1 00:00:00,000 --> 00:00:07,000 Auto Light and its 96,000 dealers present Suspense. 2 00:00:07,000 --> 00:00:16,000 Tonight, Auto Light brings you The Crowd, a suspense play starring Mr. Dana Andrews. 3 00:00:16,000 --> 00:00:29,000 All right, stand back. Keep moving. You got other places to go. Go to them. 4 00:00:29,000 --> 00:00:32,000 Officer, somebody dies, somebody gets killed. 5 00:00:32,000 --> 00:00:35,000 Yeah, yeah, now you know. So keep moving. 6 00:00:35,000 --> 00:00:39,000 Lieutenant, if you, Lieutenant, I didn't see you. I didn't mean to poke you in the tummy with my billy. 7 00:00:39,000 --> 00:00:40,000 What happened, officer? 8 00:00:40,000 --> 00:00:42,000 Lieutenant, the way it happened, I, uh... 9 00:00:42,000 --> 00:00:47,000 Officer, we got a night to know what it's all about. What's going on up there? I can't see. 10 00:00:47,000 --> 00:00:51,000 Get somebody to hoist you up on their shoulders, citizen, then you'll see. 11 00:00:51,000 --> 00:00:54,000 Sometimes I don't understand this kind of thing, Lieutenant. 12 00:00:54,000 --> 00:00:57,000 A couple of minutes ago, this was an empty street. Now this crowd... 13 00:00:57,000 --> 00:00:59,000 You still haven't told me what happened. 14 00:00:59,000 --> 00:01:04,000 Well, I was directing traffic up the street. A woman screamed, and I thought it was just, well, you know. 15 00:01:04,000 --> 00:01:08,000 But now it was this guy laying on the sidewalk with a knife in him. Dead, murdered. 16 00:01:08,000 --> 00:01:10,000 The people running around him, this crowd. 17 00:01:10,000 --> 00:01:11,000 Is he dead? 18 00:01:11,000 --> 00:01:12,000 Let me look! Let me look! 19 00:01:12,000 --> 00:01:14,000 Get out of my way. I want to see. I want to see! 20 00:01:14,000 --> 00:01:16,000 Dead, huh? Dead. 21 00:01:20,000 --> 00:01:25,000 In just a moment, Mr. Dana Andrews, in the first act of The Crowd. 22 00:01:25,000 --> 00:01:27,000 Hi. A Hap? New suit? 23 00:01:27,000 --> 00:01:29,000 Yeah, Wilcox. You like it? 24 00:01:29,000 --> 00:01:32,000 Love it. Reminds me of Auto Light Ignition Engineered spark plugs. 25 00:01:32,000 --> 00:01:35,000 Custom made and a perfect fit for your car. 26 00:01:35,000 --> 00:01:37,000 It's real hand-tailoring, too. 27 00:01:37,000 --> 00:01:42,000 You said it. Auto Light Engineers tailor spark plugs just as they tailor the complete ignition system 28 00:01:42,000 --> 00:01:47,000 used as original factory equipment on many leading makes of America's finest cars. 29 00:01:47,000 --> 00:01:52,000 That's why Ignition Engineered Auto Light Spark Plugs are world famous for quality and dependability. 30 00:01:52,000 --> 00:01:54,000 How to give me a lot of where? 31 00:01:54,000 --> 00:01:55,000 Thousands of miles. 32 00:01:55,000 --> 00:02:00,000 Why, when you replace worn-out spark plugs with Ignition Engineered Auto Light spark plugs, you get... 33 00:02:00,000 --> 00:02:04,000 smoother performance, quick starts, gas savings. 34 00:02:04,000 --> 00:02:09,000 Hey, Wilcox, everybody knows about Auto Light spark plugs. How about my full suit? 35 00:02:09,000 --> 00:02:14,000 Ignition Engineered Auto Light spark plugs will suit your car in every season half. 36 00:02:14,000 --> 00:02:19,000 So, friends, see your friendly Auto Light spark plug dealer and have him replace worn-out spark plugs 37 00:02:19,000 --> 00:02:23,000 with world famous Ignition Engineered Auto Light spark plugs. 38 00:02:23,000 --> 00:02:30,000 Whether you choose the resistor type or the standard type, you can be sure money can't buy better spark plugs. 39 00:02:30,000 --> 00:02:33,000 Because you're always right with Auto Light. 40 00:02:33,000 --> 00:02:37,000 And now with the crowd and the performance of Mr. Dana Andrews, 41 00:02:37,000 --> 00:02:42,000 Auto Light hopes once again to keep you in suspense. 42 00:02:52,000 --> 00:02:56,000 The call had come in from the police call box 12 minutes before. 43 00:02:56,000 --> 00:03:02,000 It had come to headquarters, been transferred to me, Johnny Stilano, because I'm a lieutenant, New York police. 44 00:03:02,000 --> 00:03:09,000 Things like this are my job. It had taken me maybe five minutes to get there and already the crowd was there. 45 00:03:09,000 --> 00:03:15,000 The crowd, a ring of shifting, compressing, changing faces looking down at the dead man, 46 00:03:15,000 --> 00:03:17,000 watching the shape of death in his face. 47 00:03:17,000 --> 00:03:19,000 Stand back! Stand back! 48 00:03:19,000 --> 00:03:20,000 Officer? 49 00:03:20,000 --> 00:03:23,000 Have you gone through this man's pocket? Do you know who he is? 50 00:03:23,000 --> 00:03:24,000 No, sir, I haven't had time. 51 00:03:24,000 --> 00:03:25,000 I'll do it. 52 00:03:25,000 --> 00:03:29,000 Here comes the ambulance, Lieutenant. 53 00:03:29,000 --> 00:03:34,000 All right, you people, why don't you move on? Give them room. Give them room. 54 00:03:34,000 --> 00:03:35,000 Hello, Doc. 55 00:03:35,000 --> 00:03:37,000 You're through with them? 56 00:03:37,000 --> 00:03:38,000 Uh-huh. 57 00:03:38,000 --> 00:03:39,000 All right, boys. 58 00:03:39,000 --> 00:03:43,000 Let them through. Come on through. Out of the way, you. 59 00:03:51,000 --> 00:03:56,000 Here and there on the fringes of the crowd, a man detached himself from it, bit his lip and left. 60 00:03:56,000 --> 00:03:59,000 Even the spectacle of death can't compete with a time clock. 