1 00:00:00,000 --> 00:00:12,980 Auto Light and its 96,000 dealers bring you Mr. Joseph Cotton in tonight's presentation 2 00:00:12,980 --> 00:00:17,060 of Suspense. 3 00:00:17,060 --> 00:00:26,860 Tonight, Auto Light presents Carnival, the story about a man whose only emotion became 4 00:00:26,860 --> 00:00:31,600 hate, starring Mr. Joseph Cotton. 5 00:00:31,600 --> 00:00:37,640 Hello, Harlow. 6 00:00:37,640 --> 00:00:40,160 Well hoist my hubcaps, it's Oscar Auto. 7 00:00:40,160 --> 00:00:43,320 See my new ignition engineered Auto Light spark plug? 8 00:00:43,320 --> 00:00:47,160 Why, sure Oscar, and spark plugs are the very heart of a car's ignition system, and they've 9 00:00:47,160 --> 00:00:50,800 got to be right for quick starts, gas economy, and smooth performance. 10 00:00:50,800 --> 00:00:52,280 Well mine are now. 11 00:00:52,280 --> 00:00:57,360 Thanks to my Auto Light spark plug dealer's exclusive plug check indicator. 12 00:00:57,360 --> 00:01:01,200 Yes, the Auto Light plug check indicator tells whether your spark plugs are right for your 13 00:01:01,200 --> 00:01:02,200 style of driving. 14 00:01:02,200 --> 00:01:05,960 And if they need cleaning, your Auto Light spark plug dealer has modern equipment to 15 00:01:05,960 --> 00:01:07,140 do the job. 16 00:01:07,140 --> 00:01:11,440 And if replacements are needed, he will install world famous ignition engineered Auto Light 17 00:01:11,440 --> 00:01:15,360 spark plugs for smoother performance, quick starts, and gas savings. 18 00:01:15,360 --> 00:01:16,360 Right, Harlow. 19 00:01:16,360 --> 00:01:20,120 So friends, see your nearest Auto Light spark plug dealer soon. 20 00:01:20,120 --> 00:01:24,680 He services all makes of spark plugs, and you can quickly learn his location by calling 21 00:01:24,680 --> 00:01:28,680 Western Union by number and asking for operator 25. 22 00:01:28,680 --> 00:01:35,020 And remember, from bumper to tail light, you're always right with Auto Light. 23 00:01:35,020 --> 00:01:41,140 And now with Carnival and the performance of Mr. Joseph Cotton, Auto Light hopes once 24 00:01:41,140 --> 00:01:58,600 again to keep you in suspense. 25 00:01:58,600 --> 00:02:05,040 Eight feet, nine inches tall, I weigh 343 pounds, married and no children. 26 00:02:05,040 --> 00:02:07,760 I joined the sideshow at the age of 22. 27 00:02:07,760 --> 00:02:11,480 And if you would like a photograph of me, I have them right here for sale. 28 00:02:11,480 --> 00:02:16,040 All right, over here to the next stand, ladies and gentlemen, to the star attraction of the 29 00:02:16,040 --> 00:02:17,040 sideshow. 30 00:02:17,040 --> 00:02:19,320 That's right, that's right, right over here. 31 00:02:19,320 --> 00:02:21,080 Gather around real close. 32 00:02:21,080 --> 00:02:22,080 That's it, right up front. 33 00:02:22,080 --> 00:02:23,960 Yeah, sure, little boy. 34 00:02:23,960 --> 00:02:25,280 You get right up close here. 35 00:02:25,280 --> 00:02:28,720 See something you never saw before. 36 00:02:28,720 --> 00:02:34,920 Ladies and gentlemen, Renee the robot, Renee the magnificent. 37 00:02:34,920 --> 00:02:36,720 Handsome, isn't he? 38 00:02:36,720 --> 00:02:37,720 Beautiful man. 39 00:02:37,720 --> 00:02:39,640 How elegantly he stands. 40 00:02:39,640 --> 00:02:42,680 The elegant clothes, the gloved hand, just so. 41 00:02:42,680 --> 00:02:46,680 The mouth smiling, the noble head poised for all to admire. 42 00:02:46,680 --> 00:02:50,400 Renee the robot, Renee the man without emotion. 43 00:02:50,400 --> 00:02:53,120 Lift your hand, Renee. 44 00:02:53,120 --> 00:02:56,840 Like on pulleys and wheels, ladies and gentlemen, like a mechanical doll. 45 00:02:56,840 --> 00:03:00,200 You and I lift our arms this way, ladies and gentlemen. 46 00:03:00,200 --> 00:03:04,000 But Renee, lift your other arm, Renee. 47 00:03:04,000 --> 00:03:06,160 Bow. 48 00:03:06,160 --> 00:03:09,160 Can't you forget his flesh and blood, doesn't he? 49 00:03:09,160 --> 00:03:12,400 Walk, Renee. 50 00:03:12,400 --> 00:03:15,280 Like a mechanical doll, ladies and gentlemen. 51 00:03:15,280 --> 00:03:19,040 And now with your permission, we'll have Renee do a little dance for us. 52 00:03:19,040 --> 00:03:21,400 Put your drum on, Renee. 53 00:03:21,400 --> 00:03:23,520 Look at him, look at him, ladies and gentlemen. 54 00:03:23,520 --> 00:03:27,240 The way he responds to me, to O'Mara, is if I were pressing a button. 55 00:03:27,240 --> 00:03:29,480 No question, no argument, no emotion. 56 00:03:29,480 --> 00:03:32,400 He hears my voice and responds. 57 00:03:32,400 --> 00:03:34,720 Are you ready, Renee? 58 00:03:34,720 --> 00:03:36,360 Dance. 59 00:03:36,360 --> 00:03:52,160 Wouldn't you like to have a beautiful mechanical doll like Renee to take home, girls? 60 00:03:52,160 --> 00:03:53,160 Of course you would. 61 00:03:53,160 --> 00:03:55,160 And he even talks. 62 00:03:55,160 --> 00:03:58,120 Listen, tell us about yourself, Renee. 63 00:03:58,120 --> 00:03:59,920 I am Renee Orlando. 64 00:03:59,920 --> 00:04:04,400 I was born in Louisiana, a small town near the Gulf. 65 00:04:04,400 --> 00:04:05,880 My father was a fisherman. 