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Auto Light and its 96,000 dealers present Suspense.

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Tonight, Auto Light brings you The Wages of Sin, a suspense play starring Miss Barbara

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Stanwyck as Ruby Miller.

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You know her, Dorick?

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Yeah.

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Ruby Miller.

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Pretty good picture of her.

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You know, this is her apartment.

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She's had it for two months.

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What was he doing here?

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Don't know.

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He was dating when we got here.

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Shot within the hour.

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Hello, Captain.

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We've been working hard.

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Hello, Frank.

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Who is he?

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Driver's license says his name is David Madlock, age 42, this city.

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It is Madlock.

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Hard to recognize him with that kind of shooting.

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Keep going, Frank.

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Death's clerk, Frank DiMarco, saw Madlock come through lobby about nine o'clock, alone.

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He got it here a few minutes later.

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What was Madlock doing here?

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He was in the lobby.

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DiMarco and the day clerk say they never saw him in building before.

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Who reported it?

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Janitor.

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Heard the shots.

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Called downtown, saw nothing.

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Madlock's got a wife.

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I sent the boys out to pick her up.

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Okay.

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Doc tells me this is Ruby Miller's apartment.

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That's right.

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She rented it two months ago.

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Haven't located her yet.

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Now the tabloids are going to make this look juicy.

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David Madlock slain in Beauty's apartment.

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If I know those tabloids we got in this town, that'll be tame.

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All right, we'll get you a new one.

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I'll be right back.

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I'll be right back.

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I'll be right back.

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I'll be right back.

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I'll be right back.

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I'll be right back.

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I'll be right back.

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I'll be right back.

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All right, let's find her and get her story.

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I want an all points bulletin out for Ruby Miller right away.

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She finally got herself messed up in something too big to handle.

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In just a moment, Miss Barbara Stanwyck in the first act of The Wages of Sin.

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What's going on, Marlo?

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Boy, it's tune up time, Half.

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Now for what?

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Your car.

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Get it tuned up before winter weather wages war on your engine.

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We'll winterize it by putting in antifreeze, change of oil and grease.

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And check the spark plugs too!

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Ah, realistic reminder, Johnny Plug Jack, because spark plugs are the very heart of your car's ignition system.

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You mean spark plugs need winterizing too?

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Why, they sure do happen. That's why it'll pay you to see your friendly auto light spark plug dealer.

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He'll replace weary, worn, and wilted spark plugs with world famous ignition engineered auto light spark plugs.

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They're engineered by the same auto light engineers who design coils, distributors,

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and all the other important parts of the ignition system used as original factory equipment on many leading makes of America's finest cars.

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That's why auto light spark plugs operate as a perfect team with your car's ignition system.

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That's why you can't buy better spark plugs for your car than auto light.

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Okay, Harlow, I'll have my car winterized.

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And check the spark plugs too!

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Right! So folks, see your friendly auto light spark plug dealer.

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Whether you choose the standard type or the resistor type, you can be sure you're always right with auto light.

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And now with the wages of sin and the performance of Miss Barbara Stanwyck as Ruby Miller, auto light hopes once again to keep you in suspense.

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I don't care who you are, nobody gets in.

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This is my apartment, pinhead.

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Hey, what's going on out here, Sergeant? Who's this?

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Who are you? Hey, what's the idea of all these cops? You're holding crime school in my apartment or something?

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You're Ruby Miller?

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Yeah, that's right.

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Come on in.

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Nice of you.

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I was just starting out to look for you.

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What's going on around here, anyhow? I leave for a couple of hours and...

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Yeah?

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My rug!

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His name is Frank Madlock. Interested?

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What'd he bleed all over my rug for?

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Come on, sister, the captain wants to see you.

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Well, I want to see him. What kind of a police force do we have in this town? A lady can't go out for a drink without coming home to find...

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Get your hands off me!

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Inside!

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When I finish my judo course, I'm going to look you up.

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Hello, Ruby.

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Oh! I draw all the dreamy ones. I might have known it'd be you, Captain Salvador.

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That's all, Frank.

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Yeah, that's all, Frank.

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Tell me about yourself, Ruby.

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You losing your hair?

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It's falling out worrying about you. The last time was 47. No visible means of support.

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I didn't know we were going to talk about old times or I'd have cracked a bottle.

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We aren't going to talk about that guy lying in there in front of your fireplace.

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Well...

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They tell me his name is David Madlock.

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You know that's his name. What's he doing in there?

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How should I know? I never saw him my whole life.

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How long have you been seeing him? What did you fight about?

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Ruby, you've had four arrests and one conviction in your time. You know we always get the answers.

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Captain Doric Salvador, carpereau. Ha!

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Been in the drug store since 8.30. Fifteen people saw me drinking my malted milk while Junior in there must have been getting his brains blown out.

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Do they all have names?

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Every one of them. It was a bowling team on their way home. The Lofers.

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You're telling me that corpse is a man you never saw before in your life?

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That's exactly what I am telling you. Your crew will find that out by poking into everything and everybody in town.

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They'll also find my alibis good and that your guesses are bad.

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If Madlock or whatever his name is staggers into my apartment while I'm out and somebody bumps him off, that's not my fault.

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And you nor any other single headed cop is going to write it any different.

