WEBVTT

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Auto Light and its 96,000 dealers present Suspense.

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Tonight, Auto Light brings you Rave Notice, a suspense play starring Mr. Milton Berle.

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Ring out, you hymn of hate, ring out.

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Send word that all who listen...

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No, no, no, no, no.

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Now what?

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You're supposed to be an actor, not a foghorn.

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Yes, sir.

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By what standards do you consider yourself to be an actor?

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You're persecuting me.

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I persecute nobody.

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A man cannot play a role, he's replaced.

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Replaced?

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There goes that persecution talk again.

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Replace me and I'll kill you.

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Witnesses, he's threatening me.

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Then don't talk of replacement.

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I'm not kidding, Norman.

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Replace me and I'll kill you.

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In just a moment, Mr. Milton Berle in the first act of Rave Notice.

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Willcocks, Arshay Willcocks.

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I hear you're a campaign manager.

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You bet, Senator, and my candidate's a cinch to win.

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What's his name?

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You're kidding, aren't you, Senator?

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He's the famous Auto Light staple battery.

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My candidate is so well known that every valiant voter flaunts his valor and veracity.

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What's his platform?

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Why, the famous Auto Light staple battery needs water only three times a year in normal

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car use, Senator.

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And he's running on a platform to give longer life.

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70% longer life, in fact, as proved by tests conducted according to the Society of Automotive

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Engineers minimum life cycle standards.

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And that's really an endorsement.

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Is your candidate prepared for a long cycle in office, Willcocks?

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He sure is, Senator, because every positive plate of the Auto Light staple battery is

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protected with a fiberglass retaining mat to help reduce flaking and shedding.

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So friends, join the crowd voting for the Auto Light staple battery, the battery that

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needs water only three times a year in normal car use.

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See your neighborhood Auto Light battery dealer.

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Remember, you're always right with Auto Light.

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And now with Rave Notice and the performance of Mr. Milton Berle, Auto Light hopes once

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again to keep you in suspense.

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Look when I'm walking across Times Square like this, I'm just an ordinary man, plain,

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unnoticeable.

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I watch the crowd, you wouldn't even notice me.

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It's as though I were invisible.

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Yeah, like that, invisible.

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But wait, come here.

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Come with me through this door, through here and into the darkness.

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Now I breathe deeply of the thick dark air and I become taller.

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My eyes drink in the gloomy shadows, become lustrous, birdlike, noble.

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Here in this temple of the passions, I throw off my cloak of invisibility and I reveal

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myself, my true self.

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For this is the theater and I, I am an actor.

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Down there beyond the empty seats lit by the single bare bulb are my fellow actors and we're

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all here to make a play.

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Friend Norman, seated alone in the third row, is our director.

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This is the fifth day of the rehearsal.

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Still rather rough, stiffish and so forth, but it's not a bad little play.

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And you know Norman.

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Norman will manage somehow to spoil it.

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Norman will misdirect actors and lose values and I've known Norman for years.

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From the group theater, we were in the group together.

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Oh no, no, no, no, no.

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But Norman, why not?

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Because I'm the director and I say no, no.

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Very well.

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Try again.

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I wish somebody would tell me what it's all about.

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Life, I mean.

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I wish somebody would give me the word.

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Adequate.

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Thank you.

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Uh, Norman.

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Oh, oh hello there.

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How are we coming?

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I, uh, come over here.

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I, I want to talk to you.

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Sure.

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Norman, sure.

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What is it?

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This is, uh, well believe me, Sam, the most difficult thing I've ever had to say.

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Speak out, Norman.

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You know me.

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Well, I, I've had the turnover, the bell ringer to Luther.

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The bell ringer?

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What do you mean?

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Norman, that's my part, the bell ringer.

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What do you mean to Luther?

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Don't make it difficult for me, Sam.

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Difficult?

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I'm not making it difficult.

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Not at all.

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The bell ringer role is mine.

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Norman, that's all.

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There's no difficulty involved.

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Please.

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You joke.

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No.

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It's not as if I hadn't warned you.

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Tell me what's wrong.

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Tell me where I've stepped off.

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What irritates you?

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What doesn't fit?

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I'll fix it.

