WEBVTT

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Auto Light and its 96,000 dealers present Suspense.

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Tonight, Auto Light brings you the story of a man who tries to commit the perfect crime,

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Overdrawn, starring Mr. Dick Powell.

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Well, hi, Hollow. Well, Stanley Smart, baseball's brightest brain and most magnetic manager.

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How's the car, Stan? Ah, batting zero. No power at all. And it rides rougher than an empire's decision.

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Well, sounds like spark plugs might be causing you trouble, Stan.

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You mean they could make my car act as nervous as a rare rookie hollow?

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Sure. Why not visit your neighborhood Auto Light spark plug dealer?

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He's got the exclusive Auto Light plug check indicator to tell the exact condition of your car's spark plugs

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and whether they're right for your style of driving.

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And if cleaning or adjustments are needed, your Auto Light spark plug dealer has the tools and equipment

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to give you the best spark plug service money can buy.

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Yeah, but Hollow, suppose replacements are needed.

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Why, then he'll replace those worn out spark plugs for a team of ignition engineered,

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resistor type or standard type Auto Light spark plugs to give you smoother performance,

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quick starts and gas savings. So friends, take a tip from me

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and see your neighborhood Auto Light spark plug dealer soon.

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And remember, you're always right with Auto Light.

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And now with Overdrawn and the performance of Mr. Dick Powell,

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Auto Light hopes once again to keep you in suspense.

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The next time you walk into a bank, notice the guy behind the window.

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For 17 years, I worked in the bank, took it in and doled it out.

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And there was never a day that I didn't feel like a dead ant in a jar of honey.

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When the feeling got hard to handle, I'd borrow a week's salary on a blonde or a new suit.

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But it didn't help. Expensive things are like eating peanuts. You can't stop.

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Sure, you can push them away, but what do you accomplish?

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You just have to reach a little higher.

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Mr. McPherson, the president of the bank, valued my efficiency at a premium.

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Whenever a new man was hired, I was elected to show him the ropes.

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Mr. Graves, this is Mr. Robert Farley, our most experienced and conscientious teller.

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He'll see that you get off on the right foot.

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He'd pat me on the back and leave me to explain the rules and regulations

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to some wet-nosed kid fresh out of college.

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Hope you don't mind me hanging over your shoulder, Mr. Farley.

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Hang anywhere you want.

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Huh?

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Nothing.

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Mr. McPherson tells me the procedure here is pretty strict.

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I wouldn't want to make any mistakes.

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It's not too bad, Graves. Pretty much the same as any bank.

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Just make sure you write your figures clearly and...

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Oh, the old man has one particular fetish.

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Be sure your initials are legible.

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Sure.

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A few years ago, we had two tellers with the same initials.

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There was a deposit error and nobody could tell which one made it.

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They both got fired.

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Want some coffee?

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Well, I don't like to leave before I...

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Oh, I always bring a thermos.

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Hand me that briefcase, will you?

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Oh, sure.

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Grab yourself a paper cup.

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That drugstore gives me indigestion.

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Hope you like it black.

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Yeah, black's fine.

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Thanks.

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Been here long, Mr. Farley?

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Started as a messenger boy when I was 18.

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Watch out, it's hot.

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Makes sense. Who wants cold coffee?

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Get the picture?

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As monotonous as 50 miles of dirt road,

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unless you've got patience.

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I had it.

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And for 17 years, I bet my patience on the longest shot in the world.

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If it happened, I was ready for it.

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For 17 years, I got up in the morning,

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filled my thermos with coffee,

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put it in my briefcase, and went to work.

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And every day I sat there with my hands full of money,

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waiting and hoping.

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Then one afternoon, as the minute hand on the big bank clock

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jumped from 2.59 to 3, it paid off.

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I'd like to cash a big check.

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How big?

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How much have you got?

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Don't move an inch or I'll blow your head off.

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He was a big man in a trench coat,

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and he held a gun pointed right at my chest.

