1 00:00:00,000 --> 00:00:12,280 Auto Light and its 96,000 dealers present a story taken from the front pages of your 2 00:00:12,280 --> 00:00:13,280 newspaper. 3 00:00:13,280 --> 00:00:17,760 Tonight's production on Suspense. 4 00:00:17,760 --> 00:00:27,880 Tonight, Auto Light presents Black Jack to Kill, a dramatic report on a man who made 5 00:00:27,880 --> 00:00:33,600 his living by being an assassin, starring Mr. Victor Matur. 6 00:00:33,600 --> 00:00:43,880 Hey, hey, hey, Two Gun, why are you shooting those pistols off at your car? 7 00:00:43,880 --> 00:00:48,440 Because I'm tired of just shouting at my cars, wasting gas, and hard to start. 8 00:00:48,440 --> 00:00:49,440 That's why Wilcox. 9 00:00:49,440 --> 00:00:53,840 Well, Two Gun, why not go straight to your nearest Auto Light spark plug dealer and have 10 00:00:53,840 --> 00:00:55,320 him check your spark plugs? 11 00:00:55,320 --> 00:00:57,800 You mean spark plugs could be the trouble of Wilcox? 12 00:00:57,800 --> 00:01:02,320 Well, they sure could, Two Gun, because spark plugs are the heart of a car's ignition system, 13 00:01:02,320 --> 00:01:03,680 and they've got to be right. 14 00:01:03,680 --> 00:01:06,360 That's where your Auto Light spark plug dealer comes in. 15 00:01:06,360 --> 00:01:11,120 He's the only one who has the exclusive Auto Light plug check indicator to quickly tell 16 00:01:11,120 --> 00:01:14,040 whether your spark plugs are right for your style of driving. 17 00:01:14,040 --> 00:01:15,560 He'll do that for me? 18 00:01:15,560 --> 00:01:21,440 He sure will, and more too, because if replacements are needed, he'll recommend ignition-engineered, 19 00:01:21,440 --> 00:01:26,120 standard or resistor-type Auto Light spark plugs to give you smoother performance, quick 20 00:01:26,120 --> 00:01:28,320 starts, and gas savings. 21 00:01:28,320 --> 00:01:33,240 So friends, take a tip from me and see your nearest Auto Light spark plug dealer soon. 22 00:01:33,240 --> 00:01:38,680 And remember, from bumper to tail light, you're always right with Auto Light. 23 00:01:38,680 --> 00:01:45,360 And now, with Black Jack to kill and the performance of Mr. Victor Mature, Auto Light hopes once 24 00:01:45,360 --> 00:01:54,160 again to keep you in suspense. 25 00:01:54,160 --> 00:01:55,160 Here he is, Mr. Moyer. 26 00:01:55,160 --> 00:01:58,800 That chair right in front of you, Johnny. 27 00:01:58,800 --> 00:01:59,800 Sure. 28 00:01:59,800 --> 00:02:02,720 I'm going to give you a card, Johnny. 29 00:02:02,720 --> 00:02:06,560 I'm going to give everybody here at the table one, all five of you. 30 00:02:06,560 --> 00:02:07,980 What is this, anyhow? 31 00:02:07,980 --> 00:02:10,480 One of us is going to kill a man, Johnny. 32 00:02:10,480 --> 00:02:11,480 Who? 33 00:02:11,480 --> 00:02:13,440 That makes a lot of difference to you, Johnny. 34 00:02:13,440 --> 00:02:16,200 You didn't hear me say that, did you? 35 00:02:16,200 --> 00:02:17,200 No. 36 00:02:17,200 --> 00:02:20,920 Once around the table, face up, high card. 37 00:02:20,920 --> 00:02:24,520 High card makes one of you employed with a job to do. 38 00:02:24,520 --> 00:02:27,400 You got anything to say, Raddick, before I deal? 39 00:02:27,400 --> 00:02:28,400 Just deal, Ann. 40 00:02:28,400 --> 00:02:31,680 Thank you, Mr. Raddick. 41 00:02:31,680 --> 00:02:32,840 So polite. 42 00:02:32,840 --> 00:02:34,560 That Cleo killed me. 43 00:02:34,560 --> 00:02:37,160 Ace is high card. 44 00:02:37,160 --> 00:02:40,120 Winner to kill a man. 45 00:02:40,120 --> 00:02:41,120 Let's go. 46 00:02:41,120 --> 00:02:42,120 Cut him, Cleo. 47 00:02:42,120 --> 00:02:43,120 Thanks. 48 00:02:43,120 --> 00:02:46,000 Now, stand at the door and don't let anyone in. 49 00:02:46,000 --> 00:02:47,000 Yes, sir. 50 00:02:47,000 --> 00:02:48,000 What's the matter? 51 00:02:48,000 --> 00:02:49,880 Doesn't Cleo get a card? 52 00:02:49,880 --> 00:02:53,640 You five, just you five, Raddick. 53 00:02:53,640 --> 00:02:57,000 Nine of clubs for you, Raddick. 54 00:02:57,000 --> 00:03:00,520 Six of diamonds for you, talker. 55 00:03:00,520 --> 00:03:02,880 Nine of hearts for Barney. 56 00:03:02,880 --> 00:03:04,880 Jack of clubs for Johnny. 57 00:03:04,880 --> 00:03:07,120 Goodbye, Johnny. 58 00:03:07,120 --> 00:03:12,360 Seven of hearts for Mackle. 59 00:03:12,360 --> 00:03:13,360 You Johnny. 60 00:03:13,360 --> 00:03:14,520 I'm a lucky fellow. 61 00:03:14,520 --> 00:03:18,280 I tell people that when they ask me about you, how lucky you are. 62 00:03:18,280 --> 00:03:21,040 Not a scratch and you've knocked over three hoodlums. 63 00:03:21,040 --> 00:03:22,040 Four. 64 00:03:22,040 --> 00:03:24,240 I operated before I met you, Moyer. 65 00:03:24,240 --> 00:03:26,200 Four, my, my. 66 00:03:26,200 --> 00:03:27,960 Good looking boy like you. 67 00:03:27,960 --> 00:03:31,680 It's the talk how hired killers don't come as pretty as you. 68 00:03:31,680 --> 00:03:33,720 Good night, Mr. Moyer. 69 00:03:33,720 --> 00:03:36,840 Good night, Cleo. 70 00:03:36,840 --> 00:03:38,280 You like it here in Miami, Johnny? 71 00:03:38,280 --> 00:03:39,280 Sure I like it. 72 00:03:39,280 --> 00:03:40,280 Why shouldn't I like it? 73 00:03:40,280 --> 00:03:42,080 Oh, why shouldn't you like it? 74 00:03:42,080 --> 00:03:46,520 Miami, pretty palm trees, pretty ladies, pretty ponies. 