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I'll fix it.

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That's my role, Norman.

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I carry the whole cast with that role.

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Don't shout, Sam.

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You're making a fool of yourself.

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A fool?

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Norman, why are you doing this to me?

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Because you're not right for it.

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Not right?

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Yes.

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Wait.

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You fat pig, what do you know?

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Now, easy.

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What do you know?

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What do you know about acting?

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Easy there.

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Easy, I say.

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Fat.

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Fat belly, fat head, fat face.

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That's enough.

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You know nothing.

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I know you.

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I know actors.

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You're no actor.

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You stink.

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I'll kill you for saying that.

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I'll kill you.

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What is this?

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He's threatening me again.

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Yes.

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Listen good, Norman.

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I'm going to kill you.

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I'm going to kill you.

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You see, you can't even deliver that line.

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You stink.

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Yes, sir?

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I want to buy a gun.

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Yes, sir.

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What sort of a gun did you wish to buy?

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One that will shoot through fat.

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Yes, sir.

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Pardon me.

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I was thinking.

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What have you got?

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Why?

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Guns, pistols, rifles, shotguns.

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I don't know exactly.

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What was it you wished to use the gun for?

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I want to kill a rat.

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A.22 would be about your best bet.

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Here's a nice little lighter.

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Looks pretty small.

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This is an awfully big rat.

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Fat rat.

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I think a shotgun, a.410.

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You think that'll do it?

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Oh, Mr. That gun will, I guarantee.

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I use a gun like that myself.

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Single barrel, light, handy, truly beautiful weapon.

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Bullets.

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You got bullets?

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Or shells.

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Shells are used in this weapon.

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Now, there are all kinds depending on what weight shot you want to use.

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You choose it.

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I want one.

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One box?

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No.

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One bullet.

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One?

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Yeah.

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This rat, I'm not going to miss.

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It's time now.

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He'll come out of that far door of the entrance and he'll walk this way because he's going

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to go into Sardis for a drink.

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I slide it out from under my coat and I smile and I say, goodbye Norman.

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Pull the trigger.

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Heart or belly?

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Heart or belly?

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Belly, yes.

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In the belly is cultivated paunch, fatted with actor's hearts.

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Yes, belly.

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Am I invisible now?

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I mustn't be noticed until the moment.

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Perhaps standing a little too tall.

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Sag.

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Perfect.

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The actor plays himself as a non-actor.

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You should see this, Norman.

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Now.

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Goodbye, Norman.

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Sam.

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I'm shot.

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I'm shot.

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It hurts.

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Norman, you're dying.

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You're going to go to hell in a minute, Norman.

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I'm shot.

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Somebody call an ambulance.

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It won't do you any good, Norman.

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You're dying.

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You'll be dead before it gets you.

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Oh, it hurts.

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Is this how you play a death scene?

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Norman, you're dying.

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Play it.

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Please.

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Somebody call an ambulance for me.

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Don't let me lie here.

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Oh.

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Oh.

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If an actor played a death scene for you as badly as you're playing your own, Norman,

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do you know what you'd do?

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Ambulance.

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Help.

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Please.

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Ambulance.

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There's a shotgun he did it.

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Right in the middle of 45th Street.

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Oh.

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We brought him in an hour ago.

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Give you any trouble?

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Like a lamb.

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Hello.

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I thought you'd like to know.

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That guy, he's still kicking.

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Alive?

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He's alive?

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Yep.

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So you're not a murderer.

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Not yet.

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I brought your lawyer.

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What's that?

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I'm your lawyer.

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How do you do?

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Sit down, won't you?

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Thank you.

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They say he's still not dead.

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No, but he's sinking.

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How much longer?

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They didn't say.

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When he dies, I become an actor.

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Oh.

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Oh.

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Oh.

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Oh.

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Oh.

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When he dies, I become a murderer.

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Yes.

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They'll electrocute me.

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Yes?

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Must have been crazy.

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I thought of that.

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What do you mean?

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Temporary insanity.

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I thought we might plead death.

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Oh, why don't we?

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Because you threatened him before witnesses, at least twice.

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Went to a store, chose a gun with great care, waited for him to appear.