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All right, Ruby. Let's go downtown.

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Well, Doric Dream, you booked me as a material witness as expected.

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After all, you had to take somebody downtown.

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The newspapers tossed a lot of type around. My picture was in every paper, every edition.

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But after two days it died on the vine. I made three inches in the second section after that.

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Ruby Miller released for lack of evidence.

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The morning I got out, I'll wait while you blush. I wanted a bath more than anything else.

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All right, all right. Just a minute. I'm coming.

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Hello, Ruby. I missed you before you left the station.

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I'm tired of looking at cops, Captain.

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This will only take a minute.

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I'll time you myself.

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Thanks. I, uh, just been out talking to Marie Madlock, Dave Madlock's widow.

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The way things happen, she still thinks that you and her husband were real palsy on the side.

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She hates the memory of him now.

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Don't you ever give up.

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I don't like to see a nice woman like Mrs. Madlock running around believing something that isn't true.

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My boys peeked under every rock and tom before you were sprung, Ruby.

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They came up with two things that got you out.

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You were in the drug store while Madlock was being killed and you never knew the guy.

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I'm convinced of that.

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My bath water is getting cold. So am I.

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Look, Ruby, you moved in that apartment two months ago, paid $400 rent in advance.

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The same day you deposited $1,000 at Freeman's National.

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You also bought $400 worth of clothes and trinkets.

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I hit a horse.

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Somebody gave you dough to play a part in this. Who?

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We've gone all through this before.

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Who, Ruby? A key to this apartment was found on Madlock's body.

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How'd you get that key?

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I don't know, Captain. I just don't know.

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I should have my luck changed.

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All right, Ruby, I'm leaving.

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Sorry you didn't have any luck, Captain.

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You know, whenever you get out of this, they'll take 20 times as much back from you, right down to your soul.

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Madlock's killing was top drawer stuff with some big people involved,

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people who don't care anything about you because you were just background scenery.

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They might want to change at any time.

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Aren't you scared, Ruby?

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Yeah. You'll never see the day.

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Okay.

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Grandissimo buiardo.

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What does that mean?

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You're a liar, Ruby.

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You're a liar, Ruby.

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Where did you get off thinking I was scared?

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What was there to be scared of, Art?

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I held three aces in the deck and that was enough, at least to make a starting bid.

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When I looked out my window that night and saw two men in overcoats standing across the street from the apartment,

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I felt extra brain.

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I wasn't worried one bit.

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Hello?

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Ruby Milley?

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Yes.

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What are you still doing in town?

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I'm waiting for a phone call, but it's not from you.

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You're asking for a doll. I'll be over.

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Well, say hello to the two cops standing in front of my apartment house.

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Salvador's got them on me 24 hours a day.

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Play it smart, doll. Get out of town while you've got legs to walk on.

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Listen, you thick-lipped creep, I want to talk to him, the big man, right away.

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And if I don't, I'll talk to the cops.

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I just said how you better act, doll.

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Sorry to disappoint you again, Dorch.

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Well, I wasn't scared that time either.

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A spook call was always standard operating procedure for those kind of people.

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It let me down a little, though, having them think I was so square I wasn't expecting it.

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When I went to bed that night, I was dreaming of a new kind of life.

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And it started the next day with bells.

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Hello?

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Miss Miller? My name is Victor Sheridan.

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I'm the attorney for the big man.

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And that's as close as you're going to get. Take it or leave it.

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My offices are in the equity building, Suite 203.

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I'll expect you any time today.

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That was the music I was waiting for, Dorch.

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I'll expect you any time. And I made any time an hour later.

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Salvador's two shadows followed me when I left my apartment and went downtown.

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So I wasn't worried that anybody might interrupt my conversation with Sheridan and Carter, attorneys at law.

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Call me Sheridan.

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Sure.

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My client asked me to speak to you.

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Speak up.

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All right.

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My client has been disturbed by your attitude.

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Good for him.

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He wonders why you haven't fulfilled your part of the bargain.

204
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After all, you've been well paid.

205
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You call that money?

206
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A man I never saw before in my life came to me a couple of months ago and made the deal.

207
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$1,500. Two months rent on a nice apartment.

208
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And on a certain night I was to blow town. Never come back.

209
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You should have done it.

210
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I saw a setup a mile off. How dumb do you think I am?

211
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That is not the question, Miss Miller.

212
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How dumb do you think we are?

213
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Dumb enough to know he needed a place to do a killing and someone with a rep like mine to throw the cops off.

214
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I know who he is, where he is, how he did it, and why he did it.

215
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Tell the client I want a payoff to keep quiet.

216
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Lots of payoff.

217
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Or I can tell a whole lot of cops something that will keep them absolutely spellbound.

218
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I see.

219
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Well?

220
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Will this be enough to start with, Miss Miller?

221
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A thousand dollars?

222
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Look, Sonny, this is the major leagues I want ten to start with.

223
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I haven't had much money in the office.

224
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You can get it. There's a bank downstairs.

225
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You're playing a very dangerous game, Miss Miller.

226
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I've got built-in police protection at all times.

227
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All you have to worry about is coming through.

228
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That protection may not last forever.

229
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Let me worry about that.

230
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Miss Miller, it's not up to me to decide the outcome of this affair, but somewhere, someplace, sometime, you'll be alone on a dark street.