61 00:03:59,000 --> 00:04:02,000 Get back to work and tell your friends about it. 62 00:04:02,000 --> 00:04:06,000 Then the sound of death fading away, and then the crowd too. 63 00:04:06,000 --> 00:04:13,000 And in a little while, the only thing left of it was an unconvinced passerby who looked over his shoulder at the spot and hurried on. 64 00:04:17,000 --> 00:04:19,000 Then the leaving of the crowd. 65 00:04:19,000 --> 00:04:25,000 A dead man identified from a worn leather wallet as Edgar Dale, West 32nd Street. 66 00:04:25,000 --> 00:04:27,000 Name and address. 67 00:04:27,000 --> 00:04:31,000 Go there. Dig into a life that was done. Ask why. 68 00:04:31,000 --> 00:04:37,000 At Edgar Dale's rooming house, a woman opened the door only halfway, touched her cotton wrap around high on her throat. 69 00:04:37,000 --> 00:04:40,000 Shook her head to most of my questions. 70 00:04:40,000 --> 00:04:43,000 Edgar Dale had no family, lived alone. 71 00:04:43,000 --> 00:04:47,000 And a shrug to what friends. 72 00:04:47,000 --> 00:04:51,000 He worked, that's all, at the Becker Sign Painting Company on First Avenue. 73 00:04:51,000 --> 00:04:53,000 Maybe there, mister. 74 00:04:53,000 --> 00:04:55,000 I went. 75 00:04:58,000 --> 00:05:00,000 Something I can do for you? 76 00:05:00,000 --> 00:05:02,000 I'm a police officer, Johnny Stilano. 77 00:05:02,000 --> 00:05:04,000 Oh, how do you do? My name is Becker, Elliot Becker. 78 00:05:04,000 --> 00:05:05,000 A man worked for you. 79 00:05:05,000 --> 00:05:06,000 Edgar Dale? 80 00:05:06,000 --> 00:05:07,000 Edgar Dale. 81 00:05:07,000 --> 00:05:11,000 I just put the phone down on the police a minute ago. They called. 82 00:05:11,000 --> 00:05:12,000 Told me what happened. 83 00:05:12,000 --> 00:05:14,000 Then you know why I'm here. 84 00:05:14,000 --> 00:05:15,000 I believe so. 85 00:05:15,000 --> 00:05:18,000 You'll want to know all about Edgar. I'll help all I can. 86 00:05:18,000 --> 00:05:19,000 Tell me about him. 87 00:05:19,000 --> 00:05:22,000 Edgar? Edgar was like... 88 00:05:22,000 --> 00:05:24,000 Edgar was like anybody. 89 00:05:24,000 --> 00:05:27,000 Looked like anybody, talked like anybody. 90 00:05:27,000 --> 00:05:29,000 Kept to himself, he did his job. 91 00:05:29,000 --> 00:05:34,000 A man who sat in the supply room and back and read science fiction magazines when he didn't go outside to have lunch. 92 00:05:34,000 --> 00:05:36,000 What else? 93 00:05:36,000 --> 00:05:41,000 I don't know. You can only judge a solitary man by the things he did to give you that impression. 94 00:05:41,000 --> 00:05:43,000 He listened to jokes but never told one. 95 00:05:43,000 --> 00:05:47,000 He clipped pictures of movie stars in bathing suits and pasted them over his workbench. 96 00:05:47,000 --> 00:05:51,000 Crossword puzzles, contests the newspapers ran, those things. 97 00:05:51,000 --> 00:05:54,000 Friends? Girlfriends? 98 00:05:54,000 --> 00:05:56,000 I don't know, Mr. Stilano. 99 00:05:56,000 --> 00:06:00,000 I've wondered sometimes who might enjoy Edgar as a friend but I don't know. 100 00:06:00,000 --> 00:06:02,000 Where was he killed? 101 00:06:02,000 --> 00:06:03,000 Two blacks from here. 102 00:06:03,000 --> 00:06:06,000 This morning. I saw the people running. I couldn't get away. 103 00:06:06,000 --> 00:06:08,000 That's too bad. 104 00:06:08,000 --> 00:06:10,000 How was he killed, Lieutenant? 105 00:06:10,000 --> 00:06:22,000 What did he look like? 106 00:06:22,000 --> 00:06:23,000 Hello, Johnny. Been waiting for you. 107 00:06:23,000 --> 00:06:24,000 What's up, Rudin? 108 00:06:24,000 --> 00:06:26,000 We've been getting phone calls. Five altogether. 109 00:06:26,000 --> 00:06:27,000 From whom? 110 00:06:27,000 --> 00:06:31,000 I don't know. I tried to wheedle it out of him but the man just wouldn't say. 111 00:06:31,000 --> 00:06:34,000 He said he'd keep trying though. He has to talk to you personally. 112 00:06:34,000 --> 00:06:35,000 What else? 113 00:06:35,000 --> 00:06:39,000 This envelope came addressed to your special delivery. It's marked personal. 114 00:06:39,000 --> 00:06:41,000 Open it. 115 00:06:41,000 --> 00:06:42,000 It says personal. 116 00:06:42,000 --> 00:06:52,000 Open it. 117 00:06:52,000 --> 00:06:53,000 What is it? 118 00:06:53,000 --> 00:06:56,000 A picture, Johnny. Clip from this afternoon's extra in the news. 119 00:06:56,000 --> 00:07:00,000 I saw it there myself. A picture of the man who was stabbed to death on the street with the crowd around him. 120 00:07:00,000 --> 00:07:02,000 I see it. 121 00:07:02,000 --> 00:07:04,000 Look what's written under it, Johnny. 122 00:07:04,000 --> 00:07:12,000 I did well, didn't I, police? Next time it will be even better. 123 00:07:12,000 --> 00:07:14,000 John Estolano speaking. 124 00:07:14,000 --> 00:07:19,000 Oh, I finally got you in, Lieutenant. I read in the papers you were assigned to the case. 125 00:07:19,000 --> 00:07:23,000 The man found dead on the sidewalk. 126 00:07:23,000 --> 00:07:24,000 Yes. 127 00:07:24,000 --> 00:07:27,000 I just called to ask you if you got the clipping I sent you. 128 00:07:27,000 --> 00:07:31,000 The one of the dead man lying on the street. I sent it special. 129 00:07:31,000 --> 00:07:33,000 Oh. 130 00:07:33,000 --> 00:07:37,000 I just got in. I haven't had a chance to look at the mail. 131 00:07:37,000 --> 00:07:39,000 Will you hold on just a minute while I check? 