1 00:00:00,000 --> 00:00:12,000 Auto Light and its 96,000 dealers present Suspense. 2 00:00:12,000 --> 00:00:23,000 Tonight, Auto Light brings you Vamp Till Dead, a suspense play starring Miss Ginger Rogers. 3 00:00:23,000 --> 00:00:25,000 Hello? 4 00:00:25,000 --> 00:00:27,000 Sure. 5 00:00:27,000 --> 00:00:29,000 Honest. 6 00:00:29,000 --> 00:00:31,000 Bye. 7 00:00:31,000 --> 00:00:33,000 Sparkling conversation, Harlow. 8 00:00:33,000 --> 00:00:36,000 Well, that's the owner of a new Auto Light stay full battery, Half. 9 00:00:36,000 --> 00:00:40,000 The battery that needs water only three times a year in normal car use. 10 00:00:40,000 --> 00:00:42,000 Hello? 11 00:00:42,000 --> 00:00:44,000 Why, sure. 12 00:00:44,000 --> 00:00:46,000 You're telling me. 13 00:00:46,000 --> 00:00:47,000 Bye. 14 00:00:47,000 --> 00:00:49,000 Harlow, are you speechless? 15 00:00:49,000 --> 00:00:51,000 No, Half, that's my friend again. 16 00:00:51,000 --> 00:00:56,000 He wants me to know his new Auto Light stay full battery has fiberglass retaining mats, 17 00:00:56,000 --> 00:01:00,000 protecting every positive plate to help prevent shedding and flaking, 18 00:01:00,000 --> 00:01:03,000 and keep the power producing materials in place. 19 00:01:03,000 --> 00:01:04,000 And you said nothing? 20 00:01:04,000 --> 00:01:08,000 Well, there is nothing to say after such a sound statement, Half. 21 00:01:08,000 --> 00:01:12,000 And then he said the Auto Light stay full battery gives 70% longer life, 22 00:01:12,000 --> 00:01:16,000 as proved by tests conducted according to SAE minimum life cycle standards. 23 00:01:16,000 --> 00:01:20,000 So friends, see your neighborhood Auto Light battery dealer, 24 00:01:20,000 --> 00:01:24,000 and have him install in your car an Auto Light stay full battery. 25 00:01:24,000 --> 00:01:28,000 The battery that needs water only three times a year in normal car use. 26 00:01:28,000 --> 00:01:32,000 And remember, you're always right with Auto Light. 27 00:01:32,000 --> 00:01:37,000 And now with Bamped till Dead and the performance of Miss Ginger Rogers, 28 00:01:37,000 --> 00:01:42,000 Auto Light hopes once again to keep you in suspense. 29 00:01:42,000 --> 00:01:44,000 The End 30 00:01:53,000 --> 00:01:59,000 Ha ha ha ha ha ha, your first name, I've forgotten. 31 00:01:59,000 --> 00:02:01,000 What did you say it was? 32 00:02:01,000 --> 00:02:04,000 Amy, Mr. Gentry. Amy Watkin. 33 00:02:04,000 --> 00:02:07,000 Amy, Amy, Amy, Amy, Amy, yes, yes, yes. 34 00:02:07,000 --> 00:02:09,000 And are you a good secretary, Amy? 35 00:02:09,000 --> 00:02:12,000 Why, you have all of my recommendations, Mr. Gentry. 36 00:02:12,000 --> 00:02:14,000 I mailed them to you a week ago. 37 00:02:14,000 --> 00:02:15,000 Oh, yes, yes, yes, yes, to be sure. 38 00:02:15,000 --> 00:02:17,000 I must have looked at them or I wouldn't have hired you 39 00:02:17,000 --> 00:02:20,000 and had you come all the way from New York now, would I? 40 00:02:20,000 --> 00:02:23,000 You never worked for a writer. 41 00:02:23,000 --> 00:02:26,000 You think you're like it here in this big house working for me? 42 00:02:26,000 --> 00:02:27,000 I hope so, sir. 43 00:02:27,000 --> 00:02:31,000 Sir. Ha ha ha ha, sir. 44 00:02:31,000 --> 00:02:32,000 That's very good. 45 00:02:32,000 --> 00:02:34,000 Did that politeness come from some secretarial school, 46 00:02:34,000 --> 00:02:37,000 or perhaps your dear old mother taught it to you? 47 00:02:37,000 --> 00:02:38,000 No, I know, sir. I mean, I... 48 00:02:38,000 --> 00:02:40,000 Never mind, Amy, as soon as we finish eating, 49 00:02:40,000 --> 00:02:42,000 you may unpack, write whoever you have to write, 50 00:02:42,000 --> 00:02:44,000 and explain it to us safely here. 51 00:02:44,000 --> 00:02:46,000 We start work first thing in the morning. 52 00:02:46,000 --> 00:02:48,000 I'll attend to all that, Mr. Gentry. 53 00:02:48,000 --> 00:02:50,000 What do you think of me? 54 00:02:50,000 --> 00:02:52,000 I beg your pardon? 55 00:02:52,000 --> 00:02:53,000 Me? How do I strike you? 56 00:02:53,000 --> 00:02:58,000 What am I, a gentle person, a wit, a profound talent, a buffoon? 57 00:02:58,000 --> 00:03:01,000 Tell me, Amy, I'd be interested in your opinion. 58 00:03:01,000 --> 00:03:04,000 Well, I've only known you half an hour, Mr. Gentry. 59 00:03:04,000 --> 00:03:06,000 Then I'll tell you I'm a writer. 60 00:03:06,000 --> 00:03:09,000 Amy, do you know what it means to have a million words inside of you 61 00:03:09,000 --> 00:03:10,000 and not be able to let them out? 62 00:03:10,000 --> 00:03:11,000 No, sir. 63 00:03:11,000 --> 00:03:12,000 It's an utter horror, 64 00:03:12,000 --> 00:03:15,000 and that's the way it's been with me for almost a year. 65 00:03:15,000 --> 00:03:17,000 But now I'm ready to go back to work again 66 00:03:17,000 --> 00:03:20,000 and release those million words. 67 00:03:20,000 --> 00:03:22,000 To take them down, that'll be your job. 68 00:03:22,000 --> 00:03:24,000 I'll do my best, Mr. Gentry. 69 00:03:24,000 --> 00:03:27,000 It's not going to be easy, very demanding, Amy. 70 00:03:27,000 --> 00:03:29,000 That's why I'm paying you a good salary. 71 00:03:29,000 --> 00:03:31,000 I'll make you work when it's working time. 72 00:03:31,000 --> 00:03:32,000 I understand, Mr. Gentry. 