1 00:00:00,000 --> 00:00:12,000 Auto Light and its 96,000 dealers present Suspense. 2 00:00:12,000 --> 00:00:21,000 Tonight, Auto Light brings you The Lady in the Red Hat, a suspense play starring Mr. 3 00:00:21,000 --> 00:00:22,000 Van Heflin. 4 00:00:22,000 --> 00:00:33,000 Well, the way the woman was killed last night proves he's right. 5 00:00:33,000 --> 00:00:36,000 What's the point of suppressing the articles? 6 00:00:36,000 --> 00:00:41,000 Is there any doubt in your mind that this new murder was committed by the Avenger? 7 00:00:41,000 --> 00:00:43,000 No, mine either. 8 00:00:43,000 --> 00:00:44,000 So what? 9 00:00:44,000 --> 00:00:46,000 All right, okay, Chief. 10 00:00:46,000 --> 00:00:48,000 Oh, hello, Mitch. 11 00:00:48,000 --> 00:00:49,000 Who's that, Chief Naylor? 12 00:00:49,000 --> 00:00:52,000 Yeah, they want us to stop those articles you're writing. 13 00:00:52,000 --> 00:00:54,000 Oh, what's the matter? 14 00:00:54,000 --> 00:00:58,000 Well, it's not so much the Avenger as the way you keep harping on those theories you've 15 00:00:58,000 --> 00:00:59,000 got about him. 16 00:00:59,000 --> 00:01:00,000 Well, I think I'm right. 17 00:01:00,000 --> 00:01:02,000 Well, you've got every woman in the city scared to death. 18 00:01:02,000 --> 00:01:03,000 That's why I want you to lay off. 19 00:01:03,000 --> 00:01:07,000 Five women have been murdered in three months and they're all wearing red in their clothes. 20 00:01:07,000 --> 00:01:10,000 I say that means something and they want me to lay off. 21 00:01:10,000 --> 00:01:11,000 Look, this isn't me. 22 00:01:11,000 --> 00:01:15,000 We hired you to do a feature column in the Sunday Supplement because you've got a big 23 00:01:15,000 --> 00:01:16,000 following. 24 00:01:16,000 --> 00:01:19,000 Psychology of murder, it's a great idea but... 25 00:01:19,000 --> 00:01:20,000 Excuse me. 26 00:01:20,000 --> 00:01:21,000 Yeah. 27 00:01:21,000 --> 00:01:22,000 Yeah? 28 00:01:22,000 --> 00:01:23,000 Mr. Banning, is Mr. Mitchell in there? 29 00:01:23,000 --> 00:01:24,000 Yeah. 30 00:01:24,000 --> 00:01:25,000 Will you tell him that Housky is on the phone? 31 00:01:25,000 --> 00:01:26,000 He's not a surgeon. 32 00:01:26,000 --> 00:01:27,000 All right. 33 00:01:27,000 --> 00:01:28,000 All right, switch the call in here. 34 00:01:28,000 --> 00:01:29,000 Yes. 35 00:01:29,000 --> 00:01:31,000 Use this phone, Mitch. 36 00:01:31,000 --> 00:01:32,000 Thanks. 37 00:01:32,000 --> 00:01:33,000 Hello. 38 00:01:33,000 --> 00:01:36,000 Yes, Mrs. White. 39 00:01:36,000 --> 00:01:38,000 Hello. 40 00:01:38,000 --> 00:01:40,000 Thank you. 41 00:01:40,000 --> 00:01:43,000 No, don't, don't worry, that's all right. 42 00:01:43,000 --> 00:01:47,000 Yes, I won't be home until after midnight then. 43 00:01:47,000 --> 00:01:48,000 Bye-bye. 44 00:01:48,000 --> 00:01:50,000 Anything wrong? 45 00:01:50,000 --> 00:01:52,000 I don't know. 46 00:01:52,000 --> 00:01:57,000 I'll find out though, an anonymous note slipped under my door. 47 00:01:57,000 --> 00:02:00,000 Somebody wants me to meet the Avenger at midnight. 48 00:02:00,000 --> 00:02:09,000 In just a moment, Mr. Van Heflin, in the first act of The Lady in the Red Hat. 49 00:02:09,000 --> 00:02:12,000 Say, Harlow, you ever play football? 50 00:02:12,000 --> 00:02:17,000 Oh, what a question to ask quarterback Wilcox, spark plug of the squad. 51 00:02:17,000 --> 00:02:18,000 The what? 52 00:02:18,000 --> 00:02:19,000 Spark plug. 53 00:02:19,000 --> 00:02:22,000 Why, as quarterback, I gave my boys tremendous enthusiasm. 54 00:02:22,000 --> 00:02:26,000 Just as new ignition engineered auto light spark plugs give a motor with worn out spark 55 00:02:26,000 --> 00:02:29,000 plugs, quick start, smooth performance, gas savings. 56 00:02:29,000 --> 00:02:31,000 Were you world famous? 57 00:02:31,000 --> 00:02:36,000 Well, no, half, but ignition engineered auto light spark plugs are world famous for quality 58 00:02:36,000 --> 00:02:37,000 and dependability. 59 00:02:37,000 --> 00:02:39,000 You call the signals too, Harlow? 60 00:02:39,000 --> 00:02:40,000 Of course. 61 00:02:40,000 --> 00:02:43,000 And our team clicked perfectly, just like auto light spark plugs. 62 00:02:43,000 --> 00:02:47,000 Spark plugs that are ignition engineered to work as a perfect team with your car's ignition 63 00:02:47,000 --> 00:02:48,000 system. 64 00:02:48,000 --> 00:02:53,000 Auto light spark plugs, you know, have passed rugged laboratory and field tests to win selection 65 00:02:53,000 --> 00:02:57,000 as original factory equipment on millions of cars and trucks. 66 00:02:57,000 --> 00:03:02,000 So friends, see your neighborhood auto light spark plug dealer soon and have worn out spark 67 00:03:02,000 --> 00:03:08,000 plugs replaced with new ignition engineered auto light spark plugs for smooth performance, 68 00:03:08,000 --> 00:03:11,000 quick start, gas savings. 69 00:03:11,000 --> 00:03:16,000 And whether you choose the standard type or the resistor type, you can't buy better spark 70 00:03:16,000 --> 00:03:21,000 plugs for your car because you're always right with auto light. 