WEBVTT

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Suspense!

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Auto Light and its 96,000 dealers present Mr. Red Skelton in The Search for Isabelle,

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a suspense play produced and edited by William Spear.

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Hey, Hap, did you hear about the super snook from Sandy Hook who found Snoo in his car?

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Snoo? What Snoo?

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Nothing, what's new with you?

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Oh, Harlow, that's really pretty corny.

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It sure is, but it just shows how easily you can be fooled.

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Now take automobile batteries, for instance. They look alike, but there's only one auto

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light stay full battery.

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The difference? Auto light stay full batteries need water only three times a year in normal

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car use.

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In addition, auto light stay full batteries have a fiberglass retaining mat at every positive

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plate for longer battery life.

01:03.720 --> 01:09.000
The fact is, in recent tests based on SAE life cycle standards, auto light stay full

01:09.000 --> 01:14.520
batteries gave up to 70% longer average life than batteries without stay full features.

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So get an auto light stay full battery. Remember, you're always right with auto light.

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And now with the search for Isabelle and with the performance of Red Skelton, auto light

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hopes once again to keep you in suspense.

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You know, Isabelle first came into my life when I received a card from the telephone

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company stating that my application for a phone had been approved and they were going

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to install one in my apartment. Well, I left instructions with the apartment house management

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to let the service man in.

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When I got home from work that evening, there was the telephone, his biggest life, sitting

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there on the night table.

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Well, I just looked at it for a minute, like I'd never seen that phone before.

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Gosh, it started to ring. I about jumped out of my skin.

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I just let it ring a couple of times. Just wanted to hear it.

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To me it sounded like the bells of St. Mary.

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Hello?

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Is Isabelle LaRue in please?

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Oh, I'm sorry. You must have the wrong number.

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Is this Evergreen 31924?

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Take a look. Yes, Evergreen 31924.

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Well, isn't Miss LaRue there?

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No, this phone was just installed. This must be her old number.

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Oh, I'm sorry to have troubled you. Thank you.

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Oh, no trouble at all.

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I wouldn't have thought much about the call except by next Saturday I'd had a dozen more

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just like it. And most of them were men. But it interested me. Any gal that gets around

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like that must interest a guy. So I decided that the next time I would try to find out

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a little further.

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Hello?

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Harold Mason's office calling for Miss LaRue.

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Oh, yes. Put him on.

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Just one moment.

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Hello, Miss Isabelle LaRue. Mr. Mason calling.

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Well, Miss LaRue will be right here. Put Mr. Mason on.

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Hello, Isabelle. Harold.

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Well, this isn't Isabelle.

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Who is this?

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Well, you see, this is Dick Brown. Isabelle LaRue used to have this number. You know,

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I would appreciate it very much if you could tell me any other way I could get a hold of

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her. You see, I get quite a few calls and... Hello? Hello, Mr. Mason? Hello?

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He hung up. Why? I don't know. But one thing I found out was that little Isabelle, if nothing

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else, must know the right people. A guy like Mason who has got to go through two secretaries

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to make a phone call must have a couple of chips. She was beautiful, no doubt about that.

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She must have to be. They get so many calls from so many different guys. And the right

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kind, too. She was very mysterious. Or why else would they hang up when I ask about her?

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She was tall, willowy, very sophisticated, and a blonde. No, a brunette. And a lot of

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fun. I drew a mental picture of her as a gag just to see how close I'd come when I actually

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met her. While I finally dozed off, she must be beautiful and lovely. Beautiful, tall,

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maybe a redhead.

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Dick? Dick? Dick? Can't you see me? Here I am. Where? Up here. Oh. That's it. Come

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on. Just a little further. That's the boy. You're? Who else? Isabelle. Of course. Oh,

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you are lovely. So beautiful. Just as I pictured. Thanks, Dick. You're pretty swell yourself.