73 00:03:32,000 --> 00:03:35,000 Sometimes I feel like working, and sometimes I don't, 74 00:03:35,000 --> 00:03:37,000 and sometimes I... 75 00:03:37,000 --> 00:03:40,000 I like carnations on the dinner table, Amy, 76 00:03:40,000 --> 00:03:41,000 very hard to get. 77 00:03:41,000 --> 00:03:45,000 Shipping problems in winter like this, delicate, fragile things. 78 00:03:45,000 --> 00:03:47,000 Yes, they are. 79 00:03:47,000 --> 00:03:49,000 But they are my favorite flower. 80 00:03:49,000 --> 00:03:50,000 The cook's name is Jenny. 81 00:03:50,000 --> 00:03:52,000 She'll help you find your way around the house, 82 00:03:52,000 --> 00:03:55,000 and for heaven's sake, call me Paul, not Mr. Gentry. 83 00:03:55,000 --> 00:03:57,000 Yes, Paul. 84 00:03:57,000 --> 00:03:59,000 That's better. 85 00:03:59,000 --> 00:04:01,000 I suppose you're tired. 86 00:04:01,000 --> 00:04:03,000 Yes, I am. 87 00:04:03,000 --> 00:04:05,000 It was a terribly long trip. 88 00:04:05,000 --> 00:04:07,000 You can find your way to your room. 89 00:04:07,000 --> 00:04:09,000 Wait a moment, Amy. 90 00:04:09,000 --> 00:04:11,000 Wait. 91 00:04:11,000 --> 00:04:13,000 First time I've had a good look at you. 92 00:04:13,000 --> 00:04:16,000 Can't see by candlelight over a dinner table. 93 00:04:16,000 --> 00:04:18,000 Tilt your head toward the lamp. 94 00:04:18,000 --> 00:04:20,000 I want to see your face more clearly. 95 00:04:20,000 --> 00:04:21,000 No, but I... Don't. 96 00:04:21,000 --> 00:04:23,000 Do as I say. 97 00:04:23,000 --> 00:04:25,000 Hmm. 98 00:04:25,000 --> 00:04:27,000 Hmm. 99 00:04:27,000 --> 00:04:29,000 You're trembling as I touch your face, Amy. 100 00:04:29,000 --> 00:04:31,000 You're frightened. 101 00:04:31,000 --> 00:04:32,000 Oh, no, I'm not. 102 00:04:32,000 --> 00:04:34,000 I'm not at all. 103 00:04:34,000 --> 00:04:38,000 At this instant, you can't decide whether or not I'm a madman. 104 00:04:38,000 --> 00:04:40,000 You must need this job very badly. 105 00:04:40,000 --> 00:04:42,000 I want to work for you. 106 00:04:42,000 --> 00:04:44,000 I have an inland father who... 107 00:04:44,000 --> 00:04:46,000 I'm not interested in your problems. 108 00:04:46,000 --> 00:04:48,000 Don't tell them to me. 109 00:04:48,000 --> 00:04:50,000 Amy, it's an assistance to me 110 00:04:50,000 --> 00:04:53,000 if people adjust to new situations as quickly as possible. 111 00:04:53,000 --> 00:04:56,000 Have you heard about my wife? 112 00:04:56,000 --> 00:04:58,000 No, sir. 113 00:04:58,000 --> 00:05:00,000 I haven't. 114 00:05:00,000 --> 00:05:02,000 I will tell you. 115 00:05:02,000 --> 00:05:06,000 People around here say I killed Mrs. Gentry. 116 00:05:10,000 --> 00:05:12,000 His great black eyes, 117 00:05:12,000 --> 00:05:14,000 set deep back in his head, 118 00:05:14,000 --> 00:05:16,000 seemed to be laughing at me when he said that, 119 00:05:16,000 --> 00:05:18,000 as though he expected me to run from the Roman 120 00:05:18,000 --> 00:05:20,000 and get as far away from him as I could. 121 00:05:20,000 --> 00:05:22,000 But I didn't move. 122 00:05:22,000 --> 00:05:25,000 Somehow, in that moment, 123 00:05:25,000 --> 00:05:28,000 I knew that I wanted to be near him, 124 00:05:28,000 --> 00:05:30,000 no matter what he had done. 125 00:05:30,000 --> 00:05:32,000 Good night, Amy. 126 00:05:32,000 --> 00:05:34,000 Heh, heh, heh, heh. 127 00:05:34,000 --> 00:05:36,000 Heh, heh, heh, heh. 128 00:05:36,000 --> 00:05:38,000 Ah, ha, ha, ha, ha, ha! 129 00:05:38,000 --> 00:05:40,000 Ah, ha, ha, ha, ha, ha! 130 00:05:44,000 --> 00:05:46,000 I went upstairs to my room. 131 00:05:46,000 --> 00:05:50,000 I could still hear laughter even after I closed the door. 132 00:05:50,000 --> 00:05:54,000 And then, finally it stopped. 133 00:05:54,000 --> 00:05:56,000 And I was lying across my bed when... 134 00:05:56,000 --> 00:06:00,000 I was aware that someone was standing beside me. 135 00:06:00,000 --> 00:06:02,000 He's like that child. 136 00:06:02,000 --> 00:06:04,000 You mustn't mind him. 137 00:06:04,000 --> 00:06:06,000 Why, it's his way. 138 00:06:06,000 --> 00:06:08,000 A way you'll come to know and understand 139 00:06:08,000 --> 00:06:10,000 if you remain here and work for him. 140 00:06:10,000 --> 00:06:12,000 I'm Jenny the cook. 141 00:06:12,000 --> 00:06:14,000 Oh, yes. 142 00:06:14,000 --> 00:06:16,000 I'm glad to meet you. 143 00:06:16,000 --> 00:06:18,000 He said you'd show me around. 144 00:06:18,000 --> 00:06:21,000 Somehow, I didn't imagine you'd be like this. 145 00:06:21,000 --> 00:06:23,000 Oh, my dear. 146 00:06:23,000 --> 00:06:26,000 Well, I find more satisfactory inspiration 147 00:06:26,000 --> 00:06:30,000 in serving meals for a fine writer like Paul Gentry 148 00:06:30,000 --> 00:06:33,000 than I ever found in the 23 years 149 00:06:33,000 --> 00:06:35,000 I taught a high school English class. 150 00:06:35,000 --> 00:06:37,000 Jenny, I'm going to like you. 151 00:06:37,000 --> 00:06:39,000 Don't let him upset you. 152 00:06:39,000 --> 00:06:41,000 He really doesn't mean it. 153 00:06:41,000 --> 00:06:43,000 He can be as gentle as he is harsh. 154 00:06:43,000 --> 00:06:46,000 No one really understands him. 155 00:06:46,000 --> 00:06:48,000 Did, uh... 156 00:06:48,000 --> 00:06:51,000 Did Mrs. Gentry understand him? 157 00:06:51,000 --> 00:06:53,000 No. No, she didn't. 158 00:06:53,000 --> 00:06:55,000 She never made an attempt. 