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I looked down the line of windows,

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and I'm man covered each window.

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Don't let anybody move, Mr. Farley.

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Hurry it up, buddy. All the money you got in the drawer.

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I reached for a stack of thousands

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and watched him rake the money into a leather bag.

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I kept handing him money,

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praying someone would get to the alarm.

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Come on, let's have it faster.

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Get that guy in number four!

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Let's go!

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Fast. Everything happened fast.

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Pete Johnson was the guy who turned in the alarm.

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Now he was down on his face, his life running out all over the floor.

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Everybody was crowding around Pete,

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everybody but me.

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I remembered those patient years and moved like a machine.

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I grabbed my briefcase,

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stuffed it with the rest of the money from the cash drawer.

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Tens, twenties, hundreds.

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It was a matter of seconds while the hysteria

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kept everyone else too busy to notice.

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Then I closed the case,

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put it back under my counter.

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I took a deep breath

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and joined the crowd standing around Pete Johnson.

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What'd the guy look like?

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Well, officer, he had on a trench coat and a hat.

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What color was the hat? What color the coat?

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Well, the coat was tan, I think.

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The hat green or gray.

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Did you get a good look at his face?

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No, no, no. I was too busy looking at his gun.

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Well, we've got pretty good descriptions.

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You can send everybody home.

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They got about 80,000.

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Your window took the biggest loss, Farley.

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Oh, well, he cleaned me out.

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I'm sorry, Mr. MacPherson.

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Can't be helped.

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Certainly nothing for you to worry about.

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See you in the morning.

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Yes, sir.

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Mr. Farley.

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Huh? Oh, what is it, Graves?

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I just thought maybe you wanted a lift home.

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No, thanks. I'm still a little shaky.

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I think I'll walk it off.

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Thanks, just the same.

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Sure, Mr. Farley. Anytime.

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So far, so good.

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I'm at a 50-foot walk to the front door,

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and I'd be on the street, easy street.

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But I took my time.

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Too close to look anxious,

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too close to attract attention.

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I closed the drawer, reached down, and stopped,

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my fingers inches away from the leather handle on the briefcase.

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At the front door stood two policemen.

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They'd stopped one of the tellers and were questioning him,

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asking him about a lunch pail he was carrying.

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They made him open it, and I got sick.

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I had never met the street with that briefcase.

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Suddenly everything seemed mixed up, confused.

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I grabbed my coat, headed for the door.

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I had to get out, run, forget the briefcase, and save myself.

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All the way across the bank, I kept telling myself,

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relax, slow down.

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Hold it, mister.

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What's the matter?

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Just checking. No packages, huh?

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No.

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Okay, good night.

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Good night.

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Mr. Farley! Mr. Farley!

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Hey, you.

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What?

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Guy calling you.

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Mr. Farley, I forgot your briefcase.

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You wouldn't have had any hot coffee in the morning.

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Oh, yeah, yeah, thanks, Graves.

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Got your briefcase?

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Yeah, why?

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What's in it?

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Oh, an empty thermos.

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Better have a look.

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Mr. Farley.

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Yes, sir?

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I hope you weren't upset about your window.

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Oh, this officer wants to check my briefcase.

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Your briefcase?

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Oh, don't be ridiculous, Sergeant.

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I'll vouch for Mr. Farley.

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Been with me 17 years.

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Okay, Mr. McPherson.

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Thank you, sir.

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Can't trust you.

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Can't trust anybody.

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Oh, that's all I wanted to say.

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See you in the morning.

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Yes, sir.

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I made it.

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A briefcase full of money and for a bonus.

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Can't trust you.

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Can't trust anybody.

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I went up the steps of my apartment like a kid on his way to a taffy pole.

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Once inside, I locked the door and opened the case.

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I walked to the bed and dumped it.

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House Beautiful should feature it, a crazy quilt of money.

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I counted it.

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$28,311.

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I counted it again and took a nap.