71 00:03:21,000 --> 00:03:26,000 And now with the lady in the red hat and the performance of Mr. Van Heflin, auto light 72 00:03:26,000 --> 00:03:45,000 hopes once again to keep you in suspense. 73 00:03:45,000 --> 00:03:46,000 Good evening. 74 00:03:46,000 --> 00:03:47,000 Oh, hi Mitch. 75 00:03:47,000 --> 00:03:50,000 Well, I thought you were going to wait downstairs. 76 00:03:50,000 --> 00:03:52,000 Yeah, I was, but Banning wanted to see me. 77 00:03:52,000 --> 00:03:56,000 Nagler calling the police department, wanted me to stop my articles. 78 00:03:56,000 --> 00:03:57,000 Oh, why? 79 00:03:57,000 --> 00:03:59,000 Well, I'll tell you why we're eating. 80 00:03:59,000 --> 00:04:01,000 Did they say anything about my stuff? 81 00:04:01,000 --> 00:04:03,000 No, no, yours is straight reporting. 82 00:04:03,000 --> 00:04:06,000 It's theorizing the objective. 83 00:04:06,000 --> 00:04:08,000 Maybe I'm getting too close. 84 00:04:08,000 --> 00:04:10,000 Have you written anything on last night's murder? 85 00:04:10,000 --> 00:04:11,000 I'd like to read it. 86 00:04:11,000 --> 00:04:14,000 I'll be writing it now, but if I did, I know what I'd say. 87 00:04:14,000 --> 00:04:16,000 Have you got something new, Mitch? 88 00:04:16,000 --> 00:04:18,000 Something new? 89 00:04:18,000 --> 00:04:28,000 Maybe, I don't know yet. 90 00:04:28,000 --> 00:04:33,000 Meet the Avenger at 12 o'clock, and the Avenger could be anyone. 91 00:04:33,000 --> 00:04:42,000 Was she the one, this tall girl with long legs, smart, self-possessed, career woman with fresh-faced innocence? 92 00:04:42,000 --> 00:04:45,000 We waited for the elevator. 93 00:04:45,000 --> 00:04:51,000 I watched, and she was there with me, a smile on her lips. 94 00:04:51,000 --> 00:05:02,000 We went to a place for dinner. 95 00:05:02,000 --> 00:05:05,000 You know, Mitch, I love this place. My favorite hangout after work. 96 00:05:05,000 --> 00:05:07,000 That's why I brought you here. 97 00:05:07,000 --> 00:05:11,000 I was beginning to wonder why you've been so quiet. 98 00:05:11,000 --> 00:05:14,000 There's subdued lights and warmth, is that it? 99 00:05:14,000 --> 00:05:16,000 In a way. 100 00:05:16,000 --> 00:05:19,000 Oh? Something else, too? 101 00:05:19,000 --> 00:05:22,000 Mitch, what do you think about the Avenger? 102 00:05:22,000 --> 00:05:25,000 Oh, I think he's fantastic. 103 00:05:25,000 --> 00:05:28,000 Look, consider the name he... 104 00:05:28,000 --> 00:05:32,000 Well, or she has given himself, the Avenger. 105 00:05:32,000 --> 00:05:35,000 He probably wants to purge the world because of its sins. 106 00:05:35,000 --> 00:05:38,000 What about that nonsense about the color red? 107 00:05:38,000 --> 00:05:44,000 It means something, perhaps a sinful color, the obsession of red as a symbol, as a tie-up. 108 00:05:44,000 --> 00:05:46,000 That makes me a marked woman, doesn't it? 109 00:05:46,000 --> 00:05:48,000 You mean your scarf? 110 00:05:48,000 --> 00:05:50,000 You gave it to me, remember? 111 00:05:50,000 --> 00:05:53,000 That's right. I might be the man. 112 00:05:53,000 --> 00:05:56,000 Yes, but why couldn't the Avenger be a woman? 113 00:05:56,000 --> 00:05:58,000 She could. 114 00:05:58,000 --> 00:06:04,000 What about Kate last night? The old woman, why kill her? She wasn't pretty, she was just old. 115 00:06:04,000 --> 00:06:06,000 Rather obvious, she worked at the Follies. 116 00:06:06,000 --> 00:06:07,000 But she was only a scrub woman. 117 00:06:07,000 --> 00:06:10,000 But she worked there, sinful, there you are. 118 00:06:10,000 --> 00:06:13,000 She carried a red purse, too. 119 00:06:13,000 --> 00:06:17,000 Listen, I want to tell you something. Something big, even the editor doesn't know it. 120 00:06:17,000 --> 00:06:18,000 A story? 121 00:06:18,000 --> 00:06:21,000 These stories. Oh, can I have another drink? 122 00:06:21,000 --> 00:06:24,000 Oh, I'm sorry. Mario? 123 00:06:24,000 --> 00:06:28,000 I, um... I got an anonymous note this morning. 124 00:06:28,000 --> 00:06:29,000 Note? That's a... 125 00:06:29,000 --> 00:06:31,000 Yes, Mr. Mitchell? 126 00:06:31,000 --> 00:06:32,000 Oh, uh, you want the same? 127 00:06:32,000 --> 00:06:33,000 Yes, please. 128 00:06:33,000 --> 00:06:34,000 And you, Mr. Mitchell? 129 00:06:34,000 --> 00:06:35,000 No, nothing, thanks. 130 00:06:35,000 --> 00:06:40,000 Yes, sir. By the way, when Lieutenant Dow comes in, will you show him over here to this table, please? 131 00:06:40,000 --> 00:06:41,000 Yes, sir. 132 00:06:41,000 --> 00:06:44,000 Bill Dow? He's on the Avenger case. 133 00:06:44,000 --> 00:06:46,000 Mitchell, are you holding out on me? 134 00:06:46,000 --> 00:06:50,000 You were speaking of a note, anonymous. Did it, um... 135 00:06:50,000 --> 00:06:53,000 Did it say anything about the Avenger? 136 00:06:53,000 --> 00:06:56,000 Yes, yes it did. 137 00:06:56,000 --> 00:07:03,000 If I wanted important information about the Avenger, I was to go at midnight to the community chapel on seventh. 138 00:07:03,000 --> 00:07:05,000 It's such a lonely old building... 