159 00:06:55,000 --> 00:06:58,000 There's a question in your eyes, Amy. 160 00:06:58,000 --> 00:07:02,000 Was... was she murdered? 161 00:07:02,000 --> 00:07:04,000 Yes. 162 00:07:04,000 --> 00:07:07,000 In that little guest cottage down by the bridge. 163 00:07:07,000 --> 00:07:09,000 You can see it from this window. 164 00:07:09,000 --> 00:07:11,000 There? 165 00:07:11,000 --> 00:07:14,000 It seems so still and quiet, Jenny. 166 00:07:14,000 --> 00:07:17,000 It's hard to realize. 167 00:07:17,000 --> 00:07:20,000 Yes. Happened almost a year ago. 168 00:07:20,000 --> 00:07:22,000 I served dinner that night. 169 00:07:22,000 --> 00:07:24,000 They argued over something trivial, 170 00:07:24,000 --> 00:07:26,000 the flowers on the table. 171 00:07:26,000 --> 00:07:28,000 Mrs. Gentry ran from the house. 172 00:07:28,000 --> 00:07:30,000 A few minutes later, I could hear her 173 00:07:30,000 --> 00:07:32,000 playing the piano from that cottage. 174 00:07:32,000 --> 00:07:36,000 Some little tune that always infuriated him. 175 00:07:36,000 --> 00:07:39,000 The next morning, her body was found slumped 176 00:07:39,000 --> 00:07:41,000 over the piano. 177 00:07:41,000 --> 00:07:43,000 Her neck was broken. 178 00:07:43,000 --> 00:07:45,000 That's all. 179 00:07:45,000 --> 00:07:48,000 Thank you for telling me about it, Jenny. 180 00:07:48,000 --> 00:07:51,000 There was no evidence against Mr. Gentry. 181 00:07:51,000 --> 00:07:53,000 No proof. 182 00:07:53,000 --> 00:07:55,000 Only hearsay and talk. 183 00:07:55,000 --> 00:07:56,000 I see. 184 00:07:56,000 --> 00:07:59,000 You'll hear that talk from time to time, Amy. 185 00:07:59,000 --> 00:08:01,000 Will it disturb you? 186 00:08:01,000 --> 00:08:03,000 No. 187 00:08:03,000 --> 00:08:05,000 I don't think so. 188 00:08:05,000 --> 00:08:07,000 Strange. 189 00:08:07,000 --> 00:08:08,000 What? 190 00:08:08,000 --> 00:08:10,000 Your appearance, my dear. 191 00:08:10,000 --> 00:08:12,000 It's really quite remarkable 192 00:08:12,000 --> 00:08:18,000 how much you resemble Isabel Gentry. 193 00:08:18,000 --> 00:08:22,000 I didn't go right to bed that night. 194 00:08:22,000 --> 00:08:24,000 Instead, I slipped out of the house 195 00:08:24,000 --> 00:08:26,000 after everything became quiet 196 00:08:26,000 --> 00:08:28,000 and followed the path across the bridge 197 00:08:28,000 --> 00:08:30,000 to the guest cottage 198 00:08:30,000 --> 00:08:34,000 where she had been murdered. 199 00:08:34,000 --> 00:08:36,000 The door was unlocked, 200 00:08:36,000 --> 00:08:44,000 and though it was dark, I found the piano. 201 00:08:44,000 --> 00:08:49,000 As I played, I wondered how much of poor Gentry 202 00:08:49,000 --> 00:08:51,000 I might have understood 203 00:08:51,000 --> 00:08:54,000 if I had been Isabel. 204 00:08:54,000 --> 00:09:07,000 The next three weeks, 205 00:09:07,000 --> 00:09:09,000 I took dictation from morning till night. 206 00:09:09,000 --> 00:09:11,000 The whole place was geared especially 207 00:09:11,000 --> 00:09:13,000 for his return to work. 208 00:09:13,000 --> 00:09:15,000 Jenny seemed to be everywhere, 209 00:09:15,000 --> 00:09:17,000 bringing in meals at all hours, 210 00:09:17,000 --> 00:09:19,000 slipping in and out of rooms silently 211 00:09:19,000 --> 00:09:21,000 so as not to disturb anyone. 212 00:09:21,000 --> 00:09:23,000 And then one afternoon, 213 00:09:23,000 --> 00:09:25,000 suddenly there was another man 214 00:09:25,000 --> 00:09:27,000 standing there beside Paul. 215 00:09:27,000 --> 00:09:29,000 Oh, Amy, this is Al Pender, 216 00:09:29,000 --> 00:09:31,000 a local newspaper man. 217 00:09:31,000 --> 00:09:33,000 He tried his best to have me indicted for murder. 218 00:09:33,000 --> 00:09:36,000 Oh, how do you do, Mr. Pender? 219 00:09:36,000 --> 00:09:38,000 I'm a celebrity, Amy. 220 00:09:38,000 --> 00:09:40,000 Pender wants to interview me about my new book. 221 00:09:40,000 --> 00:09:42,000 Why don't you tell him all about it? 222 00:09:42,000 --> 00:09:44,000 I wouldn't want the responsibility, Paul. 223 00:09:44,000 --> 00:09:47,000 You can tell him how bad it is as well as I can. 224 00:09:47,000 --> 00:09:49,000 No, Paul, I couldn't say that about it. 225 00:09:49,000 --> 00:09:51,000 What could you say about it? 226 00:09:51,000 --> 00:09:53,000 Is it anything worthwhile? 227 00:09:53,000 --> 00:09:56,000 The dropped eyes, the withdrawal. 228 00:09:56,000 --> 00:09:58,000 Isabel used to react the same way 229 00:09:58,000 --> 00:10:00,000 when I became angry with her. 230 00:10:00,000 --> 00:10:02,000 Do I remind you of her? 231 00:10:02,000 --> 00:10:04,000 Yes, you remind me of Isabel, 232 00:10:04,000 --> 00:10:06,000 of all the things in her that stopped me from writing. 233 00:10:06,000 --> 00:10:08,000 How do you like that, Pender? 234 00:10:08,000 --> 00:10:10,000 There's a story for you to print. 235 00:10:10,000 --> 00:10:12,000 You want me to print it, gentry? 236 00:10:12,000 --> 00:10:14,000 I'd kill you if you did. 237 00:10:14,000 --> 00:10:16,000 I'm sorry that I remind you of Isabel, Paul. 238 00:10:16,000 --> 00:10:18,000 Are you, Amy? 239 00:10:18,000 --> 00:10:20,000 Are you really? 