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Autolite and its 96,000 dealers presents Suspense.

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Tonight, Autolite brings you a story of murder in the roaring 20s, The Windy City Six, starring

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Mr. Fred McMurray and featuring Red Nichols and his five pennies.

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Before our play begins, here is a word about Autolite from our good friend, Harlow Wilcox.

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Well, hello, Senor Wilcox.

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Greetings, Pepito, my popular purveyor of potent and peppery plates.

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How goes?

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Who knows?

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I am too filled with excitement like, oh, like...

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Like an Autolite Stayful battery is filled with quick dependable starting power and long

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life?

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Si, si, si.

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Well, why the glee, my merry muchacho?

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Could it be your Autolite Stayful, the battery that needs water only three times a year in

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normal car use?

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Si, si, amigo, because with it I never worry.

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And what's more, Pepito, the Autolite Stayful gives longer life, as proved by tests conducted

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according to accepted life cycle standards.

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This is longer than my father's siesta.

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There's no siesta with the Autolite Stayful, Pepito.

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Those fiberglass mats protecting every positive plate prevent shedding and flaking and keep

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the Stayful power filled for you.

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For me?

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Sure.

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You and every motorist who visits his neighborhood Autolite battery dealer for an Autolite Stayful,

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the battery that needs water only three times a year in normal car use, because you're always

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right with Autolite.

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And now with the Windy City Six and the performance of Mr. Fred McMurray, Autolite hopes once

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again to keep you in suspense.

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It all happened some time ago.

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By some time I mean those days when Moonlight on the Ganges was a must at the country club

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dance, when our nerds was considered snappy repartee, when it wasn't entirely unfashionable

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to be seen in a raccoon coat complete with flasks when the Harbards and the Yales met

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in deathless combat.

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Maybe it'll lose a little something in the translation, but it's worth a try.

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Anyway as it happened we were playing in a little pad on Oriole Street, Crazy Jack Fisher's

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high hat.

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It was a speech, but then what wasn't at that time.

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When the breeze was off the river you could hear the riff notes of the Windy City Six

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blowing up town.

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Reading from left to right there was Corny Peters on horn, Rip Jackson on alto, Thurber

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Jones on the licorice, Tinkle Hobson on the Baldwin, Red Moore slapping and me on the skins.

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I'm Carstairs Hamilton, sometimes known as Rimshot, but more often as Hand.

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So we'll keep it that way.

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Ham?

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You booted the beat three times in that last set, what is it?

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Well every time I slide a glimmer over that skirt at table 13 my ticker skips a beat.

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Maybe my sticks caught the fever.

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Oh, well those two playboys with her are Bull Hurley and Red Rocks Farrell.

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You get ready to whistle again, they want to talk with you.

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Talk with me?

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That's what they said.

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Go on now, keep the customers happy.

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Okay, Corny.

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Somebody said you wanted to see me.

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I guess maybe it was a mistake, so I'll just...

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It wasn't no mistake.

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Sit down.

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Yes, sir.

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You see this girl?

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Well, to tell you the truth, I don't think I ever noticed her.

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How do you do?

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Hello.

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You've been staring at her all night, and last night, and the night before.

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Oh, I might have been looking this way, but I'm nearsighted.

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You ought to be in George White's scandals.

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Now, let me give it to you straight bad ears.

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We're taking care of this girl for a very particular friend.

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So lay off her, huh?

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Because if you don't, your poor old mother's going to have someplace to take flowers on

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Sunday afternoon.

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Your grave.

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Back in my drums, I tried not to look at the girl, but I could still see her in my mind.

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Soft dark hair.

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None of that shingled barb stuff.

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A real Marcel finger wave.

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A warm young face, and lots more that curved down into a fur coat that must have sent somebody

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back a whole truckload of upstate scotch.

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Once in a while, I sneaked a quick peek, and every time she was looking at me.

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And suddenly, I got scared, and I lost up a couple of beats.

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I only got some maddie blew up.

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But it didn't make much difference then.

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Our engagement was over.

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Veterans all, we, the Windy City Six broke ranks and went into plan B.

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There we are, everybody.

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We're all under arrest.

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I headed for the kitchen.

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That was always the best way out.

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In the hallway, a small blonde guy was lifting a couple of shaking hands to his face, and

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his eyes grew as large as two hard boiled eggs just before he got it.

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When I got out the kitchen door, I could still see that big black haired, vicious looking

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guy peering out into the night trying to see who it was that passed him in the hall while

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he was busy killing.

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I hope he hadn't seen my face.

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I ran for a while, and then I slowed down to a walk.

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The first few snowflakes of winter were starting to fall, and the world was pulling on that

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wonderland slip over.

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I turned my Chesterfield collar up around my neck and noticed I was still holding a

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pair of drumsticks.

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I thought it over for a minute, and I threw them into the darkness beyond the street light.

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I made up my mind that from now on I was going to stay out of joints like the high hat.

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When I finally got back to my rooming house, there was a surprise in a fur coat waiting

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for me sitting on the front stoop.

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I tried to ignore her.

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You blind or something?

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I suppose you get dozens of girls sitting on your step and I waiting for you.

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Hey.

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Oh.

