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Auto Light and its 96,000 dealers present Suspense.

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Tonight, Auto Light brings you Alibi Me, a suspense play starring Mr. Mickey Rooney.

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A showdown, this time it's a showdown.

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No more even Stevens.

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A showdown, I took all I'm gonna take from him.

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It's tough enough to hustle a buck even without interference from Julie, without aggravation from Julie.

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This time it's a showdown with me and him.

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For real.

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Julie!

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Listen to me.

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No manners, no knock on the door.

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No could I come in, no good afternoon.

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No manners, no class.

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Always on the muscle, huh?

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I wanna talk to you, Julie.

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Not so loud, a little more relaxative with the voice.

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There ain't no candy store in Brownsville.

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What's the big idea?

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Didn't you hear what I said?

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You ain't on no street corner, you're in a high class office.

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Upstairs at dance school, underneath a music professor.

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You hear him?

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Yeah, I hear him.

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So keep it quiet.

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Keep it class.

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I wanna know what's the big idea, you hear me?

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I just came from Pitkin Avenue.

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There ain't a candy store, there ain't a pool room.

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There ain't a bar that'll handle my punch boards anymore, not one.

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We now take from Julie, they said.

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They said correct.

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But that's my territory, Julie.

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I built up that punch board business there.

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Oh, I watched, you'd hustle good.

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You built it up real nice for me.

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And I appreciate it.

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I already sent you the biggest lollipop I could find.

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The biggest lollipop in town for the town's biggest sucker.

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Julie, I'm warning you.

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You're warning me what?

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What?

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What'll you do?

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Give me a double whammy like in the Funnies?

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Oh, ever since we were kids, you hate me, I hate you.

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And it's like a kind of mutual life insurance for both of us, huh?

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There's not a cop on the force that don't know how we feel about each other.

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You're forgetting what Larkin said those years ago.

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If ever one of you punks get knocked off, he says my first suspect will be the other.

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So what are you warning me?

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Grow up, Georgie, grow up.

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I'm not gonna let you get away with it.

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That punch board business is mine, I need it, see.

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I need the dough, too.

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You need the dough.

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Well, I'll tell you what.

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This is just your speed, here.

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Here's a half a buck, run down, get me a corned beef sandwich, and keep the change.

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Here, catch.

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Julie, Julie, I'm...

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Look at the face on him.

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If looks could kill, huh, kid?

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Eh, go away now, huh?

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I got a million one things on my mind.

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I need you standing there like a hole in the head.

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Larkin, six o'clock, I gotta report to Larkin on my parole.

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What?

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Georgie, Georgie, put down that phone.

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They'll know you've done it.

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Georgie, Larkin, oh, no!

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Hey, Bill!

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It's done.

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I put my hand on the big vein in his neck.

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Can't feel nothing.

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Not a flutter.

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He's dead.

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In just a moment, Mr. Mickey Rooney, in the first act of alibi me.

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Hi, Harlow.

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Got any New Year's resolutions?

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Sure have, Hap.

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First, I'm going to get away fast.

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Goodbye.

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No, no, no, Hap.

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Get my car ready.

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No, no, no, Hap. Get my car away to quick starts with ignition engineered auto light spark plugs.

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Oh, and what else?

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Smoother performance, Hap.

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You an actor, Harlow?

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No, smoother engine performance is what I mean.

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And the formula is to replace faded, fatigued, worn out spark plugs with fresh, flawless ignition engineered auto light spark plugs.

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Sure, but any more pledges, Harlow?

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Well, I'll save gas.

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Less driving, huh?

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No, no.

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More driving, Hap, because when you replace worn out spark plugs with ignition engineered auto light spark plugs, you get quick starts, smoother performance, and gas savings.

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Why, you just can't buy better spark plugs for your car than auto light.

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But your resolutions, Harlow.

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Oh, yes, yes, yes.

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Friends, resolve now to see your neighborhood auto light spark plug dealer soon, and have him replace worn out spark plugs with ignition engineered auto light spark plugs.

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And whether you choose the resistor type or the standard type, you will be right, because you're always right with auto light.

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And now with Alibi Me and the performance of Mr. Mickey Rooney, auto light hopes once again to keep you in suspense.

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I look at dead Julie lying there, and I pick up the phone, I hit him with it.

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I wipe it clean.

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No fingerprints.

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And I stand still and listen.

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Nothing.

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No screams, no whistles, no pounding on the door, only the music professor underneath playing like nothing happened.

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Nothing much has, just one stinker list in the world.

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I look down at Julie and I remember standing next to him in Larkin's office in the precinct station house years ago, and Lieutenant Larkin saying,

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If ever one of you punks is knocked off, my first suspect will be the other.

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Better have a good alibi, whichever one of you does it.

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Because I'm warning you now, once I get you down to headquarters, you're a hot seater.

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Good alibi.

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How much time do I have to set up a good alibi?

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Ten after four.

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And at six, Julie was supposed to report to Larkin, till six.

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An hour and fifty minutes to set up an alibi.

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Not much time, come on kid, come on, get going.

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I leave Julie's office, Julie more promotions.

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Light my prints off the knob and hurry downstairs.

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Hurry down for an alibi I need.

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Yeah, I need people too for it.

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But who? Who'll alibi for me?

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Leo!

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He's the one!

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He'll alibi me! Leo!

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Leo's behind the bar.

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I put myself down at one end where I'm all alone.