240 00:10:20,000 --> 00:10:22,000 No, I don't think you are. 241 00:10:22,000 --> 00:10:24,000 I don't think you are at all. 242 00:10:27,000 --> 00:10:30,000 Well, has he been like this much? 243 00:10:30,000 --> 00:10:32,000 I'd rather not say, Mr. Pender. 244 00:10:32,000 --> 00:10:34,000 Al. 245 00:10:34,000 --> 00:10:36,000 I'm glad he left, Amy. 246 00:10:36,000 --> 00:10:38,000 I think you're a nice person. 247 00:10:38,000 --> 00:10:40,000 Thank you. 248 00:10:40,000 --> 00:10:42,000 Too nice to work for him. 249 00:10:42,000 --> 00:10:44,000 How'd you meet him? How'd you get this job? 250 00:10:44,000 --> 00:10:46,000 I found out he was going back to work 251 00:10:46,000 --> 00:10:48,000 and needed a secretary. 252 00:10:48,000 --> 00:10:50,000 Did you know that no one in town would work for him? 253 00:10:50,000 --> 00:10:52,000 Yes. 254 00:10:52,000 --> 00:10:54,000 Because of Isabel Gentry. 255 00:10:54,000 --> 00:10:56,000 And still you came here. Yes. 256 00:10:56,000 --> 00:10:58,000 He killed her. Everyone knows it. 257 00:10:58,000 --> 00:11:00,000 It was never proved. 258 00:11:00,000 --> 00:11:02,000 No. Because of the technicality. 259 00:11:04,000 --> 00:11:06,000 I watched him here with you. 260 00:11:06,000 --> 00:11:08,000 He looked at you the same way he used to look at Isabel with that... 261 00:11:08,000 --> 00:11:10,000 that fury in his eyes. 262 00:11:10,000 --> 00:11:12,000 I know that. And there's a reason. 263 00:11:12,000 --> 00:11:14,000 At times, Amy, 264 00:11:14,000 --> 00:11:16,000 you look a great deal like her. 265 00:11:16,000 --> 00:11:18,000 That means you're in danger as long as you're around him. 266 00:11:18,000 --> 00:11:20,000 He's a madman. 267 00:11:20,000 --> 00:11:22,000 He might actually think of you as Isabel. 268 00:11:22,000 --> 00:11:24,000 I want him to think of me as Isabel. 269 00:11:24,000 --> 00:11:26,000 In every way possible. 270 00:11:26,000 --> 00:11:28,000 Every day, every minute. 271 00:11:28,000 --> 00:11:30,000 There must be some way to prove he killed her. 272 00:11:30,000 --> 00:11:32,000 Who are you? 273 00:11:32,000 --> 00:11:48,000 I'm Isabel Gentry's sister. 274 00:11:48,000 --> 00:11:58,000 Auto Light is bringing you Miss Ginger Rogers with John Hoyt in Vamp Till Dead. 275 00:11:58,000 --> 00:12:04,000 Tonight's production in radio's outstanding theater of thrills, Suspense. 276 00:12:12,000 --> 00:12:14,000 No phone calls, Harlow. 277 00:12:14,000 --> 00:12:16,000 I guess I'll start to go. 278 00:12:16,000 --> 00:12:20,000 Well, you'll have plenty of starting power to get going in your car, Hap, 279 00:12:20,000 --> 00:12:22,000 with an auto light stay full battery, 280 00:12:22,000 --> 00:12:25,000 the battery that needs water only three times a year in normal car use. 281 00:12:25,000 --> 00:12:29,000 Harlow, you throw those lines so fast, I need a chest protector. 282 00:12:29,000 --> 00:12:30,000 Protection? 283 00:12:30,000 --> 00:12:36,000 Why, the auto light stay full battery has over three times the liquid protection of batteries without stay full features. 284 00:12:36,000 --> 00:12:40,000 So, the stay full needs water only three times a year in normal car use. 285 00:12:40,000 --> 00:12:42,000 Go on, Harlow, and remind me... 286 00:12:42,000 --> 00:12:47,000 That the auto light stay full battery has fiberglass retaining mats protecting every positive plate 287 00:12:47,000 --> 00:12:52,000 to help reduce shedding and flaking and keep the power producing materials in place. 288 00:12:52,000 --> 00:12:54,000 How long can this last? 289 00:12:54,000 --> 00:12:59,000 Auto light stay full batteries last longer, give 70% longer life in fact, 290 00:12:59,000 --> 00:13:03,000 as proved by tests conducted according to SAE minimum life cycle standards. 291 00:13:03,000 --> 00:13:05,000 Good night, Harlow. 292 00:13:05,000 --> 00:13:12,000 Yes, friends, it's a good night to join the legion of lads and lassies who've latched on to an auto light stay full battery, 293 00:13:12,000 --> 00:13:17,000 the battery that needs water only three times a year in normal car use. 294 00:13:17,000 --> 00:13:23,000 See your neighborhood auto light battery dealer, and remember, you're always right with auto light. 295 00:13:23,000 --> 00:13:27,000 And now auto light brings back to our Hollywood sound stage, 296 00:13:27,000 --> 00:13:32,000 Miss Ginger Rogers in Elliot Lewis's production of Vamped Till Dead, 297 00:13:32,000 --> 00:13:37,000 a tale well calculated to keep you in suspense. 298 00:13:37,000 --> 00:13:50,000 Music 299 00:13:50,000 --> 00:13:55,000 For the next few days, Paul Gentry threw himself into his work with a vicious sort of concentration and purpose, 300 00:13:55,000 --> 00:13:57,000 but his efforts were all in vain. 301 00:13:57,000 --> 00:14:00,000 His writing seemed to go from bad to worse. 302 00:14:00,000 --> 00:14:04,000 The stories were twisted, perverse, distorted studies in human behavior. 303 00:14:04,000 --> 00:14:06,000 The women were inevitably deceitful. 304 00:14:06,000 --> 00:14:10,000 The men tortured and driven to insane rages. 305 00:14:10,000 --> 00:14:12,000 Terrible, terrible! 306 00:14:12,000 --> 00:14:16,000 Not a word, not a single word in the whole mess that's printable at all. 307 00:14:16,000 --> 00:14:18,000 Perhaps you're trying too hard, working too hard, Paul. 308 00:14:18,000 --> 00:14:21,000 How can you accomplish anything worthwhile if you only half try? 309 00:14:21,000 --> 00:14:23,000 I'll ask Jenny to bring us some coffee. 