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Were you looking for me?

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What do you think I've been sitting out here in the cold for?

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Selling subscriptions to the police gazette?

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Sit down.

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Won't you come inside?

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It's safer out here.

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I haven't forgotten the way you were looking at me at the high hat.

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Say, tell me, how'd you get out of that raid so quick?

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How do you think?

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I was with Red Rocks Farrell.

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They don't touch him.

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Oh, yeah, of course.

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Mind telling me your name?

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Carlye Two E's.

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Two E's?

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That's pretty.

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Tell me, Cora, what do you want with me?

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How'd you find my place?

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Crazy Jack gave us the address.

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Farrell and Hurley sent me to get you.

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To get me?

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Look, I don't know anything.

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I didn't see anything.

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I told you I was nearsighted.

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2040.

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They got a place up in the mountains.

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They decided to throw a holiday party.

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They want a band.

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Isham Jones was busy, so all you guys are being picked up.

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I lost my drums.

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Don't worry.

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They'll get drums.

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Let's go.

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Are you going with me?

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Somebody has to show you the road.

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Alone?

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Look, we can talk all about it on the way.

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And don't get any ideas because I might send for reinforcements.

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And these reinforcements will make a Marine landing look like Isadore Duncan's finale.

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You got anything brave to say?

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I'll bet you I'm ready before you can count to a hundred.

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By twos.

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I put the chains on my old marmon, buttoned up the icing glass curtains, cracked a bottle

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of antifreeze, and we started off.

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The snow was swirling down faster than ever and was better than three inches deep by the

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time we were 40 miles out of town.

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Cora was under a blanket, cuddled up next to me like she meant it, her head on my shoulder.

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But it wasn't as romantic as it sounds because under the blanket, Cora was shaking.

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And it was the kind of shaking you don't get from being cold, but from being scared.

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I should have known then that something was terribly wrong, but I had to learn the hard

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way.

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Cora?

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Huh?

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Cora, why do you hang around with bozos like Red Rocks Fell and Bull Hurley for?

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For the same reason you play in places like the high hat.

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The best offer I got.

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Also the worst.

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Look, suppose I just kept going now.

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Somewhere out west, Chicago maybe.

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Would you go with me?

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They'd never let us get away with it.

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Why do we lose trying?

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You don't belong with those guys.

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You belong where the air is clean and you only take a drink when you want and love when

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you...

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Please, don't.

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What's the matter?

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Did I say something wrong?

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Look, why don't you hit me on the head and throw me out and just keep going?

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Throw you out?

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Of course I wouldn't throw you out to save my life.

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Oh, Hem, don't say that.

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About an hour later we passed through the town of Norrisburg.

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We arrived at a big private estate called Haywill Manning.

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The big party was going strong.

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The rest of the Windy City six boys had preceded me, all under escort.

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The man who answered the door was the one person I never wanted to see again.

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When I'd seen him last, he was killing a man at the high hat.

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Well, Cora, I see you got him.

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You got a pretty smart way of leaving a raid in a hurry, Sonny.

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Kitchen door.

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I hope nothing happens to your luck.

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Kitchen door?

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I didn't go out the kitchen door.

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I was left by the basement window.

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I hope for your sake you're right, Sonny.

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Mike, he's a genuine nice guy.

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Well, nice guy, I think you'll like this party.

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Lots of drinks, lots of girls and lots of happy music.

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Oh, sure, sure, I'll do my best.

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Did you get my drums?

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Don't worry about drums.

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We don't have them.

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We'll give you a couple of skulls to be.

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Now go on, pour yourselves a drink and get warm.

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Cora, who is he?

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Big Mike Donovan.

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This is his place.

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He's to the rackets, what Dempsey is to boxing.

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Yeah?

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Well, I'm going to tell you something about him.

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I hear the human life means nothing to him.

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That he'd kill anybody.

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So you heard it.

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Don't go broadcasting it all over the place.

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You want to stay alive, don't you?

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It's always been one of my cheap aims in life.

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Then keep what you know under your hat, you dumb drummer.

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The party was big and it was bouncy.

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Cora was sitting in a corner looking scared.

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Big Mike Donovan, Bull Hurley and Red Rock Ferrell were gathered at the bar drinking

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an uncommon amount of liquor and looking our way every time they wanted to laugh.

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Herbert Jones began to get nervous and his clarinet developed an off-key squeak.

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The three men put down their drinks and came over.

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Which one do you think it is, Bull?

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I got ten bucks says it's a saxophone player.

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He's got a shifty look.

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I'll take the bet, because I don't think he's the guy.

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Which one would you pick out, Red Rock?

228
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Who else?

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The drummer.

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Yeah, he's afraid to look at us.

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I think you're wrong too.

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I put my money on a clarinet player.

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It's elementary.

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Every time he looks over at us, he shakes.

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Every time he shakes, he squeaks on the high notes.

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Are these the signs of a guy who don't know nothing?

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Maybe you're right, Mike.

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Look at him shake now.

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Hey, you, with the clarinet.

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Yes, Mr. Donovan?

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What's your name?

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Jones, sir.

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Thurber Jones.

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Well, Thurber Jones.

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Me and Bull and Red Rocks think you're a lousy clarinet player.

