WEBVTT

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Suspense!

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Tonight, Auto Light and its 96,000 dealers present Mr. Gray.

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In Nightmare, a suspense play produced and edited by William Spear.

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Friends, Auto Light welcomes you to Suspense.

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And this is Harlow Wilcox urging you to do yourself and your car the great big bountiful favor of replacing old worn out narrow gap spark plugs with a set of new wide gap Auto Light resistor spark plugs.

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That's the biggest news I know.

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But I've also been told to tell you that Suspense is going to receive a great big important national honor tonight during our usual between the acts intermission.

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And say when it comes to honors, you'll want to award your car a set of wide gap Auto Light resistor spark plugs.

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Your engine will idle smoother, give better performance on leaner gas mixtures, actually save gas.

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And if you want the real low down on how Auto Light resistor spark plugs reduce television interference, see a copy of this week's Saturday Evening Post and turn to pages eight and nine.

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See your Auto Light spark plug dealer today. And remember, you're always right with Auto Light.

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Oh, and remember too, Suspense on television returns to many stations throughout the nation Tuesday night, September 6th.

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And now with Nightmare and with the performance of Gregory Peck, Auto Light hopes once again to keep you in Suspense.

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They say every nightmare has a prelude, something that inspires it, something that happened or almost happened that your inmost mind seizes upon.

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It lives there in the back of your head and it multiplies itself and fattens on tiny fears until it's grown into a monstrous bloated horror.

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And then when it's full sized with dread, it springs out at us from evil blackness at night when you're defenseless in sleep.

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The prelude to my nightmare occurred at six o'clock that evening, the third of July.

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Since Elsa's illness, I've been walking home from the station evenings instead of having her meet me.

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It's a pleasant six or seven blocks along Hartsdale Road and then up the hill to Ridgecrest.

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Just at the corner there, the kids play baseball.

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The signs say slow, children and everything, but it's a nasty spot and coming down the hill, a guy might...

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Look out! Look out!

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Hey, you, what's the matter with you? Don't you know that...

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I didn't see them, brother. They got no right to play with me.

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Have you been drinking?

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Oh, me?

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No, because if you had, I'd pull you out of that car so fast and take you over to the police.

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All right, brother, calm down. Nobody's hurt. Nobody's hurt. Just a little scare.

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I was still trembling when I got home. I had ached and I couldn't eat dinner.

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It wasn't something I could tell Elsa about. She wasn't ready yet to hear things like that.

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So I just sat there at the table looking across at Stevie,

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half hearing his prattle about the new fishing rod and how many fish he'd catch on our outing tomorrow

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and some little story he'd learned in school about Thomas Jefferson and the first Fourth of July.

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And then pretty early I took a pill and went to bed.

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It was the next afternoon. We were driving along, my wife, my boy and myself.

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You know that winding road that leads up from Kingston to Falls Town and the trout country?

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A lot of hairpin turns and a few bad shoulders, but beautiful, beautiful scenery.

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And that's what we all needed after her nervous breakdown.

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A little slow around the turns, Ben. Why do you drive so fast?

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You're never driving too fast as long as you feel the car's under control.

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Better it wasn't under control a minute ago. What a curve.

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Ben, the gas tank's almost empty. Why didn't you listen to me and fill up at the last station?

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There's always a reserve after the empty mark.

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Bet we run out of gas.

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Well, it seems to me, youngster, that when I tell you that...

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What's wrong? Why are we stopping?

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Oh, that's what I'd like to know.

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You know, Dad, you know.

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Yeah, yeah, I know. Out of gas.

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Oh, Ben. Will you ever learn?

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Well, everybody runs out of gas once in a while.

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Okay, well, it's a nice day for me to take a hike.

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But, Ben, is it all right to be parked like this? On the curb, so close to the road?

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Well, why not? Where's the traffic? Only adventurers like us know about this road.

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Well, good-bye, folks.

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Oh, good-bye, Mr. Know-it-all.

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I'll go with you, Dad.

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Oh, you'll stay here. Rule of the woods. Always leave one man behind to protect the women.

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Can I take out my rock? Can I practice how to cast?

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Sure. And you, lady. You wipe off that smile.

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With my feet, this is a first-class tragedy.

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Well, it's a smart thing you did coming back this way.