66 00:04:05,880 --> 00:04:08,580 I do not remember my mother. 67 00:04:08,580 --> 00:04:11,760 I was 15 years old when we moved to Baton Rouge. 68 00:04:11,760 --> 00:04:14,880 There I discovered my talent. 69 00:04:14,880 --> 00:04:18,220 My talent is to control all emotion. 70 00:04:18,220 --> 00:04:31,800 My talent is to live as a machine, as well-ordered and without emotion as a machine. 71 00:04:31,800 --> 00:04:33,000 They stare at me. 72 00:04:33,000 --> 00:04:39,440 The faces looking up at me, idiot faces, fool's faces who see in me their own reflection, 73 00:04:39,440 --> 00:04:44,360 who stand with open mouths before the image of the robots that they are. 74 00:04:44,360 --> 00:04:45,680 They are the puppets. 75 00:04:45,680 --> 00:04:50,000 They are the mechanical dolls, the effigies without emotion. 76 00:04:50,000 --> 00:04:56,680 And I, the torrents within me, the ecstasies, the floods, the pure singing passions that 77 00:04:56,680 --> 00:04:59,480 wash over me. 78 00:04:59,480 --> 00:05:05,640 And Gabrielle, my wife Gabrielle, she knows, she knows the man who makes a fuss of himself 79 00:05:05,640 --> 00:05:11,480 before an audience is no robot, knows when the day's mockery of carnival is ended. 80 00:05:11,480 --> 00:05:28,120 It is a man who comes to her, a man who loves, hates. 81 00:05:28,120 --> 00:05:30,280 Do my hair, Renée? 82 00:05:30,280 --> 00:05:31,280 Black. 83 00:05:31,280 --> 00:05:36,240 It coils over your shoulders like dark fire and lies against the secret hollows of your 84 00:05:36,240 --> 00:05:37,240 throat. 85 00:05:37,240 --> 00:05:38,240 Black. 86 00:05:38,240 --> 00:05:41,240 Say my name. 87 00:05:41,240 --> 00:05:42,240 Gabrielle. 88 00:05:42,240 --> 00:05:44,880 Again, say it. 89 00:05:44,880 --> 00:05:47,360 Who else knows these secrets? 90 00:05:47,360 --> 00:05:48,360 What? 91 00:05:48,360 --> 00:05:49,360 O'Mara. 92 00:05:49,360 --> 00:05:54,520 How many times, Renée, how many times do I have to tell you O'Mara is nothing? 93 00:05:54,520 --> 00:05:58,760 You walk and O'Mara's eyes follow you, you perform on the trapeze and O'Mara stands 94 00:05:58,760 --> 00:06:02,560 below and watches your flight and his fingers stretch out for you. 95 00:06:02,560 --> 00:06:06,680 Listen, Renée, how many ways must I prove to you I love you? 96 00:06:06,680 --> 00:06:07,680 You're with him often. 97 00:06:07,680 --> 00:06:08,680 Why? 98 00:06:08,680 --> 00:06:11,440 We discuss matters of costumes and new ways of doing a trick. 99 00:06:11,440 --> 00:06:13,440 And me also, you talk of me? 100 00:06:13,440 --> 00:06:14,440 No. 101 00:06:14,440 --> 00:06:15,440 You lie. 102 00:06:15,440 --> 00:06:16,440 You lie, Gabrielle. 103 00:06:16,440 --> 00:06:19,600 He says my name to you and tells you I am a mechanical man, isn't that so? 104 00:06:19,600 --> 00:06:20,600 Renée, you're jealous. 105 00:06:20,600 --> 00:06:22,000 Yes, jealous. 106 00:06:22,000 --> 00:06:23,000 And happy for it. 107 00:06:23,000 --> 00:06:29,040 I know that I am not a mechanical man but a man of emotion, one who loves and is jealous. 108 00:06:29,040 --> 00:06:32,280 What will make you believe me? 109 00:06:32,280 --> 00:06:33,280 There is a way. 110 00:06:33,280 --> 00:06:34,280 If... 111 00:06:34,280 --> 00:06:36,800 If what? 112 00:06:36,800 --> 00:06:38,800 If there were no O'Mara. 113 00:06:38,800 --> 00:06:39,800 What? 114 00:06:39,800 --> 00:06:42,800 If O'Mara were dead, Gabrielle. 115 00:06:42,800 --> 00:06:49,800 Now, no more words, my darling. 116 00:06:49,800 --> 00:06:52,800 No more. 117 00:06:52,800 --> 00:06:56,280 No more. 118 00:06:56,280 --> 00:06:59,960 No more. 119 00:06:59,960 --> 00:07:04,120 And that is why they call me Renée the Robot. 120 00:07:04,120 --> 00:07:09,200 And if you'd like a token of your visit with me, I have some photographs. 121 00:07:09,200 --> 00:07:10,200 They are for sale. 122 00:07:10,200 --> 00:07:11,200 They are autographed. 123 00:07:11,200 --> 00:07:12,200 Don't be bashful, ladies and gentlemen. 124 00:07:12,200 --> 00:07:13,200 Come on, buy. 125 00:07:13,200 --> 00:07:14,200 Or maybe you still don't believe, don't believe that Renée is a mechanical man. 126 00:07:14,200 --> 00:07:15,200 Oh, a little boy. 127 00:07:15,200 --> 00:07:16,200 A little boy, come here. 128 00:07:16,200 --> 00:07:17,200 Come here. 129 00:07:17,200 --> 00:07:18,200 Come here. 130 00:07:18,200 --> 00:07:19,200 Come here. 131 00:07:19,200 --> 00:07:20,200 Come here. 132 00:07:20,200 --> 00:07:21,200 Come here. 133 00:07:21,200 --> 00:07:22,200 Come here. 134 00:07:22,200 --> 00:07:23,200 Come here. 135 00:07:23,200 --> 00:07:24,200 Come here. 136 00:07:24,200 --> 00:07:25,200 Little boy, come here. 137 00:07:25,200 --> 00:07:26,200 Here. 138 00:07:26,200 --> 00:07:27,200 I'll lift you up on the stand. 139 00:07:27,200 --> 00:07:28,200 Here we are. 140 00:07:28,200 --> 00:07:30,800 Now, slap him, little boy. 141 00:07:30,800 --> 00:07:32,280 Slap the mechanical man's face. 142 00:07:32,280 --> 00:07:33,780 Slap him. 143 00:07:33,780 --> 00:07:37,000 And Renée doesn't move a muscle. 144 00:07:37,000 --> 00:07:39,080 Nor does he even blink. 