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I'm doing my best, sir.

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We got an idea we can show you how to play it better.

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Come with us, sir.

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Well, I'll do better, sir, if you'll just...

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I said come with us.

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Hey, wait a minute.

252
00:12:30,200 --> 00:12:36,240
They walked outside, and that was the last time I ever saw Thurber Jones alive.

253
00:12:36,240 --> 00:12:40,640
The rest of us were as jumpy as cats and we played for two hours without a break.

254
00:12:40,640 --> 00:12:43,520
Everybody was getting stoned, but I didn't dare take a drink.

255
00:12:43,520 --> 00:12:46,200
Then Big Mike called an intermission while they served at the buffet dinner.

256
00:12:46,200 --> 00:12:49,800
But everybody was so drunk that nobody ate much.

257
00:12:49,800 --> 00:12:53,440
Big Mike began to be loud and noisy, and he started waving a gun around, boasting what

258
00:12:53,440 --> 00:12:56,440
a great shot he was.

259
00:12:56,440 --> 00:13:01,240
He kicked open a couple of French windows, and out in the lawn, of all things, stood

260
00:13:01,240 --> 00:13:02,680
a giant snowman.

261
00:13:02,680 --> 00:13:03,680
Just watch, just watch.

262
00:13:03,680 --> 00:13:07,680
I'll blast every lousy button off his lousy chest.

263
00:13:07,680 --> 00:13:10,680
Hey, great shot, Mike.

264
00:13:10,680 --> 00:13:26,120
He did it all right.

265
00:13:26,120 --> 00:13:29,400
Four pieces of coal shattered and vanished into the snow.

266
00:13:29,400 --> 00:13:32,760
Everybody cheered and then turned back to the food and drinks.

267
00:13:32,760 --> 00:13:33,760
Everybody that is but me.

268
00:13:33,760 --> 00:13:40,640
I couldn't take my eyes off the snowman, because running down its crystal white front was...

269
00:13:40,640 --> 00:14:03,600
Red blood.

270
00:14:03,600 --> 00:14:08,800
Auto Light is bringing you Mr. Fred McMurray with red nickels and his five pennies in the

271
00:14:08,800 --> 00:14:10,200
Windy City Six.

272
00:14:10,200 --> 00:14:21,120
Tonight's production in radio's outstanding theater of thrills, Suspense.

273
00:14:21,120 --> 00:14:30,840
Hey, Senor Wilcox, how about a tortilla?

274
00:14:30,840 --> 00:14:32,240
Why sure, Pepito.

275
00:14:32,240 --> 00:14:36,360
I'll always talk to you about that great Auto Light's staple battery.

276
00:14:36,360 --> 00:14:38,800
How about a tamale?

277
00:14:38,800 --> 00:14:40,560
Why wait till tamale?

278
00:14:40,560 --> 00:14:45,480
Today and every day you'll get quick, dependable starts with the Auto Light's staple battery,

279
00:14:45,480 --> 00:14:49,200
the battery that needs water only three times a year in normal car use.

280
00:14:49,200 --> 00:14:51,280
Oh, well, enchilada maybe?

281
00:14:51,280 --> 00:14:56,800
Your enchilada, your Uncle Manuel and Grandpa, everybody loves the Auto Light's staple.

282
00:14:56,800 --> 00:15:01,760
The battery that gives longer life, as proved by tests conducted according to accepted life

283
00:15:01,760 --> 00:15:02,760
cycle standards.

284
00:15:02,760 --> 00:15:04,360
Glass of tequila, Senor?

285
00:15:04,360 --> 00:15:09,760
Fiberglass, Pepito, because fiberglass retaining mats protect every positive plate of the Auto

286
00:15:09,760 --> 00:15:14,920
Light's staple battery to reduce shedding and flaking and keep the staple power packed

287
00:15:14,920 --> 00:15:16,720
for perfect propulsions.

288
00:15:16,720 --> 00:15:18,460
But what is this in English?

289
00:15:18,460 --> 00:15:23,440
It means visit your neighborhood Auto Light battery dealer for an Auto Light staple, the

290
00:15:23,440 --> 00:15:27,220
battery that needs water only three times a year in normal car use.

291
00:15:27,220 --> 00:15:31,200
And remember, you're always right with Auto Light.

292
00:15:31,200 --> 00:15:37,280
Now Auto Light brings back to our Hollywood soundstage, Mr. Fred McMurray in Elliot Lewis's

293
00:15:37,280 --> 00:15:56,040
production of The Windy City Six, a tale well calculated to keep you in suspense.

294
00:15:56,040 --> 00:15:59,340
During the years of the big thirst, homicide was an art.

295
00:15:59,340 --> 00:16:02,480
Sometimes it was Tommy guns against a wall, sometimes it was a concrete overshoe in the

296
00:16:02,480 --> 00:16:05,560
bottom of the East River or maybe an ice pick in the heart.

297
00:16:05,560 --> 00:16:11,040
But out on the snow swept lawn of Big Mike Donovan's mansion that cold December night,

298
00:16:11,040 --> 00:16:16,040
I was looking at the chilliest bit of murder any crazy hooligan ever thought up, a bleeding

299
00:16:16,040 --> 00:16:17,040
snowman.

