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Suspense!

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Auto Light and its 96,000 dealers present Mr. Dan Daly in Six Feet Under, a suspense

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play produced and edited by William Spear.

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Harlow, did you know that in the springtime a young man's fancy turns to...

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The world famous quality and performance of ignition engineered auto light spark plugs?

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Well...

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Auto Light, you know, is the world's largest independent manufacturer of automotive electrical

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equipment.

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And when you come right down to it, who knows more about the best spark plugs for your car

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than auto light ignition engineers, the men who design coils, distributors, and all the

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other important parts that go to make up the complete automotive electrical system.

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Why, it's the skill of the same auto light ignition engineers that made possible the

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practical development of the auto light resistor spark plug, the greatest advancement in spark

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plug design for automotive use in the past 20 years.

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Have you no sentiments about spring?

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Sure, hap, spring into your car tomorrow and see your friendly auto light spark plug dealer.

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Have him replace worn out spark plugs with world famous ignition engineered auto light

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spark plugs.

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Whether you choose the resistor type or the regular type, you can't buy a better spark

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plug for your car because you're always right with auto light.

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And now with six feet under and the performance of Dan Daly, auto light hopes once again to

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keep you in suspense.

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You'll never know what it's like down there.

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You're six feet under 10 hours a day without food or water with that light on your face

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so the Yoko's can pay their dimes and stare down at you.

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It's like being dead, only you know what's going on.

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The pump that feeds the air down to you seems to be keeping time with your heartbeat and

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you can't help thinking that if it ever stops, the heartbeat will stop with it.

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You get a lot of time to think down there, to think of all the things that can happen.

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And when the show closes for the night and they dig you up, you head for the nearest

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bar to forget all the crazy things you've been thinking.

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Double whiskey beer chaser.

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You with the carnival?

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Yeah.

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Must be interesting.

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What do you do?

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Got a sideshow.

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Fill this up with it.

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Sure.

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What's your trick?

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Sword swallower?

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Now I roll over and play dead.

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Oh, you're the guy that's buried alive.

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Yeah, I saw you this afternoon at the matinee.

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Took the kids over.

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Yeah.

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What are you raising?

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A couple of undertakers?

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Oh, I didn't take them into your tent.

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Seemed kind of a morbid thing for kids.

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But not for you.

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What do you mean?

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Skip it.

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I'm not hitting this glass again.

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Okay.

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Now that people see that act of yours, the tent was crowded.

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I kind of thought it'd be different.

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How different?

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Well, paying a dime a head just to look down at you through that glass.

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It's not a bad racket you got there.

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Yeah, big, fat, happy racket.

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Not tough like standing behind a bar and breathing and eating and moving whenever you want to.

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Well, if you think it's a hot dig, you shove a hole and pull up a car for nobody stopping

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you.

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You want another drink, call me.

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Just leave the bottle.

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I'm still alive.

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I can pour my own.

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I can do it myself, friend.

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They were all the same.

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They paid a dime to look at you down there.

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But if they saw you later above the ground, they acted like you were cheating them.

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Like you owed it to them to stay buried or they won't get their money's worth.

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I used to do another act.

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A juggling act.

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An act that took me years of sweat and practice to learn.

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But nobody came to see that.

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You had to learn a dog's trick to make a living.

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You had to trust people.

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People you wondered about.

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Hello, Jack.

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Good luck.

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I'm looking for you.

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Come on, get lost, Cliff.

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Don't follow me around.

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Miriam sent me out to find you.

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She knows where I am ten hours a day.

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That's more than most wives know.

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Miriam was my wife.

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I'd spend a little time with her.

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You spend quite a little time with her as it is, Cliff.

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Quite a little time.

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You're talking through that bottle, Jack.

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Miriam and I are old friends.

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Yeah, I heard about it lots of times.

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You were a stage door Johnny when she worked on Burlesque, weren't you?

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I used to laugh about you.

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That was before you came to work for us.

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But now I don't laugh anymore, Cliff.

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Now I wonder.

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You're drunk.

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Am I?

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What's a guy like you doing around a carnival, Cliff?

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You were a big shot accountant with a good business.

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And all of a sudden you chuck everything to learn to be a barker for a pitch like mine.

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And it digged me out of that hole every night.

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I'm not complaining.

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Why should you?

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Because I figure you gotta have a reason, Cliff.

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I figure that maybe some night you're gonna forget the dig.

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Oh, you're being ridiculous, Jack.

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Sure.

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Only you still haven't told me why you joined the show, Cliff.

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That's my business.

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Never mind, I'll tell you.

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Because you're in love with Miriam and it's killing you to see her married to me.

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All right, Jack, that's part of it.

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Sure I love Miriam, but that isn't what's killing me.

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A bad heart is a thing that's killing me.

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What do you mean?

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I chucked my business and joined the show because I've only got about a year to live.

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Miriam is the only thing in the world I care about.

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I want her to be near her.

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That's a very touching story, pal.

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What am I supposed to do, break down and cry?

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Jack, I'd do anything to see Miriam happy.

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And if it meant killing you, I could do it without batting an eye.

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Because I've got nothing to lose.

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I want you to know that.

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That's good, Cliff.

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Now we understand each other.

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Have a drink.

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I don't want one.

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Oh, well, this ain't just an ordinary drink, Cliff.

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This is a toast.

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To one of us.

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To the guy who buries the other one.

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For good.

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It was a fool thing to do.

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A mistake.

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Because he'd play his cards closer now.

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If I told him to pack up and get out, he might take Miriam with him.

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And I was crazy about Miriam.

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Something was wrong between us, but I was still crazy about her.

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I had to know, I had to wait and find out if he could take her from me.

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And that meant I had to keep him around.

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And every day he'd have me helpless down there in that hole like a baby.

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I didn't want to drink anymore.

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I went back to the tent and tried to sleep, but I kept having that same dream over and over again.

