1 00:00:00,000 --> 00:00:12,000 Auto Light and its 96,000 dealers present Suspense. 2 00:00:12,000 --> 00:00:21,000 Tonight, Auto Light brings you a tale of jealousy and hate on the stage of a deserted opera house, 3 00:00:21,000 --> 00:00:26,840 Aria from Murder, starring Mr. Ezio Pinza, who is appearing tonight by arrangement with 4 00:00:26,840 --> 00:00:32,120 MGM producers of the Technicolor picture Kim, starring Errol Flynn, Dean Stockwell, Paul 5 00:00:32,120 --> 00:00:38,840 Lucas and Robert Douglas. 6 00:00:38,840 --> 00:00:43,200 Before our play begins, here is a word about Auto Light from our good friend, Harlow Wilcox. 7 00:00:43,200 --> 00:00:45,240 Hi, Hap, where are you going? 8 00:00:45,240 --> 00:00:46,520 To the zoo, Harlow. 9 00:00:46,520 --> 00:00:47,520 Oh, why bother? 10 00:00:47,520 --> 00:00:52,160 I'll give you the zoo's who on the Auto Light stay full battery, the battery that needs 11 00:00:52,160 --> 00:00:55,120 water only three times a year in normal car use. 12 00:00:55,120 --> 00:00:57,240 Why, that even beats the record of camels. 13 00:00:57,240 --> 00:00:58,440 Yes, but... 14 00:00:58,440 --> 00:01:03,200 And when it comes to starting a bear of an engine these cold winter mornings, the Auto 15 00:01:03,200 --> 00:01:05,800 Light stay full battery is the cat's pajamas. 16 00:01:05,800 --> 00:01:06,800 Harlow. 17 00:01:06,800 --> 00:01:11,680 Why, Hap, the stay full is kept strong as an ox by fiberglass retaining mats protecting 18 00:01:11,680 --> 00:01:13,320 every positive plate. 19 00:01:13,320 --> 00:01:17,800 They prevent shedding and flaking, keep the power producing materials in place, and give 20 00:01:17,800 --> 00:01:22,680 that Auto Light stay full battery a life longer than an elephant's memory. 21 00:01:22,680 --> 00:01:27,760 Why, that eager beaver, Auto Light stay full battery, gives 70% longer life as proved by 22 00:01:27,760 --> 00:01:31,320 tests run according to SAE minimum life cycle standards. 23 00:01:31,320 --> 00:01:32,320 Harlow, please. 24 00:01:32,320 --> 00:01:36,720 So friends, please see your neighborhood Auto Light battery dealer and ask him for an Auto 25 00:01:36,720 --> 00:01:42,200 Light stay full battery, the great battery that needs water only three times a year in 26 00:01:42,200 --> 00:01:44,200 normal car use. 27 00:01:44,200 --> 00:01:48,880 As the lion says... 28 00:01:48,880 --> 00:01:52,920 You're always right with Auto Light. 29 00:01:52,920 --> 00:01:57,320 And now with Aria from Murder and the performance of Mr. H.C. 30 00:01:57,320 --> 00:02:04,280 Opinza, Auto Light hopes once again to keep you in suspense. 31 00:02:04,280 --> 00:02:11,040 Me, me, me, me, me. 32 00:02:11,040 --> 00:02:19,280 Ah, Niccolo, tonight you are singing as you have never sung before. 33 00:02:19,280 --> 00:02:22,600 How wildly the patrons applaud. 34 00:02:22,600 --> 00:02:26,800 I wonder if they would applaud so tremendously if they knew the thing that you suffer in your 35 00:02:26,800 --> 00:02:29,800 heart. 36 00:02:29,800 --> 00:02:30,800 I will call now. 37 00:02:30,800 --> 00:02:31,800 There is time. 38 00:02:31,800 --> 00:02:34,800 In a mission, Mr. Marzini. 39 00:02:34,800 --> 00:02:40,160 You've got about 15 minutes. 40 00:02:40,160 --> 00:02:42,840 Thank you. 41 00:02:42,840 --> 00:02:47,080 Police headquarters. 42 00:02:47,080 --> 00:02:51,640 I wish to speak with the policeman in charge of the homicide department, please. 43 00:02:51,640 --> 00:02:54,640 Yes, tomorrow. 44 00:02:54,640 --> 00:02:58,120 Homicide Lieutenant Morgan. 45 00:02:58,120 --> 00:03:00,800 This is Niccolo Marzini, Lieutenant Morgan. 46 00:03:00,800 --> 00:03:02,040 Yes. 47 00:03:02,040 --> 00:03:05,160 I am the base baritone with the Grandia Opera Company. 48 00:03:05,160 --> 00:03:06,160 Oh. 49 00:03:06,160 --> 00:03:09,520 Well, what can I do for you, Mr. Marzini? 50 00:03:09,520 --> 00:03:12,480 I should like to make a confession at this time. 51 00:03:12,480 --> 00:03:14,000 A confession? 52 00:03:14,000 --> 00:03:15,000 Yes. 53 00:03:15,000 --> 00:03:17,040 I would like to confess to murder. 54 00:03:17,040 --> 00:03:19,680 Where are you now, Mr. Marzini? 55 00:03:19,680 --> 00:03:24,000 I am calling from my dressing room here at the Grandia Opera House. 56 00:03:24,000 --> 00:03:28,240 In just a very few moments, I will step out on the stage and finish my performance in 57 00:03:28,240 --> 00:03:31,000 Mozart's opera Don Giovanni. 58 00:03:31,000 --> 00:03:33,040 It is my last performance. 59 00:03:33,040 --> 00:03:34,040 I shall try to explain. 60 00:03:34,040 --> 00:03:38,620 About the confession you wanted to make, Mr. Marzini. 61 00:03:38,620 --> 00:03:45,360 My explanation, Lieutenant, becomes the confession. 62 00:03:45,360 --> 00:03:49,880 Your law books tell you that murder begins with reason. 63 00:03:49,880 --> 00:03:54,280 This murder that I had committed did not begin with a reason. 64 00:03:54,280 --> 00:03:56,800 It began with a weakness. 65 00:03:56,800 --> 00:03:58,480 A weakness. 66 00:03:58,480 --> 00:04:00,600 My weakness was a woman. 67 00:04:00,600 --> 00:04:06,200 Not the woman I married, but rather the woman I loved, Leola Dantes. 