300
00:16:17,040 --> 00:16:21,520
Only now it wasn't a snowman.

301
00:16:21,520 --> 00:16:24,920
Pam, you better get back inside.

302
00:16:24,920 --> 00:16:27,920
You'll freeze out here.

303
00:16:27,920 --> 00:16:31,000
Yeah, it's Thurber, Cora.

304
00:16:31,000 --> 00:16:32,000
Thurber Jones.

305
00:16:32,000 --> 00:16:35,160
Oh, the poor little guy.

306
00:16:35,160 --> 00:16:36,160
Played the sweetest clarinet.

307
00:16:36,160 --> 00:16:37,160
He used to St. Louis.

308
00:16:37,160 --> 00:16:39,000
He was always loaning money to guys.

309
00:16:39,000 --> 00:16:40,000
He loved everybody.

310
00:16:40,000 --> 00:16:41,000
He never hurt a soul.

311
00:16:41,000 --> 00:16:42,000
Who did it, Ham?

312
00:16:42,000 --> 00:16:43,000
Who did it?

313
00:16:43,000 --> 00:16:44,000
Who else but your playmate, Donovan?

314
00:16:44,000 --> 00:16:45,000
But why, Ham?

315
00:16:45,000 --> 00:16:46,000
Why?

316
00:16:46,000 --> 00:16:47,000
You tell me why.

317
00:16:47,000 --> 00:16:49,000
You helped bring all of us up here, didn't you?

318
00:16:49,000 --> 00:16:50,000
Oh, but not for this.

319
00:16:50,000 --> 00:16:51,760
Believe me, Ham, not for this.

320
00:16:51,760 --> 00:16:54,600
I suppose you don't know that Mike Donovan killed a man in a high hat tonight.

321
00:16:54,600 --> 00:16:57,400
Well, I heard him bragging about it a while ago.

322
00:16:57,400 --> 00:16:59,600
It was somebody who hijacked a truckload of Mike's liquor.

323
00:16:59,600 --> 00:17:01,080
Well, somebody saw him.

324
00:17:01,080 --> 00:17:02,080
And I guess...

325
00:17:02,080 --> 00:17:04,360
I guess he figured it was one of us.

326
00:17:04,360 --> 00:17:05,360
Who saw him?

327
00:17:05,360 --> 00:17:08,360
Well, I guess he thought it was Thurber.

328
00:17:08,360 --> 00:17:09,360
You mean it wasn't?

329
00:17:09,360 --> 00:17:10,360
I don't mean anything.

330
00:17:10,360 --> 00:17:11,360
I'm getting cold.

331
00:17:11,360 --> 00:17:13,360
Why don't you go back inside and join your killers?

332
00:17:13,360 --> 00:17:14,360
Ham.

333
00:17:14,360 --> 00:17:15,360
Go on.

334
00:17:15,360 --> 00:17:17,000
You work this side of the street for all the laughs you're going to get.

335
00:17:17,000 --> 00:17:19,040
Oh, Ham, I'm not the same as they are.

336
00:17:19,040 --> 00:17:22,960
I don't blame you for thinking what you do, but I wish you wouldn't.

337
00:17:22,960 --> 00:17:25,160
All right.

338
00:17:25,160 --> 00:17:27,320
Let's just say the jury's still out on you.

339
00:17:27,320 --> 00:17:30,040
Look how proofed you have not liked them.

340
00:17:30,040 --> 00:17:31,040
Here.

341
00:17:31,040 --> 00:17:32,040
You'll need a fast car.

342
00:17:32,040 --> 00:17:33,040
What are these for?

343
00:17:33,040 --> 00:17:35,040
They're the keys to Mike's car.

344
00:17:35,040 --> 00:17:36,040
It's in the garage.

345
00:17:36,040 --> 00:17:38,800
Take it down to Norrisburg and come back with all the cops you can find.

346
00:17:38,800 --> 00:17:39,800
Hey, Bernie!

347
00:17:39,800 --> 00:17:40,800
That's Mike.

348
00:17:40,800 --> 00:17:41,800
Cora!

349
00:17:41,800 --> 00:17:42,800
That's Mike.

350
00:17:42,800 --> 00:17:43,800
Where are you?

351
00:17:43,800 --> 00:17:44,800
Oh, hurry, please, go.

352
00:17:44,800 --> 00:17:45,800
I want them to get what's coming to them.

353
00:17:45,800 --> 00:17:46,800
I want them to get it good.

354
00:17:46,800 --> 00:17:47,800
Well, but what about you?

355
00:17:47,800 --> 00:17:48,800
Hey, Cora!

356
00:17:48,800 --> 00:17:49,800
Who are you talking about there?

357
00:17:49,800 --> 00:17:50,800
Come on, let's go to the party, baby!

358
00:17:50,800 --> 00:17:51,800
Go on, go on.

359
00:17:51,800 --> 00:17:52,800
Before all of you wind up like Thurber, I'm going to have to get you out of here.

360
00:17:52,800 --> 00:17:53,800
I'm going to have to get you out of here.

361
00:17:53,800 --> 00:18:00,800
I'm going to have to get you out of here.