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Nothing up ahead for five miles but the royal coachman.

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What do you mean?

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It's the name of a trout fly.

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Well, I know that.

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It's the name of a roadhouse. Fancy name for a saloon. Hang out for fishermen.

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They say...

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Oh? Oh, what do you say?

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Go, go there crooked-as-looking bunch you ever seen. Crooks from the big town.

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You go to my nephew, Sammy's place in town. Sammy Crawford.

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Clean sheets, good beds, home cooking. Good undertaker, too.

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Called yourself a mortician.

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What do they need him for, the fish?

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Alive or dead, he puts you to bed.

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Well, want anything else? How's your oil?

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Oh, just the gas, thanks. Are we all straight?

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Yep. Oh, oh, oh, one dollar deposit on the can.

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Give it to my nephew Sammy and let him take the dollar off your bill.

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Oh, well, we may not see Sammy. We'd like to pitch camp tonight.

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Got a place?

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No.

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Oh, that's bad. Gets dark, mind you. Quick up this way.

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You sleep at Sammy's, mister. Better make a reservation. Trout season.

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Well, maybe you're right. You got a telephone in there?

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Sure have. 15 cents.

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Oh, this is gonna be expensive fishing.

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Oh, what's nephew Sammy's number?

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It's right here on the wall over the phone.

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Oh, say, look at that fellow coming down the pipe there.

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80 miles. Bound for the roadhouse. Can't wait.

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Say, there are two dozen numbers over this phone.

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Pick the biggest one, the one in red.

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Oh, look at him go, would you?

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Go on, you crazy fool.

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You're gonna save five minutes if you have to kill five people to do it.

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Will you try to straighten out some of them bins up ahead?

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Hey, you crazy fool.

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The pine trees were casting their last, longest shadows across the road

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as I hiked back to the car.

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We weren't gonna get too much fishing done on the Fourth of July.

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But we had to find some for Steve.

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What a kid. Teasing his old man all the time.

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When I came around that hairpin turn, there was the car a few yards away.

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But no family.

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Uh, Elsa?

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Hey, Stevie!

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No family.

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Oh, Stevie was asleep and she didn't want to call out.

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That's right, the kid was tired. A lot of excitement for one day.

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I stepped on something.

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Stevie's trout rod.

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Lying in the middle of the road, these kids have no sense of responsibility.

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A split bamboo rod with silk winding and a balance that was so perfect.

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Well, I stepped up to the car...

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Elsa sat in the back seat looking at me.

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And in her lap she held my boy.

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Dead.

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Elsa couldn't speak. She...

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couldn't speak.

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She couldn't speak.

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I forced some brandy between her teeth and made her swallow it.

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Her hands were like ice. I wanted to rub them, but I...

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couldn't pry them loose from the boy.

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No! No!

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You see him.

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No! You want to make sure.

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I know! You want to make sure!

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Get away! Get away!

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Elsa, how did it happen?

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His trout rod.

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Always his trout rod.

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He was standing at the edge there casting.

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He wasn't on the road. He wasn't.

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And then there was a noise. A car coming up fast.

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You could tell.

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And before he could move it came around the bend and it swerved.

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Elsa, what?

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There was so much dust.

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So much dust and pebbles everywhere.

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Such a thick cloud of dust.

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And stevie flying out of it.

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Like a ball or a bird.

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Flying out of it.

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Elsa, take some more brandy. It'll do you good.

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No! No! I don't want any! Get away!

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Elsa, you've got to take some more brandy.

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Elsa!

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That's how he looked.

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Standing in the road with a bottle in his hand.

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Who was standing in the road?

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The man. The man who killed us.

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He came back?

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He got out of his car and he came over to where I lay in the road with stevie.

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He had a bottle and he took a drink and he offered me a drink and he said he was sorry.

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And then he drove away.

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He said he was sorry!

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Sorry!

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Elsa. Elsa, darling. Elsa, don't. Don't Elsa.

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Poor little stevie.

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Poor sweet little stevie.

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Poor, poor stevie.

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My poor stevie.

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And then it began to grow in me.

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And then the hate began to grow.

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She couldn't remember his car or the clothes he wore and I couldn't make her describe his face.

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But I knew that somehow I'd find him.

