WEBVTT

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Auto Light and its 96,000 dealers present Suspense.

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Tonight, Auto Light brings you Mr. Edward G. Robinson

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in A Case of Nerves, a suspense play produced and edited by William Spear.

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Say, Hap, where'd you get that medal?

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Won it at the carnival last night, Harlow.

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Shot tin clay pigeons out of tin.

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Well, that's real firing, Hap. Sure is an Auto Light spark plug.

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Guess I qualify as an expert, eh, Wilcox?

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Well, Hap, the clay pigeon field is a bit limited.

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But take Auto Light engineers. You see, they design and build Auto Light spark plugs

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to work as a team with the coil distributor

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and all the other important parts of the ignition system.

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That means Auto Light spark plugs are ignition engineered by experts

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and they're world famous for quality and dependability.

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I guess that's why Auto Light spark plugs are unexcelled

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in quick starting, smooth performance and gas mileage.

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Right, and these same Auto Light engineers

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developed the famous Auto Light resistor spark plug,

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one of the greatest advances in spark plug design

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for automotive use in the past 20 years.

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So, friends, see your friendly Auto Light spark plug dealer tomorrow.

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Have him replace worn out spark plugs with ignition engineered Auto Light spark plugs.

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Whether you choose the resistor type or the regular type,

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you can't buy a better spark plug for your car

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because you're always right with Auto Light.

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And now with a case of nerves and the performance of Edward G. Robinson,

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Auto Light hopes once again to keep you in suspense.

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I got off the train in Toledo and walked through the station to the street.

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I passed up the waiting taxi and swung aboard a bus.

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Taxi drivers are likely to remember you and I couldn't take a chance on that.

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I hadn't paid any attention to the bus.

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I didn't know what the line was or where it was going.

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It didn't make any difference. I didn't know Toledo very well anyway.

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I watched out the window and when I came to a likely neighborhood, I got off.

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Strange, unfamiliar quarter of the city,

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yet familiar because every city has neighborhoods like it.

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Grabbed faceless houses looking almost alike.

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And then most of them grabbed men and women anxious to make a dollar by renting a room.

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Now this here is a nice room.

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The best one I got.

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Two windows on two sides.

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There's a nice soft bed.

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I'll take it.

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How long you figure on staying?

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Oh, just overnight.

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I'll pay you now.

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Oh, well that's two dollars please.

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Yeah. Oh.

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What's the matter, mister?

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Are you sick?

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Yes, I'm very sick.

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Is there a doctor near here?

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Hey, you are sick.

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Yeah, I think I'll go to bed.

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That doctor...

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Oh, yeah, yeah. There's Dr. Martin just around the corner.

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He's young, but he's good.

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Well, would you call him for me, please?

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Ask him to come right up. Oh.

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Yeah, sure. Right away.

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Come in.

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I'm Dr. Martin. You're Mr.

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My name is Wentworth, doctor. James Wentworth.

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Oh, yes.

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I just got into town. I'm afraid I'm in for my old trouble again.

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Oh, what's that, Mr. Wentworth?

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Trigeminal neuralgia.

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Ah.

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I had bad attacks before.

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Just where is the pain?

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Here and here.

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Oh, yes. Now if you'll...

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No, no, no, no, no. Don't touch it.

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It's like a red-hot iron. Even the tractor bear.

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I know.

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Really, you should have that nerve operated.

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Yes, I am going to have it down when I get home.

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Oh, where's that?

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Cleveland.

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Cleveland. I know a lot of men there. Who's your doctor?

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Uh, Dr. Fletcher.

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Lawrence Fletcher.

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No, no, Andrew. Andrew Fletcher.

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Hmm. I don't recall him.

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He's waiting to clear up a heart condition before he operates.

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Oh, yes. Very sound.

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Now, how did this attack come on?

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Oh, the way they always do.

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I was shaving and I touched a nerve with the razor.

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Oh, yes. The trigger point is very typical.

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Now, that doesn't help me when that nerve starts jumping.

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When will you be back in Cleveland?

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About three days.