68 00:04:06,200 --> 00:04:11,720 I was successful in hiding my association with Leola from the people around me, except 69 00:04:11,720 --> 00:04:18,320 in the eyes of one man, Felix Levine, the general manager of the company. 70 00:04:18,320 --> 00:04:23,640 Two weeks ago, after a performance of the Marriage of Figaro, Felix said that he wanted 71 00:04:23,640 --> 00:04:25,480 to see me. 72 00:04:25,480 --> 00:04:30,160 I finished dressing and started across the stage on my way to his office. 73 00:04:30,160 --> 00:04:32,120 The opera house was deserted. 74 00:04:32,120 --> 00:04:39,040 And I was quite surprised to find him standing there on that barren stage under that single 75 00:04:39,040 --> 00:04:43,600 work light staring out into the darkened auditorium. 76 00:04:43,600 --> 00:04:50,520 Oh, I would like to talk to you, Nicolo, if you have a few minutes. 77 00:04:50,520 --> 00:04:51,520 Of course, Felix. 78 00:04:51,520 --> 00:04:54,600 There is something very important we must discuss. 79 00:04:54,600 --> 00:04:56,880 Then by all means, let's discuss it. 80 00:04:56,880 --> 00:04:59,040 May I be very frank with you? 81 00:04:59,040 --> 00:05:01,080 I would have it no other way. 82 00:05:01,080 --> 00:05:02,080 Good. 83 00:05:02,080 --> 00:05:03,960 I am happy you feel that way. 84 00:05:03,960 --> 00:05:09,640 First, I have known for some time about you and Leola Dantes. 85 00:05:09,640 --> 00:05:13,320 So, you know about Leola Dantes. 86 00:05:13,320 --> 00:05:15,640 And who else besides you, Felix knows? 87 00:05:15,640 --> 00:05:19,000 I have tried as best I could to keep it from the others. 88 00:05:19,000 --> 00:05:20,000 And my wife? 89 00:05:20,000 --> 00:05:21,000 Have you told my wife? 90 00:05:21,000 --> 00:05:22,000 No, no, Nicolo. 91 00:05:22,000 --> 00:05:23,840 I did not have the heart. 92 00:05:23,840 --> 00:05:26,600 I have wanted to spare Irene's feelings. 93 00:05:26,600 --> 00:05:27,600 You? 94 00:05:27,600 --> 00:05:30,080 You wanted to spare her feelings? 95 00:05:30,080 --> 00:05:31,080 This touches me deeply. 96 00:05:31,080 --> 00:05:32,080 Felix. 97 00:05:32,080 --> 00:05:33,080 I do not know what you mean. 98 00:05:33,080 --> 00:05:37,840 This concern of yours, it really is not so much for me as it is for Irene. 99 00:05:37,840 --> 00:05:40,000 Oh, do not be ridiculous, Nicolo. 100 00:05:40,000 --> 00:05:41,360 You want to spare her feelings. 101 00:05:41,360 --> 00:05:45,080 Do not read meaning where there is no meaning, Nicolo. 102 00:05:45,080 --> 00:05:49,240 I think that you have been waiting for something like this for a long time. 103 00:05:49,240 --> 00:05:53,960 Tell me, Felix, are you masking your love for Irene with pity? 104 00:05:53,960 --> 00:05:54,960 Your reason has gone. 105 00:05:54,960 --> 00:05:56,520 What else can I believe? 106 00:05:56,520 --> 00:05:59,240 What other possible reason can there be for this threat? 107 00:05:59,240 --> 00:06:02,400 Do you know what these are, Nicolo? 108 00:06:02,400 --> 00:06:03,400 Papers? 109 00:06:03,400 --> 00:06:04,400 Pieces of paper? 110 00:06:04,400 --> 00:06:06,280 They are bills, hundreds of them. 111 00:06:06,280 --> 00:06:08,080 Look at them, Nicolo, bills. 112 00:06:08,080 --> 00:06:09,800 Bills that you have run up. 113 00:06:09,800 --> 00:06:13,720 Almost $5,000 worth of flowers, champagne, gifts. 114 00:06:13,720 --> 00:06:14,800 What are you doing with these? 115 00:06:14,800 --> 00:06:19,280 They were sent here to the company as attachments on your guarantee for the present season. 116 00:06:19,280 --> 00:06:20,280 So? 117 00:06:20,280 --> 00:06:24,000 So, it turns out, Nicolo, that there is not any more guarantee. 118 00:06:24,000 --> 00:06:27,040 You have already been advanced way over your guarantee. 119 00:06:27,040 --> 00:06:30,320 At the moment, you owe the company almost an entire season. 120 00:06:30,320 --> 00:06:31,760 Oh, I don't believe you. 121 00:06:31,760 --> 00:06:32,760 It's impossible. 122 00:06:32,760 --> 00:06:36,160 It's not impossible, Nicolo. 123 00:06:36,160 --> 00:06:40,040 But Felix, this question of the money can so easily be solved. 124 00:06:40,040 --> 00:06:41,040 These creditors know me. 125 00:06:41,040 --> 00:06:43,960 They know that next season I will take care of... 126 00:06:43,960 --> 00:06:48,800 Nicolo, Nicolo, there won't be any next season for you. 127 00:06:48,800 --> 00:06:50,720 I don't understand. 128 00:06:50,720 --> 00:06:51,720 I have a contract. 129 00:06:51,720 --> 00:06:53,920 I am going to break it. 130 00:06:53,920 --> 00:06:56,960 You waited for this moment for a long time. 131 00:06:56,960 --> 00:06:57,960 Haven't you? 132 00:06:57,960 --> 00:06:58,960 You're being very stupid now, Nicolo. 133 00:06:58,960 --> 00:07:03,080 I am being much more realistic about this than you can possibly imagine. 134 00:07:03,080 --> 00:07:04,080 Are you really? 135 00:07:04,080 --> 00:07:05,080 My reason hasn't gone. 136 00:07:05,080 --> 00:07:08,280 It's just that you have made a stupid mistake. 137 00:07:08,280 --> 00:07:10,840 I have a mistake? 138 00:07:10,840 --> 00:07:12,480 I am not a violent man. 139 00:07:12,480 --> 00:07:14,960 I dislike violence very much. 140 00:07:14,960 --> 00:07:17,820 But you really haven't given me any alternative. 