WEBVTT

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Autolite and its 96,000 dealers presents Suspense.

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Tonight, Autolite brings you a story of murder in the roaring 20s, The Windy City Six, starring

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Mr. Fred McMurray and featuring Red Nichols and his five pennies.

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Before our play begins, here is a word about Autolite from our good friend, Harlow Wilcox.

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Well, hello, Senor Wilcox.

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Greetings, Pepito, my popular purveyor of potent and peppery plates.

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How goes?

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Who knows?

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I am too filled with excitement like, oh, like...

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Like an Autolite Stayful battery is filled with quick dependable starting power and long

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life?

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Si, si, si.

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Well, why the glee, my merry muchacho?

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Could it be your Autolite Stayful, the battery that needs water only three times a year in

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normal car use?

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Si, si, amigo, because with it I never worry.

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And what's more, Pepito, the Autolite Stayful gives longer life, as proved by tests conducted

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according to accepted life cycle standards.

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This is longer than my father's siesta.

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There's no siesta with the Autolite Stayful, Pepito.

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Those fiberglass mats protecting every positive plate prevent shedding and flaking and keep

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the Stayful power filled for you.

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For me?

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Sure.

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You and every motorist who visits his neighborhood Autolite battery dealer for an Autolite Stayful,

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the battery that needs water only three times a year in normal car use, because you're always

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right with Autolite.

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And now with the Windy City Six and the performance of Mr. Fred McMurray, Autolite hopes once

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again to keep you in suspense.

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It all happened some time ago.

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By some time I mean those days when Moonlight on the Ganges was a must at the country club

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dance, when our nerds was considered snappy repartee, when it wasn't entirely unfashionable

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to be seen in a raccoon coat complete with flasks when the Harbards and the Yales met

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in deathless combat.

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Maybe it'll lose a little something in the translation, but it's worth a try.

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Anyway as it happened we were playing in a little pad on Oriole Street, Crazy Jack Fisher's

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high hat.

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It was a speech, but then what wasn't at that time.

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When the breeze was off the river you could hear the riff notes of the Windy City Six

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blowing up town.

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Reading from left to right there was Corny Peters on horn, Rip Jackson on alto, Thurber

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Jones on the licorice, Tinkle Hobson on the Baldwin, Red Moore slapping and me on the skins.

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I'm Carstairs Hamilton, sometimes known as Rimshot, but more often as Hand.

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So we'll keep it that way.

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Ham?

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You booted the beat three times in that last set, what is it?

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Well every time I slide a glimmer over that skirt at table 13 my ticker skips a beat.

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Maybe my sticks caught the fever.

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Oh, well those two playboys with her are Bull Hurley and Red Rocks Farrell.

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You get ready to whistle again, they want to talk with you.

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Talk with me?

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That's what they said.

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Go on now, keep the customers happy.

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Okay, Corny.

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Somebody said you wanted to see me.

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I guess maybe it was a mistake, so I'll just...

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It wasn't no mistake.

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Sit down.

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Yes, sir.

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You see this girl?

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Well, to tell you the truth, I don't think I ever noticed her.

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How do you do?

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Hello.

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You've been staring at her all night, and last night, and the night before.

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Oh, I might have been looking this way, but I'm nearsighted.

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You ought to be in George White's scandals.

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Now, let me give it to you straight bad ears.

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We're taking care of this girl for a very particular friend.

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So lay off her, huh?

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Because if you don't, your poor old mother's going to have someplace to take flowers on

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Sunday afternoon.

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Your grave.

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Back in my drums, I tried not to look at the girl, but I could still see her in my mind.

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Soft dark hair.

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None of that shingled barb stuff.

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A real Marcel finger wave.

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A warm young face, and lots more that curved down into a fur coat that must have sent somebody

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back a whole truckload of upstate scotch.

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Once in a while, I sneaked a quick peek, and every time she was looking at me.

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And suddenly, I got scared, and I lost up a couple of beats.

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I only got some maddie blew up.

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But it didn't make much difference then.

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Our engagement was over.

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Veterans all, we, the Windy City Six broke ranks and went into plan B.

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There we are, everybody.

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We're all under arrest.

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I headed for the kitchen.

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That was always the best way out.

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In the hallway, a small blonde guy was lifting a couple of shaking hands to his face, and

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his eyes grew as large as two hard boiled eggs just before he got it.