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You did all this and then you shot him.

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That's right, I did.

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That's premeditated murder, first degree murder.

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So the temporary insanity is a murder?

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Yes.

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Oh.

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Oh.

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Oh.

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Oh.

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Oh.

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Oh.

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Oh.

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Oh.

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Oh.

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Oh.

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Oh.

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Oh.

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I mean, the temporary insanity thing is out.

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Way out.

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The only other thing I can think of is we could prove you were insane all along.

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Me?

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Insane?

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Of course not.

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I should say not.

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What?

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What would happen, I mean, if I were?

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Oh, they'd get the psychiatrist in, examine you, send you off to be cured.

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Yeah?

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You seem very calm.

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I'm an actor.

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I'm an actor.

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I'm an actor.

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I'm an actor.

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He's gone and I sit here seeming very calm.

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From time to time the god passes, looks at me curiously.

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I know what's on his mind.

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He's saying this, it's a cold-blooded murderer.

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I know.

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All my life I've studied the human beings,

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memorized their gestures, tones, expressions, inflections, emotions.

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I've learned to probe every moment of my own experience from early childhood,

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searched out my every reaction, emotion,

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learned to feel the parallel emotions of others.

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The Stanislavski method of acting.

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I have it. Know it.

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Of course, if we could prove you were insane all along.

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But I'm not.

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The insane man moves without motive and I had a motive.

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I know you. I know actors. You're no actor.

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Oh, I could do it again.

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No actor, no actor, no actor.

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I could do it again.

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Insane, crazy, nuts.

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I know a joke.

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I know a joke, a wonderful joke.

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I'm going to beat Norman even in his grave.

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I'm going to have myself exonerated of his murder.

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Yes, freed of the charges.

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It's so simple. I can hear it.

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Not guilty by reason of insanity.

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I'm going to play the greatest role of my life.

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Play it without makeup, without lights, without anything.

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Without lights, without script or cue.

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I'm going to play a part strangely foreign to my nature.

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I'm going to play a homicidal maniac.

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Auto Light is bringing you Mr. Milton Berle in rave notice.

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A production in radio's outstanding theater thrills, Suspense.

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Wilcox, what's this?

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A campaign slogan for your candidate?

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Right, oh, Senator.

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The Auto Light's day full battery is the battery that needs water only three times a year in normal car use.

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That's my candidate's simple, sound and superior slogan.

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Seems pretty dry to me, Wilcox.

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Why am I droll dignitary? Let me tell you about my candidate's characteristics.

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He has fiberglass retaining mats protecting every positive plate to help reduce flaking and shedding.

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And Senator, everybody votes for Auto Light's day full batteries because you can't buy a better battery for your car.

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What's the opposition, Wilcox?

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No opposition.

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Senator, why would a 70% longer life as proved by tests conducted according to SAE minimum life cycle standards

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who would even think of opposing an Auto Light's day full battery?

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He's in, Wilcox. What did you say he was running for?

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For the wonderful dealers from coast to coast who sell Auto Light's day full batteries to the masterminded motorists

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who drive their cars to perfection with Auto Light's day full batteries.

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The battery that needs water only three times a year in normal car use.

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Better see your Auto Light dealer and get an Auto Light battery at once, Senator.

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Good idea, Wilcox.

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And remember, Senator, you're always right with Auto Light.

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And now Auto Light brings back to our Hollywood soundstage Mr. Milton Berle

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in Elliot Lewis's production of Rave Notice, a tale well calculated to keep you in suspense.

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I'm going to play a homicidal maniac.

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How? How? How?

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What is the most terrible thing I ever did?

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The thing closest to murder.

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Must recreate that move. Murder. Killing. Blood.

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I killed a cat once. Yeah. Yeah.

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I was six years old. I didn't mean to kill it, but I had this stick.

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It was in an alley, this cat, and I poked it just for laughs.

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He didn't run. That's all I wanted to do was just to make him run.

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Oh, he scratched me and I hit him.

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I hit him across the back with the stick and he started this howling and squalling and oh, I thought,

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oh, I thought I'm going to get into trouble. Stop that noise.

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Stop that noise. I hit him again to make him stop and again to make him stop and again.

