WEBVTT

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You are about to hear a story based on actual events.

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To protect the innocent, names and places have been changed.

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Auto Light and its 96,000 dealers bring you Mr. Jeff Chandler in a story taken from life.

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Tonight's presentation of Suspense.

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Tonight, Auto Light presents the Steel River Prison Break.

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A story concerning one of the most fantastic prison breaks ever engineered.

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Starring Mr. Jeff Chandler.

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Hello, Harlow.

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Well, starch my sombrero if it's not Sheriff Sam.

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I've brought in a rustler, Harlow.

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A cattle rustler?

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No, for gas rustler.

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My car, it uses gas, something awful and bucks like a brown coal.

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Well, sounds like spark plug trouble, Sheriff.

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Your Auto Light spark plug dealer can help you in a jiffy.

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He has the exclusive plug check indicator that shows the exact condition of those spark plugs

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and whether they're right for your type of driving.

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Maybe they just need cleaning or adjusting, Harlow.

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Well, your Auto Light spark plug dealer has the special equipment to give you the best

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job money can buy, Sheriff.

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Yeah, but supposing them critters are dead.

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Well then, he'll replace them with a set of standard or resistor type ignition engineered

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Auto Light spark plugs.

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The spark plugs that are world famous for quality and performance.

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So friends, you'll find a page to have your spark plugs checked soon.

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See your Auto Light spark plug dealer and remember, from bumper to tail light, you're

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always right with Auto Light.

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And now, with the Steel River Prison Break and the performance of Mr. Jeff Chandler,

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Auto Light hopes once again to keep you in suspense.

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It was set for Friday.

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I mean set.

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We'd thought of everything.

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Cronan would be waiting in a speedboat under the wall.

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We'd make it during the recreation period.

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Some of the boys would start a rhubarb in the far corner of the yard.

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We'd be up and over and in the river before the guards missed us.

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And Tuesday night, the radio changed everything.

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Word has just reached us from Pequot City.

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The river is three feet below flood stage at lock seven and rising.

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Flood stage is expected at midnight.

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Rain is still falling in the upper watershed.

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Flood warnings have been issued along the waterfront here in Frickburg.

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Elsewhere, rising waters are reported in the upper Allegheny and Monongahela and flood stages

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may be expected from New Kensington and Wheeling to Pittsburgh.

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We return you to Tuesday reveries with the Steel River Sinfonetta.

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That does it.

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And what's that?

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The flood.

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Moish, you hear that on the radio?

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Yeah, I heard it.

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So it's raining outside.

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Yeah, it's raining up the river or it's raining in the mountains.

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We're mighty lucky to be nice and warm and a comfy little old presence, sir.

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We gotta move up the timetable.

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What?

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What are you talking about?

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We walk out of here tomorrow night, Thursday morning latest.

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Well, how come?

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Crona won't be here for us till Friday afternoon.

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What are you trying to do?

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Loss up the detail?

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Listen, the river will hit flood stage at lock seven at midnight tonight.

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So what?

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So lock seven is 80 miles upstream.

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Right below it, the Lucinda River runs into the steel.

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That means that lock eight at Renton will probably give way by tomorrow morning.

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Between lock eight and Frickburg, a half dozen little rivers pour into the steel.

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At midnight tomorrow night, the prison will be an island surrounded by the biggest flood

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since 1886.

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Very interesting.

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I don't know much about these things.

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We don't ever get much water on the real ground.

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Well, I know.

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I was born and raised a half a mile from here.

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I know floods.

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I was raised on them.

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Flooded out twice a year when I was a kid.

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Every fall and every spring.

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By tomorrow night, this cell block will be a swimming pool.

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Well, that'll be a change.

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Tomorrow night we go.

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What about Cronin?

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Cronin ain't gonna get here in this flood.

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Look, Bragg, I don't think we ought to risk it.

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There ain't any risk.

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I don't know how it is when there's a flood.

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People go crazy.

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We get out of here, we act like any other characters trying to get to high ground.

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Only we head for my house, we get a change of clothes, and we're on our way.

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But be it, Cronin's joint in Youngstown before we ever get started.

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I don't know, Bragg.

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If you're going with me, you're going, I say so, and I say tomorrow.

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But Bragg.

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What, Rutt?

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I can't swim.

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We already had a gun.

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No matter how, Cronin got it into me.

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I buried it in a can of tallow in a soap plant.