362
00:18:00,800 --> 00:18:14,880
After she'd gone inside with Mike, I made a beeline for the garages and back.

363
00:18:14,880 --> 00:18:16,640
Just as I got the keys and the ignition, somebody...

364
00:18:16,640 --> 00:18:19,800
In case you don't know it, flea brain, this is Mike Donovan's car.

365
00:18:19,800 --> 00:18:20,800
Oh?

366
00:18:20,800 --> 00:18:23,000
Well, I guess I must have made a mistake.

367
00:18:23,000 --> 00:18:25,160
Hey, take that gun off my head, will you?

368
00:18:25,160 --> 00:18:28,760
Mike hires me to do nothing but sit in the back seat of his car.

369
00:18:28,760 --> 00:18:29,760
Now I might get a raise.

370
00:18:29,760 --> 00:18:33,280
Well, I always like to see somebody get ahead of the gun.

371
00:18:33,280 --> 00:18:36,760
I might get a raise because Mike wouldn't like you to leave his party without first

372
00:18:36,760 --> 00:18:38,640
you telling him what a nice time you had.

373
00:18:38,640 --> 00:18:39,640
Oh, you got me wrong.

374
00:18:39,640 --> 00:18:42,640
I was going to write him a bread and butter letter first thing in the morning, honest.

375
00:18:42,640 --> 00:18:44,120
How about the gun?

376
00:18:44,120 --> 00:18:47,080
Shut up before I shove it through your stinking skull.

377
00:18:47,080 --> 00:18:55,280
I start walking.

378
00:18:55,280 --> 00:18:58,360
The next thing I remember was being kicked through the door of the big house.

379
00:18:58,360 --> 00:19:00,880
The party kept right on whirling.

380
00:19:00,880 --> 00:19:01,880
Nobody paid much attention.

381
00:19:01,880 --> 00:19:08,200
Nobody except the boys in the band and they were beginning to get the idea.

382
00:19:08,200 --> 00:19:11,920
Slowly they stopped playing and then people began to turn around and look.

383
00:19:11,920 --> 00:19:16,840
It reminded me of a ring of faces about to watch a hanging.

384
00:19:16,840 --> 00:19:18,400
What's this all about, Chick?

385
00:19:18,400 --> 00:19:22,400
The creepier tried to lift your car, even had the keys.

386
00:19:22,400 --> 00:19:23,400
Where'd you get them?

387
00:19:23,400 --> 00:19:25,400
I sort of found them.

388
00:19:25,400 --> 00:19:27,000
Hey, you can't do that to one of my boys.

389
00:19:27,000 --> 00:19:28,000
Shut up, you.

390
00:19:28,000 --> 00:19:31,280
I said, where did you get them?

391
00:19:31,280 --> 00:19:37,760
I told you I found them.

392
00:19:37,760 --> 00:19:40,560
Where did you get them?

393
00:19:40,560 --> 00:19:48,120
I didn't care whether I lived or died right then.

394
00:19:48,120 --> 00:19:52,960
And when somebody kicked me twice in the kidneys, the choice was made for me.

395
00:19:52,960 --> 00:19:59,240
I was sure I died because everything went black.

396
00:19:59,240 --> 00:20:08,800
When I came to, I was still lying in the same place.

397
00:20:08,800 --> 00:20:12,280
The party was still going on.

398
00:20:12,280 --> 00:20:15,800
Nobody even looked at me as I staggered to my feet and wiped the blood and the booze

399
00:20:15,800 --> 00:20:19,080
and the glass off the best I could.

400
00:20:19,080 --> 00:20:24,680
I stood there holding onto the bar wondering what to do, wondering what it was all about.

401
00:20:24,680 --> 00:20:27,080
Can you still walk, stupid?

402
00:20:27,080 --> 00:20:29,840
Yeah, yeah, I guess so.

403
00:20:29,840 --> 00:20:32,440
And charge them back to your drums and stop playing.

404
00:20:32,440 --> 00:20:33,440
Okay.

405
00:20:33,440 --> 00:20:35,440
You know something, blockhead?

406
00:20:35,440 --> 00:20:39,120
I didn't want them to stop.

407
00:20:39,120 --> 00:20:48,880
I think Big Mike's got something special in mind for you later.

408
00:20:48,880 --> 00:20:52,160
None of the boys in the band even looked at me when I got back to my drums and picked

409
00:20:52,160 --> 00:20:53,160
up the beat.

410
00:20:53,160 --> 00:20:56,920
Corny and Rip and Tinkle acted as if I were dead already.

411
00:20:56,920 --> 00:21:00,040
We played on through our sheets twice without a break.

412
00:21:00,040 --> 00:21:01,400
None of us dared stop.

413
00:21:01,400 --> 00:21:06,520
We knew how somehow we were playing for our lives.

414
00:21:06,520 --> 00:21:11,800
That's a spline.

415
00:21:11,800 --> 00:21:16,320
That's a spline.

416
00:21:16,320 --> 00:21:18,280
Come on, ivory.

417
00:21:18,280 --> 00:21:19,280
Make that eight.

418
00:21:19,280 --> 00:21:21,000
Five sissy cups on this one.