75 00:03:46,520 --> 00:03:48,160 And no Penny Cullen. 76 00:03:48,160 --> 00:03:49,160 You're doing it again, Moyer. 77 00:03:49,160 --> 00:03:52,200 Every chance you get, you say Penny Cullen to me. 78 00:03:52,200 --> 00:03:53,200 Why? 79 00:03:53,200 --> 00:03:54,200 Because you're lucky. 80 00:03:54,200 --> 00:03:58,680 A big man like Penny and you say the right word to the wrong guy and Penny's gone, kicked 81 00:03:58,680 --> 00:04:02,680 out, deported, run out of the country and nothing happens to you. 82 00:04:02,680 --> 00:04:05,680 You're sure the one, Johnny. 83 00:04:05,680 --> 00:04:07,600 All right, I'm the one. 84 00:04:07,600 --> 00:04:10,480 Now what did I get the high card for? 85 00:04:10,480 --> 00:04:11,480 For this. 86 00:04:11,480 --> 00:04:14,560 Ten grand to do a job. 87 00:04:14,560 --> 00:04:17,480 Fifteen more when you come back and it's all over. 88 00:04:17,480 --> 00:04:18,920 When I come back? 89 00:04:18,920 --> 00:04:19,920 Where am I going? 90 00:04:19,920 --> 00:04:21,480 Havana, Havana in Cuba. 91 00:04:21,480 --> 00:04:23,480 All right, I go to Havana. 92 00:04:23,480 --> 00:04:24,480 I kill somebody. 93 00:04:24,480 --> 00:04:25,480 Who? 94 00:04:25,480 --> 00:04:28,200 You get a plane ticket and a name and an address. 95 00:04:28,200 --> 00:04:30,280 The address for a man you'll see. 96 00:04:30,280 --> 00:04:31,280 He'll tell you who. 97 00:04:31,280 --> 00:04:32,560 He wants the job done. 98 00:04:32,560 --> 00:04:35,440 I'm just the contractor, Johnny. 99 00:04:35,440 --> 00:04:38,440 Have fun, Johnny. 100 00:04:38,440 --> 00:04:45,520 Try not to get scratched. 101 00:04:45,520 --> 00:04:51,040 The lawyer said it and it let loose a squad of happy butterflies that finally landed in 102 00:04:51,040 --> 00:04:53,600 the wad somewhere inside me. 103 00:04:53,600 --> 00:04:54,600 Ten grand. 104 00:04:54,600 --> 00:04:59,160 Ten grand to stain a little part of Havana with a man's blood. 105 00:04:59,160 --> 00:05:04,840 Throw a handful of sand in his face and for that another 15 grand when I got back so I 106 00:05:04,840 --> 00:05:15,000 can enjoy Miami all over again. 107 00:05:15,000 --> 00:05:22,560 At the airport, hire a car, lean back, spread out, breathe deep and slow while you drive 108 00:05:22,560 --> 00:05:27,120 through dreamland and where the predo kisses the neon goodbye. 109 00:05:27,120 --> 00:05:33,360 A mansion with flamingos strutting in the front yard like they were on stilts and their 110 00:05:33,360 --> 00:05:39,400 wings a color of red I never saw before flashing against the white columns of the house. 111 00:05:39,400 --> 00:05:44,760 Taste it for a minute then walk into it. 112 00:05:44,760 --> 00:05:51,680 And a butler in knee britches tells you to wait. 113 00:05:51,680 --> 00:05:53,280 You are who, senor? 114 00:05:53,280 --> 00:05:54,280 Damon. 115 00:05:54,280 --> 00:05:55,280 Johnny Damon. 116 00:05:55,280 --> 00:05:56,280 Oh? 117 00:05:56,280 --> 00:05:58,680 I have been waiting for you, senor Johnny Damon. 118 00:05:58,680 --> 00:05:59,920 I am Deontay. 119 00:05:59,920 --> 00:06:01,360 We have business to discuss. 120 00:06:01,360 --> 00:06:03,240 You want some dead? 121 00:06:03,240 --> 00:06:04,720 What's to discuss? 122 00:06:04,720 --> 00:06:05,880 Just tell me who. 123 00:06:05,880 --> 00:06:08,960 In my study I think it's more appropriate for these matters. 124 00:06:08,960 --> 00:06:10,960 Venga, senor. 125 00:06:10,960 --> 00:06:11,960 Come. 126 00:06:11,960 --> 00:06:12,960 Aquí. 127 00:06:12,960 --> 00:06:13,960 Here. 128 00:06:13,960 --> 00:06:19,800 You are the assassin I have hired, see? 129 00:06:19,800 --> 00:06:22,320 I want to look at you. 130 00:06:22,320 --> 00:06:23,320 Assassin. 131 00:06:23,320 --> 00:06:27,080 I walk around you. 132 00:06:27,080 --> 00:06:30,360 Observe you. 133 00:06:30,360 --> 00:06:33,000 And this is what an assassin looks like? 134 00:06:33,000 --> 00:06:35,040 Look, how long do I have to wait? 135 00:06:35,040 --> 00:06:37,560 You have impatience and you are assassin. 136 00:06:37,560 --> 00:06:42,160 This is an admirable quality in a man who kills for a fee. 137 00:06:42,160 --> 00:06:43,160 Penny Cullen. 138 00:06:43,160 --> 00:06:44,160 What? 139 00:06:44,160 --> 00:06:46,520 The man I want dead. 140 00:06:46,520 --> 00:06:47,520 Penny Cullen. 141 00:06:47,520 --> 00:06:48,520 Well, well. 142 00:06:48,520 --> 00:06:50,320 Penny is here, huh? 143 00:06:50,320 --> 00:06:52,040 Since three months. 144 00:06:52,040 --> 00:06:55,760 The criminal your country deported to Europe has fled from there. 145 00:06:55,760 --> 00:06:57,560 Came here to Cuba. 146 00:06:57,560 --> 00:06:59,640 This killer, this gangster, this filth. 147 00:06:59,640 --> 00:07:02,160 You have rid yourselves of in your country. 148 00:07:02,160 --> 00:07:04,680 I want this also, to me. 149 00:07:04,680 --> 00:07:06,920 But rid me of him dead. 150 00:07:06,920 --> 00:07:09,480 It's going to be a pleasure. 151 00:07:09,480 --> 00:07:10,880 Penny bothers you, huh? 152 00:07:10,880 --> 00:07:14,000 I have flourishing enterprises in Cuba, senor. 