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When I put that can of tallow so far back in the corner, it wasn't nobody gonna use

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it to make soap.

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I broke it out yesterday and hid it behind the tubes and things in my radio.

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I got a radio in my cell, because I've been such a model prisoner.

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Me.

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Wednesday morning before breakfast, Lefty, the headscrew, came into the cell block and

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made us a little speech.

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Man, we're in for a flood.

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Looks like it's gonna be serious.

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Water's only a foot below the top of the downtown flood walls right now.

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Ain't that too bad?

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The Frickburg Disaster Committee's asked every able-bodied man to get down there and help

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sandbag those walls.

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I'm a stranger to town myself.

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That's for citizens and taxpayers.

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All right.

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How many of you wanna volunteer for the job?

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I'll go.

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All right.

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We'll take off after breakfast, but remember, this ain't no picnic.

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Don't try no funny stuff, because I'll be right there with you, me and the rest of my

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boys.

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Oh, you don't wanna stand out there in the rain all day.

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Okay.

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That's all.

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Breakfast in five minutes.

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In five minutes.

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Up goes the timetable again.

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What?

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Don't have to wait for tonight.

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We make it this morning.

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What are you doing with that radio?

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What do you think?

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Give me the tape.

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Tape?

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The tape.

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That phony boil you bandaged the other day.

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Oh, oh, yeah.

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Yeah.

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Ow.

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That hurts.

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Oh, you don't take it off that way.

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You do it this way.

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It tickles.

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Shut up.

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Boy, that hurt me, Brad.

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I taped the sword and the medic on the inside of my leg.

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Yeah, we're on our way.

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Yeah, Brad?

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You all set, Mish?

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Set.

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When we get down to the river, we keep close together.

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Watch me.

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Sure, Brad.

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Whatever you say.

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Old town looks good.

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Yeah, what's so good about it?

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All those crummy houses all painted the same crummy color.

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Yeah, they was once painted different colors.

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And how come they're all the same color?

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All dingy gray like.

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Smoke, cold smoke from the mills.

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Oh, I get it.

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Like that home.

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Houses are all a crummy yellow and a crummy dust.

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See down the street?

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Third house on the left.

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Yeah.

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What about it?

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That's where we'll be tonight.

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That your joint?

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Yeah, home sweet home.

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Ma still lives here.

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Yeah, but any lab'll look for us there?

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They do.

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Ma'll take care of them.

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She got no use for cops.

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Ever since my old man got slapped around in the battle of barges up at Homestead.

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Oh.

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What's the matter?

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Oh, that gun was making a little pinch.

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You can stand a few more minutes, can't you?

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You kidding?

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Hey, hey, look at that.

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That old red brick building?

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What about it?

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The Candler School.

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That's where I went.

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You graduate back?

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Ah, no, I transferred to Pine Hill, graduated there.

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Pine Hill?

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What's that?

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State Reformatory.

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Hey, what are they slowing down for?

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Well, ain't no ways near the river.

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Turn into a grass field?

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Yeah, but it's a little bit of a

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turn into a gravel yard, looks like.

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All right, boys, five of you drop off here to fill sandbags.

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Ninkowski, Steiner, Anthony, Walton, and Bragg.

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Me?

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Yeah, you.

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Come on, pile up.

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All right, what are we going to do?

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Nothing, no.

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Well, Bragg, there goes the ballgame.

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Only one inning.

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I knew that gravel yard used to play in it when I was a kid.

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There was just three blocks from my old lady's house.

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I could have made it easy through back alleys, but I ain't that kind of guy.

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I went in with a pen on the same rapid march.

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I wasn't going to leave it without him.

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A runt.

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I liked the bum, a little slow in the upstairs apartment, maybe, but a good guy.

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I'd wait, but it was tough.

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Filled in sandbags all day in the rain with that tape gun cutting into my leg.

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No blood getting to my foot.

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At first it hurt, then it was like pins and needles in my toes, and I couldn't feel nothing

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at all.

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It was real tough because I didn't dare limp.

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I couldn't take a chance on any nosy guard asking me what was the matter.

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It got tougher.

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Towards the end of the day, I was seeing spots in front of my eyes.

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I was like to pass out when the truck come by to pick us up.

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It wasn't until after chow when we was locked in my cell for the night I could get the thing

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off my leg.

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Then it all went into reverse.