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Not a picture dream, but a dream in sound.

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The sound of that air pump that kept me alive down there.

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It got slower and slower.

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And then it stopped.

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And I woke up choked, jumped out of bed.

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Jack, Jack, is that you?

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Yeah, yeah, Miriam.

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You go back to sleep.

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Is something wrong, dear?

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Oh, I had a dream, that's all.

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Go back to sleep.

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Oh, well, maybe if I may just...

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I don't want any hot milk.

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I'm going out for a while.

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Jack, I hope you're not...

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Where would I get it this time of night?

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I'm not going to drink to save the lecture.

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Well, you don't have to snap at me like that.

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That's all you've been doing lately.

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Have I?

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Well, nobody's died from it so far.

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I don't get you at all.

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Don't you?

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Well, maybe you're not trying hard enough.

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I'm going for a walk.

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Jack, Jack!

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I walked around the grounds.

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The moon was doing trick things with the shadows around the tents

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and the pitch signs along the midway.

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I loved it.

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A cheap two-bit carnival, but I loved it.

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When Miriam and I were first married, I used to dream about owning the work some day.

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Yeah, I was going to do big things.

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Clean up with a juggling act, then write to Becker Brothers

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and offer to buy them a home.

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The Ferris wheel that rides the whole show.

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I was going to own the world,

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but instead I wound up with six feet of it.

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They could dig me up out of that hole every night,

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but I couldn't dig my dreams up anymore.

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Finally, I went back to my own tent and slept until showtime.

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Miriam was gone when I woke up, so I walked over to our pitch.

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I was going to pull the flap and go in,

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but then I heard her talk on the cliff, so I listened.

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I hate it when he's like that. I can't stand it much longer.

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You won't have to stand it after tomorrow night.

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You'll be away from here. Things will be different.

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You sure you want to do this for me, Cliff?

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I want you to be happy.

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He suspects something. I know it. If he finds out...

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He won't find out. Not until tomorrow night.

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And when he does, it'll be too late.

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He won't be able to do anything about it.

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You love your wife and you stand outside a tent

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and hear her planning to murder you.

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It wasn't only Cliff. It was her, too.

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And I knew right then what I had to do.

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I had to kill them.

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I had to kill the both of them.

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And tonight, right away.

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Auto Light is bringing you Dan Daly in Six Feet Under.

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Tonight's production in radio's outstanding theater of thrills, Suspense.

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Say, Hap, who knows more about law than a lawyer?

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You sure got me this time, Harlow.

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Well, then, who knows more about the best spark plug for your car

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than auto light ignition engineers?

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The men who designed the complete electrical system

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for many makes of America's finest cars.

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They engineer spark plugs just as they engineer coils, distributors,

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and all other ignition parts to work together as a perfect team.

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Go on, go on, Harlow.

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Well, it's the skill of the same auto light ignition engineers

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that made possible the practical development of the auto light resistor spark plug,

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the greatest advancement in spark plug design for automotive use in the past 20 years.

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And the newest addition to a complete line of transport, aviation,

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marine, and regular automotive spark plugs engineered by auto light

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in sizes and heat ranges for every purpose.

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I guess I've learned my lesson.

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So, friends, see your friendly auto light spark plug dealer.

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Have him replace worn out spark plugs

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with world famous ignition engineered auto light spark plugs.

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And whether you choose the resistor type or the regular type,

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you can't buy a better spark plug for your car

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because you're always right with auto light.

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And now auto light brings back to our Hollywood sound stage

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our star Dan Daly in Six Feet Under,

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a tale well calculated to keep you in suspense.

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Now I know.

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It wasn't only Cliff it was Miriam too.

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It was like getting hit in the stomach when you didn't expect it.

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You love your wife and you stand outside a tent

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and hear her planning to murder you.

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I walked around the grounds in a daze.

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I tried to tell myself that I was wrong, but your own ears can't lie to you.

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Jack! Hey, Jack!

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Oh, hello, Bonnie.

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I've been screaming my head off at you.

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You hypnotized or something?

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Sorry, Bonnie, I was thinking.

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Oh, call for Cliff on the phone in the office wagon.

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You want to take it for him?

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All right.

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Hello?

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This is Morton at Trans Country Airlines.

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I have your reservations confirmed.

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Oh, oh, good.

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Two seats on the midnight plane to Chicago tomorrow night.

257
00:11:35,720 --> 00:11:36,720
Thanks a lot.

258
00:11:36,720 --> 00:11:39,720
I know you said you'd come in to pick up the tickets this afternoon,

259
00:11:39,720 --> 00:11:41,720
but I wanted to call and let you know it was confirmed.

260
00:11:41,720 --> 00:11:44,720
I'm glad you did. You'll never know how glad.

261
00:11:44,720 --> 00:11:46,720
It's just part of our service there.

262
00:11:46,720 --> 00:11:47,720
I'll hold the tickets for you.

263
00:11:47,720 --> 00:11:50,720
Now, are you going to enough trouble? You can cancel the tickets.

264
00:11:50,720 --> 00:11:51,720
But I thought you...

265
00:11:51,720 --> 00:11:53,720
I'm changing somebody's mind.

266
00:11:53,720 --> 00:12:02,720
Nobody's going to Chicago tomorrow night. Nobody.

267
00:12:02,720 --> 00:12:06,720
When you see something coming and you know it's too late to stop it, you get calm.

268
00:12:06,720 --> 00:12:09,720
You'll watch it like it was happening to somebody else.

269
00:12:09,720 --> 00:12:13,720
I had to kill them. I had to kill the both of them.

270
00:12:13,720 --> 00:12:16,720
Tonight after the show. After they brought me up.

271
00:12:16,720 --> 00:12:19,720
I'd have ten hours down there to think of a way.

272
00:12:19,720 --> 00:12:23,720
I went into the tent and watched Cliff getting the whole ready for me.