145 00:07:39,080 --> 00:07:41,120 Buy his pictures, ladies and gentlemen. 146 00:07:41,120 --> 00:07:53,400 Buy from Renée the Robot. 147 00:07:53,400 --> 00:08:02,160 Renée, come in, come in. 148 00:08:02,160 --> 00:08:07,400 I know why you've come to my trailer, Renée, for my compliments on your last performance. 149 00:08:07,400 --> 00:08:08,400 You were brilliant. 150 00:08:08,400 --> 00:08:10,400 Amara, you must listen to me. 151 00:08:10,400 --> 00:08:12,520 Oh, not for compliments, then for what? 152 00:08:12,520 --> 00:08:15,680 It's what happened in there in the tent, in the sideshow. 153 00:08:15,680 --> 00:08:18,280 Oh, then you resent the little boy who slapped you. 154 00:08:18,280 --> 00:08:20,160 I thought it was quite a nice touch, Renée. 155 00:08:20,160 --> 00:08:21,920 You're going too far, Amara. 156 00:08:21,920 --> 00:08:23,440 Tonight was the last indignity. 157 00:08:23,440 --> 00:08:24,440 You're quitting? 158 00:08:24,440 --> 00:08:25,440 It must stop. 159 00:08:25,440 --> 00:08:28,080 Then you've come to say goodbye. 160 00:08:28,080 --> 00:08:29,080 Yes. 161 00:08:29,080 --> 00:08:30,600 How many times have you said goodbye? 162 00:08:30,600 --> 00:08:31,600 Twenty times? 163 00:08:31,600 --> 00:08:32,600 A hundred and fifty times? 164 00:08:32,600 --> 00:08:33,600 This time, this time I actually... 165 00:08:33,600 --> 00:08:34,600 A thousand times? 166 00:08:34,600 --> 00:08:38,760 How many times in fifteen years, Renée? 167 00:08:38,760 --> 00:08:39,880 You can't leave. 168 00:08:39,880 --> 00:08:40,880 I won't permit it. 169 00:08:40,880 --> 00:08:43,360 All right, I gave you that much, Amara. 170 00:08:43,360 --> 00:08:46,760 Fifteen years, that long of dancing with toy drums. 171 00:08:46,760 --> 00:08:49,560 It's done now, over-finished. 172 00:08:49,560 --> 00:08:51,120 For a mechanical man? 173 00:08:51,120 --> 00:08:53,320 Oh, but I always forget. 174 00:08:53,320 --> 00:08:54,600 You're not a mechanical man. 175 00:08:54,600 --> 00:08:57,560 You're a person of passion, you always tell me. 176 00:08:57,560 --> 00:08:58,560 You've got feelings. 177 00:08:58,560 --> 00:08:59,560 Yes. 178 00:08:59,560 --> 00:09:00,560 Yes, this is true. 179 00:09:00,560 --> 00:09:02,960 I always forget. 180 00:09:02,960 --> 00:09:07,040 Fifteen years a man can forget in that length of time. 181 00:09:07,040 --> 00:09:10,080 You... what was that girl's name? 182 00:09:10,080 --> 00:09:11,080 No, no. 183 00:09:11,080 --> 00:09:12,360 You know the one I mean. 184 00:09:12,360 --> 00:09:14,280 I told you, Amara, I warned you. 185 00:09:14,280 --> 00:09:17,280 What was her name? 186 00:09:17,280 --> 00:09:20,560 Her name was Celia. 187 00:09:20,560 --> 00:09:21,720 Yes? 188 00:09:21,720 --> 00:09:23,000 I killed her. 189 00:09:23,000 --> 00:09:26,080 You strangled her, Renée, with her hair. 190 00:09:26,080 --> 00:09:30,880 Her name was Celia Barton, and I killed her. 191 00:09:30,880 --> 00:09:31,880 Of course. 192 00:09:31,880 --> 00:09:35,160 And you saw it, and you told no one. 193 00:09:35,160 --> 00:09:38,240 I'll never tell anyone, you're my major attraction, Renée. 194 00:09:38,240 --> 00:09:40,240 Why should I tell anyone? 195 00:09:40,240 --> 00:09:43,760 You're not going to leave, are you? 196 00:09:43,760 --> 00:09:44,760 No. 197 00:09:44,760 --> 00:09:45,760 You'll stay. 198 00:09:45,760 --> 00:09:48,760 And so will Gabrielle. 199 00:09:48,760 --> 00:09:49,880 Yeah. 200 00:09:49,880 --> 00:09:55,840 That puzzles me, a man like you and a woman like Gabrielle. 201 00:09:55,840 --> 00:09:56,840 So different. 202 00:09:56,840 --> 00:09:57,840 What do you do? 203 00:09:57,840 --> 00:09:59,800 What do you talk about? 204 00:09:59,800 --> 00:10:00,800 We're not different. 205 00:10:00,800 --> 00:10:04,040 A robot, cold without heart and no soul. 206 00:10:04,040 --> 00:10:05,920 Like Gabrielle, a flame. 207 00:10:05,920 --> 00:10:07,200 You're wrong, Amara. 208 00:10:07,200 --> 00:10:08,560 You have no understanding. 209 00:10:08,560 --> 00:10:10,960 You do not know what's inside of me. 210 00:10:10,960 --> 00:10:12,760 Cold without heart and no soul. 211 00:10:12,760 --> 00:10:14,800 I know what's inside of you, Renée. 212 00:10:14,800 --> 00:10:16,560 Pulleys and strings and wheels. 213 00:10:16,560 --> 00:10:18,560 Someday, someday, Amara, you'll... 214 00:10:18,560 --> 00:10:19,560 Kill me? 215 00:10:19,560 --> 00:10:20,560 Yes. 216 00:10:20,560 --> 00:10:21,560 Yes, I'll kill you, Amara. 217 00:10:21,560 --> 00:10:22,560 I'll kill you. 218 00:10:22,560 --> 00:10:23,560 Renée! 219 00:10:23,560 --> 00:10:24,560 Bow! 220 00:10:24,560 --> 00:10:25,560 Turn around. 221 00:10:25,560 --> 00:10:26,560 Get out. 222 00:10:26,560 --> 00:10:49,840 There is a reason why I did that for Amara, bowed for him, left him 15 years and listened 223 00:10:49,840 --> 00:10:53,800 to his voice that long, performed for him. 224 00:10:53,800 --> 00:10:55,840 Habit becomes strong. 225 00:10:55,840 --> 00:10:58,240 Because all of it had become habit. 226 00:10:58,240 --> 00:11:03,160 Amara, the carnival, the moving from here to another village to yet another and another 227 00:11:03,160 --> 00:11:05,000 and perform, perform. 