WEBVTT

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Suspense!

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Auto Light and its 96,000 dealers present Mr. Robert Taylor in Four Hours to Kill, a

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suspense play produced and edited by William Spear.

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Oh there, Mr. Wilcox, I am J. Hammock Macbeth of the Legitimate Theatre.

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I've just been signed to announce a new show.

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Relax.

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Okay, let's hear you do something with famous auto light resistor spark plugs.

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Of course, I might begin thusly.

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To be or not to be, that is the question.

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No, no, no, the only question is how soon auto light resistor spark plugs will be

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demonstrating their advantages to every car owner in the land.

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But I...

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You see, my friend, auto light resistor spark plugs with their exclusive built-in

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10,000 ohm auto light resistor let your engine idle smoother, give better

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performance on leaner gas mixtures, actually save you gas.

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What's more, auto light resistor spark plugs have 200% longer electrode life.

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Cut down spark plug interference with radio and television.

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I want to...

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Be your friendly auto light dealer and have him install a set of the new auto light

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resistor spark plugs in your car.

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Remember, you're always right with auto light.

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And now with four hours to kill and the performance of Mr. Robert Taylor, auto light

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hopes once again to keep you in suspense.

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So you want to know what's the matter, what's wrong with me?

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Okay, sit down on that bench over there.

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Make yourself comfortable because this takes a while to tell and I want to get it all

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off my chest.

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You know, now that it's over, I can look back and see everything in perspective.

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Clear back to the days when my brother Walter and I were kids in Vermont.

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And I can see now that my life's divided into two halves.

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The first 34 years and the last four hours.

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Yeah, four hours ago I was standing at the big front door of the Bachelors Club on my

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way up to see Walter for the first time in five years.

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I knew it was going to be tough, but things had changed since the last time we were

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together.

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Walter had arrived now.

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He was the kind of New York lawyer who divides his time between the front page and the

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society section.

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I was just still a newspaper bum.

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The competition between us was over and I was hoping that now with the numbers up on

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the scoreboard for everyone to see, Walter might let down a little.

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Decide he could afford to call off whatever it was that had set us at each other's

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throats from the beginning.

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Anyway, that's what I hoped.

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As I said, I knew it would be tough.

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Asking Walter for anything was always tough.

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Well, I finally swallowed what pride I had left and walked into the lobby.

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At the desk next to the stairway, the clerk was in the huddle with a bell ringing.

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It's one of those clubs where you're supposed to put a call through the desk before

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going upstairs.

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I stood around waiting for a minute, then figured it might be better if Walter didn't

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know I was coming, so I walked past them.

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They didn't even see me.

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The guy nails me.

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I ain't that with all seven courses.

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So I said to myself, okay, so the guy's got a load of martinis.

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Well, you know, I'd call him for you, but his phone's tied up.

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Well, I'll tell you one thing, Larry.

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Starting tomorrow, someone else is going to take care of Walter.

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So it was Walter with a load of martinis.

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He should have stopped right there and turned around and walked out.

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I'm not the exit queue, but I'm up here.

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Well, nothing can change that now.

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Anyway, I walked on up to the second floor and down the hall to 206.

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Well, it's about time you got here.

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Well, I...

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Hello, Walter.

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Theodore.

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That's right.

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Big Brother Theodore.

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Well, come on in.

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You're just in time for dinner.

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The boy will be up in a minute.

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No, no, thanks, Walter.

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I haven't got too much time.

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You mean you're turning down a free meal?

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Look, let's forget that stuff, shall we?

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We're grown up now.

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There's no point...

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Sure, sure.

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Sit down.

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No, I won't be too long.

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Tell me, Ted, how are things on the paper in Buffalo?

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Okay, I guess.

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I quit yesterday.

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Oh, you quit?

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Yeah.

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Not fired, you quit.

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That's what I said.

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So, now you're out of a job and you figure that I'll...

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Wait a minute, Walter.

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Let me tell you all of it.

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There's a guy I met in the service, Dan Allenby.

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He's down in Florida now, Fort Lauderdale.

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Look, here's a letter I got from him.

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He's buying a paper there, a little country sheet, eight pages, twice a week.

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He wants me to go in with him.

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It's nothing big, Walter, but it's the kind of thing I've been looking for for years.

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We can do something down there.

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The place is growing.

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We can double the circulation in six months.

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Dan's got all kinds of ideas and so have I.

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He says that...

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What's the matter?

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Eh?

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What's so funny?

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You.