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And there was blood. Red blood on the gray cement and struck and struck and struck out the screams.

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Struck out the life. Struck out the awful gaze of those great yellow eyes.

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Struck out the life. Struck out the spirit and the spark.

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I kill. A murderer I am. I kill for the thrill of silence of the cat.

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I am a murderer. A murderer I am. I kill without reason.

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That's it. That's it. That's it. That's the character.

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All I need for turning it on is the memory. Those key points.

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Gray cement, cat's eyes, my feelings as a six year old. Oh, there will be refinements. I'll refine it.

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Oh, Norman, if you were only here to see this scene.

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If you were only here. Dim the house lights. Raise the curtain.

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Now to get my audience in.

15:56.720 --> 16:06.720
What's that? Sounds like the shotgun guy. He's laughing. We better go see what's up.

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Hey. Hey. Hey, you.

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Who? Who may I ask? Are you? What? Who are you? Who are you? Who are you?

16:22.720 --> 16:27.720
What? Who are you? Who are you? Who are you? Oh, come on now, Mac. Calm down.

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I asked a civil question and I expect a civil answer. Who are you? Who are you? Who are you?

16:31.720 --> 16:34.720
He was so nice and quiet for a while there. Yeah. Hey.

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Just answer my question. That's all I ask and that's not much reward for a hero to be asking now, is it?

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Don't you know who we are? I think he's putting on an act.

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Don't turn your head away. We know you hear us. Not. Leave him be.

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You think he's kidding? What does it matter?

16:52.720 --> 16:59.720
Oh, that was lousy. You can do better than that, Sam. You're supposed to be a murderer.

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A homicidal maniac. So what's the emotion? Guilt. Guilt. You've got to be guilty. Guilty, guilty, guilty.

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Smear yourself with the stuff. Guilty. Bloody hands. That's you. Guilty and you want to be punished.

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Yeah, punished. Punish yourself. That'll do it. But it'll hurt. So what? So what?

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Not like it hurts when they shave your head and slit your trousers and strap you to your seat.

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Oh, that seat. Ten thousand volts coursing through this poor player's frail body with which I am cursed.

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Murderer. Guilty. Guilty. Should be punished. Should be punished.

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One, two, three. Curtain going up. Guilty. Guilty. There's blood on my hands.

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There he goes again. You go. Ah, what a job. I smashed him on the grease and smashed him. Murder, murder.

17:53.720 --> 17:59.720
I murdered him. I am a murderer. I am a murderer and I confess it. I confess I'm a murderer.

17:59.720 --> 18:05.720
Hey, hey. I want to confess it. You don't have to do that. To confess to purge myself of this guilt.

18:05.720 --> 18:10.720
But you did all that when you first come in here. I am a murderer. I am guilty here. I smashed him. I smashed him.

18:10.720 --> 18:13.720
What are you getting yourself so worked up about? That guy isn't even dead yet.

18:13.720 --> 18:20.720
Not dead. He is dead. He's been dead these past 36 years. 36 years. Oh, oh, if you won't punish me, I...

18:20.720 --> 18:26.720
Hey, hey, what are you doing? Hey, hey. I am guilty and I shall be smashed as he was smashed.

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Your hands. You're going to bust your head in that wall. I shall be smashed. It is written.

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You know the writing in the blood that lies across the counter pain in the bed under the pillow when little boys are supposed to be far away and slumber...

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Jones, get the doctor.

18:43.720 --> 18:48.720
Good God, he's getting attacked. My hand, my hand is killing me.

18:48.720 --> 18:55.720
It seems that something broke. I don't mind the bloody scraped knuckles or even breaking the nails, but not the bones.

18:55.720 --> 19:03.720
I want to be sure I can use this, Jonesy, when I get out of here. When? If I ever get out of here.

19:03.720 --> 19:12.720
Two cats dead, murdered by my stick. Four cats dead, murdered by my stick. Six cats dead.

19:12.720 --> 19:22.720
Right here, Doc. I'll open the cell if you want to go in. Of course I do.

19:22.720 --> 19:28.720
How long has he been doing this? About 15 minutes, Doctor, since just before I sent Schulze after you.