141 00:07:17,820 --> 00:07:20,200 You have only given me one choice to make. 142 00:07:20,200 --> 00:07:21,200 What do you mean? 143 00:07:21,200 --> 00:07:27,240 The opera house is so quiet at night when no one is here. 144 00:07:27,240 --> 00:07:30,080 Listen, Felix, not a sound. 145 00:07:30,080 --> 00:07:32,240 Nicolo, what is wrong with you? 146 00:07:32,240 --> 00:07:36,040 Look at the enormous shadows we throw upon the stage from this work light. 147 00:07:36,040 --> 00:07:38,400 Are you trying to frighten me? 148 00:07:38,400 --> 00:07:39,400 You won't, you know. 149 00:07:39,400 --> 00:07:43,280 No, I am not trying to scare you, Felix. 150 00:07:43,280 --> 00:07:44,480 That would do no good at all. 151 00:07:44,480 --> 00:07:46,160 Well, then what are you talking about? 152 00:07:46,160 --> 00:07:48,080 The money problem was your business. 153 00:07:48,080 --> 00:07:53,800 But my association with Leola Dantes was no concern of yours, Felix, not whatsoever. 154 00:07:53,800 --> 00:07:54,800 Nicolo! 155 00:07:54,800 --> 00:08:01,680 I grabbed his shirt and twisted the collar until his grew red. 156 00:08:01,680 --> 00:08:05,920 And then I yanked at the work light, lifted his eye, and with all my strength brought 157 00:08:05,920 --> 00:08:13,040 it crashing down on his head. 158 00:08:13,040 --> 00:08:15,280 I released my hand from his collar. 159 00:08:15,280 --> 00:08:22,040 He swayed for a moment and then fell awkwardly down upon the stage. 160 00:08:22,040 --> 00:08:25,440 I reached over and picked up the beers lying on the table. 161 00:08:25,440 --> 00:08:32,640 Then I heard it, a sound from out in the auditorium, a sound of something or someone. 162 00:08:32,640 --> 00:08:36,120 It was too dark to see anything. 163 00:08:36,120 --> 00:08:40,160 I rushed over to the electrician's case through the house light switch and rushed back on 164 00:08:40,160 --> 00:08:41,160 the stage. 165 00:08:41,160 --> 00:08:48,040 There, sitting in the sixth or seventh row, staring at me in complete bewilderment, was 166 00:08:48,040 --> 00:08:54,040 a beady-eyed man wearing a brown jacket with a head of flaming radar. 167 00:08:54,040 --> 00:08:55,520 You! 168 00:08:55,520 --> 00:08:58,720 You out there! 169 00:08:58,720 --> 00:09:01,040 Who are you? 170 00:09:01,040 --> 00:09:03,680 What are you doing out there? 171 00:09:03,680 --> 00:09:05,080 Don't sit there looking at me. 172 00:09:05,080 --> 00:09:06,080 Say something! 173 00:09:06,080 --> 00:09:10,720 Oh, so you are scared, is that it? 174 00:09:10,720 --> 00:09:12,320 Did you see everything? 175 00:09:12,320 --> 00:09:14,360 No, no, don't move! 176 00:09:14,360 --> 00:09:17,040 Wait, wait, I want to talk to you. 177 00:09:17,040 --> 00:09:18,040 Come back, Navo. 178 00:09:18,040 --> 00:09:19,720 I won't hurt you, I promise. 179 00:09:19,720 --> 00:09:22,400 Are you afraid of me? 180 00:09:22,400 --> 00:09:23,480 Why don't you answer me? 181 00:09:23,480 --> 00:09:25,760 You are afraid of me, aren't you? 182 00:09:25,760 --> 00:09:26,760 Come back here. 183 00:09:26,760 --> 00:09:27,760 You, come back! 184 00:09:27,760 --> 00:09:28,760 I want to talk to you. 185 00:09:28,760 --> 00:09:31,760 Come back! 186 00:09:31,760 --> 00:09:40,440 No, no. 187 00:09:40,440 --> 00:09:43,120 He was gone. 188 00:09:43,120 --> 00:09:49,800 I stood there and could feel the perspiration roll down off my face as I realized that a 189 00:09:49,800 --> 00:10:06,320 red-headed man had just witnessed the murder that I had committed. 190 00:10:06,320 --> 00:10:12,000 Auto Light is bringing you Mr. H.C.O.P.N.Z.A. in Aria from Murder, tonight's production 191 00:10:12,000 --> 00:10:20,200 in radio's outstanding theater of thrills, Suspense. 192 00:10:20,200 --> 00:10:29,720 Harlow, the zoo has a giraffe with the longest neck in the world. 193 00:10:29,720 --> 00:10:33,600 Ah, but it can't be as long as the life of an auto light stay full battery, the battery 194 00:10:33,600 --> 00:10:37,640 that needs water only three times a year in normal car use. 195 00:10:37,640 --> 00:10:43,400 Why that world famous stay full battery gives 70% longer life, and this is proven by tests 196 00:10:43,400 --> 00:10:46,960 conducted according to SAE minimum life cycle standards. 197 00:10:46,960 --> 00:10:51,840 Harlow, when this giraffe takes a drink, the water doesn't get down for a month. 198 00:10:51,840 --> 00:10:56,260 But Hap, the auto light stay full battery only needs a drink three times a year in normal 199 00:10:56,260 --> 00:10:57,440 car use. 200 00:10:57,440 --> 00:11:02,260 This giraffe's neck is so long that when his head is in Tuesday, his tail is still 201 00:11:02,260 --> 00:11:04,260 in last week. 202 00:11:04,260 --> 00:11:09,480 Now there's a guy who needs fiberglass retaining mats to keep all the energy in one place. 203 00:11:09,480 --> 00:11:13,160 That's what they do for the auto light stay full battery, because fiberglass retaining 204 00:11:13,160 --> 00:11:18,860 mats protect every positive plate to prevent shedding and flaking, and keep the power producing 205 00:11:18,860 --> 00:11:22,780 materials in place for fast dependable starts. 206 00:11:22,780 --> 00:11:28,000 So see your auto light battery dealer, have him install in your car an auto light stay 207 00:11:28,000 --> 00:11:29,000 full battery. 