231
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And I wouldn't want to say what might happen to you.

232
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Well, don't you worry, Buster.

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I'm going to be burning money to keep all those dark streets bright.

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Now call the bank.

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Auto Light is bringing you Miss Barbara Stanwyck in The Wages of Sin.

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Tonight's production in radio's outstanding theater of thrills, Suspense.

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Check the spark plugs, too. Check the spark plugs, too.

238
00:12:05,920 --> 00:12:07,920
Hey, that Johnny plug check's persistent, isn't he?

239
00:12:07,920 --> 00:12:14,920
Sure, half Johnny knows it's necessary now to get your car made ready for dependable motoring during the cold days ahead.

240
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Check the spark plugs, too.

241
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You see, spark plugs are the very heart of the car's ignition system.

242
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When they're right, your chances of starting even in the coldest weather are better than ever.

243
00:12:23,920 --> 00:12:31,920
So it'll pay you to replace worn-out spark plugs with Auto Light spark plugs, the spark plugs that are world famous for quality and dependability.

244
00:12:31,920 --> 00:12:32,920
Auto Light spark plugs?

245
00:12:32,920 --> 00:12:43,920
Nothing finer half than when you replace worn-out spark plugs with ignition-engineered Auto Light spark plugs, you get smoother performance, quick starts, and gas savings.

246
00:12:43,920 --> 00:12:44,920
You've sold me, Harlow.

247
00:12:44,920 --> 00:12:52,920
Well, folks, see your friendly Auto Light spark plug dealer and have him replace worn-out spark plugs with world famous ignition-engineered Auto Light spark plugs.

248
00:12:52,920 --> 00:12:59,920
And whether you choose the resistor type or the standard type, you can be sure money can't buy better spark plugs.

249
00:12:59,920 --> 00:13:01,920
You're always right with Auto Light.

250
00:13:01,920 --> 00:13:14,920
And now Auto Light brings back to our Hollywood soundstage Miss Barbara Stanwyck in Elliot Lewis's production of The Wages of Sin, a tale well calculated to keep you in suspense.

251
00:13:14,920 --> 00:13:28,920
They don't think those next few months weren't great, Captain Salvador.

252
00:13:28,920 --> 00:13:33,920
They were the last days of Pompeii with Christmas and a Polish wedding thrown in.

253
00:13:33,920 --> 00:13:38,920
I picked up my checks regularly from Victor Sheridan and I spent them regularly on Ruby Miller.

254
00:13:38,920 --> 00:13:43,920
I never could understand why the two men you always had shadowing me didn't pick up Victor Sheridan.

255
00:13:43,920 --> 00:13:46,920
But why look a gift horse in the mouth?

256
00:13:46,920 --> 00:13:50,920
I was busy enough being the belle of the boulevard, the girl most likely to succeed.

257
00:13:50,920 --> 00:13:52,920
Clothes, all over the place.

258
00:13:52,920 --> 00:13:54,920
Money, any place that weren't clothes.

259
00:13:54,920 --> 00:13:58,920
Nightclubs, I was a bigger attraction than the chorus girl.

260
00:13:58,920 --> 00:14:02,920
Men, like flies in a sugar ball.

261
00:14:02,920 --> 00:14:05,920
And don't think I ever got tired of it.

262
00:14:05,920 --> 00:14:08,920
Why, I even got tapped by the 400.

263
00:14:08,920 --> 00:14:13,920
Of course, I was sort of a late starter, but so were Brokers Tip and the Yankees.

264
00:14:13,920 --> 00:14:18,920
Let's see, it was Douglas Elwood Tisdale who had the mink ranches.

265
00:14:18,920 --> 00:14:19,920
Clayton Dashiell who made governors.

266
00:14:19,920 --> 00:14:22,920
Hamilton Moore who was in shipping and polo.

267
00:14:22,920 --> 00:14:26,920
And Talber G. Cooper whose taste ran to women.

268
00:14:26,920 --> 00:14:31,920
Ruby, I've known girls from Bombay to Hunter.

269
00:14:31,920 --> 00:14:34,920
Well, don't tell me about them. I hear Kinsey's in town.

270
00:14:34,920 --> 00:14:38,920
No, no, what I was going to say was that you're the most exciting of them all.

271
00:14:38,920 --> 00:14:40,920
Oh, Coupe, squash head.

272
00:14:40,920 --> 00:14:44,920
I don't come from Bombay or Hunter, so I don't have to follow the rules.

273
00:14:44,920 --> 00:14:45,920
Go get yourself some new material.

274
00:14:45,920 --> 00:14:47,920
No, no, I mean it.

275
00:14:47,920 --> 00:14:50,920
If I were conning you, I'd do it in another place, not here.

276
00:14:50,920 --> 00:14:53,920
Oh, cut it off. I came here for laughs.

277
00:14:53,920 --> 00:14:57,920
Say, who are those two people over by the window?

278
00:14:57,920 --> 00:14:59,920
Don't you know, really?

279
00:14:59,920 --> 00:15:03,920
Look, stupid. Didn't you ever read anything but Noel Coward?

280
00:15:03,920 --> 00:15:05,920
If I knew who they were, I wouldn't have asked.