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I'll give you a prescription.

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This is morphine, quarter grain.

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You've taken it before?

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Yes, that's the only thing that gives me any relief.

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Well, then I don't have to tell you about it.

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I'll drop this off at the drug store and have them send it up.

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Well, thank you, doctor. Tell them to hurry.

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Then I'd better give you a shot right now.

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Hmm? Oh, uh...

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Huh?

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You know, doctor, I think the pain isn't so bad now.

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I don't like to take more than I have to.

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Oh, well, if you're sure you can get along...

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Well, yes, yes. I can make out all right.

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I'll hold the tablets, and till later.

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I paid Dr. Martin, young Dr. Martin of Toledo, and he left.

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I waited for the package to arrive from the drug store.

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Then I stayed the night so the landlady wouldn't think it was peculiar.

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In the morning, I got on the train and went back to Cleveland

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to the hospital with the little white tablets in my pocket,

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the little white tablets with which I would kill Louise.

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It had been so simple to deceive the young, impressionable doctor,

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so simple to counterfeit the symptoms that I'd seen Louise react to

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for four years now,

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I would keep her in bed for four years more.

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Great.

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But 20.

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I live with a tick doler-er, a painful nerve so long.

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Too long. Too long indeed.

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Dr. Van Tue had come every day now.

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The nurse had to be on hand day and night to combat Louise's attacks,

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to quiet the raging nerve with morphine.

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But not for long.

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In my pocket were the little white tablets that would bring her peace.

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I went into the hospital kitchen.

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Oh, hello, Mr. B.

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Oh, hello, Nellie. I'd like to bring Mrs. Baker a milk.

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Of course.

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And just give it a touch of the fire to take the chill out.

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I've missed you.

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Been away, I hear, Mr. Baker.

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Yes, I had to go out of town.

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And you ask me, it's a good thing. For you, I mean.

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You needed a change.

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The hospital day after day was telling on you.

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Oh, I don't think so.

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Yes, it was. I could see.

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You're a good man, Mr. Baker.

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Believe me, it's like a saint you're burying your trials.

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Not like some others I could mention.

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Well, isn't the milk ready, Nellie?

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There we are.

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Spoonful of sugar.

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Just the way Mrs. Baker likes it.

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Thank you, Nellie.

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And give Mrs. Baker my regards.

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Yes, I'll do that, Nellie.

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Now, it was just a matter of stepping into an alcove on the way to Louise's room.

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Dropping the white tablets into the warm milk.

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Sugar would mask the bitter taste.

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Oh, here.

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An ideal spot.

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Mr. Baker.

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Huh?

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Oh, nurse.

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Did I startle you? I didn't mean to.

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No, no, of course not.

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Oh, bringing Mrs. Baker her milk, I see.

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Well, I'm going up there myself. May I keep you company?

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Yes, of course, of course.

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Nurse White walked beside me to Louise's room.

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The chance with the night was gone.

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Another night of pain for Louise.

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I felt the sudden anger of the nurse.

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And a moment later I realized how unreasonable it was.

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It was hard to be angry with anyone so pert, so alive, so beautiful.

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Even in her severe uniform she managed to remain feminine.

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Provocative.

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It was always a flower at her shoulder.

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Today it was a sprig of flowering dogwood.

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And her quiet, unprofessional perfume was an exciting tingle in my nostrils.

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Then we were in front of Louise's door.

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Hello, Mrs. Baker.

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Look what I brought you.

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Albert, dear.

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Hello, darling.

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Oh, I'm so glad you're back, darling. I missed you.

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I missed you too.

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Here's your milk.

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You never forget, do you, Albert?

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How was your day?

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Just fine. Wasn't it, Miss White?

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Oh, yes, Mrs. Baker. A very good day, all things considered.

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Well, I'm glad.

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I brought you something else, Louise.

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Oh, the locket.

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Oh, thank you, Albert, for remembering.

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Look, Maris, isn't it beautiful?

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Oh, oh, it is. It's an old piece, isn't it?

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It belonged to my mother.

