:19:43,680 Art LaFoone. 402 00:19:43,680 --> 00:19:47,080 He's not at his place of business on Houston Avenue, the watchman tells me. 403 00:19:47,080 --> 00:19:51,040 Mr. LaFoone is never at his place of business at 2.30 in the morning, he says with raised 404 00:19:51,040 --> 00:19:52,040 eyebrows. 405 00:19:52,040 --> 00:19:56,840 Even though it is a novelty business, novel things are always happening. 406 00:19:56,840 --> 00:19:59,960 So I wait until 8 o'clock the following morning. 407 00:19:59,960 --> 00:20:02,520 Near his novelty business, I find a very shabby hotel. 408 00:20:02,520 --> 00:20:07,680 And for $2, the night clerk tells me that I can have a bed with a clean sheet and a 409 00:20:07,680 --> 00:20:13,480 loud knock on my door when it's 7 o'clock. 410 00:20:13,480 --> 00:20:21,200 By five minutes after 8, I'm standing in front of Mr. LaFoone's novelty business on the third 411 00:20:21,200 --> 00:20:22,600 floor. 412 00:20:22,600 --> 00:20:27,120 My hand closed tightly around a piece of blue steel that means death for Mr. LaFoone. 413 00:20:27,120 --> 00:20:28,120 Yeah, all right, Mitch. 414 00:20:28,120 --> 00:20:29,120 There's a shipment I'll get out to you on Friday. 415 00:20:29,120 --> 00:20:30,120 Okay, okay. 416 00:20:30,120 --> 00:20:31,120 I promise you, Mitch. 417 00:20:31,120 --> 00:20:32,120 And when LaFoone makes a promise, he keeps his word. 418 00:20:32,120 --> 00:20:33,120 Okay, kid, I'll see you. 419 00:20:33,120 --> 00:20:34,120 Ah, hello, brother. 420 00:20:34,120 --> 00:20:35,120 Mr. LaFoone? 421 00:20:35,120 --> 00:20:36,120 That's it, brother, LaFoone. 422 00:20:36,120 --> 00:20:37,120 Anything that's novel, I know, say LaFoone. 423 00:20:37,120 --> 00:20:38,120 Yeah, let me show you something. 424 00:20:38,120 --> 00:20:44,120 These small telescopes we just got in, I made some a couple of years ago, but those were 425 00:20:44,120 --> 00:20:45,120 tame. 426 00:20:45,120 --> 00:20:46,120 Here, take a look at this one. 427 00:20:46,120 --> 00:20:47,120 Look, go ahead, just squint your eye. 428 00:20:47,120 --> 00:20:48,120 You got to focus. 429 00:20:48,120 --> 00:20:49,120 Herbie sent me. 430 00:20:49,120 --> 00:20:50,120 Yeah, I was... 431 00:20:50,120 --> 00:20:51,120 What was that, brother? 432 00:20:51,120 --> 00:20:52,120 Herbie Sachs. 433 00:20:52,120 --> 00:20:53,120 Yeah? 434 00:20:53,120 --> 00:20:54,120 You mentioned her name, Herbie Sachs. 435 00:20:54,120 --> 00:20:55,120 What am I supposed to do? 436 00:20:55,120 --> 00:20:56,120 You know Herbie. 437 00:20:56,120 --> 00:20:57,120 Who are you anyway? 438 00:20:57,120 --> 00:20:58,120 I work for Herbie Sachs. 439 00:20:58,120 --> 00:20:59,120 Herbie Sachs? 440 00:20:59,120 --> 00:21:03,620 Yeah, I'm a 441 00:21:03,620 --> 00:21:08,620 man of my word. 442 00:21:08,620 --> 00:21:10,620 You made another statement. 443 00:21:10,620 --> 00:21:11,620 Tell me how to react, brother. 444 00:21:11,620 --> 00:21:12,620 Hey! 445 00:21:12,620 --> 00:21:16,120 Look, Mr. Novelty, man, I don't know how to convince you, but I'll get rough if I have 446 00:21:16,120 --> 00:21:17,120 to. 447 00:21:17,120 --> 00:21:19,640 Okay, okay, take it easy, brother, take it easy. 448 00:21:19,640 --> 00:21:21,040 That's an expensive shirt. 449 00:21:21,040 --> 00:21:23,640 That's why I'm here. 450 00:21:23,640 --> 00:21:26,000 Herbie doesn't like you buying such expensive shirts. 