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The pins and needles came back and after them the pain.

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That leg looks like you was branded.

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God, it feels it.

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Moshi and I never expected to see you back here.

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You're kidding?

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Well, you know.

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Turn on the radio and let's see how the flood's doing.

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All right.

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Tomorrow we got to make sure we stick together.

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How are we going to do that?

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I don't know, but we got to because tomorrow's going to be our last chance.

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Ohio Avenue Bridge, 41 feet, 6 inches and rising.

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Holy crap.

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That's 4 feet above flood stage.

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We'll remain on the air throughout the night to bring you flood bulletins and assist in

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directing rescue operations.

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Attention please.

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The flood wall at Water Street and 4th has given way.

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All residents of the Brownsville district are advised to evacuate their homes at once.

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Here we go.

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What?

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Brownsville.

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Right here.

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Send the boat to 317 California Street.

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Hey, Moshi.

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Yeah, Brad.

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You getting this?

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Everywhere.

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It won't be long now.

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Brad, look.

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What?

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The flood, the end of the sail block.

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What?

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A triple of water, I told you.

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That means there's a foot and a half or two feet out in the yard.

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The boat to 42 Watson Alley.

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Hey, the lights went out.

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Hey.

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The lights went out.

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The lights went out.

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The lights went out.

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The lights went out.

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All right, all right.

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Let's have a little quiet in here.

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Turn on the light.

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Now listen to me.

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There ain't any lights.

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Dynamos flooded out.

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We're going to move you men.

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There'll be six foot of water in the sail block by morning.

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We're moving you out.

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Why are you taking us, Wesley?

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We're moving you to the Conestoga County Jail.

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It's on high ground.

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You'll be safe there until the water drops.

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You'll be in the drunk tank on the fourth floor.

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I have checked.

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All right.

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Now let's make it snappy.

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The water's rising two feet an hour.

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I'm going to open the doors.

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Form a line and follow me.

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No funny business.

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All set, look?

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Yeah.

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Moist?

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Hey, you forgot.

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No, I didn't.

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And you don't tape it to your leg?

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Not this time.

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It goes into my belt.

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I'm going to need it in less than three minutes.

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Now stick close to me.

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All right, now.

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Line up.

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Let's go.

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All right, come on this way, man.

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The buses are right here at the gate.

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Come on, man.

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Come on.

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Keep it moving.

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Run.

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Yeah.

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Follow me by the gate.

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I'll take him from behind.

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You get his gun.

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Right.

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I'll take the gun.

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You got the gun.

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Right.

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I got it.

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Hey, get back in line.

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Make me.

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Stand right where you are.

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Don't let anybody move.

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Get behind me.

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Run.

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Okay.

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Come on and shoot, Lefty.

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Fatty makes a good chest protector.

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No, no.

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Relax, Fatty.

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You might not get hurt.

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Stop that, man.

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Bragg.

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And your gun.

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You make a pretty good target, Lefty.

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They just might drop you.

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You know what?

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That's what I'm talking about.

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I'm not going to let you get hurt.

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I'm not going to let you get hurt.

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I'm not going to let you get hurt.

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I'm not going to let you get hurt.

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I'm not going to let you get hurt.

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No, Lefty.

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No, Lefty.

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They just might drop you.

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You know what?

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That'll get you.

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Sure.

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What's the difference?

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One guard or two guards?

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It's the same, Hot Seat.

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Bragg, we better move.

12:44.720 --> 12:45.720
Every screw in the place will be down here now.

12:45.720 --> 12:46.720
Yeah.

12:46.720 --> 12:47.720
Let's go, boys.

12:47.720 --> 13:00.720
Auto Light is bringing you Mr. Jeff Chandler in, the Steel River Project.

13:00.720 --> 13:02.720
The Steel River Prison Break.

13:02.720 --> 13:07.720
Tonight's production in Radio's outstanding theater of thrills, Suspense.

13:07.720 --> 13:20.720
Well, you happy sheriff?

13:20.720 --> 13:21.720
Sure am, Harlow.

13:21.720 --> 13:24.720
Happy as a pin-o-pony in pasture.

13:24.720 --> 13:32.720
Since my auto light spark plug dealer checked them spark plugs with that exclusive auto light plug check indicator.

13:32.720 --> 13:34.720
What did it show, sheriff?

13:34.720 --> 13:39.720
Those critters were as worn as a cowboy's chaps after the spring round up.