208 00:11:29,000 --> 00:11:33,120 And remember, you're always right with auto light. 209 00:11:33,120 --> 00:11:39,000 And now auto light brings back to our Hollywood soundstage, Mr. Ezio Pinza, in Elliot Lewis's 210 00:11:39,000 --> 00:11:57,760 production of Aria from Murder, a tale well calculated to keep you in suspense. 211 00:11:57,760 --> 00:12:02,520 I stood in the alley next to the opera house for a long time. 212 00:12:02,520 --> 00:12:07,440 My mind was confused and I felt numb with pain. 213 00:12:07,440 --> 00:12:12,880 Not an abnormal reaction for a man who has just committed a murder, I believe. 214 00:12:12,880 --> 00:12:17,400 This witness on flaming red hair that that moment might have been on his way to the police. 215 00:12:17,400 --> 00:12:20,400 Oh, I was desperate. 216 00:12:20,400 --> 00:12:24,440 And the desperate man seeks refuge. 217 00:12:24,440 --> 00:12:27,320 My weakness was my refuge. 218 00:12:27,320 --> 00:12:29,320 And I went to my weakness. 219 00:12:29,320 --> 00:12:32,320 Nicky, darling. 220 00:12:32,320 --> 00:12:35,320 Leola, Leola. 221 00:12:35,320 --> 00:12:38,320 Sit down, darling. 222 00:12:38,320 --> 00:12:41,480 I'll fix you a drink. 223 00:12:41,480 --> 00:12:43,560 I need it. 224 00:12:43,560 --> 00:12:44,560 Recognize the record, darling? 225 00:12:44,560 --> 00:12:45,560 Yes. 226 00:12:45,560 --> 00:12:46,560 One of your best, I thought. 227 00:12:46,560 --> 00:12:48,560 It seems so long ago. 228 00:12:48,560 --> 00:12:50,800 Is there something wrong, Nicky? 229 00:12:50,800 --> 00:12:51,800 Wrong, Leola. 230 00:12:51,800 --> 00:12:54,520 Oh, why, no, no, there is nothing wrong. 231 00:12:54,520 --> 00:12:58,160 Here, here's your drink. 232 00:12:58,160 --> 00:12:59,760 Thank you. 233 00:12:59,760 --> 00:13:02,120 I know there's something wrong. 234 00:13:02,120 --> 00:13:03,120 Why? 235 00:13:03,120 --> 00:13:06,120 What gives you that idea? 236 00:13:06,120 --> 00:13:11,320 Because you've forgotten. 237 00:13:11,320 --> 00:13:14,560 And it's not likely for you to forget, Nicky. 238 00:13:14,560 --> 00:13:15,560 Forgotten? 239 00:13:15,560 --> 00:13:18,200 You've forgotten to bring me something. 240 00:13:18,200 --> 00:13:20,400 And you never forget unless there's something wrong. 241 00:13:20,400 --> 00:13:21,880 Oh, Leola, I am sorry. 242 00:13:21,880 --> 00:13:24,440 Nicky, please, I know something is wrong. 243 00:13:24,440 --> 00:13:27,320 Now tell me what it is. 244 00:13:27,320 --> 00:13:28,520 Something to do with your wife? 245 00:13:28,520 --> 00:13:30,240 Has she found out? 246 00:13:30,240 --> 00:13:31,440 No, nothing, nothing. 247 00:13:31,440 --> 00:13:33,720 Well, then tell me, please. 248 00:13:33,720 --> 00:13:34,720 Leola. 249 00:13:34,720 --> 00:13:37,400 What is it, Nicky? 250 00:13:37,400 --> 00:13:40,400 Tell me, please. 251 00:13:40,400 --> 00:13:42,240 Leola, Leola, tell me. 252 00:13:42,240 --> 00:13:43,240 You love me, tell me. 253 00:13:43,240 --> 00:13:45,480 Nicky, you know I do. 254 00:13:45,480 --> 00:13:46,480 Oh, darling. 255 00:13:46,480 --> 00:13:49,480 Nicky, no, wait, now, wait, please. 256 00:13:49,480 --> 00:13:51,640 First tell me what it is. 257 00:13:51,640 --> 00:13:58,120 Tonight, just after the performance, Felix Levine sent word that he wanted to see me 258 00:13:58,120 --> 00:13:59,120 on stage. 259 00:13:59,120 --> 00:14:00,120 Go on, Nicky. 260 00:14:00,120 --> 00:14:03,120 He knew all about us. 261 00:14:03,120 --> 00:14:07,880 Oh, it had to come out sooner or later, didn't it, Nicky? 262 00:14:07,880 --> 00:14:10,000 He threatened to go to Irene, my wife. 263 00:14:10,000 --> 00:14:13,040 He threatened to tell her everything. 264 00:14:13,040 --> 00:14:15,040 And then he threatened to go to the newspaper. 265 00:14:15,040 --> 00:14:16,040 Oh? 266 00:14:16,040 --> 00:14:18,040 Do you see what that would have meant? 267 00:14:18,040 --> 00:14:20,240 I'm afraid I don't quite follow you. 268 00:14:20,240 --> 00:14:22,680 Oh, don't you understand, Leola? 269 00:14:22,680 --> 00:14:26,600 What it would involve, the scandal, the effect it would have on my reputation. 270 00:14:26,600 --> 00:14:27,600 I see. 271 00:14:27,600 --> 00:14:30,040 He offered to bargain with me. 272 00:14:30,040 --> 00:14:31,040 Bargain? 273 00:14:31,040 --> 00:14:32,040 Yes. 274 00:14:32,040 --> 00:14:35,240 If I would stop seeing you, he would remain silent. 275 00:14:35,240 --> 00:14:37,360 He became very adamant in his demand. 276 00:14:37,360 --> 00:14:40,920 And when I refused, he became violent. 277 00:14:40,920 --> 00:14:43,400 I too became violent. 278 00:14:43,400 --> 00:14:46,280 And in her age, I hit him with the stagework light. 279 00:14:46,280 --> 00:14:47,280 He... 280 00:14:47,280 --> 00:14:48,960 What are you trying to say? 281 00:14:48,960 --> 00:14:51,400 Oh, Leola, I killed him. 282 00:14:51,400 --> 00:14:52,400 Nicky. 283 00:14:52,400 --> 00:14:56,720 But then, Leola, while I was standing over his body, I heard a noise from out in the 284 00:14:56,720 --> 00:14:57,720 auditorium. 285 00:14:57,720 --> 00:15:01,680 Someone out there in the auditorium had seen the entire thing. 