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I don't get it.

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All right, how much, Ted?

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The price was 10,000. I'll need half of it.

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5,000 bucks.

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That's right.

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Same song, 82nd verse.

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I'm not begging, Walter.

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What is it then?

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I'm asking you for a loan. I'll sign a note.

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Well, what about it?

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What happened to your pride, Ted?

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I thought we agreed to forget all...

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I didn't agree to anything.

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You not only lost what pride you had, you haven't even got any good sense.

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Okay, Walter, that answers my question.

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It's good for a laugh, though.

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Big Brother Theodore crawling up on his belly.

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Shut up, Walter.

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5,000 bucks. You thought I'd just hand it over.

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I said shut up.

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Hey, let go of me.

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I've had all of you I'm gonna take.

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You hear that, Walter? I've had all...

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Let go of me.

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Okay, Walter.

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Okay.

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You've had that coming for a long time, Walter.

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Yeah, you're right. I was stupid thinking you'd...

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Now get up.

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Come on, Walter, get up. I won't bother you anymore.

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I...

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Walter.

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Walter!

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I saw it when I turned him over.

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A stream of blood oozing out of his right temple where he'd hit his head on the corner of the hearth.

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No pulse.

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No breath.

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Walter was dead.

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In a spot like that, you don't think. You move.

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No one knew I was in New York.

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I was sure the clerk and the bellboy hadn't seen me cross the lobby.

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If I could get out without being spotted, I had a chance.

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I picked up the letters from Allenby, went to the door and put my handkerchief over the knob.

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Turned back to give the room a last look before I left.

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That's when I saw it.

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The telephone receiver was off the hook.

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I remember I looked down at it like it was a poisonous snake or something.

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Started to hang it up, then changed my mind.

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Uh, hello?

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Walter?

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Yeah, yeah, this is Walter.

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Really?

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Sorry, I kept you waiting so long.

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Wait a minute. Let's have an understanding right now.

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When I want a good newspaper man, I'll call you.

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When I want impersonations, I'll go see the floor show at Leon and Eddie's.

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Why don't you call your brother and tell him I'm getting tired of holding this telephone.

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Who, who will I say is calling?

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He knows. I made that pretty clear just before you barged into his apartment.

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What makes you think I barged in?

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Just a guess. Am I warm?

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Not very.

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From this end, the dialogue sounded more like a Donnybrook than a pink tee.

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Well, look, let's not go into...

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Oh, don't apologize, Theodore.

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Walter's a Class A heel. He had it coming.

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Now, go pick him up off the floor or wherever you left him and bring him to the phone.

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Well, he's out of the apartment right now. Why don't you just give me your name and number and I'll...

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He already has it. I gave it to him a year ago in a moment of weakness.

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Um, tell him I'll call him back in an hour or so when he's better into the talk.

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Hold it, hold it a minute.

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You're dinner, Mr. Pomeroy.

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Uh, listen, Walter won't be back till late tonight.

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You'd better call him at his office in the morning. You got that?

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Yes, but he wants...

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Mr. Pomeroy?

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If I'd had any sense, I'd have given up right then with the bellboy pounding on the door,

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with that girl on the phone who could send me to the chair with a word.

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But as I said in a spot like that, you don't think something else takes over.

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You wouldn't there, Mr. Pomeroy?

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I had to get my hands on that girl.

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I knew he'd have her number written down somewhere.

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There was nothing on the telephone stand, nothing in the drawers,

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but a couple of bridge score pads and some other junk.

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I wiped the knobs of the handkerchief and turned back to Walter,

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began searching his pockets.

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The bellboy was raffling some keys outside when I found it,

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a little brown leather-covered book with some names and numbers in it.

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I jumped toward the door, slid behind it just as it opened.

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Mr. Pomeroy, I knocked and I thought...

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Holy cow!

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Larry! Larry! Larry!

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The minute he turned the corner, I took off to the back stairway.

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The pack was beginning to howl up front when I left with the rear door,

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still unseen, safe, except for that girl.

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Auto Light is bringing you Mr. Robert Taylor in four hours to kill.

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Tonight's production in radio's outstanding theatre of thrills, Suspense.

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Be here, Wilkart. You must let me try again.

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Okay, Hamhawk, you're on.

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Something from Richard, perhaps. I was great as Richard III.

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Now is the winter of our discontent made glorious summer by...

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Auto Light resistor, speak.

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Now you're cooking, my boy, because Auto Light resistor spark plugs

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do get you started faster when it's cold.