13:39.720 --> 13:45.720
But it lassoed them for a heifer to ignition engineered auto light spark plugs.

13:45.720 --> 13:51.720
And now my car takes off like a scared coyote runs sweet as a cowpoke's dream.

13:51.720 --> 13:54.720
Uses less gas and a gophery shatter.

13:54.720 --> 13:56.720
Well, I knew it would, sheriff.

13:56.720 --> 14:02.720
Because ignition engineered auto light spark plugs are designed by the same men who engineer the coil, distributor,

14:02.720 --> 14:11.720
and all the other important parts of the ignition system used as original factory equipment on many makes of our finest cars, trucks, and tractors.

14:11.720 --> 14:17.720
That's why when you replace worn out spark plugs with standard or resistor type auto light spark plugs,

14:17.720 --> 14:23.720
you can be sure of getting smoother performance, quick starts, and gas savings.

14:23.720 --> 14:32.720
So friends, see your auto light spark plug dealer soon and have him compare your spark plugs with the famous plug check indicator.

14:32.720 --> 14:38.720
For his name and address, just call Western Union by number and ask for operator 25.

14:38.720 --> 14:43.720
Oh, remember too, you're always right with auto light.

14:43.720 --> 14:52.720
And now auto light brings back to our Hollywood sound stage Mr. Jeff Chandler in Elliot Lewis's production of The Steel River Prison Break,

14:52.720 --> 14:58.720
a dramatic report well calculated to keep you in suspense.

14:58.720 --> 15:12.720
What'd you have to shoot that guard for, Ruff?

15:12.720 --> 15:13.720
I didn't want him taking a chance.

15:13.720 --> 15:23.720
You dumb jerk, breaking out of stores one thing murders another. Come on, this way.

15:23.720 --> 15:26.720
We splashed up Ohio Street and there wasn't no one following us.

15:26.720 --> 15:29.720
Screws were too busy getting the other cons into the buses.

15:29.720 --> 15:36.720
They couldn't have found us anyway because we lost ourselves behind the swinging doors of Harley-Heath Salon where I used to rush the growler for my old man.

15:36.720 --> 15:42.720
We were in pretty good shape. I hadn't used my own gun yet. Run had three rounds left in the guard's gun.

15:42.720 --> 15:50.720
We just stood there in the dark with the water lapping around our knees and watched the buses loaded with stir-bricks pull out one by one for the Conestoga County Jail.

15:50.720 --> 15:54.720
We made it. We made it.

15:54.720 --> 15:57.720
So far. What do we do now, swim?

15:57.720 --> 15:58.720
I can't swim.

15:58.720 --> 16:00.720
We ain't gonna walk, that's for sure.

16:00.720 --> 16:04.720
My house is ten blocks closer to the river. This water's going up, not down.

16:04.720 --> 16:05.720
It stinks.

16:05.720 --> 16:09.720
Sure it stinks. Floods always stink. You ought to smell what it's like when the water drops.

16:09.720 --> 16:11.720
Only way you're gonna be here is smelling.

16:11.720 --> 16:12.720
Wait a minute. Listen.

16:12.720 --> 16:13.720
Yeah.

16:18.720 --> 16:19.720
Where's that radio coming from?

16:19.720 --> 16:24.720
Ah, a rescue boat. All the river men help when there's a flood like this. Not even a radio.

16:24.720 --> 16:25.720
Maybe a rescue, huh?

16:25.720 --> 16:30.720
Yes, but I figured right. Now let me handle it. You two act a little tight.

16:30.720 --> 16:33.720
Hey, hey, Mac! Over this way.

16:33.720 --> 16:35.720
Where were you?

16:35.720 --> 16:37.720
Just stay behind these swinging toys.

16:37.720 --> 16:39.720
Over here, in that hurly!

16:47.720 --> 16:51.720
Now, what are you doing there? You took the last guy out there a half hour ago.

16:51.720 --> 16:56.720
Oh, we were sitting back room with a picture of beer. We're twice as ready to leave yet.

16:56.720 --> 17:02.720
Well, look, I cut through this way. Now that the cons are out of the panacea and panoramic, it's been weird.

17:02.720 --> 17:04.720
You guys might have browned.

17:04.720 --> 17:06.720
Yeah, I guess you remind him.

17:06.720 --> 17:07.720
Oh, here. Touch my hand.