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I looked at the clock on the nightstand.

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7-10.

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I had been out about a half hour.

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Somebody was knocking at my door.

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I shoveled the money back into the briefcase and put it under the bed.

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Who is it?

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Graves, Mr. Farley.

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Can I see you a minute?

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Oh, I'll be right there.

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Oh, you've been asleep?

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Yeah.

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Didn't mean to wake you up.

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That's okay.

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What's on your mind?

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I stopped off at the corner market and bought a fifth.

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I thought they only sold milk and quartz.

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I thought maybe you'd want a drink.

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Now, why did you think maybe I'd want a drink?

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Well, I'm sorry.

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I just wanted to talk.

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I'll see you in the morning.

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No, wait a minute.

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Come on in.

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Come on.

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I could use a drink.

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I'll get some glasses.

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Make yourself comfortable.

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Thanks.

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What's the occasion?

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Oh, I just thought you might still be a little upset after that hold-up.

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Upset?

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Yeah.

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You were pretty nervous.

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Oh, I guess I was.

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You're a nice kid.

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Thanks.

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Is this okay?

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It's a blend.

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Sure, sure.

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No soda.

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Water all right?

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Yeah.

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Yeah, fine.

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Well, cheers.

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Cheers.

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Mr. Farley.

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Yeah?

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What are you going to do with all that money?

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What?

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That money you put in your briefcase.

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What are you going to do with it?

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You out of your mind?

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I saw you.

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If you haven't figured out what you're going to do with the money,

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I could sure use some of it.

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He sat across the table from me,

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smiling like a young rattlesnake in a rabbit pen.

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He took out a cigarette,

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leaned back in his chair, and lighted it.

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He blew the smoke across at me in a long, thin stream.

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I could feel the panic again.

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The smoke spread out and hung over the table.

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Fifty-fifty, Mr. Farley.

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I think that's fair.

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Half of 17 years.

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He was asking for half of a lifetime,

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and I couldn't spare it.

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What do you say, Mr. Farley?

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No.

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Okay.

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Wait a minute.

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Yes, Mr. Farley?

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Change your mind?

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Yeah.

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Well, good.

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Let's have another drink.

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Sure.

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Say when.

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Hold it.

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That's fine.

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Cheers.

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Cheers.

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You're too young to drink anyway.

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Auto Light is bringing you Mr. Dick Powell in Overdrawn,

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tonight's production in radio's outstanding theater of thrills,

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Suspense.

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Hello.

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I'm happy as a pennant winner now.

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Oh, you visited your neighborhood Auto Light spark plug dealer, eh, Stan?

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Oh, you bet I did.

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He checked my car's spark plugs with that famous Auto Light plug check indicator,

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and he found that they were as worn as a catcher's mitt after a double header.

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So he threw out those worn out spark plugs for a set of ignition engineered Auto Light spark plugs, eh?

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You bet he did.

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And now my car takes off like a home run, operates smooth as a double play,

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and really goes the distance on a tank of gas.

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Well, that's because ignition engineered Auto Light spark plugs are designed by the same Auto Light engineers

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who design coils, distributors, and all the other important parts

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that make up the complete ignition systems for many of our finest makes of cars, trucks, and tractors.

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Auto Light spark plugs are ignition engineered to pitch perfect performance

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and catch the praises of smart motorists everywhere.

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You know how old?

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I'm going to tell all my players to have their cars checked regularly by their Auto Light spark plug dealer.

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Yes, Stan, and have worn out spark plugs replaced with either standard or resistor type

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ignition engineered Auto Light spark plugs, because, even as the umpire knows,

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you're always right with Auto Light.

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And now Auto Light brings back to our Hollywood sound stage Mr. Dick Powell

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in Elliot Lewis's production of Overdrawn, a tale well calculated to keep you in suspense.

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For a minute nothing was real.

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Then gradually I started to think clearly again, more coolly and smoothly.