132 00:07:39,000 --> 00:07:41,000 Here, face this call quick. 133 00:07:41,000 --> 00:07:43,000 Bye, Johnny. 134 00:07:43,000 --> 00:07:46,000 I, uh, yes, I have it here. 135 00:07:46,000 --> 00:07:49,000 The words written underneath. Did you write them? 136 00:07:49,000 --> 00:07:52,000 Oh, yes. And I meant them. Every word. 137 00:07:52,000 --> 00:07:56,000 There will be a next time, Lieutenant. There will be another murder. 138 00:07:56,000 --> 00:08:01,000 I believe you. I won't be so foolish as to think you're some kind of a crank who would just... 139 00:08:01,000 --> 00:08:04,000 ...see you're a very intelligent man. 140 00:08:04,000 --> 00:08:07,000 It was very clever how you committed the murder. 141 00:08:07,000 --> 00:08:09,000 Broad daylight on the street. 142 00:08:09,000 --> 00:08:13,000 Oh, the next one will be even more spectacular. Far more. 143 00:08:13,000 --> 00:08:15,000 Well, tell me about it. 144 00:08:15,000 --> 00:08:19,000 Oh, there's no need. There'll be a crowd. You read about it. 145 00:08:19,000 --> 00:08:21,000 I'll send you a picture. 146 00:08:24,000 --> 00:08:25,000 We're in it. 147 00:08:25,000 --> 00:08:28,000 I got it, Johnny. Gilbert shoe repair. It's right around the corner from here. 148 00:08:28,000 --> 00:08:31,000 I got the blotter on my desk. Gilbert shoe repair. 149 00:08:43,000 --> 00:08:45,000 Gilbert. 150 00:08:45,000 --> 00:08:47,000 Hey, Gilbert. 151 00:08:47,000 --> 00:08:50,000 Turn off that machine. I want to talk to you. 152 00:08:50,000 --> 00:08:51,000 Huh? 153 00:08:51,000 --> 00:08:53,000 Turn off that machine. 154 00:08:53,000 --> 00:08:55,000 Oh, sure, Johnny. 155 00:08:55,000 --> 00:08:56,000 Huh? 156 00:08:56,000 --> 00:08:58,000 Oh, you want your shoes, Johnny. 157 00:08:58,000 --> 00:09:02,000 You haven't been in here so long I was going to put them in the window with a for sale under them. 158 00:09:02,000 --> 00:09:04,000 I don't want to talk to you about shoes. 159 00:09:04,000 --> 00:09:06,000 Not about shoes? 160 00:09:06,000 --> 00:09:08,000 There's something else we can talk about? 161 00:09:08,000 --> 00:09:11,000 About a man. He just made a phone call from here. 162 00:09:11,000 --> 00:09:12,000 What man? 163 00:09:12,000 --> 00:09:16,000 Listen to me, Gilbert. Just a couple of minutes ago a man came in here. 164 00:09:16,000 --> 00:09:18,000 I don't know what man. He made a phone call. 165 00:09:18,000 --> 00:09:20,000 From here? He used my phone? 166 00:09:20,000 --> 00:09:23,000 Maybe he did. All right, so he did. 167 00:09:23,000 --> 00:09:25,000 You don't understand, do you? 168 00:09:25,000 --> 00:09:28,000 This man was a murderer. Two minutes ago he was in here using your phone. 169 00:09:28,000 --> 00:09:31,000 Oh, so what am I supposed to do about it? I'm a shoemaker. 170 00:09:31,000 --> 00:09:34,000 Look out through the window, Johnny. See all those people? 171 00:09:34,000 --> 00:09:38,000 Every now and then one of them breaks off, comes in, once his shoes fix, once he uses the phone. 172 00:09:38,000 --> 00:09:41,000 Yeah, oh yeah. A few minutes ago one of them did come in. 173 00:09:41,000 --> 00:09:43,000 And he asked to use my phone. 174 00:09:43,000 --> 00:09:46,000 Well, I didn't notice anything about it. I never noticed anything about it. 175 00:09:46,000 --> 00:09:49,000 They're all alike. Some are men, some are women. 176 00:09:49,000 --> 00:09:53,000 Oh, this one was a man. 177 00:09:56,000 --> 00:09:59,000 Then back into the street again and into the swarm of the crowd. 178 00:09:59,000 --> 00:10:02,000 Into the wash of anonymous faces, the blob. 179 00:10:02,000 --> 00:10:05,000 And somewhere in it, a murderer. 180 00:10:05,000 --> 00:10:09,000 Then back into the office, sit down again, stare at Reardon again. 181 00:10:09,000 --> 00:10:11,000 Reardon stares back. 182 00:10:11,000 --> 00:10:18,000 And then, get up, walk to the window, stare at the crowd. 183 00:10:18,000 --> 00:10:29,000 Phone's ringing, Johnny. 184 00:10:29,000 --> 00:10:37,000 Uh-huh. 185 00:10:37,000 --> 00:10:39,000 Don Estolano speaking. 186 00:10:39,000 --> 00:10:41,000 You don't run so fast, Lieutenant. 187 00:10:41,000 --> 00:10:45,000 You know, you almost knocked me down when you ran across the street into that shoemaker shop. 188 00:10:45,000 --> 00:10:48,000 Reardon? 189 00:10:48,000 --> 00:10:51,000 I'm close by, Lieutenant, in the pay phone on the subway. 190 00:10:51,000 --> 00:10:54,000 Derry 4th Street. Run fast, Lieutenant. 191 00:10:54,000 --> 00:10:58,000 Hello, hello? Never mind, Reardon. 192 00:10:58,000 --> 00:11:00,000 Him again? 193 00:11:00,000 --> 00:11:02,000 Him again. He even told me where he was. 194 00:11:02,000 --> 00:11:07,000 So I'd go there and close my eyes and point a finger at the five o'clock subway crowd and say, 195 00:11:07,000 --> 00:11:11,000 You, you're a killer. I almost knocked him down. 196 00:11:11,000 --> 00:11:17,000 We talk to him, we chat on the phone. 197 00:11:17,000 --> 00:11:19,000 I can give you a category for this murderer. 198 00:11:19,000 --> 00:11:21,000 His phone calls, the boasting of his killing. 199 00:11:21,000 --> 00:11:24,000 I'm not a doctor and I know he's crazy. 200 00:11:24,000 --> 00:11:27,000 Sure, sure, sure you do, Reardon. 201 00:11:27,000 --> 00:11:29,000 I don't know where to start. Where do I start, Reardon? 202 00:11:29,000 --> 00:11:32,000 Take it easy, Johnny. 