228 00:11:05,000 --> 00:11:09,160 And the nights of the mist like tonight walk through it. 229 00:11:09,160 --> 00:11:15,280 The wet desert, pale reflections of light, the pockets of wind that swirled up the confetti 230 00:11:15,280 --> 00:11:17,240 had drifted away. 231 00:11:17,240 --> 00:11:22,480 Empty rides, the carnival that had run down. 232 00:11:22,480 --> 00:11:27,640 And shadows on peeling paint and shadows on shadows. 233 00:11:27,640 --> 00:11:35,360 And Gabrielle in our trailer waiting, waiting for me. 234 00:11:35,360 --> 00:11:39,040 Renée. 235 00:11:39,040 --> 00:11:41,520 I saw what he did to you today. 236 00:11:41,520 --> 00:11:43,000 That child slapping you. 237 00:11:43,000 --> 00:11:44,000 It amuses him. 238 00:11:44,000 --> 00:11:46,120 Everything I do amuses him. 239 00:11:46,120 --> 00:11:48,120 The boy slapped you here? 240 00:11:48,120 --> 00:11:49,120 Yes. 241 00:11:49,120 --> 00:11:50,120 There. 242 00:11:50,120 --> 00:11:52,120 The shame is gone. 243 00:11:52,120 --> 00:11:53,120 Oh. 244 00:11:53,120 --> 00:11:55,120 Now only your lips are gone. 245 00:11:55,120 --> 00:11:56,400 The shame is still there. 246 00:11:56,400 --> 00:11:57,920 Why do you permit it, Renée? 247 00:11:57,920 --> 00:11:58,920 No more. 248 00:11:58,920 --> 00:11:59,920 Yes, no more. 249 00:11:59,920 --> 00:12:01,720 We'll go away from this place, from Amara. 250 00:12:01,720 --> 00:12:02,720 He'd find us. 251 00:12:02,720 --> 00:12:03,880 Far from here, Renée, to a place where you... 252 00:12:03,880 --> 00:12:05,160 I said it, he'd find us. 253 00:12:05,160 --> 00:12:06,160 Well, let him. 254 00:12:06,160 --> 00:12:07,160 What difference does it make? 255 00:12:07,160 --> 00:12:08,160 You don't understand. 256 00:12:08,160 --> 00:12:09,160 Understand what? 257 00:12:09,160 --> 00:12:11,800 Understand how he makes a fool of you 10 times a day? 258 00:12:11,800 --> 00:12:12,800 Understand how he... 259 00:12:12,800 --> 00:12:13,800 Gabrielle. 260 00:12:13,800 --> 00:12:14,800 Gabrielle, my darling. 261 00:12:14,800 --> 00:12:15,800 What? 262 00:12:15,800 --> 00:12:16,800 What is it? 263 00:12:16,800 --> 00:12:17,800 Amara, he... 264 00:12:17,800 --> 00:12:18,800 Yes? 265 00:12:18,800 --> 00:12:23,200 Kill him. 266 00:12:23,200 --> 00:12:25,720 Kill him for me, Gabrielle. 267 00:12:25,720 --> 00:12:26,720 You kill him. 268 00:12:26,720 --> 00:12:27,720 What? 269 00:12:27,720 --> 00:12:28,720 Kill him, kill him. 270 00:12:28,720 --> 00:12:29,720 Don't you see it's the only way? 271 00:12:29,720 --> 00:12:30,720 Kill him? 272 00:12:30,720 --> 00:12:31,720 I... 273 00:12:31,720 --> 00:12:33,080 Gabrielle, listen to me, believe me. 274 00:12:33,080 --> 00:12:34,760 It's the only way we can be happy. 275 00:12:34,760 --> 00:12:35,760 Amara has to die. 276 00:12:35,760 --> 00:12:37,760 He must die, Gabrielle. 277 00:12:37,760 --> 00:12:40,360 And then we can be together. 278 00:12:40,360 --> 00:12:42,000 Always, always together. 279 00:12:42,000 --> 00:12:43,080 But, kill him. 280 00:12:43,080 --> 00:12:45,320 You must do this for me. 281 00:12:45,320 --> 00:12:48,280 Just now I tried and I cannot. 282 00:12:48,280 --> 00:12:51,400 You hate him and you want us to be together and you can't kill him. 283 00:12:51,400 --> 00:12:52,400 Why? 284 00:12:52,400 --> 00:12:53,400 Because... 285 00:12:53,400 --> 00:12:57,120 Because 15 years on the platform performing for him, moving according to his demand and 286 00:12:57,120 --> 00:12:58,920 now just talking to him. 287 00:12:58,920 --> 00:13:00,600 He speaks my name and I perform. 288 00:13:00,600 --> 00:13:04,160 I could not get close enough to kill him. 289 00:13:04,160 --> 00:13:06,760 I can only perform. 290 00:13:06,760 --> 00:13:07,760 Then you are... 291 00:13:07,760 --> 00:13:10,600 You are the mechanical man. 292 00:13:10,600 --> 00:13:13,560 Everything Amara says about you, it's true. 293 00:13:13,560 --> 00:13:15,720 He loves you. 294 00:13:15,720 --> 00:13:17,000 Dance with him. 295 00:13:17,000 --> 00:13:18,000 Drink with him. 296 00:13:18,000 --> 00:13:19,000 Poison him. 297 00:13:19,000 --> 00:13:20,000 Kill him. 298 00:13:20,000 --> 00:13:21,000 Renée, the robot. 299 00:13:21,000 --> 00:13:23,440 Does a robot hate? 300 00:13:23,440 --> 00:13:25,040 Does a robot know jealousy? 301 00:13:25,040 --> 00:13:28,400 Does he love? 302 00:13:28,400 --> 00:13:30,400 Am I a robot? 303 00:13:30,400 --> 00:13:31,400 Gabrielle. 304 00:13:31,400 --> 00:13:33,400 Oh, I love you. 305 00:13:33,400 --> 00:13:34,400 Love you. 306 00:13:34,400 --> 00:13:35,400 Kill him. 307 00:13:35,400 --> 00:13:36,400 Yes. 308 00:13:36,400 --> 00:13:52,080 Yes. 309 00:13:52,080 --> 00:13:56,600 Auto Light is bringing you Mr. Joseph Cotton in Carnival. 310 00:13:56,600 --> 00:14:11,800 Tonight's production in radio's outstanding theater of thrills, Suspense. 311 00:14:11,800 --> 00:14:16,440 Say Harlow, Auto Light spark plugs aren't just made, are they? 312 00:14:16,440 --> 00:14:21,360 No sir Oscar, Auto Light spark plugs are ignition engineered and that means they're designed 313 00:14:21,360 --> 00:14:26,040 by the same skilled Auto Light engineers who designed the coil, distributor and all the 314 00:14:26,040 --> 00:14:31,120 other important parts of complete ignition systems used as original equipment on many 315 00:14:31,120 --> 00:14:34,400 leading makes of our finest cars, trucks and tractors. 