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I got the keys to Graves' car out of his pocket, packed a bag, and grabbed the briefcase with the money.

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I carried them out to his car and locked them in the trunk.

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Then I went back for him.

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It was dark.

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I got him over my shoulder and went out the back door to the alley.

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I got him into the car, propped him up at the seat beside me.

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He looked like a college boy after a big game celebration,

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and I thought he'd wake up any minute and say, stop the car, I don't feel so good.

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A few miles outside of town there was a reservoir.

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I pulled up a few feet for the edge and sat there a minute, smoked a cigarette.

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I didn't dare go too fast.

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Had to know the next move.

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Suddenly the kid's body slipped a little and leaned against my shoulder like he wanted to hurry and get it over with.

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It was the least I could do.

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I grabbed my briefcase and bag, took the brake off, and shoved.

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The car slid into the water in a slow, smooth glide.

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The bus leaving at gate three for Ventura Santa Barbara, Monterey, Palo Alto and San Francisco.

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Yes, sir, better hurry. That's your bus he just called.

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Thanks.

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It was dark in the bus and too many people were using the air.

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A baby in the back somewhere didn't like it either.

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I put a cigarette in my mouth and as I struck a match, the glow lit up the face that leaned toward it from the next seat.

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Paula, will you, honey?

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Thanks.

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Oh, stuffy in here, isn't it?

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Yes, it is. Going far?

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San Francisco. I got a cousin there. He runs a restaurant.

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All those fish places on the walk, you know.

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I've never been there, but I've heard about them.

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You've never been to San Francisco? Oh, you've got a kick coming.

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It's not much when the sun's out, but at night it gets enough like New York to be just great.

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You'll love it.

15:38.000 --> 15:41.000
Of course, I don't know anything about you, but...

15:41.000 --> 15:43.000
Oh, you don't have to. We're starting even.

15:43.000 --> 15:44.000
What's your name?

15:44.000 --> 15:46.000
Betsy Clark.

15:46.000 --> 15:48.000
Mine's Adams. Arthur Adams.

15:48.000 --> 15:54.000
I'm a used car salesman from San Diego. I'm taking my first vacation in five years.

15:54.000 --> 15:59.000
And I'm glad to know you, Ms. Clark.

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There were times during the trip when I shied away from her.

16:05.000 --> 16:10.000
I couldn't possibly be lucky enough to pick up a right girl in such a wrong place.

16:10.000 --> 16:14.000
But she got to be important to me just by being there.

16:14.000 --> 16:16.000
I didn't want to be alone.

16:16.000 --> 16:21.000
We got to San Francisco about 8 o'clock the next morning, and I felt panic again.

16:21.000 --> 16:28.000
She'd leave me now and go to her cousin, leave me in a vacuum to hold hands with a briefcase in the past.

16:28.000 --> 16:30.000
Where are you going to stay, Arthur?

16:30.000 --> 16:35.000
I, uh, I don't know. Some downtown hotel, I guess. Any suggestions?

16:35.000 --> 16:38.000
Well, there's a little place on Gary. It's clean. The price is right.

16:38.000 --> 16:40.000
Sounds fine. What's the address?

16:40.000 --> 16:43.000
354 South. Come on, we'll take a cab.

16:43.000 --> 16:44.000
We?

16:44.000 --> 16:47.000
Well, unless you want to walk. It's a good 10 blocks.

16:47.000 --> 16:50.000
Oh, I thought you were staying with your cousin.

16:50.000 --> 16:52.000
I changed my mind.

16:52.000 --> 16:57.000
Besides, you're liable to get lost without me. These San Francisco streets can be very confusing.

17:05.000 --> 17:10.000
Good morning. Can I just... Oh, hello, Miss Clark.

17:10.000 --> 17:12.000
Hello, Pop. You got a couple of rooms?

17:12.000 --> 17:15.000
Sure. It's good to see you again. It's been nearly...