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Leo sees me, gives me a big grin.

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I feel relaxed for the first time since I've done it.

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I wink and I give him a nod, he comes home and we shake.

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Georgie, Georgie, Lord, I love you boy.

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You're a cyclist, all right.

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Yeah, what'll you have, sir? Just name it, it's in the house.

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Give me a scotch, will you, Leo?

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We've known each other for a long time, huh?

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I hate to think of the years that's passed since we met.

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I'm getting old, Georgie, old.

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Not too old to remember a couple of favors I've done for you, huh?

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Georgie, boy, none of ours will live to be a hundred.

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Yeah, see, in the old bunch, what I say, Georgie, I say,

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you can have me right arm up to there any time.

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Yeah, what you say?

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Drink hard, you son.

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Well, here's the...

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Thanks, I...

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Leo, I want you to do something for me.

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Well, I'm a little short right now.

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I had a gallstone cut out last summer.

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It ain't money, Leo, it's just, well, in case you should be asked,

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I've been sitting here since half past three.

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Yeah? Why?

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What's the difference why?

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Anybody especially want me to say it to?

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What, are you going to do it or not?

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Look, Georgie, I've got a right to know what I'm getting into.

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You want me for an alibi? I want to know why.

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Well, I'll make a production out of it.

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Chances are you might not even be asked, but if you are,

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I've just been sitting here since half past three, see, okay?

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Well, Lieutenant Larkin may be one of the ones who might ask.

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Could be. What makes you think of him?

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I just seen him going to Andy's place across the street.

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He's on the prowl.

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Just now?

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Leo, you got to do this for me. You've got to.

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Not in your life. I ain't alibying you.

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Not with Larkin in the picture.

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You ain't the guy to forget favor, are you?

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Look, you want money, I'll find money.

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I don't know where, but I'll find it. You want food, I'll feed you.

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You want clothes, I'll clothe you. Just say the word.

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No, Leo, it's not...

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No alibi, George. No alibi. Excuse me, I got custom.

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I feel like taking the bottle and smashing it over his head.

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Leo, Leo, just wait till he eats off of me this once.

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There'll come a day, Leo, when I remind you what you just said to me.

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Georgie, Georgie, take a hold of yourself.

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It's 25 past four. You've got only 95 minutes.

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Left till six o'clock.

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When Julie don't show, Larkin goes looking first for Julie and for you.

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I got to get ready for Larkin when he finds me.

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It's got to be a good alibi. He won't settle for less.

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Think, Georgie, think.

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What do you know? Will your friends try to remember me?

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Well, you don't even have to have any friends.

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I mean, anybody you can pressure will do.

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Put down that bottle.

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Put it down before you drop it and everybody turns around and looks at you.

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Forget the drink and get out of here.

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Not the front door, stupid. Larkin's across the street.

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When I get your pussy, he knows something's wrong.

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The back way. Out the back way.

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Hair feels good. I'm hot all over.

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I can feel sweat running down my legs. It's like an electric current.

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It's juicing through my body. An electric...

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Georgie, breathe deep. Take good, deep breaths.

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Oh, that's good. That feels better. Now it's gone.

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Finland's gone like it was never there.

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That's you like, Georgie. That's you, Moxie.

200
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You got brains. You know, like you get an alibi.

201
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You'll have it all set before six, then let Larkin come.

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You can laugh at his face. Sure. What time is it? Five minutes more.

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Georgie, think. Stop right where you are. Think.

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Who? Who? Who?

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Aha.

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You see, it works.

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The second thought and everything comes to you.

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Joni. That's who Joni.

209
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She'll be your alibi.

210
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Oh, Georgie, you're such a dope.

211
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Wasting all that time worrying, aggravating yourself.

212
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And all you had to do was come over to the apartment, one, two, three.

213
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You're a piece of mind. She's crazy about you.

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Always has been, ever since that day up at Bear Mountain.

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Which apartment was hers, EFG? No, J. J. Yeah, J for Joni, huh?

216
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Let her be in. Please let her be in.

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I'll never ask nothing again. Just let her be in.

218
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Well, look what the count.

219
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Kiss her, Georgie. Kiss her. Kiss her hard. That's right.

220
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That's it. Now pick her up in your arms, carry her in the living room.

221
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Set her down on your lap. Good, good. You ought to be in the movies.

222
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Oh, Joni.

223
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I don't know how I managed to stay away so long, baby.

224
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I shouldn't talk to you. I really shouldn't.

225
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It's more than two months. You want to know why?

226
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You began to mean too much to me, kid.

227
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She'll stay away from her, I says to myself.

228
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Just don't ever see her. She'll wear off. I was wrong, Joni.

229
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You mean much more to me than ever, though.

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I couldn't hold out no longer. That's why I'm here.

231
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Oh, Georgie, baby, don't ever stay away again, no matter what the reason.

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Don't ever stay away from me. Shhh. I'm back for good.

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Honest? You mean that? Oh, sure. Look at me and the answer.

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You get it, huh? Take a good look. Oh, Georgie.

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See? Satisfied, huh? Oh, it's just that I'm not going to be there.

236
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Oh, it's been terrible without you.

237
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All the time singing the blues, not feeling like going out or seeing anybody.

238
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Just slopping around the apartment and listening to the radio.

239
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I thought I'd go crazy. Yeah, that's over and done with, honey.

240
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Happy times are back now. You know what?