286 00:15:01,680 --> 00:15:02,680 What? 287 00:15:02,680 --> 00:15:05,680 I rushed to turn the house lights on. 288 00:15:05,680 --> 00:15:10,320 A man wearing a brown coat with beady eyes and flaming red hair was sitting there looking 289 00:15:10,320 --> 00:15:11,320 at me. 290 00:15:11,320 --> 00:15:12,320 Who was he? 291 00:15:12,320 --> 00:15:13,320 Oh, I don't know. 292 00:15:13,320 --> 00:15:14,320 I had never seen him before in my life. 293 00:15:14,320 --> 00:15:16,320 Are you sure he saw everything? 294 00:15:16,320 --> 00:15:17,320 Oh, there is no doubt of it. 295 00:15:17,320 --> 00:15:26,400 Well, I really don't know what to say. 296 00:15:26,400 --> 00:15:27,400 I... 297 00:15:27,400 --> 00:15:29,760 I suspected that something like this would happen. 298 00:15:29,760 --> 00:15:31,760 Oh, what are you talking about? 299 00:15:31,760 --> 00:15:36,000 Well, am I supposed to condone what you did, Nicky? 300 00:15:36,000 --> 00:15:38,600 Oh, I need your help, Leola. 301 00:15:38,600 --> 00:15:40,600 My help? 302 00:15:40,600 --> 00:15:42,400 How can I help you, Nicky? 303 00:15:42,400 --> 00:15:43,760 Oh, Leola, darling, please. 304 00:15:43,760 --> 00:15:47,400 This isn't something I asked you to do. 305 00:15:47,400 --> 00:15:52,040 It's best it happened this way, because you'd have to wake up sometime. 306 00:15:52,040 --> 00:15:56,800 It's a hard, cruel world, Mr. Opera Singer. 307 00:15:56,800 --> 00:15:58,680 Am I supposed to comfort this thing? 308 00:15:58,680 --> 00:16:02,800 Am I supposed to become involved in this whole rotten mess all because you made a mistake? 309 00:16:02,800 --> 00:16:07,480 Well, don't you understand that what I did, I did for us to keep us together? 310 00:16:07,480 --> 00:16:09,360 Take your last bow, Nicky. 311 00:16:09,360 --> 00:16:14,640 The curtain's about to ring down, just like it falls on one of those operas you're singing. 312 00:16:14,640 --> 00:16:19,040 Oh, don't you realize that if Felix had gone through with what he threatened to, it would 313 00:16:19,040 --> 00:16:21,040 have meant losing you? 314 00:16:21,040 --> 00:16:30,600 It's funny to see you standing there, so strong and yet so weak, so much like a little boy, 315 00:16:30,600 --> 00:16:34,080 and yet so very much an old man. 316 00:16:34,080 --> 00:16:38,120 Did you ever actually believe that I was capable of loving you? 317 00:16:38,120 --> 00:16:41,800 Leola, I won't believe this. 318 00:16:41,800 --> 00:16:43,680 I won't believe it. 319 00:16:43,680 --> 00:16:54,360 Put the key to the apartment on the table as you leave, Nicky. 320 00:16:54,360 --> 00:17:01,120 I left Leola's apartment in a tease, and I went home just as a condemned man goes to 321 00:17:01,120 --> 00:17:12,320 the gallows and waited for the police. 322 00:17:12,320 --> 00:17:13,680 But the police never came. 323 00:17:13,680 --> 00:17:18,320 At least, they didn't come the first day after the murder. 324 00:17:18,320 --> 00:17:21,000 The second day, I did receive a call from the police. 325 00:17:21,000 --> 00:17:23,560 It was a routine check. 326 00:17:23,560 --> 00:17:27,640 They told me they wanted to know if I knew anything about the crime or if I suspected 327 00:17:27,640 --> 00:17:29,520 anyone. 328 00:17:29,520 --> 00:17:32,000 My answers were vague. 329 00:17:32,000 --> 00:17:35,760 I was safe, safe from the police. 330 00:17:35,760 --> 00:17:43,360 Finally, not being able to contain myself any longer, I decided to call Leola just before 331 00:17:43,360 --> 00:17:51,400 my Saturday matinee of Paris Gaudounauf. 332 00:17:51,400 --> 00:17:53,000 That's the overture, Mr. Mazzini. 333 00:17:53,000 --> 00:17:56,000 Yes, thank you. 334 00:17:56,000 --> 00:18:00,560 Hello? 335 00:18:00,560 --> 00:18:01,560 Niccolo Leola. 336 00:18:01,560 --> 00:18:02,560 Oh, it's you. 337 00:18:02,560 --> 00:18:03,560 It looks like the police made his misdemeanor. 338 00:18:03,560 --> 00:18:04,560 What happened to the man in the brown coat and the flaming red hair, Nicky? 339 00:18:04,560 --> 00:18:05,560 I don't know. 340 00:18:05,560 --> 00:18:06,560 Are you sure there was such a man, Nicky? 341 00:18:06,560 --> 00:18:07,560 Oh, I swear there was such a person, Leola. 342 00:18:07,560 --> 00:18:08,560 I swear to you. 343 00:18:08,560 --> 00:18:09,560 Then you've been very fortunate, Nicky. 344 00:18:09,560 --> 00:18:10,560 But why does he wait? 345 00:18:10,560 --> 00:18:11,560 Why doesn't he come? 346 00:18:11,560 --> 00:18:12,560 I don't know. 347 00:18:12,560 --> 00:18:13,560 I don't know. 348 00:18:13,560 --> 00:18:14,560 I don't know. 349 00:18:14,560 --> 00:18:15,560 I don't know. 350 00:18:15,560 --> 00:18:16,560 I don't know. 351 00:18:16,560 --> 00:18:17,560 I don't know. 352 00:18:17,560 --> 00:18:18,560 I don't know. 353 00:18:18,560 --> 00:18:19,560 I don't know. 354 00:18:19,560 --> 00:18:20,560 I don't know. 355 00:18:20,560 --> 00:18:21,560 I don't know. 356 00:18:21,560 --> 00:18:22,560 I don't know. 357 00:18:22,560 --> 00:18:23,560 I don't know. 358 00:18:23,560 --> 00:18:24,560 I don't know. 359 00:18:24,560 --> 00:18:26,160 I don't know. 360 00:18:26,160 --> 00:18:27,160 I don't know. 361 00:18:27,160 --> 00:18:28,160 I don't know. 362 00:18:28,160 --> 00:18:29,160 I don't know. 363 00:18:29,160 --> 00:18:30,160 I don't know. 364 00:18:30,160 --> 00:18:31,160 I don't know. 365 00:18:31,160 --> 00:18:32,160 I don't know. 366 00:18:32,160 --> 00:18:33,160 I don't know. 367 00:18:33,160 --> 00:18:34,160 I don't know. 368 00:18:34,160 --> 00:18:35,160 I don't know. 369 00:18:35,160 --> 00:18:36,160 Can I come to see you? 370 00:18:36,160 --> 00:18:37,160 Not yet, Nicky. 