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This is Mr. Adams, Pop. Give him one overlooking the bay. He's never been here before.

17:18.000 --> 17:21.000
He can have, uh, 411.

17:21.000 --> 17:23.000
Okay. How about me?

17:23.000 --> 17:24.000
409?

17:24.000 --> 17:26.000
That'll be fine.

17:26.000 --> 17:28.000
I'll, uh, I'll take you up.

17:30.000 --> 17:35.000
You call me when you're freshened up. There's a wonderful restaurant that serves stuffed grape leaves.

17:35.000 --> 17:37.000
We'll begin the tour with something exotic, huh?

17:37.000 --> 17:41.000
Oh, great. Let's keep it that way. I'll be ready in an hour.

17:41.000 --> 17:45.000
I got settled in my room and had Pop bring me a paper.

17:45.000 --> 17:48.000
The bank robbery story was there, but that's all.

17:48.000 --> 17:50.000
In a day or two, there'd be more.

17:50.000 --> 17:54.000
I dressed for dinner, filled my pocket with enough money for a couple of big weeks,

17:54.000 --> 17:57.000
then took the briefcase downstairs to the desk.

17:57.000 --> 18:00.000
Oh, uh, can you put this case in the safe for me, Pop?

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Oh, sure, Mr. Adams.

18:02.000 --> 18:05.000
Uh, just a moment. I'll give you a receipt.

18:05.000 --> 18:07.000
There you go.

18:07.000 --> 18:11.000
Is this the house phone?

18:07.000 --> 18:11.000
Oh, yeah.

18:11.000 --> 18:13.000
409, please.

18:13.000 --> 18:18.000
Hi. I'm downstairs. I had to put something in the safe.

18:18.000 --> 18:20.000
Okay.

18:20.000 --> 18:37.000
Here's your receipt, Mr. Adams.

18:37.000 --> 18:39.000
Cigarette?

18:39.000 --> 18:41.000
Mm-hmm.

18:41.000 --> 18:45.000
Oh, wonderful, Tony. Would you like to dance?

18:45.000 --> 18:47.000
I'd love to.

18:47.000 --> 18:51.000
Are you having fun?

18:51.000 --> 18:54.000
Mm-hmm.

18:54.000 --> 18:55.000
Arthur?

18:55.000 --> 18:57.000
Yeah?

18:57.000 --> 18:59.000
How long's your vacation?

18:59.000 --> 19:01.000
Three weeks. Why?

19:01.000 --> 19:08.000
I just wondered. You're a good dancer.

19:08.000 --> 19:11.000
We kept dancing for the rest of the evening,

19:11.000 --> 19:16.000
holding her close with her smooth face next to mine and her hair smelling fresh and clean.

19:16.000 --> 19:22.000
Ever play king on the mountain, scrap your way through a dozen kids and finally make the top?

19:22.000 --> 19:28.000
You feel bigger than anybody, standing up there battling to keep them from pulling you back down.

19:28.000 --> 19:32.000
The top of the mountain was mine, and she was dancing with me up there.

19:32.000 --> 19:35.000
And nobody was going to pull me down again.

19:35.000 --> 19:40.000
I thought about Graves lying at the bottom of the reservoir with his head broken.

19:40.000 --> 19:47.000
They probably wouldn't find him for weeks.

19:47.000 --> 19:52.000
The next night we went to the top of the mark.

19:52.000 --> 19:55.000
Gee, I'm sorry it's so foggy.

19:55.000 --> 19:58.000
We'll have to come back again so you can see how pretty it is.

19:58.000 --> 20:03.000
Oh, I like looking at the fog. It's like watching smoke in a fireplace.

20:03.000 --> 20:08.000
Look how it curls around the buildings. Cold smoke.

20:08.000 --> 20:10.000
Oh, I'm glad it's out there.

20:10.000 --> 20:13.000
Why don't we go home now, huh?

20:13.000 --> 20:14.000
Arthur?