203 00:11:32,000 --> 00:11:35,000 A lonely little man is stabbed to death on the street in New York City. 204 00:11:35,000 --> 00:11:39,000 For all I know, this killer is standing right beside me, looking down at the dead man. 205 00:11:39,000 --> 00:11:41,000 The killer sends me a picture. 206 00:11:41,000 --> 00:11:43,000 The killer calls me on the phone. 207 00:11:43,000 --> 00:11:46,000 The killer tells me he's in a subway at 34th Street Station. 208 00:11:46,000 --> 00:11:48,000 The killer... 209 00:11:48,000 --> 00:11:49,000 Lieutenant. 210 00:11:49,000 --> 00:11:50,000 Yeah. 211 00:11:50,000 --> 00:11:51,000 Call box report just came in. 212 00:11:51,000 --> 00:12:01,000 The man was pushed in front of a subway at 34th Street Station. 213 00:12:01,000 --> 00:12:03,000 And the pattern repeated itself. 214 00:12:03,000 --> 00:12:09,000 With variation now, the body of a man broken, crushed without form like a child's drawing of death, 215 00:12:09,000 --> 00:12:13,000 lay on a beer of railroad ties of glistening steel rails, 216 00:12:13,000 --> 00:12:15,000 over him the shroud of a subway car, 217 00:12:15,000 --> 00:12:20,000 and deep in the cavern, the lament of hurtling steel, the crowd. 218 00:12:20,000 --> 00:12:23,000 The crowd watching on the platform. 219 00:12:23,000 --> 00:12:24,000 No variation here. 220 00:12:24,000 --> 00:12:29,000 Same crowd that gathers and watches at all death's public performance. 221 00:12:29,000 --> 00:12:30,000 The crowd. 222 00:12:30,000 --> 00:12:31,000 Let me look, let me look. 223 00:12:31,000 --> 00:12:32,000 Get out of my way, I want to see. 224 00:12:32,000 --> 00:12:33,000 Dead, huh? 225 00:12:33,000 --> 00:12:34,000 Dead. 226 00:12:34,000 --> 00:12:35,000 Let me see, will you? 227 00:12:35,000 --> 00:12:36,000 Look out. 228 00:12:36,000 --> 00:12:37,000 Hey, is he really dead? 229 00:12:37,000 --> 00:12:38,000 Hi, here it is. 230 00:12:38,000 --> 00:12:39,000 Really good. 231 00:12:39,000 --> 00:12:53,000 Auto Light is bringing you Mr. Dana Andrews in The Crowd. 232 00:12:53,000 --> 00:13:03,000 Tonight's production in radio's outstanding theater of thrills, Suspense. 233 00:13:03,000 --> 00:13:08,000 Say, Wilcox, you have a good tailor. 234 00:13:08,000 --> 00:13:11,000 Sure, Sam is a suit-stitcher supreme now. 235 00:13:11,000 --> 00:13:15,000 He never makes the pants too long since his car worries stopped. 236 00:13:15,000 --> 00:13:16,000 What was his trouble? 237 00:13:16,000 --> 00:13:20,000 Why, Sam's sedan used a tank of gas just to get out of the garage. 238 00:13:20,000 --> 00:13:21,000 That's ridiculous. 239 00:13:21,000 --> 00:13:23,000 That's what I said. 240 00:13:23,000 --> 00:13:28,000 I told him to stop blowing his top and have his spark plugs checked by his friendly Auto 241 00:13:28,000 --> 00:13:29,000 Light spark plug dealer. 242 00:13:29,000 --> 00:13:30,000 Did he do it? 243 00:13:30,000 --> 00:13:31,000 Yep. 244 00:13:31,000 --> 00:13:34,000 Now this pleased pantaloon producer is getting a real run for his money. 245 00:13:34,000 --> 00:13:38,000 He replaced the spark plugs that were not functioning properly with ignition engineered 246 00:13:38,000 --> 00:13:39,000 Auto Light spark plugs. 247 00:13:39,000 --> 00:13:44,000 And now he gets smoother performance, quick starts, gas savings. 248 00:13:44,000 --> 00:13:46,000 I'll bet he thanked you, Wilcox. 249 00:13:46,000 --> 00:13:47,000 He did, half. 250 00:13:47,000 --> 00:13:52,000 He did, and he couldn't have bought better spark plugs for his car than ignition engineered 251 00:13:52,000 --> 00:13:53,000 Auto Light spark plugs. 252 00:13:53,000 --> 00:13:58,000 So friends, see your friendly Auto Light spark plug dealer and have him replace worn out 253 00:13:58,000 --> 00:14:02,000 spark plugs with ignition engineered Auto Light spark plugs. 254 00:14:02,000 --> 00:14:06,000 Whether you choose the resistor type or the standard type, you'll know why. 255 00:14:06,000 --> 00:14:09,000 You're always right with Auto Light. 256 00:14:09,000 --> 00:14:14,000 And now Auto Light brings back to our Hollywood sound stage Mr. Dana Andrews in Elliot Lewis's 257 00:14:14,000 --> 00:14:21,000 production of The Crowd, a tale well calculated to keep you in suspense. 258 00:14:21,000 --> 00:14:34,000 Come on, Johnny, I'll push them away for you. 259 00:14:34,000 --> 00:14:37,000 One side, one side, out of the way. 260 00:14:37,000 --> 00:14:39,000 Police, out of the way. 261 00:14:39,000 --> 00:14:45,000 I guess we'll have to go through the car, Johnny, and out through the end to get to them. 262 00:14:45,000 --> 00:14:46,000 Yeah, come on. 263 00:14:46,000 --> 00:14:48,000 Hey, is there a Stalano here? 264 00:14:48,000 --> 00:14:50,000 A Lieutenant Johnny Stalano? 265 00:14:50,000 --> 00:14:51,000 Wait a minute. 266 00:14:51,000 --> 00:14:52,000 Yeah. 267 00:14:52,000 --> 00:14:56,000 Stalano, somebody on a phone call here wants a Lieutenant Stalano. 268 00:14:56,000 --> 00:14:58,000 Lieutenant Stalano on a phone. 269 00:14:58,000 --> 00:14:59,000 He's wanted. 270 00:14:59,000 --> 00:15:00,000 Sure he's wanted. 271 00:15:00,000 --> 00:15:01,000 By the draft force. 272 00:15:01,000 --> 00:15:02,000 Yeah, I'm here. 273 00:15:02,000 --> 00:15:03,000 Don't hang up. 274 00:15:03,000 --> 00:15:04,000 I'm here. 275 00:15:04,000 --> 00:15:05,000 What's the matter, Lieutenant? 276 00:15:05,000 --> 00:15:09,000 You're out of uniform. 