139 00:07:05,000 --> 00:07:08,000 Have you got that note with you? 140 00:07:08,000 --> 00:07:09,000 No, I left it at home. 141 00:07:09,000 --> 00:07:15,000 Oh? Did it tell you to sit in the first pew and wait? 142 00:07:15,000 --> 00:07:17,000 You got one too. 143 00:07:17,000 --> 00:07:21,000 This afternoon, under my door at home, the housekeeper called. 144 00:07:21,000 --> 00:07:22,000 The same thing. 145 00:07:22,000 --> 00:07:25,000 Queer, isn't it? 146 00:07:25,000 --> 00:07:26,000 I wonder... 147 00:07:26,000 --> 00:07:27,000 What? 148 00:07:27,000 --> 00:07:32,000 Oh, this isn't an ordinary tip, Mitch. Don't you see? I've been working on the story for the standard. 149 00:07:32,000 --> 00:07:36,000 You've been doing your series in the magazine section, Psychology of Murder. 150 00:07:36,000 --> 00:07:37,000 Now supposing... 151 00:07:37,000 --> 00:07:39,000 The Avenger sent those notes? 152 00:07:39,000 --> 00:07:41,000 Well... 153 00:07:41,000 --> 00:07:44,000 Bill Dow called me earlier. He wanted to see me. 154 00:07:44,000 --> 00:07:45,000 Oh? 155 00:07:45,000 --> 00:07:48,000 I said that I was taking you out for dinner. I told him to meet us here. 156 00:07:48,000 --> 00:07:49,000 Why? 157 00:07:49,000 --> 00:07:53,000 The lieutenant claims that he received a note, like ours too. 158 00:07:53,000 --> 00:07:56,000 Was she the one? Or was Dow? 159 00:07:56,000 --> 00:08:00,000 Millions of people in the city and the person next to you a killer. 160 00:08:00,000 --> 00:08:03,000 You couldn't believe it was someone you knew. 161 00:08:03,000 --> 00:08:07,000 Never anyone you knew, but maybe it was. 162 00:08:07,000 --> 00:08:11,000 Was that then the ultimate stimulation? Had it come to that? 163 00:08:11,000 --> 00:08:14,000 To kill a stranger was not enough. 164 00:08:14,000 --> 00:08:17,000 Now seek out the danger, the extreme risk. 165 00:08:17,000 --> 00:08:24,000 Because here was emotion. Emotion of friendship. This was different. 166 00:08:24,000 --> 00:08:30,000 And who would it be? The girl on the newspaper? Or the policeman? 167 00:08:30,000 --> 00:08:34,000 Are you being stubborn because you're a policeman or because you're just pig-headed, lieutenant? 168 00:08:34,000 --> 00:08:38,000 Jeannie, you're a reporter. Too much imagination. 169 00:08:38,000 --> 00:08:40,000 I still think it's a crackpot gag. 170 00:08:40,000 --> 00:08:42,000 Then why did you come here? 171 00:08:42,000 --> 00:08:47,000 Because Mitch and I have been working on this together. Because we're all friends. 172 00:08:47,000 --> 00:08:50,000 I'm not taking any chances. There have been five murders already. 173 00:08:50,000 --> 00:08:54,000 She makes sense though, Bill. Three of us all vitally interested in the case. 174 00:08:54,000 --> 00:08:58,000 It'd be very flattering to him if we turned up at that chapel at midnight. 175 00:08:58,000 --> 00:09:00,000 Well, I'll be there. I can tell you that. 176 00:09:00,000 --> 00:09:03,000 I don't like it. He might be after one of us. 177 00:09:03,000 --> 00:09:07,000 Maybe you, Jeannie. Maybe he doesn't like some of the stuff you've been doing. 178 00:09:07,000 --> 00:09:12,000 Maybe me. Maybe. Or me. I'm the cop who's chasing him. 179 00:09:12,000 --> 00:09:15,000 Yeah, I don't imagine he's particularly fond of you, Bill. 180 00:09:15,000 --> 00:09:18,000 Why not surround the chapel? No. 181 00:09:18,000 --> 00:09:23,000 Mind you, I still think it's a crank note. But if it isn't, this baby's too smart. 182 00:09:23,000 --> 00:09:25,000 If he sees anything wrong, he'll get away. 183 00:09:25,000 --> 00:09:29,000 I think Billy wants all the credit for a dramatic capture. 184 00:09:29,000 --> 00:09:31,000 I'd have to share it with Mitch anyway. 185 00:09:31,000 --> 00:09:37,000 And me. Uh-uh. You're going home. 186 00:09:37,000 --> 00:09:40,000 That's what you think. I'm on that list. 187 00:09:40,000 --> 00:09:43,000 I want to be there when something happens. 188 00:09:52,000 --> 00:09:57,000 We had dinner in that little bar. Somehow, none of us wanted to leave. 189 00:09:57,000 --> 00:10:01,000 Outside was the night, cold. 190 00:10:01,000 --> 00:10:05,000 Through the window and on the pavement, we could see a cover of snow. 191 00:10:05,000 --> 00:10:08,000 Snow, silent and clean. 192 00:10:08,000 --> 00:10:20,000 I thought of a knife flashing, and then the snow, soft, absorbent, no longer, white, turning red, until it spread over the entire city. 193 00:10:20,000 --> 00:10:24,000 The neon sign outside flashed red. 194 00:10:24,000 --> 00:10:28,000 Red. Red. 195 00:10:28,000 --> 00:10:34,000 Not our table, it was warm and candlelit. 196 00:10:36,000 --> 00:10:40,000 Then we were outside and the snow was falling. 197 00:10:40,000 --> 00:10:44,000 You know where the chapel is, Bill? 198 00:10:44,000 --> 00:10:47,000 Yeah, it's the one on seventh around the corner from the library. 199 00:10:47,000 --> 00:10:51,000 It's funny, I must have passed that a hundred times. I never noticed it. 200 00:10:51,000 --> 00:10:55,000 Most people think it's vacant. It's not. In fact, it's open all night. 201 00:10:55,000 --> 00:10:58,000 How do you know, Jeannie? 