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Couldn't be very far off, not in this part of the country.

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I'd find him.

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If I did, I'd kill him.

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Auto Light is bringing you Mr. Gregory Peck in Nightmare.

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Tonight's production in Radio's outstanding theater of thrills, Suspense.

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Friends, this does my Auto Light heart good.

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It's my privilege to introduce Mr. Fred Dearborn, President of the National Safety Council,

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who will present to Mr. Royce G. Martin, President of Auto Light,

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the National Safety Council's annual award for, but you can't guess, an Auto Light Suspense Program.

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Yes, Suspense not only won the Alfred P. Sloan Award for Distinguished Public Service to Highway Safety,

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but another great honor for this same program will now be presented.

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Friends, Mr. Dearborn.

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Thank you, Harlow Wilcox.

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The National Safety Council wishes to thank you, Mr. Martin,

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and the Electric Auto Light Company for bringing to your tremendous radio audience

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the year's outstanding Highway Safety Program, James Cagney and the Suspense Show titled No Escape.

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It was a wonderful story presented to perfection by Mr. Cagney and his supporting cast.

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The judges unanimously selected it as the winner.

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So now, Mr. Martin, I have the pleasure of presenting to you this certificate of award.

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Thank you, Mr. Dearborn.

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In promoting highway safety, and you can rest assured,

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it is a great pleasure to have Suspense win this outstanding recommendation from the National Security Council.

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I speak for one and all of Auto Light employees.

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I trust that tonight's show will make an equal contribution,

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especially at this time with a heavy travel over the Labor Day weekend.

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Thank you again, Mr. Dearborn.

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And now, Auto Light brings back to our Hollywood soundstage, Gregory Peck in Nightmare,

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a tale well calculated to keep you in Suspense.

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I plunged the car back into darkness toward the road house.

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The killer, the dirty, dirty killer.

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There was so much dust, dust and pebbles and Stevie flying on it, like a bird.

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Yes.

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Like a bird.

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Yes, Alza.

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He got out of his car and he offered me a drink.

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He stood there and he said, you better take a drink.

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Now there's the Royal Coachman, that road house.

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And he said he was sorry.

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Well, stop here and use the phone.

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There's a Sam Crawford in Falstown.

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He runs some tourist house and a funeral chapel.

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I'll call him from here.

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Yes.

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See all the lights.

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Why are all the lights on?

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It's a road house, Alza.

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So many people going in.

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Why are they laughing?

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Well, they don't know how we feel, Alza.

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They don't know about us.

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Is it all right to leave you here for a moment?

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I want a call.

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There he is.

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Would you like me to...

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Alza.

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That's him. He killed us.

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Who?

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That's him.

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Who?

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The one who hit Stevie?

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Where?

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There he is.

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Where?

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That one?

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The man standing in the doorway?

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How do you know?

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Can you see his face?

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He came over and he stood close and he said, you better take a drink.

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He was big and fat and his body filled the frame of the door.

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He ran a pudgy hand across his face.

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He was drunk all right.

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He was trying to shake himself out of it.

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He'd never drink again.

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He'd never drive again.

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Not after I got through with him.

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Alza, sit back.

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Don't let anyone see you.

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He killed us.

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Yes, I know, I know.

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Now wait here, Alza.

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Wait here.

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Don't get out of the car.

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I watched him go inside.

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He walked across the lobby and disappeared in the bar.

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I went in after him.

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He was sitting there, his elbows on the bar and his head between his hands.

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I sat where I could watch him and still not be too close.

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Yeah, with soda.

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Before the bartender hardly let go.

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He had it down.

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And then his watery bloodshot eyes looked about the room.

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His eyes caught mine.

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He called to the bartender and then whispered something in his ear, looking at me.

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Then pointing.

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The bartender walked over.

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What'll it be, Mac?

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Oh, nothing.

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Really, I don't care for anything.

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Oh, it's on this gentleman.

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Have a drink, fella.

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It's on me.

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No thanks.

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Can't drink alone, never could.

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Come on now, have a drink.

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What'll it be?

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Can't it be soda, man?

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You gotta have a drink with him.

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Come on.

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Better take a drink with him, fella.

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Oh, soda, just plain soda, but I'll pay for it myself.

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Just plain soda?

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Please, here's the money.