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When I got out the kitchen door, I could still see that big black haired, vicious looking

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guy peering out into the night trying to see who it was that passed him in the hall while

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he was busy killing.

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I hope he hadn't seen my face.

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I ran for a while, and then I slowed down to a walk.

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The first few snowflakes of winter were starting to fall, and the world was pulling on that

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wonderland slip over.

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I turned my Chesterfield collar up around my neck and noticed I was still holding a

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pair of drumsticks.

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I thought it over for a minute, and I threw them into the darkness beyond the street light.

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I made up my mind that from now on I was going to stay out of joints like the high hat.

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When I finally got back to my rooming house, there was a surprise in a fur coat waiting

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for me sitting on the front stoop.

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I tried to ignore her.

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You blind or something?

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I suppose you get dozens of girls sitting on your step and I waiting for you.

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Hey.

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Oh.

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Were you looking for me?

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What do you think I've been sitting out here in the cold for?

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Selling subscriptions to the police gazette?

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Sit down.

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Won't you come inside?

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It's safer out here.

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I haven't forgotten the way you were looking at me at the high hat.

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Say, tell me, how'd you get out of that raid so quick?

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How do you think?

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I was with Red Rocks Farrell.

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They don't touch him.

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Oh, yeah, of course.

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Mind telling me your name?

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Carlye Two E's.

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Two E's?

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That's pretty.

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Tell me, Cora, what do you want with me?

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How'd you find my place?

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Crazy Jack gave us the address.

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Farrell and Hurley sent me to get you.

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To get me?

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Look, I don't know anything.

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I didn't see anything.

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I told you I was nearsighted.

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2040.

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They got a place up in the mountains.

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They decided to throw a holiday party.

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They want a band.

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Isham Jones was busy, so all you guys are being picked up.

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I lost my drums.

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Don't worry.

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They'll get drums.

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Let's go.

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Are you going with me?

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Somebody has to show you the road.

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Alone?

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Look, we can talk all about it on the way.

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And don't get any ideas because I might send for reinforcements.

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And these reinforcements will make a Marine landing look like Isadore Duncan's finale.

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You got anything brave to say?

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I'll bet you I'm ready before you can count to a hundred.

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By twos.

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I put the chains on my old marmon, buttoned up the icing glass curtains, cracked a bottle

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of antifreeze, and we started off.

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The snow was swirling down faster than ever and was better than three inches deep by the

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time we were 40 miles out of town.

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Cora was under a blanket, cuddled up next to me like she meant it, her head on my shoulder.

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But it wasn't as romantic as it sounds because under the blanket, Cora was shaking.

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And it was the kind of shaking you don't get from being cold, but from being scared.

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I should have known then that something was terribly wrong, but I had to learn the hard

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way.

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Cora?

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Huh?

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Cora, why do you hang around with bozos like Red Rocks Fell and Bull Hurley for?

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For the same reason you play in places like the high hat.

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The best offer I got.

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Also the worst.

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Look, suppose I just kept going now.

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Somewhere out west, Chicago maybe.

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Would you go with me?

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They'd never let us get away with it.

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Why do we lose trying?

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You don't belong with those guys.

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You belong where the air is clean and you only take a drink when you want and love when

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you...

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Please, don't.

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What's the matter?

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Did I say something wrong?

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Look, why don't you hit me on the head and throw me out and just keep going?

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Throw you out?

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Of course I wouldn't throw you out to save my life.

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Oh, Hem, don't say that.

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About an hour later we passed through the town of Norrisburg.

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We arrived at a big private estate called Haywill Manning.

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The big party was going strong.

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The rest of the Windy City six boys had preceded me, all under escort.

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The man who answered the door was the one person I never wanted to see again.

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When I'd seen him last, he was killing a man at the high hat.

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Well, Cora, I see you got him.

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You got a pretty smart way of leaving a raid in a hurry, Sonny.

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Kitchen door.

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I hope nothing happens to your luck.

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Kitchen door?

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I didn't go out the kitchen door.

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I was left by the basement window.

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I hope for your sake you're right, Sonny.

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Mike, he's a genuine nice guy.

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Well, nice guy, I think you'll like this party.

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Lots of drinks, lots of girls and lots of happy music.