202 00:10:58,000 --> 00:11:02,000 Well, I don't know. I guess I heard about it. 203 00:11:02,000 --> 00:11:05,000 Okay, we'll walk. 204 00:11:05,000 --> 00:11:11,000 Hiya. I always used to like the snow. I looked forward to it. I don't like it tonight. 205 00:11:11,000 --> 00:11:16,000 I've never liked it. There's something smothering about this stuff. 206 00:11:16,000 --> 00:11:18,000 I was in a blizzard once. 207 00:11:18,000 --> 00:11:19,000 What happened? 208 00:11:19,000 --> 00:11:23,000 I was lost in the woods up north, nearly froze to death. 209 00:11:23,000 --> 00:11:27,000 Snow kept coming down, got in my mouth, my nose, my eyes. 210 00:11:27,000 --> 00:11:31,000 And after a while, things didn't look white anymore. 211 00:11:31,000 --> 00:11:35,000 They were blurred and red. 212 00:11:35,000 --> 00:11:41,000 Which frightens you more, fear of being lost or fear of dying? 213 00:11:41,000 --> 00:11:44,000 I don't know. Why? 214 00:11:44,000 --> 00:11:46,000 Just wondered. 215 00:11:46,000 --> 00:11:49,000 Has anybody got the time? 216 00:11:49,000 --> 00:11:52,000 Yeah, it's eleven o'clock. 217 00:12:02,000 --> 00:12:05,000 We stood outside the community chapel. 218 00:12:05,000 --> 00:12:11,000 It was on a side street. I remember the lamppost with its light so much brighter than usual. 219 00:12:11,000 --> 00:12:15,000 Everything was white, but not beautiful. 220 00:12:15,000 --> 00:12:17,000 There was a murderer here. 221 00:12:17,000 --> 00:12:23,000 In all of this great city, the murderer stood looking up at a church spire. 222 00:12:23,000 --> 00:12:26,000 And who knew it? 223 00:12:26,000 --> 00:12:30,000 We went up the broad steps, slowly. 224 00:12:36,000 --> 00:12:37,000 Funny. 225 00:12:37,000 --> 00:12:39,000 What is? 226 00:12:39,000 --> 00:12:45,000 If one of us were killed here. 227 00:12:52,000 --> 00:12:56,000 I'm going to have a look around, check any side doors. 228 00:12:56,000 --> 00:12:57,000 All right. 229 00:12:57,000 --> 00:12:59,000 You stay here, huh? 230 00:12:59,000 --> 00:13:01,000 Yeah. 231 00:13:04,000 --> 00:13:07,000 The music's nice. 232 00:13:07,000 --> 00:13:11,000 There's the organist up there. See him? 233 00:13:11,000 --> 00:13:13,000 Why are you looking at me like that? 234 00:13:13,000 --> 00:13:14,000 Was I? 235 00:13:14,000 --> 00:13:16,000 Yes. 236 00:13:16,000 --> 00:13:17,000 Why? 237 00:13:17,000 --> 00:13:23,000 Perhaps I was thinking how strange it would be if one of us were the Avenger. 238 00:13:23,000 --> 00:13:27,000 The Avenger 239 00:13:34,000 --> 00:13:41,000 Autolyte is bringing you Mr. Van Heflin with Joan Banks and Joseph Kearns in The Lady in the Red Hat. 240 00:13:41,000 --> 00:13:54,000 Tonight's production in radio's outstanding theater of thrills, Suspends. 241 00:13:54,000 --> 00:13:58,000 Say, Harlow, did you have a good football coach? 242 00:13:58,000 --> 00:14:00,000 The most marvelous mentor going, Hap. 243 00:14:00,000 --> 00:14:03,000 He used to say, Men, be alive, full of pep. 244 00:14:03,000 --> 00:14:05,000 Just like Ignition Engineered Autolyte Spark plug. 245 00:14:05,000 --> 00:14:06,000 What a man. 246 00:14:06,000 --> 00:14:08,000 Yeah, he used to say, Give me teamwork. 247 00:14:08,000 --> 00:14:13,000 Just like the teamwork of Ignition Engineered Autolyte Spark plugs with the coil, distributor, 248 00:14:13,000 --> 00:14:16,000 and all the other important parts of your car's ignition system. 249 00:14:16,000 --> 00:14:17,000 He was right, too. 250 00:14:17,000 --> 00:14:21,000 Because Autolyte Spark plugs are the spark plugs designed by Autolyte engineers 251 00:14:21,000 --> 00:14:25,000 who design complete ignition systems used as original factory equipment 252 00:14:25,000 --> 00:14:28,000 on many leading makes of America's finest cars. 253 00:14:28,000 --> 00:14:33,000 That's why you can't buy better spark plugs for your car than Autolyte. 254 00:14:33,000 --> 00:14:35,000 Swell, Wilcock, swell. 255 00:14:35,000 --> 00:14:37,000 But let's get back to the coach. 256 00:14:37,000 --> 00:14:39,000 The coach? Oh, yes, yes, yes. 257 00:14:39,000 --> 00:14:42,000 Well, whether you have a coach, sedan, or coupé, 258 00:14:42,000 --> 00:14:46,000 let your friendly Autolyte Spark plug dealer replace worn-out spark plugs 259 00:14:46,000 --> 00:14:49,000 with Ignition Engineered Autolyte Spark plugs. 260 00:14:49,000 --> 00:14:52,000 And whether you choose the standard type or resistor type, 261 00:14:52,000 --> 00:14:56,000 you can be sure you're always right with Autolyte. 262 00:14:56,000 --> 00:15:01,000 And now, Autolyte brings back to our Hollywood sound stage Mr. Van Heflin 263 00:15:01,000 --> 00:15:05,000 in Elliot Lewis's production of The Lady in the Red Hat, 264 00:15:05,000 --> 00:15:10,000 a tale well calculated to keep you in suspense. 265 00:15:27,000 --> 00:15:30,000 We stood there in the chapel looking at each other. 266 00:15:30,000 --> 00:15:33,000 Now it had started. It had been said aloud. 267 00:15:33,000 --> 00:15:37,000 What if one of us were a killer? 