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Oh, what am I? Come here. Oh? Well, you wouldn't. Afraid? Of course not. It's just- What? Well,

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what are you doing with me? I'm just a common bank clerk. What about Mr. Mason? Harold,

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he bores me terribly. Oh? Look, every man is at my fingertips. Yeah, that's what I mean.

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If I wanted them, I'd be with them. Instead, I'm with you. You only want something you

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haven't got. Once you have it or know you can get it, you love with your heart, not

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mine. Oh, I do love you. Put your arms around me. Kiss me. The alarm clock broke it up just

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when it was getting good. Well, the next day was Sunday. It may sound kind of silly, but

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I just couldn't get her or that dream off of my mind all day. Instead of ordering donuts

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for breakfast, I ordered two Isabelle's plain. It got on my nerves. Well, the public library

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was open, so I wandered down and I thumbed through the present and all the past issues

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of who's who, the phone books, film magazines, newspapers, and there was nothing. Not a word

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about Isabelle Le Roux. Then that night about 11 o'clock- Hello? Let me speak to Isabelle,

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will you? Look, she doesn't live here. The phone- Don't hand me that, pal. This is John

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Worthington and I have to speak to the Roux, understand? I'm sorry. I can't help you.

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Then just give Isabelle this message, will you? Listen, I can't- Just tell Isabelle

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I don't want to see her friend. I want to see her. And if she don't call me by tomorrow

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morning and tell me she'll give me another chance, that'll be all. Get it? Okay. And

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it'll mean plenty of trouble, too. I'll come down there to the Beverly Towers and really

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put on an act that she won't forget. Yeah, yeah, yeah. Got the name? John Worthington.

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Worthington- Yeah, I got it.

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Well, I didn't give it much thought then. That particular phone call to Isabelle, that

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is. But the next morning at breakfast, something happened. I was drinking my coffee and I caught

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the sight of the paper next to me. It was all over the front page, Playboy, Gambler.

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John Worthington leaps to his death from the top of the Beverly Towers. Now, the papers

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had it doped out that the reason for the suicide was that John Boy was a couple hundred thousand

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in debt. But I, and only I, knew different. It was Isabelle LaRue.

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Auto Light is bringing you Mr. Red Skelton in The Search for Isabelle. Tonight's production

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in radio's outstanding theater of thrills, Suspense.

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Hey, Harlow, what's this I hear about you being tossed out of the zoo for annoying the

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animals? I can't figure it out, Hap. Well, what were you up to when they hustled you

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off? I was standing at the camel enclosure thinking about Auto Light stay full batteries,

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of course. So I turned to the nearest dromedary and said, you know, you guys are overrated.

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By when it comes to carrying water, you're damp rags compared to Auto Light stay full

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batteries. Did you know that Auto Light stay full batteries need water only three times

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a year in normal car use? Well, that camel just curled up and cried. And that's when

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you were bonked. Mm-hmm. But on the way out, I told the keeper that Auto Light stay full

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batteries have over three times the liquid reserve above the plates than ordinary batteries.

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In addition, each one of these positive plates is protected with a fiberglass retaining mat

09:24.240 --> 09:30.280
for longer battery life. The fact is, in recent tests based on SAE life cycle standards, Auto

09:30.280 --> 09:35.520
Light stay full batteries gave up to 70% longer average life than batteries without stay full

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features. So friends, see your neighborhood Auto Light battery dealer today and get an

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Auto Light stay full battery for your car. Remember, you're always right with Auto Light.

09:46.640 --> 09:52.720
And now Auto Light brings back to our Hollywood soundstage, our star Red Skelton with Kathy

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Lewis in the search for Isabelle, a tale well calculated to keep you in suspense.

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Yes, sir. This millionaire playboy and gambler, John Worthington, had jumped to his death

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from the top of the Beverly Towers. I knew it was on account of LaRue. The worst part

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of it was that two or three times during the day, I caught myself not blaming him. I dreamed

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about her all the time now. It was getting so bad that I was actually fond of going to

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sleep so I could meet her again. And suddenly one night, just as I was dropping off, I thought

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of something. The Beverly Towers, a clue. I would ask her. I love you. I love you. Isabelle,

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are you at the Beverly Towers? Where else? Thanks, honey.