273
00:12:23,720 --> 00:12:24,720
I wanted to laugh.

274
00:12:24,720 --> 00:12:26,720
Is this all right now?

275
00:12:26,720 --> 00:12:28,720
Yeah, that's deep enough.

276
00:12:28,720 --> 00:12:32,720
Cliff, I want that speaking tube hooked up today.

277
00:12:32,720 --> 00:12:34,720
What's the matter? Getting lonesome down there?

278
00:12:34,720 --> 00:12:36,720
I thought you didn't like to talk to the customers.

279
00:12:36,720 --> 00:12:37,720
Today I feel sociable.

280
00:12:37,720 --> 00:12:40,720
I had a glimpse into the bright and cheery future. Hook it up.

281
00:12:40,720 --> 00:12:41,720
You're the boss.

282
00:12:41,720 --> 00:12:42,720
Where's Miriam?

283
00:12:42,720 --> 00:12:44,720
Getting a new roll of tickets from the wagon.

284
00:12:44,720 --> 00:12:46,720
When there's a crowd out there on the Midway, Cliff,

285
00:12:46,720 --> 00:12:50,720
Calliope going on the merry-go-round and all, can she hear my buzzer?

286
00:12:50,720 --> 00:12:51,720
Why wouldn't she?

287
00:12:51,720 --> 00:12:53,720
It's hooked up right from the box to the ticket cage.

288
00:12:53,720 --> 00:12:56,720
But you never use it, so what difference does it make?

289
00:12:56,720 --> 00:12:58,720
It could make a big difference if nobody was in the tent

290
00:12:58,720 --> 00:13:01,720
and the air shut off on me. A big difference.

291
00:13:01,720 --> 00:13:02,720
Let's check it.

292
00:13:02,720 --> 00:13:04,720
All right, there's a button in the box. Press it.

293
00:13:04,720 --> 00:13:07,720
The counter's just outside the flap. We can hear it from here.

294
00:13:08,720 --> 00:13:09,720
Are you pressing it?

295
00:13:09,720 --> 00:13:11,720
You see me, don't you, Cliff?

296
00:13:11,720 --> 00:13:13,720
I don't hear anything out there.

297
00:13:13,720 --> 00:13:14,720
Neither do I.

298
00:13:14,720 --> 00:13:17,720
There must be a loose wire or something.

299
00:13:17,720 --> 00:13:20,720
No, Cliff, it's the batteries.

300
00:13:20,720 --> 00:13:23,720
Because I checked while you were digging and the batteries are gone.

301
00:13:24,720 --> 00:13:26,720
Oh, that's right. I forgot.

302
00:13:26,720 --> 00:13:29,720
When we were moving from the last town, my flashlight went dead.

303
00:13:29,720 --> 00:13:31,720
I borrowed the buzzer battery.

304
00:13:31,720 --> 00:13:32,720
But you forgot to put them back.

305
00:13:32,720 --> 00:13:35,720
Oh, I'm sorry, Jack. It slipped my mind.

306
00:13:35,720 --> 00:13:37,720
You never use a buzzer, so I didn't think of it.

307
00:13:37,720 --> 00:13:39,720
You thought of it when we needed the batteries.

308
00:13:39,720 --> 00:13:41,720
Jack, I tell you it was a mistake. That's all.

309
00:13:41,720 --> 00:13:44,720
Look, the midway's opening up. There's no time to start an argument.

310
00:13:44,720 --> 00:13:48,720
Yeah. Yeah, there'll be time for that later tonight.

311
00:13:48,720 --> 00:13:49,720
We can talk it over tonight, Cliff.

312
00:13:49,720 --> 00:13:50,720
That suits me.

313
00:13:50,720 --> 00:13:53,720
Come on. Let's lower the box.

314
00:13:57,720 --> 00:13:58,720
I'll go get a new set of batteries.

315
00:13:58,720 --> 00:14:00,720
You might as well climb down, slide into the box.

316
00:14:00,720 --> 00:14:02,720
I'll cover you when I get back.

317
00:14:02,720 --> 00:14:07,720
I lit a cigarette. My hands were wet and shaking.

318
00:14:07,720 --> 00:14:10,720
Suppose he didn't wait until tomorrow night.

319
00:14:10,720 --> 00:14:12,720
Suppose this was it.

320
00:14:12,720 --> 00:14:15,720
I couldn't tip my hand by refusing to get down,

321
00:14:15,720 --> 00:14:19,720
but I had to make sure I'd come up again, just this once.

322
00:14:19,720 --> 00:14:22,720
He'd be gone a couple of minutes, long enough.

323
00:14:22,720 --> 00:14:24,720
I ducked out of the tent and across the midway

324
00:14:24,720 --> 00:14:26,720
to the pitch of Ol' Anna, the fortunate one.

325
00:14:26,720 --> 00:14:28,720
I was going to get up, but I couldn't.

326
00:14:28,720 --> 00:14:30,720
I was going to get up, but I couldn't.

327
00:14:30,720 --> 00:14:32,720
I was going to get up, but I couldn't.

328
00:14:32,720 --> 00:14:34,720
Why are you so jumpy about, Annie?

329
00:14:34,720 --> 00:14:36,720
You act like you've been seeing ghosts.

330
00:14:36,720 --> 00:14:38,720
I was communing with other world.

331
00:14:38,720 --> 00:14:39,720
Say that for the suckers.

332
00:14:39,720 --> 00:14:41,720
I want you to do something for me.

333
00:14:41,720 --> 00:14:43,720
I want you to promise and I don't want you to forget.

334
00:14:43,720 --> 00:14:44,720
Is it evil thing?

335
00:14:44,720 --> 00:14:46,720
No, no, Anna, it isn't evil.

336
00:14:46,720 --> 00:14:47,720
When we shut down at night,

337
00:14:47,720 --> 00:14:49,720
I want you to come over to the tent, that's all.

