WEBVTT

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Auto Light and its 96,000 dealers bring you Mr. Richard Widmark in tonight's presentation

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of Suspense.

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Tonight Auto Light presents a dramatization of Walter Van Tilbert Clark's study in panic,

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The Track of the Cat, starring Mr. Richard Widmark.

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Hello, Mr. Wilcox.

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Well, gas me up if it isn't Sam, my Auto Light spark plug man.

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How's it going, Sam?

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Great.

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You mean my exclusive Auto Light plug check indicator.

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Ah, that super sleuth is really doing a job, eh, Sam?

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You bet.

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It quickly and accurately shows my customers if their car's spark plugs need cleaning,

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or if they're worn out or wrong for their style of driving.

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And if they need cleaning, Sam?

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Why, then I do the job fast and fine with my modern equipment.

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And if those spark plugs are worn out or wrong?

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Oh, you know the answer, Mr. Wilcox.

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I sure do, Sam.

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You install ignition engineered Auto Light spark plugs for smoother performance, quick

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starts and gas savings.

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So friends, take a tip from me and visit your nearest Auto Light spark plug dealer.

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You can learn his location by calling Western Union by number and asking for operator 25.

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She will quickly tell you the location of your nearest Auto Light spark plug dealer.

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And remember, from bumper to tail light, you're always right with Auto Light.

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And now, with the track of the cat and the performance of Mr. Richard Widmark, Auto Light

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hopes once again to keep you in suspense.

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Gotta get this fire going.

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I got it.

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It's my last chance.

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I'm freezed to death out here tonight if I don't.

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That or be cat meat.

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Snow.

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Nothing but snow.

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And that black murdering devil waiting out there in the dark for me.

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That big black cat waiting for his chance.

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There she goes.

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That'll hold Mr. Cat for a while.

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Cats are afraid of fire.

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Even big black ones.

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Even a big black panther big as a horse won't fool around a fire.

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No, Sam.

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What am I talking about?

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Where are you gonna find a black panther on a range in Nevada?

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Some lion, that's all he is.

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Big maybe, but just a plain mountain cat and that's all.

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Nothing but superstition all that other talk.

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Crazy Indian superstition.

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Fire sure makes a man feel good.

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Good and kind of drowsy.

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No sleep though.

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He mustn't go to sleep.

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That's all that cat's waiting for out there in the trees.

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Me to go to sleep and the fire go out.

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Gotta keep awake.

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Gotta take a nap.

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Gotta do something to keep awake.

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Think about tracking the cat.

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How I got started.

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Two days, two nights.

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Almost three nights ago.

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Five o'clock in the morning.

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Asleep in a bunkhouse with a storm beginning outside with me not hearing it.

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Not hearing anything because I was asleep.

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So sound asleep.

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Kurt.

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Kurt.

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Wake up.

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Wake up Kurt.

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Arthur.

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What's the matter?

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What's the matter with you?

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Cows are balling up in the canyon.

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Something's happening.

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Oh for Pete's sake.

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You have to wake me up every time you have one of your crazy dreams.

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Go back to bed.

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It's no dream Kurt.

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Oh you too Hal.

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You only hear it when the wind's right.

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Listen.

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Well how long's that been going on?

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Why didn't you let me know sooner?

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We've just been awake a few minutes.

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We wanted to be sure.

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A few minutes.

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And that going on all the time?

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Fine couple of brothers I got to help me run a ranch.

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One good for nothing but dreaming and the other good for nothing but thinking about

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that galley.

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Let's leave her out of it huh?

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How can I leave her out of it?

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You practically moved her into the house didn't you?

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Quit ragging the kid Kurt.

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She's just here for a visit.

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You know that.

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Yeah.

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Well get your clothes on.

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What are you standing there for?

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You think that cat's going to wait for us?

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You figure it is a cat?

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What else could it be running cattle like that?

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Or maybe you think it's that black panther Joe Sam talks about huh?

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I swear Arthur sometimes I think you're as crazy as that crazy old Indian.

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Could be.

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Could be that me and Joe Sam are just the ones that ain't crazy.

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Indian lover and cat lover.

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But don't think you ain't going to go out there with me because you are.

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Any way you want it Kurt.

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I'll go with you Kurt.