19:28.720 --> 19:32.720
I see. All right now. You can stop that.

19:32.720 --> 19:38.720
I don't stop. I don't stop. I don't look. I keep right out of it. I keep in the pot. Murder and guilty.

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It hurts, but if I keep at it, if I keep at it, I'm paying a price. I am paying my way out of being electrocuted.

19:45.720 --> 19:49.720
I'm going to be freed. I can only keep it up. Keep it up.

19:49.720 --> 19:54.720
You want to do yourself real good this way, man? Now, put it out. All right, grab it.

19:54.720 --> 20:01.720
I keep it. Leave me. Leave me alone. I want to pay. I am the guilty one and I want to pay the sentence to the court.

20:01.720 --> 20:08.720
Hold him in. Come on. Let me go. Let me go. I must pay. I must pay. I must pay.

20:08.720 --> 20:10.720
Now, now, now, steady, steady, man.

20:10.720 --> 20:18.720
The timing needle. He's pressing the syringe. It'll knock me out. I can't act. I'm unconscious.

20:18.720 --> 20:38.720
I can't play the part. I'm guilty. I can't. I can't. I can't.

20:38.720 --> 20:49.720
So quiet here. So white. Such sweet stillness and peace. Gone the darkness of the steel and concrete and the cell, this white ceiling.

20:49.720 --> 20:59.720
Well, they're watching me very carefully. The taller one. He's new. The other gave me the hypodermic. Yes.

20:59.720 --> 21:09.720
I have hypodermic. I wonder if I've been out. Did I say anything while I was out? Perhaps if I keep still, they'll let me know.

21:09.720 --> 21:13.720
I must have been wrong. Are you awake?

21:13.720 --> 21:15.720
You say he showed definite suicidal tendencies?

21:15.720 --> 21:25.720
Suicidal immediate are simply self destructive. While he was unconscious, I listened to him. He spoke. He seemed under the delusion that he is invisible.

21:25.720 --> 21:27.720
Invisible? That's a new one.

21:27.720 --> 21:32.720
Now, let me look. He's opening his eyes. Hello. Are you awake?

21:32.720 --> 21:37.720
Who are you? You remember me, don't you? No.

21:37.720 --> 21:41.720
Well, I did something to quiet you a little while ago. A little while ago?

21:41.720 --> 21:47.720
You're trying to injure yourself that we think you're insane. You've decided to give that up, haven't you?

21:47.720 --> 21:51.720
If you only let me go, let me out of here. I have to carry out sentence, you know.

21:51.720 --> 21:58.720
How will you carry out sentence? He smashed. I have to be smashed as I have smashed the cat. Is that the law? An eye for an eye.

21:58.720 --> 22:01.720
And a tooth for a tooth. Do you believe in that?

22:01.720 --> 22:08.720
If you believe in the eye for eye law, don't you feel it's right that you receive the same thing you gave your victim?

22:08.720 --> 22:11.720
Yes. I smashed him with a stick in the eyes that stared at me.

22:11.720 --> 22:16.720
Stick? You mean shotgun, don't you? Why would I say shotgun if I meant stick? I said stick.

22:16.720 --> 22:19.720
But you shot the man with a shotgun. You're out of your mind.

22:19.720 --> 22:25.720
After you smashed him with a stick, what happened? What? What? What came after he was dead?

22:25.720 --> 22:32.720
Oh, I was frightened. I went home. Mama was there. She said, how did you get blood on your hands?

22:32.720 --> 22:35.720
And I said a dog licked my hand and he had blood on his teeth.

22:35.720 --> 22:41.720
I understand you're an actor. We are all actors. We try to act innocent when we are guilty.

22:41.720 --> 22:49.720
Doctor, come outside a moment, will you?

22:49.720 --> 22:55.720
I've got them. I've got them. Just keep playing it cold and clear.

22:55.720 --> 23:00.720
What are they talking about out there? Oh, I wish I knew. Doesn't matter.

23:00.720 --> 23:06.720
I have them. I know that. I've got them. I've got them.

23:06.720 --> 23:09.720
Well, I guess you'll be leaving us soon.