338
00:14:49,720 --> 00:14:52,720
I want you to hang around there until Cliff digs me up, understand?

339
00:14:52,720 --> 00:14:54,720
Beware of lower world, Jack.

340
00:14:54,720 --> 00:14:55,720
Evil things lurk there.

341
00:14:55,720 --> 00:14:56,720
Promise me, Anna.

342
00:14:56,720 --> 00:14:57,720
I promise.

343
00:14:57,720 --> 00:14:59,720
But let me read you fortune in the cards.

344
00:14:59,720 --> 00:15:00,720
It only takes a minute.

345
00:15:00,720 --> 00:15:04,720
There's no time, besides you read them for me in the train the other night.

346
00:15:04,720 --> 00:15:06,720
Was there something there you didn't tell me?

347
00:15:06,720 --> 00:15:08,720
Are you trying to frighten me with a sucker pitch?

348
00:15:08,720 --> 00:15:09,720
There was evil.

349
00:15:09,720 --> 00:15:10,720
The death cards were around you.

350
00:15:10,720 --> 00:15:11,720
They were all around you.

351
00:15:11,720 --> 00:15:12,720
Shut up, you old fool.

352
00:15:12,720 --> 00:15:14,720
Just come over to the tent tonight.

353
00:15:14,720 --> 00:15:15,720
That's all I want from you.

354
00:15:15,720 --> 00:15:16,720
That's all.

355
00:15:22,720 --> 00:15:24,720
I had to grab a hold of myself.

356
00:15:24,720 --> 00:15:27,720
A crazy old woman with a deck of greasy cards.

357
00:15:27,720 --> 00:15:31,720
I've been with tent shows too long to let a thing like that get me.

358
00:15:31,720 --> 00:15:36,720
I went back to the tent, got down into the hole and slid into the box.

359
00:15:36,720 --> 00:15:40,720
Cliff lowered the narrow view shaft that the customers looked through.

360
00:15:40,720 --> 00:15:43,720
I fastened it to the hole just above my face.

361
00:15:43,720 --> 00:15:47,720
Then he started to shovel the dirt in on top of me.

362
00:15:47,720 --> 00:15:49,720
I could hear it hitting the box.

363
00:15:49,720 --> 00:15:57,720
There isn't another sound like it in the whole world.

364
00:15:57,720 --> 00:15:59,720
Then it was all done.

365
00:15:59,720 --> 00:16:04,720
Cliff looked down at me through the glass and the smile on his face made me cold.

366
00:16:04,720 --> 00:16:08,720
Then he was gone and I was alone with the sound of the air pump.

367
00:16:08,720 --> 00:16:12,720
In a few minutes the customers started to come in and it wasn't so bad.

368
00:16:12,720 --> 00:16:15,720
If anything went wrong they'd be able to hear me through the speaking tool.

369
00:16:15,720 --> 00:16:17,720
Just as I could hear them.

370
00:16:17,720 --> 00:16:19,720
Come on mother, come on look at him.

371
00:16:19,720 --> 00:16:22,720
Oh you look it, give me the creeping whizzle, whizzle.

372
00:16:22,720 --> 00:16:25,720
Well you're the one who wanted to come in, come on it can't hurt you.

373
00:16:25,720 --> 00:16:28,720
Look you can talk to him right through this here hoop nanny.

374
00:16:28,720 --> 00:16:31,720
Well, can you hear me down there?

375
00:16:31,720 --> 00:16:33,720
Yeah I can hear you.

376
00:16:33,720 --> 00:16:36,720
Is it, well, are you all right?

377
00:16:36,720 --> 00:16:38,720
Yeah, yeah I'm all right.

378
00:16:38,720 --> 00:16:41,720
See, just like I told you there's nothing to it.

379
00:16:41,720 --> 00:16:43,720
That's all we see for our money?

380
00:16:43,720 --> 00:16:45,720
Sure, the whole darn thing's a jib.

381
00:16:45,720 --> 00:16:47,720
Well so long down there.

382
00:16:47,720 --> 00:16:49,720
We'll all join you some day, sooner or later.

383
00:16:49,720 --> 00:16:51,720
Oh, oh, sad what a day this day.

384
00:16:51,720 --> 00:16:54,720
I think they'd give you a little more for your money though.

385
00:16:58,720 --> 00:17:00,720
That's the way it was.

386
00:17:00,720 --> 00:17:05,720
Hour after hour, face after face until all the faces blurred and ran together.

387
00:17:05,720 --> 00:17:10,720
Their voices came down with the same questions and the same disappointed wisecracks.

388
00:17:10,720 --> 00:17:13,720
But they kept paying and they kept coming.

389
00:17:13,720 --> 00:17:17,720
It was getting on the late afternoon because the crowd was beginning to thin out.

390
00:17:17,720 --> 00:17:25,720
Everybody would be headed home for dinner by 5.30 and the gang working on the midway would knock off and go to the commissary tent to chow.

391
00:17:25,720 --> 00:17:27,720
At 6.30 the crowd would drift back again.

392
00:17:27,720 --> 00:17:30,720
The big crowd with the men home from work.

393
00:17:30,720 --> 00:17:39,720
And by the time they were gone old Anna the fortune teller, my insurance policy, would be standing by and Cliff would have to dig me out whether he wanted to or not.

394
00:17:39,720 --> 00:17:42,720
I was glad to see the crowd go for a while.

395
00:17:42,720 --> 00:17:45,720
It gave me the next hour alone to think and plan things out.

396
00:17:45,720 --> 00:17:47,720
Then it hit me.

397
00:17:47,720 --> 00:17:50,720
The next hour alone.

398
00:17:50,720 --> 00:17:53,720
I'd forgotten that part of it.

399
00:17:53,720 --> 00:17:55,720
I looked up.

400
00:17:55,720 --> 00:17:57,720
There were no faces in the viewing glass.