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Oh no.

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No you got to stick around and take care of that gal.

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Yeah listen to that.

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I woke the old lady up.

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She's come down to the kitchen.

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I suppose now she's going to give me some kind of argument.

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Why you always got to pick on everybody Kurt?

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First Gwen now Molly.

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What's the matter Hal?

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You worried about me and that gal Gwen of yours?

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Come on let's go.

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Up kind of early ain't you Ma?

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Hi Ma.

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I figured you'd be wanting breakfast.

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Just coffee.

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Some cat's running the cattle up in the canyon.

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I heard.

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You going up there?

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Well you don't think I'm going to sit around here in my hands while some thieving mountain

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cat kills off our best steers do you?

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Well sit down all of you.

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Here's your coffee.

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Thank you Ma.

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Kurt.

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What?

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I don't want for you to go.

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I suppose what I got to say don't carry much weight around here but I don't want for you

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to go.

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Well I'm going and so's your dreamer boy Arthur.

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Been starting a blizzard out Kurt and a bad one.

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I've been out in a little snow before ain't I?

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Well it ain't the same.

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It's the first snow of the year.

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No I thought so.

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You've been talking to that crazy old Indian too haven't you?

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I ain't either.

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But nobody hardly talked to him today the shape he's in.

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All spooked up again huh?

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Black panthers first snow.

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And you believe in it.

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Where is he Ma?

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Oh I told him to fetch some wood to get him inside.

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Wonder he ain't froze to death out there half the night and nothing but his shirt and jeans

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and them little thin moccasins.

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Maybe I better go get him.

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Will you sit down and drink your coffee?

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We got to be leaving here in a co...

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Well if it ain't our little lady visitor.

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Good morning.

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Hello honey.

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Morning Gwen.

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Come sit down have some hot coffee child.

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Thank you.

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No need for you to got up this early you know.

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Maybe she got up special just to see us off.

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See who off?

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Where?

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Oh mountain cats after the cattle.

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Kurt's bound there going up there to get him.

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Oh Hal in this storm?

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Don't worry about your precious Hal.

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I'm leaving him here to take care of you.

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I said I'd go didn't I?

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Besides if it is that spook panther of Joe Sam's I'll need Arthur here to make big medicine.

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He's almost as good at that Indian medicine as Joe Sam himself ain't you Art?

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You never will learn not to write a good thing too hard will you Kurt?

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I guess I'm a little confused.

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Spook panthers?

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Indian medicine?

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It's nothing honey.

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It's just Kurt's little joke.

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Yeah.

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Here's Joe Sam.

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Close the door after him Hal.

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That's right.

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Now go on just dump it in the wood box Joe Sam.

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That's right.

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Now drink this hot coffee.

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For land's sake you're shaking like a leaf.

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Joe Sam here coffee.

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Yeah he don't want no coffee.

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He don't even hear you.

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He just wants to sit there and go off into one of them prances of his.

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Hey Joe Sam you seeing that spook panther now Joe Sam?

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Leave him alone Kurt.

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I do wish somebody would tell me what this is all about unless it's a family secret.

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Well there you hear that Joe Sam?

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Go ahead tell the little lady about that big old black spook.

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It looks like I'll have to do the honors myself.

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You see it's this way little lady.

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According to Joe Sam there's a black panther roams this part of the country.

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Comes with the first snow every year and he's big.

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Big as a horse and eyes like coals of fire.

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And you can see right through him.

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And you can shoot right through him too.

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And still he'll keep coming until he gets you because he can't never die he's a spook.

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Kind of frightening.

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For old women and for dreamers maybe.

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Now come on dreamer boy let's go.

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I suppose you're going to wear that old cow hide parka too.

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Maybe you should look even more like a medicine man.

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Keeps me warm.

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Oh be careful please and don't stay out there beyond nightfall.

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Yeah sure sure.

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Way well Ma.

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Arthur.

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Well come to life did he?

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Arthur no go.

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It's all right Joe Sam.

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No Arthur not please no go.

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I got to Joe Sam we both do.

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Will you come on and stop pylavering with that old fool.

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All right Kurt all right.

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You go Arthur.

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Got to.

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But don't you worry.

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Then you go.

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But you'll not come back.

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You'll not ever ever come back.