316 00:14:34,400 --> 00:14:35,640 And we love them. 317 00:14:35,640 --> 00:14:39,960 Auto Light makes a complete line of spark plugs including the famous Auto Light resistor 318 00:14:39,960 --> 00:14:44,840 spark plug that gives double life, greater gas savings and quicker starts. 319 00:14:44,840 --> 00:14:49,680 Auto Light also makes a special transport spark plug for heavy duty use in tractors 320 00:14:49,680 --> 00:14:54,960 and trucks and a complete line of spark plugs for marine and all other types of internal 321 00:14:54,960 --> 00:14:55,960 combustion engines. 322 00:14:55,960 --> 00:15:00,280 And you get them at your nearest Auto Light spark plug dealer. 323 00:15:00,280 --> 00:15:04,200 So friends, see your nearest Auto Light spark plug dealer soon. 324 00:15:04,200 --> 00:15:09,440 Have him compare your spark plugs with the exclusive Auto Light plug check indicator 325 00:15:09,440 --> 00:15:14,120 so you can be sure your spark plugs are right for your style of driving. 326 00:15:14,120 --> 00:15:20,080 And remember, from bumper to tail light, you're always right with Auto Light. 327 00:15:20,080 --> 00:15:26,480 And now, Auto Light brings back to our Hollywood soundstage, Mr. Joseph Cotton in Elliot Lewis's 328 00:15:26,480 --> 00:15:34,640 production of Carnival, a dramatic report well calculated to keep you in suspense. 329 00:15:34,640 --> 00:15:48,560 Get your tickets here for the spectacular attractions that you will see inside. 330 00:15:48,560 --> 00:15:54,440 Rollo the Giant stands eight feet nine inches tall, his little finger as big around as your 331 00:15:54,440 --> 00:15:55,440 wrist. 332 00:15:55,440 --> 00:15:59,720 Rene the Robot, the man who walks and talks and thinks like a machine. 333 00:15:59,720 --> 00:16:04,520 Rene the Mechanical Man, yes, you'll see them all and many more inside. 334 00:16:04,520 --> 00:16:11,640 One ticket takes you all the way through, so step right up. 335 00:16:11,640 --> 00:16:17,680 It was sunlight when we listened to him, when Gabrielle and I listened to Omara. 336 00:16:17,680 --> 00:16:20,600 Late of the day, he was going to die. 337 00:16:20,600 --> 00:16:26,880 The carnival stood red and gold and green and bronze against the heat-shivering sky. 338 00:16:26,880 --> 00:16:31,600 And through the dull glinting dust, the crowd funneled to the stand of that, to this novelty, 339 00:16:31,600 --> 00:16:34,000 to that attraction that kept on all day. 340 00:16:34,000 --> 00:16:36,080 The procession of seekers. 341 00:16:36,080 --> 00:16:40,240 And later when the sun went down, thirst misdescended. 342 00:16:40,240 --> 00:16:46,000 And later when it was night and it was shadows again. 343 00:16:46,000 --> 00:16:51,600 And then it became a certain time, a time of importance, the hour interval before my 344 00:16:51,600 --> 00:16:53,680 last performance. 345 00:16:53,680 --> 00:17:00,280 The hour when Omara would die and Gabrielle would kill him. 346 00:17:00,280 --> 00:17:01,280 I'm frightened, Rene. 347 00:17:01,280 --> 00:17:05,200 Yes, but you must wipe the fright from your face when you are with him. 348 00:17:05,200 --> 00:17:08,880 Be gay, Gabrielle, frivolous for a while, then warm. 349 00:17:08,880 --> 00:17:09,880 I know. 350 00:17:09,880 --> 00:17:13,880 Here, here near the cage, let there's no one will see us. 351 00:17:13,880 --> 00:17:16,080 You will be warm for Omara, Gabrielle. 352 00:17:16,080 --> 00:17:18,920 You will wait on him and be beautiful for him. 353 00:17:18,920 --> 00:17:21,720 He will drink a toast to your beauty with this. 354 00:17:21,720 --> 00:17:23,680 Where did you get it? 355 00:17:23,680 --> 00:17:24,680 I got it. 356 00:17:24,680 --> 00:17:27,520 A few drops from this bottle into his glass. 357 00:17:27,520 --> 00:17:28,520 Take it. 358 00:17:28,520 --> 00:17:29,520 Take it, Gabrielle. 359 00:17:29,520 --> 00:17:30,520 All right. 360 00:17:30,520 --> 00:17:37,680 And when Omara dies, Rene the robot will die with him. 361 00:17:37,680 --> 00:17:38,680 Yes. 362 00:17:38,680 --> 00:17:40,560 My last performance is at 11. 363 00:17:40,560 --> 00:17:43,440 My last performance will not happen, will it? 364 00:17:43,440 --> 00:17:44,440 No. 365 00:17:44,440 --> 00:17:48,200 Because in a few minutes you will meet Omara in our trailer. 366 00:17:48,200 --> 00:17:50,200 He will be there, won't he? 367 00:17:50,200 --> 00:17:51,200 You asked him there. 368 00:17:51,200 --> 00:17:52,200 Yes, yes. 369 00:17:52,200 --> 00:17:53,200 Rene. 370 00:17:53,200 --> 00:17:54,200 What? 371 00:17:54,200 --> 00:17:55,200 What is it? 372 00:17:55,200 --> 00:17:56,200 Rene, nothing. 