268 00:15:37,000 --> 00:15:43,000 Not the ever-present shabby man seen by witnesses loitering on a lonely street, 269 00:15:43,000 --> 00:15:45,000 but one of us? 270 00:15:45,000 --> 00:15:48,000 If not Jean Grey, would she think it me? 271 00:15:48,000 --> 00:15:50,000 Or Bill Dowell, a policeman? 272 00:15:50,000 --> 00:15:53,000 It was an odd game, a game of fear. 273 00:15:53,000 --> 00:15:55,000 Who'll kill Cockrobin? 274 00:15:55,000 --> 00:15:57,000 The Avenger. 275 00:15:57,000 --> 00:16:00,000 And who'll be Cockrobin? 276 00:16:00,000 --> 00:16:03,000 One of us? The Avenger? 277 00:16:03,000 --> 00:16:05,000 Oh, Mitch. 278 00:16:05,000 --> 00:16:07,000 It has to be someone. 279 00:16:07,000 --> 00:16:09,000 Why, I believe you're serious. 280 00:16:09,000 --> 00:16:12,000 I am. We've all been on this case since the first death. 281 00:16:12,000 --> 00:16:16,000 Perhaps one of us enjoys the publicity, the thrill of killing. 282 00:16:16,000 --> 00:16:18,000 I don't like this place. 283 00:16:18,000 --> 00:16:20,000 Better go home. 284 00:16:20,000 --> 00:16:21,000 Gidders, Jeannie? 285 00:16:21,000 --> 00:16:23,000 What did you find, Bill? 286 00:16:23,000 --> 00:16:25,000 One side exit, that's all. 287 00:16:25,000 --> 00:16:27,000 We can see it from the front pew. 288 00:16:27,000 --> 00:16:29,000 What's the time? 289 00:16:29,000 --> 00:16:31,000 About quarter past eleven. 290 00:16:31,000 --> 00:16:34,000 I'm cold. I wonder if we could get some coffee. 291 00:16:34,000 --> 00:16:37,000 I'll get it. You two stay here. How do you like yours? 292 00:16:37,000 --> 00:16:38,000 Oh, black, please. 293 00:16:38,000 --> 00:16:40,000 The same, Bill. Right. 294 00:16:40,000 --> 00:16:44,000 Take it easy, Jeannie. It's not twelve yet. 295 00:16:45,000 --> 00:16:46,000 You want to sit down? 296 00:16:46,000 --> 00:16:50,000 Up in the front? No, not yet. 297 00:16:50,000 --> 00:16:52,000 All right. Here. 298 00:16:56,000 --> 00:16:58,000 Mitch. 299 00:16:58,000 --> 00:17:00,000 You aren't serious, are you? 300 00:17:00,000 --> 00:17:03,000 Yes. You've read my articles. 301 00:17:03,000 --> 00:17:05,000 I've theorized about the Avenger. 302 00:17:05,000 --> 00:17:08,000 The analysis could fit any one of us. 303 00:17:08,000 --> 00:17:09,000 Me? 304 00:17:09,000 --> 00:17:10,000 Why not? 305 00:17:10,000 --> 00:17:12,000 You're fairly strong. You could have done it. 306 00:17:12,000 --> 00:17:15,000 But the victims have all been women. Why should I kill a woman? 307 00:17:15,000 --> 00:17:17,000 You like excitement, danger. 308 00:17:17,000 --> 00:17:20,000 Your favorite color is red. You're a scarf, for instance. 309 00:17:20,000 --> 00:17:22,000 Don't. 310 00:17:22,000 --> 00:17:25,000 You're afraid to be touched? 311 00:17:25,000 --> 00:17:26,000 No. 312 00:17:26,000 --> 00:17:28,000 You like men, but you don't like them to touch you. 313 00:17:28,000 --> 00:17:29,000 You like me, but... 314 00:17:29,000 --> 00:17:31,000 That doesn't mean... 315 00:17:31,000 --> 00:17:34,000 Ah, I'm right, aren't I? 316 00:17:34,000 --> 00:17:37,000 Now, think of the five dead women. 317 00:17:37,000 --> 00:17:43,000 All of them, in some way, concerned with what the Avenger considers sinful. 318 00:17:43,000 --> 00:17:44,000 It could be you. 319 00:17:44,000 --> 00:17:47,000 Or you. Or Bill. 320 00:17:47,000 --> 00:17:52,000 No. I've thought about him. He had a... 321 00:17:52,000 --> 00:17:54,000 There's a lot of reason to kill. 322 00:17:54,000 --> 00:17:57,000 Did you know that he had a wife once he ran away with another man? 323 00:17:57,000 --> 00:17:59,000 No. 324 00:17:59,000 --> 00:18:02,000 Perhaps he doesn't like women very much now. 325 00:18:02,000 --> 00:18:05,000 And it wouldn't be difficult for him to kill and get away with it. 326 00:18:05,000 --> 00:18:08,000 Easier than for most people, because he's a policeman. 327 00:18:08,000 --> 00:18:11,000 And you? 328 00:18:11,000 --> 00:18:15,000 Perhaps I'm in love, in love with a girl that I can never have. 329 00:18:15,000 --> 00:18:18,000 Because of that, I hate all women. 330 00:18:18,000 --> 00:18:20,000 Funny, I never thought of you as in love. 331 00:18:20,000 --> 00:18:22,000 Why not? 332 00:18:22,000 --> 00:18:24,000 Because you're so... 333 00:18:24,000 --> 00:18:26,000 So... 334 00:18:26,000 --> 00:18:27,000 I don't know. 335 00:18:27,000 --> 00:18:30,000 No. You don't know. 336 00:18:35,000 --> 00:18:37,000 We sat alone with the music. 337 00:18:37,000 --> 00:18:39,000 It was everywhere in the chapel. 338 00:18:39,000 --> 00:18:42,000 Solemn, accusing. 339 00:18:42,000 --> 00:18:44,000 The thoughts had been spoken. 340 00:18:44,000 --> 00:18:46,000 Fear was creating suspicion. 341 00:18:46,000 --> 00:18:49,000 And the girl with the red scarf tied about her head, 342 00:18:49,000 --> 00:18:52,000 sitting with folded hands beside me, 343 00:18:52,000 --> 00:18:56,000 looked in front of her and her eyes were on the front pew. 344 00:18:57,000 --> 00:18:59,000 Sorry I was so long. 345 00:18:59,000 --> 00:19:01,000 Anything happen? 346 00:19:01,000 --> 00:19:02,000 No. 347 00:19:02,000 --> 00:19:03,000 Oh, Jeannie. 348 00:19:03,000 --> 00:19:05,000 Oh, thanks. 349 00:19:05,000 --> 00:19:07,000 Seems wrong drinking coffee in a chapel. 