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Auto light is bringing you Mr. Richard Widmark in the track of the cat.

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Tonight's production in radio's outstanding theater of thrills, Suspense.

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Sam my auto light spark plug man why do you recommend ignition engineered auto light spark

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plugs.

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It's not easy Mr. Wilcox it's because.

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Because they're designed by the same skilled auto light engineers who design the coil distributor

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and all the other important parts of complete ignition systems used as original equipment

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on many leading makes of our finest cars trucks and tractors.

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Eh Sam?

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That's right.

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Those auto light spark plugs are designed to work as a team with the complete ignition

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system.

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Take the new auto light resistor spark plug for instance.

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Ah it gives smoother performance greater gas savings and quicker starts and it's only one

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of a complete line of ignition engineered auto light spark plugs designed for every

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use.

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So see your nearest auto light spark plug dealer soon.

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Right your auto light spark plug dealers exclusive plug check indicator will quickly show you

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if your spark plugs are right for your style of driving.

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And remember from bumper to tail light you're always right with auto light.

11:38.360 --> 11:44.640
And now auto light brings back to our Hollywood sound stage Mr. Richard Widmark in Elliot

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Lewis' production of The Track of the Cat.

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A tale well calculated to keep you in suspense.

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Even after we was saddled up and heading out across a range I was still laughing to myself

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at what the old man had said to Arthur about not coming back and how solemn he said it.

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I tried to get a look at Arthur to see how he was taking it but you never could tell

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with that one.

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Well we hit the draw that leads into the canyon about daylight.

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It's a real box canyon with a steep slope to the north and a sheer drop off the east

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face.

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We couldn't hear the cattle now but we could see their tracks in the snow where they was

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heading up the canyon.

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And then I saw what I'd been looking for.

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Hey look look at that you see them tracks?

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Cat all right big one.

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Yeah pretty near as big as a horse at that.

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But you won't see through the cat that made them tracks he's real enough.

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Come on most like he's still up there.

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Not what he was them fool horses.

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Look up ahead.

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To steer.

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He dead with his neck broke by the looks.

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That's what ails the horses.

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They don't like the blood.

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Look up there you're right.

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Two more that's three of my best steers.

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Oh he's been up here killing for fun.

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Don't look like he's up here now though.

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There goes the track up in North Slope.

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Yeah he's gone all right but he ain't been gone long.

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Tracks as fresh and clear as print on a page.

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I'm going after him.

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You'll need snowshoes.

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You'll need grub.

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I'll go back after it if you like.

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I'll go myself if it's all the same.

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You stay here and hold the trail.

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Either way.

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No not either way that way.

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Unless you're worrying about what Joe Sam said.

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I'm not worrying.

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And don't go dreaming off because I want you to be here when I get back.

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I'll be here.

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All right then keep your eyes open.

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Sure.

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And Kurt.

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Yeah.

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If I were you I'd leave Hal's girl alone.

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A smart one.

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A real smart one.

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He was reading my mind.

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He knew I wanted to get that gal off by herself.

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And with Ma taking care of her housework and Hal out doing the chores he knew I'd have

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my chance.

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And that's just how it happened too.

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Because a little while later I was sitting in the kitchen at the ranch.

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Nobody there but old Joe Sam.

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Of course he didn't marry.

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And little Gwen sitting right across the table from me.

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But how did such a story ever get started?

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With the panther.

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Joe Sam says he's seen it.

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Joe Sam says this old spooked panther up and killed his wife and all his kids about 80

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years ago.

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80 years?

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Sure.

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Joe Sam's well over a hundred or so he claims.

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Ain't that right you crazy old fool?

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Kurt.

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You shouldn't talk to him like that.

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Yeah he don't hear it.

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He don't hear nothing when he gets like this.

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But don't you worry little lady.

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I'm gonna bring you back a panther skin all the same.

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May not be black and may not be big as a horse.

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But it'll make a real nice present from your brother-in-law to the bride and the groom.

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Providing of course that it works out that way.

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Providing what works out that way?

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Providing I am your brother-in-law and Hal is the groom.

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I don't like that kind of talk Kurt.

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Talk never did a gal no damage did it?

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That time to go.

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How about a little kiss to keep me warm out there huh?

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Kurt.