401
00:17:57,720 --> 00:18:02,720
I fell around with my hand and I found the buzzer button and the ticket keys.

402
00:18:02,720 --> 00:18:05,720
I pressed it again and again but Miriam didn't come.

403
00:18:05,720 --> 00:18:06,720
Sure.

404
00:18:06,720 --> 00:18:08,720
This was it.

405
00:18:08,720 --> 00:18:11,720
They were up there now getting ready to do whatever they were going to do.

406
00:18:11,720 --> 00:18:13,720
Then they'd walk away over to the commissary tent.

407
00:18:13,720 --> 00:18:15,720
They'd eat and laugh.

408
00:18:15,720 --> 00:18:16,720
Nobody'd suspect them.

409
00:18:16,720 --> 00:18:18,720
It'd be an accident.

410
00:18:18,720 --> 00:18:20,720
I tried to think of something else.

411
00:18:20,720 --> 00:18:23,720
They wouldn't have the nerve to be through with it.

412
00:18:23,720 --> 00:18:25,720
And then I knew I was wrong.

413
00:18:25,720 --> 00:18:28,720
Because all of a sudden there was complete silence.

414
00:18:28,720 --> 00:18:33,720
Somebody had cut off the air pump.

415
00:18:33,720 --> 00:18:37,720
I twisted and turned and I pushed against the lid of the box like a madman.

416
00:18:37,720 --> 00:18:41,720
But it didn't budge. There was more than a ton of earth on top of me.

417
00:18:41,720 --> 00:18:44,720
The pressure on my chest increased and I couldn't breathe.

418
00:18:44,720 --> 00:18:48,720
Flashes of red and blue color were whirling around in my head.

419
00:18:48,720 --> 00:18:50,720
I looked up gasping for air.

420
00:18:50,720 --> 00:18:52,720
And there was a face staring down at me.

421
00:18:52,720 --> 00:18:54,720
A child's face.

422
00:18:54,720 --> 00:18:56,720
See my baby turtle, mister?

423
00:18:56,720 --> 00:18:58,720
What are you doing down there, mister?

424
00:18:58,720 --> 00:18:59,720
Kid.

425
00:18:59,720 --> 00:19:00,720
Kid, get somebody quick.

426
00:19:00,720 --> 00:19:03,720
Go outside and get some help. I'm smothering.

427
00:19:03,720 --> 00:19:05,720
Don't just stare at me. Call somebody.

428
00:19:05,720 --> 00:19:08,720
You hear me? Stop looking at me.

429
00:19:08,720 --> 00:19:10,720
Get somebody.

430
00:19:12,720 --> 00:19:15,720
He kept staring at me, his eyes wide and frightened.

431
00:19:15,720 --> 00:19:17,720
He moved his mouth once.

432
00:19:17,720 --> 00:19:19,720
But he was frozen with fear.

433
00:19:19,720 --> 00:19:21,720
And all of a sudden his face was gone.

434
00:19:21,720 --> 00:19:23,720
He was gone.

435
00:19:23,720 --> 00:19:29,720
I made one last hopeless try at the lid and then suddenly I didn't care anymore.

436
00:19:29,720 --> 00:19:31,720
I relaxed.

437
00:19:31,720 --> 00:19:34,720
All the colors in the world exploded in my head.

438
00:19:34,720 --> 00:19:36,720
Then they all ran together.

439
00:19:36,720 --> 00:19:38,720
There was a roaring sound.

440
00:19:38,720 --> 00:19:40,720
Everything went black.

441
00:19:47,720 --> 00:19:49,720
I came out of it slowly.

442
00:19:49,720 --> 00:19:51,720
The pump was going again.

443
00:19:51,720 --> 00:19:55,720
The beat of it keeping time with a throbbing in my head.

444
00:19:55,720 --> 00:19:57,720
And they were digging for me.

445
00:19:57,720 --> 00:20:00,720
I could hear the sounds of the shovels in the earth.

446
00:20:00,720 --> 00:20:04,720
And then finally against the wooden top of the box.

447
00:20:06,720 --> 00:20:08,720
There we are. Give me your hand.

448
00:20:08,720 --> 00:20:10,720
Are you all right, Jack?

449
00:20:10,720 --> 00:20:12,720
Yeah, I'm okay.

450
00:20:12,720 --> 00:20:14,720
Come on, pull it up there.

451
00:20:14,720 --> 00:20:16,720
It's all right.

452
00:20:16,720 --> 00:20:18,720
Jack, come over to my tent and sit down.

453
00:20:18,720 --> 00:20:20,720
There is evil here.

454
00:20:20,720 --> 00:20:22,720
I don't want to sit down. Where's Miriam? Where's Cliff?

455
00:20:22,720 --> 00:20:24,720
Somebody went for them to the commissary.

456
00:20:24,720 --> 00:20:26,720
They will be here soon.

457
00:20:26,720 --> 00:20:28,720
But it wouldn't have been soon enough.

458
00:20:28,720 --> 00:20:30,720
He's been sneaking in the shows.

459
00:20:30,720 --> 00:20:32,720
He saw the air pump motor out and turned it off.

460
00:20:32,720 --> 00:20:34,720
You think that's the way it happened?

461
00:20:34,720 --> 00:20:36,720
What's the matter here?

462
00:20:36,720 --> 00:20:38,720
Jack, what are you on top for?

463
00:20:38,720 --> 00:20:40,720
Take a guess, Miriam.

464
00:20:40,720 --> 00:20:42,720
There was an accident. Some kid shot off the motor to the air pump.

465
00:20:42,720 --> 00:20:44,720
See, Miriam, that's all it was.

466
00:20:44,720 --> 00:20:46,720
Just an accident. Nobody to blame.

467
00:20:46,720 --> 00:20:48,720
Jack, I should have been here.