281
00:15:05,920 --> 00:15:08,920
Well, come on, I'll introduce you.

282
00:15:08,920 --> 00:15:11,920
The distinguished looking man lives on an inheritance,

283
00:15:11,920 --> 00:15:15,920
and the distinguished looking woman lives on, well, memories, I guess.

284
00:15:15,920 --> 00:15:17,920
Hello, Coupe. Nice to see you.

285
00:15:17,920 --> 00:15:18,920
Hello, Clint and Ray.

286
00:15:18,920 --> 00:15:21,920
May I present Miss Ruby Miller, Mr. Clinton Fisher.

287
00:15:21,920 --> 00:15:22,920
How do you do, Mr. Fisher?

288
00:15:22,920 --> 00:15:24,920
And Mrs. David Madlock.

289
00:15:24,920 --> 00:15:27,920
Talk about your drama.

290
00:15:27,920 --> 00:15:32,920
That moment could have run 36 straight weeks at the Barrymore Theater.

291
00:15:32,920 --> 00:15:35,920
As you know, Captain, it was my first performance

292
00:15:35,920 --> 00:15:40,920
at trying to carry on idle chit-chat with the widow of a man found dead in my apartment.

293
00:15:40,920 --> 00:15:45,920
Must have been her first, too, because she excused herself and walked quickly away.

294
00:15:45,920 --> 00:15:50,920
The guy who staged the scene, Cooper the Coward, also took a powder.

295
00:15:50,920 --> 00:15:54,920
By natural selection, I guess we're left alone, Miss Miller.

296
00:15:54,920 --> 00:15:57,920
What's she complaining about? I wasn't found dead in his apartment.

297
00:15:57,920 --> 00:16:01,920
Well, you couldn't exactly expect her to carry on tea-time conversation with you.

298
00:16:01,920 --> 00:16:03,920
Look, is she a friend of yours?

299
00:16:03,920 --> 00:16:04,920
I know her.

300
00:16:04,920 --> 00:16:07,920
Well, tell her the next husband she gets, keep him home.

301
00:16:07,920 --> 00:16:12,920
That means keeping him happy, if she isn't too chilled to find time.

302
00:16:12,920 --> 00:16:14,920
Now, if you'll excuse me, Mr. Fisher, I'll go have a drink.

303
00:16:14,920 --> 00:16:16,920
Allow me to join you, Miss Miller.

304
00:16:16,920 --> 00:16:17,920
Why?

305
00:16:17,920 --> 00:16:19,920
Frankly, I like you.

306
00:16:23,920 --> 00:16:29,920
If anybody tells you men over 50 don't have charm, put salt in their coffee.

307
00:16:29,920 --> 00:16:32,920
Clint Fisher was as charming as they made them.

308
00:16:32,920 --> 00:16:38,920
And the thought came to me that this was my chance to move from the phony money to the real stuff.

309
00:16:38,920 --> 00:16:42,920
And he was said to have more connections than the plumbing at the Waldorf.

310
00:16:42,920 --> 00:16:47,920
I intended someday to use them. And my chance came sooner than I thought.

311
00:16:47,920 --> 00:16:48,920
Yes, ma'am.

312
00:16:48,920 --> 00:16:51,920
Captain Doric Salvador wants to see me.

313
00:16:51,920 --> 00:16:53,920
You mean Lieutenant Salvador. He got a bust too.

314
00:16:53,920 --> 00:16:54,920
Good, he was too arrogant.

315
00:16:54,920 --> 00:16:56,920
Third door on the left, lady.

316
00:16:56,920 --> 00:17:02,920
Don't look so mad, Sergeant. Maybe if you work hard, you'll be busted too someday.

317
00:17:02,920 --> 00:17:04,920
Hello, Lieutenant.

318
00:17:04,920 --> 00:17:06,920
Yeah.

319
00:17:06,920 --> 00:17:07,920
Sit down.

320
00:17:07,920 --> 00:17:09,920
What did you do, kick the mayor's mother?

321
00:17:09,920 --> 00:17:14,920
No, the commissioner got a little mad because I didn't bring anybody in for David Madlock.

322
00:17:14,920 --> 00:17:17,920
What did you call me down here for, awake?

323
00:17:17,920 --> 00:17:19,920
The commissioner's dropping the case.

324
00:17:19,920 --> 00:17:20,920
What do you mean?

325
00:17:20,920 --> 00:17:24,920
He called us off. Madlock will be under him in the file. I'll be on another case.

326
00:17:24,920 --> 00:17:25,920
Yeah, but that means that I...

327
00:17:25,920 --> 00:17:28,920
Uh-huh. Starting tomorrow, where you go, you go alone.

328
00:17:28,920 --> 00:17:30,920
What is this, you're pulling off my protection?

329
00:17:30,920 --> 00:17:33,920
Ruby, we had those men on you to see if anybody made a move toward you, not for protection.

330
00:17:33,920 --> 00:17:34,920
I got a right to protection.

331
00:17:34,920 --> 00:17:37,920
You forfeited every right you had when you threw in them with the wrong people.

332
00:17:37,920 --> 00:17:41,920
In my opinion, Ruby, you sold your soul for a fur muff and a filet mignon.

333
00:17:41,920 --> 00:17:43,920
Don't talk to me like that, you lousy failure.