451 00:21:26,000 --> 00:21:27,560 Who are you? 452 00:21:27,560 --> 00:21:29,960 I'm recently hired to make collections. 453 00:21:29,960 --> 00:21:31,760 I've come to collect. 454 00:21:31,760 --> 00:21:33,000 You know what? 455 00:21:33,000 --> 00:21:34,240 I think you're lying. 456 00:21:34,240 --> 00:21:35,400 You don't work for Herbie Sachs. 457 00:21:35,400 --> 00:21:36,840 You don't work for him at all. 458 00:21:36,840 --> 00:21:38,720 I told you I was just recently hired. 459 00:21:38,720 --> 00:21:40,360 And why didn't he tell me you'd be around, brother? 460 00:21:40,360 --> 00:21:42,040 I talked to him on the phone last night. 461 00:21:42,040 --> 00:21:43,800 Why didn't he tell me, huh? 462 00:21:43,800 --> 00:21:46,680 You talked to Herbie on the phone last night? 463 00:21:46,680 --> 00:21:49,160 Yeah, brother, I talked to him. 464 00:21:49,160 --> 00:21:50,800 What happened when you talked to Herbie? 465 00:21:50,800 --> 00:21:53,000 What do you mean, what happened? 466 00:21:53,000 --> 00:21:55,480 Who are you, brother? 467 00:21:55,480 --> 00:21:56,680 Nobody you'd be interested in. 468 00:21:56,680 --> 00:21:57,680 Yeah? 469 00:21:57,680 --> 00:22:00,280 Well, maybe the cops would be interested. 470 00:22:00,280 --> 00:22:01,280 Put it down. 471 00:22:01,280 --> 00:22:02,280 Get your hands off of me! 472 00:22:02,280 --> 00:22:05,280 I'm not going to let you get away with this. 473 00:22:05,280 --> 00:22:07,600 Later, Mr. LaFoone. 474 00:22:07,600 --> 00:22:10,120 Later we'll take care of some unfinished business. 475 00:22:10,120 --> 00:22:19,680 When it's dark and no one will see me. 476 00:22:19,680 --> 00:22:20,680 I got out of the building. 477 00:22:20,680 --> 00:22:23,200 I had to before someone saw me. 478 00:22:23,200 --> 00:22:25,400 Saw my face and would recognize it again. 479 00:22:25,400 --> 00:22:29,120 But tonight when it's dark, I'll wait for you and follow you, Mr. LaFoone. 480 00:22:29,120 --> 00:22:31,160 It was you on the phone. 481 00:22:31,160 --> 00:22:33,720 Now I know. 482 00:22:33,720 --> 00:22:34,720 Buy a paper and go home. 483 00:22:34,720 --> 00:22:35,720 Lay low. 484 00:22:35,720 --> 00:22:39,400 When I get home, I open the paper and there it is. 485 00:22:39,400 --> 00:22:45,360 On page two, an account of the death of Herbert J. Sacks, the private investigator. 486 00:22:45,360 --> 00:22:49,400 Shot through the chest twice by an unknown assailant. 487 00:22:49,400 --> 00:22:55,080 How soon would it be before Mr. LaFoone would tell the police the name of the unknown assailant? 488 00:22:55,080 --> 00:22:56,880 Long enough. 489 00:22:56,880 --> 00:23:01,280 Because LaFoone was the kind of man who would wait for the killer to get in touch with him. 490 00:23:01,280 --> 00:23:05,520 LaFoone was the kind of man who could be bribed. 491 00:23:05,520 --> 00:23:10,520 Then one I tried to sweep. 492 00:23:10,520 --> 00:23:13,520 Hello. 493 00:23:13,520 --> 00:23:22,480 Mark, this is Gretchen Sacks, Herbie's wife. 494 00:23:22,480 --> 00:23:23,480 Yeah. 495 00:23:23,480 --> 00:23:24,480 Hello, Gretchen. 496 00:23:24,480 --> 00:23:29,240 Did you read about Herbie in the papers this morning? 497 00:23:29,240 --> 00:23:30,240 Yeah, I read Gretchen. 498 00:23:30,240 --> 00:23:33,240 I want to talk to you, Mark. 499 00:23:33,240 --> 00:23:34,240 Talk? 500 00:23:34,240 --> 00:23:35,240 It's important. 501 00:23:35,240 --> 00:23:39,840 Can you come out to the house? 