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I had to hunt all over the house for it.

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Whatever gave you the sudden notion you wanted it anyway?

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I don't know.

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I've had a feeling I'll be joining Mother soon.

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Oh, Louise, please don't talk that way.

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Now, Mrs. Baker, you're going to be up on your feet before you know it.

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And that's almost enough talking tonight, Mr. Baker.

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No.

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Mrs. Baker, do you want me to leave a tablet for you?

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Yes, thank you, dear.

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Here you are. I hope you don't need to take it.

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Well, good night.

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Good night, Miss White.

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The tablet.

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You've been taking it every night?

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Well, I try not to.

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But lately the pain...

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Yes, I know, I know.

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Oh, Albert, dear, you deserve something better than this.

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Oh, please, please, dear.

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Enough, your nose to the grindstone to pay for the doctors and nurses.

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Oh, don't worry.

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A little handball at the club and then in this room.

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Yes, but you're going to get better, dear. You must believe the doctor.

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That's what Pauline says.

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Pauline?

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The nurse.

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Oh, yes, yes, yes, of course.

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Is she looking out for you all right?

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She's a dear.

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And very pretty, don't you think?

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Pretty? Yes, I suppose so. I have noticed.

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I used to be pretty.

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You used to embarrass me sometimes the way you looked at me.

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But you're still beautiful, Louise.

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You'll always be.

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I'm sorry, dear.

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I won't talk like that again.

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You'd better go now, Albert.

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I'll try to sleep.

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Yes. Well, good night, dear.

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I'll see you tomorrow.

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Mr. Baker.

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Oh, Miss White.

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I thought you'd gone.

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I wanted to talk to you, Mr. Baker.

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It's about Mrs. Baker.

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She worries me. Her mental state is very low.

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You heard how she talked about her mother, the locket.

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Yes, I heard.

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She needs something.

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I don't know what to snap her out of this mood.

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I just thought I'd mention it to you.

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Here's the eggs.

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Oh, uh, where are you going?

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To put the morphine away.

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You know, I don't see why Dr. Van Tue doesn't give her more of that stuff.

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She needs it.

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Yet you ration it out as though it were poison.

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Well, it is poison, Mr. Baker.

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I was particularly careful about Mrs. Baker.

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But you don't think she'd actually...

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Well, usually the ones who talk about it don't do it, Mr. Baker, so I wouldn't worry.

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Good night.

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Wait a minute.

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Yes?

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Miss White.

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Pauline, isn't it?

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Why, yes. I didn't think you knew.

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Well, would you mind, uh, when we were alone, if I called you Pauline?

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I'd like it.

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Thanks. Well, you know, this is an awful thing to ask, but...

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Well, you know, it's been pretty lonely for me.

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Oh, yes, I know. That is, I can guess.

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Well, would you... would you let me take you to dinner this evening?

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White.

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Thank you, Mr. Baker. I'd love it.

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I'm off duty at eight.

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Well, I'll pick you up then.

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And, uh, Pauline...

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Yes, Mr. Baker?

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My name... my name's Albert.

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At eight then. Albert.

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My heart sang.

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She was perfect. Everything was perfect.

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I had my poison. I had my witnesses.

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Louise had said just the right things in their presence, talking about her locket, making her veiled hints at suicide.

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How beautifully everything fell into place.

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I started to open the lobby door when I heard my name.

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Oh, Baker. I say, Baker.

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Oh, Dr. Van Ture. How are you?

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Fine, fine. Say, I want you to meet someone. This is Dr. Martin of Toledo.

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I looked at him.

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I had a man who stepped forward to shake hands with me.

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And my mouth went dry.

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This was Dr. Martin of Toledo who had given me my murder prescription.

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The eager, bumptious young man who stood there now looking straight into my eyes and saying...

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Hello. How's that bad nerve of yours?

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Autolite is bringing you Edward G. Robinson in a case of nerves.

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Tonight's production in radio's outstanding theater of thrills, Suspense.

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The

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Say, Harlow. I had my fortune told at the carnival, too.