334
00:17:43,920 --> 00:17:47,920
Shut up! I played your game long enough, this is the end.

335
00:17:47,920 --> 00:17:50,920
You don't even know what I'm talking about. You'll never know.

336
00:17:50,920 --> 00:17:55,920
All dames like you got is your sex. You wouldn't know a good piece of music if you heard it.

337
00:17:55,920 --> 00:17:58,920
You've never read anything longer than a menu in your life.

338
00:17:58,920 --> 00:18:01,920
You couldn't tell me two intelligent things about the history of the people you came from

339
00:18:01,920 --> 00:18:04,920
or the name of the man who wrote the Declaration of Independence.

340
00:18:04,920 --> 00:18:10,920
All you got is a 75-word vocabulary and 112 pounds of flesh

341
00:18:10,920 --> 00:18:13,920
that could have been put to better use in unhandling.

342
00:18:13,920 --> 00:18:17,920
You listen to me, flathead. Where do you get off telling me how worthless I am?

343
00:18:17,920 --> 00:18:20,920
Just because I went out and made myself a few bucks the hard way?

344
00:18:20,920 --> 00:18:22,920
Well, I took nerve and I've got it.

345
00:18:22,920 --> 00:18:26,920
It didn't take any to sit behind that desk and get demoted from captain to lieutenant.

346
00:18:26,920 --> 00:18:30,920
You picked your way of life yourself and because everybody isn't like you, you can't stomach them.

347
00:18:30,920 --> 00:18:35,920
Your kind doesn't send your sons to college so they'll know a good piece of music when they hear it.

348
00:18:35,920 --> 00:18:37,920
You send them to learn how to make money.

349
00:18:37,920 --> 00:18:42,920
And you don't dress your daughters in the best clothes you can buy because they know who wrote the Constitution.

350
00:18:42,920 --> 00:18:44,920
You do it so they'll marry into money.

351
00:18:44,920 --> 00:18:49,920
You're cheaper on your level than I am on mine because you lie about what you really want and I don't.

352
00:18:49,920 --> 00:18:52,920
I'm honest. I say what I want right out and I get it.

353
00:18:54,920 --> 00:18:55,920
Are you through?

354
00:18:55,920 --> 00:18:59,920
No. Why did the commissioner call off the case?

355
00:18:59,920 --> 00:19:00,920
It was costing too much.

356
00:19:00,920 --> 00:19:04,920
I can smell a fix 20 miles off. You're going to set me up for a kill.

357
00:19:04,920 --> 00:19:08,920
I'm not setting you up for anything. They called me off the case. That's all I know.

358
00:19:08,920 --> 00:19:11,920
Yeah? Well, if the commissioner's been fixed, he can be unfixed.

359
00:19:11,920 --> 00:19:13,920
I know some pretty big people now.

360
00:19:13,920 --> 00:19:14,920
I hope they can help you.

361
00:19:14,920 --> 00:19:17,920
They will. They will. Don't worry. I'll have my protection back.

362
00:19:17,920 --> 00:19:20,920
And while I'm at it, I think I'll have you busted down to sergeant.

363
00:19:25,920 --> 00:19:28,920
And I couldn't wait to do it to you.

364
00:19:28,920 --> 00:19:32,920
Clint Fisher was my boy. By then I had him wrapped around my little finger.

365
00:19:32,920 --> 00:19:36,920
He knew the skeleton in everybody's closet and I was going to make him rattle a few.

366
00:19:36,920 --> 00:19:44,920
I pulled out all the stops and he had my hero printed all over him when he said he'd see what he could do.

367
00:19:44,920 --> 00:19:49,920
You cops who thought you had a corner on everything fracture me.

368
00:19:49,920 --> 00:19:53,920
I slipped on a negligee and cracked a bottle of champagne.

369
00:19:53,920 --> 00:19:58,920
While I waited for my team to go into action.

370
00:19:58,920 --> 00:19:59,920
Hello?

371
00:19:59,920 --> 00:20:00,920
Clint Fisher, Ruby.

372
00:20:00,920 --> 00:20:04,920
Oh, Clint, darling. Oh, it's so nice to hear your voice.

373
00:20:04,920 --> 00:20:07,920
It's nice to hear yours, Ruby. Are you all right?

374
00:20:07,920 --> 00:20:09,920
Oh, yes, of course. Don't worry about me.

375
00:20:09,920 --> 00:20:10,920
Well, Ruby...

376
00:20:10,920 --> 00:20:12,920
Everything's going to be fixed, Clint?

377
00:20:12,920 --> 00:20:15,920
Not exactly. That's why I called you.

378
00:20:15,920 --> 00:20:20,920
I've tried everybody in town and I hate to say this, but there's nothing I can do for you.

379
00:20:20,920 --> 00:20:22,920
Absolutely nothing.

380
00:20:22,920 --> 00:20:24,920
Clint, you don't mean that.

381
00:20:24,920 --> 00:20:27,920
I'm afraid, honey, you're on your own.

382
00:20:33,920 --> 00:20:35,920
Don't tell me about men.

383
00:20:35,920 --> 00:20:41,920
I know more ways they can be cheap and lying, two-faced and vicious than you can count in a year.