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Kurt no don't.

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Ah come on honey.

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What's the matter with him?

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Shut up you.

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I told you to shut up.

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You you get an old man like that.

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Ah he's crazy somebody had to snap him out of it.

16:04.080 --> 16:05.800
Tell him off.

16:05.800 --> 16:08.720
Maybe I get that kiss when I bring you back your panther huh?

16:08.720 --> 16:20.280
I don't care if I never set eyes on you again the rest of my life.

16:20.280 --> 16:23.480
Only it wasn't me she wasn't gonna see again for the rest of her life.

16:23.480 --> 16:29.120
Because when I got back to the canyon I found my brother Arthur laying in the snow.

16:29.120 --> 16:34.800
And three deep gashes in his back like the stabs of a knife and his neck was broke.

16:34.800 --> 16:45.040
And all around him was the track of the cat.

16:45.040 --> 16:48.600
I lashed him across the saddle as gentle as I could and I hit the horse in the rump to

16:48.600 --> 16:50.640
send him back home.

16:50.640 --> 16:52.920
Then I set out to track the cat.

16:52.920 --> 16:59.800
It was easy at first with the bare paw snow shoes the trail good and clear and the weather

16:59.800 --> 17:00.800
lifted.

17:00.800 --> 17:03.320
Then in the late afternoon I saw him.

17:03.320 --> 17:09.640
The other side of a ravine dark and bulky like a shadow against the snow.

17:09.640 --> 17:11.240
I had him full in my sights.

17:11.240 --> 17:14.080
I fired and I missed.

17:14.080 --> 17:17.520
He was up the rocks in ten foot leaps and over the ridge before I could shoot again.

17:17.520 --> 17:19.640
Then I remembered something.

17:19.640 --> 17:22.080
I checked Arthur's gun.

17:22.080 --> 17:24.120
It had an empty shell in it.

17:24.120 --> 17:27.400
He'd fired it something too and missed.

17:27.400 --> 17:30.400
Now we both had.

17:30.400 --> 17:32.440
And then the storm come up again.

17:32.440 --> 17:36.000
And after a while I couldn't see fifty yards ahead of me.

17:36.000 --> 17:40.760
And that was the first time I heard that other voice.

17:40.760 --> 17:41.760
Kurt.

17:41.760 --> 17:42.760
Kurt.

17:42.760 --> 17:43.760
Who?

17:43.760 --> 17:44.760
Who's there?

17:44.760 --> 17:45.760
Who is it?

17:45.760 --> 17:46.760
Nobody Kurt.

17:46.760 --> 17:47.760
Just you.

17:47.760 --> 17:48.760
Well who are you?

17:48.760 --> 17:55.360
I'm the caution in you Kurt.

17:55.360 --> 17:58.320
Maybe you never knew you had it before.

17:58.320 --> 18:00.160
I'm the coward in you.

18:00.160 --> 18:01.360
I ain't afraid.

18:01.360 --> 18:05.040
I ain't afraid of men or cat or spook.

18:05.040 --> 18:06.040
Maybe.

18:06.040 --> 18:09.800
But it's getting dark Kurt.

18:09.800 --> 18:11.600
Night falls coming Kurt.

18:11.600 --> 18:12.600
Yeah.

18:12.600 --> 18:15.200
Yeah that's so it is.

18:15.200 --> 18:18.840
You better find a place to hold up for the night Kurt.

18:18.840 --> 18:23.760
A good safe place while you can still see.

18:23.760 --> 18:24.760
Well yeah.

18:24.760 --> 18:28.840
Yeah maybe I had that.

18:28.840 --> 18:32.080
Because a man can't see in the dark Kurt.

18:32.080 --> 18:33.080
Who said he could?

18:33.080 --> 18:36.880
But there's something out here that can.

18:36.880 --> 18:40.560
That can see in the dark real good.

18:40.560 --> 18:43.560
That hunts in the dark.

18:43.560 --> 18:45.560
The cat.

18:45.560 --> 18:48.800
It was getting dark for sure.

18:48.800 --> 18:51.920
Almost a darker night when I finally found what I was looking for.

18:51.920 --> 18:54.840
A little cave halfway up the other side of the ravine.

18:54.840 --> 18:59.800
I worked my way up to it when all at once I thought of something.