241
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We're going to celebrate tonight. Yeah.

242
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Put on a fancy smuggle, stepping, dinner a show, dancing after.

243
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How does that sound? Mmm.

244
00:11:09,120 --> 00:11:12,120
I got a new number I've been dying to wear. Good, good, good.

245
00:11:12,120 --> 00:11:17,120
Anybody here today? No. Not so.

246
00:11:17,120 --> 00:11:20,120
I was all alone. Feeling just awful. Until you came.

247
00:11:20,120 --> 00:11:22,120
Yeah, yeah, yeah. Joni, look, in case anybody asks you that...

248
00:11:22,120 --> 00:11:24,120
Anybody's... Not that anybody's going to...

249
00:11:24,120 --> 00:11:26,120
I mean, but in case they should, do me a favor, huh?

250
00:11:26,120 --> 00:11:29,120
Will you tell them I was here with you all day?

251
00:11:29,120 --> 00:11:31,120
I'll tell the world you were here with me from the rooftop.

252
00:11:31,120 --> 00:11:33,120
I don't care who knows it. Will you do that, honey?

253
00:11:33,120 --> 00:11:35,120
I love you, Georgie. Oh, baby, I love you, too.

254
00:11:35,120 --> 00:11:38,120
I just love you and I'll love you. Ah, you...

255
00:11:38,120 --> 00:11:41,120
Well, look, Joni, in case anybody wants you to be definite,

256
00:11:41,120 --> 00:11:44,120
will you say I was here since, oh, since half past three

257
00:11:44,120 --> 00:11:46,120
and stick to it no matter what? Half past three?

258
00:11:46,120 --> 00:11:50,120
Oh, Sam. What? Huh? Just a minute.

259
00:11:50,120 --> 00:11:52,120
Wait a sec. What are you trying to get me to do?

260
00:11:52,120 --> 00:11:54,120
Relax, now relax, honey. What are you sitting up for?

261
00:11:54,120 --> 00:11:57,120
No. No, Georgie. What's the matter? What's the matter?

262
00:11:57,120 --> 00:11:59,120
What's the matter? Plenty. Huh? Plenty's the matter.

263
00:11:59,120 --> 00:12:02,120
You dirty, no-good, miserable piece of humanity.

264
00:12:02,120 --> 00:12:04,120
Joni, listen to me. I'm beginning to get it.

265
00:12:04,120 --> 00:12:06,120
I know I'm not the smartest girl ever lived,

266
00:12:06,120 --> 00:12:08,120
but how smart do you have to be to get this picture?

267
00:12:08,120 --> 00:12:10,120
You ought to be... You staying away

268
00:12:10,120 --> 00:12:12,120
because I was getting to be a habit, huh?

269
00:12:12,120 --> 00:12:14,120
Look, please stop, honey. You can't live without me.

270
00:12:14,120 --> 00:12:16,120
Isn't that the way it went? You want me.

271
00:12:16,120 --> 00:12:18,120
You want to spend the afternoon here.

272
00:12:18,120 --> 00:12:20,120
Well, isn't that just too touching for words?

273
00:12:20,120 --> 00:12:22,120
Trying to sucker me to give yourself an alibi.

274
00:12:22,120 --> 00:12:24,120
Now, Joni, stop yelling. Listen to me.

275
00:12:24,120 --> 00:12:26,120
What I said was true. I need you. I'm a thank you.

276
00:12:26,120 --> 00:12:28,120
Sure you do, to give you an alibi. That's why you came here.

277
00:12:28,120 --> 00:12:30,120
Just so I'll say you were here with me since half past three.

278
00:12:30,120 --> 00:12:32,120
You want to use me. What have you been up to, Georgie?

279
00:12:32,120 --> 00:12:34,120
Huh? I mean... What have you done since 3.30

280
00:12:34,120 --> 00:12:36,120
that makes you need me like that? No, don't tell me.

281
00:12:36,120 --> 00:12:39,120
Because it's no good. I don't care what you've done.

282
00:12:39,120 --> 00:12:41,120
I don't care what's done to you either. Huh?

283
00:12:41,120 --> 00:12:43,120
An arrest, jail, the electric chair, I don't care.

284
00:12:43,120 --> 00:12:45,120
You get no alibi from me, Mr. Wiseguy.

285
00:12:45,120 --> 00:12:48,120
Now pick yourself up out of that chair and get out of here.

286
00:12:53,120 --> 00:12:55,120
Don't slugger, Georgie. You got no time for that now.

287
00:12:55,120 --> 00:12:58,120
Lady, but not now. The main thing now is that alibi.

288
00:12:58,120 --> 00:13:00,120
You wasted enough time with her now. You'll have to work fast.

289
00:13:00,120 --> 00:13:02,120
You wasted a whole half hour. And what did you get for it?

290
00:13:02,120 --> 00:13:04,120
Nothing.

291
00:13:05,120 --> 00:13:07,120
Only 65 minutes left. Get that eight-much.

292
00:13:07,120 --> 00:13:09,120
That's a complete show on the newsreel theater.

293
00:13:09,120 --> 00:13:11,120
It's a five-course dinner at the Little Romanian.

294
00:13:11,120 --> 00:13:13,120
You'll have 65 minutes.

295
00:13:13,120 --> 00:13:16,120
You'll find Juliet Sixer a few minutes after, and then...