20:14.000 --> 20:15.000
Hmm?

20:15.000 --> 20:17.000
Why don't we go home now?

20:17.000 --> 20:19.000
No, not yet.

20:19.000 --> 20:23.000
Well, I don't think I want another drink.

20:23.000 --> 20:28.000
Hey, what happened to you all of a sudden? You miss your used car a lot?

20:28.000 --> 20:31.000
Sorry, I was thinking about somebody.

20:31.000 --> 20:33.000
A girl?

20:33.000 --> 20:38.000
Hey, maybe you're married. I never even asked you that, did I?

20:38.000 --> 20:39.000
Who are you thinking about?

20:39.000 --> 20:41.000
Oh, it's not important.

20:41.000 --> 20:45.000
Just a guy who wanted me to sell out to him.

20:45.000 --> 20:56.000
I kind of wish I had.

20:56.000 --> 20:57.000
Had fun?

20:57.000 --> 21:02.000
Oh, fun, fun, fun, fun.

21:02.000 --> 21:07.000
Come here.

21:07.000 --> 21:08.000
Arthur?

21:08.000 --> 21:10.000
Yes?

21:10.000 --> 21:12.000
I think you're wonderful.

21:12.000 --> 21:14.000
I think you're wonderful, too.

21:14.000 --> 21:16.000
We'd better go in.

21:16.000 --> 21:25.000
Yeah.

21:25.000 --> 21:27.000
Steady as she goes.

21:27.000 --> 21:29.000
See, I'm a little tight.

21:29.000 --> 21:30.000
Want the papers?

21:30.000 --> 21:37.000
Mm-hmm.

21:37.000 --> 21:39.000
Give me your arm.

21:39.000 --> 21:42.000
Love it.

21:42.000 --> 21:49.000
What a wonderful, wonderful evening.

21:49.000 --> 21:50.000
What's in the papers?

21:50.000 --> 21:53.000
Well...

21:53.000 --> 21:54.000
Well?

21:54.000 --> 21:58.000
Oh, nothing much. Another investigation in Washington.

21:58.000 --> 22:01.000
I want to be investigated.

22:01.000 --> 22:02.000
What else?

22:02.000 --> 22:05.000
The police want some man for murder.

22:05.000 --> 22:08.000
Oh, shame on him.

22:08.000 --> 22:12.000
Fourth floor, garden supplies, camping equipment, lingerie.

22:12.000 --> 22:14.000
I used to run an elevator once.

22:14.000 --> 22:20.000
And a department store, I ran an elevator once.

22:20.000 --> 22:21.000
Well?

22:21.000 --> 22:25.000
You got my key.

22:25.000 --> 22:27.000
Wonderful evening.

22:27.000 --> 22:29.000
Good night, honey.

22:29.000 --> 22:30.000
Oh?

22:30.000 --> 22:32.000
I'll call you in the morning.

22:32.000 --> 22:36.000
All right. Good night, Arthur.

22:36.000 --> 22:37.000
Arthur?

22:37.000 --> 22:38.000
Yeah?

22:38.000 --> 22:44.000
You didn't give me my papers.

22:44.000 --> 22:46.000
Sorry.

22:46.000 --> 22:47.000
Something wrong?

22:47.000 --> 22:49.000
Wrong? Don't be silly.

22:49.000 --> 22:51.000
I'll see you in the morning.

22:51.000 --> 22:53.000
You do that.

22:53.000 --> 22:54.000
Betsy, I...

22:54.000 --> 22:56.000
Good night, Arthur.

22:56.000 --> 22:59.000
I remember when I was in that lonely hall with a whirl coming down around my head.

22:59.000 --> 23:00.000
It was all in the papers.

23:00.000 --> 23:04.000
They had found the car with my fingerprints on the door.

23:04.000 --> 23:07.000
They had my description right down to the color of my eyes.

23:07.000 --> 23:11.000
They had even checked the bus station and the ticket seller had remembered me.