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Oh, that's so. What'd the gypsy see in the crystal ball, half?

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Well, he said I would soon consult with an expert about...

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Ignition engineered autolite spark plugs?

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Yeah.

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Well, they're built by experts because autolite engineers are the experts who design and build complete ignition systems.

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Used as original factory equipment on many makes of America's finest cars.

13:56.000 --> 14:04.000
So naturally, they engineer autolite spark plugs to work as a team with the coil distributor and all the other important parts of the ignition system.

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You mean, of course, they know how to build ignition engineered autolite spark plugs that can't be beat for quick starting, smooth performance and gas mileage.

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Precisely. And it was these same autolite engineers who developed the famous autolite resistor spark plug.

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One of the greatest advances in spark plug design for automotive use in the past 20 years.

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Oh, that gypsy had nothing on you, Wilcox.

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Well, friends, see your friendly autolite dealer tomorrow.

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Have him replace worn out spark plugs with world famous ignition engineered autolite spark plugs.

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Whether you choose the resistor type or the regular type, you can't buy better spark plugs for your car because you're always right with autolite.

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And now autolite brings back to our Hollywood soundstage our star, Edward G. Robinson in a case of nerves.

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A tale well calculated to keep you in suspense.

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I was caught flat-bottled. I couldn't answer. Couldn't even turn and hide.

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Dr. Martin stared at me a minute, unbelievably, and his jaw hardened.

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After a long time, he put out his hand. Because there was nothing else to do, I took it.

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Oh, this is Mr. Baker, doctor. It's his wife who has this trigeminal condition.

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His wife, eh?

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Yes, of course. You didn't think I meant Mr. Baker, did you? He's as strong as an ox.

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Yes, I can see that now.

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I ran into Dr. Martin in the doctor's lounge, Baker. He was telling me about a case he just saw on Toledo.

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It was Toledo, wasn't it, Martin? Symptoms were remarkably similar to Mrs. Baker's, remarkably.

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I thought he might like to look in on Mrs. Baker. You don't mind?

15:39.000 --> 15:41.000
She's sleeping, I think.

15:41.000 --> 15:43.000
Oh, it's too bad. Well, another time perhaps, eh, doctor?

15:43.000 --> 15:44.000
Oh, yes, certainly, doctor.

15:44.000 --> 15:48.000
Well, I've got to run. Glad I ran into you, Martin. Have lunch sometime, eh?

15:48.000 --> 15:49.000
Yes, glad to.

15:49.000 --> 15:50.000
I'll see you later, Baker.

15:50.000 --> 15:51.000
Yes, sure, doctor, sure.

15:51.000 --> 15:53.000
I'll have to be going myself now, Mr. Baker.

15:53.000 --> 15:57.000
Oh, wait. Wait, doctor. I want to talk to you.

15:57.000 --> 15:59.000
Don't see that there's anything to talk about?

15:59.000 --> 16:05.000
Yes, but there is. I want you to know that I, eh, what happened in Toledo yesterday.

16:05.000 --> 16:07.000
You don't have to explain. I understand.

16:07.000 --> 16:12.000
You understand? But you didn't say anything to Dr. Van Ture?

16:12.000 --> 16:14.000
Well, why should I? It's none of my business.

16:14.000 --> 16:17.000
None of my... none of your business?

16:17.000 --> 16:20.000
Of course. I admit I didn't have you tagged as an addict.

16:20.000 --> 16:21.000
Addict?

16:21.000 --> 16:27.000
Yes. You don't look like one, and that trick of refusing an immediate shot, well, I've got to hand it to you.

16:27.000 --> 16:32.000
You fooled me completely, and using your wife's symptoms. Very clever.

16:32.000 --> 16:34.000
I don't doubt you can get a supply whenever you need it with that routine.

16:34.000 --> 16:36.000
Oh, no, no, no, no, I assure you.

16:36.000 --> 16:38.000
Oh, please, don't bother to lie to me.

16:39.000 --> 16:42.000
I guess I ought to thank you for teaching me that trick.