296
00:13:17,120 --> 00:13:19,120
Close it, Georgie, close it.

297
00:13:19,120 --> 00:13:22,120
Larkin on the prowl. He mustn't see you.

298
00:13:22,120 --> 00:13:24,120
He doesn't let him see you, Larkin.

299
00:13:24,120 --> 00:13:27,120
He'll put two and two together. He'll talk to Joni.

300
00:13:27,120 --> 00:13:30,120
He'll learn you're trying to set an alibi down to the cellar, kid.

301
00:13:30,120 --> 00:13:32,120
Try the backyard.

302
00:13:32,120 --> 00:13:34,120
Wait a minute. No, no. No, no panic. Think.

303
00:13:34,120 --> 00:13:37,120
Fool alibi. Good airtight ironclad.

304
00:13:37,120 --> 00:13:40,120
Cement foundation alibis. Where do you get one? Think hard.

305
00:13:40,120 --> 00:13:42,120
Who's left? Timmy.

306
00:13:42,120 --> 00:13:44,120
Yeah, yeah, Timmy.

307
00:13:44,120 --> 00:13:46,120
Dope. You should have thought I am first.

308
00:13:46,120 --> 00:13:48,120
Timmy, lie in there in the hospital.

309
00:13:48,120 --> 00:13:50,120
Timmy, hurry, Georgie.

310
00:13:50,120 --> 00:13:52,120
Run, hurry!

311
00:13:52,120 --> 00:13:56,000
The

312
00:14:05,120 --> 00:14:09,120
Autolite is bringing you Mr. Mickey Rooney in Alibi Me.

313
00:14:09,120 --> 00:14:23,120
Tonight's production in radio's outstanding theater of thrills, Suspense.

314
00:14:24,120 --> 00:14:27,120
Hey, Hap, help me spark a plug.

315
00:14:27,120 --> 00:14:29,120
You mean I can help tell about...

316
00:14:29,120 --> 00:14:31,120
I do, about Autolite spark plugs.

317
00:14:31,120 --> 00:14:36,120
The spark plugs that are ignition engineered to work as a perfect team with your car's ignition system.

318
00:14:36,120 --> 00:14:39,120
You know what they'll do for your car, don't you, Harlow?

319
00:14:39,120 --> 00:14:45,120
I sure do, Hap, because when you replace worn out spark plugs with ignition engineered Autolite spark plugs,

320
00:14:45,120 --> 00:14:50,120
you'll get smoother performance, quick starts, gas savings.

321
00:14:50,120 --> 00:14:52,120
You rang the bell that time, Harlow.

322
00:14:52,120 --> 00:14:58,120
Well, that's because ignition engineered Autolite spark plugs are designed by the same Autolite engineers

323
00:14:58,120 --> 00:15:03,120
who designed the coil, distributor, and all the other important parts of the complete ignition system

324
00:15:03,120 --> 00:15:08,120
used as original factory equipment on many leading makes of our finest cars.

325
00:15:08,120 --> 00:15:12,120
Why, Autolite spark plugs are world famous for quality and performance.

326
00:15:12,120 --> 00:15:13,120
Go on, Harlow.

327
00:15:13,120 --> 00:15:16,120
Well, friends, see your neighborhood Autolite spark plug dealer

328
00:15:16,120 --> 00:15:22,120
and have him replace worn out spark plugs with ignition engineered Autolite spark plugs,

329
00:15:22,120 --> 00:15:28,120
either the resistor type or the standard type, because you're always right with Autolite.

330
00:15:28,120 --> 00:15:33,120
And now Autolite brings back to our Hollywood soundstage Mr. Mickey Rooney

331
00:15:33,120 --> 00:15:41,120
in Elliot Lewis's production of Alibi Me, a tale well calculated to keep you in suspense.

332
00:15:52,120 --> 00:15:55,120
The lobby of the general hospital is filled with visitors, some laughing, some looking sad.

333
00:15:55,120 --> 00:15:58,120
I walk past the desk in the elevator and up the stairs to the fourth floor.

334
00:15:58,120 --> 00:16:02,120
I'm in luck. I see nobody. Nobody sees me.

335
00:16:04,120 --> 00:16:07,120
And a quick dash from the corridor to Timmy's room and I just...

336
00:16:07,120 --> 00:16:10,120
Georgie. Oh, Georgie, it's good to see you.

337
00:16:10,120 --> 00:16:13,120
Hi, Timmy. You're looking 100% sorry.

338
00:16:13,120 --> 00:16:17,120
I didn't have time to bring candy or flowers. How you doing, kid?

339
00:16:17,120 --> 00:16:20,120
Oh, knock wood, not bad at all. Pull up a chair, Georgie, sit down.

340
00:16:20,120 --> 00:16:23,120
You know something? You look sicker than me.

341
00:16:23,120 --> 00:16:26,120
Eh, how you feeling, Tim?

342
00:16:26,120 --> 00:16:28,120
Oh, not bad. You know how it is with what I got.

343
00:16:28,120 --> 00:16:30,120
The worst part's lying here in the hospital.

344
00:16:30,120 --> 00:16:33,120
I'm a guy who always likes to be in action, you know.

345
00:16:33,120 --> 00:16:35,120
But I'm alive and I'm not kicking.

346
00:16:35,120 --> 00:16:37,120
The doctor say it was a miracle. Yeah, sure.

347
00:16:37,120 --> 00:16:39,120
Well, how are things with you, kid?

