WEBVTT

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Now, Auto Light and its 60,000 dealers and service stations present Suspense.

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Tonight, Auto Light brings you Mr. Ralph Edwards in Ghost Hunt, a suspense play produced and

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directed by Anton M. Leder.

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save gas.

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These winning benefits are all made possible by a newly developed Auto Light 10,000 ohm

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resistor built right into every Auto Light resistor spark plug.

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Making practical a wider spark gap setting, and that's what does the trick.

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What's more, Auto Light resistor spark plugs with this exclusive Auto Light resistor have

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greatly increased electrode life and cut down on radio and television interference.

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So folks, see your Auto Light dealer and have him replace old worn out narrow gap spark

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plugs with a set of the new Auto Light resistor spark plugs.

01:22.160 --> 01:25.240
Remember, you're always right with Auto Light.

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And also remember the Auto Light suspense show is now on television every Tuesday night

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in many parts of the country.

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And now, Auto Light presents Ralph Edwards in a tale well calculated to keep you in suspense.

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Yeah, didn't that leave you high, huh?

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Left me feeling treetop tall.

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That was Louis Armstrong's I Can't Give You Anything But Love.

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And that's all we have time for on the Hot and Mellow Hour tonight.

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Yes, yes, yes, this is Smiley Smith, your favorite disc jockey.

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I hope a hope booting the Hot and Mellow Hour home for this evening.

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I'll be back again tomorrow night minus the music, but with a little surprise for you.

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Tomorrow night, Friday night, as you know, is stunt night here at station WXP.

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And have I got a stunt for you.

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Last week, if you remember, I planted my wire recorder in the steam room at a ladies Turkish

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bath and let you listen in on the playback, remember?

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Well tonight, as soon as I leave the studio, do you know where I'm going?

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Your friend Smiley is going to spend the night in a haunted house on a spook hunt.

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You heard me, a spook hunt in a haunted house.

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I'm bringing my little old wire recorder along with me.

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And if you tune in tomorrow evening at this time, you'll learn what it's like to spend

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the night in a haunted house.

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Ain't that something?

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Yeah, a real haunted house.

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No kidding.

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Four people are known to have committed suicide there.

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So tune in tomorrow night and share a real thrill with your old pal Smiley.

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I must be crazy.

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Smiley, good night.

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Care for a cigar, Mr. Thorpe?

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I got some cigars in the dice there.

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No.

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Well, no reason for you to carry a chip on your shoulder, Mr. Thorpe.

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Oh, really?

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Well, I don't like this fool's stunt.

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Well, I don't see it as a fool's stunt at all.

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I really don't.

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I think it's the only way you're going to unload this house.

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Ordinary selling methods won't work in a case like this.

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I don't forget the reputation saddling this house for suicide since 1939.

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You know what people call it?

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The death trap.

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Yes.

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It's a lot of nonsense.

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Sure, but try to convince people of that.

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Anyway, when this disc jockey offered me this chance to kill all the rumors about the death

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trap, about the property, I just naturally jumped and took him up at it.

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Especially since it don't cost a cent.

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You sure about that?

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I'm not liable for a penny.

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Not a cent.

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We're doing him a favor, letting him use the place, he said.

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Thank me for the chance last night when I drove him out here.

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So one end washes the other, as the feller says.

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He got a chance to pull off a stunt, and the wire recording will prove to the people the

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property is A-number-one, and we increase the chance of selling the place.

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Well, as long as it doesn't cost me anything.

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Not a thing.

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He's using his own recorder, and I'm paying for the rental of a couple of walkie-talkies

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he hooked up to it.

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Well, what about this reed?

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He charge anything?

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He comes gratis, too.

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Dr. Reed is a, whatchamacallit, a psychic investigator.

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Belongs to a couple of societies that do nothing but hunt ghosts.

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He showed me articles he's written about it in a magazine.

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Well, here's the house.

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Yeah, looks real nice in the sunshine, don't it?

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Yeah, man, smell that sea breeze.

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You don't have to sell me.

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Well, let them know we're here.

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Yeah, probably asleep up all night and everything.

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Why don't they come out?

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You think they've gone?

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Well, I told them last night I'd pick them up around 11.

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Smith!

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Smith!