18:59.800 --> 19:03.360
The cat had holed up from the storm just the same as me.

19:03.360 --> 19:06.240
Suppose he'd holed up here.

19:06.240 --> 19:10.560
For a long time I just stood there listening.

19:10.560 --> 19:15.320
But there was nothing but the wind and the whistle of the snow.

19:15.320 --> 19:22.520
And then real slow with my knees shaking a little I crept up to it.

19:22.520 --> 19:25.000
My finger on the trigger of the gun.

19:25.000 --> 19:29.000
And I lit a match.

19:29.000 --> 19:31.740
The cave was empty.

19:31.740 --> 19:33.120
And it was dry.

19:33.120 --> 19:34.680
I crawled in.

19:34.680 --> 19:37.960
I ate some of the bread and jerky beef I'd brought along.

19:37.960 --> 19:40.160
Made a cigarette and smoked it.

19:40.160 --> 19:41.160
Then lay back.

19:41.160 --> 19:44.160
Let the tiredness go out of my bones.

19:44.160 --> 19:47.160
It was warm.

19:47.160 --> 19:48.160
Cozy.

19:48.160 --> 19:50.240
I felt good.

19:50.240 --> 19:51.240
Real good.

19:51.240 --> 19:52.240
And warm.

19:52.240 --> 19:53.240
And drowsy.

19:53.240 --> 19:54.240
Kurt.

19:54.240 --> 19:55.240
Hello Kurt.

19:55.240 --> 19:56.240
You in there Kurt?

19:56.240 --> 19:57.240
Art.

19:57.240 --> 19:59.360
Art where are you?

19:59.360 --> 20:00.360
Right here.

20:00.360 --> 20:03.360
I'm in the cave.

20:03.360 --> 20:14.080
You can look right through the wall and see me if you try.

20:14.080 --> 20:19.080
Yeah but what's the matter with you?

20:19.080 --> 20:23.480
Your eyes and the snow all on your face.

20:23.480 --> 20:24.480
I'm dead.

20:24.480 --> 20:25.840
Don't you remember Kurt?

20:25.840 --> 20:26.840
Yes.

20:26.840 --> 20:28.640
And I've come to help you Kurt.

20:28.640 --> 20:29.640
Yeah Art.

20:29.640 --> 20:30.640
Help me.

20:30.640 --> 20:31.640
Help me.

20:31.640 --> 20:32.640
Listen.

20:32.640 --> 20:33.640
The cat.

20:33.640 --> 20:34.640
The cat.

20:34.640 --> 20:37.360
It's sniffing out there.

20:37.360 --> 20:38.880
It's right outside the wall.

20:38.880 --> 20:39.880
Look.

20:39.880 --> 20:41.440
Look close and you can see him.

20:41.440 --> 20:42.440
Can you see him now?

20:42.440 --> 20:43.440
Yeah.

20:43.440 --> 20:44.440
Yeah black.

20:44.440 --> 20:47.080
It's black and big as a horse.

20:47.080 --> 20:48.880
Eyes like coals of fire.

20:48.880 --> 20:50.680
But he can't get through the wall Art.

20:50.680 --> 20:52.440
You don't know how to get through that wall.

20:52.440 --> 20:53.800
That's why Joe Sam's here.

20:53.800 --> 20:54.800
Joe Sam?

20:54.800 --> 20:55.800
See him?

20:55.800 --> 20:56.800
See him out there on the slope?

20:56.800 --> 20:57.800
You see him laughing?

20:57.800 --> 20:58.800
Art you tell him.

20:58.800 --> 20:59.800
You tell the cat about the wall.

20:59.800 --> 21:00.800
Don't let him Art.

21:00.800 --> 21:01.800
Don't let him.

21:01.800 --> 21:02.800
See him Art.

21:02.800 --> 21:03.800
Don't let him.

21:03.800 --> 21:04.800
Too late Kurt.

21:04.800 --> 21:05.800
Art help me.

21:05.800 --> 21:06.800
Help me.

21:06.800 --> 21:08.960
Too late now Kurt.

21:08.960 --> 21:11.960
Too late.

21:11.960 --> 21:14.960
Art.

21:14.960 --> 21:24.960
Art.