348
00:16:39,120 --> 00:16:43,120
Tim, I'm leveling with you, see? I come up by the stairs.

349
00:16:43,120 --> 00:16:45,120
I didn't want no one to see me.

350
00:16:45,120 --> 00:16:47,120
Yeah? In a spot, Georgie?

351
00:16:47,120 --> 00:16:50,120
I need an alibi for this afternoon, see? Since half past three.

352
00:16:50,120 --> 00:16:54,120
You got it, Georgie. I'm in this private room. Nobody comes near it.

353
00:16:54,120 --> 00:16:57,120
The nurses and orderlies don't come unless I give out a yell.

354
00:16:57,120 --> 00:17:01,120
And I can have visitors any time I like, but no one was here all day, not even my wife.

355
00:17:01,120 --> 00:17:04,120
Timmy, I'll... I'll never forget you for this.

356
00:17:04,120 --> 00:17:07,120
Georgie, you got one of the oldest alibis in the world.

357
00:17:07,120 --> 00:17:10,120
What's that? You were sitting up with a sick friend.

358
00:17:10,120 --> 00:17:12,120
Anybody does that, send him to me.

359
00:17:12,120 --> 00:17:16,120
Georgie, you never know who's your friend until you're in a jam, huh?

360
00:17:16,120 --> 00:17:21,120
Yeah, wait, wait. I'll have a nurse come in so she can see you, then you take the elevator down,

361
00:17:21,120 --> 00:17:23,120
ask some dumb questions so he'll remember you.

362
00:17:23,120 --> 00:17:25,120
Do things at all, kid. Do them right.

363
00:17:25,120 --> 00:17:28,120
Yeah, you don't miss a trick, do you, huh? Thanks again, Tim.

364
00:17:28,120 --> 00:17:30,120
I'll ring for a...

365
00:17:30,120 --> 00:17:35,120
Georgie. Georgie. My ticker.

366
00:17:35,120 --> 00:17:39,120
What is it? What is it? You want something? You want a drink of water?

367
00:17:39,120 --> 00:17:42,120
I don't... I don't feel so good.

368
00:17:42,120 --> 00:17:44,120
Timmy. Timmy.

369
00:17:44,120 --> 00:17:47,120
Don't worry. Don't worry about an alibi.

370
00:17:47,120 --> 00:17:52,120
Timmy, don't die now. Timmy, don't answer me, please.

371
00:17:55,120 --> 00:18:01,120
He's dead. My alibi is dead.

372
00:18:08,120 --> 00:18:12,120
Stop moving, Georgie. No point hanging around. You can't do nothing for him.

373
00:18:12,120 --> 00:18:15,120
And he can't do nothing for you. And if you don't find that alibi fast,

374
00:18:15,120 --> 00:18:17,120
you'll be seeing him maybe sooner than you think.

375
00:18:17,120 --> 00:18:20,120
I leave the hospital the way I came in, going through the lobby. I look at the clock.

376
00:18:20,120 --> 00:18:23,120
45 minutes left. It's a quarter after five.

377
00:18:23,120 --> 00:18:27,120
45 minutes left. 45 minus 10 seconds.

378
00:18:27,120 --> 00:18:32,120
20, 30, 40, 50... 44 minutes left.

379
00:18:32,120 --> 00:18:36,120
Hurry, Georgie. Hurry!

380
00:18:36,120 --> 00:18:39,120
I'm... I'm sunk.

381
00:18:39,120 --> 00:18:41,120
It's five or six and I'm sunk.

382
00:18:41,120 --> 00:18:43,120
And in ten minutes, maybe Larkin will be here.

383
00:18:43,120 --> 00:18:45,120
I got nothing. Nothing in the way of an alibi.

384
00:18:45,120 --> 00:18:47,120
I tried and now I'm tired of trying.

385
00:18:47,120 --> 00:18:50,120
What's the use? Washed out. I got no alibi.

386
00:18:50,120 --> 00:18:53,120
So I come home.

387
00:18:53,120 --> 00:18:56,120
I'm walking upstairs, see? And I hear a sound.

388
00:18:56,120 --> 00:19:02,120
My landlady. My landlady. Mrs. Edinger is nailing down linoleum in the hallway.

389
00:19:02,120 --> 00:19:06,120
Mrs. Edinger, yeah. How does that song go?

390
00:19:06,120 --> 00:19:11,120
Castles in Spain, for you to win the payback in your old backyard, sure.

391
00:19:11,120 --> 00:19:15,120
Yeah, Mrs. Edinger. Here, honey, let me do that for you.

392
00:19:15,120 --> 00:19:16,120
Give me that hammer.

393
00:19:16,120 --> 00:19:20,120
Oh, it's you, Georgie. Thanks, but never mind.

394
00:19:20,120 --> 00:19:21,120
You just come in?

395
00:19:21,120 --> 00:19:24,120
Yeah, yeah, but if anyone asks you, especially Larkin,

396
00:19:24,120 --> 00:19:29,120
you tell them I was in all afternoon. Understand?

397
00:19:29,120 --> 00:19:32,120
Larkin? Lieutenant Larkin?

398
00:19:32,120 --> 00:19:33,120
Yeah, yeah, that's him.

399
00:19:33,120 --> 00:19:38,120
Oh, I couldn't do that, Georgie. I won't lie to that cop. Don't count on it.