350 00:19:07,000 --> 00:19:08,000 Sinful, Jeannie. 351 00:19:08,000 --> 00:19:10,000 Oh, stop it. That's not what I meant. 352 00:19:10,000 --> 00:19:11,000 To Mitch. 353 00:19:11,000 --> 00:19:12,000 Thanks. 354 00:19:12,000 --> 00:19:15,000 Uh, what's the time, Bill? 355 00:19:15,000 --> 00:19:16,000 Eleven thirty. 356 00:19:16,000 --> 00:19:18,000 Is that all? 357 00:19:18,000 --> 00:19:20,000 I see our friend at the organ's still there. 358 00:19:20,000 --> 00:19:22,000 Yeah. 359 00:19:22,000 --> 00:19:24,000 Funny hour to practice. 360 00:19:24,000 --> 00:19:25,000 Mitch. 361 00:19:25,000 --> 00:19:26,000 Hmm? 362 00:19:26,000 --> 00:19:28,000 I heard what you said to Jeannie before. 363 00:19:28,000 --> 00:19:31,000 I mean, about one of us being the Avenger. 364 00:19:31,000 --> 00:19:32,000 Were you kidding? 365 00:19:32,000 --> 00:19:33,000 No. 366 00:19:33,000 --> 00:19:35,000 It's crazy. 367 00:19:35,000 --> 00:19:37,000 Why? It's got to be somebody. 368 00:19:37,000 --> 00:19:38,000 Why not one of us? 369 00:19:38,000 --> 00:19:39,000 Oh, he's got brilliant reasons. 370 00:19:39,000 --> 00:19:41,000 Ask him, we all fit. 371 00:19:41,000 --> 00:19:43,000 Not a joke anymore, Mitch. 372 00:19:43,000 --> 00:19:44,000 I know. 373 00:19:44,000 --> 00:19:46,000 The trouble with you, Bill, is that you think you have to look 374 00:19:46,000 --> 00:19:48,000 for some poor devil frothing at the mouth 375 00:19:48,000 --> 00:19:50,000 with his hands covered with blood. 376 00:19:50,000 --> 00:19:53,000 Must a murder always look like a comic book conception of a murder? 377 00:19:53,000 --> 00:19:55,000 Cut it out. 378 00:19:55,000 --> 00:19:56,000 You're not funny. 379 00:19:56,000 --> 00:19:58,000 I'm not trying to be. 380 00:19:58,000 --> 00:20:01,000 I think it more than probable that one of us could be the Avenger. 381 00:20:01,000 --> 00:20:04,000 We're normal, moderately attractive people, 382 00:20:04,000 --> 00:20:06,000 but one of us thinks differently. 383 00:20:06,000 --> 00:20:08,000 Which one? 384 00:20:08,000 --> 00:20:09,000 Hmm. 385 00:20:09,000 --> 00:20:10,000 Ha, ha, ha. 386 00:20:10,000 --> 00:20:11,000 Ha. 387 00:20:11,000 --> 00:20:12,000 You're a nut. 388 00:20:12,000 --> 00:20:18,000 Maybe. 389 00:20:18,000 --> 00:20:20,000 We drank our coffee. 390 00:20:20,000 --> 00:20:23,000 There was an animal awareness now, 391 00:20:23,000 --> 00:20:27,000 each of us watching the other, cautious, wondering. 392 00:20:27,000 --> 00:20:30,000 We spoke of Christmas, sailing, next year's Dodgers. 393 00:20:30,000 --> 00:20:36,000 We spoke of everything but the Avenger and of 12 o'clock. 394 00:20:36,000 --> 00:20:37,000 Hey. 395 00:20:37,000 --> 00:20:38,000 What? 396 00:20:38,000 --> 00:20:40,000 When did the organists leave? 397 00:20:40,000 --> 00:20:42,000 What? 398 00:20:42,000 --> 00:20:43,000 I don't know. 399 00:20:43,000 --> 00:20:44,000 The lights. 400 00:20:44,000 --> 00:20:45,000 There's only one up there. 401 00:20:45,000 --> 00:20:47,000 We must have turned the others out. 402 00:20:47,000 --> 00:20:50,000 It'd be hard to see anybody coming in from the front pew. 403 00:20:50,000 --> 00:20:51,000 Well? 404 00:20:51,000 --> 00:20:54,000 Well, I'm going to take a look, see if he's still around. 405 00:20:54,000 --> 00:20:55,000 No. 406 00:20:55,000 --> 00:20:58,000 Why, you're not afraid to be alone with me, are you? 407 00:20:58,000 --> 00:20:59,000 Don't be an idiot. 408 00:20:59,000 --> 00:21:01,000 If anyone comes in, stay in the shadows. 409 00:21:01,000 --> 00:21:03,000 It's nearly 12. 410 00:21:03,000 --> 00:21:05,000 Might as well get in your places. 411 00:21:05,000 --> 00:21:09,000 I'll be right back. 412 00:21:09,000 --> 00:21:13,000 I guess... I guess we'd better... 413 00:21:13,000 --> 00:21:15,000 The front pew? 414 00:21:15,000 --> 00:21:20,000 Yes, those were the instructions. 415 00:21:20,000 --> 00:21:22,000 Quiet without the music. 416 00:21:22,000 --> 00:21:23,000 Too quiet. 417 00:21:23,000 --> 00:21:25,000 It was nice. 418 00:21:25,000 --> 00:21:26,000 There were so many shadows. 419 00:21:26,000 --> 00:21:28,000 Shadows in a chapel? 420 00:21:28,000 --> 00:21:31,000 Well, that shouldn't be frightening. 421 00:21:31,000 --> 00:21:33,000 Will Bill be able to see us when he comes back? 422 00:21:33,000 --> 00:21:38,000 I think so. 423 00:21:38,000 --> 00:21:40,000 Do you think it's him? 424 00:21:40,000 --> 00:21:42,000 Do you? 425 00:21:42,000 --> 00:21:44,000 What's the time? 426 00:21:44,000 --> 00:21:46,000 It's about three minutes to. 427 00:21:46,000 --> 00:21:48,000 How would he find the lights? 428 00:21:48,000 --> 00:21:50,000 I don't mind it. 429 00:21:50,000 --> 00:21:52,000 Strange. 430 00:21:52,000 --> 00:21:53,000 What? 431 00:21:53,000 --> 00:21:56,000 When I was very young, I was in a place like this. 432 00:21:56,000 --> 00:21:59,000 Very much like this. 433 00:21:59,000 --> 00:22:00,000 Oh? 434 00:22:00,000 --> 00:22:06,000 I was taken every week, and every week there was a woman who sat across the aisle. 435 00:22:06,000 --> 00:22:08,000 She was beautiful. 