419
00:21:21,000 --> 00:21:22,000
I'll take it.

420
00:21:22,000 --> 00:21:23,000
Right.

421
00:21:23,000 --> 00:21:26,920
Long about dawn, the party turned into a noisy crap game and nobody paid much attention to

422
00:21:26,920 --> 00:21:28,920
our background music.

423
00:21:28,920 --> 00:21:31,600
I was with them sort of moving in and around.

424
00:21:31,600 --> 00:21:35,000
I saw her whisper something in Bull Hurley's ear and then later she did the same thing

425
00:21:35,000 --> 00:21:36,000
to Red Rocks.

426
00:21:36,000 --> 00:21:41,680
Then she sort of sauntered over by the band, not looking at us, but we all heard what she

427
00:21:41,680 --> 00:21:42,680
said.

428
00:21:42,680 --> 00:21:44,480
Boys, keep your eye on Mike Donovan.

429
00:21:44,480 --> 00:21:47,720
When he goes over to Red Rocks, get ready to move.

430
00:21:47,720 --> 00:21:51,040
It'll be your only chance to get out of here alive.

431
00:21:51,040 --> 00:21:52,040
Make it good.

432
00:21:52,040 --> 00:21:55,600
We all looked at each other and kept right on playing, waiting to see what she was talking

433
00:21:55,600 --> 00:21:56,600
about.

434
00:21:56,600 --> 00:21:59,040
Pretty soon it began to make sense.

435
00:21:59,040 --> 00:22:03,040
You dirty hill, making a pass at my girl.

436
00:22:03,040 --> 00:22:05,320
I made a pass at your girl, Mike.

437
00:22:05,320 --> 00:22:08,320
Just talk to you and Red Rocks both made passes at her.

438
00:22:08,320 --> 00:22:10,560
And I'm going to break both your necks.

439
00:22:10,560 --> 00:22:11,560
Now, wait a minute, Mike.

440
00:22:11,560 --> 00:22:12,560
That's our cue, boys.

441
00:22:12,560 --> 00:22:13,560
Everybody up.

442
00:22:13,560 --> 00:22:14,560
Don't forget your music sheets.

443
00:22:14,560 --> 00:22:15,560
Boys, this way.

444
00:22:15,560 --> 00:22:16,560
Out through this door.

445
00:22:16,560 --> 00:22:17,560
I got it.

446
00:22:17,560 --> 00:22:18,560
Come on.

447
00:22:18,560 --> 00:22:19,560
Phew.

448
00:22:19,560 --> 00:22:20,560
This air feels good.

449
00:22:20,560 --> 00:22:21,560
Yeah, it'll feel better a hundred miles from here.

450
00:22:21,560 --> 00:22:26,560
Where's your car, Ham?

451
00:22:26,560 --> 00:22:28,600
It's right over there, park in front.

452
00:22:28,600 --> 00:22:29,600
Come on, come on.

453
00:22:29,600 --> 00:22:30,600
Yeah, I'll be right with you.

454
00:22:30,600 --> 00:22:31,600
Go ahead.

455
00:22:31,600 --> 00:22:32,600
Cora.

456
00:22:32,600 --> 00:22:33,600
Go on, get out of here.

457
00:22:33,600 --> 00:22:34,600
You'll never have another chance.

458
00:22:34,600 --> 00:22:35,600
I'm not going without you.

459
00:22:35,600 --> 00:22:36,600
Come on, Ham.

460
00:22:36,600 --> 00:22:37,600
Don't just stand there.

461
00:22:37,600 --> 00:22:38,600
I'll be all right.

462
00:22:38,600 --> 00:22:39,600
Yeah, for how long?

463
00:22:39,600 --> 00:22:41,080
One of those ready boys in there will restart shooting his guns again and you might get

464
00:22:41,080 --> 00:22:42,080
in the line of fire.

465
00:22:42,080 --> 00:22:43,080
What if I do?

466
00:22:43,080 --> 00:22:44,080
I deserve it for being so dumb.

467
00:22:44,080 --> 00:22:46,080
Ham, we'll all be killed if you don't move.

468
00:22:46,080 --> 00:22:47,080
Well, Cora?

469
00:22:47,080 --> 00:22:48,080
I'd only get you in trouble.

470
00:22:48,080 --> 00:22:49,080
Yeah, I believe you, but I want to take you anyway.

471
00:22:49,080 --> 00:22:50,080
Ham, for guy's sakes.

472
00:22:50,080 --> 00:22:51,960
Look, lady, tell him you'll come with him, please.

473
00:22:51,960 --> 00:22:55,160
Oh, Ham, I wanted anything but a dumb $35 a week drum player.

474
00:22:55,160 --> 00:22:56,160
Oh, I get it.

475
00:22:56,160 --> 00:22:57,160
Well, that tears it.

476
00:22:57,160 --> 00:22:58,160
I'm washed.

477
00:22:58,160 --> 00:23:01,320
But I never knew how wonderful a dumb $35 a week drum player could be.

478
00:23:01,320 --> 00:23:05,600
I'm coming with you.

479
00:23:05,600 --> 00:23:07,920
We all scrambled over to my marmin and climbed in.