16:42.000 --> 16:45.000
It won't work again on this baby, believe me.

16:45.000 --> 16:51.000
And now if you'll excuse me, Mr. Baker, or Mr. Wentworth, I'm heading for a spot of handball.

16:51.000 --> 16:53.000
Oh, wait, eh...

16:53.000 --> 16:54.000
Yes?

16:54.000 --> 16:57.000
No hard feelings?

16:57.000 --> 16:59.000
No, no, of course not.

17:00.000 --> 17:06.000
Look, Doctor, if you really mean that about no hard feelings, and if you haven't got a partner,

17:06.000 --> 17:09.000
well, I... I play a pretty good game.

17:11.000 --> 17:14.000
Now, that's what I call a switch, anyway.

17:14.000 --> 17:24.000
All right, hop in.

17:28.000 --> 17:31.000
An addict. He took me for an addict.

17:31.000 --> 17:35.000
Working on any dodge I could to get a supply of dope.

17:35.000 --> 17:42.000
Yes, but later when he heard of Louisa's death, he'd remember.

17:42.000 --> 17:47.000
I had no idea what I was going to do. I only knew that I couldn't let him go.

17:47.000 --> 17:52.000
He drove me over to the athletic club. He wasn't a member, but he held a courtesy card from the Toledo club,

17:52.000 --> 17:56.000
and he signed me in as his guest, laughing as James Wentworth.

17:56.000 --> 17:59.000
He was a fast man on the court, younger too.

17:59.000 --> 18:05.000
I'd have had a hard time keeping up with him in any circumstances, but as it was, he beat me easily.

18:05.000 --> 18:09.000
I could think of only one thing. That he was dangerous.

18:09.000 --> 18:14.000
Dangerous, and I had to get rid of him somehow.

18:14.000 --> 18:17.000
That's a nice backhand you've got there, Baker.

18:17.000 --> 18:19.000
Wish I could handle those tough ones half as well.

18:19.000 --> 18:24.000
Never mind the compliments, Doc. They'll just remember the final score and be satisfied.

18:24.000 --> 18:27.000
Hey, how about a sweat out? They've got a good steam room here.

18:27.000 --> 18:28.000
Sounds good to me.

18:28.000 --> 18:32.000
Here, this way then. Oh, take your towel.

18:34.000 --> 18:38.000
Boy! Oh boy, this is hot.

18:38.000 --> 18:39.000
Sit on your towel.

18:39.000 --> 18:40.000
Good idea.

18:42.000 --> 18:44.000
You know, it was lucky for me you came along.

18:44.000 --> 18:46.000
Place is dead today, not a soul here.

18:46.000 --> 18:47.000
I enjoyed it.

18:48.000 --> 18:49.000
Oh, hot, isn't it?

18:51.000 --> 18:54.000
Say, Baker, you know, I misjudged you.

18:54.000 --> 18:55.000
Sorry.

18:55.000 --> 18:56.000
Oh, that's all right. Forget it.

18:56.000 --> 19:00.000
You know, you really could do something for your...trouble.

19:00.000 --> 19:01.000
Yeah?

19:01.000 --> 19:04.000
We've got a sanitarium in Toledo that's been having pretty good luck with addiction lately.

19:04.000 --> 19:05.000
I scarcely heard him.

19:05.000 --> 19:09.000
I only realized that we were alone, cloudy and steamy.

19:09.000 --> 19:13.000
Not even visible to any casually curious person looking through the glass square in the door.

19:13.000 --> 19:16.000
This was my chance. I'd never get another like it.

19:16.000 --> 19:17.000
I picked up my towel.

19:17.000 --> 19:18.000
What are you doing?

19:18.000 --> 19:21.000
I'm sorry, Martin, but there's no other way.

19:25.000 --> 19:30.000
I whipped my towel over his head and got behind him where his flailing arms couldn't reach.

19:30.000 --> 19:34.000
I didn't want to leave any marks on him.

19:34.000 --> 19:37.000
With my free hand, I covered his mouth and pinched his nostrils shut through the towel.