400
00:19:38,120 --> 00:19:42,120
I do count on it. I do. And you do, too. Don't shake your head.

401
00:19:42,120 --> 00:19:46,120
No, I say you'll do it. You'll tell Larkin. I'm in my room all day.

402
00:19:46,120 --> 00:19:48,120
No, no, Georgie.

403
00:19:48,120 --> 00:19:53,120
Mrs. Edinger, you don't tell Larkin I'm in all day and I'll tell him about Charlotte.

404
00:19:53,120 --> 00:19:55,120
I don't have any idea what you mean.

405
00:19:55,120 --> 00:20:01,120
Fair fact. Not even one. At least, Georgie, I don't want no trouble. I'm honest.

406
00:20:01,120 --> 00:20:03,120
I work hard to keep my kids honest.

407
00:20:03,120 --> 00:20:08,120
You keep your kids honest, huh? So honest that Charlotte lifts a fur jacket right out of the department store.

408
00:20:08,120 --> 00:20:11,120
I made a give-it-back. I marched her into the store myself.

409
00:20:11,120 --> 00:20:13,120
We gave it back to the manager.

410
00:20:13,120 --> 00:20:16,120
Sure, I know, I know, but a crime's a crime where the store prosecutes you.

411
00:20:16,120 --> 00:20:22,120
You couldn't. She's only 15. You wouldn't tell her life would be ruined, Georgie.

412
00:20:22,120 --> 00:20:28,120
No, no, no, Mrs. Edinger, what's to cry?

413
00:20:28,120 --> 00:20:33,120
Am I going to tell on Charlotte? Of course not. I'll keep my mouth shut just like you want.

414
00:20:33,120 --> 00:20:37,120
And you'll open your mouth just like I want and everything will be fine.

415
00:20:37,120 --> 00:20:41,120
If Larkin asks you, I wasn't out of my room all afternoon.

416
00:20:41,120 --> 00:20:43,120
Agree?

417
00:20:43,120 --> 00:20:46,120
You won't tell him about Charlotte?

418
00:20:46,120 --> 00:20:51,120
Not a word. I take a note. Look, I swear.

419
00:20:51,120 --> 00:20:58,120
All right, Georgie. All right. But not a word about Charlotte.

420
00:20:58,120 --> 00:21:04,120
My memory is terrible. As long as yours is good.

421
00:21:08,120 --> 00:21:12,120
And there's my alibi. Safe seal to deliver.

422
00:21:12,120 --> 00:21:22,120
Ha ha ha! The best alibi in the world.

423
00:21:22,120 --> 00:21:27,120
Quarter past six. Won't be long now, but watch yourself when Larkin is here, kiddo.

424
00:21:27,120 --> 00:21:32,120
Just the right attitude, remember. Not too anxious, not too casual. Just right, you know.

425
00:21:32,120 --> 00:21:35,120
Yeah? Who is it?

426
00:21:35,120 --> 00:21:38,120
Open up, Georgie. It's me, Larkin.

427
00:21:38,120 --> 00:21:43,120
Who is it? Oh, well, what a surprise.

428
00:21:43,120 --> 00:21:46,120
And to what do I owe this great pleasure?

429
00:21:46,120 --> 00:21:51,120
Remember I once told you, Georgie, if anything happened to Julie or to you, my first pick-up would be the other one.

430
00:21:51,120 --> 00:21:55,120
Yeah, I remember. So what?

431
00:21:55,120 --> 00:22:01,120
Oh, you mean Julie is... He's been...

432
00:22:01,120 --> 00:22:03,120
He's been made dead.

433
00:22:03,120 --> 00:22:06,120
No, kid. No. What do you know?

434
00:22:06,120 --> 00:22:11,120
And you come over to me with your shoulder to cry on, huh?

435
00:22:11,120 --> 00:22:12,120
You're not surprised?

436
00:22:12,120 --> 00:22:15,120
I'm not the only guy who hated Julie, you know.

437
00:22:15,120 --> 00:22:18,120
Let me know who did it when you find out. I'll contribute a sawbuck to his defense.

438
00:22:18,120 --> 00:22:20,120
Save your money, Georgie. You might need it.

439
00:22:20,120 --> 00:22:21,120
How come?

440
00:22:21,120 --> 00:22:24,120
Remember I told you at the same time you better have a good alibi,

441
00:22:24,120 --> 00:22:28,120
because once I got you down to headquarters, I'd prove you did it.

442
00:22:28,120 --> 00:22:30,120
That word seems to strike a bell.

443
00:22:30,120 --> 00:22:32,120
I'll give, Georgie. Where were you today?

444
00:22:32,120 --> 00:22:33,120
I was nowhere.

445
00:22:33,120 --> 00:22:34,120
Oh, that a fact.

446
00:22:34,120 --> 00:22:36,120
It's a fact. I was right here all afternoon.

447
00:22:36,120 --> 00:22:37,120
Can you prove it?

448
00:22:37,120 --> 00:22:39,120
It ain't easy to prove. You were somewhere alone all day.

449
00:22:39,120 --> 00:22:41,120
Can you prove you were here?

450
00:22:41,120 --> 00:22:44,120
Well, I didn't see anybody except... Oh, yeah.

451
00:22:44,120 --> 00:22:49,120
Yeah, Mrs... Mrs. Edinger, my landlady.

452
00:22:49,120 --> 00:22:51,120
Yeah, all right. Let's hear her version.