480
00:23:07,920 --> 00:23:11,880
Red and Rip in the back seat, Cora in front, me at the helm and Corny on the crank.

481
00:23:11,880 --> 00:23:14,880
Come on, baby.

482
00:23:14,880 --> 00:23:17,800
What's the matter with it, Ham?

483
00:23:17,800 --> 00:23:18,800
Hell is ten below zero.

484
00:23:18,800 --> 00:23:20,280
Come on, give it another whirl.

485
00:23:20,280 --> 00:23:23,480
For guy's sakes, make it go, Ham.

486
00:23:23,480 --> 00:23:29,240
Oh, no, we can't get stuck here.

487
00:23:29,240 --> 00:23:30,240
Just take it easy.

488
00:23:30,240 --> 00:23:31,240
It'll catch.

489
00:23:31,240 --> 00:23:32,240
Come on, Corny, get in.

490
00:23:32,240 --> 00:23:33,240
What did I tell you?

491
00:23:33,240 --> 00:23:34,240
Like a Swiss watch, huh?

492
00:23:34,240 --> 00:23:35,240
Let's get out of here.

493
00:23:35,240 --> 00:23:36,240
Hang on.

494
00:23:36,240 --> 00:23:37,240
We're off.

495
00:23:37,240 --> 00:23:50,240
It's Mike.

496
00:23:50,240 --> 00:23:51,240
They're coming after us.

497
00:23:51,240 --> 00:23:52,240
Yeah.

498
00:23:52,240 --> 00:23:53,240
Anybody hit?

499
00:23:53,240 --> 00:23:54,240
No, but we're going to have to move faster than this.

500
00:23:54,240 --> 00:23:55,240
But don't worry.

501
00:23:55,240 --> 00:23:56,240
I've got her souped up to where she'll go 50.

502
00:23:56,240 --> 00:23:57,240
Hold on.

503
00:23:57,240 --> 00:24:06,240
By the time we got out under the swamp, we were going to be in trouble.

504
00:24:06,240 --> 00:24:09,360
By the time we got out under the slick, icy road, a whole car full of hooligans were coming

505
00:24:09,360 --> 00:24:10,360
right after us with guns blazing.

506
00:24:10,360 --> 00:24:11,360
The gaining on his hand.

507
00:24:11,360 --> 00:24:14,360
I didn't know anything about guns, but one thing I knew was how to handle my marmot.

508
00:24:14,360 --> 00:24:18,680
He didn't weigh much, and I figured I'd pull into the next curve, climb the coal on, skid

509
00:24:18,680 --> 00:24:20,880
into the snowbank, and bounce off onto the straightaway.

510
00:24:20,880 --> 00:24:24,560
If that heavy rose tried to make it at the same speed and hit the snowback, I was sure

511
00:24:24,560 --> 00:24:25,560
to go right on through.

512
00:24:25,560 --> 00:24:26,560
Ham, look out at the curb.

513
00:24:26,560 --> 00:24:27,560
Where am I, kids?

514
00:24:27,560 --> 00:24:28,560
This is it.

515
00:24:28,560 --> 00:24:50,120
Several courses later, I fluttered an eyelet open and ventured a peak, somewhere I'd miscalculated,

516
00:24:50,120 --> 00:24:53,240
because we were now stacked against a giant tree right on the edge of the road looking

517
00:24:53,240 --> 00:24:54,240
down into the valley.

518
00:24:54,240 --> 00:24:58,800
And down there a hundred feet below us was a pile of something that had once been a rich,

519
00:24:58,800 --> 00:25:01,440
expensive automobile full of rich, cheap thugs.

520
00:25:01,440 --> 00:25:04,600
And around it, no one stirred.

521
00:25:04,600 --> 00:25:11,200
Ham, oh darling, are you all right?

522
00:25:11,200 --> 00:25:12,200
Yeah.

523
00:25:12,200 --> 00:25:14,480
Yeah, I guess so, Cora.

524
00:25:14,480 --> 00:25:15,480
How about you?

525
00:25:15,480 --> 00:25:16,480
I'm all right.

526
00:25:16,480 --> 00:25:18,080
How about the rest of you?

527
00:25:18,080 --> 00:25:20,680
I'm okay, shaking up, that's all.

528
00:25:20,680 --> 00:25:22,000
I busted my lip.

529
00:25:22,000 --> 00:25:23,000
Look.

530
00:25:23,000 --> 00:25:25,520
I'll never put my face back together again.

531
00:25:25,520 --> 00:25:26,520
Yeah.

532
00:25:26,520 --> 00:25:30,520
At least we're all alive, except poor Thurber.

533
00:25:30,520 --> 00:25:35,240
Well, what do you say we get out and take a walk into town?

534
00:25:35,240 --> 00:25:39,280
This is a job for the John Laws.

535
00:25:39,280 --> 00:25:47,600
Well, that's the Cora.

536
00:25:47,600 --> 00:25:50,640
It was the last engagement of the Windy City Six.

537
00:25:50,640 --> 00:25:53,320
We went out with a full arrangement and a big finish.

538
00:25:53,320 --> 00:25:54,920
It was in all the papers.

539
00:25:54,920 --> 00:25:55,920
Maybe you saw the spread.