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Oh, sure, sure, I'll do my best.

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Did you get my drums?

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Don't worry about drums.

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We don't have them.

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We'll give you a couple of skulls to be.

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Now go on, pour yourselves a drink and get warm.

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Cora, who is he?

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Big Mike Donovan.

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This is his place.

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He's to the rackets, what Dempsey is to boxing.

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Yeah?

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Well, I'm going to tell you something about him.

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I hear the human life means nothing to him.

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That he'd kill anybody.

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So you heard it.

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Don't go broadcasting it all over the place.

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You want to stay alive, don't you?

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It's always been one of my cheap aims in life.

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Then keep what you know under your hat, you dumb drummer.

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The party was big and it was bouncy.

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Cora was sitting in a corner looking scared.

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Big Mike Donovan, Bull Hurley and Red Rock Ferrell were gathered at the bar drinking

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an uncommon amount of liquor and looking our way every time they wanted to laugh.

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Herbert Jones began to get nervous and his clarinet developed an off-key squeak.

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The three men put down their drinks and came over.

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Which one do you think it is, Bull?

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I got ten bucks says it's a saxophone player.

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He's got a shifty look.

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I'll take the bet, because I don't think he's the guy.

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Which one would you pick out, Red Rock?

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Who else?

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The drummer.

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Yeah, he's afraid to look at us.

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I think you're wrong too.

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I put my money on a clarinet player.

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It's elementary.

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Every time he looks over at us, he shakes.

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Every time he shakes, he squeaks on the high notes.

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Are these the signs of a guy who don't know nothing?

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Maybe you're right, Mike.

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Look at him shake now.

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Hey, you, with the clarinet.

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Yes, Mr. Donovan?

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What's your name?

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Jones, sir.

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Thurber Jones.

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Well, Thurber Jones.

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Me and Bull and Red Rocks think you're a lousy clarinet player.

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I'm doing my best, sir.

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We got an idea we can show you how to play it better.

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Come with us, sir.

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Well, I'll do better, sir, if you'll just...

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I said come with us.

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Hey, wait a minute.

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They walked outside, and that was the last time I ever saw Thurber Jones alive.

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The rest of us were as jumpy as cats and we played for two hours without a break.

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Everybody was getting stoned, but I didn't dare take a drink.

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Then Big Mike called an intermission while they served at the buffet dinner.

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But everybody was so drunk that nobody ate much.

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Big Mike began to be loud and noisy, and he started waving a gun around, boasting what

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a great shot he was.

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He kicked open a couple of French windows, and out in the lawn, of all things, stood

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a giant snowman.

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Just watch, just watch.

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I'll blast every lousy button off his lousy chest.

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Hey, great shot, Mike.

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He did it all right.

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Four pieces of coal shattered and vanished into the snow.

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Everybody cheered and then turned back to the food and drinks.

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Everybody that is but me.

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I couldn't take my eyes off the snowman, because running down its crystal white front was...

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Red blood.

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Auto Light is bringing you Mr. Fred McMurray with red nickels and his five pennies in the

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Windy City Six.

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Tonight's production in radio's outstanding theater of thrills, Suspense.

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Hey, Senor Wilcox, how about a tortilla?

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Why sure, Pepito.

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I'll always talk to you about that great Auto Light's staple battery.

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How about a tamale?

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Why wait till tamale?

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Today and every day you'll get quick, dependable starts with the Auto Light's staple battery,

14:45.480 --> 14:49.200
the battery that needs water only three times a year in normal car use.

14:49.200 --> 14:51.280
Oh, well, enchilada maybe?

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Your enchilada, your Uncle Manuel and Grandpa, everybody loves the Auto Light's staple.

14:56.800 --> 15:01.760
The battery that gives longer life, as proved by tests conducted according to accepted life

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cycle standards.

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Glass of tequila, Senor?

15:04.360 --> 15:09.760
Fiberglass, Pepito, because fiberglass retaining mats protect every positive plate of the Auto

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Light's staple battery to reduce shedding and flaking and keep the staple power packed

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for perfect propulsions.

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But what is this in English?

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It means visit your neighborhood Auto Light battery dealer for an Auto Light staple, the

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battery that needs water only three times a year in normal car use.

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And remember, you're always right with Auto Light.