384
00:20:41,920 --> 00:20:44,920
But Clint Fisher wasn't the only man in the world who could fix things.

385
00:20:44,920 --> 00:20:48,920
So I tried the rest of them up and down the social register and through the moneymen and tycoons

386
00:20:48,920 --> 00:20:51,920
and every one of them chickened out, every one of them.

387
00:20:51,920 --> 00:20:55,920
No, Ruby. Sorry, Ruby. Try someone else, Ruby. That's all I got.

388
00:20:55,920 --> 00:20:58,920
Don't tell me about men.

389
00:20:58,920 --> 00:21:01,920
Then I began to get scared.

390
00:21:01,920 --> 00:21:05,920
Scared right down through the little veins.

391
00:21:05,920 --> 00:21:10,920
I locked the door in polar shades and told the desk to let no one visit me.

392
00:21:10,920 --> 00:21:14,920
And I sat there all night. I didn't bear sleep.

393
00:21:14,920 --> 00:21:18,920
And half the next day, I was scared.

394
00:21:18,920 --> 00:21:23,920
But then I remembered, I still had an ace to play.

395
00:21:25,920 --> 00:21:26,920
Sheridan.

396
00:21:26,920 --> 00:21:27,920
Yes, yes, Ruby.

397
00:21:27,920 --> 00:21:29,920
What's the matter with you?

398
00:21:29,920 --> 00:21:30,920
Nothing.

399
00:21:30,920 --> 00:21:33,920
I came to make a deal. A deal, do you hear me?

400
00:21:33,920 --> 00:21:34,920
Too late.

401
00:21:34,920 --> 00:21:38,920
I won't spill. I'll never say a word, not a single word to anyone. I'll even get out of town.

402
00:21:38,920 --> 00:21:39,920
I...

403
00:21:39,920 --> 00:21:41,920
What are you laughing about?

404
00:21:41,920 --> 00:21:43,920
You, trying to make a deal.

405
00:21:43,920 --> 00:21:47,920
I got the greatest deal in the world, the greatest. You never heard anything like this. Listen.

406
00:21:47,920 --> 00:21:50,920
I don't even know who the client is.

407
00:21:50,920 --> 00:21:53,920
I don't know. I never knew, never.

408
00:21:53,920 --> 00:21:55,920
All I know is some creep I never saw before.

409
00:21:55,920 --> 00:21:58,920
Gave me a couple of thousand bucks to use the apartment for a killing.

410
00:21:58,920 --> 00:22:03,920
I don't even know his name. He came and he was gone. That's all I know. Believe me.

411
00:22:03,920 --> 00:22:05,920
Sheridan!

412
00:22:07,920 --> 00:22:09,920
Shot me. Shot me in the stomach.

413
00:22:09,920 --> 00:22:10,920
Who?

414
00:22:10,920 --> 00:22:14,920
The client. He killed Madlock because he wanted Mrs. Madlock.

415
00:22:14,920 --> 00:22:17,920
She found out last night. Committed suicide.

416
00:22:17,920 --> 00:22:20,920
He went crazy, thought I told her.

417
00:22:20,920 --> 00:22:24,920
But after shooting, I said it was you.

418
00:22:24,920 --> 00:22:28,920
And you don't even know him?

419
00:22:28,920 --> 00:22:32,920
Who is the client, Sheridan? He'll kill me. I've got to tell the police.

420
00:22:32,920 --> 00:22:34,920
Tell me who is he.

421
00:22:34,920 --> 00:22:37,920
Oh, don't die, don't die. Tell me.

422
00:22:37,920 --> 00:22:40,920
I ran out of that office as fast as I could make it.

423
00:22:40,920 --> 00:22:42,920
I didn't know where to go, what to do.

424
00:22:42,920 --> 00:22:45,920
I couldn't end up like Sheridan. I couldn't, I couldn't.

425
00:22:45,920 --> 00:22:47,920
Then I decided to go to my apartment.

426
00:22:47,920 --> 00:22:49,920
Get my money and try to get out of town.

427
00:22:49,920 --> 00:22:51,920
I ran up the stairs, locked the door.

428
00:22:51,920 --> 00:22:54,920
I stood there trying to pull myself together.

429
00:22:54,920 --> 00:22:55,920
And I got an idea.

430
00:22:55,920 --> 00:22:56,920
Salvatore.

431
00:22:56,920 --> 00:22:59,920
Captain, listen to me. Listen carefully.

432
00:22:59,920 --> 00:23:00,920
Who is it?

433
00:23:00,920 --> 00:23:02,920
Ruby, Ruby Miller. Now listen to me.

434
00:23:02,920 --> 00:23:04,920
The client's after me.

435
00:23:04,920 --> 00:23:07,920
I know he is.

436
00:23:07,920 --> 00:23:08,920
The client?

437
00:23:08,920 --> 00:23:10,920
The man who killed David Matlock.

438
00:23:10,920 --> 00:23:11,920
It's just the way you said.

439
00:23:11,920 --> 00:23:13,920
I take everything back I ever said to you.

440
00:23:13,920 --> 00:23:15,920
I'm sorry, really, truly sorry.

441
00:23:15,920 --> 00:23:16,920
I suppose you want protection.

442
00:23:16,920 --> 00:23:17,920
Oh yes, yes, please send somebody.