310 00:14:23,000 --> 00:14:26,000 I don't want any coffee, I don't want anything. 311 00:14:26,000 --> 00:14:31,000 Maybe I expect too much, want too much, need too much. 312 00:14:31,000 --> 00:14:33,000 What is it that's the matter with me? 313 00:14:33,000 --> 00:14:35,000 What is it? Tell me, tell me. 314 00:14:35,000 --> 00:14:38,000 I can't tell you, Paul. I don't understand you. 315 00:14:38,000 --> 00:14:41,000 You don't even try, Isabelle. You... 316 00:14:41,000 --> 00:14:43,000 Why do you smile? 317 00:14:43,000 --> 00:14:45,000 You just called me Isabelle. 318 00:14:45,000 --> 00:14:47,000 I did. 319 00:14:47,000 --> 00:14:50,000 Well, I'm sorry. It won't happen again. 320 00:14:50,000 --> 00:14:52,000 It was an accident. 321 00:14:52,000 --> 00:14:54,000 Yes, Paul, of course it was. 322 00:14:54,000 --> 00:14:56,000 It was an accident. 323 00:15:03,000 --> 00:15:07,000 For the first time since I had met him, Paul Gentry was confused. 324 00:15:07,000 --> 00:15:09,000 And it was the confusion I'd been hoping for. 325 00:15:09,000 --> 00:15:12,000 I began to do everything the way I'd remembered Isabelle. 326 00:15:12,000 --> 00:15:14,000 I wore her favorite perfume. 327 00:15:14,000 --> 00:15:18,000 I held my head to one side and smiled the way she used to. 328 00:15:18,000 --> 00:15:21,000 I started dropping her expressions in my speech. 329 00:15:21,000 --> 00:15:27,000 I wasn't sure all the time whether I was torturing him or he was torturing himself. 330 00:15:27,000 --> 00:15:31,000 But unconsciously he began to think of me as Isabelle. 331 00:15:31,000 --> 00:15:33,000 Even Jenny noticed it. 332 00:15:40,000 --> 00:15:41,000 Amy! 333 00:15:41,000 --> 00:15:43,000 Oh, I didn't notice you coming, Jenny. 334 00:15:43,000 --> 00:15:45,000 What are you doing? 335 00:15:45,000 --> 00:15:47,000 Here in the cottage. 336 00:15:47,000 --> 00:15:49,000 Practicing? 337 00:15:49,000 --> 00:15:53,000 It was the little melody she used to play. 338 00:15:56,000 --> 00:15:59,000 He's been calling you by her name, hasn't he? 339 00:15:59,000 --> 00:16:04,000 No, it's probably because his mind is on his work and an old habit is difficult to break. 340 00:16:04,000 --> 00:16:06,000 And you're not thinking about it. 341 00:16:06,000 --> 00:16:09,000 You fixed your hair the way she used to wear it. 342 00:16:09,000 --> 00:16:11,000 Have I? 343 00:16:11,000 --> 00:16:13,000 I often put it up like this. 344 00:16:13,000 --> 00:16:16,000 Do you think my hair would really bother him, Jenny? 345 00:16:16,000 --> 00:16:18,000 Oh, it's hard to tell. 346 00:16:18,000 --> 00:16:20,000 The poor man. 347 00:16:20,000 --> 00:16:22,000 She was such a part of his life. 348 00:16:22,000 --> 00:16:26,000 I guess he can't quite give her up even yet. 349 00:16:26,000 --> 00:16:29,000 Oh, maybe it'd be better if he didn't even try. 350 00:16:29,000 --> 00:16:32,000 A memory is sometimes a wonderful thing. 351 00:16:32,000 --> 00:16:34,000 Not hers. 352 00:16:34,000 --> 00:16:38,000 There was something about her that killed his inspiration to create 353 00:16:38,000 --> 00:16:43,000 and left him with a feeling only to destroy. 354 00:16:43,000 --> 00:16:47,000 And he's done a good job, starting with himself. 355 00:16:47,000 --> 00:16:49,000 His writing is very bad. 356 00:16:49,000 --> 00:16:51,000 What do you think I could do to help him? 357 00:16:51,000 --> 00:16:52,000 Leave. 358 00:16:52,000 --> 00:16:55,000 Because no one can help him but himself. 359 00:16:55,000 --> 00:16:57,000 What if he's going to write in Eatney? 360 00:16:57,000 --> 00:17:02,000 Do you want to go through life with a picture in your mind of man being eaten alive 361 00:17:02,000 --> 00:17:06,000 by the acids that are burning inside of him? 362 00:17:06,000 --> 00:17:09,000 Jenny, where do you stay? 363 00:17:09,000 --> 00:17:12,000 Oh, I'm like his desk or the chair he sits on, 364 00:17:12,000 --> 00:17:14,000 just a piece of furniture doing his job. 365 00:17:14,000 --> 00:17:18,000 He doesn't think about me one way or the other. 366 00:17:18,000 --> 00:17:24,000 Someday I'll be able to see him get back to writing the way he used to. 367 00:17:24,000 --> 00:17:26,000 You mean without her? 368 00:17:26,000 --> 00:17:27,000 Yes. 369 00:17:27,000 --> 00:17:31,000 Do you think he killed her, Jenny? 370 00:17:31,000 --> 00:17:36,000 That's something I don't dare think about, Amy. 371 00:17:43,000 --> 00:17:45,000 I thought about it. 372 00:17:45,000 --> 00:17:48,000 In the days that followed, Paul's work went from bad to worse, 373 00:17:48,000 --> 00:17:50,000 and so did his temper. 374 00:17:50,000 --> 00:17:52,000 He was unmanageable most of the time. 375 00:17:52,000 --> 00:17:57,000 Then his headaches finally came upon him and couldn't work for hours at a time. 376 00:17:57,000 --> 00:18:00,000 He would sit in his chair drinking and staring at me, 377 00:18:00,000 --> 00:18:04,000 just staring, staring, staring. 378 00:18:04,000 --> 00:18:08,000 Sometimes I expected him to leap out of his chair and beat me to death. 