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Now Auto Light brings back to our Hollywood soundstage, Mr. Fred McMurray in Elliot Lewis's

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production of The Windy City Six, a tale well calculated to keep you in suspense.

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During the years of the big thirst, homicide was an art.

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Sometimes it was Tommy guns against a wall, sometimes it was a concrete overshoe in the

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bottom of the East River or maybe an ice pick in the heart.

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But out on the snow swept lawn of Big Mike Donovan's mansion that cold December night,

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I was looking at the chilliest bit of murder any crazy hooligan ever thought up, a bleeding

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snowman.

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Only now it wasn't a snowman.

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Pam, you better get back inside.

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You'll freeze out here.

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Yeah, it's Thurber, Cora.

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Thurber Jones.

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Oh, the poor little guy.

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Played the sweetest clarinet.

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He used to St. Louis.

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He was always loaning money to guys.

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He loved everybody.

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He never hurt a soul.

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Who did it, Ham?

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Who did it?

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Who else but your playmate, Donovan?

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But why, Ham?

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Why?

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You tell me why.

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You helped bring all of us up here, didn't you?

16:49.000 --> 16:50.000
Oh, but not for this.

16:50.000 --> 16:51.760
Believe me, Ham, not for this.

16:51.760 --> 16:54.600
I suppose you don't know that Mike Donovan killed a man in a high hat tonight.

16:54.600 --> 16:57.400
Well, I heard him bragging about it a while ago.

16:57.400 --> 16:59.600
It was somebody who hijacked a truckload of Mike's liquor.

16:59.600 --> 17:01.080
Well, somebody saw him.

17:01.080 --> 17:02.080
And I guess...

17:02.080 --> 17:04.360
I guess he figured it was one of us.

17:04.360 --> 17:05.360
Who saw him?

17:05.360 --> 17:08.360
Well, I guess he thought it was Thurber.

17:08.360 --> 17:09.360
You mean it wasn't?

17:09.360 --> 17:10.360
I don't mean anything.

17:10.360 --> 17:11.360
I'm getting cold.

17:11.360 --> 17:13.360
Why don't you go back inside and join your killers?

17:13.360 --> 17:14.360
Ham.

17:14.360 --> 17:15.360
Go on.

17:15.360 --> 17:17.000
You work this side of the street for all the laughs you're going to get.

17:17.000 --> 17:19.040
Oh, Ham, I'm not the same as they are.

17:19.040 --> 17:22.960
I don't blame you for thinking what you do, but I wish you wouldn't.

17:22.960 --> 17:25.160
All right.

17:25.160 --> 17:27.320
Let's just say the jury's still out on you.

17:27.320 --> 17:30.040
Look how proofed you have not liked them.

17:30.040 --> 17:31.040
Here.

17:31.040 --> 17:32.040
You'll need a fast car.

17:32.040 --> 17:33.040
What are these for?

17:33.040 --> 17:35.040
They're the keys to Mike's car.

17:35.040 --> 17:36.040
It's in the garage.

17:36.040 --> 17:38.800
Take it down to Norrisburg and come back with all the cops you can find.

17:38.800 --> 17:39.800
Hey, Bernie!

17:39.800 --> 17:40.800
That's Mike.

17:40.800 --> 17:41.800
Cora!

17:41.800 --> 17:42.800
That's Mike.

17:42.800 --> 17:43.800
Where are you?

17:43.800 --> 17:44.800
Oh, hurry, please, go.

17:44.800 --> 17:45.800
I want them to get what's coming to them.

17:45.800 --> 17:46.800
I want them to get it good.

17:46.800 --> 17:47.800
Well, but what about you?

17:47.800 --> 17:48.800
Hey, Cora!

17:48.800 --> 17:49.800
Who are you talking about there?

17:49.800 --> 17:50.800
Come on, let's go to the party, baby!

17:50.800 --> 17:51.800
Go on, go on.

17:51.800 --> 17:52.800
Before all of you wind up like Thurber, I'm going to have to get you out of here.

17:52.800 --> 17:53.800
I'm going to have to get you out of here.

17:53.800 --> 18:00.800
I'm going to have to get you out of here.

18:00.800 --> 18:14.880
After she'd gone inside with Mike, I made a beeline for the garages and back.

18:14.880 --> 18:16.640
Just as I got the keys and the ignition, somebody...