502 00:23:39,840 --> 00:23:41,840 Have the police been out to the house yet? 503 00:23:41,840 --> 00:23:42,840 No. 504 00:23:42,840 --> 00:23:48,840 I was down for a few minutes at the morgue to identify the body. 505 00:23:48,840 --> 00:23:49,840 That's all? 506 00:23:49,840 --> 00:23:50,840 That's all. 507 00:23:50,840 --> 00:23:54,880 It's important that I talk to you. 508 00:23:54,880 --> 00:23:58,720 I was on the other end of the phone, Mark. 509 00:23:58,720 --> 00:24:01,840 Why didn't you answer me when I picked up the receiver? 510 00:24:01,840 --> 00:24:05,860 I had to take time to think things through. 511 00:24:05,860 --> 00:24:06,860 Have you thought them through? 512 00:24:06,860 --> 00:24:07,860 Yes. 513 00:24:07,860 --> 00:24:11,860 Will you come out to the house and talk to me? 514 00:24:11,860 --> 00:24:12,860 Yes, Gretchen. 515 00:24:12,860 --> 00:24:17,160 I'll be out in a little while. 516 00:24:17,160 --> 00:24:23,720 I'll wait for you. 517 00:24:23,720 --> 00:24:26,000 It was Herbie's own wife, Gretchen, on the phone. 518 00:24:26,000 --> 00:24:27,680 Sweet and lovable Gretchen. 519 00:24:27,680 --> 00:24:31,800 And now the wife of the man I murdered waits to talk with me. 520 00:24:31,800 --> 00:24:32,800 What about? 521 00:24:32,800 --> 00:24:33,800 The weather? 522 00:24:33,800 --> 00:24:34,800 No. 523 00:24:34,800 --> 00:24:38,120 No, she waits to talk business. 524 00:24:38,120 --> 00:24:44,280 Before the police arrive, she waits to take up where the fat man left off. 525 00:24:44,280 --> 00:24:47,600 The murder of necessity. 526 00:24:47,600 --> 00:24:51,600 Ring the doorbell, murderer. 527 00:24:51,600 --> 00:24:56,560 Hello, Mark. 528 00:24:56,560 --> 00:24:57,560 Come in. 529 00:24:57,560 --> 00:24:58,560 Mark! 530 00:24:58,560 --> 00:24:59,560 Oh, Mark. 531 00:24:59,560 --> 00:25:00,560 You fool. 532 00:25:00,560 --> 00:25:01,560 You fool. 533 00:25:01,560 --> 00:25:02,560 I'm sorry, Gretchen. 534 00:25:02,560 --> 00:25:03,560 I... 535 00:25:03,560 --> 00:25:04,560 I... 536 00:25:04,560 --> 00:25:05,560 I... 537 00:25:05,560 --> 00:25:06,560 I... 538 00:25:06,560 --> 00:25:07,560 I... 539 00:25:07,560 --> 00:25:08,560 I... 540 00:25:08,560 --> 00:25:09,560 I... 541 00:25:09,560 --> 00:25:10,560 I... 542 00:25:10,560 --> 00:25:11,560 I... 543 00:25:11,560 --> 00:25:12,560 I... 544 00:25:12,560 --> 00:25:13,560 I... 545 00:25:13,560 --> 00:25:14,560 I... 546 00:25:14,560 --> 00:25:15,560 I... 547 00:25:15,560 --> 00:25:16,560 I... 548 00:25:16,560 --> 00:25:17,560 I... 549 00:25:17,560 --> 00:25:18,560 Me. 550 00:25:18,560 --> 00:25:19,560 Me. 551 00:25:19,560 --> 00:25:20,560 Any, man. 552 00:25:20,560 --> 00:25:21,560 I... 553 00:25:21,560 --> 00:25:22,560 I... 554 00:25:22,560 --> 00:25:23,560 I... 555 00:25:23,560 --> 00:25:24,560 I... 556 00:25:24,560 --> 00:25:26,120 The truth is I'm going to lose him. 557 00:25:26,120 --> 00:25:27,200 I can't go on, Mark. 558 00:25:27,200 --> 00:25:33,520 You're the 559 00:25:33,520 --> 00:25:36,240 trickiest woman ever, dear Mark. 560 00:25:36,240 --> 00:25:37,240 Miss Gretchen. 561 00:25:37,240 --> 00:25:38,360 Yes, I'm the skillful help. 562 00:25:38,360 --> 00:25:39,360 Thank you. 563 00:25:39,360 --> 00:25:40,360 Merry Christmas. 564 00:25:40,360 --> 00:25:41,380 Wakeup. 565 00:25:41,380 --> 00:25:42,680 Lord, my lovely bugs. 566 00:25:42,680 --> 00:25:43,680 Because... 