17:07.720 --> 17:08.720
Yeah.

17:09.720 --> 17:10.720
Oh, thanks, mister.

17:10.720 --> 17:12.720
I haven't felt so much pain in my life.

17:13.720 --> 17:14.720
Oh, all aboard?

17:14.720 --> 17:15.720
Yep.

17:15.720 --> 17:19.720
Well, then let's... Hey, what kind of suits is that?

17:19.720 --> 17:21.720
Are you guys a convict or what?

17:22.720 --> 17:24.720
That's right, buddy. I'll take off his windbreaker right now.

17:24.720 --> 17:25.720
What?

17:25.720 --> 17:27.720
Strip him. I want to cover this number on my back.

17:27.720 --> 17:29.720
Oh, yeah, sure. Come on, give me a hand, boys.

17:29.720 --> 17:30.720
Hey, Albright.

17:30.720 --> 17:32.720
Good. Over the side with him.

17:32.720 --> 17:33.720
Huh? Oh, you ain't gonna...

17:33.720 --> 17:35.720
No, I ain't gonna. You are. Over the side.

17:35.720 --> 17:37.720
But that's murder.

17:37.720 --> 17:41.720
Look at this talk. You shot a guard 10 minutes ago. What was that, target practice? Over the side.

17:42.720 --> 17:43.720
Okay, Brian.

17:44.720 --> 17:48.720
All right, Jesus. Hit the deck out of sight. Here we go.

17:56.720 --> 17:57.720
Where we going, Greg?

17:57.720 --> 17:58.720
Marshal.

17:58.720 --> 18:00.720
On Ohio Street now.

18:00.720 --> 18:03.720
Turn left onto Liberty. Eight blocks from there we're home.

18:04.720 --> 18:05.720
Turn off that radio.

18:07.720 --> 18:10.720
Here's Liberty Street now. Hang on.

18:14.720 --> 18:15.720
Take it easy, Greg.

18:15.720 --> 18:18.720
Watch out, Greg. There's a boatload of people up here.

18:18.720 --> 18:20.720
Get down, Rod. Get down!

18:21.720 --> 18:23.720
No, Greg! I can't!

18:23.720 --> 18:28.720
Greg, I can't swim!

18:28.720 --> 18:29.720
Greg, you ran down that boat.

18:29.720 --> 18:30.720
Yeah, yeah, I know.

18:30.720 --> 18:31.720
There were women and kids in it.

18:31.720 --> 18:32.720
That's that tough luck.

18:32.720 --> 18:33.720
We gotta go back.

18:33.720 --> 18:35.720
We can't go back. Where's Rod?

18:35.720 --> 18:38.720
Huh? Rod? Hey, Rod, where are you?

18:38.720 --> 18:39.720
Get down, Mike. Stay out of sight.

18:39.720 --> 18:40.720
He ain't here.

18:40.720 --> 18:41.720
He must have fell out when we hit the boat.

18:41.720 --> 18:42.720
We gotta go back for him.

18:42.720 --> 18:43.720
We can't, Mike.

18:43.720 --> 18:44.720
Yeah, but he's got the gun.

18:44.720 --> 18:46.720
I got the guard's gun. I still got mine with a full clip.

18:46.720 --> 18:47.720
But, Greg, he can't swim.

18:47.720 --> 18:48.720
I know.

18:48.720 --> 18:50.720
Well, maybe the water ain't deep there. Maybe he can walk.

18:50.720 --> 18:53.720
You're kidding. Look at those storefronts.

18:53.720 --> 18:55.720
There's 15 feet of water under us.

19:04.720 --> 19:07.720
We tied up to the front porch roof of Ma's house.

19:08.720 --> 19:11.720
Didn't take long to rip the radio and battery out of that launch,

19:11.720 --> 19:13.720
kick a hole in her bottom, and sink her on Ma's front yard.

19:14.720 --> 19:15.720
We needed the radio.

19:15.720 --> 19:20.720
I wanted to know whether the boys were looking for us or for flood victims.

19:20.720 --> 19:22.720
A boat to 754 Stanton Alley.

19:22.720 --> 19:24.720
Joel, they picked that one up.

19:24.720 --> 19:25.720
Correction.

19:25.720 --> 19:28.720
Disregard 754 Stanton Alley.

19:28.720 --> 19:33.720
Attention all doctors and nurses in Crane Valley, New Thames, and Henry Roy.