277 00:15:09,000 --> 00:15:14,000 Former PFC presents you with a form. 278 00:15:14,000 --> 00:15:16,000 Johnny Stalano speaking. 279 00:15:16,000 --> 00:15:19,000 Oh, oh, I'm glad they reached you, Lieutenant. 280 00:15:19,000 --> 00:15:22,000 You see, there was another dead man. 281 00:15:22,000 --> 00:15:24,000 Crowd much better than the first. 282 00:15:24,000 --> 00:15:34,000 Much, don't you think? 283 00:15:34,000 --> 00:15:36,000 Much better, the man said. 284 00:15:36,000 --> 00:15:37,000 Much better. 285 00:15:37,000 --> 00:15:39,000 How good does death have to be? 286 00:15:39,000 --> 00:15:43,000 This time the murderer had chosen to push a man under a subway train. 287 00:15:43,000 --> 00:15:46,000 The crowd seemed to like this one better, too. 288 00:15:46,000 --> 00:15:54,000 They stayed longer after we got the body out from under the train. 289 00:15:54,000 --> 00:15:56,000 Legwork, questions. 290 00:15:56,000 --> 00:16:00,000 The dead man, Adam Treple, the Bronx. 291 00:16:00,000 --> 00:16:04,000 Inquiries, there's merit, free children, and it's the supermarket. 292 00:16:04,000 --> 00:16:06,000 More inquiries. 293 00:16:06,000 --> 00:16:08,000 No motive for his murder. 294 00:16:08,000 --> 00:16:09,000 No one wanted him dead. 295 00:16:09,000 --> 00:16:11,000 Everybody said so. 296 00:16:11,000 --> 00:16:14,000 Johnny, I brought you a thermos of coffee. 297 00:16:14,000 --> 00:16:15,000 Thanks. 298 00:16:15,000 --> 00:16:17,000 And this envelope just came for you. 299 00:16:17,000 --> 00:16:20,000 Special delivery, marked personal. 300 00:16:20,000 --> 00:16:28,000 Give it to me. 301 00:16:28,000 --> 00:16:30,000 Like the last time? 302 00:16:30,000 --> 00:16:31,000 Like the last time. 303 00:16:31,000 --> 00:16:32,000 Newspaper picture. 304 00:16:32,000 --> 00:16:39,000 This is a Treple under the subway train, with the crowd around. 305 00:16:39,000 --> 00:16:42,000 Look at him. 306 00:16:42,000 --> 00:16:43,000 And look at this one. 307 00:16:43,000 --> 00:16:46,000 The first one I got when Edgar Dale was stabbed. 308 00:16:46,000 --> 00:16:47,000 Crowd. 309 00:16:47,000 --> 00:16:50,000 Why do people always hang around other people's hurt? 310 00:16:50,000 --> 00:16:53,000 I'll pour you some coffee. 311 00:16:53,000 --> 00:16:56,000 You want coffee, Johnny? 312 00:16:56,000 --> 00:17:06,000 Yeah. 313 00:17:06,000 --> 00:17:08,000 Here. 314 00:17:08,000 --> 00:17:12,000 Here you are, Johnny. 315 00:17:12,000 --> 00:17:13,000 Johnny? 316 00:17:13,000 --> 00:17:14,000 What? 317 00:17:14,000 --> 00:17:19,000 This man standing here in the picture, right up front of the crowd around Edgar Dale. 318 00:17:19,000 --> 00:17:20,000 This man here. 319 00:17:20,000 --> 00:17:22,000 Not very clear. 320 00:17:22,000 --> 00:17:23,000 So? 321 00:17:23,000 --> 00:17:29,000 Look at him, will you? 322 00:17:29,000 --> 00:17:30,000 I'm looking. 323 00:17:30,000 --> 00:17:31,000 Hey. 324 00:17:31,000 --> 00:17:35,000 The same man reared in, the same man in both pictures. 325 00:17:35,000 --> 00:17:36,000 I won't say no. 326 00:17:36,000 --> 00:17:42,000 Me neither, because it's the same. 327 00:17:42,000 --> 00:17:46,000 It could have been a coincidence. 328 00:17:46,000 --> 00:17:49,000 It could have just happened that way. 329 00:17:49,000 --> 00:17:52,040 It could have just happened that way. 330 00:17:52,040 --> 00:17:56,120 One chance at 50,000, and 100,000, and 1,000,000. 331 00:17:56,120 --> 00:17:57,760 But it could have happened. 332 00:17:57,760 --> 00:18:02,640 One man, a part of a crowd, having his picture taken as a spectator of violent death on a 333 00:18:02,640 --> 00:18:05,140 crowded street in a subway. 334 00:18:05,140 --> 00:18:08,680 One man pushing his way to the front of the crowd to have his picture taken, just because 335 00:18:08,680 --> 00:18:11,400 it happened to him twice in the same day. 336 00:18:11,400 --> 00:18:15,920 By some sly smile of fortune, it was arranged for two people to die just where he happened 337 00:18:15,920 --> 00:18:20,040 to be, just where there was a man with a camera to take a picture to. 338 00:18:20,040 --> 00:18:24,880 A picture that would give him a name in his neighborhood, make people look up to him. 339 00:18:24,880 --> 00:18:26,200 Don't tell me how it was. 340 00:18:26,200 --> 00:18:28,720 He was there, twice. 341 00:18:28,720 --> 00:18:32,440 Then there was the other chance, that he was the murderer. 342 00:18:32,440 --> 00:18:35,240 That's the one a policeman had to put his money on. 343 00:18:35,240 --> 00:18:39,240 He could do that by talking to a man he knew in a newspaper office, a man in charge of 344 00:18:39,240 --> 00:18:42,280 the morgue, named Marty Powell. 345 00:18:42,280 --> 00:18:43,280 You're slumming, Lieutenant? 346 00:18:43,280 --> 00:18:45,400 Don't you ever open a window in here, Marty? 347 00:18:45,400 --> 00:18:46,800 Who wants fresh air? 348 00:18:46,800 --> 00:18:47,800 Fresh air is for the bird. 349 00:18:47,800 --> 00:18:49,920 If you don't like it here, go away. 350 00:18:49,920 --> 00:18:51,400 Still sour, huh, Marty? 351 00:18:51,400 --> 00:18:52,800 You come from out there. 352 00:18:52,800 --> 00:18:55,200 Anything happen to what out there just before you came in? 353 00:18:55,200 --> 00:18:56,200 No. 354 00:18:56,200 --> 00:18:57,200 I didn't think so. 355 00:18:57,200 --> 00:19:03,280 When it does, when it dries up and blows away out there, I might sweeten up, if I feel like 356 00:19:03,280 --> 00:19:04,280 it. 357 00:19:04,280 --> 00:19:05,280 What can I do for you, Lieutenant? 