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They let your engine idle smoother, run better on leaner gas mixtures,

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actually save you gas.

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The quality of mercy is not strange.

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And neither is the quality of Auto Light resistor spark plugs.

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With their exclusive built-in 10,000 ohm Auto Light resistor,

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Auto Light resistor spark plugs give 200% longer electrode life,

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reduce spark plug interference with radio and television.

10:57.000 --> 10:59.020
Is this a dagger which I can use to cut off the

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radio and television? Is this a dagger which I see before me?

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Could be, could be. And the answer to your visibility problems, chum,

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is Auto Light bullseye sealed beam headlights.

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A horse, a horse, my kingdom. Or a horse.

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Oh, you'll never feel that way, pal, if your car is equipped with

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wide gap Auto Light resistor spark plugs.

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So see your friendly Auto Light dealer and have him install a set of those

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wide gap Auto Light resistor spark plugs in your car.

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Remember, you're always right with Auto Light.

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And now Auto Light brings back to our Hollywood sound stage,

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our star Robert Taylor in Four Hours to Kill.

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A tale well calculated to keep you in suspense.

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I started across town toward Fifth Avenue, walking slowly,

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letting the cold night air work on my face.

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By now, the call was into headquarters and a power car was on the way.

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In a half hour, the homicide men would be there with the police photographers.

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By nine, the story would be into the morning papers.

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They'd be out around midnight. Walter was front page stuff.

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And that girl who'd heard it all on the phone, she'd be able to read the headlines.

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And once she added it up, I was through.

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I had four hours to find her.

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Then, somehow, somewhere, I knew I had to kill her.

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I found a phone booth in a Fifth Avenue drug store and took out the memo book.

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He'd scribbled first names and phone numbers on four or five pages.

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The rest of it was blank. No addresses, nothing else to go on.

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About a dozen of them belonged to women.

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So I started on number one, Anna Lee at a Murray Hill number.

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Hello?

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Is this Murray Hill 4-1-1-2-1?

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That's right.

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Is Joanne there, please?

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Joanne? I'm sorry, I don't know any Joanne. You must have the wrong number.

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Are you sure?

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I guess I'd better check it again. I'm sorry.

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No, Louise, this isn't him. If you're that guy who's been calling, let me tell you right now...

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You say you're making a survey?

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Well, my little old head isn't much good at figures, but I'll surely be glad to help you all. I...

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Hello?

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Is this Maxine?

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That's right. Who's this?

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Didn't I talk to you a little while ago?

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Who? Oh, don't tell me it's Cedar.

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Megated, will you?

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Oh, we're real friendly now.

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Well, I hope so.

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I see. And you make a habit of hanging up on people's faces.

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We were cut off, Angel, and you were so snide about giving me your name, I couldn't call you back.

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So you went out and bought yourself a crystal ball...

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No, no. I just called up every girl in Walters' telephone index until you answered.

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Why'd you do that?

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Because I want to see if the girl is as nice as the voice.

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How do you blush or default?

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Look, why don't you save us both a lot of trouble by telling me where I can meet you?

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I'd rather keep it this way.

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I can be pretty persistent.

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I can be pretty stubborn.

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One Pomeroy is about all I can cope with at a time.

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I'm awfully sorry, Theodore, but I have to...

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Wait a minute. What's that music? The radio?

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No, it's not the radio. And please don't bother me.

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You're a nice boy, but I'm too busy writing out a play game.

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Look, you've got to at least give me your last name, Maxine.

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Not tonight, Theodore. Some other time.

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But wait...

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I'm sorry, pal. You forced me to do this.

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Maxine, wait a minute.

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I'm sorry.

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Information.

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Would you tell me if you have a party by the name of Thomas P. Sherman at Plaza 22376?

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Thomas P. Sherman. S-H-E-R-M-A-N...

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That's right. Plaza 22376.

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One moment, please.

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I looked at my watch.

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It was 10 o'clock. I could close my eyes and see that hotel room now.

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Jammed with the boys from the police, Pete.

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Crowding around the medical examiner, grabbing for the phone,

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shooting questions at the lieutenant in charge.

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Hello, sir.

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Yes?

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We have no record of a Thomas P. Sherman at Plaza 22376.

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Oh, well, who is listed at that number?

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I'm sorry, sir. We do not give that information.

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What about the address of the number?

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I'm sorry, sir. We do not...

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Look, I've got to have it, operator. It's very urgent.

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One moment. I'll connect you with the supervisor.