19:37.000 --> 19:38.000
He fought hard.

19:38.000 --> 19:43.000
But in a few minutes, he hung limp in my arms.

19:43.000 --> 19:47.000
And after a few minutes more, I knew he was dead.

19:47.000 --> 19:50.000
I left him there, hidden in the steam.

19:50.000 --> 19:54.000
In the locker room, I desperately parted my hair on the wrong side

19:54.000 --> 19:57.000
and plastered it down and away I found him.

19:57.000 --> 20:01.000
A man at the reception desk barely glanced at me as I passed him.

20:01.000 --> 20:05.000
Later when they found Martin, they'd look for a man named Wentworth.

20:05.000 --> 20:08.000
They never find him because he didn't exist.

20:14.000 --> 20:16.000
It wasn't even that close.

20:16.000 --> 20:20.000
The papers reporting Martin's death put the cause down to heart failure

20:20.000 --> 20:23.000
brought on by the shock of exercise.

20:23.000 --> 20:27.000
They didn't mention a companion. It wasn't important.

20:27.000 --> 20:29.000
And I waited anyway.

20:29.000 --> 20:30.000
A week.

20:30.000 --> 20:32.000
Waited and watched carefully.

20:32.000 --> 20:39.000
Because now not only Louisa's future was at stake, but my own and Pauline's.

20:40.000 --> 20:42.000
There's the nurse's quarters, darling.

20:42.000 --> 20:43.000
Better not come any nearer.

20:43.000 --> 20:45.000
Oh, Pauline, dearest.

20:45.000 --> 20:47.000
I know, darling, I know.

20:47.000 --> 20:49.000
I'm sorry.

20:49.000 --> 20:53.000
You must let go now. I'm late already.

20:53.000 --> 20:54.000
Albert.

20:54.000 --> 20:55.000
Yes, dear.

20:55.000 --> 20:58.000
I'm leaving the hospital. I'm taking a job in Chicago.

20:58.000 --> 20:59.000
You're what?

20:59.000 --> 21:01.000
Yes. This is hopeless. I can't stand it.

21:01.000 --> 21:05.000
Taking care of your wife, smiling at her, seeing the two of you together.

21:05.000 --> 21:08.000
But you can't do it. I couldn't live without you.

21:08.000 --> 21:09.000
Now that I found you...

21:09.000 --> 21:11.000
What do you think this is going to do to me?

21:11.000 --> 21:13.000
But I can't. When are you going?

21:13.000 --> 21:15.000
I'm giving notice tomorrow.

21:15.000 --> 21:19.000
Tomorrow?

21:19.000 --> 21:21.000
Oh, my darling.

21:21.000 --> 21:23.000
Goodbye.

21:23.000 --> 21:25.000
Pauline!

21:32.000 --> 21:34.000
She was gone.

21:34.000 --> 21:36.000
She said goodbye.

21:36.000 --> 21:38.000
Signed you what you meant.

21:38.000 --> 21:42.000
When I saw her again, with me in the hospital across Louisa's bed,

21:42.000 --> 21:45.000
she'd be Miss White and I'd be Mr. Baker.

21:45.000 --> 21:48.000
Oh, no, I couldn't stand that now.

21:48.000 --> 21:51.000
Yes, but there was one sure way to hold her.

21:51.000 --> 21:54.000
The little white tablets were still in my pocket.

22:04.000 --> 22:06.000
Louise?

22:06.000 --> 22:08.000
Albert, dear.

22:08.000 --> 22:10.000
I brought you your milk.

22:10.000 --> 22:13.000
Oh, thank you, dear.

22:13.000 --> 22:15.000
Hold this, will you, please?

22:15.000 --> 22:17.000
What's that? Oh, your locket.

22:17.000 --> 22:20.000
It's beautiful, isn't it?

22:20.000 --> 22:24.000
Who shall I leave it to, I wonder?

22:24.000 --> 22:26.000
Miss White.

22:26.000 --> 22:28.000
She's a sweet girl.

22:28.000 --> 22:30.000
Oh, Louise, now don't talk that way.