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Hey, Smiley!

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Dr. Reed!

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Yeah, fast asleep, I guess.

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We better go and wake them up.

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Of course, they may have taken the bus back to town.

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Oh, no, no, it's a two-mile hike to the main highway.

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Smith!

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Hey, Smiley!

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Where are you?

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Wake up!

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You don't suppose do you?

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Oh, no, no.

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Smith!

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Dr. Reed!

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What's that clicking noise from in there?

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Well, it's his wire recorder he left at run-in.

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These machines cost a lot of money.

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Doesn't he care if he uses up his batteries?

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Well, where is he and where's this Reed?

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Probably they're upstairs.

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Smith!

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Hey, anybody home?

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They must have walked to the highway and taken the bus.

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Well, he wouldn't have left these machines.

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Well, where are they then?

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Where are they?

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No, no, no, don't get excited, Mr. Thorpe.

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Don't tell me not to get excited.

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If something's happened to them in my house, I'm liable.

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You try this side, I'll try that one.

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All right.

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Smith!

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Hey, Smiley!

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Smith!

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Smith!

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Oh, McDonald's.

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Come here.

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What?

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What?

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Oh, no.

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Reed.

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Dr. Reed.

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No, no, don't touch him, Mr. Thorpe.

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You'll get your hands off.

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Look, blood.

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Is he dead?

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I can still feel his pulse.

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We'd better get him to the hospital fast.

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Care for a cigar, Mr. Thorpe?

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No, no, thanks.

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Why not try to relax?

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Nurse said Reed would be all right as soon as he's had a blood transfusion.

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You told the radio station to be sure and call us as soon as they had any word about

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Smith?

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Yes, I told them.

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Why don't you sit down?

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No, I'm all at sixes and sevens.

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What do you suppose happened out there last night?

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We're going to know in just a second, just as soon as I can get this recorder set up.

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You don't suppose Smith and Reed got into a fight, do you?

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Yeah, there.

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Huh?

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A fight?

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I don't know.

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Well, what's wrong?

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Won't it work?

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Yeah, it works.

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Take it easy.

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Testing.

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One, two, three.

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Testing.

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One, two, three.

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All set, Dr. Reed?

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Mr. McDonald?

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Hey?

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Okay, here we go.

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This is Smiley Smith speaking.

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Smiley Smith, the ghost hunter.

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I don't know whether to hope this will turn out to be a success for the sake of the program

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or a failure for my own sake.

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Anyway, all the preparations have been made now and it's up to the spooks.

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I better tell you where we are.

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Right now, we're standing on the lawn of a house about 12 miles above Malibu Beach.

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The ocean is a hundred feet away, straight ahead of us.

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We're going to be able to see the ocean.

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We're going to be able to see the ocean.

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We're going to be able to see the ocean.

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We're going to be able to see the ocean.

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We're going to be able to see the ocean.

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We're going to be able to see the ocean.

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We're going to be able to see the ocean.

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We're going to be able to see the ocean.

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We're going to be able to see the ocean.

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We're going to be able to see the ocean.

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We're going to be able to see the ocean.

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We're going to be able to see the ocean.

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so they won't think you're a ghost.

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Standing with the doc and me is a real estate agent,

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Mr. Charles McDonnell.

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He handles this property,

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and he can tell you a lot more about it than I can.

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Well, the house was built by a man named Marcus,

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Toby Marcus, an orange grower.

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Built the house as a wedding present for his wife.

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A month after they moved in, she took her own life.

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On the day of her funeral, he committed suicide the same way.

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There have been two other cases since then, and I'm sure...

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Did they all jump in the ocean?

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Yeah, all four of them, right over there.

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The last one was actually seen doing it.

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About three years ago, he was seen running like all get out

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the edge of the cliff, and he was shouting and laughing

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and yelling as though there was people at his side

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running right along with him.

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You kidding?

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No, it's fact.

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He was laughing and yelling and running,

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and when he got to the edge, right over there,

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he jumped and never came above water.

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As good an argument against cold baths as ever I've heard.

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Since then, people just refuse to live in this house.

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Silly, I call it.

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Anyway, if you and Dr. Reed find any sign of a spook,

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I'll advise the owner to pull the house down and rebuild.