21:24.960 --> 21:27.880
I was lying there in the cave.

21:27.880 --> 21:30.160
And it was dark.

21:30.160 --> 21:32.040
So it was a dream.

21:32.040 --> 21:33.040
Sure.

21:33.040 --> 21:36.120
Sure it was a dream.

21:36.120 --> 21:38.600
But was it all a dream?

21:38.600 --> 21:46.920
I listened and then I heard something that could be.

21:46.920 --> 21:49.160
All right suppose he was out there.

21:49.160 --> 21:53.000
I couldn't stay holed up there forever by a stinking mountain cat.

21:53.000 --> 21:57.880
I reached over for my rifle and then I bent my knees up and I kicked out with all my might

21:57.880 --> 22:04.280
and the wall went flying out into the ravine and I was crouching there with the rifle.

22:04.280 --> 22:06.680
And there was nothing.

22:06.680 --> 22:08.560
No cat.

22:08.560 --> 22:09.560
No tracks.

22:09.560 --> 22:10.560
Nothing.

22:10.560 --> 22:11.560
Better head for home boy.

22:11.560 --> 22:12.560
You've got daylight now.

22:12.560 --> 22:13.560
Head while the heading's good.

22:13.560 --> 22:14.560
I can't do that.

22:14.560 --> 22:15.560
I swore I'd get that cat.

22:15.560 --> 22:16.560
You've got a long way to go Kurt.

22:16.560 --> 22:17.560
I swore.

22:17.560 --> 22:18.560
For Art.

22:18.560 --> 22:19.560
And I swore.

22:19.560 --> 22:20.560
For Art.

22:20.560 --> 22:21.560
And I swore.

22:21.560 --> 22:22.560
For Art.

22:22.560 --> 22:23.560
For Art.

22:23.560 --> 22:24.560
For Art.

22:24.560 --> 22:25.560
For Art.

22:25.560 --> 22:26.560
For Art.

22:26.560 --> 22:27.560
For Art.

22:27.560 --> 22:28.560
And I promised Gwen.

22:28.560 --> 22:29.560
What'll I tell Gwen?

22:29.560 --> 22:35.560
You have enough on your hands just getting back before it's dark again.

22:35.560 --> 22:39.160
Well I sure hate to give it up though.

22:39.160 --> 22:40.160
What's the matter with you?

22:40.160 --> 22:41.160
Don't you know yet?

22:41.160 --> 22:42.160
Know what?

22:42.160 --> 22:43.160
You're not hunting that cat anymore.

22:43.160 --> 22:44.160
That cat's hunting you.

22:44.160 --> 22:56.400
I laced on the bear paws and I started down the ravine.

22:56.400 --> 22:59.120
It was still snowing but I could see pretty good now.

22:59.120 --> 23:01.600
And I'd taken my directions the night before.

23:01.600 --> 23:05.000
Down the ravine, up the other side, half a day north along the ridge.

23:05.000 --> 23:06.720
Then down the other side.

23:06.720 --> 23:09.040
And keep going until you see the ranch.

23:09.040 --> 23:10.360
I was making pretty fair time.

23:10.360 --> 23:14.000
I figured it was just about midday when I seen the sun break through a hole in the clouds

23:14.000 --> 23:16.440
way off to my right.

23:16.440 --> 23:18.680
And then I stopped.

23:18.680 --> 23:21.400
Cause there was something wrong.

23:21.400 --> 23:24.080
Awful wrong.

23:24.080 --> 23:27.040
What's it doing up there Kurt?

23:27.040 --> 23:29.920
What's the sun doing up there?

23:29.920 --> 23:30.920
I don't know.

23:30.920 --> 23:31.920
It can't be.

23:31.920 --> 23:34.920
You're supposed to be going north.

23:34.920 --> 23:35.920
Sure.

23:35.920 --> 23:36.920
Sure I am.

23:36.920 --> 23:39.360
Half a day north along the ridge then down the other side.

23:39.360 --> 23:40.360
Sure.

23:40.360 --> 23:45.400
The sun's on your left when you travel north Kurt.

23:45.400 --> 23:46.800
And it's on my right.

23:46.800 --> 23:47.800
A whole half a day.

23:47.800 --> 23:51.360
I've been going the wrong direction a whole half a day.