23:11.000 --> 23:13.000
The last paragraph read,

23:13.000 --> 23:24.000
It is believed that Farley is somewhere in the vicinity of San Francisco.

23:24.000 --> 23:26.000
Pop. Pop.

23:26.000 --> 23:29.000
Oh. Oh. Oh, yes, Mr. Adams.

23:29.000 --> 23:30.000
I'd like my briefcase.

23:30.000 --> 23:34.000
Oh. All right.

23:34.000 --> 23:37.000
Come on. Come on.

23:37.000 --> 23:40.000
Hurry, will you?

23:40.000 --> 23:45.000
Hurry.

23:45.000 --> 23:46.000
Here you are, Mr. Adams.

23:46.000 --> 23:47.000
Thanks.

23:47.000 --> 23:49.000
I'll have to have your receipt.

23:49.000 --> 23:51.000
Oh, well, there you are.

23:51.000 --> 23:55.000
Just initial it. Hotel policy so we can show you got your case.

23:55.000 --> 23:56.000
Okay.

23:56.000 --> 23:57.000
There.

23:57.000 --> 24:00.000
Thank you, Mr. Adams.

24:00.000 --> 24:01.000
I went up to my room,

24:01.000 --> 24:04.000
tossed the briefcase on the couch and went into the bedroom to pack.

24:04.000 --> 24:06.000
Had to get out, clear out of the city.

24:06.000 --> 24:10.000
I thought about Betsy and I wanted to take her with me, but I couldn't.

24:10.000 --> 24:13.000
How could I explain running, hiding?

24:13.000 --> 24:16.000
Sooner or later she'd find out and I couldn't take that chance.

24:16.000 --> 24:21.000
I closed my suitcase and went into the other room.

24:21.000 --> 24:24.000
Hello, Arthur.

24:24.000 --> 24:29.000
There she was, sitting on the couch, the open briefcase in her lap.

24:29.000 --> 24:31.000
So much money, Arthur.

24:31.000 --> 24:34.000
You must sell an awful lot of cars.

24:34.000 --> 24:35.000
How'd you get in?

24:35.000 --> 24:37.000
You left the door unlocked.

24:37.000 --> 24:39.000
It's all right. I locked it.

24:39.000 --> 24:41.000
Where'd you get it?

24:41.000 --> 24:42.000
I sell a lot of cars.

24:42.000 --> 24:45.000
While you're working in a bank?

24:45.000 --> 24:48.000
Thank you for buying me the papers.

24:48.000 --> 24:50.000
All right, Betsy.

24:50.000 --> 24:53.000
Is that why you killed him, Arthur, for all this money?

24:53.000 --> 24:55.000
What do you want, Betsy?

24:55.000 --> 24:57.000
Must have been awfully rich.

24:57.000 --> 24:59.000
You wanted to get that way.

24:59.000 --> 25:01.000
How much, Betsy?

25:01.000 --> 25:05.000
Well, I guess I'm the only one who could really tell the police.

25:05.000 --> 25:07.000
How much?

25:07.000 --> 25:09.000
How about all of it?

25:09.000 --> 25:11.000
Well, I'll need some to get out of town.

25:11.000 --> 25:13.000
All right, Arthur.

25:13.000 --> 25:15.000
You can call me Bob.

25:15.000 --> 25:17.000
I like Arthur better.

25:17.000 --> 25:18.000
Here's $20.

25:18.000 --> 25:20.000
I think you'd better hurry.

25:20.000 --> 25:22.000
You know why I killed that man, Betsy?

25:22.000 --> 25:25.000
Because he had all this lovely money.

25:25.000 --> 25:28.000
No, because he wanted to take it away from me.

25:28.000 --> 25:31.000
No, please, Arthur.

25:31.000 --> 25:33.000
He wanted to take it away from me.

25:33.000 --> 25:35.000
He wanted to take it away.

25:35.000 --> 25:38.000
You hear me, Betsy? He wanted to take it away.