18:16.640 --> 18:19.800
In case you don't know it, flea brain, this is Mike Donovan's car.

18:19.800 --> 18:20.800
Oh?

18:20.800 --> 18:23.000
Well, I guess I must have made a mistake.

18:23.000 --> 18:25.160
Hey, take that gun off my head, will you?

18:25.160 --> 18:28.760
Mike hires me to do nothing but sit in the back seat of his car.

18:28.760 --> 18:29.760
Now I might get a raise.

18:29.760 --> 18:33.280
Well, I always like to see somebody get ahead of the gun.

18:33.280 --> 18:36.760
I might get a raise because Mike wouldn't like you to leave his party without first

18:36.760 --> 18:38.640
you telling him what a nice time you had.

18:38.640 --> 18:39.640
Oh, you got me wrong.

18:39.640 --> 18:42.640
I was going to write him a bread and butter letter first thing in the morning, honest.

18:42.640 --> 18:44.120
How about the gun?

18:44.120 --> 18:47.080
Shut up before I shove it through your stinking skull.

18:47.080 --> 18:55.280
I start walking.

18:55.280 --> 18:58.360
The next thing I remember was being kicked through the door of the big house.

18:58.360 --> 19:00.880
The party kept right on whirling.

19:00.880 --> 19:01.880
Nobody paid much attention.

19:01.880 --> 19:08.200
Nobody except the boys in the band and they were beginning to get the idea.

19:08.200 --> 19:11.920
Slowly they stopped playing and then people began to turn around and look.

19:11.920 --> 19:16.840
It reminded me of a ring of faces about to watch a hanging.

19:16.840 --> 19:18.400
What's this all about, Chick?

19:18.400 --> 19:22.400
The creepier tried to lift your car, even had the keys.

19:22.400 --> 19:23.400
Where'd you get them?

19:23.400 --> 19:25.400
I sort of found them.

19:25.400 --> 19:27.000
Hey, you can't do that to one of my boys.

19:27.000 --> 19:28.000
Shut up, you.

19:28.000 --> 19:31.280
I said, where did you get them?

19:31.280 --> 19:37.760
I told you I found them.

19:37.760 --> 19:40.560
Where did you get them?

19:40.560 --> 19:48.120
I didn't care whether I lived or died right then.

19:48.120 --> 19:52.960
And when somebody kicked me twice in the kidneys, the choice was made for me.

19:52.960 --> 19:59.240
I was sure I died because everything went black.

19:59.240 --> 20:08.800
When I came to, I was still lying in the same place.

20:08.800 --> 20:12.280
The party was still going on.

20:12.280 --> 20:15.800
Nobody even looked at me as I staggered to my feet and wiped the blood and the booze

20:15.800 --> 20:19.080
and the glass off the best I could.

20:19.080 --> 20:24.680
I stood there holding onto the bar wondering what to do, wondering what it was all about.

20:24.680 --> 20:27.080
Can you still walk, stupid?

20:27.080 --> 20:29.840
Yeah, yeah, I guess so.

20:29.840 --> 20:32.440
And charge them back to your drums and stop playing.

20:32.440 --> 20:33.440
Okay.

20:33.440 --> 20:35.440
You know something, blockhead?

20:35.440 --> 20:39.120
I didn't want them to stop.

20:39.120 --> 20:48.880
I think Big Mike's got something special in mind for you later.

20:48.880 --> 20:52.160
None of the boys in the band even looked at me when I got back to my drums and picked

20:52.160 --> 20:53.160
up the beat.

20:53.160 --> 20:56.920
Corny and Rip and Tinkle acted as if I were dead already.

20:56.920 --> 21:00.040
We played on through our sheets twice without a break.

21:00.040 --> 21:01.400
None of us dared stop.

21:01.400 --> 21:06.520
We knew how somehow we were playing for our lives.

21:06.520 --> 21:11.800
That's a spline.

21:11.800 --> 21:16.320
That's a spline.

21:16.320 --> 21:18.280
Come on, ivory.

21:18.280 --> 21:19.280
Make that eight.

21:19.280 --> 21:21.000
Five sissy cups on this one.

21:21.000 --> 21:22.000
I'll take it.

21:22.000 --> 21:23.000
Right.