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But if you don't find anything, I'm hoping this will convince

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folks that here's a real bye.

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Yeah, okay, Mr. Smith, you and the doctor on your own.

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I'll be by in the morning to pick you up around 11.

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Goodbye, Mr. McDonald.

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I hope there's something left for you to pick up

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in the morning.

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Well, it's almost pitch black, folks, and I guess,

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Dr. Reed and I ought to begin.

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I don't believe in ghosts, never have, but what I say is this,

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if you're dead set on looking for them,

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this is a dandy place to do it.

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So long.

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Mr. McDonald just checked out, and then there were two.

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Well, three.

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Oh, my dog, yeah.

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Folks, I have my dog Jeff with me.

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He's a wire-haired terrier, three years of age,

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and he can talk.

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Yeah, say hello, Jeff.

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Come on, Jeff, say hello.

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Come on.

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Well, anyway, he's a wire-haired terrier,

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and he's three years old.

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Shall we go inside now, Dr. Reed?

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I was about to suggest it.

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Now, how do we hunt ghosts, doctor?

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How do we do it, huh?

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We don't really hunt them.

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If there should be any in the house, they will come to us.

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How cozy.

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And please, not ghosts.

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Do not refer to them as ghosts.

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We know them as apparitions.

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I'll remember.

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I have no desire to hurt their feelings.

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If ghosts are concerned, I say live and let live.

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Well, we've opened the front door now.

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Maybe you heard the hinge squeak a little.

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Now we're standing here looking in.

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Can't see much.

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Smells sort of musty and damp.

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What's the matter, Jeff?

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What's the matter, boy?

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Jeff.

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Oh, come on now.

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Come on.

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My dog seems to have jacked entering this house.

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He has all four feet braced, and he's

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straining against the leash.

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Perhaps he senses something we don't,

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like apparitions, maybe.

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Perhaps.

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It's not unusual.

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Animals lack the veneer of sophistication we humans possess

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and are more sensitive to such ammunition.

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Yeah, come on, Jeff.

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Now, stop this nonsense.

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He probably smells a mouse or rat or something.

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Come on, Jeff.

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We're going in whether you like it or not.

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Oh.

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There's a short entrance hall, and over there at the end of it

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is a flight of stairs leading to the second floor.

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Jeff.

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And over here at the left is what seems

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to be a large reception room.

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We're entering this large room now.

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There are windows over there, French windows.

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And through them, I can see the ocean.

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The electricity hasn't been turned on,

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so all I have to see by is a flashlight.

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Not a very powerful one at that.

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Dr. Reed is now adjusting his walkie talkie.

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It's hooked up to my recorder so that he

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can cut in while he's hunting and tell us what he's found.

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Here's a few words from Doc before he sets forth

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on his investigation through the house.

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Ladies and gentlemen, Mr. Smith has introduced me

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as a ghost hunter.

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He spoke, I think, in a spirit of skepticism and levity.

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I'd like to assure you all that my purposes here are serious.

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I have spent my entire life seeking

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reliable proof of the appearances of apparitions.

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Have you ever seen any, ever?

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I have seen phenomena which lead me

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to believe in the possibility of their existence,

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although I have never seen any.

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I account myself sensitive to the evidence

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of their existence.

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This house, for example, affects me profoundly.

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It doesn't seem to affect you in the same way.

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I'm not too happy about all this, if that's what you mean.

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You are not psychic and therefore not sensitive

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to these matters as I am.

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I imagine the question in the minds of those of you listening

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to us is, shall we find apparitions?

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I don't know.

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But I feel they are here and that they are evil.

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I sense danger.

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I shall soon know.

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Dr. Reed's leaving the room now to make a tour of the house.

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First thing I'm going to do is open the windows

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and let some fresh air in.

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It feels better already.

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Cooler anyway.

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I know that.

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Ow!

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Oh, it's a bat.

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A bat just flew into the room.

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I think it's a bat, not a bird.

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I didn't actually see it.

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It's shadow as it fanned my face.

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There it is again.

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It touched me as it passed.

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Ow!

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Jeff!

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Jeff!

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Jeff, come back here!

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Jeff, you fool dog!

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Come back here!

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Dr. Reed?