23:09.720 --> 23:15.720
That's what I asked for. Thank you. Thank you. You're understanding, doctor.

23:15.720 --> 23:18.720
I am guilty and I must carry out sentence. You know that.

23:18.720 --> 23:23.720
What the doctor means is that you're going to a place where they'll help you to get well.

23:23.720 --> 23:27.720
Get well? But I am well. I'm just guilty, that's all.

23:27.720 --> 23:33.720
Of course. If you let me, after David's drawn up outside, and you get a court order committee...

23:33.720 --> 23:34.720
Right.

23:34.720 --> 23:40.720
It means you were right all along. You know, I always be thrilled until you told me about the man who was shot...

23:40.720 --> 23:41.720
...out his recovery.

23:41.720 --> 23:46.720
Oh, yes. The guards told us the man hid recovered, but he didn't comprehend it to us.

23:46.720 --> 23:49.720
He went right on screaming and punishing me.

23:49.720 --> 23:54.720
See. Well, let's go. What would they have given him were he tamed?

23:54.720 --> 23:59.720
Well, that depends. The injured party refused to press charges. He'd be out of here in an hour.

23:59.720 --> 24:04.720
Amen.

24:04.720 --> 24:09.720
Recovered? Recovered. They didn't tell me he'd recovered.

24:09.720 --> 24:13.720
How could he have recovered? I shot him. I shot him in his fat paunch in his belly.

24:13.720 --> 24:18.720
When did they tell me? It was while I was screaming, maybe.

24:18.720 --> 24:23.720
I was really into the part then, deep in it. Couldn't have heard them. Couldn't have heard.

24:23.720 --> 24:29.720
And now... now he will walk out of here, and I will go off to an insane asylum...

24:29.720 --> 24:32.720
...married to a role that I loathe, that I hate.

24:32.720 --> 24:38.720
No. No. Doctor, come back here. Come back here. Please. It was all a joke.

24:38.720 --> 24:40.720
Doctor, come back. Come back.

24:40.720 --> 24:41.720
What is it?

24:41.720 --> 24:48.720
Listen, doctor. Listen. I have a confession to make, doctor. I'm not insane. Please believe me. Please believe me.

24:48.720 --> 24:53.720
Question now. Just a little confused, that's all. Yes. Yeah. Why, not even confused, don't you see?

24:53.720 --> 24:55.720
It was all a gag. It was just a gag.

24:55.720 --> 25:00.720
Of course it was. Now you're going to a place where you can rest, and everything's going to be all right.

25:00.720 --> 25:03.720
Oh, no. Believe me. Believe me, I am sane.

25:03.720 --> 25:04.720
Why shout?

25:04.720 --> 25:06.720
I'm not shouting. I only want to impress upon you.

25:06.720 --> 25:09.720
But you were shouting rather loudly.

25:09.720 --> 25:15.720
Oh, look. I shot him, and my lawyer said if I could prove insanity, I wouldn't go to the chair.

25:15.720 --> 25:19.720
Chair? I thought you were to be, you said, mesh.

25:19.720 --> 25:21.720
Forget that. That was part of the method.

25:21.720 --> 25:22.720
Method?

25:22.720 --> 25:25.720
You know, the Stanislavski method. It's the system of acting.

25:25.720 --> 25:26.720
What do you think, doctor?

25:26.720 --> 25:28.720
I don't know.

25:28.720 --> 25:30.720
You think so?

25:30.720 --> 25:34.720
I can fool you all over again if you feel it's necessary to prove my point.

25:34.720 --> 25:37.720
No, I don't believe you'll be able to fool me again.

25:37.720 --> 25:38.720
Well, doctor?

25:38.720 --> 25:48.720
Sane. I say sane. I say the man is in full control of his faculties, is aware of his crimes, committed it out of what society calls sober motive.

25:48.720 --> 25:50.720
And you, sir? Do you agree with the doctor?

25:50.720 --> 25:52.720
It's what I've been telling you.

25:52.720 --> 25:55.720
And I say sane. That makes it unanimous.

25:55.720 --> 26:01.720
Oh, glad that's over. Wow. What a performance.

26:01.720 --> 26:07.720
Gentlemen, never in the history of the theater has such a performance been rendered, nor under such adverse conditions.