371 00:18:37,160 --> 00:18:38,160 At least not until his whole thing is over completely. 372 00:18:38,160 --> 00:18:39,160 Leola, please. 373 00:18:39,160 --> 00:18:40,160 Let's say at least until we're sure that this man in the brown coat and red hair doesn't 374 00:18:40,160 --> 00:18:41,160 put in an appearance. 375 00:18:41,160 --> 00:18:42,160 Let's wait, Nicky. 376 00:18:42,160 --> 00:18:43,160 Shall we? 377 00:18:43,160 --> 00:18:44,160 Yes, Leola. 378 00:18:44,160 --> 00:18:45,160 We'll wait. 379 00:18:45,160 --> 00:18:46,160 You know, maybe I could have just said this... 380 00:18:46,160 --> 00:18:47,160 Let's wait, Nicky. 381 00:18:47,160 --> 00:18:48,160 Let's wait. 382 00:18:48,160 --> 00:18:49,160 Let's wait. 383 00:18:49,160 --> 00:18:50,160 Let's wait. 384 00:18:50,160 --> 00:18:51,160 Let's wait, Nicky. 385 00:18:51,160 --> 00:18:52,160 Let's wait. 386 00:18:52,160 --> 00:19:01,800 And so I waited, waited for I didn't know what. 387 00:19:01,800 --> 00:19:06,980 Possibly I was waiting for a knock at the door or the ring of the phone, expecting at 388 00:19:06,980 --> 00:19:09,080 any moment it would be the police. 389 00:19:09,080 --> 00:19:14,720 At the end of the second week I found myself beginning to regain my composure. 390 00:19:14,720 --> 00:19:18,480 But yet, beneath that composure I still waited. 391 00:19:18,480 --> 00:19:21,960 On Friday night I was to sing as Camillo. 392 00:19:21,960 --> 00:19:25,600 While putting on my make-up in my dressing room I received a phone call. 393 00:19:25,600 --> 00:19:26,600 Hello. 394 00:19:26,600 --> 00:19:27,600 Hello, Nick. 395 00:19:27,600 --> 00:19:28,600 Who is this, please? 396 00:19:28,600 --> 00:19:29,600 I am busy. 397 00:19:29,600 --> 00:19:38,600 I was just telling my friends my brown coat needs to be clean and pressed and I need a 398 00:19:38,600 --> 00:19:39,600 haircut. 399 00:19:39,600 --> 00:19:41,800 What are you talking about? 400 00:19:41,800 --> 00:19:47,400 Barbers tell me that men with red hair are the best conversationalists. 401 00:19:47,400 --> 00:19:48,400 You? 402 00:19:48,400 --> 00:19:49,400 Yeah, me. 403 00:19:49,400 --> 00:19:50,400 Who are you? 404 00:19:50,400 --> 00:19:51,400 Who are you? 405 00:19:51,400 --> 00:19:52,400 If you'd run a little faster you might have caught me. 406 00:19:52,400 --> 00:19:53,400 Tell me what would you have done to me if you had caught me, Nick? 407 00:19:53,400 --> 00:19:54,400 The same thing you did to Felix Levine. 408 00:19:54,400 --> 00:19:55,400 I don't know what you're talking about. 409 00:19:55,400 --> 00:19:56,400 Let's not be corny, Nick. 410 00:19:56,400 --> 00:19:57,400 Why didn't you go to the police? 411 00:19:57,400 --> 00:19:58,400 Why didn't you? 412 00:19:58,400 --> 00:19:59,400 You sing well, Nick. 413 00:19:59,400 --> 00:20:00,400 You're a great singer. 414 00:20:00,400 --> 00:20:01,400 I admire you. 415 00:20:01,400 --> 00:20:02,400 I sing too. 416 00:20:02,400 --> 00:20:03,400 Do you know that? 417 00:20:03,400 --> 00:20:04,400 I sing very well. 418 00:20:04,400 --> 00:20:05,400 Listen to me. 419 00:20:05,400 --> 00:20:16,120 Haven't you heard of the 420 00:20:16,120 --> 00:20:23,120 time right now, Nick? 421 00:20:23,120 --> 00:20:29,160 I think I'll call you in a day or so and let you know just how well I want you to sing. 422 00:20:29,160 --> 00:20:30,160 But listen to me. 423 00:20:30,160 --> 00:20:33,160 It's going to be an expensive song. 424 00:20:33,160 --> 00:20:34,160 Just remember that. 425 00:20:34,160 --> 00:20:37,160 A real expensive song. 426 00:20:37,160 --> 00:20:38,160 Wait. 427 00:20:38,160 --> 00:20:39,160 Wait. 428 00:20:39,160 --> 00:20:40,160 Please, please. 429 00:20:40,160 --> 00:20:53,880 The man in the brown coat and flaming red hair had finally come out from his hiding place. 430 00:20:53,880 --> 00:20:57,400 And now I knew the reason why he had remained silent. 431 00:20:57,400 --> 00:21:00,080 He was going to blackmail me. 432 00:21:00,080 --> 00:21:02,440 He had seen everything. 433 00:21:02,440 --> 00:21:05,640 There was no escape for me now. 434 00:21:05,640 --> 00:21:06,640 I was helpless. 435 00:21:06,640 --> 00:21:10,960 How was I going to pay any demands he might make? 436 00:21:10,960 --> 00:21:14,160 As for the other creditors, I could easily have taken care of them. 437 00:21:14,160 --> 00:21:19,240 But this new creditor, his was a demand that could not be taken care of. 438 00:21:19,240 --> 00:21:25,440 Yes, this man in the brown jacket with flaming red hair had my life in his hands. 439 00:21:25,440 --> 00:21:34,320 And he knew it. 440 00:21:34,320 --> 00:21:37,800 That evening my performance in Carmen was a mockery. 441 00:21:37,800 --> 00:21:40,440 I sang as Camillo as if in a trance. 442 00:21:40,440 --> 00:21:45,520 I think that even the cast around me suspected something was wrong. 