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Dr. Reed?

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Dr. Reed?

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For suspense, Auto Light is bringing you Mr. Ralph Edwards

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in radio's outstanding theater of thrills, Suspense.

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Then.

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Hello.

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Hello.

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Snap out of it.

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Oh.

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Oh, I'm reading a letter about the new Wide Gap Auto Light Resistor Spark Plugs app.

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It's from Mrs. Clark Perry right here in Hollywood.

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She says, our 1948 station wagon has given constant trouble.

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Finally, the garage man said all the difficulty was spark plugs,

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and he installed a set of Auto Light Resistor Spark Plugs.

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Now the car runs on the left lane.

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And the car is in the middle of the road.

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And he installed a set of Auto Light Resistor Spark Plugs.

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Now the car runs beautifully.

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The very first time my husband has been really pleased.

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Well, smart garage man.

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Smart people to take his advice.

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Happ, you know, as more and more people learn about Wide Gap Auto Light Resistor Spark Plugs,

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and how they make an engine idle smoother,

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give better performance on leaner gas mixtures, actually save on gas,

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why then more people will replace old worn out narrow gap spark plugs

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with new Wide Gap Auto Light Resistor Spark Plugs.

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Any more letters like that, Harlow?

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Plenty, Happ, plenty.

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Why, here's another one from New York City.

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Oh, read it to me later, Harlow.

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We haven't time because here's suspense.

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And now, Auto Light brings back to our Hollywood sound stage,

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Ralph Edwards as Smiley Smith in Ghost Hunt.

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A tale well calculated to keep you in suspense.

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Jeff, Jeff, Jeff, come back here.

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Jeff, you fool dog, come back here.

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Dr. Reed, Dr. Reed, Dr. Reed.

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Reed speaking, what is it, Smith?

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Jeff has run off, my dog, he jumped through the window and ran off.

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Oh, so, I told you he said something about this house, didn't I?

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Yeah, you want to come and see if you can determine what it was exactly that set him off?

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Soon. I'm making my way slowly up the stairs toward the second floor now.

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I'm halfway up. I'll be done with you soon.

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Folks, my dog's run away. You probably heard him howling.

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He jumped through the window and took off.

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Never did anything like that before.

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Frightened by the bat, I guess.

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Personally, alone here in this big room, I can understand how he must have felt.

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This isn't a cheerful spot by any means.

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I may not be psychic, but I sure have a feeling this house doesn't want us here.

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Reed again.

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Excuse me. I have something of great interest to report.

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I'm now standing in an alcove on the second floor trying to recover my breath.

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As I reached the head of the stairs, I felt what I think is a definite psychic manifestation.

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I felt suddenly as though I had been punched in the solar plexus.

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That's the only way I can describe it.

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At the same time, I began to perspire.

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My head is still swimming slightly, and I have difficulty in swallowing.

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My pulse rate is around 110th of a minute.

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The sense of evil is very strong.

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I feel very, what shall I say, profoundly depressed.

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Do you want me up there?

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No. I prefer to remain up here alone.

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The presence of a disbeliever such as you might interfere with my investigation.

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Folks, I'd like you to get a picture of what it's like here.

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It's very quiet, for one thing.

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I've never been in such a quiet place, and it's pretty dark.

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No light except my flashlight.

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Tell you what, you go now and douse all the lights you have on.

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Go ahead, put out the lights, and that'll give you a clearer feeling of how it is here with me.

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Go ahead, put out the lights.

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Hey, did you hear that?

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Real estate agent told me I'd probably hear rats and mice in the walls.

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I can certainly hear them now.

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Even you can hear them, I think. It's as though...

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Dr. Reed speaking. I've been working my way toward the front room,

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the one directly above the one in which Mr. Smith is now.

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The vibrations have become stronger, and more and more pronounced as I approach it.

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I think I am on the verge of an important discovery.

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Important discovery? Did you get that?

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Now I can hear Dr. Reed moving about in the room above.

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I don't suppose you can. Have a try anyway, huh?

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Hear him?

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I hope he finishes his investigation soon, because, quite frankly, I'd like to get out of here.

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I can well imagine people becoming unhinged in this place.

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Right now I find myself pretty jumpy.

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I'm not being very brave, am I?