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Why do you think you're doing?

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He don't want your money.

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Ain't that right?

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Your money's no good here.

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He kept breathing in my face and talking and ordering more drinks.

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And I kept thinking of Elsa in the car.

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The way her eyes changed when she saw him.

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The thing in her eyes when she looked at him.

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That man breathing down my neck and guzzling like nothing happened.

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I'll have it again the same way.

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Come on, fella, drink up.

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Come on, you can't drink that stuff without something in it, can you?

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Hey, give him something in that soda.

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I don't want anything.

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He don't want anything.

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You don't want anything.

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No, I...

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I'll have it again the same way.

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Coming up.

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He kept looking at me.

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Breathing at me.

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He had the face of such an ordinary man.

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Only very beefy.

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Such an ordinary man.

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How could he do what he did and then run away?

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I wondered who he was.

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What kind of work he did.

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Did he have a family?

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Did he have a son of his own?

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Was he having all those drinks to try to forget?

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Well, I couldn't let him forget.

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How long was he gonna sit there?

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A couple more drinks and he finally got up.

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He threw a bill on the bar and started to go.

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Hey, you changed.

17:45.000 --> 17:47.000
Never mind the change.

17:47.000 --> 17:49.000
He waved a pudgy hand.

17:49.000 --> 17:51.000
Big shot, big tipper.

17:51.000 --> 17:53.000
Very generous, nice guy.

17:53.000 --> 17:57.000
He even offered Elsa a drink after he killed our boy.

17:57.000 --> 17:59.000
I followed him into the lobby.

17:59.000 --> 18:00.000
He went to the desk.

18:00.000 --> 18:01.000
$257.

18:01.000 --> 18:02.000
Good night, sir.

18:02.000 --> 18:04.000
Good night.

18:04.000 --> 18:07.000
He started for the elevator.

18:07.000 --> 18:10.000
I hurried to the stairway.

18:10.000 --> 18:13.000
I ran up to the second floor.

18:13.000 --> 18:19.000
I waited off the stairway landing and watched the elevator door open.

18:19.000 --> 18:21.000
Wait a minute, not so fast.

18:21.000 --> 18:23.000
I said wait a minute.

18:23.000 --> 18:25.000
Don't shut that door, not so fast.

18:25.000 --> 18:27.000
There's someone else ringing.

18:27.000 --> 18:28.000
I want to ask you a question.

18:28.000 --> 18:29.000
I have to go.

18:29.000 --> 18:30.000
People are ringing.

18:30.000 --> 18:31.000
Can I ask you a question?

18:31.000 --> 18:33.000
Please step away from the door.

18:33.000 --> 18:34.000
You're blocking...

18:34.000 --> 18:35.000
Answer my question.

18:35.000 --> 18:38.000
Get away from the door, then I'll tell you.

18:38.000 --> 18:39.000
Sure.

18:39.000 --> 18:40.000
Now answer me.

18:40.000 --> 18:43.000
When are you going to...

18:43.000 --> 18:45.000
Smart, Alec.

18:45.000 --> 18:46.000
I think she's smart.

18:46.000 --> 18:53.000
He started down the hall, coming towards me.

18:53.000 --> 18:57.000
I stepped back into the stairway, took a cigarette out of my packet,

18:57.000 --> 18:59.000
started to light it.

18:59.000 --> 19:02.000
He walked past, then he stopped.

19:02.000 --> 19:03.000
Oh.

19:03.000 --> 19:06.000
I didn't want to talk to him, just wanted to do it and get it over with.

19:06.000 --> 19:07.000
I started toward him.

19:07.000 --> 19:08.000
We were alone.

19:08.000 --> 19:10.000
And then somebody was coming down the stairs.

19:10.000 --> 19:12.000
You wouldn't mind coming along.

19:12.000 --> 19:13.000
I don't like it.

19:13.000 --> 19:15.000
Even the service is lousy in the place.

19:15.000 --> 19:17.000
One elevator and you can die waiting.

19:17.000 --> 19:19.000
How's about the light?

19:19.000 --> 19:21.000
There was nothing here to do but think.

19:21.000 --> 19:24.000
Before I can answer him, his fat pudgy hand closed over mine

19:24.000 --> 19:27.000
and drew the lighted match to the cigarette in his mouth.