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No, no. No, skiv it.

15:51.000 --> 15:53.000
I started to get panicky then.

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Got a lot of wild ideas about running, grabbing the next plane for anywhere.

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But I fought it down.

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I'd been a reporter long enough to know what happens to guys who run.

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I had to get that girl.

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I had to.

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Yeah?

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You're through with the phone?

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Yeah, yeah. Go ahead.

16:12.000 --> 16:15.000
Oh, thanks, pal. I got to get a hold of the little woman, you know.

16:15.000 --> 16:19.000
The more I explain to her now, the less I'll have to do when I do get home.

16:19.000 --> 16:22.000
Boy, they're sure going all out in that Legion parade, ain't they?

16:22.000 --> 16:24.000
Yeah, yeah.

16:27.000 --> 16:29.000
Parade?

16:31.000 --> 16:32.000
Excuse me.

16:32.000 --> 16:33.000
Yeah, sure. What's the matter?

16:33.000 --> 16:35.000
What was that you said about a parade?

16:35.000 --> 16:37.000
Legion parade coming up Fifth Avenue.

16:37.000 --> 16:39.000
Cross town traffic is tied up for two hours.

16:39.000 --> 16:40.000
Coming by here?

16:40.000 --> 16:42.000
Yeah, the band is down the street now.

16:42.000 --> 16:44.000
Band? That's what I heard.

16:44.000 --> 16:45.000
Huh?

16:45.000 --> 16:47.000
Nothing. Thanks a lot.

16:54.000 --> 16:56.000
Crowds were lining the curbs outside.

16:56.000 --> 16:59.000
Down the avenue, somewhere around 78th Street,

16:59.000 --> 17:02.000
I could hear the band at the head of the parade marching toward us.

17:02.000 --> 17:04.000
The same band I'd heard over her telephone,

17:04.000 --> 17:06.000
passing so close it almost covered her voice.

17:06.000 --> 17:09.000
She was on a low floor next to the street.

17:09.000 --> 17:12.000
And the band had passed her at exactly one minute to nine.

17:12.000 --> 17:14.000
I remembered looking at my watch.

17:14.000 --> 17:17.000
I stood there and waited for the band.

17:17.000 --> 17:20.000
It was a wild idea, but I had a feeling if I figured it carefully,

17:20.000 --> 17:22.000
I could come pretty close.

17:24.000 --> 17:28.000
I walked a block with the band, then another one to make sure.

17:28.000 --> 17:31.000
It took them a minute and 20 seconds to cover a block.

17:31.000 --> 17:34.000
We hit 84th Street at 16 minutes and 20 seconds past nine.

17:34.000 --> 17:38.000
They'd covered exactly 13 blocks since they passed her telephone.

17:38.000 --> 17:42.000
That made it somewhere around 71st Street, on a ground floor.

17:42.000 --> 17:46.000
An apartment, maybe a residential hotel facing Central Park.

17:47.000 --> 17:50.000
I turned and started running back down Fifth Avenue.

17:50.000 --> 17:52.000
I was getting close.

17:52.000 --> 17:56.000
And there were still two hours before the morning papers hit the street.

18:00.000 --> 18:03.000
In the next hour and a half, I checked Fifth Avenue for two blocks

18:03.000 --> 18:07.000
on either side of 71st, going over name plates and apartment doorways.

18:07.000 --> 18:09.000
There were two Maxines.

18:09.000 --> 18:11.000
I talked to one on the house phone.

18:11.000 --> 18:13.000
She must have been 70.

18:13.000 --> 18:15.000
And met the other one face to face, a hatchet-faced character

18:15.000 --> 18:17.000
who didn't appreciate being gotten out of bed by a drunk

18:17.000 --> 18:19.000
who had the wrong apartment.

18:19.000 --> 18:21.000
That left only one possibility,

18:21.000 --> 18:23.000
a residential hotel in the middle of the block.

18:23.000 --> 18:25.000
I decided I'd try calling her again.

18:25.000 --> 18:29.000
Walked past the cigar stand in the lobby to her old phone booths at the rear.

18:30.000 --> 18:32.000
It was 10 minutes to 11.

18:32.000 --> 18:37.000
Time was running out.

18:45.000 --> 18:46.000
Hello.

18:46.000 --> 18:48.000
Hello, Maxine.

18:48.000 --> 18:50.000
Here we go again.

18:50.000 --> 18:52.000
What is it this time, Theodore?

18:52.000 --> 18:54.000
Well, I'm still trying to wear you down.