22:30.000 --> 22:31.000
Louise, you're not going to...

22:31.000 --> 22:34.000
I'd like her to have it.

22:34.000 --> 22:40.000
I'll take the milk now, Albert.

22:44.000 --> 22:46.000
She drank it.

22:46.000 --> 22:51.000
I had to clench my jaws to keep from crying out.

22:51.000 --> 22:56.000
She smiled and held out the empty glass to me.

22:56.000 --> 22:58.000
And it was over.

22:58.000 --> 23:02.000
I went home and talked sleeplessly, waiting...

23:02.000 --> 23:05.000
waiting for the inevitable.

23:07.000 --> 23:12.000
Hello? Yes? Yes?

23:12.000 --> 23:17.000
No. No, no, I'll be right over.

23:23.000 --> 23:26.000
Dr. Van Tue was outside Louise's room in a white-faced Pauline...

23:26.000 --> 23:29.000
and nearly from the kitchen as I hurried up the corridor.

23:29.000 --> 23:30.000
Oh, Baker.

23:30.000 --> 23:32.000
Oh, doctor. Doctor, can I go in?

23:32.000 --> 23:34.000
No. Baker, your wife is dead.

23:34.000 --> 23:37.000
What? Dead?

23:37.000 --> 23:39.000
Oh, but I don't understand.

23:39.000 --> 23:42.000
I thought she was imprudent with you, that you planned to operate.

23:42.000 --> 23:44.000
She died of an overdose of morphine.

23:44.000 --> 23:47.000
Oh, Mr. Baker, I'm terribly sorry.

23:47.000 --> 23:48.000
I am too, Mr. Baker.

23:48.000 --> 23:50.000
Yes, but how could she get it?

23:50.000 --> 23:52.000
That's what I intend to find out.

23:52.000 --> 23:55.000
She took it in this glass of milk. There are traces left.

23:55.000 --> 23:57.000
Nellie here says you brought it up to her.

23:57.000 --> 23:58.000
I didn't want to, Mr. Baker.

23:58.000 --> 24:00.000
Nellie. Well, of course I took it up.

24:00.000 --> 24:03.000
I did every night. Everybody in the hospital knows that.

24:03.000 --> 24:04.000
Yes, I knew it also.

24:04.000 --> 24:06.000
Was anybody in the room when you brought it?

24:06.000 --> 24:08.000
No, no, no, just Louise.

24:08.000 --> 24:09.000
And you saw her drink the milk?

24:09.000 --> 24:13.000
No, no, doctor. She didn't drink it then, not until after I'd gone.

24:13.000 --> 24:14.000
She did that frequently.

24:14.000 --> 24:15.000
But that's right, doctor.

24:15.000 --> 24:17.000
Yes, I know that too.

24:17.000 --> 24:21.000
Only last night before she drank it, she managed to dissolve in it a lethal dose of morphine.

24:21.000 --> 24:24.000
I've checked the hospital supply. Every tablet is accounted for.

24:24.000 --> 24:27.000
We keep a very strict count, you know.

24:27.000 --> 24:28.000
Yes, I know that.

24:28.000 --> 24:30.000
Have you anything to say, Baker?

24:30.000 --> 24:34.000
Well, I... I hardly know. I... I'm stunned.

24:34.000 --> 24:38.000
Doctor, what do you mean? Surely you're not accusing Mr. Baker.

24:38.000 --> 24:41.000
I'm not accusing anyone. That will be up to the police.

24:41.000 --> 24:43.000
Now, wait a minute, wait a minute, doctor. You're making a mistake.

24:43.000 --> 24:44.000
It seems perfectly clear...

24:44.000 --> 24:45.000
Yes, but I didn't kill her.

24:45.000 --> 24:49.000
Oh, no? Then how did she die?

24:49.000 --> 24:52.000
Well, she... she took her own life.

24:52.000 --> 24:55.000
She'd hinted more than once. Miss White, you remember?

24:55.000 --> 24:57.000
Yes, doctor. I spoke to Mr. Baker about it myself.