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The Beverly Towers is about as swanky as you can get, strictly for the white tie and ermine

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trade. But Isabelle was different. I knew that. So different. I arrived at the Beverly

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Towers and I walked up to the elevator as big as life. Boy, I've never seen a joint

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like this. The elevators were even gilded. Your floor, sir? Well, I'm from the FBI, a

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tea man. What apartment is Miss Isabelle LaRue's? LaRue? Well, I shouldn't tell you, but for

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how much? Money? The United States government don't tip, my boy. Yeah, it's 903. But look,

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I think you better get your information across the street. The blue bottle bar and grill,

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talk to the bartender. Because if you don't, I'll be in trouble. Thanks, son. We won't

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forget you when we crack this case because your government has plenty of influence in

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Washington. It was actually around the corner on 3rd Street, the blue bottle bar and grill.

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Well, I cased it with the joint through the window. It looked pretty rough. Well, anyway,

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well, I realized it was midnight already and they were starting to close up and I was pretty

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tired. So I figured that tomorrow would tell the tale. A half hour later, I was back in

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my apartment, got undressed and climbed into bed. I was tired. So tired. Hello. Hello, is

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Mr. Brown in, please? This is Brown speaking. This is the Mount Vernon Police Department.

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Police? Oh, now don't worry. We noticed that you have the telephone number Evergreen 31924.

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Yes, I do. Well, we're trying to locate an Isabelle LaRue. Isabelle? And we thought you

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might be getting some calls for her. Oh, you did. Floorbell McCoy, you said? No, no, Isabelle

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LaRue. No, never heard of her. Well, we're sorry to bother you. But look, if you do get

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any calls for her, try to get their names and let us know, will you? Sure will. All

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right. Thank you. I put the receiver back on the hook. I must be going really nuts.

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Why did I do that for? So she's in trouble. What business is it of mine? Why didn't I

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tell him? Well, about after an hour, I finally went off to sleep. Dear, dear, darling, come

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here. Isabelle, look, why don't you let me alone? I don't want to, darling. Do you love

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me? What difference does that make? A great deal. Tell me. No. I love you. Well, you couldn't.

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But I do. All right, I'll tell you. I love you. I need you, darling. No, no, I need you.

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I'm in trouble. Yeah, but what kind? Terrible trouble. Come help me. I will. Promise? I

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promise. And come quick. Help me. Help me, Dave. Oh, Isabelle, wait a minute. Wait a

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minute, Isabelle. I forgot to ask you. What apartment are you in? 903? Where is? Where

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is? It was 730 and by 815 that morning, I was standing in front of 903. I was standing

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in front of 903. I was shaking like a leaf. I could feel my lower lip start to quiver.

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It always does that when I'm getting nervous. I knock softly. Twice. I waited. There was

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no answer. I was holding one of my new calling cards in my left hand and I could feel it

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getting wet. What do you want? Well, does the... I'm Mr. Brown calling for Miss

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LaRue. Never heard of her. Well, she lives here. I live here, smart boy, and I go away.

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You live here? Who else? I'll beat it, smart boy. Well, now look, I know she's in... Hey!

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Next time don't pound the door off. He was a big guy in a brown pinstripe suit. I got

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a look at the room inside. There was another tough guy in there. He'd been holding a revolver.