468
00:20:48,720 --> 00:20:50,720
Yeah, maybe you should have. You could have kept that kid out of the tent.

469
00:20:50,720 --> 00:20:52,720
It would have worked out better. Where's Cliff?

470
00:20:52,720 --> 00:20:54,720
Around, I don't know.

471
00:20:54,720 --> 00:20:56,720
You could have been killed down there.

472
00:20:56,720 --> 00:20:58,720
I could have been, but I wasn't.

473
00:20:58,720 --> 00:21:00,720
Don't worry about it, baby.

474
00:21:00,720 --> 00:21:02,720
It won't happen again.

475
00:21:02,720 --> 00:21:04,720
It won't happen to me again.

476
00:21:08,720 --> 00:21:10,720
It was my game now.

477
00:21:10,720 --> 00:21:12,720
I was up walking and breathing.

478
00:21:12,720 --> 00:21:14,720
It was my game.

479
00:21:14,720 --> 00:21:16,720
I played the tender husband.

480
00:21:16,720 --> 00:21:18,720
I wasn't going to show him my cards now.

481
00:21:18,720 --> 00:21:20,720
That came later.

482
00:21:20,720 --> 00:21:22,720
When she calmed down, I kissed her.

483
00:21:22,720 --> 00:21:24,720
Then I went looking for my last answer.

484
00:21:24,720 --> 00:21:26,720
Then I went looking for my last answer.

485
00:21:26,720 --> 00:21:28,720
The kid who had turned off the motor.

486
00:21:30,720 --> 00:21:32,720
There were kids all over the place,

487
00:21:32,720 --> 00:21:34,720
all looking the same the way kids do.

488
00:21:34,720 --> 00:21:36,720
But I'd remember his face.

489
00:21:36,720 --> 00:21:38,720
You're bound to remember a face when it might have been the last one you'd ever see.

490
00:21:38,720 --> 00:21:40,720
Then I spotted him going into the house of fun.

491
00:21:40,720 --> 00:21:42,720
I nodded to the ticket taker and went in after him.

492
00:21:42,720 --> 00:21:44,720
I caught him in the room with the tilled floors and grabbed him.

493
00:21:44,720 --> 00:21:46,720
I caught him in the room with the tilled floors and grabbed him.

494
00:21:46,720 --> 00:21:48,720
Ow! Mister!

495
00:21:48,720 --> 00:21:50,720
Let me go!

496
00:21:50,720 --> 00:21:52,720
Take it easy, kid. You won't get hurt.

497
00:21:52,720 --> 00:21:54,720
Why'd you turn that motor off?

498
00:21:54,720 --> 00:21:56,720
I was just fooling with it and it stopped, that's all.

499
00:21:56,720 --> 00:21:58,720
I didn't know what it was.

500
00:21:58,720 --> 00:22:00,720
Who told you to turn it off?

501
00:22:00,720 --> 00:22:02,720
Nobody! Let me go!

502
00:22:02,720 --> 00:22:04,720
Stop kicking! Tell me the truth or I'll...

503
00:22:04,720 --> 00:22:06,720
And I'll give you a buck.

504
00:22:06,720 --> 00:22:08,720
I am telling the truth.

505
00:22:08,720 --> 00:22:10,720
Tell me! Tell me who told you!

506
00:22:10,720 --> 00:22:12,720
Stop biting me and tell me!

507
00:22:18,720 --> 00:22:20,720
I'll tell my pop. He'll fix you.

508
00:22:20,720 --> 00:22:22,720
Let me go!

509
00:22:22,720 --> 00:22:24,720
I'll let you go when you answer me.

510
00:22:24,720 --> 00:22:26,720
What do you want me to say, mister?

511
00:22:26,720 --> 00:22:28,720
A man told you to turn that motor off, didn't he?

512
00:22:28,720 --> 00:22:30,720
No! No!

513
00:22:30,720 --> 00:22:32,720
Let me get him!

514
00:22:32,720 --> 00:22:34,720
All right, kid. All right.

515
00:22:34,720 --> 00:22:36,720
Here's your dollar.

516
00:22:36,720 --> 00:22:38,720
I don't want no dollar! I want to go home!

517
00:22:42,720 --> 00:22:44,720
I went into town and drank until the show closed down.

518
00:22:44,720 --> 00:22:46,720
Until I was sure they'd all be asleep.

519
00:22:46,720 --> 00:22:48,720
Until I was sure they'd all be asleep.

520
00:22:48,720 --> 00:22:52,720
Then I went to the first aid wagon and nosed around until I found what I wanted.

521
00:22:52,720 --> 00:22:54,720
A can of ether.

522
00:22:54,720 --> 00:22:56,720
Cliff was bigger than I. Much bigger.

523
00:22:56,720 --> 00:22:58,720
And I had to be sure.

524
00:22:58,720 --> 00:23:02,720
I soaked a handkerchief in the stuff and then I left myself in the cliff tent.

525
00:23:02,720 --> 00:23:04,720
He was lying there.

526
00:23:04,720 --> 00:23:06,720
Quietly.

527
00:23:06,720 --> 00:23:08,720
He was sleeping. He wasn't making a sound.

528
00:23:08,720 --> 00:23:12,720
I crept over to him and pushed the handkerchief over his mouth and nose.

529
00:23:12,720 --> 00:23:14,720
I held it there.

530
00:23:14,720 --> 00:23:16,720
Held his face right into it.

531
00:23:16,720 --> 00:23:18,720
He didn't even murmur.

532
00:23:18,720 --> 00:23:22,720
And when I let go after a while his head dropped back.

533
00:23:22,720 --> 00:23:24,720
He was out.

534
00:23:24,720 --> 00:23:26,720
I picked him up and carried him to the pitch tent.

535
00:23:26,720 --> 00:23:28,720
I put him down in a box.

536
00:23:28,720 --> 00:23:30,720
And then I shoveled a dirt in on top of him.