23:51.360 --> 23:54.880
You're going to be caught out after dark again Kurt.

23:54.880 --> 23:57.640
You're going to be caught out after dark.

23:57.640 --> 24:00.360
That's all he's waiting for Kurt.

24:00.360 --> 24:01.360
Waiting for the dark.

24:01.360 --> 24:02.360
I can't.

24:02.360 --> 24:03.920
I can't get caught out.

24:03.920 --> 24:04.920
I gotta make it.

24:04.920 --> 24:05.920
Never.

24:05.920 --> 24:06.920
You'll never make it.

24:06.920 --> 24:07.920
What'll I do?

24:07.920 --> 24:08.920
What am I gonna do?

24:08.920 --> 24:09.920
Run.

24:09.920 --> 24:10.920
Keep running.

24:10.920 --> 24:11.920
I can't.

24:11.920 --> 24:12.920
I can't run much more.

24:12.920 --> 24:13.920
Think of something.

24:13.920 --> 24:14.920
Think.

24:14.920 --> 24:15.920
I can't think.

24:15.920 --> 24:16.920
Think.

24:16.920 --> 24:17.920
A fire.

24:17.920 --> 24:18.920
A fire.

24:18.920 --> 24:21.520
You have only had a fire.

24:21.520 --> 24:22.520
That's it.

24:22.520 --> 24:23.520
A fire.

24:23.520 --> 24:24.520
That's it.

24:24.520 --> 24:25.520
That's it.

24:25.520 --> 24:26.520
A fire.

24:26.520 --> 24:27.520
That'll hold Mr. Blackcatch.

24:27.520 --> 24:29.880
Afraid of fire ain't you, you murdering devil.

24:29.880 --> 24:30.880
That'll hold you.

24:30.880 --> 24:31.880
A fire.

24:31.880 --> 24:35.880
A great big roaring fire.

24:35.880 --> 24:39.960
It's all right now.

24:39.960 --> 24:42.320
It's gonna be all right.

24:42.320 --> 24:45.400
I got branches cut enough to last all night.

24:45.400 --> 24:48.400
Nothing to do now but take it easy and feed the fire.

24:48.400 --> 24:53.000
He's out there in the tree somewhere but he won't come near this fire.

24:53.000 --> 24:54.000
No sir, he won't.

24:54.000 --> 25:00.200
I'll just keep smoking, keep yourself awake, keep your eye on that fire.

25:00.200 --> 25:03.040
Just watch the fire.

25:03.040 --> 25:06.040
Just keep watching that fire.

25:06.040 --> 25:09.240
Too late, Kurt.

25:09.240 --> 25:11.240
Too late.

25:11.240 --> 25:12.240
What?

25:12.240 --> 25:13.240
Oh sir.

25:13.240 --> 25:14.240
The fire's gone out.

25:14.240 --> 25:15.240
Gone out?

25:15.240 --> 25:16.240
I gotta fix it quick.

25:16.240 --> 25:17.240
Too late, Kurt.

25:17.240 --> 25:18.240
He's here.

25:18.240 --> 25:19.240
The cat.

25:19.240 --> 25:20.240
The cat?

25:20.240 --> 25:24.480
Crouching there to make you spring, you see him behind that tree, big as a horse and black

25:24.480 --> 25:26.480
as night and eyes like gold.

25:26.480 --> 25:27.480
Help me, Arthur.

25:27.480 --> 25:28.480
Help me!

25:28.480 --> 25:29.480
Shoot.

25:29.480 --> 25:32.920
Shoot while you still got the chance right between those burning eyes.

25:32.920 --> 25:33.920
Shoot.

25:33.920 --> 25:34.920
I'll shoot.

25:34.920 --> 25:35.920
Too late, Kurt.

25:35.920 --> 25:41.280
You shot right through him but he's coming at you.

25:41.280 --> 25:42.280
Throw the gun away.

25:42.280 --> 25:43.280
It's no good now, Kurt.

25:43.280 --> 25:44.280
Run.

25:44.280 --> 25:45.280
Your only chance.

25:45.280 --> 25:46.280
Run.

25:46.280 --> 25:47.280
Faster.

25:47.280 --> 25:48.280
Don't fall.

25:48.280 --> 25:49.280
He's right behind you, Kurt.