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Well, I tried to find that elevator boy to check whether I heard him right when he said

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room 903 was Isabelle's. But he wasn't around. So I did what else he said. I went around

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to the blue bottle bar and grill. Yeah, what'll it be? What do you got? Oh, about a little

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eight-year-old scotch. Good. Huh? Chaser? Yeah. A root beer. Huh. Well, you're serious

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about this drinking stuff. What's the matter? You gay, I leave you? Well, it's worse than

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that. I can't find her. Hey, you don't know Isabelle LaRue. Isabe... Hey, just who are

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you, huh? Here's my card. Ah, light's kind of bad in here. Richard Brown, Municipal Bank

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and Trust Corporation. Uh-huh. Are you a good friend of Isabelle's? We had only just discussed

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getting married, that's all. Oh, I see. Well? Well, I don't know where she is myself, but

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I think this gentleman does, Mr. Brown. Oh, hello. Hi. Mr. Brown here is looking for

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Isabelle LaRue. Says he and she was gonna get married. So I told him you might be able

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to help him, Roy. Oh, sure, sure. I know where she is right now. Oh, where? What are you

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drinking, pal? Oh, eight-year-old pre-war. Ah, you don't want to drink that. Hey, Max,

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that 13-and-a-half-year-old special, huh? Right. That's just... You know, I was about

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to recommend it. And here you are. Not for me, Max. I'm a brandy drinker myself, Mr. Brown.

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Well, you must be the fella Isabelle's been talking about. Come on, come on, drink up.

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Well, I'm probably not the guy she's been talking about, but she's in trouble and I

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want to help her. Of course, of course you do. Well, where is she? Well, the address is

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a little involved. Look, why don't we step in here, huh? Finish our drinks here. Oh,

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sure thing, sure thing. You have a car? Oh, of course. Where? Well, it's right out there.

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It's that great convertible. Oh, well, fine then. You won't have any trouble. Hey, come

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on, drink up. Thanks. Well, how long have you known the delightful Isabelle, Miss Leroux,

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that is, Mr. Mr. Just call me Roy. Oh, thanks, Roy. Ah, forget it. Come on, come on, a toast,

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a toast to Isabelle, the one and only Isabelle Leroux. To Isabelle, wherever she may be.

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Well, well, how long have you known the delightful Isabelle, Miss Leroux, that is. Oh, but, Isabelle.

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Oh, Isabelle. Nick, I knew for sure I was back at my apartment with enough bandages

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around my head to pass for a Hindu Swami, which is maybe what I should have done. I

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was lying on the bed and my left hand was clutched one of my own cards. On the back

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of it was scrawled, it's a misdemeanor and so forth to say you are a member of the FBI

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and thus such is true. Lay off trying to contact I Leroux, sign, sincerely, your FBI. Oh,

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my head was throbbing like a trip hammer. I reached over and took a couple of aspirins

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and in a few minutes I was off again in the land of Nod.

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I'm here. Isabelle. Dick. Here. Look, please don't come near me. Why didn't you help me?

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I tried, honest. Don't you love me? Oh. Don't you? You know I do. Tell me again. I love

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you. I love you, Dick. I can't go on like this. We can't. I'm with you now. I'll always

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be with you. But you'll leave again. Never again. Come close to me. There. Oh, Isabelle.

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You smell of liquor. Oh, well, I just had a... My big foolish brave boy. They give you a

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lucky. They did? What else? Oh, I love you. Promise you'll always be mine. Forever. Dick.

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What, dear? Where are you going to go when you get up and have a nice hot dinner? Blue

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bottle bar and grill. Where else? As I walked in, I detected a hush fall over the patrons.

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The bartender hadn't seen me yet. But when he did, his face turned the same color as

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the dish towel he was wearing over one shoulder. Hey, give me the same as you gave me before,

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only this time not so strong. Oh. Oh, it's you. Yeah. Brown's the name. You want to see

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a card? I remember. That was a scotch, wasn't it? Yeah, you got a good memory. But not that

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13 and a half year old stuff this time. Oh, sure. Had your head, sir? No, I always wear

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bandages. It holds my hair down. Pour above the bar if you don't mind so I can see it.

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Oh, sure, sure. That's better. Now, where is Isabelle Leroux? Oh, really? I didn't have

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nothing to do with it. Come on. Out with it. Where is she? Please. She's in 903 Beverly

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Towers. 903, just as I suspected. Mr. Brown, don't tell nobody I told you that they'll

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kill me. Oh, no, they won't. Thanks for the scotch. Yes, sir, what can I do for you? Well,

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what kind of a gun can I get for 1750? Say a gun, gun 1750. Oh, yes, I have a practically

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brand new shotgun, 12 gauges. No, I was looking for a pistol. Pistol, pistol, pistol. Yes.