19:27.000 --> 19:29.000
He puffed loosely.

19:29.000 --> 19:31.000
His hand was damp and warm.

19:31.000 --> 19:32.000
I drew back.

19:32.000 --> 19:33.000
Thanks.

19:33.000 --> 19:34.000
Yeah.

19:34.000 --> 19:39.000
See you're out.

19:39.000 --> 19:42.000
I counted the doors as he passed on down the hall.

19:42.000 --> 19:44.000
One.

19:44.000 --> 19:46.000
Two.

19:46.000 --> 19:48.000
Three.

19:48.000 --> 19:50.000
The fifth door down.

19:50.000 --> 19:56.000
That was his room.

19:56.000 --> 20:00.000
I walked slowly down.

20:00.000 --> 20:02.000
I stood in front of his door.

20:02.000 --> 20:10.000
So now it would happen.

20:10.000 --> 20:15.000
Who is it?

20:15.000 --> 20:20.000
Who is it?

20:20.000 --> 20:21.000
Who is it?

20:21.000 --> 20:22.000
Oh.

20:22.000 --> 20:23.000
What do you want?

20:23.000 --> 20:24.000
What do you want?

20:24.000 --> 20:28.000
I...I...I want to ask you something.

20:28.000 --> 20:29.000
May I?

20:29.000 --> 20:30.000
Sure.

20:30.000 --> 20:31.000
Sure.

20:31.000 --> 20:34.000
He waddled over to the bed and sat down.

20:34.000 --> 20:35.000
Here, sit down.

20:35.000 --> 20:38.000
His watery bloodshot eyes blinking at me.

20:38.000 --> 20:41.000
I didn't know how to begin or what to do.

20:41.000 --> 20:43.000
The blind rage was gone.

20:43.000 --> 20:44.000
Something happened to me.

20:44.000 --> 20:47.000
Now suddenly I...I didn't know what I was doing there.

20:47.000 --> 20:48.000
What do you want?

20:48.000 --> 20:51.000
I walked over to the window fumbling for some foolish excuse.

20:51.000 --> 20:52.000
It was no use.

20:52.000 --> 20:53.000
I couldn't kill anybody.

20:53.000 --> 20:54.000
I couldn't do it.

20:54.000 --> 20:56.000
I asked you what do you want?

20:56.000 --> 20:57.000
I looked out of the window.

20:57.000 --> 20:58.000
The light from the neon sign on the roof

20:58.000 --> 21:01.000
made everything look so lonely and dead.

21:01.000 --> 21:02.000
What's the matter with you?

21:02.000 --> 21:04.000
And there was my car in the driveway

21:04.000 --> 21:07.000
and Elsa sitting there.

21:07.000 --> 21:11.000
Her face, the thin outline of her face so gray.

21:11.000 --> 21:14.000
Her mouth pressed tight in a straight hard line.

21:14.000 --> 21:15.000
What do you want from me?

21:15.000 --> 21:17.000
She was holding my son.

21:17.000 --> 21:18.000
Holding him tight.

21:18.000 --> 21:19.000
Pressed close to her.

21:19.000 --> 21:20.000
Holding him.

21:20.000 --> 21:21.000
My son.

21:21.000 --> 21:22.000
What do you want?

21:22.000 --> 21:23.000
Why did you kill my son?

21:23.000 --> 21:24.000
What?

21:24.000 --> 21:25.000
You drunken fool.

21:25.000 --> 21:26.000
Why did you kill my son?

21:26.000 --> 21:27.000
You're crazy.

21:27.000 --> 21:28.000
You're crazy.

21:28.000 --> 21:31.000
One shot eyes bulging from his head, frightened and guilty.

21:31.000 --> 21:34.000
He reached for the phone and then I was on him.

21:34.000 --> 21:36.000
Why did you kill him?

21:36.000 --> 21:38.000
You killed him.

21:38.000 --> 21:40.000
You killed him.

21:40.000 --> 21:42.000
You killed him.

21:42.000 --> 21:48.000
You, you killed him.

21:48.000 --> 21:51.000
You killed him.

21:51.000 --> 21:52.000
Operator.

21:52.000 --> 21:53.000
Operator.

21:56.000 --> 21:59.000
You killed him.