24:57.000 --> 24:59.000
You know she was very depressed.

24:59.000 --> 25:02.000
That's true, nurse, but the morphine, it must have come from the outside.

25:02.000 --> 25:03.000
We'd have missed it.

25:03.000 --> 25:05.000
No, wait a minute.

25:05.000 --> 25:07.000
The tablet you left for her each night.

25:07.000 --> 25:08.000
Yes, I ordered that.

25:08.000 --> 25:11.000
What of it? Instead of taking it, she saved it.

25:11.000 --> 25:12.000
Oh, I...

25:12.000 --> 25:15.000
Well, she must have. It's the only way it could have happened.

25:15.000 --> 25:17.000
Well, that's it, doctor. It must be.

25:17.000 --> 25:21.000
For the past week, she's been exhausted and drawn in the morning, yet the tablets were always gone.

25:21.000 --> 25:24.000
Well, if that's the case, nurse, how does it happen that you failed to find them?

25:24.000 --> 25:27.000
She couldn't leave her bed. You bathed her and changed the linen every day.

25:27.000 --> 25:28.000
The locket.

25:28.000 --> 25:29.000
The locket?

25:29.000 --> 25:32.000
Yes. Yes, of course.

25:32.000 --> 25:36.000
You remember, Miss White, she made such a point of asking me to bring it to her,

25:36.000 --> 25:38.000
and then the way she talked about joining her mother.

25:38.000 --> 25:40.000
Yes, I do. I do remember.

25:40.000 --> 25:42.000
She wanted you to have the locket, Pauline.

25:42.000 --> 25:45.000
It was her last wish. Now, where is it?

25:45.000 --> 25:49.000
I, uh, I have it here. It was clutched in her hand.

25:49.000 --> 25:50.000
Let's...

25:50.000 --> 25:54.000
Hmm.

25:54.000 --> 25:58.000
Police headquarters, please.

25:58.000 --> 26:00.000
You... you have to notify them?

26:00.000 --> 26:02.000
Yes, I do.

26:02.000 --> 26:05.000
Police headquarters, give me homicide.

26:05.000 --> 26:06.000
Homicide?

26:06.000 --> 26:07.000
Yes, I'll wait.

26:07.000 --> 26:11.000
Are you out of your mind? I just got through explaining everything!

26:11.000 --> 26:14.000
Yes, you explained everything, including what still puzzled me.

26:14.000 --> 26:16.000
You see, Baker, you were right about this locket.

26:16.000 --> 26:18.000
Your wife did have a reason for wanting it.

26:18.000 --> 26:21.000
Look, I'll open it. You see, it's full.

26:21.000 --> 26:24.000
One, two, three, four, five, six, seven quarter-grain morphine tablets

26:24.000 --> 26:27.000
that she saved at the cost of seven nights of agony.

26:27.000 --> 26:30.000
And she would have taken them last night.

26:30.000 --> 26:52.000
Only you beat her to it.

26:52.000 --> 26:55.000
Suspense presented by Auto Light.

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Tonight's star, Mr. Edward G. Robinson.

26:59.000 --> 27:03.000
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Next Thursday for Suspense, our star will be Charles Boyer.

27:58.000 --> 28:01.000
The play is called The Case of Henri Vibard.

28:01.000 --> 28:20.000
And it is, as we say, a tale well calculated to keep you in suspense.

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Tonight's Suspense play was produced and edited by William Spear

28:23.000 --> 28:25.000
and directed by Norman MacDonald.

28:25.000 --> 28:28.000
Music for Suspense is composed by Lucian Morrowek

28:28.000 --> 28:30.000
and conducted by Lud Bluskin.

28:30.000 --> 28:34.000
A Case of Nerves is an original play written for radio by Lawrence Goldman.

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Edward G. Robinson may soon be seen in My Daughter Joy,

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an Alexander Corder production for London films.

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In the coming weeks, you will hear such stars as

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Auto Light, sponsor of Suspense, is proud to acknowledge receipt

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This is CBS, the Columbia Broadcasting System.