453
00:22:51,120 --> 00:22:54,120
Mrs. Edinger! Hey, Mrs. Edinger!

454
00:22:54,120 --> 00:22:55,120
What is it?

455
00:22:55,120 --> 00:22:57,120
Come on up here a minute, will you?

456
00:22:57,120 --> 00:22:58,120
Now?

457
00:22:57,120 --> 00:22:59,120
Yeah, right now.

458
00:22:59,120 --> 00:23:04,120
All right, I'm coming.

459
00:23:04,120 --> 00:23:06,120
Always something.

460
00:23:06,120 --> 00:23:08,120
Come up here, they want me down there.

461
00:23:08,120 --> 00:23:09,120
Yeah.

462
00:23:09,120 --> 00:23:11,120
Down there, they want me up here, Georgie.

463
00:23:11,120 --> 00:23:12,120
All right, all right.

464
00:23:12,120 --> 00:23:14,120
If it's a complaint, I don't want to hear.

465
00:23:14,120 --> 00:23:16,120
Tell me tomorrow. Today I can't take another one.

466
00:23:16,120 --> 00:23:18,120
This is Lieutenant Larkin. He wants to ask you...

467
00:23:18,120 --> 00:23:21,120
Sit down, Mrs. Edinger. You must be tired. I won't keep you long.

468
00:23:21,120 --> 00:23:22,120
Were you in all day?

469
00:23:22,120 --> 00:23:23,120
The whole day.

470
00:23:23,120 --> 00:23:26,120
Was Georgie in all day?

471
00:23:26,120 --> 00:23:28,120
Georgie? Miss Georgie?

472
00:23:28,120 --> 00:23:29,120
How many you got in the place?

473
00:23:29,120 --> 00:23:30,120
Yes, sure, he was in.

474
00:23:30,120 --> 00:23:32,120
You're positive?

475
00:23:32,120 --> 00:23:34,120
I'm positive, I'm positive.

476
00:23:34,120 --> 00:23:35,120
What makes you so positive?

477
00:23:35,120 --> 00:23:38,120
What makes me so positive? I cleaned his room.

478
00:23:38,120 --> 00:23:39,120
That's what makes me so positive.

479
00:23:39,120 --> 00:23:41,120
Yeah, that's what you cleaned it.

480
00:23:41,120 --> 00:23:43,120
And I pressed a suit for him later.

481
00:23:43,120 --> 00:23:45,120
That's what makes me so positive.

482
00:23:45,120 --> 00:23:48,120
And when I was sweeping the hall, his door was open and I saw him.

483
00:23:48,120 --> 00:23:52,120
And when I was downstairs, he yelled down to me a couple of times.

484
00:23:52,120 --> 00:23:58,120
You're prepared to swear to that in a court of law?

485
00:23:58,120 --> 00:24:02,120
Go ahead, Mrs. Edinger, swear by your daughter's head.

486
00:24:02,120 --> 00:24:05,120
I swear. I swear it.

487
00:24:05,120 --> 00:24:07,120
All right, all right. Thank you. You can go.

488
00:24:07,120 --> 00:24:10,120
I worked hard all day, oh, man.

489
00:24:10,120 --> 00:24:12,120
I worked the best I could, I worked the best I could.

490
00:24:12,120 --> 00:24:14,120
Well, that's it then, Georgie.

491
00:24:14,120 --> 00:24:15,120
Meaning?

492
00:24:15,120 --> 00:24:19,120
Meaning your alibi stinks, as far as I'm personally concerned.

493
00:24:19,120 --> 00:24:22,120
But for the record, it lets you off the hook.

494
00:24:22,120 --> 00:24:23,120
Hate that, don't you?

495
00:24:23,120 --> 00:24:25,120
You'd like to hang the big one on me, wouldn't you?

496
00:24:25,120 --> 00:24:27,120
I'll see you around, Georgie. Keep your nose clean.

497
00:24:27,120 --> 00:24:28,120
Yeah, sure thing.

498
00:24:28,120 --> 00:24:30,120
Lennox, Mr. George Lennox.

499
00:24:30,120 --> 00:24:32,120
That's me, kid.

500
00:24:32,120 --> 00:24:33,120
I got a package for you.

501
00:24:33,120 --> 00:24:35,120
Blue arrow delivery service sign here.

502
00:24:35,120 --> 00:24:38,120
Yeah, good. Who's it from?

503
00:24:38,120 --> 00:24:41,120
Mr. Moore, Mr. Julie Moore.

504
00:24:41,120 --> 00:24:45,120
Open it, Georgie. I want to see.

505
00:24:45,120 --> 00:24:49,120
Yeah, open it up and see.

506
00:24:51,120 --> 00:24:55,120
It's Molly, Pop.

507
00:24:55,120 --> 00:24:58,120
I've never seen such a big one.

508
00:24:58,120 --> 00:25:01,120
That's your opinion. Beat it. Will you get out of here?

509
00:25:01,120 --> 00:25:03,120
Look, kid, go on, beat it. What are you waiting for?

510
00:25:03,120 --> 00:25:05,120
What do you think he's waiting for, Georgie? Stake the kid.

511
00:25:05,120 --> 00:25:07,120
You stake him. What am I to meant? You stake him. Go ahead.

512
00:25:07,120 --> 00:25:10,120
Okay, cheapskate, okay. Keep your lousy tip.