18:54.000 --> 18:55.000
Because you like my voice.

18:55.000 --> 18:56.000
Right.

18:56.000 --> 18:57.000
You think I'm charming.

18:57.000 --> 18:58.000
Practically irresistible.

18:58.000 --> 18:59.000
Right. And another thing.

18:59.000 --> 19:00.000
What?

19:00.000 --> 19:03.000
I think you live in the Grayson Arms on Fifth Avenue.

19:03.000 --> 19:04.000
Wrong.

19:04.000 --> 19:06.000
I live on the other side of town.

19:06.000 --> 19:08.000
Wait now. Be honest with me, Angel.

19:08.000 --> 19:10.000
Hold it a second, will you?

19:10.000 --> 19:11.000
She was lying.

19:11.000 --> 19:13.000
She knew what it was all about and was playing with me.

19:13.000 --> 19:15.000
The panic came back.

19:15.000 --> 19:18.000
I looked across the marble floor of the lobby toward the cigar stand.

19:18.000 --> 19:20.000
A customer was standing there.

19:20.000 --> 19:23.000
A girl had appeared behind the counter to wait on him.

19:23.000 --> 19:25.000
Then he left and another guy came in.

19:25.000 --> 19:27.000
My heart stopped.

19:27.000 --> 19:30.000
It was the distributor with a bundle of morning papers.

19:30.000 --> 19:31.000
Hi, Eddie.

19:31.000 --> 19:32.000
Hiya.

19:32.000 --> 19:33.000
Are you ready to fold?

19:33.000 --> 19:34.000
Mm-hmm.

19:34.000 --> 19:35.000
Leave them on the counter.

19:35.000 --> 19:36.000
Okay.

19:36.000 --> 19:37.000
Bye.

19:37.000 --> 19:38.000
Bye.

19:38.000 --> 19:40.000
My mind was paralyzed.

19:40.000 --> 19:41.000
It didn't sink in.

19:41.000 --> 19:44.000
Not even when I saw the girl turn away and pick up the phone.

19:44.000 --> 19:45.000
Now, let's see.

19:45.000 --> 19:47.000
Where were we, Theodore?

19:47.000 --> 19:50.000
You were stringing me along about living on the other side of town.

19:50.000 --> 19:52.000
Listen, Maxine, you've got to...

19:52.000 --> 19:53.000
Hello?

19:53.000 --> 19:55.000
Teddy, you there?

19:55.000 --> 19:57.000
Yeah, sorry.

19:57.000 --> 19:59.000
Maxine, have you got the time?

19:59.000 --> 20:01.000
Oh, just a second.

20:01.000 --> 20:04.000
I saw the girl put down the phone, hold her watch up toward the light.

20:04.000 --> 20:05.000
Five to 11.

20:05.000 --> 20:06.000
When are you through work?

20:06.000 --> 20:08.000
Right now.

20:08.000 --> 20:09.000
Wait.

20:09.000 --> 20:11.000
How'd you know I was working?

20:11.000 --> 20:13.000
Stay put for a minute and I'll tell you.

20:13.000 --> 20:14.000
Ted!

20:14.000 --> 20:17.000
Ted, what do you mean, stay put a minute?

20:17.000 --> 20:18.000
Hello.

20:18.000 --> 20:20.000
I'll be right with you, sir.

20:20.000 --> 20:22.000
Hang on, Ted.

20:22.000 --> 20:23.000
Yes, sir.

20:23.000 --> 20:25.000
Package of those, huh?

20:25.000 --> 20:28.000
Yes, sir.

20:28.000 --> 20:31.000
1825, thanks.

20:31.000 --> 20:34.000
Anything else?

20:34.000 --> 20:35.000
That's up to you.

20:35.000 --> 20:36.000
Oh, now look...

20:36.000 --> 20:37.000
Wait a minute.

20:37.000 --> 20:40.000
I told you I was the persistent type.

20:40.000 --> 20:42.000
What?

20:42.000 --> 20:43.000
You're Ted!

20:43.000 --> 20:45.000
Disappointed?

20:45.000 --> 20:48.000
Not exactly.

20:48.000 --> 20:49.000
How did you find me?

20:49.000 --> 20:51.000
I was calling from the booth over there.

20:51.000 --> 20:54.000
But how did you find this place?

20:54.000 --> 20:55.000
My crystal ball.

20:55.000 --> 20:58.000
You ought to get yourself a booth at the county fair.