25:49.280 --> 25:50.280
Faster.

25:50.280 --> 25:51.280
Faster.

25:51.280 --> 25:52.280
Look out.

25:52.280 --> 25:53.280
You're falling.

25:53.280 --> 25:54.280
You're falling, Kurt.

25:54.280 --> 25:55.280
You're falling.

25:55.280 --> 26:14.760
We buried my brother Arthur the night before.

26:14.760 --> 26:19.040
And the next day we went to look for Kurt, Joe Sam and me.

26:19.040 --> 26:24.760
We found him where he'd fallen over the cliff of the canyon, all stiff and twisted in the

26:24.760 --> 26:25.760
snow.

26:25.760 --> 26:30.320
Later, we went up to see what happened.

26:30.320 --> 26:35.400
You could tell he'd been running when he fell, running away from something and afraid for

26:35.400 --> 26:38.040
his life.

26:38.040 --> 26:40.760
Only there was nothing there.

26:40.760 --> 26:43.760
No tracks except just his.

26:43.760 --> 26:44.760
Nothing.

26:44.760 --> 27:12.520
Suspense presented by Auto Light.

27:12.520 --> 27:16.560
Tonight's star, Mr. Richard Widmark.

27:16.560 --> 27:21.760
This is Harlow Wilcox speaking for Auto Light, world's largest independent manufacturer of

27:21.760 --> 27:24.000
automotive electrical equipment.

27:24.000 --> 27:27.800
Auto Light is proud to serve the greatest names in the industry.

27:27.800 --> 27:32.960
That's why during the early months of 1952, the Auto Light family joins in saluting the

27:32.960 --> 27:38.280
leading car manufacturers who install Auto Light products as original equipment.

27:38.280 --> 27:43.120
Our Auto Light family is made up of the nearly 30,000 men and women in 28 great Auto Light

27:43.120 --> 27:48.560
plants from coast to coast and in still other Auto Light plants in many foreign countries.

27:48.560 --> 27:52.780
Our family also includes more than 18,000 people who have invested a portion of their

27:52.780 --> 27:58.320
savings in Auto Light, as well as 96,000 Auto Light distributors and dealers in the United

27:58.320 --> 28:02.760
States and thousands more in Canada and throughout the world.

28:02.760 --> 28:06.880
Our Auto Light family will salute the Studebaker Corporation on the next Auto Light Suspense

28:06.880 --> 28:08.360
television program.

28:08.360 --> 28:12.680
If you live in a television area, check the day and time of Suspense on Television so

28:12.680 --> 28:15.000
you'll be sure to see this program.

28:15.000 --> 28:27.480
And remember, be with us next week for another thrilling Auto Light Suspense program on radio.

28:27.480 --> 28:32.300
Next week on Suspense, our star will be Miss Linda Darnell in a story about a woman who

28:32.300 --> 28:37.760
knew her husband was trying to kill her and was powerless to stop it, a dramatic report

28:37.760 --> 28:41.360
we call A Killing in Las Vegas.

28:41.360 --> 28:52.040
In weeks to come, we shall also present Herbert Marshall and Frank Lovejoy all on Suspense.

28:52.040 --> 28:56.160
Suspense is produced and directed by Elliot Lewis with music composed by Lucian Morawick

28:56.160 --> 28:58.320
and conducted by Lud Bluskin.

28:58.320 --> 29:03.160
The track of the cat was adapted for Suspense by Sylvia Richards from the book by Walter

29:03.160 --> 29:04.360
Van Tilburg Clark.

29:04.360 --> 29:09.960
Featured in the cast were Harry Bartel, Lee Millar, Martha Wentworth, Sharon Douglas,

29:09.960 --> 29:10.960
and Parley Bear.

29:10.960 --> 29:15.320
Tonight's appearance of Richard Widmark was made possible through the courtesy of 20th

29:15.320 --> 29:17.120
Century Fox Studios.

29:17.120 --> 29:24.080
Mr. Widmark may currently be seen in the Technicolor production, Red Skies of Montana.

29:24.080 --> 29:32.520
And remember, next week on Suspense, Miss Linda Darnell in A Killing in Las Vegas.

29:32.520 --> 29:55.160
This is the CBS Radio Network.