19:33.720 --> 19:34.720
Your services are at death's door.

19:34.720 --> 19:36.720
They were looking for flood victims.

19:36.720 --> 19:40.720
With people drowning and typhoid threatening, the water supply cut off,

19:40.720 --> 19:42.720
the phone lines out, and the National Guard and Army called in,

19:42.720 --> 19:45.720
no one was thinking much about three escapees.

19:46.720 --> 19:47.720
I mean, two.

19:49.720 --> 19:51.720
Ma wasn't home much.

19:51.720 --> 19:52.720
She was in old hamper floods.

19:52.720 --> 19:55.720
When that water hits 35 feet at Ohio Avenue Bridge,

19:55.720 --> 19:59.720
Ma always lights up her Aunt Carrie's in Mount Austin, sits it out.

19:59.720 --> 20:04.720
But everything was snug on the second floor, and my room was just like I left it.

20:04.720 --> 20:08.720
So much and I hit the sack hoping the water wouldn't come any higher.

20:08.720 --> 20:12.720
And it didn't.

20:23.720 --> 20:24.720
Hey, Marsh.

20:24.720 --> 20:25.720
Huh?

20:25.720 --> 20:27.720
Come on, rise and shine. Wake up.

20:27.720 --> 20:28.720
Huh?

20:28.720 --> 20:29.720
Hey, what are you doing in my cell?

20:29.720 --> 20:31.720
This ain't a cell, you jerk.

20:31.720 --> 20:33.720
Huh? Where am I?

20:33.720 --> 20:36.720
You're in my Ma's house, remember? We ain't in store no longer.

20:36.720 --> 20:37.720
Oh, yeah, yeah.

20:37.720 --> 20:39.720
Come on, come on, get with it. Look out the window.

20:39.720 --> 20:40.720
Hey, I'm hungry.

20:40.720 --> 20:41.720
Oh, wait, look at that.

20:41.720 --> 20:42.720
What?

20:42.720 --> 20:43.720
Stop raining, the water's dropping.

20:43.720 --> 20:46.720
You can see the parlor windows on the house across the street.

20:46.720 --> 20:47.720
So?

20:47.720 --> 20:48.720
So by this afternoon we can move.

20:48.720 --> 20:49.720
I'm hungry.

20:49.720 --> 20:51.720
You're gonna be hungrier.

20:51.720 --> 20:53.720
Ma's kitchen will be three inches deep and muck.

20:53.720 --> 20:55.720
Hey, when the water drops they'll be looking for us.

20:55.720 --> 20:56.720
We won't be here.

20:56.720 --> 20:59.720
By midnight tonight we'll be in Cronin's joint in Youngstown.

20:59.720 --> 21:00.720
How?

21:00.720 --> 21:02.720
You're here, ain't you?

21:02.720 --> 21:03.720
Yeah.

21:03.720 --> 21:05.720
Don't ask how, just take my word for it.

21:05.720 --> 21:07.720
We'll be there.

21:12.720 --> 21:15.720
By five o'clock that afternoon we were plenty hungry.

21:15.720 --> 21:18.720
We could stand a little more of that because the water had drained out of the street.

21:18.720 --> 21:20.720
People were beginning to drift back to their homes,

21:20.720 --> 21:23.720
picking their way through the ankle-deep muck.

21:23.720 --> 21:25.720
It was time for us to move.

21:25.720 --> 21:29.720
Moish and I put on a couple of my best suits while the radio blared on and on.

21:29.720 --> 21:33.720
The bridge to the Ohio Street Bridge is now 32 feet and falling.

21:33.720 --> 21:37.720
The Army engineers report that the flood crest is well past Frickburg

21:37.720 --> 21:41.720
and is expected to reach Toobinville tonight and Cincinnati tomorrow.

21:41.720 --> 21:43.720
Oh, sweetheart, we're in business.

21:43.720 --> 21:44.720
Toobinville and Cincinnati.

21:44.720 --> 21:48.720
The cops over in Ohio will be so busy they'll never see the old points flash.

21:48.720 --> 21:50.720
That mud's gonna ruin your pretty pants.

21:50.720 --> 21:52.720
So turn up the cups and let's go.

21:52.720 --> 21:57.720
Hey, hey, they turned my old school house into a morgue.

21:57.720 --> 21:59.720
Listen.