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It's being alone in this room down here, the desert, this darned old house.

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It's so very... I mean, you know, the atmosphere, it's so very...

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I wish only to make this hurried report before continuing with the investigation in this room.

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I have carefully sounded out all the parts in this room,

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and the emanations are most strong from what appears to be a closet,

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before which I am now standing.

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As soon as I open the door to this closet, I will have, I think,

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a thing of great interest to communicate.

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I find no key to the lock, and so I will attempt to remove the hinges with my pinknife,

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and I will tell you what I find when I open it.

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I'll tell you what it would cost to get me to open that door.

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In the basement at Fort...

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There's that bat again! It seems to like me!

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The way it keeps... Each time it passes, it touches my face or my neck with its wings.

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Smelly things, bats.

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I don't suppose they bathe very often, if at all.

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I wonder how... Get away! You bat! That bat'll be the death of me!

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It's like a jingle, isn't it?

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Bat'll be the death of me, the death of me, the death of me, bat'll be the death of me.

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It isn't far from London... No, that isn't the way it goes.

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It's come down to Q in lilac time, in lilac time, in lilac time.

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Come down to Q in lilac time, it isn't far...

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I haven't thought of that since I was a kid in grammar school.

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See, I had a lonely childhood when you come right down to it.

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I mean... Oh, that's my affair, isn't it? Yes, it is. It certainly is.

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I have succeeded in removing the hinges to the door, and I find inside it is not a closet, but much larger.

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It is, I think, a dressing room.

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I have not yet been inside, but I am about to enter.

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What was I talking about?

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Oh, yeah, bats. Well, the bat flying back and forth in this room...

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Did you hear that? Did you hear it?

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Dr. Reed must have knocked something over in the dressing room.

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A chair, a chair, yeah, a heavy chair, by the sound of it.

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The chair, whatever it was, must have fallen right over my head.

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That's the way it sounded.

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I can see a small stain forming right on the ceiling, right over my head.

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Something ran across my foot, just a rat, I think it was.

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I've always hated rats. Most people do, of course.

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That stain up there bothers me. It's gotten so big so soon.

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I think I'll take a chance and bother Reed and ask him what it is.

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Dr. Reed. Reed, can you hear me? Are you all right? Hello?

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Well, he didn't answer. I think he's just a little bit deaf. I think so.

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What do you suppose he's found, huh?

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I'm afraid this is rather dull for you listeners. I'm not finding it so, of course.

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There. I heard him cough. Did you hear that cough? Hope he's all right.

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He got out of a sickbed to come here this evening, you know.

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He was gassed in the First World War and this place is beginning to get on my nerves a wee bit.

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Just a teensy-weensy bit.

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Reed speaking.

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Hello? He switched off. That's the bad cough he's got. I feel so lonely.

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I've been alone so much in my life. Not so much now, of course, but when I was younger, I was alone so much at the time.

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You know, struggling to get ahead, living in a hall, bedroom, wondering where my next meal is coming from.

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I get the blues just remembering it.

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It seems sad, young people having to spend so much time alone.

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Sad for old people, too, of course. I'm saying, of course, a lot. Of course, I am.

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Hey, that stain on the ceiling, it's grown amazingly. It's actually beginning to drip. I mean, form bubbles.

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They'll start dropping soon. Colored bubbles, they seem to be.

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Odd-shaped stain, like a body lying on its back with its arms stretched out.

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It's cheerful.

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I'll certainly advise Mr. McDonald to have this place pulled down.

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I'll go upstairs in a minute or two to see how Dr. Reed's making out.

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You know, listeners, I really believe I'd go completely crazy if I had to stay here much longer.

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Where's your down? That's exactly what it does. It wears you down.

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It's so close and musty in here, I feel sort of trapped.

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I don't know why I said that. That's what they call this place, you know, the death trap.

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There, what did I tell you? That stain started to drip drops, drip drops, drip drops, drip drops.

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I'll catch the next one with my hand. Let's go.

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Reed? Dr. Reed?

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I'm going upstairs now, listeners. I'm afraid something has happened to Dr. Reed.

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I'm not kidding now. I mean, this is on the level. Which room could it be now? Right? No, right, right. This is it, I think.