20:58.000 --> 20:59.000
You'd make a fortune.

20:59.000 --> 21:01.000
It's only a sideline.

21:01.000 --> 21:03.000
Do you really live across town?

21:03.000 --> 21:06.000
Worst looking brownstone on 75th.

21:06.000 --> 21:07.000
But it's home.

21:07.000 --> 21:09.000
Good, then I can walk you home.

21:09.000 --> 21:12.000
Well, they won't like this.

21:12.000 --> 21:14.000
They won't mind.

21:14.000 --> 21:17.000
Okay, Theodore, I'm whipped.

21:17.000 --> 21:18.000
Let me lock up and get my things.

21:18.000 --> 21:22.000
I'll be with you in a minute.

21:22.000 --> 21:24.000
I waited while she shut things down,

21:24.000 --> 21:26.000
threw a tweed coat over his shoulders,

21:26.000 --> 21:29.000
put a blue felt hat with a feather in it on the back of her head.

21:29.000 --> 21:31.000
Face matched the voice.

21:31.000 --> 21:35.000
Dark hair, wide-set blue eyes with laugh wrinkles at the corners.

21:35.000 --> 21:37.000
I wasn't thinking about that then.

21:37.000 --> 21:39.000
I was thinking what a break it was she lived across town

21:39.000 --> 21:44.000
on the other side of Central Park.

21:44.000 --> 21:45.000
Ted?

21:45.000 --> 21:46.000
Huh?

21:46.000 --> 21:47.000
Mind if I mention something?

21:47.000 --> 21:48.000
No, go ahead.

21:48.000 --> 21:50.000
We're going the wrong way.

21:50.000 --> 21:52.000
Main path across the park is down there.

21:52.000 --> 21:53.000
Yeah, I know.

21:53.000 --> 21:55.000
I just don't want to meet any cops.

21:55.000 --> 21:58.000
The park's closed after nightfall, you know.

21:58.000 --> 22:00.000
You don't mind?

22:00.000 --> 22:03.000
No, I don't mind.

22:03.000 --> 22:06.000
At the last minute, she grabbed a paper off the pile,

22:06.000 --> 22:08.000
folded it and stuck it in her pocket without looking at it.

22:08.000 --> 22:10.000
We turned into a dark byway.

22:10.000 --> 22:12.000
She moved closer and took my arm.

22:12.000 --> 22:16.000
The paper pressed against me like a hot branding iron in my side.

22:16.000 --> 22:18.000
My heart was pounding now.

22:18.000 --> 22:20.000
There was a choking lump in my throat.

22:20.000 --> 22:23.000
I hardly dared to talk.

22:23.000 --> 22:25.000
I...

22:25.000 --> 22:28.000
I'm sorry I gave you such a bad time tonight, Ted.

22:28.000 --> 22:30.000
Forget it.

22:30.000 --> 22:33.000
I guess I thought you'd be different.

22:33.000 --> 22:35.000
More like your brother.

22:35.000 --> 22:40.000
Why are we stopping?

22:40.000 --> 22:42.000
Why did you do it?

22:42.000 --> 22:44.000
What do you mean?

22:44.000 --> 22:46.000
You can let your hair down.

22:46.000 --> 22:47.000
Walter can't hear us.

22:47.000 --> 22:49.000
Why did I do what?

22:49.000 --> 22:51.000
You mean you do this every night?

22:51.000 --> 22:52.000
Huh?

22:52.000 --> 22:54.000
Call up strange women,

22:54.000 --> 22:57.000
tell them you've fallen in love with their voices.

22:57.000 --> 22:59.000
Oh.

22:59.000 --> 23:01.000
Well, let's not talk about that now.

23:01.000 --> 23:03.000
I don't get it, Ted.

23:03.000 --> 23:04.000
Look, I'll tell you later.

23:04.000 --> 23:06.000
Never mind.

23:06.000 --> 23:08.000
I just thought it was worth mentioning.

23:08.000 --> 23:11.000
I guess I was wrong.

23:11.000 --> 23:12.000
Night, Ted.

23:12.000 --> 23:14.000
I can make it the rest of the way alone.

23:14.000 --> 23:15.000
No, no, wait.

23:15.000 --> 23:16.000
I mean it.

23:16.000 --> 23:17.000
Let go of me.

23:17.000 --> 23:18.000
Quiet, Maxina.

23:18.000 --> 23:19.000
The cop will hear us.

23:19.000 --> 23:21.000
I don't care.