153 00:07:14,000 --> 00:07:16,480 Your Penny Cullen wants to share in them. 154 00:07:16,480 --> 00:07:18,280 This he has whispered to me. 155 00:07:18,280 --> 00:07:20,480 He asked for an answer quickly. 156 00:07:20,480 --> 00:07:21,480 You are my answer. 157 00:07:21,480 --> 00:07:24,360 You came up with the right answer, Chico. 158 00:07:24,360 --> 00:07:26,240 Where do I find Penny? 159 00:07:26,240 --> 00:07:28,640 He has a house in the Plaza Batista. 160 00:07:28,640 --> 00:07:30,880 Number 23. 161 00:07:30,880 --> 00:07:32,420 Four days, Chico. 162 00:07:32,420 --> 00:07:34,040 That's how long I need. 163 00:07:34,040 --> 00:07:37,880 Then the weepers for Penny Cullen can start crying over his dead body. 164 00:07:37,880 --> 00:07:38,880 Four days? 165 00:07:38,880 --> 00:07:40,160 Three days to watch him. 166 00:07:40,160 --> 00:07:42,480 The fourth, the kill. 167 00:07:42,480 --> 00:07:44,080 My assassin. 168 00:07:44,080 --> 00:07:46,400 You know, that's something Penny taught me. 169 00:07:46,400 --> 00:07:51,040 If the man has a schedule that lasts for three days, he'll do the same on the fourth. 170 00:07:51,040 --> 00:07:52,040 I see. 171 00:07:52,040 --> 00:07:54,000 This is very interesting to me. 172 00:07:54,000 --> 00:07:55,000 Sure. 173 00:07:55,000 --> 00:07:57,320 You see, you can't be sloppy in this kind of work. 174 00:07:57,320 --> 00:07:58,560 Know a man's habits. 175 00:07:58,560 --> 00:08:01,520 Know where he's going to be at such and such a time. 176 00:08:01,520 --> 00:08:03,280 Know when to kill. 177 00:08:03,280 --> 00:08:04,920 That way you can walk away from it. 178 00:08:04,920 --> 00:08:09,560 I had not known assassination was such a delicate art, senor. 179 00:08:09,560 --> 00:08:10,560 It's a delicate art, huh? 180 00:08:10,560 --> 00:08:11,560 Si. 181 00:08:11,560 --> 00:08:13,400 A suggestion, if I may. 182 00:08:13,400 --> 00:08:14,400 Go right ahead. 183 00:08:14,400 --> 00:08:17,000 A thing I know about Senor Cullen. 184 00:08:17,000 --> 00:08:20,360 Each day at six, at twilight, he sits on a bench. 185 00:08:20,360 --> 00:08:23,720 The same bench always, and looks over the Embarcadero. 186 00:08:23,720 --> 00:08:24,720 The Embarcadero? 187 00:08:24,720 --> 00:08:26,000 The waterfront. 188 00:08:26,000 --> 00:08:29,240 He sits there and looks out upon the ocean. 189 00:08:29,240 --> 00:08:30,240 Where's the bench? 190 00:08:30,240 --> 00:08:34,680 There is a statue, senor, of a dying hero. 191 00:08:34,680 --> 00:08:36,600 Miguel Perez. 192 00:08:36,600 --> 00:08:38,680 To the left of the statue. 193 00:08:38,680 --> 00:08:39,880 Next d'ante. 194 00:08:39,880 --> 00:08:40,880 That's all I need. 195 00:08:40,880 --> 00:08:41,880 Senor. 196 00:08:41,880 --> 00:08:42,880 Si. 197 00:08:42,880 --> 00:08:46,800 When you kill senor, say him my name. 198 00:08:46,800 --> 00:08:49,800 Say Jose D'ante. 199 00:08:49,800 --> 00:08:52,240 Adios. 200 00:08:52,240 --> 00:08:57,920 Penny Cullen in Havana. 201 00:08:57,920 --> 00:09:00,760 Penny Cullen set up to be knocked over by me. 202 00:09:00,760 --> 00:09:03,760 A boy who could appreciate a nice thing like that. 203 00:09:03,760 --> 00:09:05,960 There was nothing complicated about it. 204 00:09:05,960 --> 00:09:07,440 Penny Cullen was a man I hated. 205 00:09:07,440 --> 00:09:09,600 A man I put the finger on. 206 00:09:09,600 --> 00:09:11,400 A man I had deported. 207 00:09:11,400 --> 00:09:14,080 And now I was going to get close enough to killing. 208 00:09:14,080 --> 00:09:22,360 And he'd never even know I was in Havana. 209 00:09:22,360 --> 00:09:23,360 Now to work. 210 00:09:23,360 --> 00:09:25,000 First an investment. 211 00:09:25,000 --> 00:09:27,400 Ten ninety-five for a pair of binoculars. 212 00:09:27,400 --> 00:09:29,320 Nothing fancy, but good enough. 213 00:09:29,320 --> 00:09:31,960 Magnification three and a half times. 214 00:09:31,960 --> 00:09:37,180 Very fine for seeing Penny Cullen sitting on a bench, watching the ocean. 215 00:09:37,180 --> 00:09:40,920 That evening, get to the waterfront sometime before six. 216 00:09:40,920 --> 00:09:44,800 Find a spot that overlooks a bench to the left of a statue of a dying man. 217 00:09:44,800 --> 00:09:45,800 And wait. 218 00:09:45,800 --> 00:09:50,520 A quarter of six, a vendor pedals by the bench on a bike. 219 00:09:50,520 --> 00:09:53,040 He's selling ice cream. 220 00:09:53,040 --> 00:09:54,640 And wait. 221 00:09:54,640 --> 00:09:57,440 And far away a bell tolls six o'clock. 222 00:09:57,440 --> 00:09:58,800 And in the middle of it a man. 223 00:09:58,800 --> 00:10:01,800 A man who walks over to the bench. 224 00:10:01,800 --> 00:10:03,160 Sits on it. 225 00:10:03,160 --> 00:10:05,680 A man named Penny Cullen. 226 00:10:05,680 --> 00:10:07,320 And Penny looks pretty good. 227 00:10:07,320 --> 00:10:09,480 A little heavier, but just a little bit. 228 00:10:09,480 --> 00:10:12,080 Yeah, Penny looks pretty good. 229 00:10:12,080 --> 00:10:13,480 He's carrying something with him. 230 00:10:13,480 --> 00:10:14,720 A paper bag. 231 00:10:14,720 --> 00:10:21,000 At five minutes after six he opens the bag and throws breadcrumbs to the pigeons. 232 00:10:21,000 --> 00:10:25,040 Penny Cullen throwing breadcrumbs to the pigeons. 233 00:10:25,040 --> 00:10:28,360 At twelve minutes after six a cop walks past the bench. 