540
00:25:55,920 --> 00:26:00,440
The boys on the front page, Mike Donovan and company, and Vital Statistics, and Cora and

541
00:26:00,440 --> 00:26:01,920
me and the social columns.

542
00:26:01,920 --> 00:26:03,800
Yeah, we did it.

543
00:26:03,800 --> 00:26:05,520
Complete with old shoes and new rice.

544
00:26:05,520 --> 00:26:13,080
Oh, if you ever happen to get up Norrisburg way on a curve that turns on a steep hillside

545
00:26:13,080 --> 00:26:20,120
with an old scarred tree looking down into the valley, take five and listen.

546
00:26:20,120 --> 00:26:23,880
Maybe you can still hear an old clarinet squeaking on the high notes.

547
00:26:23,880 --> 00:26:27,200
Or if the light's right, maybe you could even catch the pale ghost of a big gunman with

548
00:26:27,200 --> 00:26:40,880
homicide in his eyes looking around, looking around for a drummer who saw him kill.

549
00:26:40,880 --> 00:27:06,040
Suspense presented by Auto Light.

550
00:27:06,040 --> 00:27:08,600
Tonight's star, Mr. Fred McMurray.

551
00:27:08,600 --> 00:27:11,880
Ah, Pepito, that was a great meal.

552
00:27:11,880 --> 00:27:13,560
And what's the matter, Senor Wilcox?

553
00:27:13,560 --> 00:27:15,320
I'm too full to talk.

554
00:27:15,320 --> 00:27:17,240
And if you could talk, Senor.

555
00:27:17,240 --> 00:27:21,960
Then I'd tell all about the more than 400 products made by Auto Light for cars, trucks,

556
00:27:21,960 --> 00:27:25,360
planes, and boats in 28 plants coast to coast.

557
00:27:25,360 --> 00:27:29,300
These include complete electrical systems used as original factory equipment on many

558
00:27:29,300 --> 00:27:32,640
leading makes of America's finest cars.

559
00:27:32,640 --> 00:27:37,040
Electric windshield wipers, starting motors, voltage regulators, coils, distributors, wire

560
00:27:37,040 --> 00:27:42,480
and cable generators, all engineered to fit together perfectly, work together perfectly

561
00:27:42,480 --> 00:27:45,200
because they're a perfect team.

562
00:27:45,200 --> 00:27:49,520
So friends, don't accept electrical parts supposed to be as good.

563
00:27:49,520 --> 00:27:53,640
Ask for and insist on Auto Light original factory parts at your neighborhood service

564
00:27:53,640 --> 00:27:57,080
station, car dealer, garage, or repair shop.

565
00:27:57,080 --> 00:28:09,520
Remember, you're always right with Auto Light.

566
00:28:09,520 --> 00:28:14,500
Next week, we celebrate the return of the First Lady of Suspense, Miss Agnes Moorhead,

567
00:28:14,500 --> 00:28:17,400
in a play we call The Death Parade.

568
00:28:17,400 --> 00:28:23,000
And then on February 22nd, in answer to your many requests, Backseat Driver, repeated for

569
00:28:23,000 --> 00:28:31,800
you with its original stars, Fibber McGee and Molly, all on Suspense.

570
00:28:31,800 --> 00:28:35,440
Suspense is produced and directed by Elliot Lewis, with music composed by Lucien Moorowek

571
00:28:35,440 --> 00:28:37,200
and conducted by Ludd Bluskin.

572
00:28:37,200 --> 00:28:40,360
Portions of this program were transcribed.

573
00:28:40,360 --> 00:28:44,240
Tonight's cast included Mary Jane Croft and Edmund MacDonald.

574
00:28:44,240 --> 00:28:49,320
The Windy City Six was written for Suspense by E. Jack Newman and John Michael Hayes.

575
00:28:49,320 --> 00:28:54,120
Frederick Murray may currently be seen in the RKO picture, Never a Dull Moment.

576
00:28:54,120 --> 00:28:59,480
And remember, next week on Suspense, Miss Agnes Moorhead has a woman who finds a letter

577
00:28:59,480 --> 00:29:10,960
warning of death and has only three hours to deliver it, a tale we call The Death Parade.

578
00:29:10,960 --> 00:29:15,240
You can buy Auto Light staple batteries, Auto Light standard type or resistor type spark

579
00:29:15,240 --> 00:29:18,720
plugs, Auto Light electrical parts at your neighborhood Auto Light dealers.

580
00:29:18,720 --> 00:29:20,600
Switch to Auto Light.

581
00:29:20,600 --> 00:29:21,600
Good night.

582
00:29:21,600 --> 00:29:26,960
Nearly half of the people who died in America last year were victims of heart disease, our

583
00:29:26,960 --> 00:29:28,760
number one killer.

584
00:29:28,760 --> 00:29:33,280
This week, the American Heart Association appeals for your support to combat and conquer

585
00:29:33,280 --> 00:29:34,600
this scourge.

586
00:29:34,600 --> 00:29:38,400
Send your contributions to Heart, care of your local post office.

587
00:29:38,400 --> 00:29:48,840
This is CBS, the Columbia Broadcasting System.