23:21.000 --> 23:23.000
Hey!

23:23.000 --> 23:29.000
Anyone up there?

23:29.000 --> 23:32.000
I held her tight, my lips hard against hers.

23:32.000 --> 23:36.000
I heard the cop walk by on the main path 50 feet away.

23:36.000 --> 23:38.000
There in that dark body.

23:38.000 --> 23:40.000
I could have done it.

23:40.000 --> 23:42.000
Ten seconds, maybe 20, and it would be over.

23:42.000 --> 23:44.000
I'd be free.

23:44.000 --> 23:46.000
But I discovered something else.

23:46.000 --> 23:49.000
As I felt her respond, felt her arms tighten around me.

23:49.000 --> 23:52.000
I said it before, back in that room with Walter's body at my feet.

23:52.000 --> 23:53.000
I stopped thinking.

23:53.000 --> 23:55.000
Something else took over.

23:55.000 --> 23:59.000
I was like an animal, fighting for life, going on nerve and instinct.

23:59.000 --> 24:01.000
But there in that black pathway in the park,

24:01.000 --> 24:04.000
I began to think again like a human being.

24:04.000 --> 24:07.000
And I knew that whatever it is that's born into a murderer

24:07.000 --> 24:09.000
wasn't in me.

24:09.000 --> 24:11.000
Love her or hate her,

24:11.000 --> 24:15.000
I could no more murder this girl in cold blood than I could fly to the moon.

24:24.000 --> 24:29.000
Well, here's the 8th Avenue entrance.

24:29.000 --> 24:31.000
Yeah.

24:31.000 --> 24:34.000
Why don't you tell me, Ted, something's tearing it to pieces.

24:34.000 --> 24:36.000
I can see it.

24:36.000 --> 24:38.000
Okay.

24:38.000 --> 24:40.000
You've got a morning paper in your coat pocket.

24:40.000 --> 24:41.000
Take a look at it.

24:41.000 --> 24:43.000
Paper?

24:43.000 --> 24:44.000
What's that got to do with...

24:44.000 --> 24:46.000
Here, give it to me.

24:46.000 --> 24:49.000
Page 1, I knew it.

24:49.000 --> 24:51.000
Lawyer attacked in city apartment.

24:51.000 --> 24:52.000
Walter.

24:52.000 --> 24:53.000
Yeah.

24:53.000 --> 24:55.000
You ask me, here it is.

24:55.000 --> 24:57.000
New York, January 18th.

24:57.000 --> 24:59.000
Bruised and bleeding after an attack by a mysterious visitor

24:59.000 --> 25:02.000
into his rooms at the bachelor's club early last night.

25:02.000 --> 25:04.000
Walter Pomeroy...

25:04.000 --> 25:06.000
Wait a minute.

25:06.000 --> 25:07.000
Go on.

25:07.000 --> 25:09.000
Walter Pomeroy, noted criminal lawyer,

25:09.000 --> 25:12.000
still refused to disclose the identity of his assailant.

25:12.000 --> 25:15.000
Dr. James Penrose, attending physician,

25:15.000 --> 25:17.000
said Pomeroy suffered a possible concussion

25:17.000 --> 25:19.000
from a severe blow on the head,

25:19.000 --> 25:21.000
but was otherwise progressing nicely

25:21.000 --> 25:23.000
and would be released from city hospital in 24 hours.

25:23.000 --> 25:25.000
The attack came at...

25:27.000 --> 25:28.000
Good Lord.

25:28.000 --> 25:31.000
Severe blow on the head.

25:31.000 --> 25:33.000
Yeah, he fell.

25:33.000 --> 25:34.000
Listen.

25:34.000 --> 25:36.000
Listen, Maxine, this...

25:36.000 --> 25:38.000
This doesn't tell at all. There's something else.

25:38.000 --> 25:40.000
Then what is it?

25:40.000 --> 25:42.000
What is the matter?

25:42.000 --> 25:44.000
Okay.

25:44.000 --> 25:46.000
So you want to know what's the matter?

25:46.000 --> 25:48.000
What's wrong with me?

25:48.000 --> 25:50.000
Okay, sit down on that bench there.

25:50.000 --> 25:53.000
Make yourself comfortable, because this takes a while to tell.

25:53.000 --> 25:56.000
And that's it. That's what's wrong.

25:56.000 --> 25:59.000
I wanted you to know all of it, because...

25:59.000 --> 26:01.000
Well, you're important to me now.

26:01.000 --> 26:05.000
Maybe more important than anything else in the world.