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Ah, here. Here's a honey, a.38 revolver. Well, it don't look so good to me. Well, what

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can you expect for 1750? It shoots and I was told very accurately. It's a deal. Ah, fine,

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fine. You will have to sign some forms here and some identification. You know, sleep

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longer. And then there I was, standing in front of room 903 in the Beverly Towers.

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If Isabel was in there, I was going to get her out. And this time I knew she was in there.

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I reached in my pocket and I pulled out the gun. I pulled the hammer back. I held it

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close to my body so if anyone might be walking down the hall, they wouldn't see it. I started

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to pound on the door again. Well, if it isn't Smart Boy, I thought I told you not to pound.

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Let me in. Smart Boy's got a gun. I might get hurt. Let me in. What else? My hospitality's

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boundless. Come in and have a cocktail. Yeah. 13 half year old Scotch cocktail, I suppose.

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Where's Isabel? Oh, come on. Where is she? I know she's here. Put the rod away before

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you get hurt, Smart Boy. Hey, there's a moony. Oh, hello, Roy. Come on in. Close that door

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behind you. Now you two put your hands out. What is this? Now both of you get over back

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against that wall. Look, Brown, I don't know what you're trying to prove. If you're as smart

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as you think you are, you'll get out of here fast. Isabel. Isabel, come out. It's OK. Stand

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back where you are. You got hurt once, nosy. Keep quiet. Isabel. What are you waving the

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gun around for? Now stand back. You nervous? You let Isabel go. Hey, you're shaking so

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bad you couldn't hit the wallpaper. Now you stay away from that mantle. I just want to

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pick up this automatic. That's all. Now stay away. You're too nervous. You're out of your

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league, Smart Boy. Put that gun down. Drop the rod. Drop it. Don't. That's it. Drop

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the gun. Well, the cops were there before the last bullet had left my gun. They slapped

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handcuffs on me and both of them. Apparently the only thing I'd shot was the gun out of

24:16.040 --> 24:21.320
Desimone's hands, a feat for which I'm still being complimented for. Well, the lieutenant

24:21.320 --> 24:27.120
looked across the desk at me with real respect. Gosh. Yes, sir. I got to hand it to you, my

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boy. Takes nerve to walk in on a guy like Desimone. Who's Desimone? What do you mean?

24:31.720 --> 24:37.240
Tony Desimone, the guy who tried to murder you. Yeah, but so what? What does he do?

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You didn't know. The biggest racketeer and bookmaker alive. Yeah, takes nerve. Does?

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We were waiting to catch him on something big and you fixed it for us. Now we got him

24:47.740 --> 24:53.000
on attempted murder. Hey, how much do you owe you? Nothing. Oh, you're lucky. He owed

24:53.000 --> 24:57.600
about 200 grand and Betsy had taken off the other suckers. Guys like that poor Worthington

24:57.600 --> 25:04.800
guy and what's his name, Mason. Oh, yeah. Yeah. Yeah. Looks like Isabelle Le Roux is

25:04.800 --> 25:12.120
finally out of business. Oh, don't say that. Oh, why not? Please. Who's Isabelle Le Roux?

25:12.120 --> 25:18.480
You don't know. No, tell me. Oh, you're kidding. No, I'm not. Who is she? You don't know how

25:18.480 --> 25:24.400
it works, huh? Well, look, all bookies use fronts. Fronts? You mean Isabelle is a front

25:24.400 --> 25:29.760
for Tony Desimone? No, no, no. Isabelle Le Roux is Tony Desimone. There is no such person

25:29.760 --> 25:41.560
as Isabelle Le Roux. No. Oh, no. Oh, well, that isn't so. Huh? Now, will you tell me

25:41.560 --> 25:48.840
why you went to all of this trouble? Well, you see, well, there was a girl and well, she's...