234 00:10:28,360 --> 00:10:30,080 Touches his cap to Cullen. 235 00:10:30,080 --> 00:10:31,680 Cullen nods back. 236 00:10:31,680 --> 00:10:33,360 The cop goes away. 237 00:10:33,360 --> 00:10:34,960 Penny sits. 238 00:10:34,960 --> 00:10:36,840 Many after another vendor. 239 00:10:36,840 --> 00:10:39,760 An old woman, she's selling flowers. 240 00:10:39,760 --> 00:10:40,760 Penny buys one. 241 00:10:40,760 --> 00:10:42,960 The old woman puts it in his lapel. 242 00:10:42,960 --> 00:10:43,960 Goes away. 243 00:10:43,960 --> 00:10:52,180 A quarter to seven, Penny goes away. 244 00:10:52,180 --> 00:10:54,880 Next day, practically the same. 245 00:10:54,880 --> 00:10:57,640 Five forty-five, ice cream vendor. 246 00:10:57,640 --> 00:11:00,000 Six, Penny Cullen. 247 00:11:00,000 --> 00:11:02,800 Five after, pigeon feeding time. 248 00:11:02,800 --> 00:11:05,000 At six twelve the cop. 249 00:11:05,000 --> 00:11:07,880 Six twenty, flower in the button hole. 250 00:11:07,880 --> 00:11:16,440 Six forty-five, Penny gets up and walks away. 251 00:11:16,440 --> 00:11:19,680 The next day, the same. 252 00:11:19,680 --> 00:11:22,440 Next day, the fourth day. 253 00:11:22,440 --> 00:11:23,440 Day for killing. 254 00:11:23,440 --> 00:11:26,440 Mr. Cuba Libre, senor. 255 00:11:26,440 --> 00:11:27,440 Thanks. 256 00:11:27,440 --> 00:11:28,440 Put it on the table. 257 00:11:28,440 --> 00:11:29,440 Yes, senor. 258 00:11:29,440 --> 00:11:31,840 Will there be anything else? 259 00:11:31,840 --> 00:11:32,840 Take a buck from the bundle. 260 00:11:32,840 --> 00:11:33,840 Oh, a kid. 261 00:11:33,840 --> 00:11:34,840 Si, senor. 262 00:11:34,840 --> 00:11:37,840 I'm liable to nap. 263 00:11:37,840 --> 00:11:40,840 Have the desk call me at five. 264 00:11:40,840 --> 00:11:46,160 Si, senor. 265 00:11:46,160 --> 00:11:49,160 Four hours away from killing time. 266 00:11:49,160 --> 00:11:54,760 Time enough to have your drink, then lie down in that soft bed and relax. 267 00:11:54,760 --> 00:11:55,760 Think about it. 268 00:11:55,760 --> 00:11:59,080 And he didn't even know I was here. 269 00:11:59,080 --> 00:12:01,080 Penny Cullen, pigeon feeder. 270 00:12:01,080 --> 00:12:06,480 Tomorrow the pigeons would have to find a new boy. 271 00:12:06,480 --> 00:12:11,080 Between six twenty and six forty-five I was going to walk up in back of him and let him 272 00:12:11,080 --> 00:12:12,080 have it. 273 00:12:12,080 --> 00:12:17,080 And he wouldn't even know where it came from. 274 00:12:17,080 --> 00:12:20,080 Yeah, yeah, yeah. 275 00:12:20,080 --> 00:12:21,080 Johnny. 276 00:12:21,080 --> 00:12:24,080 Do whatever you are doing, Johnny. 277 00:12:24,080 --> 00:12:32,080 I'm not going to be at the bench today. 278 00:12:32,080 --> 00:12:33,080 Penny? 279 00:12:33,080 --> 00:12:34,080 Yeah. 280 00:12:34,080 --> 00:12:35,080 Penny Cullen, boy. 281 00:12:35,080 --> 00:12:36,080 Welcome to Havana. 282 00:12:36,080 --> 00:12:45,080 Auto Light is bringing you Mr. Victor Matur in black and white. 283 00:12:45,080 --> 00:12:55,640 Auto Light is bringing you Mr. Victor Matur in Black Jack to Kill. 284 00:12:55,640 --> 00:13:04,080 Tonight's production in radio's outstanding theater of thrills, Souse Friends. 285 00:13:04,080 --> 00:13:15,440 Say, Wilcox, you said Auto Light spark plugs are ignition engineered? 286 00:13:15,440 --> 00:13:20,080 I sure did, Two-Gun, because they're designed by the same Auto Light engineers who designed 287 00:13:20,080 --> 00:13:25,240 the coil, distributor, and all the other important parts of the complete ignition systems used 288 00:13:25,240 --> 00:13:30,080 as original factory equipment on many leading makes of our finest cars, trucks, and tractors. 289 00:13:30,080 --> 00:13:35,080 You mean Auto Light spark plugs are tops in quality and performance, eh, Wilcox? 290 00:13:35,080 --> 00:13:40,480 Exactly, Two-Gun, and that's why so many millions of wise motorists replace worn out spark plugs 291 00:13:40,480 --> 00:13:45,080 with Auto Light standard or resistor type spark plugs for smoother performance, quick 292 00:13:45,080 --> 00:13:47,240 starts, and gas savings. 293 00:13:47,240 --> 00:13:52,480 You just can't buy better spark plugs than world famous ignition engineered Auto Light 294 00:13:52,480 --> 00:13:53,480 spark plugs. 295 00:13:53,480 --> 00:13:56,960 I'm going to see my Auto Light spark plug dealer right now. 296 00:13:56,960 --> 00:14:01,080 Just to quickly learn the location of your nearest Auto Light spark plug dealer, just 297 00:14:01,080 --> 00:14:05,480 call Western Union by number and ask for operator 25. 298 00:14:05,480 --> 00:14:09,680 She'll gladly tell you the location of your nearest Auto Light spark plug dealer who is 299 00:14:09,680 --> 00:14:13,820 equipped to give you the best spark plug service in town. 300 00:14:13,820 --> 00:14:19,040 And remember, from bumper to tail light, you're always right with Auto Light. 301 00:14:19,040 --> 00:14:25,240 And now, Auto Light brings back to our Hollywood sound stage, Mr. Victor Matur in Elliot Lewis's 302 00:14:25,240 --> 00:14:42,880 production of Black Jack to Kill, a tale well calculated to keep you in suspense. 303 00:14:42,880 --> 00:14:45,120 So now it was different. 