21:59.720 --> 22:03.720
The correction, that's Mrs. Margaret Bragg.

22:03.720 --> 22:04.720
Moish.

22:04.720 --> 22:05.720
What?

22:05.720 --> 22:07.720
Margaret Bragg.

22:07.720 --> 22:09.720
It's my ma.

22:15.720 --> 22:17.720
Maybe it was a mistake.

22:17.720 --> 22:20.720
Wouldn't be the first time they'd made mistakes like that.

22:20.720 --> 22:24.720
Maybe it was a trick. Maybe the warden put out that flash to trap me.

22:24.720 --> 22:26.720
Maybe it was on the level.

22:26.720 --> 22:29.720
I had to know. I had to be sure.

22:29.720 --> 22:31.720
So Moish and I sloughed through mud up to our ankles,

22:31.720 --> 22:34.720
but not out of the Youngstown road.

22:34.720 --> 22:36.720
I was headed for this schoolhouse.

22:36.720 --> 22:40.720
Moish, well, he's a good kid. He came along.

22:42.720 --> 22:47.720
They were stretched out in the assembly hall, row on row of them on cots covered with sheets.

22:47.720 --> 22:50.720
In the assembly hall were us kids used to pledge allegiance to the flag

22:50.720 --> 22:56.720
and sing America the beautiful.

22:56.720 --> 22:59.720
Hey, uh, I beg pardon.

22:59.720 --> 23:01.720
Yes, may I help you?

23:01.720 --> 23:03.720
Yeah, Mrs. Margaret Bragg.

23:03.720 --> 23:06.720
I heard on the radio you had Mrs. Margaret Bragg here.

23:06.720 --> 23:11.720
Just a moment, please. I'll see if she's listed.

23:11.720 --> 23:18.720
Yes, down that aisle to the right, four or five cots down, you'll find the name on the tank.

23:18.720 --> 23:20.720
Thanks.

23:23.720 --> 23:24.720
Bragg.

23:24.720 --> 23:25.720
Yeah?

23:25.720 --> 23:27.720
Even if they got her here, maybe it's a trap.

23:27.720 --> 23:29.720
I've got to be sure. I've got to see her.

23:29.720 --> 23:30.720
Yeah, I know.

23:30.720 --> 23:31.720
If you want to get out, get, it's okay with me.

23:31.720 --> 23:33.720
No, no, I'm sticking, but keep your eyes open.

23:33.720 --> 23:35.720
Yeah, yeah, sure.

23:37.720 --> 23:38.720
What's that tag say?

23:38.720 --> 23:41.720
Campanelli, Luigi.

23:41.720 --> 23:44.720
I don't know.

23:46.720 --> 23:48.720
These new ones are unidentified.

23:52.720 --> 23:55.720
LaRoy, Sarah, Jean.

23:55.720 --> 23:58.720
I went to school with her father.

24:03.720 --> 24:05.720
Here, pal.

24:05.720 --> 24:07.720
Bragg.

24:07.720 --> 24:09.720
Mrs. Margaret.

24:09.720 --> 24:11.720
Turn down this sheet, will you, Moish?

24:11.720 --> 24:13.720
Yeah, sure.

24:21.720 --> 24:23.720
All right, Bragg, put your hands up.

24:23.720 --> 24:24.720
Bragg, it's lefty to head guard.

24:24.720 --> 24:26.720
Doc, down behind this cot.

24:26.720 --> 24:28.720
Come on, Bragg.

24:28.720 --> 24:30.720
Give yourself up.

24:30.720 --> 24:32.720
Let's not make any more trouble for these people.

24:32.720 --> 24:33.720
They've had enough of it.

24:33.720 --> 24:37.720
I didn't get this far to give myself up in no lousy morgue.

24:37.720 --> 24:39.720
Moish, make your way behind these cots to that door by the stage.

24:39.720 --> 24:40.720
I'll cover you.

24:40.720 --> 24:42.720
Okay.

24:46.720 --> 24:47.720
Okay, Bragg, I got the door open.

24:47.720 --> 24:49.720
Good boy.

24:49.720 --> 24:50.720
Come on, kid.

24:50.720 --> 24:51.720
Where's the sleek?

24:51.720 --> 24:52.720
Just a balcony above the swimming pool.

24:52.720 --> 24:54.720
This way.

24:57.720 --> 24:58.720
Come on, we gotta make it across that catwalk

24:58.720 --> 24:59.720
by the high diving board.