373 00:17:56,200 --> 00:17:57,200 I will do it. 374 00:17:57,200 --> 00:17:58,200 Now go to him. 375 00:17:58,200 --> 00:17:59,200 Kill him. 376 00:17:59,200 --> 00:18:19,120 You cage the leopard, wait with me. 377 00:18:19,120 --> 00:18:22,160 You behind your bars, I behind mine. 378 00:18:22,160 --> 00:18:23,160 Wait. 379 00:18:23,160 --> 00:18:24,160 Walk with me. 380 00:18:24,160 --> 00:18:25,160 Wait with me. 381 00:18:25,160 --> 00:18:27,360 Oh, leopard, forgive me. 382 00:18:27,360 --> 00:18:29,400 I am more fortunate than you. 383 00:18:29,400 --> 00:18:32,840 Time passes and the minutes go and my prison will dissolve. 384 00:18:32,840 --> 00:18:37,120 A man will die and with his dying I will be free. 385 00:18:37,120 --> 00:18:38,560 And time passes, leopard. 386 00:18:38,560 --> 00:18:41,840 A man is dying and I am coming alive. 387 00:18:41,840 --> 00:18:47,280 The things I feel now, you would understand if those bars were being torn aside for you. 388 00:18:47,280 --> 00:18:49,280 A crouch. 389 00:18:49,280 --> 00:18:52,280 A little longer. 390 00:18:52,280 --> 00:18:53,680 Little longer. 391 00:18:53,680 --> 00:18:58,440 And then exhilaration, the joy, the leap. 392 00:18:58,440 --> 00:19:03,680 Omara is dead. 393 00:19:03,680 --> 00:19:11,480 Rene, where have you been Rene? 394 00:19:11,480 --> 00:19:12,480 Omara. 395 00:19:12,480 --> 00:19:13,480 I have been looking for you. 396 00:19:13,480 --> 00:19:14,960 There are people in there in the tent. 397 00:19:14,960 --> 00:19:15,960 They are waiting for you. 398 00:19:15,960 --> 00:19:16,960 Omara. 399 00:19:16,960 --> 00:19:17,960 For Rene the robot. 400 00:19:17,960 --> 00:19:18,960 Come on. 401 00:19:18,960 --> 00:19:29,720 Bow Rene. 402 00:19:29,720 --> 00:19:33,320 Makes you forget his flesh and blood doesn't he ladies and gentlemen? 403 00:19:33,320 --> 00:19:34,320 Walk Rene. 404 00:19:34,320 --> 00:19:36,960 Like a mechanical doll. 405 00:19:36,960 --> 00:19:39,920 Like a puppet on strings. 406 00:19:39,920 --> 00:19:41,920 And now a divertissement. 407 00:19:41,920 --> 00:19:46,000 Ladies and gentlemen, I have here in my hand a bottle. 408 00:19:46,000 --> 00:19:47,000 A small bottle. 409 00:19:47,000 --> 00:19:48,000 A brown bottle. 410 00:19:48,000 --> 00:19:51,960 You sir in the audience, would you mind holding it for me? 411 00:19:51,960 --> 00:19:52,960 Oh sure. 412 00:19:52,960 --> 00:19:53,960 Give it to me. 413 00:19:53,960 --> 00:19:54,960 Now hold it up. 414 00:19:54,960 --> 00:19:55,960 Let everybody see it. 415 00:19:55,960 --> 00:19:58,160 A small brown bottle ladies and gentlemen. 416 00:19:58,160 --> 00:20:00,320 Sir, what does it say on the label? 417 00:20:00,320 --> 00:20:01,320 Says poison. 418 00:20:01,320 --> 00:20:02,320 Poison. 419 00:20:02,320 --> 00:20:03,320 That's right. 420 00:20:03,320 --> 00:20:04,320 Unscrew the cap. 421 00:20:04,320 --> 00:20:06,320 There is nothing to be afraid of. 422 00:20:06,320 --> 00:20:07,320 Thank you. 423 00:20:07,320 --> 00:20:08,320 You crazy. 424 00:20:08,320 --> 00:20:12,440 You don't respond when I tell you to do something, do you sir? 425 00:20:12,440 --> 00:20:13,440 Drink it. 426 00:20:13,440 --> 00:20:14,440 You crazy. 427 00:20:14,440 --> 00:20:16,160 Then you believe it's poison, do you not? 428 00:20:16,160 --> 00:20:18,960 If it says poison, I'm not taking any chances. 429 00:20:18,960 --> 00:20:21,360 Here's your bottle back mister. 430 00:20:21,360 --> 00:20:22,360 No, no. 431 00:20:22,360 --> 00:20:23,360 Hand it to that girl. 432 00:20:23,360 --> 00:20:25,480 That lovely girl there who just laughed. 433 00:20:25,480 --> 00:20:26,480 Take it from me miss. 434 00:20:26,480 --> 00:20:27,480 All right. 435 00:20:27,480 --> 00:20:29,680 If I asked you to drink it, would you drink it? 436 00:20:29,680 --> 00:20:30,680 No. 437 00:20:30,680 --> 00:20:31,680 And why not? 438 00:20:31,680 --> 00:20:32,680 Because it's poison. 439 00:20:32,680 --> 00:20:33,680 Poison. 440 00:20:33,680 --> 00:20:37,440 A young woman gave me this bottle a little while ago. 441 00:20:37,440 --> 00:20:38,440 Her name is Gabrielle. 442 00:20:38,440 --> 00:20:41,880 Oh but this is of no interest to you ladies and gentlemen. 443 00:20:41,880 --> 00:20:44,600 What's of interest to you is Rene the robot. 444 00:20:44,600 --> 00:20:47,160 Rene I have the bottle back please. 445 00:20:47,160 --> 00:20:49,640 Thank you. 446 00:20:49,640 --> 00:20:52,200 Would you drink from this bottle Rene? 447 00:20:52,200 --> 00:20:54,520 Yes, I would. 448 00:20:54,520 --> 00:20:56,840 Even though you know it's poison? 449 00:20:56,840 --> 00:20:58,480 Yes. 450 00:20:58,480 --> 00:20:59,960 Because I tell you to. 451 00:20:59,960 --> 00:21:03,160 Yes, because you tell me to. 452 00:21:03,160 --> 00:21:04,160 Drink. 453 00:21:04,160 --> 00:21:11,000 You see, you see ladies and gentlemen. 454 00:21:11,000 --> 00:21:12,000 He drank it. 455 00:21:12,000 --> 00:21:13,000 Drained it. 456 00:21:13,000 --> 00:21:14,960 But Rene it wasn't poison. 457 00:21:14,960 --> 00:21:18,240 Once the bottle held poison but that's another story. 458 00:21:18,240 --> 00:21:20,880 It was only colored water that Rene drank. 459 00:21:20,880 --> 00:21:24,800 And now with your permission we will have Rene do a little dance for us. 460 00:21:24,800 --> 00:21:27,800 Put on your drum Rene. 461 00:21:27,800 --> 00:21:33,640 You dance very well tonight Rene. 462 00:21:33,640 --> 00:21:35,520 Oh beautifully. 