537
00:23:36,720 --> 00:23:38,720
I left the air pump running.

538
00:23:38,720 --> 00:23:40,720
I wanted Miriam to see him down there.

539
00:23:40,720 --> 00:23:42,720
Him instead of me.

540
00:23:42,720 --> 00:23:44,720
Then I could stop it waiting up for me when I was back together.

541
00:23:44,720 --> 00:23:46,720
Well, it's about time you got back.

542
00:23:46,720 --> 00:23:48,720
I've been worried sick about you.

543
00:23:48,720 --> 00:23:50,720
Worried about me, baby?

544
00:23:50,720 --> 00:23:52,720
That's silly. I can take care of myself.

545
00:23:52,720 --> 00:23:54,720
That accident this afternoon.

546
00:23:54,720 --> 00:23:56,720
I'm still shaky.

547
00:23:56,720 --> 00:23:58,720
Yeah, I can see why you would be.

548
00:23:58,720 --> 00:24:00,720
Jack, there's been something wrong with us.

549
00:24:00,720 --> 00:24:02,720
Maybe it's my fault. I want to straighten it out.

550
00:24:02,720 --> 00:24:04,720
Everything will be straightened out all right.

551
00:24:04,720 --> 00:24:06,720
Real soon.

552
00:24:06,720 --> 00:24:08,720
Come on. Let's go for a little walk.

553
00:24:08,720 --> 00:24:10,720
But it's after midnight.

554
00:24:10,720 --> 00:24:12,720
I know, but I got a surprise for you.

555
00:24:12,720 --> 00:24:14,720
Something I want you to see.

556
00:24:14,720 --> 00:24:16,720
What is it?

557
00:24:16,720 --> 00:24:18,720
Over at the pitch tent. Come on.

558
00:24:22,720 --> 00:24:24,720
She came.

559
00:24:24,720 --> 00:24:26,720
I had to hand it to her.

560
00:24:26,720 --> 00:24:28,720
She was playing the act of the hilt.

561
00:24:28,720 --> 00:24:30,720
Just like nothing was wrong.

562
00:24:30,720 --> 00:24:32,720
I took her arm and held it tight.

563
00:24:32,720 --> 00:24:34,720
Good and tight.

564
00:24:34,720 --> 00:24:36,720
So she couldn't turn and run.

565
00:24:36,720 --> 00:24:38,720
And we went into the pitch tent.

566
00:24:38,720 --> 00:24:40,720
Well, what's the surprise?

567
00:24:40,720 --> 00:24:42,720
It's dark in here.

568
00:24:42,720 --> 00:24:44,720
There's enough light down in the box.

569
00:24:44,720 --> 00:24:46,720
Go ahead. Take a look.

570
00:24:46,720 --> 00:24:48,720
The hole.

571
00:24:48,720 --> 00:24:50,720
It's filled in.

572
00:24:50,720 --> 00:24:52,720
The show has a new star.

573
00:24:52,720 --> 00:24:54,720
For a one night stand.

574
00:24:54,720 --> 00:24:56,720
Go ahead. Look.

575
00:24:56,720 --> 00:24:58,720
Jack, what...

576
00:24:58,720 --> 00:25:00,720
No!

577
00:25:00,720 --> 00:25:02,720
Yeah, baby.

578
00:25:02,720 --> 00:25:04,720
How do you like it now?

579
00:25:04,720 --> 00:25:06,720
That's the way I was today when that motor cut off.

580
00:25:06,720 --> 00:25:08,720
Get him out!

581
00:25:08,720 --> 00:25:10,720
I hope you'll be able to fix it this time.

582
00:25:10,720 --> 00:25:12,720
Don't you pray.

583
00:25:12,720 --> 00:25:14,720
Sure. I just ripped these wires out and he gets what I almost got.

584
00:25:14,720 --> 00:25:16,720
What are you killing him for? Why?

585
00:25:16,720 --> 00:25:18,720
I knew what you were up to.

586
00:25:18,720 --> 00:25:20,720
You'll never take that midnight play tomorrow.

587
00:25:20,720 --> 00:25:22,720
You'll never run away with him now.

588
00:25:22,720 --> 00:25:24,720
I wasn't running away with him. The tickets were for us.

589
00:25:24,720 --> 00:25:26,720
You hear me? For you and me.

590
00:25:26,720 --> 00:25:28,720
Well, there you forgot to tell me about it, baby.

591
00:25:28,720 --> 00:25:30,720
I couldn't. Cliff was lending us the money to buy the show.

592
00:25:30,720 --> 00:25:32,720
He said he'd be mine and he'd out some day.

593
00:25:32,720 --> 00:25:34,720
I wanted to do it for you because I loved you.

594
00:25:34,720 --> 00:25:36,720
Because I hated what's been happening to you down there.

595
00:25:36,720 --> 00:25:38,720
Why didn't you help me?

596
00:25:38,720 --> 00:25:40,720
Because he loved me, that's why.

597
00:25:40,720 --> 00:25:42,720
And he knew you were all I care about.

598
00:25:42,720 --> 00:25:44,720
He sent the money for the show to Becker Brothers yesterday

599
00:25:44,720 --> 00:25:46,720
and we were supposed to fly off tomorrow night to sign the papers in Chicago.

600
00:25:46,720 --> 00:25:48,720
You're lying.

601
00:25:48,720 --> 00:25:50,720
You're lying. You're lying to get a toll on me.

602
00:25:50,720 --> 00:25:52,720
Would you believe me? Would you believe anybody?

603
00:25:52,720 --> 00:25:54,720
Do something! Do something!

604
00:25:54,720 --> 00:25:56,720
The shovels. The shovels, Miriam. Where are they?

605
00:25:56,720 --> 00:25:58,720
Quick. Quick. Help me.

606
00:25:58,720 --> 00:26:00,720
Miriam, dig. Dig.