22:02.000 --> 22:03.000
Operator.

22:04.000 --> 22:05.000
Operator.

22:06.000 --> 22:07.000
Operator.

22:08.000 --> 22:09.000
It was done.

22:10.000 --> 22:11.000
All done and over with.

22:12.000 --> 22:14.000
And now I felt better.

22:14.000 --> 22:16.000
It ought to be easier.

22:16.000 --> 22:22.000
It would be a little less pain when they buried my son.

22:28.000 --> 22:30.000
Elsa, you all right?

22:30.000 --> 22:31.000
He's dead.

22:31.000 --> 22:33.000
I made sure of that.

22:33.000 --> 22:35.000
Now let's get out of here.

22:37.000 --> 22:40.000
A twisted black top road unwound steadily under the headlights.

22:40.000 --> 22:42.000
But something had changed.

22:42.000 --> 22:44.000
It was no longer a road.

22:44.000 --> 22:49.000
It was a cloudy misty jungle where everyone was old and haggard.

22:49.000 --> 22:52.000
And there were no children.

22:52.000 --> 22:57.000
And then we brought our boy into Falstown.

23:04.000 --> 23:08.000
If you don't mind a suggestion, Mr. Kane, you look pretty done in.

23:08.000 --> 23:11.000
When we carried the boy out of the car, I had a look at your wife.

23:11.000 --> 23:14.000
Yes, I know.

23:16.000 --> 23:18.000
Good thing you didn't stop at the Royal Coachman.

23:18.000 --> 23:19.000
Where?

23:19.000 --> 23:21.000
The Royal Coachman. That's a road house.

23:21.000 --> 23:24.000
Halfway between here and my uncle's gas station.

23:24.000 --> 23:25.000
You didn't see it?

23:25.000 --> 23:26.000
No.

23:26.000 --> 23:30.000
Well, it's all lit up with neon like a regular Christmas tree.

23:30.000 --> 23:33.000
Troopers just phoned. There's a job for me.

23:33.000 --> 23:35.000
Somebody choked somebody to death.

23:35.000 --> 23:36.000
Lots of excitement.

23:36.000 --> 23:38.000
Oh, well, who did it?

23:38.000 --> 23:40.000
They'll find him.

23:40.000 --> 23:44.000
She looks bad, your wife. We ought to get her right to bed.

23:44.000 --> 23:46.000
Yes. Elsa?

23:47.000 --> 23:49.000
Now I have no son.

23:49.000 --> 23:53.000
Well, this is Sam Crawford, Elsa. He's going to take care of Stevie.

23:53.000 --> 23:55.000
And we're going to sleep in his house tonight.

23:55.000 --> 23:57.000
I think we need some sleep, don't you?

23:57.000 --> 23:58.000
That's him.

23:58.000 --> 23:59.000
What do you mean?

23:59.000 --> 24:00.000
That's him. He did it.

24:00.000 --> 24:01.000
He did what?

24:01.000 --> 24:02.000
He killed my son.

24:02.000 --> 24:03.000
Elsa.

24:03.000 --> 24:04.000
I'm Sammy Crawford, ma'am. I run the local...

24:04.000 --> 24:05.000
He killed us. He killed us.

24:05.000 --> 24:07.000
Elsa.

24:07.000 --> 24:09.000
Elsa.

24:09.000 --> 24:11.000
Look at me. Are you all right, Elsa?

24:11.000 --> 24:12.000
I don't think she knows what she's saying.

24:12.000 --> 24:14.000
He came over. He stood there with a bottle.

24:14.000 --> 24:16.000
He said he was sorry.

24:16.000 --> 24:20.000
Elsa. Elsa, this is Sammy Crawford. He wasn't there.

24:20.000 --> 24:21.000
He was here, miles away.

24:21.000 --> 24:22.000
He killed us.

24:22.000 --> 24:23.000
I'll get Doc Sadler.

24:23.000 --> 24:25.000
What's the matter with Elsa?

24:25.000 --> 24:27.000
I know he didn't do it. He couldn't have.

24:27.000 --> 24:30.000
I was talking to him on the telephone when it happened from the gas station.

24:30.000 --> 24:34.000
Elsa, we know who did do it. We know. And he's dead.