443
00:23:17,920 --> 00:23:19,920
Come yourself, take care of me.

444
00:23:19,920 --> 00:23:21,920
I'm in my apartment and I'm afraid to leave it.

445
00:23:21,920 --> 00:23:24,920
Ruby, you're a great girl for deals.

446
00:23:24,920 --> 00:23:26,920
We had two men following you and three men following Sheridan.

447
00:23:26,920 --> 00:23:28,920
We didn't find out a thing.

448
00:23:28,920 --> 00:23:30,920
Tell me who this client is. We'll go out and pick him up.

449
00:23:30,920 --> 00:23:32,920
Oh, that's just it. I don't know.

450
00:23:32,920 --> 00:23:35,920
I don't know. I really don't. It was all a bump.

451
00:23:35,920 --> 00:23:38,920
They thought I knew, but I didn't. I don't know a thing.

452
00:23:38,920 --> 00:23:40,920
I played it for what I could get and it worked.

453
00:23:40,920 --> 00:23:42,920
Now you don't expect me to believe that.

454
00:23:42,920 --> 00:23:43,920
You've got to believe it. You've got to.

455
00:23:43,920 --> 00:23:45,920
I don't know who he is or where he's coming from,

456
00:23:45,920 --> 00:23:48,920
but I know I'll be killed.

457
00:23:48,920 --> 00:23:49,920
You're lying, Ruby.

458
00:23:49,920 --> 00:23:50,920
When you're ready, tell me the truth.

459
00:23:50,920 --> 00:23:52,920
I'll give you what you want. Goodbye.

460
00:23:52,920 --> 00:24:02,920
Don't hang up. Don't please. I'll be killed.

461
00:24:02,920 --> 00:24:05,920
I tried to get you back, but they said you'd left the office.

462
00:24:05,920 --> 00:24:07,920
I wanted to tell you about Dick Sheridan's death.

463
00:24:07,920 --> 00:24:09,920
That would have been proof.

464
00:24:09,920 --> 00:24:12,920
That's why I'm writing you this letter. You'll have to believe it.

465
00:24:12,920 --> 00:24:14,920
I'm packed and I'm leaving town

466
00:24:14,920 --> 00:24:16,920
and I don't ever want to come back.

467
00:24:16,920 --> 00:24:19,920
I'm nailing it from the airport.

468
00:24:19,920 --> 00:24:21,920
So long, Dork.

469
00:24:21,920 --> 00:24:32,920
I hope you have better luck finding the client than I did.

470
00:24:32,920 --> 00:24:33,920
Hello?

471
00:24:33,920 --> 00:24:34,920
Are you all right? This is Salvadori.

472
00:24:34,920 --> 00:24:35,920
Oh, yes.

473
00:24:35,920 --> 00:24:36,920
We just found Dick Sheridan.

474
00:24:36,920 --> 00:24:37,920
I'm sorry, Ruby.

475
00:24:37,920 --> 00:24:40,920
Sometimes my personal opinion of people gets in the way of my badge.

476
00:24:40,920 --> 00:24:41,920
We'll be over there in a couple of minutes.

477
00:24:41,920 --> 00:24:44,920
Oh, thank you. Thank you.

478
00:24:44,920 --> 00:24:47,920
Oh. Oh.

479
00:24:47,920 --> 00:24:49,920
Who?

480
00:24:49,920 --> 00:24:51,920
Who is it?

481
00:24:51,920 --> 00:24:52,920
Clint Fisher. Let me in.

482
00:24:52,920 --> 00:24:55,920
Oh. Oh, Clint.

483
00:24:55,920 --> 00:24:57,920
Oh, Clint, I'm so glad you came.

484
00:24:57,920 --> 00:25:00,920
Nobody cared. Nobody would do anything.

485
00:25:00,920 --> 00:25:02,920
Now, Ruby, you'll be all right.

486
00:25:02,920 --> 00:25:06,920
Somebody's after me. Clint, they'll get me. They will. They...

487
00:25:06,920 --> 00:25:09,920
Clint, what...

488
00:25:09,920 --> 00:25:11,920
What's that gun for?

489
00:25:11,920 --> 00:25:12,920
For you, baby.

490
00:25:12,920 --> 00:25:16,920
Oh, Clint, don't. Don't do anything.

491
00:25:16,920 --> 00:25:17,920
I'll scream.

492
00:25:17,920 --> 00:25:20,920
That won't help. You can't outrun a bullet.

493
00:25:20,920 --> 00:25:21,920
You've had a free ride on me.

494
00:25:21,920 --> 00:25:25,920
I was perfectly willing to give you money when it meant something to avoid trouble.

495
00:25:25,920 --> 00:25:27,920
But now you're going to pay it all back.

496
00:25:27,920 --> 00:25:29,920
I'll do anything. Anything in the world.

497
00:25:29,920 --> 00:25:32,920
Don't close your eyes because it's going to hurt.

498
00:25:32,920 --> 00:25:34,920
They'll get you, Clint. The police will get you.

499
00:25:34,920 --> 00:25:36,920
I know, but I'll get it quick. You'll get it the hard way.

500
00:25:36,920 --> 00:25:38,920
Oh, Clint, please. Don't.