25:48.840 --> 25:58.840
Oh, you wouldn't understand. Tony Desimone is up in prison now. Now, wouldn't this be

25:58.840 --> 26:03.120
true if Tony Desimone was the same as Isabelle Le Roux? She wouldn't be coming to see me

26:03.120 --> 26:10.000
anymore now, would she? Well, you'll have to excuse me now because it's a little late

26:10.000 --> 26:17.600
and well, I got to turn in and besides, well, we want to be alone. I'm sure you'll understand.

26:17.600 --> 26:30.760
Dear, dear. Oh, dear Isabelle. Oh, a new dress. Mm-hmm. Like it? Well, it's a little...

26:30.760 --> 26:35.360
Well, I love it, you understand, but isn't it a little daring? Oh, my gosh. I wouldn't

26:35.360 --> 26:41.520
want to see you wear it around anyone else. I won't, darling. I love you. And I love you.

26:41.520 --> 26:59.800
You're so handsome and strong and brave and wonderful. What else?

26:59.800 --> 27:05.280
Suspense presented by Auto Light. Tonight's star, Red Skelton with Kathy Lewis. Well done,

27:05.280 --> 27:09.960
Red Skelton. Well done. Well, thank you, Harlow. I've heard you as a comedian, now as a dramatic

27:09.960 --> 27:14.440
actor. But look, have you ever done any commercial work? What, didn't you see me sell full of

27:14.440 --> 27:18.120
brushes? Oh, yeah, I forgot that. Yeah, do you want me to sell some of your Auto Light

27:18.120 --> 27:22.320
stay full batteries now? Red, they practically sell themselves, especially after we tell

27:22.320 --> 27:25.840
people that Auto Light stay full batteries need water only three times a year in normal

27:25.840 --> 27:32.640
car use. What else? Well, that's right, Ed. It figures that way because Auto Light stay

27:32.640 --> 27:36.840
full batteries are star performers, just like the 400 other products made by Auto Light

27:36.840 --> 27:41.960
for cars, trucks, planes, and boats in 28 Auto Light plants coast to coast. Auto Light

27:41.960 --> 27:46.560
also makes complete electrical systems for many makes of America's finest cars. Batteries,

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spark plugs, generators, starting motors, coils, distributors, all engineered to fit

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together perfectly, work together perfectly because they're a perfect team. So friends,

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don't accept electrical parts supposed to be as good. Insist on and get Auto Light Original

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Factory parts at your neighborhood service station, car dealer, garage or repair shop.

28:04.320 --> 28:14.840
Remember, you're always right with Auto Light. Next Thursday for Suspense, Van Heflin will

28:14.840 --> 28:21.520
be our star. The play is called Murder of Aunt Delia and it is, as we say, a tale well calculated

28:21.520 --> 28:28.160
to keep you in suspense. Tonight's Suspense play was produced and edited by William Spear

28:28.160 --> 28:33.640
and directed by Norman MacDonald. Music for Suspense is composed by Rene Garryganck and

28:33.640 --> 28:37.800
Lucian Morrowak and conducted by Lud Bluskin. The Search for Isabelle is an original play

28:37.800 --> 28:41.960
by Richard Vodra. Red Skelton appeared by arrangement with Metro Goldwyn Mayor, producers

28:41.960 --> 28:48.000
of Battleground, starring Van Johnson, John Hodiac, Ricardo Montalban, and George Murphy.

28:48.000 --> 28:52.640
Red Skelton may be heard on his own Tide show for Procter & Gamble over CBS every Sunday

28:52.640 --> 28:53.640
night.

28:53.640 --> 28:59.960
You can buy Auto Light staple batteries, Auto Light resistor spark plugs, Auto Light electrical

28:59.960 --> 29:04.260
parts at your neighborhood Auto Light dealers. Switch to Auto Light. Good night.

29:04.260 --> 29:24.600
This is CBS, the Columbia Broadcasting System.