24:34.000 --> 24:36.000
He said he was sorry. He said he was sorry.

24:36.000 --> 24:37.000
Elsa.

24:37.000 --> 24:38.000
Yes.

24:38.000 --> 24:40.000
Look across the street.

24:40.000 --> 24:42.000
Elsa, do you hear me? Look across the street.

24:42.000 --> 24:43.000
Yes.

24:43.000 --> 24:45.000
Do you see that man walking toward the street light?

24:45.000 --> 24:48.000
Can you see him? Answer me.

24:48.000 --> 24:49.000
Yes.

24:49.000 --> 24:50.000
Well, just look at him, Elsa. That's all.

24:50.000 --> 24:53.000
There. Now he's under the light.

24:53.000 --> 24:54.000
Well?

24:54.000 --> 24:55.000
That's him.

24:55.000 --> 24:56.000
No.

24:56.000 --> 24:57.000
That's him.

24:57.000 --> 24:58.000
No.

24:58.000 --> 24:59.000
That's him. He did it. He did it.

24:59.000 --> 25:00.000
Elsa, that's a minister.

25:00.000 --> 25:01.000
He did it.

25:01.000 --> 25:02.000
You know it wasn't a minister.

25:02.000 --> 25:03.000
You saw it. It wasn't Sam Crawford.

25:03.000 --> 25:05.000
He was talking to me on the telephone.

25:05.000 --> 25:06.000
That's him. That's him.

25:06.000 --> 25:07.000
No.

25:07.000 --> 25:08.000
That's him.

25:08.000 --> 25:09.000
No, Elsa.

25:09.000 --> 25:10.000
That's him.

25:10.000 --> 25:11.000
No. No. No.

25:11.000 --> 25:12.000
He did it.

25:12.000 --> 25:13.000
No. No.

25:13.000 --> 25:14.000
Ben.

25:14.000 --> 25:15.000
No.

25:15.000 --> 25:16.000
Ben.

25:16.000 --> 25:17.000
No.

25:17.000 --> 25:18.000
Ben.

25:18.000 --> 25:19.000
No.

25:19.000 --> 25:20.000
Ben, darling.

25:20.000 --> 25:21.000
Ben.

25:21.000 --> 25:22.000
What? What?

25:22.000 --> 25:23.000
Hi, Dad. Hi.

25:23.000 --> 25:24.000
Hello, Stevie. Hi.

25:24.000 --> 25:25.000
Darling, what on earth?

25:25.000 --> 25:38.000
You're dreaming something, moaning and great racking.

25:38.000 --> 25:44.000
It was a nightmare. Oh, Elsa, it was. It was.

25:44.000 --> 25:49.000
You dreamed you lost your job?

25:49.000 --> 25:53.000
Yes. Yes, that was it. How did you know?

25:53.000 --> 25:55.000
Because I know everything.

25:55.000 --> 25:57.000
Come on now. Up out of bed. We've got a big day.

25:57.000 --> 26:00.000
Fourth of July comes but once a year.

26:00.000 --> 26:01.000
Garage door's open, Stevie?

26:01.000 --> 26:03.000
Why, well, we've burned up the road.

26:03.000 --> 26:05.000
Stevie, stop that talk.

26:05.000 --> 26:06.000
My darling.

26:06.000 --> 26:09.000
Oh, I'm sorry.

26:09.000 --> 26:13.000
You know, instead of going up by Falls Town and up there,

26:13.000 --> 26:15.000
we'll cut across just before Kingston

26:15.000 --> 26:19.000
and find our fishing over around Litchfield, huh?

26:19.000 --> 26:21.000
I feel like Connecticut today.

26:21.000 --> 26:24.000
Okay, Dad. I gotta go.

26:24.000 --> 26:26.000
What did you dream about, darling?

26:26.000 --> 26:27.000
It was so awful.

26:27.000 --> 26:29.000
Me?

26:29.000 --> 26:33.000
Well, since you have to know,

26:33.000 --> 26:36.000
I had a horrible jealous dream.

26:36.000 --> 26:38.000
I dreamt you didn't love me.

26:38.000 --> 26:43.000
Oh, dearest.

26:43.000 --> 26:46.000
Oh, that was the wildest dream imaginable.

26:46.000 --> 26:51.000
Now, wasn't that a waste of time?