607
00:26:00,720 --> 00:26:08,720
Dig. Dig.

608
00:26:08,720 --> 00:26:14,720
And that's it, Sheriff.

609
00:26:14,720 --> 00:26:16,720
You'll never know what it's like down there.

610
00:26:16,720 --> 00:26:18,720
You have nothing to do but thinking.

611
00:26:18,720 --> 00:26:20,720
Well, you get to thinking crazy things.

612
00:26:20,720 --> 00:26:22,720
That's why it happened.

613
00:26:22,720 --> 00:26:24,720
When we got to him, he was dead.

614
00:26:24,720 --> 00:26:26,720
I see.

615
00:26:26,720 --> 00:26:28,720
If you want to have that, then you have to.

616
00:26:28,720 --> 00:26:32,720
If you want to have that typed up as a confession, I'll sign it.

617
00:26:32,720 --> 00:26:34,720
There's much good that'd do.

618
00:26:34,720 --> 00:26:36,720
That deputy that came in a while ago

619
00:26:36,720 --> 00:26:38,720
gave me a copy of the coroner's report

620
00:26:38,720 --> 00:26:40,720
cause of death, coronary thrombosis.

621
00:26:40,720 --> 00:26:42,720
His heart, no strangulation.

622
00:26:42,720 --> 00:26:44,720
He was already dead when you stopped that air pump.

623
00:26:44,720 --> 00:26:46,720
He was dead even before that, before you gave him ether.

624
00:26:46,720 --> 00:26:50,720
You mean Jack didn't kill him?

625
00:26:50,720 --> 00:26:52,720
Not according to the coroner. Death from natural causes.

626
00:26:52,720 --> 00:26:56,720
Then you're not going to charge me with murder?

627
00:26:56,720 --> 00:26:58,720
You can't murder a dead man, mister.

628
00:26:58,720 --> 00:27:02,720
Just like you can't lock a man up for being a fool.

629
00:27:02,720 --> 00:27:04,720
Oh, Jack. Jack.

630
00:27:04,720 --> 00:27:06,720
It's all right, baby.

631
00:27:06,720 --> 00:27:08,720
You hurt him.

632
00:27:08,720 --> 00:27:27,720
You hurt him. They can't do anything to me for being a fool.

633
00:27:27,720 --> 00:27:29,720
Suspense.

634
00:27:29,720 --> 00:27:33,720
Presented by Auto Light. Tonight's star, Dan Daly.

635
00:27:33,720 --> 00:27:35,720
Hey, Harlow, here's a poem for you.

636
00:27:35,720 --> 00:27:36,720
All right.

637
00:27:36,720 --> 00:27:38,720
Winter, spring or fall, Harlow doesn't change at all.

638
00:27:38,720 --> 00:27:42,720
Be it day or be it night, Wilcox thinks of Auto Light.

639
00:27:42,720 --> 00:27:44,720
Well, you're right there, Hap.

640
00:27:44,720 --> 00:27:46,720
Any season is the right season to talk about

641
00:27:46,720 --> 00:27:48,720
the more than 400 products made by Auto Light

642
00:27:48,720 --> 00:27:52,720
for cars, trucks, planes and boats in 28 plants coast to coast.

643
00:27:52,720 --> 00:27:54,720
These include complete electrical systems

644
00:27:54,720 --> 00:27:58,720
used as original equipment on many makes of America's finest cars.

645
00:27:58,720 --> 00:28:00,720
Spark plugs, batteries, generators, coils, distributors,

646
00:28:00,720 --> 00:28:02,720
electric windshield wipers, starting motors,

647
00:28:02,720 --> 00:28:04,720
bullseye sealed beam headlights.

648
00:28:04,720 --> 00:28:06,720
All engineered to fit together perfectly,

649
00:28:06,720 --> 00:28:09,720
work together perfectly because they're a perfect team.

650
00:28:09,720 --> 00:28:13,720
So, friends, don't accept electrical parts supposed to be as good.

651
00:28:13,720 --> 00:28:16,720
Ask for and insist on Auto Light original factory parts

652
00:28:16,720 --> 00:28:20,720
at your neighborhood service station, car dealer, garage or repair shop.

653
00:28:20,720 --> 00:28:23,720
Remember, you're always right with Auto Light.

654
00:28:28,720 --> 00:28:31,720
Next Thursday for Suspense, our star will be Ray Milan.

655
00:28:31,720 --> 00:28:35,720
The play is called Pearls Are A Nuisance and it is, as we say...

656
00:28:35,720 --> 00:28:39,720
A tale well calculated to keep you in...

657
00:28:39,720 --> 00:28:41,720
Suspense!

658
00:28:41,720 --> 00:28:44,720
Tonight's Suspense play was produced and edited by William Spear

659
00:28:44,720 --> 00:28:46,720
and directed by Norman MacDonald.

660
00:28:46,720 --> 00:28:48,720
Music for Suspense is composed by Lucian Morrowek

661
00:28:48,720 --> 00:28:50,720
and conducted by Lud Bluskin.

662
00:28:50,720 --> 00:28:54,720
Six Feet Under is an original play written for radio by Joel Murcott.

663
00:28:54,720 --> 00:28:56,720
Dan Daly will soon be seen with Ann Baxter

664
00:28:56,720 --> 00:29:01,720
in the 20th Century Fox Technicolor production, Ticket to Tomahawk.

665
00:29:12,720 --> 00:29:16,720
You can buy world famous Auto Light resistor or regular spark plugs,

666
00:29:16,720 --> 00:29:19,720
Auto Light staple batteries, Auto Light electrical parts

667
00:29:19,720 --> 00:29:21,720
at your neighborhood Auto Light dealers.

668
00:29:21,720 --> 00:29:23,720
Switch to Auto Light. Good night.

669
00:29:23,720 --> 00:29:26,720
This is CBS, the Columbia Broadcasting System.