358 00:19:05,280 --> 00:19:06,680 I want to look at some pictures. 359 00:19:06,680 --> 00:19:08,320 Don't we all? 360 00:19:08,320 --> 00:19:10,040 Pictures where people were killed, where... 361 00:19:10,040 --> 00:19:14,640 Look, Lieutenant, I got files and files of those to the ceiling, see? 362 00:19:14,640 --> 00:19:15,640 More explicit. 363 00:19:15,640 --> 00:19:17,680 How were they killed? 364 00:19:17,680 --> 00:19:18,680 Accident? 365 00:19:18,680 --> 00:19:19,680 War? 366 00:19:19,680 --> 00:19:20,680 By a wife? 367 00:19:20,680 --> 00:19:22,160 A jealous lover? 368 00:19:22,160 --> 00:19:23,160 Suicide? 369 00:19:23,160 --> 00:19:24,520 Stop me any time you like. 370 00:19:24,520 --> 00:19:26,000 I tire easy. 371 00:19:26,000 --> 00:19:27,000 Unloaded revolver? 372 00:19:27,000 --> 00:19:31,480 Well, it's hard to explain, Marty, but pictures like these. 373 00:19:31,480 --> 00:19:32,480 Local. 374 00:19:32,480 --> 00:19:35,480 Let me see. 375 00:19:35,480 --> 00:19:39,400 Pictures like unsolved murders, huh, Lieutenant? 376 00:19:39,400 --> 00:19:41,280 Where the killing was violent. 377 00:19:41,280 --> 00:19:43,520 Too violent for you boys to solve? 378 00:19:43,520 --> 00:19:45,000 I'll get some for you. 379 00:19:45,000 --> 00:19:46,000 Hard to explain. 380 00:19:46,000 --> 00:19:48,000 How far back, Lieutenant? 381 00:19:48,000 --> 00:19:50,000 Two, three years, maybe. 382 00:19:50,000 --> 00:19:55,000 I was afraid of that. 383 00:19:55,000 --> 00:20:02,080 Here, I made a selection for you. 384 00:20:02,080 --> 00:20:05,000 The most artistic, the most captivating. 385 00:20:05,000 --> 00:20:06,600 Several of these won prizes. 386 00:20:06,600 --> 00:20:09,080 We are very proud of this one, for example. 387 00:20:09,080 --> 00:20:11,080 To your taste? 388 00:20:11,080 --> 00:20:13,720 Let's see some more. 389 00:20:13,720 --> 00:20:14,720 This one. 390 00:20:14,720 --> 00:20:19,720 Hold that one out, Marty. 391 00:20:19,720 --> 00:20:24,720 Not the one with the guy who fell out of the window or the other one? 392 00:20:24,720 --> 00:20:25,720 The window. 393 00:20:25,720 --> 00:20:26,720 I'll see some more. 394 00:20:26,720 --> 00:20:31,720 You've been here for two hours, Lieutenant. 395 00:20:31,720 --> 00:20:34,720 I told you, I tire easy. 396 00:20:34,720 --> 00:20:35,720 More? 397 00:20:35,720 --> 00:20:36,720 Okay. 398 00:20:36,720 --> 00:20:37,720 That one. 399 00:20:37,720 --> 00:20:38,720 I'll take these two. 400 00:20:38,720 --> 00:20:41,720 Goodbye, Marty. 401 00:20:41,720 --> 00:20:50,720 You ready on that projector, Airdon? 402 00:20:50,720 --> 00:20:51,720 Uh-huh. 403 00:20:51,720 --> 00:20:54,720 I'll pull the screen down. 404 00:20:54,720 --> 00:20:58,720 Okay, turn out the lights. 405 00:20:58,720 --> 00:21:03,960 Let's have the first one. 406 00:21:03,960 --> 00:21:05,800 This is a picture of a man pulled out of the river. 407 00:21:05,800 --> 00:21:06,800 He was shot. 408 00:21:06,800 --> 00:21:09,800 This picture was taken in December 1948. 409 00:21:09,800 --> 00:21:11,220 Notice the crowd. 410 00:21:11,220 --> 00:21:15,800 Notice this spectator, the one in the front row, not wearing a hat. 411 00:21:15,800 --> 00:21:18,960 Let's have number two. 412 00:21:18,960 --> 00:21:22,960 Picture of a man who was pushed or fell out of a window from a 10-story building, June, 413 00:21:22,960 --> 00:21:23,960 this year. 414 00:21:23,960 --> 00:21:25,960 Again, notice the crowd. 415 00:21:25,960 --> 00:21:29,160 And the man in the right-hand corner of the crowd being pushed back by a policeman. 416 00:21:29,160 --> 00:21:33,080 Now run the slides of the ones we had made from the newspaper clipping. 417 00:21:33,080 --> 00:21:36,880 The crowd around Edgar Dale. 418 00:21:36,880 --> 00:21:39,880 Notice that man up front on the end. 419 00:21:39,880 --> 00:21:42,720 Okay. 420 00:21:42,720 --> 00:21:44,560 The crowd around Adam Treple. 421 00:21:44,560 --> 00:21:46,240 Notice the fourth man down in the front row. 422 00:21:46,240 --> 00:21:48,240 What do you think, Airdon? 423 00:21:48,240 --> 00:21:50,240 They're all the same man. 424 00:21:50,240 --> 00:21:51,240 You sure? 425 00:21:51,240 --> 00:21:52,240 The same man. 426 00:21:52,240 --> 00:22:02,880 It took an hour for the newspapers to hit the streets with a front-page picture of a 427 00:22:02,880 --> 00:22:03,880 man wanted for murder. 428 00:22:03,880 --> 00:22:08,520 A man in the crowd who, for two or three years, had quietly committed murder. 429 00:22:08,520 --> 00:22:10,400 Four killings to our knowledge. 430 00:22:10,400 --> 00:22:13,960 Now we knew what he looked like, what went on inside his mind. 431 00:22:13,960 --> 00:22:14,960 He liked to kill. 432 00:22:14,960 --> 00:22:18,240 He liked to stand with the crowd over his kill. 433 00:22:18,240 --> 00:22:20,560 With the crowd, liked to see death up close. 434 00:22:20,560 --> 00:22:22,560 That man is my husband. 435 00:22:22,560 --> 00:22:24,120 Where's your husband now? 436 00:22:24,120 --> 00:22:25,120 He's in bed. 437 00:22:25,120 --> 00:22:26,120 He pretends he's an invalid. 438 00:22:26,120 --> 00:22:30,680 He's been lying there for five years, but I know he sneaks out at night when I'm asleep. 