26:05.000 --> 26:08.000
You can check out if you want to.

26:08.000 --> 26:12.000
It's nothing a cup of coffee won't cure.

26:12.000 --> 26:14.000
I'm sorry.

26:14.000 --> 26:16.000
I'm sorry.

26:16.000 --> 26:18.000
I'm sorry.

26:18.000 --> 26:20.000
I'm sorry.

26:20.000 --> 26:24.000
It's nothing a cup of coffee won't cure.

26:24.000 --> 26:26.000
Oh, Maxine.

26:26.000 --> 26:29.000
There's an all-night stand around the corner.

26:29.000 --> 26:31.000
I've got 20 cents.

26:31.000 --> 26:34.780
The

26:49.000 --> 26:52.000
Suspense presented by Auto Light.

26:52.000 --> 26:54.000
Tonight's star, Robert Taylor.

26:54.000 --> 26:57.000
Ah, Wilcox, shall we do another sterling performance?

26:57.000 --> 26:59.000
I believe.

26:59.000 --> 27:01.000
I believe we rate at least 10 curtain calls.

27:01.000 --> 27:03.000
Ham-hawk, old boy, if you think we're good,

27:03.000 --> 27:07.000
just wait till you try Auto Light Resistor Spark Plugs.

27:07.000 --> 27:10.000
They're the unbeatable performers of the spark plug field.

27:10.000 --> 27:13.000
And they're only one of more than 400 products made by Auto Light

27:13.000 --> 27:18.000
for cars, trucks, planes and boats in 28 plants coast to coast.

27:18.000 --> 27:21.000
These include complete electrical systems used as original equipment

27:21.000 --> 27:24.000
in many makes of America's finest cars.

27:24.000 --> 27:27.000
Batteries, spark plugs, generators, coils, distributors,

27:27.000 --> 27:30.000
starting motors and bullseye sealed beam headlights.

27:30.000 --> 27:33.000
All engineered to fit together perfectly,

27:33.000 --> 27:36.000
work together perfectly because they're a perfect team.

27:36.000 --> 27:40.000
So don't accept electrical parts supposed to be as good.

27:40.000 --> 27:43.000
Ask for and insist on Auto Light original factory parts

27:43.000 --> 27:47.000
at your neighborhood service station, car dealer, garage or repair shop.

27:47.000 --> 28:00.000
Remember, you're always right with Auto Light.

28:00.000 --> 28:03.000
Next Thursday for Suspense, William Powell will be our star.

28:03.000 --> 28:06.000
The play is called The Escape of Lacey Abbott.

28:06.000 --> 28:12.000
And it is, as we say, a tale well calculated to keep you in suspense.

28:12.000 --> 28:22.000
Tonight's Suspense play was produced and edited by William Spear

28:22.000 --> 28:24.000
and directed by Norman MacDonald.

28:24.000 --> 28:28.000
Music for Suspense is composed by Renee Garagank and Lucian Morawak

28:28.000 --> 28:30.000
and conducted by Lud Bluskin.

28:30.000 --> 28:34.000
Four Hours to Kill is an original radio play by Harold Swanson.

28:34.000 --> 28:37.000
Robert Taylor will soon be seen with John Hodiac and Arlene Dahl

28:37.000 --> 28:40.000
in the Metro Goldwood Mayor production Ambush.

28:40.000 --> 28:44.000
In the coming weeks you will hear such stars as Ozzie and Harriet Nelson

28:44.000 --> 28:46.000
and Rosalind Russell.

28:46.000 --> 28:49.000
Don't forget next Thursday same time Auto Light will present Suspense

28:49.000 --> 28:56.000
starring William Powell.

28:56.000 --> 28:59.000
You can buy Auto Light resistor or regular spark plugs,

28:59.000 --> 29:02.000
Auto Light staple batteries, Auto Light electrical parts

29:02.000 --> 29:04.000
at your neighborhood Auto Light dealers.

29:04.000 --> 29:07.000
Switch to Auto Light. Good night.

29:07.000 --> 29:11.000
One million six hundred thousand men still wear the uniform

29:11.000 --> 29:14.000
of the Army, Navy, Marines and Air Force.

29:14.000 --> 29:17.000
It's good to know that the USO extends them a friendly welcome

29:17.000 --> 29:19.000
no matter where they are stationed.

29:19.000 --> 29:23.000
This is CBS, the Columbia Broadcasting System.

29:23.000 --> 29:38.000
Music