26:07.720 --> 26:08.720
Just one more question.

26:08.720 --> 26:11.720
Shoot, shoot. Why did you kill him?

26:11.720 --> 26:15.720
Kill him? But I didn't. I shot him, that's all.

26:15.720 --> 26:18.720
Shot. You mean shot, don't you?

26:18.720 --> 26:20.720
Well, don't you?

26:20.720 --> 26:21.720
No.

26:21.720 --> 26:25.720
He... Norman is dead?

26:25.720 --> 26:30.720
You were sane. You're going to repay society with your life.

26:30.720 --> 26:36.720
Norman is dead? Oh, crutchery. Villainy.

26:36.720 --> 26:40.720
Bring down the curtain. Bring down the curtain.

26:40.720 --> 26:45.720
Suspense presented by Auto Life, tonight's star, Milton Berle.

26:45.720 --> 26:48.720
Well, Wilcox, did your candidate win?

26:48.720 --> 26:51.720
Well, I'm not sure.

26:51.720 --> 26:53.720
Well, I'm not sure.

26:53.720 --> 26:56.720
Well, I'm not sure.

26:56.720 --> 26:59.720
Well, I'm not sure.

26:59.720 --> 27:02.720
Well, I'm not sure.

27:02.720 --> 27:05.720
Well, I'm not sure.

27:05.720 --> 27:08.720
Well, I'm not sure.

27:08.720 --> 27:10.720
Wilcox, did your candidate win?

27:10.720 --> 27:13.720
Win, Senator, why the Auto largest they full battery

27:13.720 --> 27:16.720
is the winningest candidate the polls have ever produced.

27:16.720 --> 27:20.720
And this winsome leader is only one of over 400 Auto Lite winners

27:20.720 --> 27:26.720
for cars, trucks, planes, and boats made by Auto Lite in 28 plants coast-to-coast.

27:26.720 --> 27:29.720
These include complete electrical systems used as original equipment

27:29.720 --> 27:33.720
on many makes of America's finest cars.

27:33.720 --> 27:36.720
Spark plugs, batteries, generators, coils, distributors,

27:36.720 --> 27:41.360
windshield wipers, starting motors, bullseye sealed beam headlight.

27:41.360 --> 27:45.080
All engineered to fit together perfectly, work together perfectly, because they're a

27:45.080 --> 27:46.080
perfect team.

27:46.080 --> 27:50.880
So friends, don't accept electrical parts supposed to be as good.

27:50.880 --> 27:55.160
Ask for and insist on auto light, original factory parts at your neighborhood service

27:55.160 --> 27:57.960
station, car dealer, garage, or repair shop.

27:57.960 --> 28:00.600
Remember, you're always right with auto light.

28:00.600 --> 28:14.640
Next week on Suspense, Miss Barbara Stanwyck as a woman who gambled and the stake was death

28:14.640 --> 28:17.000
in the wages of sin.

28:17.000 --> 28:21.000
And in weeks to come, you will hear such famous stars as Richard Widmark, Herbert Marshall,

28:21.000 --> 28:31.320
and William Holden, all appearing in tales well calculated to keep you in suspense.

28:31.320 --> 28:35.600
Tonight's Suspense play was produced and directed by Elliot Lewis, with music composed by Lucian

28:35.600 --> 28:38.480
Moraweck and conducted by Lud Bluskin.

28:38.480 --> 28:40.520
Parts of this program were transcribed.

28:40.520 --> 28:43.760
Brave notice was written for suspense by James Pohl.

28:43.760 --> 28:46.600
Milton Berle appeared to the courtesy of Texaco.

28:46.600 --> 29:05.680
And remember next week on Suspense, Miss Barbara Stanwyck in the wages of sin.

29:05.680 --> 29:09.880
You can buy auto light, staple batteries, auto light standard or resistive spark plugs,

29:09.880 --> 29:12.520
auto light electrical parts at your neighborhood auto light dealers.

29:12.520 --> 29:13.880
Switch to auto light.

29:13.880 --> 29:14.880
Good night.

29:14.880 --> 29:17.200
This is CBS, the Columbia Broadcasting System.