304 00:14:45,120 --> 00:14:48,960 Penny Cullen knew I was in Havana and he knew why. 305 00:14:48,960 --> 00:14:52,320 But only a little different, only a little tougher. 306 00:14:52,320 --> 00:14:56,360 A matter now of killing a man who knew he was going to be killed. 307 00:14:56,360 --> 00:14:57,840 Look at it this way. 308 00:14:57,840 --> 00:15:01,840 It was a job and it was going to get done. 309 00:15:01,840 --> 00:15:05,720 Only now it was more even up, more interesting. 310 00:15:05,720 --> 00:15:12,060 Penny Cullen and me, two good boys each holding a good hand and the winner that was going 311 00:15:12,060 --> 00:15:13,060 to be me. 312 00:15:13,060 --> 00:15:21,640 Yes, I was the good boy who was going to stay alive. 313 00:15:21,640 --> 00:15:24,040 New plans. 314 00:15:24,040 --> 00:15:26,000 Penny knew where I was. 315 00:15:26,000 --> 00:15:28,440 So get out of this hotel and find another one. 316 00:15:28,440 --> 00:15:34,720 Pack, carry your own suitcase, walk down five flights of stairs, leave through the service 317 00:15:34,720 --> 00:15:39,200 entrance, down an alley, down a side street. 318 00:15:39,200 --> 00:15:42,200 Keep walking, keep alive. 319 00:15:42,200 --> 00:15:45,880 Que quiere, senor? 320 00:15:45,880 --> 00:15:47,240 What? 321 00:15:47,240 --> 00:15:51,560 I ask you what you want. 322 00:15:51,560 --> 00:15:52,560 Rum. 323 00:15:52,560 --> 00:15:53,560 Rum. 324 00:15:53,560 --> 00:16:01,200 Hey boy, tender. 325 00:16:01,200 --> 00:16:02,200 Another room? 326 00:16:02,200 --> 00:16:03,200 No. 327 00:16:03,200 --> 00:16:04,920 Que quiere, senor? 328 00:16:04,920 --> 00:16:07,800 That sign outside says you have rooms upstairs. 329 00:16:07,800 --> 00:16:08,800 Si. 330 00:16:08,800 --> 00:16:09,960 Do you wish a room? 331 00:16:09,960 --> 00:16:11,600 Yeah, for four days. 332 00:16:11,600 --> 00:16:13,160 It can be arranged? 333 00:16:13,160 --> 00:16:15,360 I want something else arranged. 334 00:16:15,360 --> 00:16:16,760 Que? 335 00:16:16,760 --> 00:16:18,400 Look what I got, chico. 336 00:16:18,400 --> 00:16:19,400 See it, money? 337 00:16:19,400 --> 00:16:20,400 Who? 338 00:16:20,400 --> 00:16:21,400 American dollar. 339 00:16:21,400 --> 00:16:22,600 I want to see it, senor. 340 00:16:22,600 --> 00:16:24,680 I want a boat for a boat trip. 341 00:16:24,680 --> 00:16:25,680 Cuando? 342 00:16:25,680 --> 00:16:26,680 When? 343 00:16:26,680 --> 00:16:28,340 In four days. 344 00:16:28,340 --> 00:16:29,340 Look at it again, chico. 345 00:16:29,340 --> 00:16:30,340 Money. 346 00:16:30,340 --> 00:16:31,600 Mucho, mucho, mucho money. 347 00:16:31,600 --> 00:16:32,720 For a boat? 348 00:16:32,720 --> 00:16:34,640 You said it, chico. 349 00:16:34,640 --> 00:16:35,640 Conmigo. 350 00:16:35,640 --> 00:16:36,640 With me. 351 00:16:36,640 --> 00:16:37,640 Mario. 352 00:16:37,640 --> 00:16:38,640 Si? 353 00:16:38,640 --> 00:16:42,840 This man has taken a room. 354 00:16:42,840 --> 00:16:45,560 He also wants to arrange for a boat. 355 00:16:45,560 --> 00:16:46,880 I want a boat in four days. 356 00:16:46,880 --> 00:16:48,840 I need something to take me over to Key West. 357 00:16:48,840 --> 00:16:52,360 Quite to me, senor, there are fine steamships, airplanes. 358 00:16:52,360 --> 00:16:54,120 I can't wait for schedules. 359 00:16:54,120 --> 00:16:57,800 I want something that'll get me out of here when I'm ready to move. 360 00:16:57,800 --> 00:16:58,800 What about it? 361 00:16:58,800 --> 00:17:00,360 In four days. 362 00:17:00,360 --> 00:17:02,880 Well, what about it? 363 00:17:02,880 --> 00:17:04,920 In four days, senor. 364 00:17:04,920 --> 00:17:07,600 On the fourth day from today, we'll be ready for you. 365 00:17:07,600 --> 00:17:14,480 Whenever you want it. 366 00:17:14,480 --> 00:17:16,520 So it started all over again. 367 00:17:16,520 --> 00:17:18,640 The killing of Penny Cullen. 368 00:17:18,640 --> 00:17:21,040 This time it had to be played another way. 369 00:17:21,040 --> 00:17:24,360 Before I set him up, I had to think of myself. 370 00:17:24,360 --> 00:17:25,760 About a getaway. 371 00:17:25,760 --> 00:17:28,160 No commercial transportation. 372 00:17:28,160 --> 00:17:32,200 After I killed Penny, who knows how many of his people would be asking around for me 373 00:17:32,200 --> 00:17:34,560 at airports and at steamship docks. 374 00:17:34,560 --> 00:17:36,680 A private boat. 375 00:17:36,680 --> 00:17:38,440 All my own. 376 00:17:38,440 --> 00:17:40,160 The way to do it. 377 00:17:40,160 --> 00:17:42,640 The way to assassinate. 378 00:17:42,640 --> 00:17:45,680 Number 23 Plaza, Batista. 379 00:17:45,680 --> 00:17:48,480 That was the address Deontay had given me. 380 00:17:48,480 --> 00:17:50,280 That's where Penny was. 381 00:17:50,280 --> 00:17:52,240 I already had the jump on him. 382 00:17:52,240 --> 00:17:54,960 I knew exactly where he'd be. 383 00:17:54,960 --> 00:17:57,320 So started all over again. 384 00:17:57,320 --> 00:17:59,440 Find a spot nearby. 385 00:17:59,440 --> 00:18:00,920 Park your car. 386 00:18:00,920 --> 00:18:02,320 Get out. 387 00:18:02,320 --> 00:18:03,320 Hide. 388 00:18:03,320 --> 00:18:04,640 Watch. 389 00:18:04,640 --> 00:18:06,960 And it went like this. 390 00:18:06,960 --> 00:18:11,640 At a few minutes past midnight, a sedan drove up at number 23. 391 00:18:11,640 --> 00:18:13,960 Two men got out of the front. 