567 00:25:43,680 --> 00:25:45,680 No, no. 568 00:25:45,680 --> 00:25:49,680 When he got home, Mark, 569 00:25:49,680 --> 00:25:54,680 I was going to kill him. 570 00:25:54,680 --> 00:26:09,680 Gretchen. 571 00:26:09,680 --> 00:26:11,680 Operator. 572 00:26:11,680 --> 00:26:13,680 Operator. 573 00:26:13,680 --> 00:26:17,680 Get me police headquarters. 574 00:26:17,680 --> 00:26:22,680 I just committed a murder. 575 00:26:22,680 --> 00:26:25,680 That wasn't necessary. 576 00:26:25,680 --> 00:26:34,680 At all. 577 00:26:34,680 --> 00:26:39,680 Suspended. 578 00:26:39,680 --> 00:26:59,680 Presented by Auto Light. Tonight's star, Mr. Robert Young. 579 00:26:59,680 --> 00:27:02,680 This is Harlow Wilcox speaking for Auto Light, 580 00:27:02,680 --> 00:27:07,680 world's largest independent manufacturer of automotive electrical equipment. 581 00:27:07,680 --> 00:27:11,680 Our Auto Light family is made up of the nearly 30,000 men and women 582 00:27:11,680 --> 00:27:15,680 in 28 great Auto Light plants from coast to coast 583 00:27:15,680 --> 00:27:19,680 and in still other Auto Light plants in many foreign countries. 584 00:27:19,680 --> 00:27:25,680 It also includes more than 18,000 people who have invested a portion of their savings in Auto Light, 585 00:27:25,680 --> 00:27:30,680 as well as 96,000 Auto Light distributors and dealers in the United States 586 00:27:30,680 --> 00:27:33,680 and thousands more in Canada and throughout the world. 587 00:27:33,680 --> 00:27:38,680 On April 1st, Auto Light will present the national television preview 588 00:27:38,680 --> 00:27:41,680 of the great Parade of Stars automobile show 589 00:27:41,680 --> 00:27:45,680 from the grand ballroom of New York's Waldorf Astoria Hotel. 590 00:27:45,680 --> 00:27:51,680 This program may be seen at the regular Auto Light suspense television time on April 1st 591 00:27:51,680 --> 00:27:54,680 or a few days later in some television areas. 592 00:27:54,680 --> 00:27:56,680 Don't miss this great program. 593 00:27:56,680 --> 00:28:03,680 And remember to be with us next week for another thrilling Auto Light suspense show on radio. 594 00:28:03,680 --> 00:28:10,680 Music 595 00:28:10,680 --> 00:28:18,680 Next week, our star will be Miss Deborah Carr as a girl who chose a most dangerous way of making a living 596 00:28:18,680 --> 00:28:21,680 and bet her life on its success. 597 00:28:21,680 --> 00:28:29,680 A story true except for changes in names and places, which we call The Colonel's Lady. 598 00:28:29,680 --> 00:28:33,680 Presented on Suspense. 599 00:28:33,680 --> 00:28:39,680 Suspense 600 00:28:39,680 --> 00:28:45,680 Suspense is produced and directed by Elliot Lewis with music composed by Lucian Morawick 601 00:28:45,680 --> 00:28:47,680 and conducted by Lud Gluskin. 602 00:28:47,680 --> 00:28:53,680 A Murder of Necessity was written for Suspense by Richard George Pantaccini. 603 00:28:53,680 --> 00:29:04,680 Featured in tonight's cast were Paula Winslow, Charlotte Lawrence, Joe Gilbert, Howard McNeer, Lou Merrill, and Joseph Kearns. 604 00:29:04,680 --> 00:29:12,680 Robert Young, star of Father Knows Best, appeared through the courtesy of the Crosley Corporation. 605 00:29:12,680 --> 00:29:23,680 And remember next week on Suspense, Miss Deborah Carr in The Colonel's Lady. 606 00:29:23,680 --> 00:29:26,680 This is the CBS Radio Network. 607 00:29:26,680 --> 00:29:42,680 Music