439 00:22:30,680 --> 00:22:35,360 I've been waiting on him hand and foot for five years, and I know he don't let you tend 440 00:22:35,360 --> 00:22:36,360 me. 441 00:22:36,360 --> 00:22:37,360 We checked it. 442 00:22:37,360 --> 00:22:38,360 The man was an invalid, paralyzed. 443 00:22:38,360 --> 00:22:39,360 Then? 444 00:22:39,360 --> 00:22:40,360 I'm the man. 445 00:22:40,360 --> 00:22:41,360 I'm the man you want. 446 00:22:41,360 --> 00:22:42,360 I did all those killings. 447 00:22:42,360 --> 00:22:45,520 This picture of you we have, you don't look the same. 448 00:22:45,520 --> 00:22:46,520 You've changed. 449 00:22:46,520 --> 00:22:47,520 That's right. 450 00:22:47,520 --> 00:22:48,520 I've changed. 451 00:22:48,520 --> 00:22:49,520 I change all the time. 452 00:22:49,520 --> 00:22:50,520 Don't you think that's clever of me? 453 00:22:50,520 --> 00:22:51,520 Yes, it is. 454 00:22:51,520 --> 00:22:52,520 Will you wait here a moment? 455 00:22:52,520 --> 00:22:53,520 Airdon. 456 00:22:53,520 --> 00:22:54,520 Yeah, what is it, Johnny? 457 00:22:54,520 --> 00:22:55,520 There's a man in my office. 458 00:22:55,520 --> 00:22:56,520 Take him to the cycle. 459 00:22:56,520 --> 00:23:00,800 John Estolano speaking. 460 00:23:00,800 --> 00:23:05,720 Please, can you come here quickly? 461 00:23:05,720 --> 00:23:08,720 Who is this? 462 00:23:08,720 --> 00:23:11,720 I'm Mrs. Jane Shirley. 463 00:23:11,720 --> 00:23:22,160 I have a rooming house at 1216 East 38th. 464 00:23:22,160 --> 00:23:23,160 What is it you want, Mrs. Shirley? 465 00:23:23,160 --> 00:23:26,800 The man whose picture is in the paper, the man you're looking for. 466 00:23:26,800 --> 00:23:27,800 He has a room in my house. 467 00:23:27,800 --> 00:23:28,800 Is he there now? 468 00:23:28,800 --> 00:23:29,800 No, but I expect him home any minute. 469 00:23:29,800 --> 00:23:30,800 Please, will you come quickly? 470 00:23:30,800 --> 00:23:31,800 Right away. 471 00:23:31,800 --> 00:23:32,800 His name is Charles Turner, Mr. Estolano. 472 00:23:32,800 --> 00:23:45,800 At least that's what he told me it was. 473 00:23:45,800 --> 00:23:49,080 He's been living here for the past seven years. 474 00:23:49,080 --> 00:23:50,360 I don't know much more about him than that. 475 00:23:50,360 --> 00:23:51,360 He comes and he goes. 476 00:23:51,360 --> 00:23:53,400 Take me to his room, Mrs. Shirley. 477 00:23:53,400 --> 00:23:58,680 Yeah, right down the hall. 478 00:23:58,680 --> 00:24:06,320 Turn on the light. 479 00:24:06,320 --> 00:24:08,640 This is his room. 480 00:24:08,640 --> 00:24:14,320 These pictures on the wall, a man in a subway on a street corner, a man who fell out of 481 00:24:14,320 --> 00:24:15,320 a building. 482 00:24:15,320 --> 00:24:16,320 Yes, they all belong to Mr. Turner. 483 00:24:16,320 --> 00:24:17,320 He hung them on the wall. 484 00:24:17,320 --> 00:24:18,320 I never asked him. 485 00:24:18,320 --> 00:24:19,320 What are you doing here? 486 00:24:19,320 --> 00:24:22,400 I never asked him what will happen now. 487 00:24:22,400 --> 00:24:24,840 Do you have a room near the front of the house? 488 00:24:24,840 --> 00:24:25,840 My room? 489 00:24:25,840 --> 00:24:29,840 Well, wait for Mr. Turner there. 490 00:24:29,840 --> 00:24:36,400 Mr. Estolano. 491 00:24:36,400 --> 00:24:54,880 Don't worry about a thing. 492 00:24:54,880 --> 00:24:56,880 I'll get it. 493 00:24:56,880 --> 00:25:02,720 Johnny, who are you looking at me like that for? 494 00:25:02,720 --> 00:25:04,560 I told you to wait in the squad car. 495 00:25:04,560 --> 00:25:06,800 Well, a call just come through, a guy's holding our killer. 496 00:25:06,800 --> 00:25:07,800 What? 497 00:25:07,800 --> 00:25:09,240 Yeah, a greasy spoon lunch room down the corner. 498 00:25:09,240 --> 00:25:11,120 Mr. Turner always eats right down the corner. 499 00:25:11,120 --> 00:25:14,360 The guy who runs the joint phoned in that our man is eating his supper there right now. 500 00:25:14,360 --> 00:25:15,360 Let's go. 501 00:25:15,360 --> 00:25:20,360 There's a crowd. 502 00:25:20,360 --> 00:25:23,200 That's funny. 503 00:25:23,200 --> 00:25:25,080 The street was deserted less than a minute ago. 504 00:25:25,080 --> 00:25:26,080 Let's go. 505 00:25:26,080 --> 00:25:31,080 All right, let us through here. 506 00:25:31,080 --> 00:25:36,800 Officers, let us through. 507 00:25:36,800 --> 00:25:38,440 What happened to you? 508 00:25:38,440 --> 00:25:40,560 You police? 509 00:25:40,560 --> 00:25:41,640 That's right. 510 00:25:41,640 --> 00:25:43,720 I own this place. 511 00:25:43,720 --> 00:25:48,200 He saw me making the phone call, ran out. 512 00:25:48,200 --> 00:25:49,880 I ran after him. 513 00:25:49,880 --> 00:25:54,160 He had a knife and... 514 00:25:54,160 --> 00:25:55,160 He's dead, Reardon. 515 00:25:55,160 --> 00:25:56,160 Johnny, he's not. 516 00:25:56,160 --> 00:25:57,160 He just fainted. 517 00:25:57,160 --> 00:26:00,160 I said he's dead. 518 00:26:00,160 --> 00:26:03,000 One of you people in the crowd go in the store and call an ambulance. 519 00:26:03,000 --> 00:26:04,000 This man's dead. 520 00:26:04,000 --> 00:26:05,000 Let me through. 521 00:26:05,000 --> 00:26:06,000 Let me through. 522 00:26:06,000 --> 00:26:07,000 Reardon. 523 00:26:07,000 --> 00:26:08,000 That's him, Johnny. 524 00:26:08,000 --> 00:26:09,000 This man. 525 00:26:09,000 --> 00:26:10,000 Is he dead? 526 00:26:10,000 --> 00:26:11,000 What happened to him? 527 00:26:11,000 --> 00:26:12,000 Anybody know what happened? 