501
00:25:38,920 --> 00:25:42,920
Oh.

502
00:25:42,920 --> 00:25:47,920
Hold... hold me. Hold me up.

503
00:25:47,920 --> 00:25:49,920
How does it feel, Ruby?

504
00:25:49,920 --> 00:25:52,920
That's what you get for telling Mary Medlock I killed her husband.

505
00:25:52,920 --> 00:25:54,920
Mary was the one thing I wanted.

506
00:25:54,920 --> 00:25:57,920
I killed together, made it as sordid as possible.

507
00:25:57,920 --> 00:26:00,920
Girl's apartment and all so she'd forget even his memory.

508
00:26:00,920 --> 00:26:04,920
And after all the dough I paid, you had to tell her.

509
00:26:04,920 --> 00:26:09,920
I... I didn't tell her.

510
00:26:09,920 --> 00:26:13,920
I didn't even know who...

511
00:26:18,920 --> 00:26:19,920
All right, you stand where you are.

512
00:26:19,920 --> 00:26:20,920
With your hands in the air.

513
00:26:20,920 --> 00:26:22,920
Come and get me.

514
00:26:29,920 --> 00:26:31,920
Hey, will you look at that?

515
00:26:31,920 --> 00:26:35,920
They're lying on the same spot where Medlock was killed.

516
00:26:35,920 --> 00:26:39,920
Yeah, the wages of sin.

517
00:26:55,920 --> 00:26:58,920
Suspense presented by Auto Light.

518
00:26:58,920 --> 00:27:01,920
Tonight's star, Miss Barbara Stanwyck.

519
00:27:01,920 --> 00:27:04,920
The north wind doth blow and we shall have snow

520
00:27:04,920 --> 00:27:06,920
and then what will old Wilcox do?

521
00:27:06,920 --> 00:27:10,920
He'll sit in his car and drive near and far in winter-long comfort.

522
00:27:10,920 --> 00:27:11,920
Will you?

523
00:27:11,920 --> 00:27:13,920
Well, you will if you have your car tuned up and winterized

524
00:27:13,920 --> 00:27:16,920
by your neighborhood Auto Light spark plug dealer.

525
00:27:16,920 --> 00:27:19,920
And remember, Auto Light makes more than 400 products

526
00:27:19,920 --> 00:27:22,920
for cars, trucks, planes, and boats in 28 plants coast to coast.

527
00:27:22,920 --> 00:27:26,920
These include complete electrical systems used as original equipment

528
00:27:26,920 --> 00:27:28,920
on many of America's finest cars.

529
00:27:28,920 --> 00:27:32,920
Generators, coils, distributors, voltage regulators, wire and cable,

530
00:27:32,920 --> 00:27:34,920
starting motors, and electric windshield wipers.

531
00:27:34,920 --> 00:27:38,920
All engineered to work together perfectly as part of the Auto Light team.

532
00:27:38,920 --> 00:27:41,920
All engineered to give you unexcelled Auto Light service.

533
00:27:41,920 --> 00:27:44,920
Don't accept electrical parts supposed to be as good.

534
00:27:44,920 --> 00:27:47,920
Ask for and insist on Auto Light original factory parts

535
00:27:47,920 --> 00:27:51,920
at your neighborhood service station, car dealer, garage, or repair shop.

536
00:27:51,920 --> 00:27:54,920
Remember, you're always right with Auto Light.

537
00:27:54,920 --> 00:27:59,920
Next week on Suspense, Mr. Richard Widmark, a star of Too Hot to Live.

538
00:27:59,920 --> 00:28:02,920
And in weeks to come, you will hear such famous stars as Herbert Marshall

539
00:28:02,920 --> 00:28:07,920
and William Holden appearing in tales well calculated to keep you in...

540
00:28:07,920 --> 00:28:09,920
Suspense!

541
00:28:11,920 --> 00:28:13,920
Tonight's Suspense play was produced and directed by Elliot Lewis

542
00:28:13,920 --> 00:28:17,920
with music composed by Lucian Moraweck and conducted by Lud Bluskin.

543
00:28:17,920 --> 00:28:21,920
The Wages of Sin was written for Suspense by E. Jack Newman and John Michael Hayes.

544
00:28:21,920 --> 00:28:25,920
Ms. Stanwyck may currently be seen in the MGM picture to please a lady.

545
00:28:25,920 --> 00:28:31,920
And remember next week on Suspense, Mr. Richard Widmark in Too Hot to Live.

546
00:28:35,920 --> 00:28:38,920
You can buy world famous Auto Light resistor or standard spark plugs,

547
00:28:38,920 --> 00:28:41,920
Auto Light staple batteries, Auto Light electrical parts

548
00:28:41,920 --> 00:28:43,920
at your neighborhood Auto Light dealers.

549
00:28:43,920 --> 00:28:46,920
Switch to Auto Light. Good night.

550
00:28:46,920 --> 00:28:51,920
Motorists, be prepared to stop in time to save a child's life.

551
00:28:51,920 --> 00:28:55,920
When driving through school zones, watch out for youngsters at play.

552
00:28:55,920 --> 00:29:00,920
Save a life by expecting the unexpected from children.

553
00:29:00,920 --> 00:29:21,920
This is CBS, the Columbia Broadcasting System.