379 00:18:08,000 --> 00:18:11,000 And other times I was afraid he was going to fall on his knees 380 00:18:11,000 --> 00:18:15,000 and throw his arms around me, begging forgiveness. 381 00:18:15,000 --> 00:18:17,000 I knew he was almost ready to break. 382 00:18:17,000 --> 00:18:22,000 The day went into a rage and started throwing things around his study. 383 00:18:22,000 --> 00:18:26,000 I left the house and walked down to the bridge. 384 00:18:26,000 --> 00:18:28,000 I was only alone for a minute. 385 00:18:28,000 --> 00:18:31,000 Hello, Amy. I heard all kinds of noise in the house. 386 00:18:31,000 --> 00:18:33,000 What's going on? 387 00:18:33,000 --> 00:18:35,000 Suppose I ask you what's going on? 388 00:18:35,000 --> 00:18:39,000 You seem to be keeping a pretty close watch on me. Why? 389 00:18:39,000 --> 00:18:43,000 Call it humanity. Call it what you like. 390 00:18:43,000 --> 00:18:46,000 I don't want anything to happen to you. 391 00:18:46,000 --> 00:18:49,000 Is that the only reason? 392 00:18:49,000 --> 00:18:53,000 No. I want to be around when he breaks up completely. 393 00:18:53,000 --> 00:18:56,000 Are you sure it's just humanity? 394 00:18:56,000 --> 00:18:58,000 Or trying to catch a murderer? 395 00:18:58,000 --> 00:19:02,000 Looks more like a campaign of personal revenge. 396 00:19:02,000 --> 00:19:04,000 I said call it what you like. 397 00:19:04,000 --> 00:19:06,000 But if you stick around here another minute, you're out of your mind. 398 00:19:06,000 --> 00:19:09,000 Suppose I told you I wasn't worried about myself? 399 00:19:09,000 --> 00:19:11,000 I might say you're crazy. 400 00:19:11,000 --> 00:19:13,000 You're in more trouble than Isabelle was. 401 00:19:13,000 --> 00:19:14,000 He's going to go. 402 00:19:14,000 --> 00:19:17,000 And when he goes, nothing or nobody around him is going to be safe. 403 00:19:17,000 --> 00:19:22,000 Al, I'm going to tell you something. 404 00:19:22,000 --> 00:19:26,000 Isabelle used to write to me, and she was pretty frank. 405 00:19:26,000 --> 00:19:31,000 She told me about a newspaper man she was interested in. 406 00:19:31,000 --> 00:19:34,000 Could you be that newspaper man? 407 00:19:34,000 --> 00:19:37,000 How many of them do you think there are in this town? 408 00:19:37,000 --> 00:19:41,000 Is it because you loved Isabelle that you want to see her murderer caught? 409 00:19:41,000 --> 00:19:47,000 Or would you just like to sacrifice Paul Gentry because he was married to her when you wanted her? 410 00:19:47,000 --> 00:19:50,000 All right. So I knew your sister. 411 00:19:50,000 --> 00:19:54,000 There were very few young men in this town who didn't. 412 00:19:54,000 --> 00:19:58,000 She didn't like living here. She didn't like Paul Gentry. 413 00:19:58,000 --> 00:20:00,000 She didn't like this lousy small town. 414 00:20:00,000 --> 00:20:02,000 Then why didn't she get out? 415 00:20:02,000 --> 00:20:04,000 You can't walk when you're dead. 416 00:20:04,000 --> 00:20:05,000 I mean before. 417 00:20:05,000 --> 00:20:07,000 Because she was afraid of him. 418 00:20:07,000 --> 00:20:11,000 Cowed by him, mentally beaten down by his peculiar form of sadism. 419 00:20:11,000 --> 00:20:13,000 You really hate him, don't you? 420 00:20:13,000 --> 00:20:16,000 Look, I brought you something. This gun. 421 00:20:16,000 --> 00:20:17,000 What do I want that for? 422 00:20:17,000 --> 00:20:20,000 Because if you're foolish enough to stay on in that house you need some protection. 423 00:20:20,000 --> 00:20:21,000 But not a gun. 424 00:20:21,000 --> 00:20:24,000 Everything's on your side, Amy. The first time he comes at you let him have it. 425 00:20:24,000 --> 00:20:26,000 No jury in this town would ever do a thing to you. 426 00:20:26,000 --> 00:20:30,000 I came here to get proof that Paul Gentry killed my sister. 427 00:20:30,000 --> 00:20:33,000 And I want him to pay for it. Under the law. 428 00:20:33,000 --> 00:20:36,000 It seems to me that you want me to be judge, jury and executioner. 429 00:20:36,000 --> 00:20:38,000 Take it, you little fool. He's dynamite. 430 00:20:38,000 --> 00:20:41,000 What did you come here for? To play games? Take it. 431 00:20:41,000 --> 00:20:43,000 Hurry up. Put it in your pocket. 432 00:20:43,000 --> 00:20:44,000 All right. 433 00:20:44,000 --> 00:20:48,000 Tender, are you aware that this land belongs to me? What are you doing on it? 434 00:20:48,000 --> 00:20:50,000 Talking to her, what does it look like? 435 00:20:50,000 --> 00:20:51,000 Paul, please. 436 00:20:51,000 --> 00:20:54,000 How many times do I have to tell you to leave my wife alone? 437 00:20:54,000 --> 00:20:57,000 Your wife, it's bad enough that I have to tolerate you in public places. 438 00:20:57,000 --> 00:21:00,000 But this land is private. And it's mine. 439 00:21:00,000 --> 00:21:03,000 Go on, get off it while you can still walk. 440 00:21:03,000 --> 00:21:07,000 And Isabel, you get back to the house where you belong. 441 00:21:07,000 --> 00:21:11,000 I ran back and locked myself in my room. 442 00:21:11,000 --> 00:21:14,000 Downstairs I heard Paul moving around in his study. 443 00:21:14,000 --> 00:21:17,000 Then I heard a bottle crash against the wall. 444 00:21:17,000 --> 00:21:21,000 And then his heavy steps coming up the stairway. 445 00:21:21,000 --> 00:21:25,000 And then suddenly before I could do anything, he was standing in my doorway. 