25:38.000 --> 25:43.000
Stop!

25:43.000 --> 25:45.000
Where is he?

25:45.000 --> 25:47.000
Why, Miss Clark, are you all right?

25:47.000 --> 25:49.000
Hey, you, stop! Stop!

25:56.000 --> 25:58.000
Did you get him?

25:58.000 --> 26:00.000
Yeah, call an ambulance.

26:00.000 --> 26:02.000
How'd you find me?

26:02.000 --> 26:03.000
Pop call.

26:03.000 --> 26:05.000
He recognized you from the description in the paper.

26:05.000 --> 26:07.000
He got suspicious when you initialed that receipt.

26:07.000 --> 26:08.000
What?

26:08.000 --> 26:11.000
You were registered Adams or something.

26:11.000 --> 26:14.000
You initialed that receipt RF and he got to thinking.

26:14.000 --> 26:17.000
You made a big mistake, mister.

26:17.000 --> 26:19.000
Force of habit, officer.

26:19.000 --> 26:42.000
That's what happens when you work in a bank for 17 years.

26:42.000 --> 26:44.000
Suspense.

26:44.000 --> 26:46.000
Presented by Auto Light.

26:46.000 --> 26:49.000
Tonight's star, Mr. Dick Powell.

26:49.000 --> 26:58.000
Friends, this is Harlow Wilcox again to remind you that Auto Light is the world's largest independent manufacturer of automotive electrical equipment.

26:58.000 --> 27:05.000
Auto Light makes over 400 products for cars, trucks, planes and boats in 28 plants from coast to coast.

27:05.000 --> 27:10.000
These products include world famous ignition engineered Auto Light spark plugs,

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which are carried by your neighborhood Auto Light spark plug dealer.

27:14.000 --> 27:24.000
See him soon and have worn out spark plugs replaced with ignition engineered Auto Light resistor type or standard type spark plugs for smoother performance,

27:24.000 --> 27:27.000
quick starts and gas savings.

27:27.000 --> 27:38.000
And remember, you're always right with Auto Light.

27:38.000 --> 27:45.000
Next week on Suspense, our star will be Mr. Richard Widmark in Tell You Why I Shouldn't Die.

27:45.000 --> 27:52.000
To be followed on June 14th by Mr. Gregory Peck, who will tell you the truth about Jerry Baxter.

27:52.000 --> 28:06.000
All on Suspense.

28:06.000 --> 28:14.000
Suspense is produced and directed by Elliot Lewis with music composed by Lucian Morrowek and conducted by Ludd Gluskin.

28:14.000 --> 28:19.000
Overdrawn was written for Suspense by Blake Edwards from a story by Robert Platt.

28:19.000 --> 28:25.000
In tonight's play, Mary Jane Croft was heard as Betsy and Dick Krenna as Graves.

28:25.000 --> 28:31.000
Featured in the cast were Norman Field, Ed Max, Benny Rubin and Joseph Kearns.

28:31.000 --> 28:41.000
Dick Powell may be heard each week on his own radio program, Richard Diamond on another network.

28:41.000 --> 28:55.000
And remember, next week on Suspense, Mr. Richard Widmark in a tale we call Tell You Why I Shouldn't Die.

28:55.000 --> 29:03.000
You can buy world famous Auto Light resistor or standard type spark plugs, Auto Light staple batteries, Auto Light electrical parts at your neighborhood Auto Light dealers.

29:03.000 --> 29:07.000
Switch to Auto Light. Good night.

29:07.000 --> 29:14.000
Skill, freedom, cooperation, competition. These are some of the factors that have kept America strong.

29:14.000 --> 29:19.000
To learn how and why our American economic system is the best, write for the free booklet,

29:19.000 --> 29:25.000
The Miracle of America to Box 10, Times Square Station, New York City.

29:25.000 --> 29:54.000
This is CBS, the Columbia Broadcasting System.