21:23.000 --> 21:26.920
Long about dawn, the party turned into a noisy crap game and nobody paid much attention to

21:26.920 --> 21:28.920
our background music.

21:28.920 --> 21:31.600
I was with them sort of moving in and around.

21:31.600 --> 21:35.000
I saw her whisper something in Bull Hurley's ear and then later she did the same thing

21:35.000 --> 21:36.000
to Red Rocks.

21:36.000 --> 21:41.680
Then she sort of sauntered over by the band, not looking at us, but we all heard what she

21:41.680 --> 21:42.680
said.

21:42.680 --> 21:44.480
Boys, keep your eye on Mike Donovan.

21:44.480 --> 21:47.720
When he goes over to Red Rocks, get ready to move.

21:47.720 --> 21:51.040
It'll be your only chance to get out of here alive.

21:51.040 --> 21:52.040
Make it good.

21:52.040 --> 21:55.600
We all looked at each other and kept right on playing, waiting to see what she was talking

21:55.600 --> 21:56.600
about.

21:56.600 --> 21:59.040
Pretty soon it began to make sense.

21:59.040 --> 22:03.040
You dirty hill, making a pass at my girl.

22:03.040 --> 22:05.320
I made a pass at your girl, Mike.

22:05.320 --> 22:08.320
Just talk to you and Red Rocks both made passes at her.

22:08.320 --> 22:10.560
And I'm going to break both your necks.

22:10.560 --> 22:11.560
Now, wait a minute, Mike.

22:11.560 --> 22:12.560
That's our cue, boys.

22:12.560 --> 22:13.560
Everybody up.

22:13.560 --> 22:14.560
Don't forget your music sheets.

22:14.560 --> 22:15.560
Boys, this way.

22:15.560 --> 22:16.560
Out through this door.

22:16.560 --> 22:17.560
I got it.

22:17.560 --> 22:18.560
Come on.

22:18.560 --> 22:19.560
Phew.

22:19.560 --> 22:20.560
This air feels good.

22:20.560 --> 22:21.560
Yeah, it'll feel better a hundred miles from here.

22:21.560 --> 22:26.560
Where's your car, Ham?

22:26.560 --> 22:28.600
It's right over there, park in front.

22:28.600 --> 22:29.600
Come on, come on.

22:29.600 --> 22:30.600
Yeah, I'll be right with you.

22:30.600 --> 22:31.600
Go ahead.

22:31.600 --> 22:32.600
Cora.

22:32.600 --> 22:33.600
Go on, get out of here.

22:33.600 --> 22:34.600
You'll never have another chance.

22:34.600 --> 22:35.600
I'm not going without you.

22:35.600 --> 22:36.600
Come on, Ham.

22:36.600 --> 22:37.600
Don't just stand there.

22:37.600 --> 22:38.600
I'll be all right.

22:38.600 --> 22:39.600
Yeah, for how long?

22:39.600 --> 22:41.080
One of those ready boys in there will restart shooting his guns again and you might get

22:41.080 --> 22:42.080
in the line of fire.

22:42.080 --> 22:43.080
What if I do?

22:43.080 --> 22:44.080
I deserve it for being so dumb.

22:44.080 --> 22:46.080
Ham, we'll all be killed if you don't move.

22:46.080 --> 22:47.080
Well, Cora?

22:47.080 --> 22:48.080
I'd only get you in trouble.

22:48.080 --> 22:49.080
Yeah, I believe you, but I want to take you anyway.

22:49.080 --> 22:50.080
Ham, for guy's sakes.

22:50.080 --> 22:51.960
Look, lady, tell him you'll come with him, please.

22:51.960 --> 22:55.160
Oh, Ham, I wanted anything but a dumb $35 a week drum player.

22:55.160 --> 22:56.160
Oh, I get it.

22:56.160 --> 22:57.160
Well, that tears it.

22:57.160 --> 22:58.160
I'm washed.

22:58.160 --> 23:01.320
But I never knew how wonderful a dumb $35 a week drum player could be.

23:01.320 --> 23:05.600
I'm coming with you.

23:05.600 --> 23:07.920
We all scrambled over to my marmin and climbed in.

23:07.920 --> 23:11.880
Red and Rip in the back seat, Cora in front, me at the helm and Corny on the crank.

23:11.880 --> 23:14.880
Come on, baby.