392 00:18:13,960 --> 00:18:16,560 Looked up and down the street. 393 00:18:16,560 --> 00:18:19,600 Then one of them opened the door for another man. 394 00:18:19,600 --> 00:18:20,600 Penny. 395 00:18:20,600 --> 00:18:23,360 Penny and a blonde. 396 00:18:23,360 --> 00:18:25,720 The two of them walk up the steps. 397 00:18:25,720 --> 00:18:27,640 Go into the house. 398 00:18:27,640 --> 00:18:29,360 The lights go on. 399 00:18:29,360 --> 00:18:32,880 And so there's some music from inside. 400 00:18:32,880 --> 00:18:34,640 And the two men out front. 401 00:18:34,640 --> 00:18:36,000 They stay there. 402 00:18:36,000 --> 00:18:37,000 Talk a little while. 403 00:18:37,000 --> 00:18:39,000 Tell a joke. 404 00:18:39,000 --> 00:18:40,960 But they stay there. 405 00:18:40,960 --> 00:18:43,440 That way for two hours. 406 00:18:43,440 --> 00:18:45,480 Then one of them looks at the other. 407 00:18:45,480 --> 00:18:47,120 Shrugs. 408 00:18:47,120 --> 00:18:49,280 They walk over to the sedan. 409 00:18:49,280 --> 00:18:50,280 Get in. 410 00:18:50,280 --> 00:18:54,400 And in a little while, they're dozing. 411 00:18:54,400 --> 00:18:58,760 And there are silhouettes of Penny and the blonde behind the windows. 412 00:18:58,760 --> 00:19:06,840 That's all you need to know. 413 00:19:06,840 --> 00:19:12,360 That night, the next, and the night after that, the same thing. 414 00:19:12,360 --> 00:19:16,240 Penny, Cullen, and the blonde, and the music, and the two men who got tired after a couple 415 00:19:16,240 --> 00:19:19,560 of hours and went to sleep. 416 00:19:19,560 --> 00:19:22,040 Then it was the fourth night. 417 00:19:22,040 --> 00:19:35,480 The time for killing had come around again. 418 00:19:35,480 --> 00:19:37,880 Penny and the blonde. 419 00:19:37,880 --> 00:19:41,440 So wait. 420 00:19:41,440 --> 00:19:43,440 And the two men. 421 00:19:43,440 --> 00:19:44,440 So wait. 422 00:19:44,440 --> 00:19:46,440 An hour. 423 00:19:46,440 --> 00:19:47,960 Wait. 424 00:19:47,960 --> 00:19:49,800 Two. 425 00:19:49,800 --> 00:19:51,480 Wait. 426 00:19:51,480 --> 00:19:55,480 And then the two men dozing. 427 00:19:55,480 --> 00:19:57,480 Let them sleep. 428 00:19:57,480 --> 00:20:03,880 The time for killing. 429 00:20:03,880 --> 00:20:11,560 Assassination. 430 00:20:11,560 --> 00:20:13,680 A delicate art. 431 00:20:13,680 --> 00:20:18,680 And it was done. 432 00:20:18,680 --> 00:20:21,680 Senor. 433 00:20:21,680 --> 00:20:27,680 Let's go, bartender. 434 00:20:27,680 --> 00:20:33,520 Let's tell your boss I'm ready for that boat. 435 00:20:33,520 --> 00:20:35,720 Your business here in Havana is completed? 436 00:20:35,720 --> 00:20:36,720 Four days and it's all done. 437 00:20:36,720 --> 00:20:37,720 Let's go. 438 00:20:37,720 --> 00:20:38,720 Mario, he is here. 439 00:20:38,720 --> 00:20:46,560 He says his business is completed in Havana and he wants a boat today. 440 00:20:46,560 --> 00:20:47,960 Look bartender, what did you tell him? 441 00:20:47,960 --> 00:20:50,480 He has a big hurry for the boat, Mario. 442 00:20:50,480 --> 00:20:51,960 Is everything ready? 443 00:20:51,960 --> 00:20:52,960 I ask you something. 444 00:20:52,960 --> 00:20:53,960 What did you tell him? 445 00:20:53,960 --> 00:20:55,960 Take your hands off me, senor. 446 00:20:55,960 --> 00:20:56,960 Mario knows what you want. 447 00:20:56,960 --> 00:20:59,880 Talk to him. 448 00:20:59,880 --> 00:21:01,960 What about it, Mario? 449 00:21:01,960 --> 00:21:04,000 You got the boat for me. 450 00:21:04,000 --> 00:21:05,600 He said you have a lot of money. 451 00:21:05,600 --> 00:21:06,600 Show me. 452 00:21:06,600 --> 00:21:07,600 Sure. 453 00:21:07,600 --> 00:21:08,600 You hear it? 454 00:21:08,600 --> 00:21:09,600 Whispers to you. 455 00:21:09,600 --> 00:21:12,480 Foolish, senor. 456 00:21:12,480 --> 00:21:15,800 So much money to wave it at such a stranger as me. 457 00:21:15,800 --> 00:21:18,200 You know what else I got? 458 00:21:18,200 --> 00:21:19,920 A gun. 459 00:21:19,920 --> 00:21:20,920 Right under the gabardine. 460 00:21:20,920 --> 00:21:23,280 You have money, you have a gun. 461 00:21:23,280 --> 00:21:27,160 It takes now only the boat to Key West to make you happy, see? 462 00:21:27,160 --> 00:21:28,160 Yeah. 463 00:21:28,160 --> 00:21:30,040 Two thousand dollars. 464 00:21:30,040 --> 00:21:31,320 Two thousand, huh? 465 00:21:31,320 --> 00:21:32,320 For you. 466 00:21:32,320 --> 00:21:33,760 Just for you. 467 00:21:33,760 --> 00:21:35,680 All right. 468 00:21:35,680 --> 00:21:37,600 When you put me on the boat. 469 00:21:37,600 --> 00:21:38,600 Bueno. 470 00:21:38,600 --> 00:21:41,600 El hombre está aquí. 471 00:21:41,600 --> 00:21:50,600 Como dijo usted, un americano con pelo hueso. 472 00:21:50,600 --> 00:21:52,600 Él tiene mucho dinero. 473 00:21:52,600 --> 00:21:54,600 Who are you talking to? 474 00:21:54,600 --> 00:21:57,520 Look when you talk to an American so I can understand what you're saying. 475 00:21:57,520 --> 00:21:59,120 An American, Mario. 476 00:21:59,120 --> 00:22:02,640 My friend speaks only Spanish. 477 00:22:02,640 --> 00:22:04,560 You do not believe me? 478 00:22:04,560 --> 00:22:05,840 You talk to him, senor. 