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Well, good evening, gentlemen. And madam? I'm so glad to see you.

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I was just aching to see somebody, anybody. I've been so lonely down there.

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What have you done with the doctor? I know, I know he's been hurt.

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See the color of the bubble on my hand? What have you done with him?

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Make way, please, gentlemen. Make way.

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Well, this isn't the funniest darn thing.

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This can't be Dr. Reed lying here. He didn't have a red beard.

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Don't crowd me, gentlemen. Don't crowd me, please.

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You want me to go where with you? You want me to do what?

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Speak up, gentlemen. To the cliffs. Down to the cliffs? You mean right now?

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Well, all right, if you'll come with me. I don't want to be alone anymore.

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You will come with me? All of you? All four of you? You too, ma'am?

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Oh, good. Come on, then. To the cliffs. To the cliffs. To the cliffs. To the...

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He jumped over the cliff. He jumped over the cliff, McDonald. He jumped over...

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Mr. McDonald, Mr. Thorpe, you may come in to see Dr. Reed now.

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What? Uh-huh. Dr. Reed is conscious. You may see him now.

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Is... is he able to talk? Just for a few minutes. In here.

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Come in. Come in, gentlemen.

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How are you, Dr. Reed? We've been waiting to see you.

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Yes, and I must apologize, gentlemen. I had a most unfortunate accident.

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Hemorrhage.

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A hemorrhage?

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Yes. My lungs, you know. Now, gentlemen...

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Hemorrhage? Dr. Reed, what happened in that house? What happened to Smith?

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We've just been listening to a playback of the recordings you made out there.

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Smith? Isn't he with you?

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We've just heard the recording, Dr. Reed. Smith jumped over the cliff. Into the ocean.

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Oh, that poor boy.

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Dr. Reed, will you please tell us what happened? We heard on the recording there were ghosts in that house.

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Ghosts? I didn't see any ghosts.

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But Smith, what about him?

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If he went over the cliff, it was fear that drove him over.

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But, Doc...

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Gentlemen, I didn't see any ghosts. As for that unfortunate young man, who can say now what he saw?

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Or thought he saw?

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Thank you, Ralph Edwards, for displaying your versatility by appearing as guest star on Suspense.

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See, Harlow, that Edwards does everything.

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Oh, half. No, does. Don't use that word on our auto light show.

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Oh, come now, Harlow, I can make you use that word, as you call it.

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How? Now, don't you say that auto light resistor spark plugs make your car engine idle smoother?

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Yes, but...

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And your car gives better performance on leaner gas mixtures. Saves gas.

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Sure does. I mean, do. I mean, does.

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Aren't we devils?

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Ha ha, Ralph, you tricked me. Well, anyhow, it does my heart good to tell people that auto light resistor spark plugs are ignition engineered by auto light,

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which makes more than 400 products for cars, trucks, airplanes, and boats in 28 plants from coast to coast.

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Auto light also makes complete electrical systems for many makes of America's finest cars.

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Batteries, spark plugs, generators, starting motors, spark plug wire, battery cable, coils, distributors.

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All ignition engineered to fit together perfectly, work together perfectly because they're a perfect team.

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The lifeline of your car.

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So, folks, don't accept electrical parts that are supposed to be as good. Remember, you're right. With auto light.

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And now here again is Ralph Edwards.

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I want to thank Tony Leeder and his great cast of actors for helping to make my appearance on Suspense a very pleasant consequence.

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Like all of you, I'm a great Suspense fan and I'm looking forward to next week when radio's outstanding theater of thrills brings you Joseph Cotton in The Day I Died.

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Another gripping study in Suspense.

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Tonight's Suspense play was adapted for radio by Walter Newman from an original story by H.R. Wakefield with music composed by Lucian Morrowek and conducted by Lud Bluskin.

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The entire production was under the direction of Anton M. Leeder.

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Make it a point to listen next Thursday to Suspense, radio's outstanding theater of thrills.

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Remember next Thursday same time here at Joseph Cotton in The Day I Died.

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You can buy auto light resistor spark plugs, auto light staple batteries, auto light electrical parts at your neighborhood auto light dealers.

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Switch to auto light. Good night.

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This is CBS, the Columbia Broadcasting System.