23:14.880 --> 23:17.800
What's the matter with it, Ham?

23:17.800 --> 23:18.800
Hell is ten below zero.

23:18.800 --> 23:20.280
Come on, give it another whirl.

23:20.280 --> 23:23.480
For guy's sakes, make it go, Ham.

23:23.480 --> 23:29.240
Oh, no, we can't get stuck here.

23:29.240 --> 23:30.240
Just take it easy.

23:30.240 --> 23:31.240
It'll catch.

23:31.240 --> 23:32.240
Come on, Corny, get in.

23:32.240 --> 23:33.240
What did I tell you?

23:33.240 --> 23:34.240
Like a Swiss watch, huh?

23:34.240 --> 23:35.240
Let's get out of here.

23:35.240 --> 23:36.240
Hang on.

23:36.240 --> 23:37.240
We're off.

23:37.240 --> 23:50.240
It's Mike.

23:50.240 --> 23:51.240
They're coming after us.

23:51.240 --> 23:52.240
Yeah.

23:52.240 --> 23:53.240
Anybody hit?

23:53.240 --> 23:54.240
No, but we're going to have to move faster than this.

23:54.240 --> 23:55.240
But don't worry.

23:55.240 --> 23:56.240
I've got her souped up to where she'll go 50.

23:56.240 --> 23:57.240
Hold on.

23:57.240 --> 24:06.240
By the time we got out under the swamp, we were going to be in trouble.

24:06.240 --> 24:09.360
By the time we got out under the slick, icy road, a whole car full of hooligans were coming

24:09.360 --> 24:10.360
right after us with guns blazing.

24:10.360 --> 24:11.360
The gaining on his hand.

24:11.360 --> 24:14.360
I didn't know anything about guns, but one thing I knew was how to handle my marmot.

24:14.360 --> 24:18.680
He didn't weigh much, and I figured I'd pull into the next curve, climb the coal on, skid

24:18.680 --> 24:20.880
into the snowbank, and bounce off onto the straightaway.

24:20.880 --> 24:24.560
If that heavy rose tried to make it at the same speed and hit the snowback, I was sure

24:24.560 --> 24:25.560
to go right on through.

24:25.560 --> 24:26.560
Ham, look out at the curb.

24:26.560 --> 24:27.560
Where am I, kids?

24:27.560 --> 24:28.560
This is it.

24:28.560 --> 24:50.120
Several courses later, I fluttered an eyelet open and ventured a peak, somewhere I'd miscalculated,

24:50.120 --> 24:53.240
because we were now stacked against a giant tree right on the edge of the road looking

24:53.240 --> 24:54.240
down into the valley.

24:54.240 --> 24:58.800
And down there a hundred feet below us was a pile of something that had once been a rich,

24:58.800 --> 25:01.440
expensive automobile full of rich, cheap thugs.

25:01.440 --> 25:04.600
And around it, no one stirred.

25:04.600 --> 25:11.200
Ham, oh darling, are you all right?

25:11.200 --> 25:12.200
Yeah.

25:12.200 --> 25:14.480
Yeah, I guess so, Cora.

25:14.480 --> 25:15.480
How about you?

25:15.480 --> 25:16.480
I'm all right.

25:16.480 --> 25:18.080
How about the rest of you?

25:18.080 --> 25:20.680
I'm okay, shaking up, that's all.

25:20.680 --> 25:22.000
I busted my lip.

25:22.000 --> 25:23.000
Look.

25:23.000 --> 25:25.520
I'll never put my face back together again.

25:25.520 --> 25:26.520
Yeah.

25:26.520 --> 25:30.520
At least we're all alive, except poor Thurber.

25:30.520 --> 25:35.240
Well, what do you say we get out and take a walk into town?

25:35.240 --> 25:39.280
This is a job for the John Laws.

25:39.280 --> 25:47.600
Well, that's the Cora.

25:47.600 --> 25:50.640
It was the last engagement of the Windy City Six.

25:50.640 --> 25:53.320
We went out with a full arrangement and a big finish.

25:53.320 --> 25:54.920
It was in all the papers.

25:54.920 --> 25:55.920
Maybe you saw the spread.

25:55.920 --> 26:00.440
The boys on the front page, Mike Donovan and company, and Vital Statistics, and Cora and

26:00.440 --> 26:01.920
me and the social columns.