479 00:22:05,840 --> 00:22:09,960 You tell him what you need. 480 00:22:09,960 --> 00:22:10,960 Talk to him. 481 00:22:10,960 --> 00:22:11,960 Está reglado? 482 00:22:11,960 --> 00:22:12,960 Muy bien. 483 00:22:12,960 --> 00:22:13,960 Se le diré. 484 00:22:13,960 --> 00:22:19,280 Sit down, senor. 485 00:22:19,280 --> 00:22:20,400 Make yourself at home. 486 00:22:20,400 --> 00:22:22,040 What did your friend say? 487 00:22:22,040 --> 00:22:23,040 One hour. 488 00:22:23,040 --> 00:22:24,440 He will call when he's ready. 489 00:22:24,440 --> 00:22:27,000 I told you it had to be ready when I wanted it. 490 00:22:27,000 --> 00:22:28,920 Try someplace else, senor. 491 00:22:28,920 --> 00:22:30,800 You sure your friend's got the boat? 492 00:22:30,800 --> 00:22:31,800 One hour. 493 00:22:31,800 --> 00:22:32,800 I already said it. 494 00:22:32,800 --> 00:22:33,800 Sit down. 495 00:22:33,800 --> 00:22:36,000 You play cards, senor? 496 00:22:36,000 --> 00:22:40,360 Look, call him back and tell him I haven't got an hour. 497 00:22:40,360 --> 00:22:42,960 Everybody has an hour, senor. 498 00:22:42,960 --> 00:22:45,960 Except the dying. 499 00:22:45,960 --> 00:22:47,960 Dealer cards. 500 00:22:47,960 --> 00:22:48,960 Poker? 501 00:22:48,960 --> 00:22:54,960 Deal. 502 00:22:54,960 --> 00:22:56,600 Except the dying. 503 00:22:56,600 --> 00:22:59,040 And that didn't include me. 504 00:22:59,040 --> 00:23:00,760 Penny Cullen dead. 505 00:23:00,760 --> 00:23:04,280 Johnny Damon healthy and wealthy. 506 00:23:04,280 --> 00:23:06,200 But how long does an hour take? 507 00:23:06,200 --> 00:23:07,560 How many poker hands? 508 00:23:07,560 --> 00:23:10,440 And how many times did the door open like that? 509 00:23:10,440 --> 00:23:12,520 And a man standing in the doorway looking at you. 510 00:23:12,520 --> 00:23:14,120 Just standing and looking. 511 00:23:14,120 --> 00:23:15,120 Then goes away. 512 00:23:15,120 --> 00:23:16,120 A man. 513 00:23:16,120 --> 00:23:17,120 And a woman. 514 00:23:17,120 --> 00:23:18,120 And another man. 515 00:23:18,120 --> 00:23:22,720 And Mario across the table, not looking at his cards, looking at you and laughing like 516 00:23:22,720 --> 00:23:23,720 that. 517 00:23:23,720 --> 00:23:24,720 And... 518 00:23:24,720 --> 00:23:34,640 It was not about you, senor. 519 00:23:34,640 --> 00:23:35,960 It was of another matter. 520 00:23:35,960 --> 00:23:36,960 Things like that. 521 00:23:36,960 --> 00:23:39,800 The people who stood in open doorways staring. 522 00:23:39,800 --> 00:23:42,520 A phone call that was not about you. 523 00:23:42,520 --> 00:23:44,880 Things that only eat up half an hour. 524 00:23:44,880 --> 00:23:45,880 Things and Mario. 525 00:23:45,880 --> 00:23:46,880 What's funny? 526 00:23:46,880 --> 00:23:49,880 What are you laughing at? 527 00:23:49,880 --> 00:23:50,880 At you, senor. 528 00:23:50,880 --> 00:23:53,320 You're such a bad poker player. 529 00:23:53,320 --> 00:23:54,320 Sure. 530 00:23:54,320 --> 00:23:55,880 Maybe you're not getting a boat. 531 00:23:55,880 --> 00:23:58,080 Maybe your friend's not getting me a boat either. 532 00:23:58,080 --> 00:23:59,760 How come it takes an hour to get a boat? 533 00:23:59,760 --> 00:24:01,480 You had four days. 534 00:24:01,480 --> 00:24:03,760 How come it takes another hour, Mario? 535 00:24:03,760 --> 00:24:04,760 Hello, Johnny. 536 00:24:04,760 --> 00:24:05,760 I said hello. 537 00:24:05,760 --> 00:24:06,760 Hi, Penny. 538 00:24:06,760 --> 00:24:11,760 Yeah, you better get on your feet, Johnny. 539 00:24:11,760 --> 00:24:14,560 Get out of here, Mario. 540 00:24:14,560 --> 00:24:16,760 I couldn't have missed you, Penny. 541 00:24:16,760 --> 00:24:17,760 Not you, boy. 542 00:24:17,760 --> 00:24:18,960 You never miss. 543 00:24:18,960 --> 00:24:20,360 You killed a man. 544 00:24:20,360 --> 00:24:21,360 Uh-huh. 545 00:24:21,360 --> 00:24:22,360 Yeah. 546 00:24:22,360 --> 00:24:24,160 Man I was saving up to be killed. 547 00:24:24,160 --> 00:24:25,800 And a bilt like me. 548 00:24:25,800 --> 00:24:27,680 You're a tricky boy, Penny. 549 00:24:27,680 --> 00:24:28,680 But not you. 550 00:24:28,680 --> 00:24:29,680 That thing I taught you. 551 00:24:29,680 --> 00:24:31,360 A man has a schedule for three days. 552 00:24:31,360 --> 00:24:32,800 He'll do the same on the fourth. 553 00:24:32,800 --> 00:24:33,800 Oh, Johnny. 554 00:24:33,800 --> 00:24:36,480 You should have known I was figuring right with you. 555 00:24:36,480 --> 00:24:38,160 Yeah, I should have done that. 556 00:24:38,160 --> 00:24:39,840 Do you like Havana? 557 00:24:39,840 --> 00:24:41,880 It was all right. 558 00:24:41,880 --> 00:24:43,320 I'm still in favor of Miami. 559 00:24:43,320 --> 00:24:46,120 It's not even worth an opinion anymore, Johnny. 560 00:24:46,120 --> 00:24:47,120 Oh? 561 00:24:47,120 --> 00:24:48,120 Yeah. 562 00:24:48,120 --> 00:24:49,120 Moir wrote me and said you're being replaced. 563 00:24:49,120 --> 00:24:51,360 He's got a kid named Cleo he likes. 564 00:24:51,360 --> 00:24:52,360 Moir wrote you? 565 00:24:52,360 --> 00:24:53,360 Moir? 566 00:24:53,360 --> 00:24:54,360 Uh-huh. 567 00:24:54,360 --> 00:24:55,360 You're kidding, Penny. 568 00:24:55,360 --> 00:24:58,040 Moir was contracted for what I was supposed to do to you. 569 00:24:58,040 --> 00:24:59,200 Oh, Johnny. 