463 00:21:35,520 --> 00:21:38,640 Dance Rene, dance and listen. 464 00:21:38,640 --> 00:21:40,680 I went to Gabrielle. 465 00:21:40,680 --> 00:21:41,680 Spoke love to her. 466 00:21:41,680 --> 00:21:43,400 I was right about her. 467 00:21:43,400 --> 00:21:44,880 She is a flame. 468 00:21:44,880 --> 00:21:45,880 Unforgettable. 469 00:21:45,880 --> 00:21:47,760 Love and wine. 470 00:21:47,760 --> 00:21:50,240 When she handed me the glass her hand shook. 471 00:21:50,240 --> 00:21:53,200 Dance Rene, the people love you. 472 00:21:53,200 --> 00:21:56,360 Her hand shook and then she dropped it. 473 00:21:56,360 --> 00:21:59,360 She dropped the glass. 474 00:21:59,360 --> 00:22:06,840 Wouldn't you like a beautiful mechanical doll like this to take home girls? 475 00:22:06,840 --> 00:22:20,520 Gabrielle, he's alive. 476 00:22:20,520 --> 00:22:21,960 Hold me, just hold me. 477 00:22:21,960 --> 00:22:22,960 What happened? 478 00:22:22,960 --> 00:22:23,960 Why is he alive? 479 00:22:23,960 --> 00:22:24,960 Love me Rene, tell me it's all right. 480 00:22:24,960 --> 00:22:25,960 Mara's alive, why? 481 00:22:25,960 --> 00:22:27,320 I tried to do what you told me. 482 00:22:27,320 --> 00:22:28,960 I permitted him to hold me in his arms. 483 00:22:28,960 --> 00:22:30,440 I permitted him to kiss me. 484 00:22:30,440 --> 00:22:31,440 I laughed. 485 00:22:31,440 --> 00:22:32,440 I was gay. 486 00:22:32,440 --> 00:22:34,400 Then from the bottle. 487 00:22:34,400 --> 00:22:37,680 From the bottle Rene, the poison. 488 00:22:37,680 --> 00:22:39,480 I poured him a drink. 489 00:22:39,480 --> 00:22:41,360 Your hand shook and you dropped it. 490 00:22:41,360 --> 00:22:42,800 Yes, how could you know? 491 00:22:42,800 --> 00:22:44,520 How could I know? 492 00:22:44,520 --> 00:22:46,560 Your hand shook and you dropped it. 493 00:22:46,560 --> 00:22:47,560 Why? 494 00:22:47,560 --> 00:22:48,560 You kissed him. 495 00:22:48,560 --> 00:22:49,920 It was so pleasant that you... 496 00:22:49,920 --> 00:22:51,920 No, no, I love you Rene. 497 00:22:51,920 --> 00:22:54,200 Even now that I know everything about you, I love you. 498 00:22:54,200 --> 00:22:55,820 What do you know? 499 00:22:55,820 --> 00:22:57,440 Why you wanted Amara dead. 500 00:22:57,440 --> 00:22:58,440 What did he tell you? 501 00:22:58,440 --> 00:23:00,360 About a girl, a girl named Celia. 502 00:23:00,360 --> 00:23:01,600 A girl you killed. 503 00:23:01,600 --> 00:23:02,600 How you killed her. 504 00:23:02,600 --> 00:23:03,600 She was beautiful. 505 00:23:03,600 --> 00:23:04,600 Like me? 506 00:23:04,600 --> 00:23:05,600 Like you. 507 00:23:05,600 --> 00:23:11,280 So many things I understand now Rene. 508 00:23:11,280 --> 00:23:13,400 Why you are what you are, why you do what you... 509 00:23:13,400 --> 00:23:15,080 What am I? 510 00:23:15,080 --> 00:23:17,400 To me, my love. 511 00:23:17,400 --> 00:23:19,960 To the world what Amara has made of you, a robot. 512 00:23:19,960 --> 00:23:22,400 You could have ended it for me Gabriella. 513 00:23:22,400 --> 00:23:24,720 I cannot, ever Rene, I cannot kill. 514 00:23:24,720 --> 00:23:28,720 More and more and more what Amara does to me, a word from Amara, a movement of Amara's 515 00:23:28,720 --> 00:23:31,880 mouth, a gesture from him and a response. 516 00:23:31,880 --> 00:23:32,880 Rene. 517 00:23:32,880 --> 00:23:37,880 You told him everything, gave him the bottle of poison, confessed you could not kill him. 518 00:23:37,880 --> 00:23:38,880 Why? 519 00:23:38,880 --> 00:23:39,880 Wait. 520 00:23:39,880 --> 00:23:44,440 No, with you I was alive a little bit. 521 00:23:44,440 --> 00:23:46,320 I could be jealous. 522 00:23:46,320 --> 00:23:48,320 Now I'm lost. 523 00:23:48,320 --> 00:23:50,840 No, wait. 524 00:23:50,840 --> 00:23:53,840 My hair Rene. 525 00:23:53,840 --> 00:23:56,840 Touch it. 526 00:23:56,840 --> 00:23:59,840 See, you're not lost. 527 00:23:59,840 --> 00:24:09,040 You're here with me, with Gabriella, with Gabriella. 528 00:24:09,040 --> 00:24:10,040 You should have killed him. 529 00:24:10,040 --> 00:24:11,040 I couldn't. 530 00:24:11,040 --> 00:24:12,040 Because you love him. 531 00:24:12,040 --> 00:24:15,560 You and Amara, the puppet of both of you, a mechanical doll. 532 00:24:15,560 --> 00:24:16,560 No, no, listen. 533 00:24:16,560 --> 00:24:18,880 A mechanical doll to play with like a toy. 534 00:24:18,880 --> 00:24:19,880 That other one too. 535 00:24:19,880 --> 00:24:22,640 Celia too, like her, you. 536 00:24:22,640 --> 00:24:24,000 I'm Gabriella, I love you. 537 00:24:24,000 --> 00:24:25,000 Like her? 538 00:24:25,000 --> 00:24:26,000 Rene, no, don't. 539 00:24:26,000 --> 00:24:27,000 Like her. 540 00:24:27,000 --> 00:24:28,000 Like her. 541 00:24:28,000 --> 00:24:31,000 Like her. 542 00:24:31,000 --> 00:24:46,480 She lay there, Gabriella, her hair a veil across her mouth against her throat where 543 00:24:46,480 --> 00:24:49,200 I had twisted it. 544 00:24:49,200 --> 00:24:54,480 I brushed it aside, leaned over, whispered a name on her lips. 545 00:24:54,480 --> 00:24:56,440 She didn't answer me. 546 00:24:56,440 --> 00:25:00,360 She lay still, Gabriella lay still. 