436 00:22:08,000 --> 00:22:10,000 I was in love with her. 437 00:22:10,000 --> 00:22:12,000 Nobody ever talked to her. 438 00:22:12,000 --> 00:22:16,000 My mother hated her, but not my father. 439 00:22:16,000 --> 00:22:18,000 Do you know what I found out? 440 00:22:18,000 --> 00:22:19,000 No. 441 00:22:19,000 --> 00:22:22,000 It was after my father left us. 442 00:22:22,000 --> 00:22:25,000 He had been in love with that woman all that time. 443 00:22:25,000 --> 00:22:27,000 They ran away together. 444 00:22:27,000 --> 00:22:29,000 How terrible. 445 00:22:29,000 --> 00:22:31,000 Yeah. 446 00:22:31,000 --> 00:22:34,000 Yeah, I thought so at the time. 447 00:22:34,000 --> 00:22:36,000 What tiny things one remembers. 448 00:22:36,000 --> 00:22:39,000 She always wore a red hat. 449 00:22:39,000 --> 00:22:42,000 She was beautiful. 450 00:22:42,000 --> 00:22:45,000 But she must have been very wicked. 451 00:22:45,000 --> 00:22:48,000 A red hat? 452 00:22:48,000 --> 00:22:54,000 Where I lived, they used to say that it was the shock of his leaving that killed my mother. 453 00:22:54,000 --> 00:22:57,000 Poor Janie. 454 00:22:57,000 --> 00:22:58,000 Give me your hand, Janie. 455 00:22:58,000 --> 00:22:59,000 No, no. 456 00:22:59,000 --> 00:23:00,000 Here, cold. 457 00:23:00,000 --> 00:23:01,000 Don't. Please don't. 458 00:23:01,000 --> 00:23:03,000 You're like her. You look like her. 459 00:23:03,000 --> 00:23:05,000 You even wear red. 460 00:23:05,000 --> 00:23:07,000 Because that's your favorite color. 461 00:23:07,000 --> 00:23:08,000 Mitch. Mitch. 462 00:23:08,000 --> 00:23:10,000 I'm in love with you. 463 00:23:10,000 --> 00:23:12,000 And it's so wrong. 464 00:23:12,000 --> 00:23:15,000 I've been in love with you ever since I met you. 465 00:23:15,000 --> 00:23:17,000 But it's wrong. You're bad. 466 00:23:17,000 --> 00:23:19,000 You're like her. 467 00:23:19,000 --> 00:23:20,000 Don't scream. Don't. 468 00:23:20,000 --> 00:23:22,000 Mitch. Mitch. It's all right. 469 00:23:22,000 --> 00:23:24,000 I understand. 470 00:23:24,000 --> 00:23:27,000 I'm sorry that music stopped. 471 00:23:27,000 --> 00:23:29,000 We've got to have music. 472 00:23:29,000 --> 00:23:32,000 There was always the organ playing at home. 473 00:23:32,000 --> 00:23:34,000 Come along, Janie. 474 00:23:34,000 --> 00:23:35,000 Where are we going? 475 00:23:35,000 --> 00:23:37,000 Upstairs to the organ loft. 476 00:23:37,000 --> 00:23:42,000 Now don't, don't, don't scream. Please. 477 00:23:42,000 --> 00:23:45,000 Mitch. Janie. 478 00:23:45,000 --> 00:23:46,000 Don't say anything. 479 00:23:46,000 --> 00:23:47,000 Don't. 480 00:23:47,000 --> 00:23:49,000 I won't. I won't, Mitch. 481 00:23:49,000 --> 00:23:51,000 You're not well. I'm glad you told me. 482 00:23:51,000 --> 00:23:53,000 I love you too. 483 00:23:53,000 --> 00:23:56,000 You must believe me. I love you. 484 00:23:56,000 --> 00:24:04,000 Mitch. Please. 485 00:24:04,000 --> 00:24:07,000 She was a clever devil. 486 00:24:07,000 --> 00:24:10,000 Trying to win me over with talk of love. 487 00:24:10,000 --> 00:24:13,000 I wasn't going to take any chances with her. 488 00:24:13,000 --> 00:24:17,000 We went up the narrow steps to where the organ was. 489 00:24:17,000 --> 00:24:19,000 I closed the door behind us. 490 00:24:19,000 --> 00:24:22,000 I didn't need my knife. 491 00:24:22,000 --> 00:24:24,000 I could smash her with my hands. 492 00:24:24,000 --> 00:24:27,000 Smash her. Pound the evil flat. 493 00:24:27,000 --> 00:24:29,000 Stamp it out on the floor. 494 00:24:29,000 --> 00:24:32,000 The other five were bad. They'd sin, but she, 495 00:24:32,000 --> 00:24:34,000 she was like that woman at home. 496 00:24:34,000 --> 00:24:36,000 The woman in the red hat. 497 00:24:36,000 --> 00:24:38,000 I knew what had to be done with her. 498 00:24:38,000 --> 00:24:41,000 I'd known that from the day that I'd met her. 499 00:24:41,000 --> 00:24:46,000 Tall with long legs, fresh face, masking wickedness. 500 00:24:46,000 --> 00:24:48,000 Mitch. Janie. Where are you? 501 00:24:48,000 --> 00:24:49,000 Please. Please. 502 00:24:49,000 --> 00:24:51,000 Stay down there, Bill. Don't, don't come up. 503 00:24:51,000 --> 00:24:53,000 I've got her. You stay there. 504 00:24:53,000 --> 00:24:56,000 I found her out. I've known all the time. 505 00:24:56,000 --> 00:24:58,000 She's got to die. You know that, Bill. 506 00:24:58,000 --> 00:25:01,000 I'm coming up, Mitch. It's okay. 507 00:25:01,000 --> 00:25:02,000 We'll take her in together. 508 00:25:02,000 --> 00:25:04,000 That's why I sent those notes, Bill. 509 00:25:04,000 --> 00:25:06,000 I, I had to trap her. You understand? 510 00:25:06,000 --> 00:25:08,000 Sure. Sure. 511 00:25:08,000 --> 00:25:10,000 I'm, I'm right, aren't I? 512 00:25:10,000 --> 00:25:11,000 You're dead right, Mitch. 513 00:25:11,000 --> 00:25:14,000 I'll open the door. We'll take her in together. 514 00:25:14,000 --> 00:25:16,000 No, stay, stay out there, Bill. 515 00:25:16,000 --> 00:25:17,000 I don't need your help. I can do it. 516 00:25:17,000 --> 00:25:20,000 Mitch, Mitch, you're sick. But it's all right. 