24:59.720 --> 25:00.720
Go ahead, I'll follow you.

25:00.720 --> 25:07.720
All right.

25:07.720 --> 25:08.720
Okay, Moish, come on.

25:08.720 --> 25:09.720
We can get out through here.

25:09.720 --> 25:12.720
Right.

25:12.720 --> 25:13.720
Stand where you are, Moish.

25:13.720 --> 25:15.720
Not until you're lefty.

25:15.720 --> 25:17.720
Hey, Moish!

25:21.720 --> 25:22.720
You're next, Bragg.

25:22.720 --> 25:31.720
Why, you dirty...

25:31.720 --> 25:35.720
You ready to come now, Bragg?

25:35.720 --> 25:37.720
Yeah.

25:37.720 --> 25:49.720
Yeah, I'm ready.

25:49.720 --> 25:54.720
Hold out your hands.

25:54.720 --> 25:58.720
Okay, let's go.

25:58.720 --> 25:59.720
Lefty.

25:59.720 --> 26:01.720
Yeah?

26:01.720 --> 26:06.720
Can I say goodbye to Ma before I go?

26:06.720 --> 26:09.720
Yeah, I suppose so.

26:09.720 --> 26:10.720
How did it happen, Lefty?

26:10.720 --> 26:12.720
How did she drown?

26:12.720 --> 26:13.720
Didn't you read her tag?

26:13.720 --> 26:14.720
No.

26:14.720 --> 26:16.720
Seems the rescue boat she was in was capsized

26:16.720 --> 26:19.720
by an unidentified launch at the corner of Ohio

26:19.720 --> 26:21.720
and Liberty Streets last night.

26:21.720 --> 26:22.720
You're lying.

26:22.720 --> 26:23.720
That's what the tag says.

26:23.720 --> 26:25.720
Sort of a hit and run pilot.

26:25.720 --> 26:26.720
You're lying.

26:26.720 --> 26:27.720
I was running that launch.

26:27.720 --> 26:29.720
Oh, you were.

26:29.720 --> 26:31.720
Well, like you said last night, Bragg,

26:31.720 --> 26:35.720
what difference does it make if you kill two instead of one?

26:35.720 --> 27:01.720
It's the same hot seat, ain't it?

27:01.720 --> 27:05.720
Suspense presented by Auto Light.

27:05.720 --> 27:08.720
Tonight's star, Mr. Jeff Chandler.

27:08.720 --> 27:10.720
Well, Jeff, thanks for an exciting story

27:10.720 --> 27:12.720
and a wonderful performance.

27:12.720 --> 27:14.720
Well, thanks to you, Harlow, and to Auto Light

27:14.720 --> 27:16.720
for inviting me to appear on Suspense.

27:16.720 --> 27:18.720
I hope you'll ask me again soon.

27:18.720 --> 27:21.720
You can be sure we will, Jeff Chandler.

27:21.720 --> 27:24.720
Just as sure as Auto Light is the world's largest

27:24.720 --> 27:28.720
independent manufacturer of automotive electrical equipment.

27:28.720 --> 27:31.720
Yes, in 28 plants from coast to coast,

27:31.720 --> 27:34.720
Auto Light makes over 400 products

27:34.720 --> 27:37.720
for cars, trucks, tractors, planes, and boats,

27:37.720 --> 27:40.720
including complete electrical systems,

27:40.720 --> 27:42.720
ignition-engineered Auto Light standard

27:42.720 --> 27:44.720
and resistor-type spark plugs,

27:44.720 --> 27:48.720
and the famous Auto Light stay-full battery.

27:48.720 --> 27:51.720
Yes, you can be sure from bumper to tail light

27:51.720 --> 27:54.720
you're always right with Auto Light.

27:54.720 --> 28:09.720
Next week on Suspense, another story based on actual events,

28:09.720 --> 28:11.720
a dramatic report on mediums

28:11.720 --> 28:14.720
and the terrible harm it is in their power to commit.

28:14.720 --> 28:17.720
Starring the First Lady of Suspense,

28:17.720 --> 28:22.720
Miss Agnes Moorhead in The Evil of Adelaide Winters.

28:22.720 --> 28:24.720
In weeks to come, we shall also present

28:24.720 --> 28:52.720
Mr. Charles Lawton and Mr. Tony Curtis.