547 00:25:00,360 --> 00:25:05,480 I lifted her, held her in my arms. 548 00:25:05,480 --> 00:25:13,680 A pale light from outside touched her cheek, held, and through the window outside was mist 549 00:25:13,680 --> 00:25:18,280 and the carnival and the seekers still there for the last show. 550 00:25:18,280 --> 00:25:26,760 Here and there the carnival lights die one by one and the light on Gabriella's cheek 551 00:25:26,760 --> 00:25:28,760 dies too. 552 00:25:28,760 --> 00:25:30,760 No, Gabriella. 553 00:25:30,760 --> 00:25:33,480 She's dead, Rene. 554 00:25:33,480 --> 00:25:34,480 You killed her. 555 00:25:34,480 --> 00:25:35,480 Put her down. 556 00:25:35,480 --> 00:25:36,480 No, Amara. 557 00:25:36,480 --> 00:25:37,480 Put her down. 558 00:25:37,480 --> 00:25:38,480 Rene, walk. 559 00:25:38,480 --> 00:25:51,720 Turn left, Rene, to the tent. 560 00:25:51,720 --> 00:25:54,120 They're waiting for you. 561 00:25:54,120 --> 00:25:57,720 You'll strangle tonight, Rene. 562 00:25:57,720 --> 00:25:59,920 Again, strangle. 563 00:25:59,920 --> 00:26:02,920 Rene, walk. 564 00:26:02,920 --> 00:26:03,920 Rene. 565 00:26:03,920 --> 00:26:04,920 Rene. 566 00:26:04,920 --> 00:26:05,920 Rene. 567 00:26:05,920 --> 00:26:06,920 Rene. 568 00:26:06,920 --> 00:26:08,920 Rene. 569 00:26:08,920 --> 00:26:23,400 I weigh 343 pounds, married and no children. 570 00:26:23,400 --> 00:26:26,040 I joined the sideshow at the age of 22. 571 00:26:26,040 --> 00:26:28,080 I am Rene Orlando. 572 00:26:28,080 --> 00:26:31,880 I was born in Louisiana, a small town near the Gulf. 573 00:26:31,880 --> 00:26:33,920 My father was a fisherman. 574 00:26:33,920 --> 00:26:36,480 I do not remember my mother. 575 00:26:36,480 --> 00:26:40,520 I was 15 years old when we moved to Baton Rouge. 576 00:26:40,520 --> 00:26:43,280 There I discovered my talent. 577 00:26:43,280 --> 00:26:46,240 My talent is killing. 578 00:26:46,240 --> 00:26:50,840 Long ago, I killed Celia. 579 00:26:50,840 --> 00:26:56,040 Tonight I killed Gabrielle and Amara. 580 00:26:56,040 --> 00:27:24,800 Now I will dance for you. 581 00:27:24,800 --> 00:27:27,280 Suspense. 582 00:27:27,280 --> 00:27:28,640 Presented by Auto Light. 583 00:27:28,640 --> 00:27:31,360 Tonight's star, Mr. Joseph Cotton. 584 00:27:31,360 --> 00:27:35,800 This is Harlow Wilcox speaking for Auto Light, world's largest independent manufacturer of 585 00:27:35,800 --> 00:27:38,200 automotive electrical equipment. 586 00:27:38,200 --> 00:27:41,600 Auto Light is proud to serve the greatest names in the industry. 587 00:27:41,600 --> 00:27:46,300 That's why during the early months of 1952, the Auto Light family will join together in 588 00:27:46,300 --> 00:27:51,940 saluting the leading car manufacturers who install Auto Light products as original equipment. 589 00:27:51,940 --> 00:27:56,480 Our Auto Light family is made up of the nearly 30,000 men and women in 28 great Auto Light 590 00:27:56,480 --> 00:28:01,640 plants from coast to coast and in still other Auto Light plants in many foreign countries. 591 00:28:01,640 --> 00:28:05,900 Our family also includes more than 18,000 people who have invested a portion of their 592 00:28:05,900 --> 00:28:11,440 savings in Auto Light, as well as 96,000 Auto Light distributors and dealers throughout 593 00:28:11,440 --> 00:28:12,920 the world. 594 00:28:12,920 --> 00:28:17,280 Our Auto Light family will salute Willis Overland on the next Auto Light suspense television 595 00:28:17,280 --> 00:28:18,280 program. 596 00:28:18,280 --> 00:28:22,600 If you live in a television area, check the day and time of Suspense on Television so 597 00:28:22,600 --> 00:28:25,200 that you will be sure to see this program. 598 00:28:25,200 --> 00:28:31,240 And remember, be with us next week for another thrilling Auto Light suspense program on radio. 599 00:28:31,240 --> 00:28:36,360 Next week our star will be Mr. J. Carroll Nash as a man who searched for and found buried 600 00:28:36,360 --> 00:28:42,400 treasure and a curse, a tale we call The Treasure Chest of Don José. 601 00:28:42,400 --> 00:28:47,040 In weeks to come we shall also present Mr. James Mason, Miss Barbara Stanwyck and Mr. 602 00:28:47,040 --> 00:28:48,560 Richard Widmark. 603 00:28:48,560 --> 00:28:54,200 All on Suspense. 604 00:28:54,200 --> 00:28:58,080 Suspense is produced and directed by Elliot Lewis with music composed by Lucian Morawekin 605 00:28:58,080 --> 00:29:00,080 conducted by Lud Gluskin. 606 00:29:00,080 --> 00:29:03,840 Carnival was written for Suspense by Morton Fine and David Friedkin. 607 00:29:03,840 --> 00:29:08,440 In tonight's story Mary Jane Croft is heard as Gabrielle and Joseph Kearns as Omara, featured 608 00:29:08,440 --> 00:29:12,640 in the cast were Dick Ryan, Charles Calvert and Sylvia Sims. 609 00:29:12,640 --> 00:29:18,480 Joseph Kearns, Joseph Cotton is currently starring in the MGM production Man with a Cloak. 610 00:29:18,480 --> 00:29:24,440 And remember next week on Suspense, Mr. J. Carroll Nash in The Treasure Chest of Don 611 00:29:24,440 --> 00:29:25,440 José. 612 00:29:25,440 --> 00:29:43,040 This is the CBS Radio Network.