517 00:25:20,000 --> 00:25:22,000 I'll make you better because I love you. 518 00:25:22,000 --> 00:25:24,000 How do you turn this thing on? 519 00:25:24,000 --> 00:25:25,000 Must be a switch. 520 00:25:25,000 --> 00:25:28,000 No, no, don't, don't, don't go near that door, Janie. 521 00:25:28,000 --> 00:25:30,000 Mitch, open the door. 522 00:25:30,000 --> 00:25:31,000 Here's one. 523 00:25:31,000 --> 00:25:33,000 Mitch. 524 00:25:33,000 --> 00:25:34,000 Open it. 525 00:25:34,000 --> 00:25:35,000 A minute. 526 00:25:35,000 --> 00:25:38,000 Don't worry. She won't hurt me. Not anymore. 527 00:25:38,000 --> 00:25:39,000 Mitch, please. 528 00:25:39,000 --> 00:25:41,000 Whatever I've done to you, I'm sorry. 529 00:25:41,000 --> 00:25:43,000 You're the woman. 530 00:25:43,000 --> 00:25:46,000 You're always the woman in red, but not anymore. 531 00:25:46,000 --> 00:25:49,000 I'll be all right now. 532 00:25:49,000 --> 00:25:52,000 Play. There has to be music. 533 00:25:52,000 --> 00:25:55,000 There was music at home at my mother's funeral. 534 00:25:55,000 --> 00:25:57,000 Play. 535 00:25:57,000 --> 00:25:58,000 I can't. 536 00:25:58,000 --> 00:25:59,000 Play it. 537 00:25:59,000 --> 00:26:00,000 I don't know how to. 538 00:26:00,000 --> 00:26:01,000 Play. Play. 539 00:26:06,000 --> 00:26:09,000 Louder. Louder, louder. 540 00:26:09,000 --> 00:26:10,000 Louder. 541 00:26:10,000 --> 00:26:11,000 Mitch. 542 00:26:11,000 --> 00:26:13,000 Drop that knife. Drop it. 543 00:26:15,000 --> 00:26:17,000 Bill. 544 00:26:17,000 --> 00:26:18,000 Bill. 545 00:26:22,000 --> 00:26:24,000 Turn it off. Turn it off. 546 00:26:24,000 --> 00:26:26,000 The music, stop it. 547 00:26:26,000 --> 00:26:29,000 Stop it. It's killing me. 548 00:26:29,000 --> 00:26:44,000 It's killing me. 549 00:26:59,000 --> 00:27:01,000 Suspense presented by Auto Light. 550 00:27:01,000 --> 00:27:04,000 Tonight's star, Mr. Van Heflin. 551 00:27:04,000 --> 00:27:08,000 Hey, Wilcox, any standouts on your team? 552 00:27:08,000 --> 00:27:11,000 Why, yes, Hap, more than 400 of them. 553 00:27:11,000 --> 00:27:12,000 400? 554 00:27:12,000 --> 00:27:15,000 Sure. The more than 400 products made by Auto Light 555 00:27:15,000 --> 00:27:20,000 for cars, trucks, planes, and boats in 28 plants from coast to coast. 556 00:27:20,000 --> 00:27:24,000 These include complete electrical systems used as a radio station 557 00:27:24,000 --> 00:27:27,000 and a radio station for the radio station. 558 00:27:27,000 --> 00:27:31,000 Complete electrical systems used as original factory equipment 559 00:27:31,000 --> 00:27:34,000 on many leading makes of America's finest cars. 560 00:27:34,000 --> 00:27:38,000 Coils, distributors, generators, voltage regulators, starting motors, 561 00:27:38,000 --> 00:27:42,000 wire and cable, and electric windshield wipers. 562 00:27:42,000 --> 00:27:45,000 All engineered to fit together perfectly, work together perfectly, 563 00:27:45,000 --> 00:27:48,000 because they're a perfect team. 564 00:27:48,000 --> 00:27:52,000 So, friends, don't accept electrical parts supposed to be as good. 565 00:27:52,000 --> 00:27:55,000 Ask for and insist on Auto Light Original Factory Parts 566 00:27:55,000 --> 00:27:59,000 at your neighborhood service station, car dealer, garage, or repair shop. 567 00:27:59,000 --> 00:28:03,000 And remember, you're always right with Auto Light. 568 00:28:03,000 --> 00:28:16,000 Next week on Suspense, Mr. Ray Melland as star of After the Movies. 569 00:28:16,000 --> 00:28:19,000 And in weeks to come, you will hear such famous stars as Alan Ladd, 570 00:28:19,000 --> 00:28:24,000 Dennis Day, and Cornell Wilde, all appearing in tales well calculated 571 00:28:24,000 --> 00:28:28,000 to keep you in suspense. 572 00:28:28,000 --> 00:28:30,000 Suspense is produced and directed by Elliot Lewis, 573 00:28:30,000 --> 00:28:34,000 with music composed by Lucian Moraweck and conducted by Lud Bluskett. 574 00:28:34,000 --> 00:28:37,000 The Lady in the Red Hat was written by Clock Daily 575 00:28:37,000 --> 00:28:39,000 and was adapted for Suspense by Anthony Ellis. 576 00:28:39,000 --> 00:28:42,000 Van Heflen can soon be seen in Universal International's 577 00:28:42,000 --> 00:28:46,000 Technicolor production Tomahawk, co-starring Yvonne de Carlo. 578 00:28:46,000 --> 00:28:52,000 And remember, next week on Suspense, Mr. Ray Melland in After the Movies. 579 00:28:52,000 --> 00:28:58,000 You can buy world-famous Auto Light Resistor Type or Sander Type Spark Loves, 580 00:28:58,000 --> 00:29:01,000 Auto Light Staple Batteries, Auto Light Electrical Parts 581 00:29:01,000 --> 00:29:03,000 at your neighborhood Auto Light dealers. 582 00:29:03,000 --> 00:29:06,000 Switch to Auto Light. Good night. 583 00:29:06,000 --> 00:29:10,000 The familiar kettle bells are starting to ring on the street corners of America. 584 00:29:10,000 --> 00:29:14,000 The Salvation Army again appeals for your help. 585 00:29:14,000 --> 00:29:17,000 Make this Christmas a merry one for the unfortunate. 586 00:29:17,000 --> 00:29:22,000 Contribute to the charitable work of the Salvation Army. 587 00:29:22,000 --> 00:29:51,000 This is CBS, the Columbia Broadcasting System.