27:05.000 --> 27:08.000
Suspense presented by Auto Light.

27:08.000 --> 27:13.000
Tonight's star, Gregory Peck in Nightmare.

27:13.000 --> 27:17.000
Mr. Peck, the subject of our show and your character portrayal

27:17.000 --> 27:21.000
won't do highway safety any harm this Labor Day weekend.

27:21.000 --> 27:24.000
Today's newspapers carried some dreadful predictions

27:24.000 --> 27:26.000
of the accidents and deaths likely to happen.

27:26.000 --> 27:27.000
Yes, I saw them.

27:27.000 --> 27:29.000
And if I may, I'd like to add a few words of my own

27:29.000 --> 27:31.000
on this subject of safety.

27:31.000 --> 27:32.000
The mic is yours, Greg.

27:32.000 --> 27:35.000
Well, this evening, the Electric Auto Light Company

27:35.000 --> 27:38.000
has been honored for its efforts on behalf of highway safety.

27:38.000 --> 27:40.000
You, too, can earn such an award.

27:40.000 --> 27:42.000
Of course, yours won't be quite the same.

27:42.000 --> 27:45.000
No bronze plaque or embossed certificates,

27:45.000 --> 27:47.000
and no one will pin any medals on you.

27:47.000 --> 27:50.000
Yours will be a greater, more personal reward.

27:50.000 --> 27:53.000
The deep-felt satisfaction that comes from knowing

27:53.000 --> 27:56.000
that you've taken care and not endangered your own life

27:56.000 --> 27:58.000
or the lives of others.

27:58.000 --> 28:00.000
So drive carefully, won't you?

28:00.000 --> 28:02.000
Today, tomorrow, always.

28:02.000 --> 28:03.000
Thank you.

28:03.000 --> 28:06.000
Yes, folks, drive carefully and drive happily, too,

28:06.000 --> 28:10.000
by switching now to new Wide Gap Auto Light Resistor spark plugs.

28:10.000 --> 28:12.000
They're ignition engineered to work as a perfect team

28:12.000 --> 28:15.000
with your car's complete electrical system.

28:15.000 --> 28:18.000
So for a smoother engine idle and long spark plug life,

28:18.000 --> 28:21.000
just remember, you're always right with auto light.

28:21.000 --> 28:29.000
Music

28:29.000 --> 28:32.000
Next Thursday for Suspense, Ray Milan will be our star.

28:32.000 --> 28:35.000
The play is called Chicken Feed, and it's the story of a man

28:35.000 --> 28:39.000
whose life was worth literally a nickel.

28:39.000 --> 28:43.000
It is, as we say, a tale well calculated to keep you in...

28:43.000 --> 28:45.000
Suspense.

28:45.000 --> 28:51.000
Suspense

28:51.000 --> 28:53.000
Tonight's Suspense play was produced and edited by

28:53.000 --> 28:56.000
William Spear and directed by Norman MacDonald.

28:56.000 --> 29:00.000
Appearing with Mr. Peck were Loreen Tuttle and Alan Reed.

29:00.000 --> 29:02.000
Music for Suspense is composed by Lucian Morrowek

29:02.000 --> 29:04.000
and conducted by Lud Bluskin.

29:04.000 --> 29:07.000
Nightmare was a radio play by Herb Meadows

29:07.000 --> 29:09.000
from a story by Samuel Bloss.

29:09.000 --> 29:13.000
Gregory Peck is currently being seen in MGM's The Great Sinner.

29:13.000 --> 29:16.000
Don't forget, next Thursday same time, auto light will present

29:16.000 --> 29:20.000
Suspense, starring Ray Milan.

29:20.000 --> 29:22.000
Music

29:22.000 --> 29:25.000
Ring

29:25.000 --> 29:28.000
You can buy auto light resistor spark plugs, auto light

29:28.000 --> 29:30.000
staple batteries, auto light electrical parts

29:30.000 --> 29:33.000
at your neighborhood auto light dealers.

29:33.000 --> 29:35.000
Drive right, switch to auto light.

29:35.000 --> 29:37.000
Good night.

29:37.000 --> 29:40.000
This is CBS, the Columbia Broadcasting System.

29:40.000 --> 30:06.000
Music