513
00:25:10,120 --> 00:25:12,120
Fine thing I'm here twice this morning

514
00:25:12,120 --> 00:25:14,120
and three times this afternoon and you're not in.

515
00:25:14,120 --> 00:25:17,120
Five times up and down them stairs and not even a nickel tip.

516
00:25:17,120 --> 00:25:20,120
Shut up, shut up. Shut up.

517
00:25:20,120 --> 00:25:22,120
Hey, thanks, man. Shut up.

518
00:25:22,120 --> 00:25:23,120
Oh, fuck, thanks.

519
00:25:23,120 --> 00:25:25,120
No mention of it, kid. You deserve it. You earned it.

520
00:25:25,120 --> 00:25:27,120
Shut up. Thanks.

521
00:25:27,120 --> 00:25:30,120
Oh, I almost forgot. There's a message that goes with it.

522
00:25:30,120 --> 00:25:33,120
To the biggest sucker in town.

523
00:25:33,120 --> 00:25:35,120
That's all there is to the message.

524
00:25:35,120 --> 00:25:55,120
It's enough. Get your hat and coat, Georgie.

525
00:25:55,120 --> 00:26:02,120
Suspense presented by Auto Light. Tonight's star, Mickey Rooney.

526
00:26:02,120 --> 00:26:04,120
Hey, half, do you know something?

527
00:26:04,120 --> 00:26:06,120
They're a great group.

528
00:26:06,120 --> 00:26:07,120
Who, Harlow?

529
00:26:07,120 --> 00:26:10,120
Why, the more than 400 products made by Auto Light

530
00:26:10,120 --> 00:26:13,120
for cars, trucks, planes, and boats

531
00:26:13,120 --> 00:26:16,120
in 28 plants from coast to coast.

532
00:26:16,120 --> 00:26:19,120
These include complete electrical systems

533
00:26:19,120 --> 00:26:21,120
used as original factory equipment

534
00:26:21,120 --> 00:26:24,120
on many leading makes of America's finest cars,

535
00:26:24,120 --> 00:26:28,120
electric windshield wipers, starting motors, voltage regulators,

536
00:26:28,120 --> 00:26:32,120
coils, distributors, wire and cable, generators,

537
00:26:32,120 --> 00:26:35,120
all engineered to fit together perfectly,

538
00:26:35,120 --> 00:26:39,120
work together perfectly because they're a perfect team.

539
00:26:39,120 --> 00:26:41,120
So friends, don't accept electrical parts

540
00:26:41,120 --> 00:26:43,120
supposed to be as good.

541
00:26:43,120 --> 00:26:47,120
Ask for and insist on original factory parts

542
00:26:47,120 --> 00:26:52,120
at your neighborhood service station, car dealer, garage, or repair shop.

543
00:26:52,120 --> 00:26:56,120
And because all Auto Light parts are original factory parts,

544
00:26:56,120 --> 00:26:59,120
you can be sure that you're right.

545
00:26:59,120 --> 00:27:03,120
Because you're always right with Auto Light.

546
00:27:03,120 --> 00:27:14,120
Music

547
00:27:14,120 --> 00:27:21,120
Next week on Suspense, Miss Ginger Rogers as star of Vamp Till Dead.

548
00:27:21,120 --> 00:27:24,120
And in weeks to come, you will hear such famous stars

549
00:27:24,120 --> 00:27:28,120
as Eve Arden, Itzio Pinza, and Paul Douglas.

550
00:27:28,120 --> 00:27:34,120
All appearing in tales well calculated to keep you in Suspense.

551
00:27:34,120 --> 00:27:50,120
Suspense

552
00:27:50,120 --> 00:27:52,120
Suspense is produced and directed by Elliot Lewis

553
00:27:52,120 --> 00:27:55,120
with music composed by Lucian Morrowek

554
00:27:55,120 --> 00:27:57,120
and conducted by Lud Bluskin,

555
00:27:57,120 --> 00:28:00,120
Alibi Me was written by Thur Jeffery

556
00:28:00,120 --> 00:28:03,120
and adapted for Suspense by Walter Newman.

557
00:28:03,120 --> 00:28:06,120
Mickey Rooney is appearing by arrangement with MGM,

558
00:28:06,120 --> 00:28:09,120
producers of the Technicolor production Pagan Love Song,

559
00:28:09,120 --> 00:28:14,120
starring Esther Williams, Howard Keele, and Mina Gomble.

560
00:28:14,120 --> 00:28:30,120
Music

561
00:28:30,120 --> 00:28:36,120
And remember next week on Suspense, Miss Ginger Rogers in Vamp Till Dead.

562
00:28:36,120 --> 00:29:04,120
Music

563
00:29:04,120 --> 00:29:07,120
Music

564
00:29:07,120 --> 00:29:10,120
Ring

565
00:29:10,120 --> 00:29:13,120
You can buy world famous Auto Light Resistor Type

566
00:29:13,120 --> 00:29:16,120
or Standard Type Spark plugs, Auto Light Safeful Batteries,

567
00:29:16,120 --> 00:29:19,120
Auto Light Electrical Parts at your neighborhood Auto Light dealers.

568
00:29:19,120 --> 00:29:22,120
Switch to Auto Light. Good night.

569
00:29:22,120 --> 00:29:26,120
This is CBS, the Columbia Broadcasting System.

570
00:29:26,120 --> 00:29:37,120
Music