446 00:21:25,000 --> 00:21:29,000 Isabel! Isabel! Isabel! 447 00:21:29,000 --> 00:21:32,000 Paul, Paul, come to me. 448 00:21:32,000 --> 00:21:35,000 Isabel, Isabel, why did you come? 449 00:21:35,000 --> 00:21:38,000 Isabel, Isabel, why did you make me do it? 450 00:21:38,000 --> 00:21:41,000 Why did you do it, Paul? 451 00:21:41,000 --> 00:21:45,000 I couldn't help myself. It was those men all the time, especially Penn... 452 00:21:45,000 --> 00:21:49,000 Amy, Isabel's dead. 453 00:21:49,000 --> 00:21:53,000 You're Amy. Why do you keep making me think that you're Isabel? 454 00:21:53,000 --> 00:21:55,000 Please let me go, Paul. 455 00:21:55,000 --> 00:21:56,000 What's this all about, Amy? 456 00:21:56,000 --> 00:21:57,000 Let me go, Paul. 457 00:21:57,000 --> 00:22:01,000 All right. A few weeks ago you came here and began talking and acting like her. 458 00:22:01,000 --> 00:22:04,000 Or is it my imagination? Maybe I'm going crazy. 459 00:22:04,000 --> 00:22:07,000 Paul, I think it's mostly your imagination. 460 00:22:07,000 --> 00:22:09,000 Maybe I happen to be a little like her. 461 00:22:09,000 --> 00:22:12,000 No, there's something more to it than that. 462 00:22:12,000 --> 00:22:16,000 Something I can't figure out. Something in the air or inside of me. 463 00:22:16,000 --> 00:22:21,000 I don't know what it is. But I do know one thing. Another week of this and... 464 00:22:21,000 --> 00:22:24,000 Amy, why don't you leave here while it's safe? 465 00:22:24,000 --> 00:22:26,000 I think it is safe, Paul. 466 00:22:26,000 --> 00:22:29,000 You aren't afraid of me the way you were that first night. 467 00:22:29,000 --> 00:22:32,000 You aren't afraid of what I might do to you. 468 00:22:32,000 --> 00:22:35,000 No, Paul. I'm not afraid. 469 00:22:35,000 --> 00:22:40,000 If you really want me to go, I will. I'd rather stay. 470 00:22:40,000 --> 00:22:42,000 I want to be close to you. 471 00:22:42,000 --> 00:22:46,000 Closer to you than anybody in this world has ever been. 472 00:22:46,000 --> 00:22:50,000 I don't want you to go, Amy. Ever. 473 00:22:50,000 --> 00:22:51,000 I love you. 474 00:22:51,000 --> 00:22:57,000 I know. You love me the same way you once loved her. 475 00:22:57,000 --> 00:22:58,000 Isn't that so? 476 00:22:58,000 --> 00:23:01,000 Yes, Amy, that's so. And I want you to marry me. 477 00:23:01,000 --> 00:23:04,000 Of course, Paul. Of course. 478 00:23:04,000 --> 00:23:07,000 I've always wanted to be your wife. 479 00:23:07,000 --> 00:23:10,000 Amy. Amy. 480 00:23:17,000 --> 00:23:21,000 I let him kiss me then, hoping he wouldn't feel the gun in my pocket. 481 00:23:21,000 --> 00:23:24,000 I knew that very soon I might have to use it. 482 00:23:24,000 --> 00:23:28,000 The next evening, when we came back from the wedding license bureau, 483 00:23:28,000 --> 00:23:30,000 he planned a wonderful dinner for two. 484 00:23:30,000 --> 00:23:35,000 The table was beautiful with candles and flowers and expensive silver. 485 00:23:35,000 --> 00:23:37,000 When I walked into the dining room, 486 00:23:37,000 --> 00:23:42,000 I was dressed in the perfect image of my sister, as I remembered her. 487 00:23:42,000 --> 00:23:46,000 Isabelle, you'll never look more beautiful. 488 00:23:46,000 --> 00:23:48,000 Thank you, Paul. 489 00:23:48,000 --> 00:23:49,000 Your chair. 490 00:23:49,000 --> 00:23:54,000 Thank you. 491 00:23:54,000 --> 00:23:55,000 We're having roast mallard duck. 492 00:23:55,000 --> 00:23:59,000 I shot them myself and kept them in the deep freeze. 493 00:23:59,000 --> 00:24:01,000 Are you ready for dinner, Mr. Jenfrey? 494 00:24:01,000 --> 00:24:02,000 Yes, Jenny. 495 00:24:02,000 --> 00:24:03,000 Yes, sir. 496 00:24:03,000 --> 00:24:08,000 Oh, Jenny, use the large soup bowls, please, for Isabelle. 497 00:24:08,000 --> 00:24:11,000 I understand, sir. 498 00:24:11,000 --> 00:24:13,000 I know you prefer them, darling. 499 00:24:13,000 --> 00:24:14,000 Yes. 500 00:24:14,000 --> 00:24:19,000 Something wrong, Isabelle? 501 00:24:19,000 --> 00:24:22,000 Paul, I just noticed you have carnations on the table. 502 00:24:22,000 --> 00:24:23,000 Why, yes. 503 00:24:23,000 --> 00:24:28,000 You know, you know I don't like carnations, Paul. 504 00:24:28,000 --> 00:24:30,000 I don't like them at all. 505 00:24:30,000 --> 00:24:31,000 Isabelle, they were all I could get. 506 00:24:31,000 --> 00:24:33,000 I'm afraid you'll have to like them, darling. 507 00:24:33,000 --> 00:24:34,000 I don't have to like anything. 508 00:24:34,000 --> 00:24:36,000 Have Jenny take them off the table. 509 00:24:36,000 --> 00:24:37,000 I'll see here. 510 00:24:37,000 --> 00:24:40,000 You'll either get rid of them or I won't eat dinner with you. 511 00:24:40,000 --> 00:24:44,000 Do you hear me? 512 00:24:44,000 --> 00:24:45,000 Then don't eat dinner with me, my dear. 513 00:24:45,000 --> 00:24:46,000 I'd like it better that way. 514 00:24:46,000 --> 00:24:50,000 Then I won't have to look at your bored, critical face all the time. 515 00:24:50,000 --> 00:24:53,000 Isabelle, Isabelle, come back here. 516 00:24:53,000 --> 00:24:58,000 Come back here. 517 00:24:58,000 --> 00:25:03,000 I rushed out the door and down toward the cottage. 518 00:25:03,000 --> 00:25:08,000 And then I remembered it had been a year to the night. 