443 00:21:45,520 --> 00:21:49,600 Saturday I waited for his phone call, but it didn't come. 444 00:21:49,600 --> 00:21:54,360 Then in the afternoon I received a call to report to the opera house wardrobe room for 445 00:21:54,360 --> 00:21:56,040 a custom fitting. 446 00:21:56,040 --> 00:21:57,800 I went down. 447 00:21:57,800 --> 00:22:01,440 I walked down on the long side alley entrance to the opera house. 448 00:22:01,440 --> 00:22:03,120 I opened the door and stepped in. 449 00:22:03,120 --> 00:22:05,320 Hello, Mr. Marzini. 450 00:22:05,320 --> 00:22:08,520 The doorman greeted me and I nodded to him. 451 00:22:08,520 --> 00:22:14,480 And as I lifted my head, there sitting next to the doorman, his back to me, was the man 452 00:22:14,480 --> 00:22:17,640 in the brown coat and flaming red hair. 453 00:22:17,640 --> 00:22:20,520 I walked rapidly across the stage. 454 00:22:20,520 --> 00:22:26,920 I made my way back to a darkened corner from where I could watch the two of them. 455 00:22:26,920 --> 00:22:27,920 What was he doing here? 456 00:22:27,920 --> 00:22:30,920 Had he purposely exposed himself to me? 457 00:22:30,920 --> 00:22:35,760 It must have been half an hour and the doorman received the phone call and left. 458 00:22:35,760 --> 00:22:39,920 Now the man with red hair was sitting at the stage door alone. 459 00:22:39,920 --> 00:22:42,000 His back to me. 460 00:22:42,000 --> 00:22:46,600 I fell behind me and my hand close upon a wooden stage brace. 461 00:22:46,600 --> 00:22:51,280 Then I made my way carefully against the back brick wall of the opera house. 462 00:22:51,280 --> 00:22:53,600 I was only a few feet from him now. 463 00:22:53,600 --> 00:22:55,640 I looked around. 464 00:22:55,640 --> 00:22:57,880 There was no one inside. 465 00:22:57,880 --> 00:22:58,880 And then I was upon him. 466 00:22:58,880 --> 00:23:04,600 I brought the stage brace crashing down in his head. 467 00:23:04,600 --> 00:23:09,360 He did not cry out. 468 00:23:09,360 --> 00:23:11,800 And I caught him before he fell off the chair. 469 00:23:11,800 --> 00:23:13,760 I held him in my arms waiting. 470 00:23:13,760 --> 00:23:14,760 No sounds. 471 00:23:14,760 --> 00:23:17,760 No one at earth. 472 00:23:17,760 --> 00:23:19,120 Good. 473 00:23:19,120 --> 00:23:25,120 I lifted him upon my shoulders and in darkness made my way back to my dressing room. 474 00:23:25,120 --> 00:23:28,240 I kicked the door closed behind me. 475 00:23:28,240 --> 00:23:31,480 Emptied my traveling trunk and deposited the body in it. 476 00:23:31,480 --> 00:23:38,600 In the morning I could have the trunk delivered to my home and dispose of its contents. 477 00:23:38,600 --> 00:23:40,320 I left the opera house. 478 00:23:40,320 --> 00:23:52,640 A great weight had suddenly been lifted from my shoulders. 479 00:23:52,640 --> 00:23:57,480 As I arrived at the opera house tonight, I knew that I was to give a performance of opera 480 00:23:57,480 --> 00:24:00,920 that the patrons would never forget. 481 00:24:00,920 --> 00:24:05,320 A few minutes before I was to go on stage, I was putting the finishing touches on my 482 00:24:05,320 --> 00:24:06,320 makeup. 483 00:24:06,320 --> 00:24:07,320 Hello. 484 00:24:07,320 --> 00:24:08,320 Hello, Nick. 485 00:24:08,320 --> 00:24:09,320 How are you? 486 00:24:09,320 --> 00:24:10,320 Have you thought over what I said, Nick? 487 00:24:10,320 --> 00:24:11,320 Have you thought about singing for me? 488 00:24:11,320 --> 00:24:12,320 But you, you're dead. 489 00:24:12,320 --> 00:24:13,320 You've got to convince me, Nick. 490 00:24:13,320 --> 00:24:14,320 I feel very much alive. 491 00:24:14,320 --> 00:24:15,320 I'm not dead. 492 00:24:15,320 --> 00:24:16,320 I'm alive. 493 00:24:16,320 --> 00:24:17,320 I'm alive. 494 00:24:17,320 --> 00:24:18,320 I'm alive. 495 00:24:18,320 --> 00:24:19,320 I'm alive. 496 00:24:19,320 --> 00:24:20,320 I'm alive. 497 00:24:20,320 --> 00:24:21,320 I'm alive. 498 00:24:21,320 --> 00:24:22,320 I'm alive. 499 00:24:22,320 --> 00:24:23,320 I'm alive. 500 00:24:23,320 --> 00:24:24,320 I'm alive. 501 00:24:24,320 --> 00:24:25,320 I'm alive. 502 00:24:25,320 --> 00:24:26,320 I'm alive. 503 00:24:26,320 --> 00:24:27,320 I'm alive. 504 00:24:27,320 --> 00:24:28,320 I'm alive. 505 00:24:28,320 --> 00:24:29,320 I feel like singing. 506 00:24:29,320 --> 00:24:30,320 This is a joke. 507 00:24:30,320 --> 00:24:31,320 Tomorrow, Nick. 508 00:24:31,320 --> 00:24:35,220 I want you to sing for me tomorrow. 509 00:24:35,220 --> 00:24:40,440 Sing for, say, about $25,000. 510 00:24:40,440 --> 00:24:41,980 That should keep me from singing. 511 00:24:41,980 --> 00:24:42,980 I don't want to. 512 00:24:42,980 --> 00:24:45,000 I'll phone you tomorrow, Nick. 513 00:24:45,000 --> 00:24:46,000 Wait. 514 00:24:46,000 --> 00:24:47,000 Wait. 515 00:24:47,000 --> 00:24:48,000 Wait. 516 00:24:48,000 --> 00:24:49,000 Wait. 517 00:24:49,000 --> 00:24:56,280 I placed the phone back to where it was. 518 00:24:56,280 --> 00:25:00,480 I placed the phone back on the hook and walked over the trunk. 519 00:25:00,480 --> 00:25:03,480 I lifted the lid. 520 00:25:03,480 --> 00:25:08,380 The man who lay in that trunk was the man who had seen me kill Felix Levine. 521 00:25:08,380 --> 00:25:09,780 No. 522 00:25:09,780 --> 00:25:12,780 I had not made a mistake, Lieutenant. 523 00:25:12,780 --> 00:25:15,080 I am sure you can guess the obvious. 