528 00:26:12,000 --> 00:26:13,000 Would you like to see him, mister? 529 00:26:13,000 --> 00:26:14,000 Would you like to see him up close? 530 00:26:14,000 --> 00:26:15,000 Why, why, I... 531 00:26:15,000 --> 00:26:16,000 The photographers will be here in a few minutes. 532 00:26:16,000 --> 00:26:17,000 Why don't you stick around and have your picture taken, Mr. Turner? 533 00:26:17,000 --> 00:26:18,000 You're wrong. 534 00:26:18,000 --> 00:26:19,000 My name is not Turner. 535 00:26:19,000 --> 00:26:20,000 I just wanted to know whether the man was dead. 536 00:26:20,000 --> 00:26:21,000 That's all. 537 00:26:21,000 --> 00:26:22,000 I want to get out of here. 538 00:26:22,000 --> 00:26:23,000 Come back here tonight. 539 00:26:23,000 --> 00:26:24,000 I'm going to the store. 540 00:26:24,000 --> 00:26:25,000 I'm going to the store. 541 00:26:25,000 --> 00:26:26,000 I'm going to the store. 542 00:26:26,000 --> 00:26:27,000 I'm going to the store. 543 00:26:27,000 --> 00:26:30,240 The man was dead, that's all. 544 00:26:30,240 --> 00:26:33,240 I want to get out of here. 545 00:26:33,240 --> 00:26:36,240 Come back here, Turner. 546 00:26:36,240 --> 00:26:37,240 One side. 547 00:26:37,240 --> 00:26:38,240 Come back here. 548 00:26:38,240 --> 00:26:39,240 Johnny? 549 00:26:39,240 --> 00:26:40,240 Yep. 550 00:26:40,240 --> 00:26:41,240 Let's go over there. 551 00:26:41,240 --> 00:26:42,240 Dead. 552 00:26:42,240 --> 00:26:43,240 Johnny, look at him. 553 00:26:43,240 --> 00:26:44,240 Look at him. 554 00:26:44,240 --> 00:26:45,240 Yeah. 555 00:26:45,240 --> 00:26:46,240 Here comes the crowd. 556 00:26:46,240 --> 00:26:47,240 Is he dead? 557 00:26:47,240 --> 00:26:48,240 What? 558 00:26:48,240 --> 00:26:49,240 What? 559 00:26:49,240 --> 00:26:50,240 What? 560 00:26:50,240 --> 00:26:51,240 What? 561 00:26:51,240 --> 00:26:52,240 What? 562 00:26:52,240 --> 00:26:53,240 What? 563 00:26:53,240 --> 00:26:54,240 What? 564 00:26:54,240 --> 00:26:55,240 What? 565 00:26:55,240 --> 00:26:56,240 What? 566 00:26:56,240 --> 00:26:57,240 Let me out. 567 00:26:57,240 --> 00:26:58,240 Let me out of here. 568 00:26:58,240 --> 00:26:59,240 Ooh, okay. 569 00:26:59,240 --> 00:27:00,240 Let me down. 570 00:27:00,240 --> 00:27:01,240 Get out of my way, I want to see. 571 00:27:01,240 --> 00:27:02,240 Dead? 572 00:27:02,240 --> 00:27:03,240 Did you really die? 573 00:27:03,240 --> 00:27:04,240 I want to see him. 574 00:27:04,240 --> 00:27:06,240 Is he really dead? 575 00:27:06,240 --> 00:27:07,640 Look at him. 576 00:27:07,640 --> 00:27:09,560 You're dead now. 577 00:27:09,560 --> 00:27:11,840 Come to me. 578 00:27:11,840 --> 00:27:14,020 Tighten that stand. 579 00:27:14,020 --> 00:27:18,240 What did he get you into? 580 00:27:18,240 --> 00:27:33,240 Suspense presented by Auto Light. Tonight's star, Dana Andrews. 581 00:27:33,240 --> 00:27:37,240 Say Wilcox, your tailor has a lot of satisfied customers, huh? 582 00:27:37,240 --> 00:27:42,240 Yes, hap, but nowhere near the hundreds of thousands Auto Light satisfies each year, 583 00:27:42,240 --> 00:27:46,240 because Auto Light makes over 400 products for cars, trucks, planes and boats 584 00:27:46,240 --> 00:27:49,240 in its 28 plants from coast to coast. 585 00:27:49,240 --> 00:27:55,240 These include complete electrical systems used as original equipment on many of America's finest cars, 586 00:27:55,240 --> 00:28:02,240 generators, coils, distributors, voltage regulators, wire and cables, starting motors and electric windshield wipers. 587 00:28:02,240 --> 00:28:06,240 All engineered to work together perfectly as part of the Auto Light team. 588 00:28:06,240 --> 00:28:10,240 All engineered to give you unexcelled Auto Light service. 589 00:28:10,240 --> 00:28:13,240 Don't accept electrical parts supposed to be as good. 590 00:28:13,240 --> 00:28:18,240 Ask for and insist on Auto Light original factory parts at your neighborhood service station, 591 00:28:18,240 --> 00:28:24,240 car dealer, garage or repair shop. Remember, you're always right with Auto Light. 592 00:28:24,240 --> 00:28:29,240 Next week on Suspense, Mr. Joseph Cotton as star of Fly By Night. 593 00:28:29,240 --> 00:28:34,240 And in the weeks to come, you will hear such famous stars as Miriam Hopkins, Milton Berle and Howard Duff, 594 00:28:34,240 --> 00:28:41,240 all appearing in tales well calculated to keep you in Suspense. 595 00:28:41,240 --> 00:28:44,240 Tonight's Suspense play was produced and directed by Elliot Lewis, 596 00:28:44,240 --> 00:28:48,240 with music composed by Lucian Morrowek and conducted by Ludd Bluskin. 597 00:28:48,240 --> 00:28:50,240 Parts of this program were transcribed. 598 00:28:50,240 --> 00:28:55,240 The crowd by Ray Bradbury was adapted for Suspense by Morton Fine and David Friedkin. 599 00:28:55,240 --> 00:28:58,240 Dana Andrews appeared through the courtesy of Samuel Goldwyn. 600 00:28:58,240 --> 00:29:01,240 He may currently be seen in the Goldwyn production Edge of Doom. 601 00:29:01,240 --> 00:29:17,240 And remember next week on Suspense, Mr. Joseph Cotton in Fly By Night. 602 00:29:17,240 --> 00:29:22,240 You can buy world famous Auto Light resistor or standard spark plugs, Auto Light staple batteries, 603 00:29:22,240 --> 00:29:27,240 Auto Light electrical parts at your neighborhood Auto Light dealers. Switch to Auto Light. Good night. 604 00:29:27,240 --> 00:29:31,240 This is CBS, the Columbia Broadcasting System.