519 00:25:08,000 --> 00:25:22,000 It had been a year to the night that Isabelle had died. 520 00:25:22,000 --> 00:25:27,000 And then I was in the cottage where it had happened, 521 00:25:27,000 --> 00:25:56,000 playing with the piano, playing her tune. 522 00:25:56,000 --> 00:25:58,000 I sat there waiting. 523 00:25:58,000 --> 00:26:04,000 I knew that I would hear steps first, then a door. 524 00:26:04,000 --> 00:26:06,000 But I heard nothing. 525 00:26:06,000 --> 00:26:19,000 Nothing but the wind outside. 526 00:26:19,000 --> 00:26:24,000 And then I heard the steps. 527 00:26:24,000 --> 00:26:26,000 You! 528 00:26:26,000 --> 00:26:27,000 Oh, no! 529 00:26:27,000 --> 00:26:28,000 Don't! 530 00:26:28,000 --> 00:26:29,000 Don't! 531 00:26:29,000 --> 00:26:30,000 Amy! 532 00:26:30,000 --> 00:26:31,000 Amy! 533 00:26:31,000 --> 00:26:32,000 Don't! 534 00:26:32,000 --> 00:26:35,000 Amy, are you all right? 535 00:26:35,000 --> 00:26:38,000 Yes, I had to do it this way. 536 00:26:38,000 --> 00:26:39,000 I had to. 537 00:26:39,000 --> 00:26:40,000 I know. 538 00:26:40,000 --> 00:26:41,000 Don't try to talk to me, Amy. 539 00:26:41,000 --> 00:26:42,000 It's all right. 540 00:26:42,000 --> 00:26:43,000 Stay where you are, Pender. 541 00:26:43,000 --> 00:26:44,000 Or I'll blow your head off. 542 00:26:44,000 --> 00:26:45,000 You're wrong, Paul. 543 00:26:45,000 --> 00:26:46,000 It wasn't me. 544 00:26:46,000 --> 00:26:47,000 Paul! 545 00:26:47,000 --> 00:26:48,000 Paul, darling. 546 00:26:48,000 --> 00:26:49,000 She was the one. 547 00:26:49,000 --> 00:26:50,000 Jenny! 548 00:26:50,000 --> 00:26:51,000 Jenny! 549 00:26:51,000 --> 00:26:54,000 She tried to kill Amy the same way she killed Isabel. 550 00:26:54,000 --> 00:26:57,000 She thought Amy was going to take you away from her. 551 00:26:57,000 --> 00:27:01,000 Amy, my darling, I'm sorry you had to go through this. 552 00:27:01,000 --> 00:27:02,000 Paul. 553 00:27:02,000 --> 00:27:05,000 Paul, do you know who I am? 554 00:27:05,000 --> 00:27:06,000 Who I really am? 555 00:27:06,000 --> 00:27:08,000 Yes, I know you're not Isabel. 556 00:27:08,000 --> 00:27:10,000 I've known all along. 557 00:27:10,000 --> 00:27:13,000 I had to pretend as you pretended. 558 00:27:13,000 --> 00:27:16,000 I'm sorry, Paul, for the pain I've caused you. 559 00:27:16,000 --> 00:27:18,000 It's all over, my darling. 560 00:27:18,000 --> 00:27:19,000 Ended. 561 00:27:19,000 --> 00:27:23,000 Yes, Paul, it's all over. 562 00:27:23,000 --> 00:27:26,000 Isabel is truly dead. 563 00:27:26,000 --> 00:27:52,000 Suspense presented by Auto Light. 564 00:27:52,000 --> 00:27:55,000 Tonight's star, Ginger Rogers. 565 00:27:55,000 --> 00:27:57,000 Friends, this is Harlow Wilcox again. 566 00:27:57,000 --> 00:28:02,000 I'd just like to remind you that you're always right with the more than 400 products made 567 00:28:02,000 --> 00:28:08,000 by Auto Light for cars, trucks, planes, and boats in 28 plants from coast to coast. 568 00:28:08,000 --> 00:28:13,000 These include complete electrical systems used as original equipment on many leading 569 00:28:13,000 --> 00:28:16,000 makes of America's finest cars. 570 00:28:16,000 --> 00:28:21,000 Electric windshield wipers, starting motors, voltage regulators, coils, distributors, 571 00:28:21,000 --> 00:28:27,000 wire and cable generators, all engineered to fit together perfectly, work together 572 00:28:27,000 --> 00:28:30,000 perfectly because they're a perfect team. 573 00:28:30,000 --> 00:28:34,000 So friends, don't accept electrical parts supposed to be as good. 574 00:28:34,000 --> 00:28:39,000 Ask for and insist on original factory parts at your neighborhood service station, 575 00:28:39,000 --> 00:28:42,000 car dealer, garage, or repair shop. 576 00:28:42,000 --> 00:28:47,000 And because all Auto Light parts are original factory parts, you can be sure you're right 577 00:28:47,000 --> 00:28:51,000 because you're always right with Auto Light. 578 00:28:58,000 --> 00:29:03,000 Next week on Suspense, Miss Eve Arden as star of The Well-Dressed Corpse. 579 00:29:03,000 --> 00:29:08,000 And in weeks to come, you will hear such famous stars as Ezio Pinza, Paul Douglas, 580 00:29:08,000 --> 00:29:17,000 and James Stewart all appearing in tales well calculated to keep you in Suspense. 581 00:29:22,000 --> 00:29:27,000 Suspense is produced and directed by Elliot Lewis with music composed by Lucian Morawek 582 00:29:27,000 --> 00:29:29,000 and conducted by Lud Bluskin. 583 00:29:29,000 --> 00:29:34,000 Ramp Till Dead was written for Suspense by E. Jack Newman and John Michael Hayes. 584 00:29:34,000 --> 00:29:39,000 Included in tonight's cast were John Hoyt, Jeanette Nolan, and Ed Max. 585 00:29:39,000 --> 00:29:45,000 Ginger Rogers is soon to be seen in the Universal International Picture, The Groom Warspurs. 586 00:29:45,000 --> 00:30:07,000 And remember next week on Suspense, Miss Eve Arden in The Well-Dressed Corpse. 587 00:30:07,000 --> 00:30:14,000 You can buy Auto Light staple batteries, Auto Light standard type ball resistor type spark plugs, 588 00:30:14,000 --> 00:30:17,000 Auto Light electrical parts at your neighborhood Auto Light dealers. 589 00:30:17,000 --> 00:30:20,000 Switch to Auto Light. Good night. 590 00:30:20,000 --> 00:30:37,000 This is CBS, the Columbia Broadcasting System.