524 00:25:15,080 --> 00:25:15,880 Riola D'Atis? 525 00:25:15,880 --> 00:25:17,180 Yes. 526 00:25:17,180 --> 00:25:21,780 She was the only other person besides the man with the red hair 527 00:25:21,780 --> 00:25:23,980 who knew about Felix Levine. 528 00:25:23,980 --> 00:25:26,080 This other guy who called you? 529 00:25:26,080 --> 00:25:29,380 It must have been somebody she hired. 530 00:25:29,380 --> 00:25:33,880 The woman for whom I had killed twice had betrayed me. 531 00:25:33,880 --> 00:25:35,680 We call it blackmail, Mr. Mazzini. 532 00:25:35,680 --> 00:25:38,280 Oh, it matters so little now. 533 00:25:38,280 --> 00:25:41,080 Well, we'll pick him up and then we'll be down for you. 534 00:25:41,080 --> 00:25:42,980 I shall be ready. 535 00:25:42,980 --> 00:25:44,380 You're on, Mr. Mazzini. 536 00:25:44,380 --> 00:25:46,680 Coming. 537 00:25:46,680 --> 00:25:49,780 With your permission, Lieutenant Morgan, 538 00:25:49,780 --> 00:25:52,580 I go to give my finish. 539 00:25:52,580 --> 00:25:55,080 My final performance. 540 00:25:55,080 --> 00:25:57,080 Sing well, Mr. Mazzini. 541 00:26:25,080 --> 00:26:31,080 What a voice. 542 00:26:31,080 --> 00:26:35,080 Far and few between. 543 00:26:35,080 --> 00:26:36,080 Where's Riz? 544 00:26:36,080 --> 00:26:37,580 I don't know where he is. 545 00:26:37,580 --> 00:26:40,580 Saw him around this afternoon and he just disappeared. 546 00:26:40,580 --> 00:26:43,080 He wanted to hear Mazzini, didn't he? 547 00:26:43,080 --> 00:26:44,580 Are you kidding? 548 00:26:44,580 --> 00:26:46,580 Mazzini's his whole life. 549 00:26:46,580 --> 00:26:50,580 I don't think there's anything in the world he wouldn't do for Mazzini. 550 00:26:50,580 --> 00:26:53,580 Well, that's because he wanted to be a singer himself. 551 00:26:53,580 --> 00:26:55,080 Probably. 552 00:26:55,080 --> 00:26:56,080 A singer? 553 00:26:56,080 --> 00:26:58,080 That crazy redhead, a singer? 554 00:26:58,080 --> 00:27:25,080 How could a guy who was born a mute be a singer? 555 00:27:25,080 --> 00:27:34,580 Suspense, presented by Auto Light. 556 00:27:34,580 --> 00:27:36,580 Tonight's star, Mr. Ezio Pinza. 557 00:27:36,580 --> 00:27:41,580 Well, Harlow, if you're through horsing around, I'll go now. 558 00:27:41,580 --> 00:27:42,580 Nay, nay, hap. 559 00:27:42,580 --> 00:27:47,580 Not till I tell you that Auto Light makes more than 400 products for trucks, cars, planes, 560 00:27:47,580 --> 00:27:50,580 and boats in 28 plants coast to coast. 561 00:27:50,580 --> 00:27:54,580 These include complete electrical systems used as original equipment on many makes of 562 00:27:54,580 --> 00:27:56,580 America's finest cars. 563 00:27:56,580 --> 00:28:01,580 Electric windshield wipers, spark plugs, starting motors, batteries, bullseye sealed beam headlights, 564 00:28:01,580 --> 00:28:05,580 coils, distributors, generators, wire, and battery cable. 565 00:28:05,580 --> 00:28:09,580 All engineered to fit together perfectly, work together perfectly, because they're a 566 00:28:09,580 --> 00:28:10,580 perfect team. 567 00:28:10,580 --> 00:28:13,580 So friends, don't accept electrical parts supposed to be as good. 568 00:28:13,580 --> 00:28:18,580 Ask for and insist on original factory parts at your neighborhood service station, car 569 00:28:18,580 --> 00:28:20,580 dealer, garage, or repair shop. 570 00:28:20,580 --> 00:28:25,580 And because all Auto Light parts are original factory parts, you're always right with Auto 571 00:28:25,580 --> 00:28:32,580 Light. 572 00:28:32,580 --> 00:28:38,580 Next week on Suspense, Mr. Paul Douglas in Fragile Contents Death. 573 00:28:38,580 --> 00:28:43,580 And in weeks to come, you will hear Fred McMurray to be followed by the First Lady of Suspense, 574 00:28:43,580 --> 00:28:45,580 Miss Agnes Moorhead. 575 00:28:45,580 --> 00:28:51,180 And then on February 22nd, in answer to your many requests, Backseat Driver, repeated for 576 00:28:51,180 --> 00:28:54,580 you with its original stars, Fibber McGee and Molly. 577 00:28:54,580 --> 00:28:59,580 All on Suspense. 578 00:28:59,580 --> 00:29:02,940 Suspense is produced and directed by Elliot Lewis with music composed by Lucien Moraweck 579 00:29:02,940 --> 00:29:04,580 and conducted by Ludd Bluskin. 580 00:29:04,580 --> 00:29:06,580 Portions of this program were transcribed. 581 00:29:06,580 --> 00:29:10,580 Aria for Murder was written for Suspense by Richard George Pedicini. 582 00:29:10,580 --> 00:29:15,580 Included in tonight's cast were Joseph Kearns, Kathy Lewis, and Wally Mayer. 583 00:29:15,580 --> 00:29:21,580 And remember next week on Suspense, Mr. Paul Douglas, as a postmaster who knows there are 584 00:29:21,580 --> 00:29:25,580 explosives in the mail and has only five hours to find them. 585 00:29:25,580 --> 00:29:30,580 The story we call Fragile Contents Death. 586 00:29:30,580 --> 00:29:35,580 You can buy Auto Light staple batteries, Auto Light standard type or resistor type spark 587 00:29:35,580 --> 00:29:38,580 plugs, Auto Light electrical parts at your neighborhood Auto Light dealers. 588 00:29:38,580 --> 00:29:40,580 Switch to Auto Light. 589 00:29:40,580 --> 00:29:41,580 Good night. 590 00:29:41,580 --> 00:30:08,580 This is CBS, the Columbia Broadcasting System.