570 00:24:59,200 --> 00:25:00,920 You really lost touch. 571 00:25:00,920 --> 00:25:01,920 Mm-hmm. 572 00:25:01,920 --> 00:25:02,920 Not Johnny. 573 00:25:02,920 --> 00:25:03,920 Johnny. 574 00:25:03,920 --> 00:25:06,880 He didn't hire you to kill me. 575 00:25:06,880 --> 00:25:09,640 I hired him to send you to me. 576 00:25:09,640 --> 00:25:10,640 Tricky. 577 00:25:10,640 --> 00:25:11,640 I thought so. 578 00:25:11,640 --> 00:25:14,680 What'd you expect, boy, getting me heaved out of the States and all? 579 00:25:14,680 --> 00:25:16,200 Yeah, I thought that was very patriotic. 580 00:25:16,200 --> 00:25:17,200 It was. 581 00:25:17,200 --> 00:25:18,200 It was. 582 00:25:18,200 --> 00:25:19,200 I'm going to tell you something, Penny. 583 00:25:19,200 --> 00:25:20,200 Uh-huh. 584 00:25:20,200 --> 00:25:21,200 I'm going back to Miami. 585 00:25:21,200 --> 00:25:23,600 First, John's going to drop when he sees me. 586 00:25:23,600 --> 00:25:27,460 Then he's going to pay me the 15 grand he owes me for killing you. 587 00:25:27,460 --> 00:25:28,460 Then he's going to run. 588 00:25:28,460 --> 00:25:29,460 Say hey, Johnny. 589 00:25:29,460 --> 00:25:31,200 You're not getting back to Miami. 590 00:25:31,200 --> 00:25:33,000 Oh, you think you can... 591 00:25:33,000 --> 00:25:34,000 Oh! 592 00:25:34,000 --> 00:25:35,000 Kill me. 593 00:25:35,000 --> 00:25:36,000 You die hard, Johnny. 594 00:25:36,000 --> 00:25:37,000 Yeah! 595 00:25:37,000 --> 00:25:38,000 Go ahead! 596 00:25:38,000 --> 00:25:39,000 Go ahead! 597 00:25:39,000 --> 00:25:40,000 Oh! 598 00:25:40,000 --> 00:25:41,000 You think you can kill me? 599 00:25:41,000 --> 00:25:42,000 You think you can kill me? 600 00:25:42,000 --> 00:25:43,000 Oh! 601 00:25:43,000 --> 00:25:44,000 Oh! 602 00:25:44,000 --> 00:25:45,000 Oh, oh, oh! 603 00:25:45,000 --> 00:25:46,000 Oh, oh! 604 00:25:46,000 --> 00:25:47,000 Oh, oh, oh! 605 00:25:47,000 --> 00:25:48,000 Oh, oh, oh! 606 00:25:48,000 --> 00:25:49,000 Oh, oh, oh! 607 00:25:49,000 --> 00:25:50,000 Oh, oh, oh! 608 00:25:50,000 --> 00:25:51,000 Oh, oh, oh! 609 00:25:51,000 --> 00:25:52,000 Oh, oh, oh! 610 00:25:52,000 --> 00:25:53,760 You think you can kill me? 611 00:25:53,760 --> 00:25:55,760 No! 612 00:26:23,760 --> 00:26:32,760 Suspense! Presented by Auto Light, tonight's star, Mr. Victor Mature. 613 00:26:32,760 --> 00:26:38,760 And here once again is our star, Victor Mature. Victor, it was great having you on Suspense again. 614 00:26:38,760 --> 00:26:44,760 Thanks, Horlo. And thanks to Auto Light for giving me such an exciting story. You know, Horlo, the play's the thing. 615 00:26:44,760 --> 00:26:54,760 Agreed, Victor, but all elements, both the play and the actor, must be right to ensure the best show possible. Now, take your car, for example. 616 00:26:54,760 --> 00:27:00,760 To ensure its best performance, it needs Auto Light Ignition Engineered Spark Flugs, either standard or resistor type. 617 00:27:00,760 --> 00:27:07,760 I say Auto Light Spark Flugs because they're designed by the same engineers who design complete electrical systems. 618 00:27:07,760 --> 00:27:17,760 Auto Light actually makes over 400 products for cars, trucks, tractors, planes, and boats. These include the world-famous Auto Light Stay Full Battery, 619 00:27:17,760 --> 00:27:26,760 automotive wire and cable, bumpers and hubcaps, and many more. No wonder, from bumper to tail light, you're always right with Auto Light. 620 00:27:26,760 --> 00:27:35,760 Music 621 00:27:35,760 --> 00:27:46,760 Next week on Suspense, our star will be Mr. John Hodiac in another story taken from life, a dramatic report we call The Case History of a Gambler. 622 00:27:46,760 --> 00:28:02,760 In weeks to come, we shall also present Mr. Herbert Marshall, Mr. Jeff Chandler, and Mr. Charles Boyer, all on Suspense. 623 00:28:02,760 --> 00:28:09,760 Suspense is produced and directed by Elliot Lewis, with music composed by Lucian Morrowick and conducted by Lud Bluskin. 624 00:28:09,760 --> 00:28:16,760 Black Jack to Kill was written for Suspense by Morton Fine and David Friedkin. 625 00:28:16,760 --> 00:28:27,760 Featured in tonight's story were Herb Butterfield, Clayton Post, Harry Bartel, Jack Crouchon, Eddie Firestone, Joseph Kearns, and Steve Roberts. 626 00:28:27,760 --> 00:28:39,760 Tonight's appearance of Mr. Victor Mature was made possible through the permission of 20th Century Fox Studios, whose current release is Fixed Bayonets, starring Richard Baszhard. 627 00:28:39,760 --> 00:28:50,760 And remember, next week on Suspense, Mr. John Hodiac in The Case History of a Gambler. 628 00:28:50,760 --> 00:29:00,760 For the location of your nearest auto light spark plug or battery dealer, or your nearest authorized auto light service station, phone Western Union by number and ask for Operator 25. 629 00:29:00,760 --> 00:29:03,760 Switch to auto light. Good night. 630 00:29:03,760 --> 00:29:06,760 The Christmas season is also the Christmas Seals season. 631 00:29:06,760 --> 00:29:16,760 By using and buying Christmas Seals, you directly aid in the fight to conquer tuberculosis, which kills more people than all infectious diseases combined. 632 00:29:16,760 --> 00:29:22,760 Your Christmas will be more worthwhile if you buy Christmas Seals. This is the CBS Radio Network.