26:01.920 --> 26:03.800
Yeah, we did it.

26:03.800 --> 26:05.520
Complete with old shoes and new rice.

26:05.520 --> 26:13.080
Oh, if you ever happen to get up Norrisburg way on a curve that turns on a steep hillside

26:13.080 --> 26:20.120
with an old scarred tree looking down into the valley, take five and listen.

26:20.120 --> 26:23.880
Maybe you can still hear an old clarinet squeaking on the high notes.

26:23.880 --> 26:27.200
Or if the light's right, maybe you could even catch the pale ghost of a big gunman with

26:27.200 --> 26:40.880
homicide in his eyes looking around, looking around for a drummer who saw him kill.

26:40.880 --> 27:06.040
Suspense presented by Auto Light.

27:06.040 --> 27:08.600
Tonight's star, Mr. Fred McMurray.

27:08.600 --> 27:11.880
Ah, Pepito, that was a great meal.

27:11.880 --> 27:13.560
And what's the matter, Senor Wilcox?

27:13.560 --> 27:15.320
I'm too full to talk.

27:15.320 --> 27:17.240
And if you could talk, Senor.

27:17.240 --> 27:21.960
Then I'd tell all about the more than 400 products made by Auto Light for cars, trucks,

27:21.960 --> 27:25.360
planes, and boats in 28 plants coast to coast.

27:25.360 --> 27:29.300
These include complete electrical systems used as original factory equipment on many

27:29.300 --> 27:32.640
leading makes of America's finest cars.

27:32.640 --> 27:37.040
Electric windshield wipers, starting motors, voltage regulators, coils, distributors, wire

27:37.040 --> 27:42.480
and cable generators, all engineered to fit together perfectly, work together perfectly

27:42.480 --> 27:45.200
because they're a perfect team.

27:45.200 --> 27:49.520
So friends, don't accept electrical parts supposed to be as good.

27:49.520 --> 27:53.640
Ask for and insist on Auto Light original factory parts at your neighborhood service

27:53.640 --> 27:57.080
station, car dealer, garage, or repair shop.

27:57.080 --> 28:09.520
Remember, you're always right with Auto Light.

28:09.520 --> 28:14.500
Next week, we celebrate the return of the First Lady of Suspense, Miss Agnes Moorhead,

28:14.500 --> 28:17.400
in a play we call The Death Parade.

28:17.400 --> 28:23.000
And then on February 22nd, in answer to your many requests, Backseat Driver, repeated for

28:23.000 --> 28:31.800
you with its original stars, Fibber McGee and Molly, all on Suspense.

28:31.800 --> 28:35.440
Suspense is produced and directed by Elliot Lewis, with music composed by Lucien Moorowek

28:35.440 --> 28:37.200
and conducted by Ludd Bluskin.

28:37.200 --> 28:40.360
Portions of this program were transcribed.

28:40.360 --> 28:44.240
Tonight's cast included Mary Jane Croft and Edmund MacDonald.

28:44.240 --> 28:49.320
The Windy City Six was written for Suspense by E. Jack Newman and John Michael Hayes.

28:49.320 --> 28:54.120
Frederick Murray may currently be seen in the RKO picture, Never a Dull Moment.

28:54.120 --> 28:59.480
And remember, next week on Suspense, Miss Agnes Moorhead has a woman who finds a letter

28:59.480 --> 29:10.960
warning of death and has only three hours to deliver it, a tale we call The Death Parade.

29:10.960 --> 29:15.240
You can buy Auto Light staple batteries, Auto Light standard type or resistor type spark

29:15.240 --> 29:18.720
plugs, Auto Light electrical parts at your neighborhood Auto Light dealers.

29:18.720 --> 29:20.600
Switch to Auto Light.

29:20.600 --> 29:21.600
Good night.

29:21.600 --> 29:26.960
Nearly half of the people who died in America last year were victims of heart disease, our

29:26.960 --> 29:28.760
number one killer.

29:28.760 --> 29:33.280
This week, the American Heart Association appeals for your support to combat and conquer

29:33.280 --> 29:34.600
this scourge.

29:34.600 --> 29:38.400
Send your contributions to Heart, care of your local post office.

29:38.400 --> 29:48.840
This is CBS, the Columbia Broadcasting System.

